OWNER S MANUAL MUSIC PRODUCTION SYNTHESIZER

Transcription

1 OWNER S MANUAL MUSIC PRODUCTION SYNTHESIZER EN

2 USB TO DEVICE TO HOST MIDI THRU OUT IN SPECIAL MESSAGE SECTION This product utilizes batteries or a exteral power supply (adapter). DO NOT coect this product to ay power supply or adapter other tha oe described i the maual, o the ame plate, or specifically recommeded by Yamaha. WARNING: Do ot place this product i a positio where ayoe could walk o, trip over, or roll aythig over power or coectig cords of ay kid. The use of a extesio cord is ot recommeded! If you must use a extesio cord, the miimum wire size for a 25 cord (or less) is 18 AWG. NOTE: The smaller the AWG umber, the larger the curret hadlig capacity. For loger extesio cords, cosult a local electricia. This product should be used oly with the compoets supplied or; a cart, rack, or stad that is recommeded by Yamaha. If a cart, etc., is used, please observe all safety markigs ad istructios that accompay the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The iformatio cotaied i this maual is believed to be correct at the time of pritig. However, Yamaha reserves the right to chage or modify ay of the specificatios without otice or obligatio to update existig uits. This product, either aloe or i combiatio with a amplifier ad headphoes or speaker/s, may be capable of producig soud levels that could cause permaet hearig loss. DO NOT operate for log periods of time at a high volume level or at a level that is ucomfortable. If you experiece ay hearig loss or rigig i the ears, you should cosult a audiologist. IMPORTANT: The louder the soud, the shorter the time period before damage occurs. Some Yamaha products may have beches ad / or accessory moutig fixtures that are either supplied with the product or as optioal accessories. Some of these items are desiged to be dealer assembled or istalled. Please make sure that beches are stable ad ay optioal fixtures (where applicable) are well secured BEFORE usig. Beches supplied by Yamaha are desiged for seatig oly. No other uses are recommeded. Battery Notice: This product MAY cotai a small o-rechargeable battery which (if applicable) is soldered i place. The average life spa of this type of battery is approximately five years. Whe replacemet becomes ecessary, cotact a qualified service represetative to perform the replacemet. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery beig charged is a rechargeable type ad that the charger is iteded for the battery beig charged. Whe istallig batteries, do ot mix batteries with ew, or with batteries of a differet type. Batteries MUST be istalled correctly. Mismatches or icorrect istallatio may result i overheatig ad battery case rupture. Warig: Do ot attempt to disassemble, or icierate ay battery. Keep all batteries away from childre. Dispose of used batteries promptly ad as regulated by the laws i your area. Note: Check with ay retailer of household type batteries i your area for battery disposal iformatio. Disposal Notice: Should this product become damaged beyod repair, or for some reaso its useful life is cosidered to be at a ed, please observe all local, state, ad federal regulatios that relate to the disposal of products that cotai lead, batteries, plastics, etc. If your dealer is uable to assist you, please cotact Yamaha directly. NAME PLATE LOCATION: The ame plate is located o the rear (MO8) or bottom (MO6) of the product. The l umber, serial umber, power requiremets, etc., are located o this plate. You should record the l umber, serial umber, ad the date of purchase i the spaces provided below ad retai this maual as a permaet record of your purchase. MO8 NOTICE: Service charges icurred due to a lack of kowledge relatig to how a fuctio or effect works (whe the uit is operatig as desiged) are ot covered by the maufacturer s warraty, ad are therefore the owers resposibility. Please study this maual carefully ad cosult your dealer before requestig service. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe ad evirometally friedly. We sicerely believe that our products ad the productio methods used to produce them, meet these goals. I keepig with both the letter ad the spirit of the law, we wat you to be aware of the followig: MO6 Model Serial No. Purchase Date PLEASE KEEP THIS MANUAL

3 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, whe istalled as idicated i the istructios cotaied i this maual, meets FCC requiremets. Modificatios ot expressly approved by Yamaha may void your authority, grated by the FCC, to use the product. 2. IMPORTANT: Whe coectig this product to accessories ad/ or aother product use oly high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all istallatio istructios. Failure to follow istructios could void your FCC authorizatio to use this product i the USA. 3. NOTE: This product has bee tested ad foud to comply with the requiremets listed i FCC Regulatios, Part 15 for Class B digital devices. Compliace with these requiremets provides a reasoable level of assurace that your use of this product i a residetial eviromet will ot result i harmful iterferece with other electroic devices. This equipmet geerates/uses radio frequecies ad, if ot istalled ad used accordig to the istructios foud i the users maual, may cause iterferece harmful to the operatio of other electroic devices. Compliace with FCC regulatios does FCC INFORMATION (U.S.A.) ot guaratee that iterferece will ot occur i all istallatios. If this product is foud to be the source of iterferece, which ca be determied by turig the uit OFF ad ON, please try to elimiate the problem by usig oe of the followig measures: Relocate either this product or the device that is beig affected by the iterferece. Utilize power outlets that are o differet brach (circuit breaker or fuse) circuits or istall AC lie filter/s. I the case of radio or TV iterferece, relocate/reoriet the atea. If the atea lead-i is 300 ohm ribbo lead, chage the lead-i to co-axial type cable. If these corrective measures do ot produce satisfactory results, please cotact the local retailer authorized to distribute this type of product. If you ca ot locate the appropriate retailer, please cotact Yamaha Corporatio of America, Electroic Service Divisio, 6600 Oragethorpe Ave, Buea Park, CA90620 The above statemets apply ONLY to those products distributed by Yamaha Corporatio of America or its subsidiaries. * This applies oly to products distributed by YAMAHA CORPORATION OF AMERICA. (class B) COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE) Resposible Party : Yamaha Corporatio of America Address : 6600 Oragethorpe Ave., Buea Park, Calif Telephoe : Type of Equipmet : MUSIC PRODUCTION SYNTHESIZER Model Name : MO6, MO8 This device complies with Part 15 of the FCC Rules. Operatio is subject to the followig coditios: 1) this device may ot cause harmful iterferece, ad 2) this device must accept ay iterferece received icludig iterferece that may cause udesired operatio. See user maual istructios if iterferece to radio receptio is suspected. * This applies oly to products distributed by YAMAHA CORPORATION OF AMERICA. (FCC DoC) OBSERVERA! Apparate kopplas ite ur växelströmskälla (ätet) så läge som de ar aslute till vägguttaget, äve om själva apparate har stägts av. ADVARSEL: Netspæedige til dette apparat er IKKE afbrudt, sålæege etledige siddr i e stikkotakt, som er t edt også selvom der or slukket på apparatets afbryder. VAROITUS: Laittee toisiopiirii kytketty käyttökytki ei irroita koko laitetta verkosta. (stadby)

4 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this maual i a safe place for future referece. WARNING Always follow the basic precautios listed below to avoid the possibility of serious ijury or eve death from electrical shock, short-circuitig, damages, fire or other hazards. These precautios iclude, but are ot limited to, the followig: Power supply/ac power adaptor Oly use the voltage specified as correct for the istrumet. The required voltage is prited o the ame plate of the istrumet. Use the specified adaptor (PA-5D or a equivalet recommeded by Yamaha) oly. Usig the wrog adaptor ca result i damage to the istrumet or overheatig. Check the electric plug periodically ad remove ay dirt or dust which may have accumulated o it. Do ot place the AC adaptor cord ear heat sources such as heaters or radiators, ad do ot excessively bed or otherwise damage the cord, place heavy objects o it, or place it i a positio where ayoe could walk o, trip over, or roll aythig over it. Do ot ope Do ot ope the istrumet or attempt to disassemble the iteral parts or modify them i ay way. The istrumet cotais o user-serviceable parts. If it should appear to be malfuctioig, discotiue use immediately ad have it ispected by qualified Yamaha service persoel. Water warig Do ot expose the istrumet to rai, use it ear water or i damp or wet coditios, or place cotaiers o it cotaiig liquids which might spill ito ay opeigs. Never isert or remove a electric plug with wet hads. Fire warig Do ot put burig items, such as cadles, o the uit. A burig item may fall over ad cause a fire. If you otice ay abormality If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudde loss of soud durig use of the istrumet, or if ay uusual smells or smoke should appear to be caused by it, immediately tur off the power switch, discoect the adaptor plug from the outlet, ad have the istrumet ispected by qualified Yamaha service persoel. CAUTION Always follow the basic precautios listed below to avoid the possibility of physical ijury to you or others, or damage to the istrumet or other property. These precautios iclude, but are ot limited to, the followig: Power supply/ac power adaptor Whe removig the electric plug from the istrumet or a outlet, always hold the plug itself ad ot the cord. Uplug the AC power adaptor whe ot usig the istrumet, or durig electrical storms. Do ot coect the istrumet to a electrical outlet usig a multiple-coector. Doig so ca result i lower soud quality, or possibly cause overheatig i the outlet. Locatio Do ot expose the istrumet to excessive dust or vibratios, or extreme cold or heat (such as i direct sulight, ear a heater, or i a car durig the day) to prevet the possibility of pael disfiguratio or damage to the iteral compoets. Do ot use the istrumet i the viciity of a TV, radio, stereo equipmet, mobile phoe, or other electric devices. Otherwise, the istrumet, TV, or radio may geerate oise. Do ot place the istrumet i a ustable positio where it might accidetally fall over. Before movig the istrumet, remove all coected adaptor ad other cables. Whe settig up the istrumet, make sure that the AC outlet you are usig is easily accessible. If some trouble or malfuctio occurs, immediately tur off the power switch ad discoect the plug from the outlet. (3)-9 1/2

5 Coectios Before coectig the istrumet to other electroic compoets, tur off the power for all compoets. Before turig the power o or off for all compoets, set all volume levels to miimum. Also, be sure to set the volumes of all compoets at their miimum levels ad gradually raise the volume cotrols while playig the istrumet to set the desired listeig level. Maiteace Whe cleaig the istrumet, use a soft, dry cloth. Do ot use pait thiers, solvets, cleaig fluids, or chemical-impregated wipig cloths. Hadlig cautio Do ot isert a figer or had i ay gaps o the istrumet. Never isert or drop paper, metallic, or other objects ito the gaps o the pael or keyboard. If this happes, tur off the power immediately ad uplug the power cord from the AC outlet. The have the istrumet ispected by qualified Yamaha service persoel. Do ot place viyl, plastic or rubber objects o the istrumet, sice this might discolor the pael or keyboard. Do ot rest your weight o, or place heavy objects o the istrumet, ad do ot use excessive force o the buttos, switches or coectors. Do ot operate the istrumet for a log period of time at a high or ucomfortable volume level, sice this ca cause permaet hearig loss. If you experiece ay hearig loss or rigig i the ears, cosult a physicia. Savig data Savig ad backig up your data DRAM data (see page 150) is lost whe you tur off the power to the istrumet. Save the data to a USB storage device. Never attempt to tur off the power while data is beig writte to Flash ROM (while a Executig... or Please keep power o message is show). Turig the power off i this state results i loss of all user data ad may cause the system to freeze (due to corruptio of data i the Flash ROM). This meas that this sythesizer may ot be able to start up properly, eve whe turig the power o ext time. Backig up the USB storage device To protect agaist data loss through media damage, we recommed that you save your importat data oto two USB storage devices. Yamaha caot be held resposible for damage caused by improper use or modificatios to the istrumet, or data that is lost or destroyed. Always tur the power off whe the istrumet is ot i use. Eve whe the power switch is i the STANDBY positio, electricity is still flowig to the istrumet at the miimum level. Whe you are ot usig the istrumet for a log time, make sure you uplug the AC power adaptor from the wall AC outlet. (3)-9 2/2

6 Itroductio Itroductio Cogratulatios ad thak you for your purchase of the Yamaha MO Music Productio Sythesizer! You ow ow a fatastic-soudig, highly versatile keyboard oe that combies comprehesive sythesizer soudcraftig cotrols ad powerful performace/recordig features i a total music productio istrumet. Virtually all of our sythesizer techology ad music makig kow-how wet ito the desig of this istrumet. The ew MO ot oly gives you the latest ad greatest souds ad rhythms (as well as the ability to create your ow), it gives you powerful, easy-to-use tools for playig, combiig ad cotrollig these dyamic souds/rhythms i real time, as you perform! Take time to look through this maual carefully. It s packed with importat iformatio o how to get the most from this amazig istrumet. Dive i ow ad ejoy! Accessories The followig items have bee icluded with your MO. Check to see that you have everythig listed here. Power adaptor (PA-5D)* Ower s Maual (this documet) Data List * May ot be icluded i your area. Please check with your Yamaha dealer. The illustratios ad LCD screes as show i this ower s maual are for istructioal purposes oly, ad may appear somewhat differet from those o your istrumet. This product icorporates ad budles computer programs ad cotets i which Yamaha ows copyrights or with respect to which it has licese to use others copyrights. Such copyrighted materials iclude, without limitatio, all computer software, style files, MIDI files, WAVE data, musical scores ad soud recordigs. Ay uauthorized use of such programs ad cotets outside of persoal use is ot permitted uder relevat laws. Ay violatio of copyright has legal cosequeces. DON T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. This device is capable of usig various types/formats of music data, ad it optimizes the data i advace to the proper format for use with the device. As a result, the data may ot be played back precisely as the creators or composers origially iteded. Copyig of the commercially available musical data icludig but ot limited to MIDI data ad/or audio data is strictly prohibited except for your persoal use. Widows is the registered trademarks of Microsoft Corporatio. Apple ad Macitosh are trademarks of Apple Computer, Ic., registered i the U.S. ad other coutries. The compay ames ad product ames i this Ower s Maual are the trademarks or registered trademarks of their respective compaies. 6 Ower s Maual

7 Mai Features Mai Features Wide rage of dyamic ad authetic voices. Use the Category Search fuctio to quickly call up the souds you wat, based o their istrumet type. Page 42 Performace lets you use four differet voices together i layers or i a keyboard split. Page 44 Extesive effect processig, with Reverb (20 types), Chorus (49 types), three separate Isertio blocks each of which has two blocks (total 116 types), Master Effect (8 types), ad a digital equalizer (3-bad Part EQ ad 5-bad Master EQ). Comprehesive real-time cotrol with four kobs ad four sliders lettig you adjust filter, levels, effects, EG, ad more, while you play. Patter fuctios let you craft differet rhythmic sectios ad riffs as idividual elemets which you ca easily ad ituitively combie i real time to create full rhythm tracks. I additio to beig able to create User voices i the Voice, you ca create special Mixig voices for Sogs ad Patters. These voices ca be edited ad stored i the Sog/Patter, makig it exceptioally easy ad coveiet to create voices for use with Sogs ad Patters. The versatile Arpeggio feature automatically plays a variety of sequeced phrases i respose to the keys you play. This fuctio is especially powerful with drum voices lettig you easily call up various rhythm patters at the touch of a key, ad providig istat ispiratio for sog creatio ad performace. Whe used with ormal voices, the Arpeggio phrase chages harmoically ad melodically with the chords you play, givig you ituitive cotrol over the patters as you compose or perform. Arpeggios ca be triggered ot oly accordig to the keys you play, but also by how strogly you play them for eve greater performace power. Oce you ve collected all the MIDI data ad patters you eed for your sog, use Patter Chai to arrage the pieces i real time. This hads-o approach makes it easier tha ever to come up with great ideas ad amazig sogs. Sog Scee is aother powerful tool that lets you take sapshots of the sequecer track settigs (such as pa, volume, track mute ad so o). The, durig playback or recordig, simply switch amog the Scees for istat, dyamic chages. Master for usig the MO as a master keyboard cotroller (with idepedet Zoes), ad for easily recofigurig the istrumet betwee Voice/Performace play ad Sog/Patter play i live applicatios. Page 140 Page 51 Page 73 Page 78 Page 48 Page 84 Page 89 Page 122 Exceptioally easy-to-uderstad iterface with two-tiered operatio buttos: [F1] [F6] ad [SF1] [SF5] Page 33 Remote Cotrol for operatig your favorite sequecig software from the pael cotrols. Mute tracks, cotrol trasport (Play, Stop, Record, etc.), mix both MIDI ad audio tracks (up to 16) with this istrumet s kobs ad sliders, pa the tracks, cotrol EQ, ad tweak effect seds all without ever touchig the mouse. Page 113 The digital output jacks (DIGITAL) esure completely oise-free, distortio-free soud output (44.1kHz, 24 bit). Page 103 The istrumet features two USB coectors USB TO HOST for coectig to computer, ad USB TO DEVICE for coectig to storage devices, such as a hard disk drive or flash disk. Page 31 Compatibility with Yamaha s powerful Voice Editor ad Multi Part Editor software featurig comprehesive, ituitive editig of all parameters from your computer. Page 112 Ower s Maual 7

8 How to use this maual How to use this maual Applicatio Idex...Page 9 This special idex is orgaized ot by sigle words, but by fuctios ad applicatios allowig you to quickly ad easily fid how to perform a particular operatio or explore a topic of iterest. The Cotrols & Coectors...Page 14 Use this sectio to fid out about all of the buttos, cotrols ad coectors of this istrumet. Settig Up ad Playig...Page 20 Before goig o to ay other part of the maual, we strogly suggest you read this sectio first. It shows you how to get started playig ad usig your ew istrumet. Basic Operatio...Page 27 This sectio itroduces you to the basic operatig covetios of this istrumet, such as editig values ad chagig settigs. Quick Guide...Page 40 I this tutorial sectio, you will take a guided tour through the various fuctios of this istrumet, ad get some hads-o experiece i playig ad usig it. Basic Structure...Page 128 This sectio provides a detailed overview of all of the mai fuctios ad features of this istrumet, ad shows how they fit together. Referece...Page 151 The MO ecyclopedia. This sectio explais all parameters, settigs, fuctios, features, s ad operatios i full detail. Appedix...Page 219 This sectio cotais detailed iformatio o the istrumet, icludig the Specificatios ad a Alert Message List. Troubleshootig...Page 227 If this istrumet does ot fuctio as expected or you have some problem with the soud or operatio, refer to this sectio before callig your Yamaha dealer or service ceter. Most commo problems ad their solutios are covered here i a very simple ad easy-to-uderstad way. Data List (separate booklet) This cotais various importat lists such as the Voice List, Preset Patter Phrase List, Effect List, MIDI Data Format, ad MIDI Implemetatio Chart. Throughout this maual, arrows are used i the istructios, idicatig i shorthad the process of callig up certai displays ad fuctios. The example istructios below idicate to 1) press the [VOICE] butto, 2) select a Normal Voice, 3) press the [EDIT] butto, 4) select a Elemet, 5) press the [F1] OSC butto, ad 6) press the [SF2] OUTPUT butto. [VOICE] Normal Voice selectio [EDIT] Elemet selectio [F1] OSC [SF2] OUTPUT Whe a cofirmatio message (page 37) or Cotrol Fuctio widow (page 51) is show i the display, press the [EXIT] butto to exit from that coditio, the execute the istructios as i the above example. Likewise, press the [DAW REMOTE] butto to exit from the Remote Cotrol, the execute the istructios as i the above example whe the MO is i the Remote Cotrol. 8 Ower s Maual

9 Applicatio Idex Applicatio Idex Listeig to the MO Listeig to the Demo Sog/Patter... Page 73 Listeig to Sog Chai playback... Page 95 Listeig to Patter Chai playback... Page 84 Listeig to Arpeggio playback... Page 48 Playig the keyboard Selectig a Voice ad playig the keyboard...pages 40 (Voice ), 76 (Sog/Patter ) Selectig a Performace ad playig the keyboard... Page 44 Usig the istrumet as a Master Keyboard... Page 122 Soudig the metroome... [SONG] or [PATTERN] [UTILITY] [F3] SEQ [SF1] CLICK Mode = all... Page 206 Splittig the keyboard Settig upper ad lower rages for the Voices...Pages 47 (Performace ), 125 (Master ) Layerig two Voices (or Parts) together...pages 46 (Performace ), 125 (Master ) Selectig programs ad makig settigs o the MO Selectig a Voice...Pages 40 (Voice ), 76 (Sog/Patter ) Usig the Category Search fuctio... Page 42 Selectig a Performace... Page 44 Selectig a Sog... Page 74 Selectig a Patter... Page 75 Selectig a Sectio... Page 75 Selectig a Phrase ad assigig it to a Patter track... Page 78 Selectig a Mixig template for a Sog/Patter... Page 77 Selectig a Master... Page 122 Selectig a Arpeggio type...pages 48 (Voice/Performace ), 80 (Sog/Patter ) Selectig a Filter type... Page 170 Selectig a Effect type Selectig a Reverb type/chorus type/isertio type [VOICE] Voice selectio [F3] EFFECT... Page 151 [PERFORM] Performace selectio [F3] EFFECT [SF1] CONNECT... Page 171 [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [F3] EFFECT [SF1] CONNECT... Page 189 Selectig a Master Effect type [VOICE] [UTILITY] [F3] VOICE [SF2] MEF... Page 206 [PERFORM] Performace selectio [EDIT] [COMMON] [F2] OUT/MEF [SF3] MEF... Page 172 [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F2] MEQ/MEF [SF2] MEF... Page 190 Selectig a Master EQ type [VOICE] [UTILITY] [F3] VOICE [SF1] MEQ... Page 206 [PERFORM] Performace selectio [EDIT] [COMMON] [F2] OUT/MEF [SF2] MEQ... Page 172 [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F2] OUT/MEF [SF1] MEQ... Page 190 Usig cotrollers Uderstadig the orgaizatio ad structure of the cotrollers...pages 50, 69 Assigig fuctios to the cotrollers for each Voice (Cotroller Set)... Page 70 Assigig Cotrol Chage umbers to each cotroller... Page 72 Settig the Pitch Bed Rage [VOICE] Voice selectio [EDIT] [COMMON] [F1] GENERAL [SF5] OTHER PB Upper/PB Lower... Page 154 [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F1] VOICE [SF5] OTHER PB Upper/PB Lower... Page 191 Checkig the curretly assiged parameters for kob cotrol... Pages 56 (Voice ), 65 (Performace ), 96 (Sog/Patter ) Checkig the curretly assiged parameters for Cotrol sliders cotrol... Page 52 Startig/stoppig a Sog or Patter by pressig a Footswitch... [UTILITY] [F4] CTL ASN [SF3] FT SW... Page 209 Chagig a Voice or a Performace by pressig a Footswitch... [UTILITY] [F4] CTL ASN [SF3] FT SW... Page 209 Turig Arpeggio playback o or off by pressig a Footswitch... [UTILITY] [F4] CTL ASN [SF3] FT SW... Page 209 Keepig the effect of a cotroller (Modulatio Wheel, etc.) the same, eve whe chagig Voices [UTILITY] [F1] GENERAL [SF4] OTHER CtrlReset = hold... Page 206 Ower s Maual 9

10 Applicatio Idex Soudig oly the specified Part or Voice Turig each elemet o or off i the Voice Edit...Page 55 Determiig whether each Elemet is used or ot i the Voice Edit [VOICE] [EDIT] Elemet selectio [F1] OSC [SF1] WAVE ElemetSw = o/off...page 158 Determiig whether each Part is used or ot i the Performace [PERFORM] Performace selectio [EDIT] Part selectio [F1] VOICE [SF1] VOICE PartSw = o/off...page 174 Turig each track (Part) of a Sog/Patter o or off...page 75 Turig off or mutig playback of a Sog/Patter Part, by settig the receive chael to off [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] part selectio [F1] VOICE [SF2] MODE ReceiveCh...Page 191 Adjustig the volume or output level Overall Adjustig the Master Volume output... [MASTER VOLUME]...Page 16 Adjustig the etire volume of the istrumet s iteral toe geerator block... [UTILITY] [F1] GENERAL [SF1] TG Volume...Page 205 Adjustig the output gai of each Output coector... [UTILITY] [F2] OUTPUT...Page 206 I the Voice Adjustig the volume balace of the Elemets of a Normal Voice with the Cotrol sliders [VOICE] Normal Voice selectio [EDIT] Elemet selectio [F4] AMP [SF1] LVL/PAN Level...Page 56 Adjustig the etire volume for the selected Voice (commo to all Elemets/keys) [VOICE] Voice selectio [EDIT] [COMMON] [F2] OUTPUT Volume...Page 154 I the Performace Adjustig the volume balace of the Parts of a edited Performace with the Cotrol sliders [PERFORM] Performace selectio [EDIT] Part selectio [F2] OUTPUT [SF1] VOL/PAN Volume...Page 65 Adjustig the etire volume for the selected Performace (commo to all Parts) [PERFORM] Performace selectio [EDIT] [COMMON] [F2] OUT/MEQ [SF1] OUT Volume...Page 172 I the Sog /Patter Adjustig the volume balace of the Parts of a edited Sog with the Cotrol sliders [SONG] or [PATTERN] Sog/Patter selectio [MIXING] Part Selectio [F1] VOL/PAN VOLUME...Page 97 Creatig Data Creatig a Voice Creatig a Normal Voice i the Voice Edit...Page 53 Creatig a Drum Voice i the Voice Edit...Page 57 Creatig a Mixig Voice especially for a Sog or Patter...Page 78 Creatig a Performace...Page 63 Creatig a Sog Recordig your keyboard performace to a Sog track (Realtime Recordig)...Page 88 Recordig over (replacig) existig material i a Sog track Puch-i Recordig [SONG] [REC] [F1] SETUP Type = puch...page 88 Recordig additioal material to a existig Sog track (without erasig previous material) Overdub Recordig [SONG] [REC] [F1] SETUP Type = overdub...page 80 Soudig the metroome durig recordig... [SONG] [UTILITY] [F3] SEQ [SF1] CLICK Mode = rec...page 206 Recordig a Sog by usig a Performace...Page 89 Usig the Step Recordig fuctio... [SONG] [REC] [F1] SETUP Type = step...page 80 Editig MIDI evets for each track of a already-recorded Sog... [SONG] [EDIT] Track selectio...page 90 Isertig Tempo chage iformatio i the middle of the Sog... [SONG] [EDIT] [F4] TR SEL...Page 88 Isertig Voice chage iformatio [SONG] [EDIT] Track selectio Isertig a Bak Select MSB/LSB ad Program Chage...Page 182 Editig Sog Mixig settigs, such as the volume of each Part... [SONG] [MIXING]...Page 93 Usig coveiet Jobs, such as Copy, Clear, Quatize... [SONG] [JOB] Job selectio...page 91 Creatig a Patter Assigig a Preset Phrase to each track of a Patter (Patch fuctio)...page 78 Recordig your keyboard performace to a Patter track to create a Phrase...Page 82 Recordig a ewly foud Arpeggio rhythm patter to a Patter track...page 80 Soudig the metroome durig recordig... [PATTERN] [UTILITY] [F3] SEQ [SF1] CLICK Mode = rec...page 206 Usig the Step Recordig fuctio... [PATTERN] [REC] [F1] SETUP Type = step...page 83 Editig MIDI evets for each track of a already-recorded Patter... [PATTERN] [EDIT] Track selectio...page 90 Editig Patter Mixig settigs, such as the volume of each Part... [PATTERN] [MIXING]...Page 93 Usig coveiet Jobs, such as Copy, Clear, Quatize... [PATTERN] [JOB] Job selectio...page 91 Programmig a sequece of a Sectio to create a Patter Chai... [PATTERN] [F6] CHAIN...Page 85 Covertig a Patter Chai to Sog data... [PATTERN] Patter selectio [F6] CHAIN [EDIT] [F3] SONG...Page 86 Creatig a Master...Page 122 Creatig a Arpeggio...Page Ower s Maual

11 Applicatio Idex Storig/Savig the created data Storig a edited Voice to iteral memory (Flash ROM) ad savig all the Voices i iteral memory to a USB storage device... Page 60 Storig a edited Performace to iteral memory (Flash ROM) ad savig all the Performaces i iteral memory to a USB storage device... Page 66 Savig the Sog/Patter data Storig Sog Mixig/Patter Mixig settigs to iteral memory (DRAM)...Pages 77, 94 Storig the etire Sog/Patter data to a USB storage device... Page 98 Storig Mixig settigs to iteral memory (Flash ROM) as a template... Page 94 Storig a edited Master to iteral memory (Flash ROM) ad savig all the Masters o iteral memory to a USB storage device... Page 123 Savig all Arpeggios i iteral memory (Flash ROM) to a USB storage device... Page 214 Namig your created data... Page 38 Recoverig lost data Comparig the Voice, Performace, Sog, or Patter before editig with the just-edited oe (Compare fuctio)... Page 36 Recallig a edited, but ot-stored Voice, Performace, Sog or Patter (whe aother Voice has bee selected) Recall fuctio... Page 37 Sog/Patter Cacelig the chages made i the recet sessio such as Recordig ad Job to restore the data to its previous status [SONG] or [PATTERN] [JOB] [F1] UNDO... Page 93 Iitializig Resettig the User Memory to the Iitial Factory Settigs... Page 26 Formattig a USB storage device... Page 213 Iitializig the edited Voice... [VOICE] [JOB] [F1] INIT... Page 168 Iitializig the edited Performace... [PERFORM] [JOB] [F1] INIT... Page 177 Iitializig the edited Master... [MASTER] [JOB] [F1] INIT... Page 218 Iitializig the edited Sog Mixig settigs... [SONG] [MIXING] [JOB] [F1] INIT... Page 192 Iitializig the edited Patter Mixig settigs... [PATTERN] [MIXING] [JOB] [F1] INIT... Page 202 Pitch related settigs (Tue, Note Shift, etc.) Overall Chagig the octave settig of the keyboard... [UTILITY] [F1] GENERAL [SF2] KBD Octave... Page 29 Shiftig the ote up or dow o the keyboard... [UTILITY] [F1] GENERAL [SF2] KBD Traspose... Page 29 Shiftig the ote up or dow i the toe geerator block... [UTILITY] [F1] GENERAL [SF1] TG NoteShift... Page 205 Adjustig the tuig to other istrumets... [UTILITY] [F1] GENERAL [SF1] TG Tue... Page 205 I the Voice Settig the tuig system for the voice [VOICE] Voice selectio [EDIT] [COMMON] [F1] GENERAL [SF2] PLY MODE M.TuigNo.... Page 169 Adjustig the pitch for each Elemet of the edited Voice i semitoes [VOICE] Voice selectio [EDIT] Elemet selectio [F2] PITCH [SF1] TUNE Coarse... Page 159 Fiely adjustig the pitch for each Elemet of the edited Voice [VOICE] Voice selectio [EDIT] Elemet selectio [F2] PITCH [SF1] TUNE Fie... Page 159 Settig the all otes (keys) to the same pitch [VOICE] Voice selectio [EDIT] Elemet selectio [F2] PITCH [SF4] KEY FLW PitchSes = 0... Page 159 I the Performace Shiftig the ote up or dow for each Part of the edited Performace [PERFORM] Performace selectio [EDIT] Part selectio [F4] TONE [SF1] TUNE NoteShift... Page 176 Fiely adjustig the pitch for each Part of the edited Performace [PERFORM] Performace selectio [EDIT] Part selectio [F4] TONE [SF1] TUNE Detue... Page 176 I the Sog /Patter Shiftig the ote up or dow for each Part of the curret Sog/Patter [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F4] TONE [SF1] TUNE NoteShift... Page 191 Fiely adjustig the pitch for each Part of the curret Sog/Patter [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F4] TONE [SF1] TUNE Detue... Page 191 I the Master Shiftig the keyboard octave up or dow for each zoe of the edited Master [MASTER] Master selectio [F2] MEMORY ZoeSwitch = o [EDIT] Zoe selectio [F2] NOTE Octave... Page 216 Fiely adjustig the keyboard pitch for each zoe of the edited Master [MASTER] Master selectio [F2] MEMORY ZoeSwitch = o [EDIT] Zoe selectio [F2] NOTE Traspose... Page 216 Ower s Maual 11

12 Applicatio Idex Coectig to a computer/exteral MIDI istrumet Determiig which coector (MIDI, USB TO HOST) is used for MIDI iput/output [UTILITY] [F5] MIDI [SF4] OTHER MIDI IN/OUT...Page 210 Usig the souds of the MO for Sog playback from a MIDI sequecer...page 110 Settig whether or ot Bulk Dump data ca be received [UTILITY] [F5] MIDI [SF2] SWITCH RcvBulk = o/protect...page 209 Soudig oly the exteral MIDI toe geerator ad turig the iteral toe geerator off [UTILITY] [F5] MIDI [SF2] SWITCH LocalCtrl = off...page 209 Sychroizig with a exteral MIDI istrumet/computer Usig the MO as a MIDI master [UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc = iteral, ClockOut = o, Seqctrl = out...page 210 Usig the MO as a MIDI slave [UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc = MIDI, ClockOut = off, Seqctrl = i...page 210 Usig the MO as a MTC slave [UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc = MTC, ClockOut = off, Seqctrl = i...page 210 Disablig sychroizatio with the exteral MIDI istrumet/computer Maitaiig ormal playback o a exteral MIDI sequecer, eve whe startig/stoppig Sog/Patter playback o the MO [UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc = iteral, Seqctrl = off......page 210 Maitaiig ormal Sog/Patter playback o the MO, eve whe startig/stoppig playback o a exteral MIDI sequecer [UTILITY] [F5] MIDI [SF3] SYNC Seqctrl = off......page 210 Sychroizig the LFO wave speed of the Voice with a exteral MIDI istrumet/computer [UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc = MIDI...Page 210 [VOICE] Normal Voice selectio [EDIT] [COMMON] [F5] LFO [SF1] WAVE TempoSyc = o...page 156 Settig which MIDI evets will be trasmitted or recogized via the MIDI ad USB TO HOST coectors [SONG] or [PATTERN] [UTILITY] [F3] SEQ [SF2] FILTER...Page 207 Settig the MIDI trasmit chael Settig the MIDI trasmit chael of the keyboard i the Voice /Performace [UTILITY] [F5] MIDI [SF1] CH KBDTrasCh...Page 209 Settig the MIDI trasmit chael ad port for each track of a Sog/Patter [SONG] or [PATTERN] Sog/Patter selectio [F3] TRACK [SF1] CHANNEL...Page 178 Settig the MIDI trasmit chael of Arpeggio playback [UTILITY] [F3] VOICE [SF3] ARP CH TrasmitCh...Page 206 Settig the MIDI receive chael Settig the MIDI receive chael of the keyboard i the Voice /Performace [UTILITY] [F5] MIDI [SF1] CH BasicRcvCh...Page 209 Settig the MIDI receive chael for each part of a Sog/Patter [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F1] VOICE [SF2] MODE ReceiveCh...Page 191 Settig parameters for Program Chage trasmissio/recogitio Eablig or disablig the sedig of Bak Select ad Program Chage messages, whe selectig a Voice or Performace [UTILITY] [F5] MIDI [SF2] SWITCH BakSel, PgmChage...Page 209 Eablig or disablig selectio of MO Voices/Performaces from a exteral MIDI device [UTILITY] [F5] MIDI [SF2] SWITCH BakSel, PgmChage...Page 209 [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F5] RCV SW BakSel, PgmChage...Page 192 Settig related parameters so that the MIDI messages produced by the Sog/Patter playback will ot be trasmitted via MIDI [SONG] or [PATTERN] [UTILITY] [F3] SEQ [SF2] FILTER...Page 207 Settig whether each track playback souds the iteral toe geerator or a exteral toe geerator [SONG] or [PATTERN] Sog/Patter selectio [F3] TRACK [SF2] OUT SW...Page 179 Other tips Loadig the specified file o the USB storage device automatically whe the power is tured o...page 102 Settig the Mode set automatically whe the power is tured o [UTILITY] [F1] GENERAL [SF4] OTHER PowerOMode...Page Ower s Maual

13 Table of Cotets Table of Cotets Itroductio...6 Accessories...6 Mai Features...7 How to use this maual...8 Applicatio Idex... 9 The Cotrols & Coectors 14 Frot Pael...14 Rear Pael...18 Settig up ad Playig 20 Power supply...20 Playig the keyboard...22 Modes...24 Basic istructios...25 Resettig the User Memory to the Iitial Factory Settigs...26 Basic Operatio 27 Modes...27 About data storage to USB storage devices...30 Fuctios ad Sub-Fuctios...33 Selectig a Program...33 Movig the Cursor ad Settig Parameters...35 About the editig fuctios...36 Cofirmatio Message...37 Iformatio Display...37 Note (Key) settigs...37 Namig...38 Coectig the MO to exteral devices Coectios Usig as a Multi-timbral Toe Geerator for your DAW/sequecer Usig the MO with computer software Creatig Your Origial Program Set (Master ) Basic Structure 128 Iteral Structure (System Overview) Iteral Memory ad File Maagemet Referece 151 Voice Performace Sog Patter Mixig Voice Utility File Master Appedix 219 Iformatio Displays Display Messages About MIDI Troubleshootig Specificatios Idex Quick Guide 40 Playig the MO Voice Play...40 Performace Play...44 Usig the Arpeggio feature...48 Usig the Cotrollers o the MO...50 Editig a Program Editig a Voice...53 Editig a Performace...63 Usig the Cotrollers Advaced Course Cotrollers supported by the MO...69 Creatig a Sog o the MO Playig the Demo Sogs/Patters...73 Creatig a Patter...76 Creatig a Sog...87 Ower s Maual 13

14 L MONO R FOOT CONTROLLER L MONO R FOOT SWITCH Frot Pael The Cotrols & Coectors Frot Pael MO PHONES OUTPUT DIGITAL OUT MIDI TO HOST TO DEVICE IN OUT THRU USB DAW REMOTE PAGE SELECT ASSIGN A ASSIGN B ASSIGN 1 ASSIGN 2 PAN SEND PAN REVERB CHORUS TEMPO ASSIGN CUTOFF RESONANCE ATTACK RELEASE TONE ARP FX SWING LOW GATE TIME VELOCITY UNIT MULTIPLY LOW MID HIGH MID HIGH 9 ) MEF EFFECT ARPEGGIO 7 EQ MASTER EFFECT ARPEGGIO EFFECT BYPASS ON OFF SEQ TRANSPORT SCENE 5 MASTER VOLUME ZONE 1 ZONE 2 ZONE 3 ZONE 4 LOCATE REC 1 2! $ ^ F1 A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 C2 C3 MO6 1 Whe [UTILITY] [F1] GENERAL [SF2] KBD Octave is set to 0, each key correspods to the ote ame show i the illustratios. Refer to this illustratio whe settig a ote ame of a parameter like Note Limit. 6 PHONES OUTPUT DIGITAL OUT FOOT CONTROLLER DAW REMOTE PAGE SELECT ASSIGN A ASSIGN B ASSIGN 1 ASSIGN 2 FOOT SWITCH MIDI TO HOST TO DEVICE IN OUT THRU USB # º * ( PAN SEND PAN REVERB CHORUS TEMPO ASSIGN CUTOFF RESONANCE ATTACK RELEASE TONE ARP FX SWING LOW GATE TIME VELOCITY UNIT MULTIPLY LOW MID HIGH MID HIGH 9 ) MODE VOICE PERFORM MASTER MEF EFFECT ARPEGGIO EQ MASTER EFFECT EFFECT BYPASS ARPEGGIO ON OFF FAV 2 SEQ TRANSPORT SCENE DEC NO INC YES SONG PATTERN MIXING DAW REMOTE FILE UTILITY SF1 SF2 SF3 SF4 SF5 INFORMATION OCTAVE LOCATE 1 2 DEMO CO DOWN UP REC F1 F2 F3 F4 F5 F6 EXIT ENTER EDIT JOB STORE MASTER VOLUME ZONE 1 ZONE 2 ZONE 3 ZONE 4 EXECUTE COMPARE SCENE STORE SET LOCATE 5 7! $ ^ % & 3 4 C1 D1 E1 F1 G1 A1 B1 C2 C3 C4 1 Whe both of the [OCTAVE] buttos are tured off, each key correspods to the ote ame show i the illustratios. Refer to this illustratio whe settig parameters havig ote ame values, such as Note Limit. 14 Ower s Maual

15 Frot Pael The Cotrols & Coectors # º * ( DC IN STANDBY ON CATEGORY SEARCH MODE DRUM VOICE PERFORM MASTER KITS PRE 1 PRE 2 PRE 3 PRE 4 USER 1 USER 2 GM FAVORITES A. PIANO KEYBOARD ORGAN GUITAR BASS STRINGS BRASS REED PIPE PLUCKED SONG PATTERN MIXING A B C D E F G H DEC NO INC YES SYN LEAD SYN PAD SYN COMP CHROMATIC DRUM SE MUSICAL FX COMBI CHOIR PERCUSSION PERCUSSION DAW REMOTE FILE UTILITY SF1 SF2 SF3 SF4 SF5 INFORMATION DEMO COMMON ELEMENT PERF. PART ZONE F1 F2 F3 F4 F5 F6 EXIT ENTER EDIT JOB STORE EXECUTE COMPARE SCENE STORE SET LOCATE % & SECTION TRACK SELECT MUTE SOLO ª C4 C5 C6 C7 DC IN STANDBY ON CATEGORY SEARCH DRUM KITS FAVORITES COMMON A. PIANO KEYBOARD ORGAN GUITAR BASS STRINGS BRASS REED PIPE PLUCKED SYN LEAD SYN PAD SYN COMP CHROMATIC DRUM SE MUSICAL FX COMBI CHOIR PERCUSSION PERCUSSION ELEMENT PERF. PART ZONE PRE 1 PRE 2 PRE 3 PRE 4 USER 1 USER 2 GM A B C D E F G H SECTION TRACK SELECT ª E MUTE SOLO C5 C6 Ower s Maual 15

16 Frot Pael The Cotrols & Coectors 1 Keyboard The MO6 features a 61-key keyboard, while the MO8 has 88 keys. All are equipped with a iitial touch feature. With iitial touch, the istrumet seses how strogly or softly you play the keys, ad uses that playig stregth to affect the soud i various ways, depedig o the selected voice. 2 OCTAVE [UP] ad [DOWN] buttos Page 29 Use these buttos to chage the ote rage of the keyboard. To restore the ormal octave settig, press both buttos simultaeously. Because of its exteded keyboard, the MO8 does ot have OCTAVE buttos. 3 Pitch bed wheel Page 50 Cotrols the pitch bed effect. You ca also assig other fuctios to this cotroller. 4 Modulatio wheel Page 50 Cotrols the modulatio effect. You ca also assig other fuctios to this cotroller. 5 [MASTER VOLUME] slider Adjusts the volume of the overall soud, as output from the rear-pael OUTPUT L/MONO ad R jacks as well as the PHONES jack. 6 Four Kob Cotrol Fuctio buttos ad four Kobs Page 51 These four highly versatile kobs let you adjust various aspects or parameters of the curret Voice. Use the Kob Cotrol Fuctio buttos to chage the parameter set for the kobs. The correspodig LED lights to idicate which group of parameters are active. 7 Cotrol slider Page 52 These sliders cotrol the volume of four elemets which make up a Normal Voice i the Voice, the volume of four parts i the Performace, the volume of four parts icludig the curret part i the Sog /Patter, ad the volume of four zoes i the Master. If all of the Cotrol sliders are set to the miimum, you may ot hear ay soud from the istrumet, eve whe playig the keyboard or a Sog/Patter. If this is the case, raise all the sliders to a suitable level. The [MASTER VOLUME] slider adjusts the output level from this istrumet. O the other had, the Cotrol sliders adjust the MIDI volume value for the correspodig elemet or part. 8 DAW REMOTE butto Page 113 The Remote lets you cotrol sequecer software o your computer from the pael cotrols of the istrumet. Tur the [DAW REMOTE] butto o to eter the Remote. 9 [MASTER EFFECT] butto ad [EFFECT BYPASS] butto Page 140 The extesive effect sectio of the istrumet provides Isertio effects (three sets, with two effect uits per set), System effects (Reverb ad Chorus), ad Master effects. The effects ca be applied to the keyboard-played voices ad to Sog/Patter playback. These buttos eable you to tur the correspodig Effect blocks (as prited o the pael) o or off with a sigle touch. From the followig display, you ca select the specific effect(s) to be bypassed whe usig the [EFFECT BYPASS] butto. [UTILITY] [F1] GENERAL [SF3] EF BYPS display ) [ARPEGGIO ON/OFF] butto Page 48 Press this butto to eable or disable playback of the Arpeggio for each Voice, Performace, Sog, or Patter. If the Arpeggio Switch of the selected part is set to off i the Performace/Sog/Patter, however, pressig this butto has o effect.! SEQ TRANSPORT buttos These buttos cotrol recordig ad playback of the Sog/ Patter sequece data. [ ] (Top) butto Istatly returs to the begiig of the curret Sog or Patter (i.e., the first beat of the first measure). [ ] (Reverse) butto Press briefly to move back oe measure at a time, or hold to cotiuously rewid. [ ] (Forward) butto Press briefly to move forward oe measure at a time, or hold to cotiuously fast-forward. [REC] (Record) butto Press this to eable recordig (Sog or Patter phrase). (The idicator lights.) [ ] (Stop) butto Press to stop recordig or playback. [ ] (Play) butto Press to start playback from the curret poit i the Sog or Patter. Durig recordig ad playback, the idicator flashes at the curret MODE buttos Page 24 These buttos select the operatig s (e.g., Voice ). # LCD Display The large backlit LCD displays the parameters ad values related to the curretly selected operatio or. $ LCD Cotrast Cotrol Page 21 Use this cotrol to set the LCD display for optimum legibility. % [F1] [F6] (Fuctio) buttos Page 33 These buttos located directly below the LCD display call up the correspodig fuctios idicated i the display. I the display hierarchy, these fuctios [F] rak just below the s. ^ [SF1] [SF5] (Sub Fuctio) buttos Page 33 These buttos located directly below the LCD display call up the correspodig sub fuctios idicated i the display. I the display hierarchy, these sub fuctios [SF] rak just below the fuctios [F]. These buttos ca be also used to store/recall the Arpeggio type i each Play ad Sog/Patter Record. They ca be also used to store/recall the Sog Scee (page 89) i the Sog Play ad Sog Record s. 16 Ower s Maual

17 Frot Pael & [INFORMATION] butto Page 37 For callig up a special help feature that shows iformatio about the curretly selected. You ca go back to the previous display by pressig this butto agai or pressig ay other butto. Depedig o the selected display, this butto may be used to call up a widow for iputtig characters, for iputtig umbers, for selectig ote legths, or for selectig keys or ote ames (page 35). * Data dial Page 35 For editig the curretly selected parameter. To icrease the value, tur the dial right (clockwise); to decrease the value, tur the dial left (couter-clockwise). If a parameter with a wide value rage is selected, you ca chage the value i broader strokes by quickly turig the dial. ( [INC/YES] butto Page 35 For icreasig the value of the curretly selected parameter. Also use it to actually execute a Job or a Store operatio. º [DEC/NO] butto Page 35 For decreasig the value of the curretly selected parameter. Also use it to cacel a Job or a Store operatio. You ca also use the [INC/YES] ad [DEC/NO] buttos to quickly move through parameter values i 10-uit jumps, especially those with large rages. Simply hold dow oe of the buttos (of the directio you wat to jump), ad simultaeously press the other. For example, to jump i the positive directio, hold dow the [INC/YES] butto ad press [DEC/NO]. Cursor buttos Page 35 The cursor buttos move the cursor aroud the LCD display scree, highlightig ad selectig the various parameters. [EXIT] butto Page 28 The meus ad displays of this sythesizer are orgaized accordig to a hierarchical structure. Press this butto to exit from the curret display ad retur to the previous level i the hierarchy. [ENTER] butto Use this butto to execute a Job or a Store operatio. Also use this butto to actually eter a umber whe selectig a Memory or Bak for Voice or Performace. I the File, use this butto to go to the ext lowest level i the selected directory. Bak buttos Page 40 Each butto selects a Voice or Performace Bak. Whe the [CATEGORY SEARCH] butto is tured o, these buttos ca be used to select the desired category (prited below each butto). Whe the [SECTION] butto is tured o i the Patter, these buttos are used to select the desired sectio. Group [A] [H] buttos Page 41 Each butto selects a Voice or Performace Group. Whe the [CATEGORY SEARCH] butto is tured o, these buttos ca be used to select the desired category (prited below each butto). Whe the [SECTION] butto is tured o i the Patter, these buttos are used to select the desired sectio. Number [1] [16] buttos Use of these buttos differs depedig o the o/off status of the [TRACK SELECT] ad [MUTE] buttos. Voice Play Voice Edit Performace Play Performace Edit Master Play Master Edit Sog/Patter Play Sog/Patter Mixig Mixig Voice Edit Fuctios of the Number [1] [16] buttos Whe [TRACK SELECT] is o Keyboard trasmit chael settig Whe [MUTE] is o Whe both [TRACK SELECT] [MUTE] are off [CATEGORY SEARCH] butto Page 42 Whe this butto is tured o, the Bak buttos ad the Group buttos ca be used to select the Voice/ Performace category. [SECTION] butto Page 73 Whe this butto is tured o i the Patter, the Group [A] [H] buttos ca be used to select Patter Sectios A H ad the [PRE1] [ ] buttos of the Bak buttos ca be used to select Patter Sectios I P. ª [TRACK SELECT] butto Page 76 Turig this butto o i the Sog/Patter eables the Number [1] [16] buttos for selectig correspodig Sog/Patter tracks. The o/off status of this butto affects the Number [1] [16] buttos i differet ways, depedig o the selected. (See Number [1] [16] buttos above.) [MUTE] butto Page 74 Turig this butto o i the Sog/Patter eables the Number [1] [16] buttos for mutig correspodig Sog/Patter tracks. Press oe of the Number [1] [16] buttos while holdig this butto to solo the correspodig track of the curret selected Sog/Patter. The o/off status of this butto affects the Number [1] [16] buttos i differet ways, depedig o the selected. (See Number [1] [16] buttos above.) Elemet selectio (1 4) ad Elemet Mute settig (9 12) Keyboard trasmit chael settig Performace part selectio (1 4) Keyboard trasmit chael settig (whe memorizig the Voice or Performace to the curret Master) or Sog/Patter track selectio (whe memorizig the Sog or Patter to the curret Master) Zoe selectio (1 4) Sog/Patter track selectio Sog/Patter part selectio Performace part Mute settig (1 4) Sog/Patter track Mute settig Voice selectio, accordig to Groups A H Performace or Voice selectio (if cursor is located at Voice ame), accordig to Groups A H Master selectio, accordig to Groups A H Sog/Patter part Mute settig Elemet selectio (1 4) ad Elemet Mute settig (9 12) Sog/Patter selectio, accordig to Groups A H The Cotrols & Coectors Ower s Maual 17

18 Rear Pael The Cotrols & Coectors Rear Pael MO8 STANDBY ON DC IN MO6 STANDBY ON DC IN MIDI THRU OUT IN TO DEVICE TO HOST USB STANDBY/ON switch Page 20 Press to tur power ON or OFF. 2 DC IN termial Page 20 Coect the AC adaptor to this termial. WARNING Do ot attempt to use a AC adaptor other tha the Yamaha PA-5D or a equivalet recommeded by Yamaha. The use of a icompatible adaptor may cause irreparable damage to the MO, ad may eve pose a serious shock hazard! ALWAYS UNPLUG THE AC ADAPTOR FROM THE AC POWER OUTLET WHEN THE MO IS NOT IN USE. 3 Cable clip Wrap the DC output cable of the adaptor aroud the cable clip (as show below) to prevet accidetal upluggig of the cable durig operatio. 4 USB coectors This istrumet is equipped with two types of USB coectors o the rear pael USB TO HOST ad USB TO DEVICE. The USB TO HOST coector is used to coect this istrumet to the computer via the USB cable. The USB coectio betwee the istrumet ad the computer ca oly be used for trasfer of MIDI data. No audio data ca be trasferred via USB. The USB TO DEVICE coector is used to coect this istrumet to a USB storage device (hard disk drive, CD-ROM drive, MO drive, flash disk, etc.) via the USB cable. This lets you save the data created o this istrumet to the exteral USB storage device ad load the data from the exteral USB storage device to the istrumet. Save/Load operatios ca be performed i the File. For details about USB, see page 31. USB STANDBY ON DC IN USB is a abbreviatio for Uiversal Serial Bus. It is a serial iterface for coectig a computer with peripheral devices, ad eables much faster data trasfer compared to covetioal serial port coectios. 5 MIDI IN/OUT/THRU coectors Page 104 MIDI IN is for receivig cotrol or performace data from aother MIDI device, such as a exteral sequecer. MIDI THRU is simply for redirectig ay received MIDI data (via MIDI IN) to coected devices, allowig coveiet chaiig of additioal MIDI istrumets. MIDI OUT is for trasmittig all cotrol, performace ad playback data from the MO to aother MIDI device, such as a exteral sequecer. 18 Ower s Maual

19 Rear Pael The Cotrols & Coectors USB MIDI FOOT SWITCH FOOT CONTROLLER TO DEVICE TO HOST THRU OUT IN DIGITAL OUT OUTPUT PHONES R L MONO ) 8 9 FOOT SWITCH FOOT CONTROLLER DIGITAL OUT OUTPUT PHONES R L MONO 6 7 ) FOOT SWITCH jack Page 69 For coectio of optioal FC4 or FC5 Footswitch. 7 FOOT CONTROLLER jack Page 69 For coectio of a optioal foot cotroller (FC7, etc.). The FOOT CONTROLLER jack lets you cotiuously cotrol oe of various differet assigable fuctios such as volume, toe, pitch, or other aspects of the soud. 8 OUTPUT L/MONO ad R jacks Page 20 Lie level audio sigals are output via these phoe jacks. For moophoic output, use just the L/MONO jack. 9 PHONES jack Page 20 For coectio to a pair of stereo headphoes. ) DIGITAL OUT coector Page 103 Use this coector to iput or output digital sigals over coaxial (RCA-pi) cable. The format is S/PDIF, ormally used for CD ad DAT players. The digital sigal output is 44.1kHz/24-bit. Ower s Maual 19

20 Power supply Settig up ad Playig Settig up ad Playig Power supply Power supply coectios Before you coect the power adapter, make sure that the MO [STANDBY/ON] switch is set to STANDBY (Off). 1 Coect the plug of the power adapter PA-5D to the DC IN termial o the rear pael of the MO. 2 Plug i the AC cable to a appropriate AC outlet. Rear pael STANDBY ON DC IN 1 Power adapter PA-5D 2 To electrical outlet AC cable Follow this procedure i reverse order to discoect the power adapter. WARNING Be sure to use the icluded adapter. Usig a AC adapter other tha the PA-5D may cause damage to the MO, ad may eve pose a serious electrical shock hazard. Coect the adapter to a AC outlet of the specified voltage. CAUTION Eve whe the [STANDBY/ON] switch is i the STANDBY positio, a small amout of electricity is still flowig to the uit. Whe you do ot pla to use the MO for a exteded period of time, be sure to uplug the AC power adapter from the AC outlet. Coectig the speakers or pair of headphoes Sice the MO has o built-i speakers, you will eed to moitor the soud of the istrumet by usig exteral equipmet. Coect a set of headphoes, powered speakers, or other playback equipmet as required. Powered speaker (Left) Powered speaker (Right) Headphoes OUTPUT L/MONO OUTPUT R PHONES MO 20 Ower s Maual

21 Power supply Turig the power o Make sure the volume settigs of the MO ad exteral devices are tured dow to the miimum. Settig up ad Playig MASTER VOLUME Tur the power o by pressig the [STANDBY/ON] switch o the MO rear pael, the tur the power o the amplifiers. Coectig MIDI devices or a Mixer Make sure that all volume settigs are tured dow all the way to the miimum. The tur o the every device i your setup i the order of MIDI masters (cotrollers), MIDI slaves (receivers), the audio equipmet (mixers, amplifiers, speakers, etc.). Whe powerig dow the setup, first tur dow the volume of each audio device, the switch off each device i the reverse order (first audio devices, the MIDI) POWER ON!! MIDI master MO (MIDI slave) Audio equipmet (first mixer, the amplifier) Adjustig the soud ad the display cotrast Adjust the volume levels of the MO ad the coected amplifier/speaker system. If the display is ot easily visible, use the Cotrast cotrol to adjust for optimum visibility. Adjust the volume with the MASTER VOLUME slider. Adjust the display cotrast with the Cotrast cotrol. SF1 F1 MASTER VOLUME Cotrast cotrol Now that you ve set up the MO properly, you re ready to begi playig it. Whe you are ready to tur off the MO, make sure to switch off the power of the exteral device (or lower its volume) before switchig off the MO. Ower s Maual 21

22 Playig the keyboard Playig the keyboard Settig up ad Playig Playig the souds Try playig some of the realistic ad dyamic MO souds from the keyboard ow. Whe you tur the power o followig the directios i Power supply coectios (page 20), the display below appears. I the default settigs, the Master is selected. For details about the s, refer to the sectio Modes o page 24. Idicates that the Master is selected. Idicates the type of selected program. Idicates the ame ad umber of selected program. I this coditio you ca play the keyboard ad hear the souds of the selected program. Whe the istrumet is tured o, the The Core program is automatically called up. Notice the idicatio Performace:USR1:017 (B01) at the top right of the display. This idicates that Performace 017 i User bak 1 is curretly selected. A Performace is oe of the types of programs of the MO. As described below, the istrumet also features other types: Voices, Sogs, ad Patters. For details about Baks, see page Ower s Maual

23 Playig the keyboard Selectig ad playig the souds The MO provides three differet types of programs for playig the souds: Voices, Performaces, Sogs, ad Patters. The basic differece amog these programs is i their use for playig the keyboard, or for creatig music with multiple parts. For playig the keyboard Voice This program cotais a basic istrumet soud, such as a piao, guitar, bass guitar, drum kit, etc. Performace This program allows you to combie several Voices together either i a richly textured layer, or separately (as i differet sectios of the keyboard) for playig several differet parts simultaeously. For creatig music of multiple parts Sog This is a program cosistig of recorded keyboard performace data, ad/or patters created i the Patter. Patter This is a program that cosists of idividually created phrases or patters of short duratio (geerally two or four measures), used for certai parts i a sog such as the itro, mai melody or chorus. Settig up ad Playig You ca choose from 128 differet Voices, Performaces, Sogs, ad Patters i the Master. To chage the desired Master umber, use the [INC/ YES] butto, [DEC/NO] butto, or the Data dial. Decreases umber Icreases umber Decreases umber DEC/NO INC/YES Icreases umber Chage the Master umber, ad the try playig the various Voices or Performace types. Whe a Voice is assiged to the selected Master umber, Voice will appear at the top of the display. Whe a Performace is assiged, Performace will appear i the display. You ca also choose some Sogs ad Patters i the Master. For details about Sogs ad Patters, see page 73. As you play the various Voices ad Performaces, otice the differeces betwee them especially how some Performaces soud exceptioally rich ad more complex tha Voices. Note also how may Performaces use automatic rhythms ad Arpeggios alog with keyboard split souds to let you soud like a etire bad all by yourself! Here, we ve itroduced the operatios i the Master that is called up first whe turig the power o. The MO has other s of operatio as well. I the ext sectio, we ll explai about the s of the MO ad how they are used. Ower s Maual 23

24 Modes Modes There are several operatio s i the MO, ad MODE they ca be selected by usig the 12 buttos. VOICE PERFORM MASTER Settig up ad Playig SONG PATTERN MIXING DAW REMOTE FILE UTILITY DEMO EDIT JOB STORE COMPARE SCENE STORE SET LOCATE 1 Playig the keyboard usig a Voice Voice [VOICE] butto The MO has a wealth of high-quality, dyamic souds also referred to as Voices. You ca play these Voices oe Voice at a time from the keyboard i the Voice. The MO also lets you create your ow origial Voices. 2 Playig the keyboard usig multiple Voices Performace [PERFORM] butto I the Performace, you ca play several Voices together i a layer, or play differet Voices from separate rages of the keyboard. You ca also trigger automatic rhythms ad Arpeggios, over which you ca play melody, chord or bass lies of your ow. Each of these combiatios of Voices is called a Performace. This lets you create richly textured, layered souds or play two or more differet parts simultaeously for example, piao ad bass guitar ad is particularly useful whe performig solo. 3 Creatig origial program sets Master [MASTER] butto The Master ca be used i two ways: Storig your favorite settigs that you ofte use i the Voice, Performace, Sog, or Patter, ad istatly recall the ad custom settigs together i a sigle butto press. Dividig the keyboard ito four separate sectios just as if you were playig four differet MIDI keyboards. 4 Creatig origial sogs Sog [SONG] butto The Sog lets you create your ow origial sogs by recordig your performace usig Voices created i the Voice or by combiig preset rhythmic Patters. 5 Creatig rhythm patters Patter [PATTERN] butto I this, you ca separately create the various buildig blocks of a sog rhythms ad patters for the itro, verse, mai melody, chorus, etc. 6 Creatig mixig settigs Sog Mixig or Patter Mixig [MIXING] butto Here, you ca make various mixig settigs, adjustig the level balace amog the parts of the Sog or Patter, as well as each pa positio ad the effects applied to the Sog/Patter. 7 Cotrollig your computer DAW from the MO Remote Cotrol [DAW REMOTE] butto The Remote Cotrol lets you cotrol your computer s sequecer software or DAW (digital audio workstatio) by usig the buttos or cotrollers o the MO. 8 Backig up data File [FILE] butto The File lets you save your MO data to a USB storage device, ad allows you to load data from the USB device to the MO. 9 Settig the system parameters Utility [UTILITY] butto The Utility lets you set parameters that apply to the etire system of the MO. These parameter settigs are applied to all Voices, Performaces, Sogs ad Patters. ) Settig the parameters for each Edit [EDIT] butto The Edit lets you set parameters that apply to each Voice, Performace, Sog or Patter.! Tools for orgaizig your data JOB [JOB] butto This provides various operatios ad fuctios (called jobs ) that help i orgaizig ad cotrollig your importat data, icludig iitializig the settigs ad copyig Storig programs to the MO Store [STORE] butto I this, you ca store your edited programs to the iteral memory of the MO. Keep i mid, however, that certai data, such as Sogs ad Patters, are deleted whe the power is tured off. For this reaso, you should also store this importat data to a USB memory device i the File. 24 Ower s Maual

25 Basic istructios Basic istructios Voices the basic buildig blocks of the MO Voices created i the Voice are the basic soic buildig blocks for the other s of the MO. The Performace, Sog, ad Patter programs are made up of differet Voices, used together for specific performace or sog recordig. The MO features a exceptioally wide variety of preset Voices for playig i virtually ay musical style. Try searchig through the Voices to fid your favorites. Oce you ve explored them ad feel comfortable with them, try brachig out creatively ad use the editig features to make your ow origial Voices. Settig up ad Playig Selectig a preset Voice Page 40 Creatig a ew Voice Page 53 Combie several Voices to create a Performace To play several differet Voices together simultaeously, select a Performace. The MO features 256 specially programmed Performaces for playig i a variety of music styles. Selectig a preset Performace Page 44 Creatig a ew Performace Page 63 Create a Sog by recordig your performace or combiig some rhythm patters You ca create your ow Sogs by usig the built-i sequecer fuctios of the MO. The MO provides two differet ways for creatig Sogs: 1) recordig a Sog covetioally from begiig to ed, ad 2) creatig separate short sectios (or Patters ), each several measures i legth, ad combiig/repeatig them to costruct a etire Sog. Creatig a Sog Page 87 Creatig a Patter Page 76 Master Create a master keyboard setup or istatly call up your desired programs The Master lets you register your favorite Voices, Performaces, Sogs, ad Patters together ito easy-to select Master programs. No matter what is used Voice, Performace, Sog, or Patter you ca have it istatly ad automatically selected whe you call up the appropriate Master. The Master ca also be used to divide the keyboard ito four sectios each with its ow Voice just as if you were playig four differet MIDI keyboards. Makig Master settigs Page 122 Coveiet remote cotrol of your computer software The pael of the MO also serves as a coveiet cotrol surface for your computer music system. Use the buttos ad sliders to cotrol the audio mixer ad sequecer trasport fuctios i your MIDI/audio software. This highly ituitive approach gives you hads-o cotrol over your virtual studio a level of cotrol that a computer keyboard ad mouse ca t match. These features are available for ay computer sequece software ad Multi Part Editor software (page 112) compatible with the Remote Cotrol fuctio. Remote-cotrollig the software Page 113 Global settigs ad data backup While the Voice, Performace, Sog, ad Patter s provide cotrols for usig ad editig the programs of the MO, the Utility is the place where you make overall settigs for the istrumet for example, adjustig the traspose ad fie tuig cotrols, or switchig betwee MIDI ad USB operatio. You ca also archive your importat MO data to a USB storage device for safe-keepig. Makig global system settigs Page 205 Backig up importat data Page 211 This cocludes our short guide to the basic operatios ad fuctios of the MO. Ejoy the dyamic, authetic souds of the istrumet as you cotiue to play it ad create music o it. Make sure to check out the refereces above ad go o to explore some of the other excitig ad powerful features of the MO. Ower s Maual 25

26 Resettig the User Memory to the Iitial Factory Settigs Resettig the User Memory to the Iitial Factory Settigs The origial factory settig of this sythesizer s User Memory ca be restored as follows. Settig up ad Playig WARNING Whe the factory settigs are restored, all the Voice, Performace, Sog, Patter, ad system settig i the Utility you created will be erased. Be sure to save all importat data to USB storage device before executig this procedure (pages 60, 66 ad 98). 1 Press the [UTILITY] butto to eter the Utility. MODE VOICE PERFORM MASTER SONG PATTERN MIXING DAW REMOTE FILE UTILITY DEMO EDIT JOB STORE COMPARE SCENE STORE SET LOCATE 2 Press the [JOB] butto to eter the Utility Job. MODE VOICE PERFORM MASTER SONG PATTERN MIXING DAW REMOTE FILE UTILITY DEMO EDIT COMPARE JOB STORE SCENE STORE SET LOCATE Whe the checkbox of PowerO Auto is o (checked) ad you execute the Factory Set Job, Factory Set will be executed automatically whe the power is tured o. I geeral, this box should be off (uchecked). If PowerO Auto is checked here ad you wat to execute the Factory Set Job, first ucheck the box, the execute the Job. 3 Press the [ENTER] butto. (The display prompts you for cofirmatio.) To cacel the Job, press the [DEC/NO] butto. 4 Press the [INC/YES] butto to execute the Job. After the Job has bee completed, a Completed message appears ad operatio returs to the origial display. CAUTION For Factory Set operatios that take loger to process, you will see the message Executig or Please Keep Power O! durig processig. Do ot switch the power off while this message is o the display. Turig the power off i this state results i loss of all user data ad may cause the system to freeze. This meas that this sythesizer may ot be able to start up properly, eve whe turig the power o ext time. 26 Ower s Maual

27 Basic Operatio Modes I this sectio, we ll take a look at the fudametal operatig covetios of the MO. Here, you ll lear the basics how to select s, call up the various fuctios, chage settigs, ad edit parameter values. Before readig further, familiarize yourself with the basic terms used with the MO i the chart below. Term Descriptio Page Voice Musical istrumet voices 40 Performace A program i which multiple Voices are combied i a layer 44 Sog Music data cosistig of MIDI evets 73 Patter Rhythm patter data cosistig of MIDI evets used for looped playback 73 Master A program which lets you register the settigs i each Voice, Performace, Sog, ad Patter 122 File A collectio of settigs for storig ad maagig your created data 211 Basic Operatio Modes Mode Structure This sythesizer is orgaized ito various s, each coverig a differet set of operatios ad fuctios. Keep i mid that there are two basic types of s, depedig o the status of the toe geerator block. The first type icludes the Voice ad Performace s, ad the iteral toe geerator is used i sigle timbre operatio meaig that oly oe Voice, or oe chael of MIDI data is used. The secod type icludes the Sog ad Patter s, ad the iteral toe geerator is used i multi-timbral operatio meaig that several Voices, or multiple MIDI chaels are used. I additio to the above, there are three special s. The Master lets you memorize your desired settigs i each (Voice/Performace/Sog/Patter) ad recall them istatly aytime you eed them with a sigle butto. The File lets you maage your created data, while the Utility provides cotrols related to the overall operatio of the istrumet. Keyboard Playback (sigle timbre toe geerator) Voice Voice Play Voice Edit Voice Job Voice Store Performace Performace Play Performace Edit Performace Job Performace Store VOICE PERFORM Keyboard Playback (multi-timbral toe geerator) Sog SONG Sog Play Sog Record Sog Edit Sog Job Sog Mixig Sog Mixig Edit Sog Mixig Job Sog Mixig Store PATTERN Patter Patter Play Patter Record Patter Edit Patter Job Patter Mixig Patter Mixig Edit Patter Mixig Job Patter Mixig Store (Mixig Voice ) Mixig Voice Edit Mixig Voice Job Mixig Voice Store MIXING VOICE PERFORM MASTER SONG DAW REMOTE EDIT COMPARE MODE PATTERN FILE JOB DEMO MIXING UTILITY STORE SCENE STORE SET LOCATE Master Master Play Master Edit Master Job Master Store File Utility Utility Job MASTER FILE UTILITY Ower s Maual 27

28 Modes Mode table The fuctios of each ad how to eter each are as follows: Mode Fuctio How to eter the Basic Operatio Voice Voice Play Playig a Voice [VOICE] Voice Edit Editig/Creatig a Voice [VOICE] [EDIT] Voice Job Iitializig a Voice, etc. [VOICE] [JOB] Voice Store Storig a Voice to iteral memory [VOICE] [STORE] Performace Performace Play Playig a Performace [PERFORM] Performace Edit Editig/Creatig a Performace [PERFORM] [EDIT] Performace Job Iitializig a Performace, etc. [PERFORM] [JOB] Performace Store Storig a Performace to iteral memory [PERFORM] [STORE] Sog Sog Play Playig a Sog [SONG] Sog Record Recordig a Sog [SONG] [REC] Sog Edit Editig a Sog MIDI evets [SONG] [EDIT] Sog Job Covertig ad trasformig Sog data [SONG] [JOB] Sog Mixig Settig toe geerator parameters [SONG] [MIXING] Sog Mixig Edit Settig toe geerator parameters i detail [SONG] [MIXING] [EDIT] Sog Mixig Job Iitializig a Sog Mixig, etc. [SONG] [MIXING] [JOB] Sog Mixig Store Storig a Sog Mixig iteral memory [SONG] [MIXING] [STORE] Patter Patter Play Playig a Patter [PATTERN] Patter Record Recordig a Patter [PATTERN] [REC] Patter Edit Editig a Patter MIDI evets [PATTERN] [EDIT] Patter Job Covertig ad trasformig Patter data [PATTERN] [JOB] Patter Mixig Settig toe geerator parameters [PATTERN] [MIXING] Patter Mixig Edit Settig toe geerator parameters i detail [PATTERN] [MIXING] [EDIT] Patter Mixig Job Iitializig a Patter Mixig, etc. [PATTERN] [MIXING] [JOB] Patter Mixig Store Storig a Patter Mixig iteral memory [PATTERN] [MIXING] [STORE] (Mixig Voice ) Mixig Voice Edit Editig/Creatig a Voice dedicated for Sog/Patter [SONG] or [PATTERN] [MIXING] [F5] VCE ED Mixig Voice Job Iitializig a Mixig Voice, etc. [SONG] or [PATTERN] [MIXING] [F5] VCE ED [JOB] Mixig Voice Store Storig a Mixig Voice to iteral memory [SONG] or [PATTERN] [MIXING] [F5] VCE ED [STORE] Utility Utility Settig System related parameters [UTILITY] Utility Job Resettig the User Memory to the Iitial Factory [UTILITY] [JOB] Settigs Master Master Play Playig a Master [MASTER] Master Edit Editig/Creatig a Master [MASTER] [EDIT] Master Job Iitializig a Master, etc. [MASTER] [JOB] Master Store Storig a Master to iteral memory [MASTER] [STORE] File File Maagig Files ad Folders (Directories) [FILE] How to leave the curret display For most operatios or displays (except for the File, Sog/Patter Record, ad Remote Cotrol ), pressig the [EXIT] butto will let you leave the curret display ad retur you to the previous oe. You ca retur back to ay of the s Voice Play, Performace Play, Sog Play, Patter Play, ad Master Play by pressig the [EXIT] butto several times i the respective. DEC/NO INC/YES EXIT ENTER EXECUTE 28 Ower s Maual

29 Modes Keyboard octave settig (MO6) Sometimes whe playig a voice, you may wish to play i a lower or higher pitch rage. For example, you may wat to shift the pitch dow lower to get extra bass otes, or shift up to get higher otes for leads ad solos. The Octave Up/Dow cotrols let you do this quickly ad easily. Each time you press the [OCTAVE UP] butto o the pael, the overall pitch of the voice goes up by oe octave. Likewise, each press of the [OCTAVE DOWN] butto takes the pitch dow by oe octave. The rage is from -3 to +3, with 0 beig stadard pitch. Whe this is set to Octave Up, the lamp of the [OCTAVE UP] butto lights, ad whe it is set to Octave Dow, the [OCTAVE DOWN] butto s lamp lights. The curret octave settig is show at the top right of the display. You ca istatly restore stadard pitch (0) by simultaeously pressig both the [OCTAVE UP] butto ad the [OCTAVE DOWN] butto (both lamps tur off). DOWN OCTAVE UP Basic Operatio The Octave settig made here is automatically reflected i the idetical Octave parameter i the Utility ([UTILITY] [F1] GENERAL [SF2] KBD Octave). This settig is available i all s. Traspose settig of the keyboard You ca set the amout i semitoes by which the rage of the keyboard is shifted up or dow as well as the octave settig. 1 Press the [UTILITY] butto to eter the Utility. 3 Move the cursor to Traspose by usig the Cursor butto. MODE VOICE PERFORM MASTER 4 Chage the Traspose value by usig the [INC/YES], [DEC/NO] buttos ad data dial. SONG PATTERN MIXING DAW REMOTE FILE UTILITY 5 Press the [STORE] butto to store the Traspose settig to iteral Flash ROM. DEMO CAUTION EDIT JOB STORE Make sure to execute step 5. The settigs made i step 4 will be lost if you tur the power off without executig step 5. 2 COMPARE SCENE STORE SET LOCATE Press the [F1] GENERAL butto, the the [SF2] KBD butto. CAUTION Never attempt to tur off the power while data is beig writte to Flash ROM (while a Please keep power o message is show). Turig the power off i this state may ot oly cause the system to freeze (due to data corruptio i the Flash ROM) ad prevet ormal startup the ext time the power is tured o, it may also result i loss of all user data. The traspose settig is available i all s. SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 Ower s Maual 29

30 About data storage to USB storage devices About data storage to USB storage devices As you make music with this istrumet, you ll create a wide variety of data such as custom Voice data (icludig Voices, Performaces, etc.), ad MIDI sequece data (Sogs, Patters, Arpeggios). Naturally, you ll wat to store this data for safekeepig ad future use, ad for this reaso the istrumet is equipped with a USB TO DEVICE coector lettig you save your data to a coveiet USB storage device. To recall the data, use the Load fuctio. (Save ad Load operatios are doe i the File ; see page 211.) Keep i mid that certai types of data are lost whe you tur off the power ad should be properly saved. Basic Operatio USB TO DEVICE coector USB storage device (page 31) MO Data lost ad data retaied whe power is tured off The chart below lists the data types you ca create o the istrumet ad the iteral memory locatios to which they are stored, permaetly or temporarily. CAUTION Make sure to save ay data remaiig i DRAM to a USB storage device before turig off the power, other wise the data will be lost. Data types Page Mode i which data is created Iteral memory types to which data is stored Voice 53 Voice Flash ROM Mixig Voice 78 Mixig Voice DRAM Lost whe power is tured off. Performace 63 Performace Flash ROM Sog* 87 Sog DRAM Lost whe power is tured off. Sog Chai 95 Sog Chai DRAM Lost whe power is tured off. Patter* 76 Patter DRAM Lost whe power is tured off. Patter Chai 84 Patter Chai DRAM Lost whe power is tured off. Phrase (Patter) 79 Patter DRAM Lost whe power is tured off. Arpeggio 97 Sog, Patter Flash ROM Master 122 Master Flash ROM Mixig Template** 77 Sog Mixig, Patter Mixig Flash ROM System settigs 205 Utility Flash ROM * Icludes the Mixig settigs (pages 137, 138) ** Sog Mixig/Patter Mixig ca be stored as Sog/Patter data ad as a Mixig Template (which are ot associated with a specific Sog/Patter). For details about the data types you ca create o this istrumet, the iteral memory locatios to which they are stored, ad file types whe savig the created data to the USB storage device, refer to Memory Structure o page Ower s Maual

31 About data storage to USB storage devices Usig USB storage devices Whe usig USB storage devices, make sure to coect them to the USB TO DEVICE coector, ad follow the importat precautios below. Compatible USB devices Coect oly a USB storage device (such as hard disk, CDROM, flash disk ad other drives) to the USB TO DEVICE coector. Other devices such as a computer keyboard or mouse caot be used. Both bus-powered (powered by the host device) or selfpowered (battery or exteral power supply) types ca be used. The MO does ot ecessarily support all commercially available USB storage devices. Yamaha caot guaratee operatio of USB storage devices that you purchase. Before purchasig USB storage devices, please cosult your Yamaha dealer, or a authorized Yamaha distributor (see list at ed of the Ower s Maual) for advice, or see the followig website: Although CD-R/W drives ca be used to load data to the istrumet, they caot be used for savig data. However, you ca trasfer data to a computer ad save data to a CD usig the CD-R/ W drive o the computer. Formattig USB storage media Whe a USB storage device is coected or media is iserted, a USB device uformatted. message may appear i the LCD display, idicatig that the device or media must be formatted for use. Execute the Format operatio i the File (page 211). USB coector types There are two differet types of USB coectors, ad the rear pael of the istrumet features both. Take care ot to cofuse the two. USB TO HOST coector This type is used to coect the istrumet to a computer, ad allows you to trasfer MIDI data betwee the devices. The USB coectio betwee the istrumet ad the computer ca oly be used for trasfer of MIDI data. Ulike MIDI, USB ca hadle multiple ports via a sigle cable. USB cables may have differet coectors o each ed: the A type ad the B type. Coect the A type to your computer ad the B type to the USB TO HOST coector. USB TO DEVICE coector This type is used to coect the istrumet to a USB storage device, ad allows you to save data you ve created to the coected device, as well as load data from the coected device. This lets you save the data created o this istrumet to the exteral USB storage device ad load the data from the exteral USB storage device to the istrumet. Save ad Load operatios are executed i the File (page 211). USB cables may have differet coectors o each ed: the A type ad the B type. Coect the A type to the USB TO DEVICE coector ad the B type to the USB storage device. MIDI data trasfer Basic Operatio Precautios whe usig the USB TO DEVICE coector Savig/loadig data i the File (page 211) Coectig to a computer CAUTION Never tur the USB device s power o/off ad ever plug/uplug the USB cable whe the coected USB storage device is the self powered type. Doig so may result i the operatio of the sythesizer freezig or hagig up. While the istrumet is accessig data (such as i the Save, Load ad Delete operatios i the File ), do NOT uplug the USB cable, do NOT remove the media from the device, ad do NOT tur the power off to either device. Doig so may corrupt the data o either or both devices. B type USB TO HOST coector A type USB TO DEVICE coector Coectig to a USB storage device (hard disk, CD-ROM, flash disk ad other devices) To protect your data (write-protect): To prevet importat data from beig iadvertetly erased, apply the write-protect provided with each storage device or media. If you are savig data to the USB storage device, make sure to disable or remove write-protect. MO The computer caot access the USB storage device coected to the USB TO DEVICE coector o the MO, eve if coectig as show above. Oly from the File o the istrumet itself ca you access the data o the USB storage device coected to the USB TO DEVICE coector. Though the MO supports oly up to the USB 1.1 stadard, USB 2.0 storage devices ca be coected ad used with the istrumet. However, ote that the trasfer speed complies to USB 1.1. Ower s Maual 31

32 About data storage to USB storage devices TIP Backig up your data to a computer Basic Operatio Backig up MO data to a computer Oce you ve saved data to a USB storage device, you ca copy the data to the hard disk of your computer, the archive ad orgaize the files as desired. Simply recoect the device as show below. Savig created data to the USB storage device i the File (page 211) Computer USB storage device USB TO DEVICE coector Loadig data from a computer to the MO Data ad files cotaied o the hard disk of a computer ca be loaded to the MO by copyig them first to the storage media, the trasferrig them to the istrumet. I this way, you ca use data created o the computer or aother istrumet with the MO. For example, you ca load Stadard MIDI files to the istrumet as Sog/ Patter data, or import files created o the MOTIF ES. Copyig the files of the hard disk of the computer to the USB storage device Computer USB storage device MO Discoect the USB storage device from the sythesizer ad coect it to the computer Backig up data to a computer ad orgaizig files/ folders MO Discoect the USB storage device from the computer ad coect it to the sythesizer Computer USB storage device Loadig files o the USB storage device to the sythesizer i the File (page 211) Computer USB storage device USB TO DEVICE coector MO MO 32 Ower s Maual

33 Fuctios ad Sub-Fuctios Fuctios ad Sub-Fuctios Each described above cotais various displays, with various fuctios ad parameters. To avigate your way through these displays ad select a desired fuctio, use the [F1] [F6] buttos ad the [SF1] [SF5] buttos. Whe you select a, the available displays or meus appear directly above the buttos at the bottom of the display (as show below). Usig the Fuctio buttos [F1] [F6] SCENE These fuctios ca be selected via the correspodig butto ([F1] [F6]). Basic Operatio SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 I this example, press the [F5] butto to go to the LFO display. Depedig o the curretly selected, up to six fuctios are available ad ca be called up with the [F1] [F6] buttos. Keep i mid that the available fuctios differ depedig o the selected. Usig the Sub-Fuctio buttos [SF1] [SF5] SCENE These fuctios ca be selected via the correspodig butto ([SF1] [SF5]). SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 I this example, press the [SF5] butto to go to the OTHER display. Depedig o the curretly selected, up to five fuctios (sub-fuctios) are available ad ca be called up with the [SF1] [SF5] buttos. Keep i mid that the available fuctios differ depedig o the selected. (Some displays may ot have ay sub-fuctios for these buttos.) Selectig a Program I order to play the MO you ll eed to call up oe of its programs, i.e., a Voice, Performace, Sog, Patter, or Master. These programs ca be selected i each Play via the same procedure. Usig the [INC/YES], [DEC/NO] buttos ad the data dial The [INC/YES] ad [DEC/NO] buttos let you step up or dow through the program umbers i ay of the Play s (Voice, Performace, Sog, Patter, ad Master). Rotatig the data dial to the right (clockwise) icreases the program umber, while rotatig it to the left (couter-clockwise) decreases it. This cotrol works i the same way as the [INC/YES] ad [DEC/NO] buttos, but lets you scroll through the programs more quickly. Decreases umber Icreases umber Decreases umber DEC/NO INC/YES Icreases umber Ower s Maual 33

34 Selectig a Program Usig the Group buttos ad Number buttos As show below, you ca select a program umber by pressig ay of the Group [A] [H] buttos ad pressig ay of the Number [1] [16] buttos. The explaatios here apply whe these butto idicators are off. PRE 1 PRE 2 PRE 3 PRE 4 USER 1 USER 2 GM SECTION A. PIANO KEYBOARD ORGAN GUITAR PLUCKED BASS STRINGS BRASS REED PIPE A B C D E F G H Basic Operatio SYN LEAD SYN PAD CHOIR SYN COMP ELEMENT PERF. PART ZONE CHROMATIC PERCUSSION DRUM PERCUSSION SE MUSICAL FX COMBI TRACK SELECT MUTE SOLO The coveiet Category Search fuctio (page 42) lets you easily locate ad select the Voices you wat by type. The Voice program umbers ad the correspodig Group/Numbers are listed below. Program Number Group Number Program Number Group Number Program Number Group Number Program Number 001 A C E G A C E G A C E G A C E G A C E G A C E G A C E G A C E G A C E G A C E G A C E G A C E G A C E G A C E G A C E G A C E G B D F H B D F H B D F H B D F H B D F H B D F H B D F H B D F H B D F H B D F H B D F H B D F H B D F H B D F H B D F H B D F H 16 Group Number Whe selectig a Voice ad Patter, it is ecessary to press oe of the Bak buttos before pressig the Group ad Number buttos. The amout of umbers differ depedig o the program. For example, while the selected umber rage of the Normal Voice, Performace, ad Master is , the selected umber rage of the Sog ad Patter is Ower s Maual

35 Movig the Cursor ad Settig Parameters Movig the Cursor ad Settig Parameters Chagig (editig) parameter values Rotatig the data dial to the right (clockwise) icreases the value, while rotatig it to the left (couter-clockwise) decreases it. For parameters with large value rages, you ca icrease the value by 10 by simultaeously holdig dow the [INC/YES] butto ad pressig the [DEC/NO] butto. To decrease by 10, do the opposite; simultaeously hold dow the [DEC/NO] butto ad press the [INC/YES] butto. Movig the cursor Use these four buttos to avigate the display, movig the cursor aroud the various selectable items ad parameters i the scree. Whe selected, the relevat item is highlighted (the cursor appears as a dark block with iverse characters). You ca chage the value of the item (parameter) at which the cursor is located by usig the data dial, [INC/YES] ad [DEC/NO] buttos. DEC/NO EXIT INC/YES ENTER EXECUTE Basic Operatio Iputtig a umber directly For parameters havig large value rages (such as the Sog measure), you ca also eter the value directly, usig the buttos below the LCD display as a umeric keypad. Whe the cursor is located o such a parameter, the [NUM] ico appears at the lower right corer of the LCD display idicatig that you ca call up the umber iput widow by pressig the [INFORMATION] butto. From this widow, you ca iput a umber directly by pressig the [F1] [F6] buttos ad the [SF1] [SF5] buttos (or Number [1] [10] buttos). First, press the [F6] butto so that the cursor appears at the Iput Number withi the bracket. Move the cursor to the desired digit by usig the Cursor buttos [>] ad [<], the iput the umber of the selected digit. After completig the umber iput, press the [ENTER] butto to actually eter the umber. Press the [EXIT] butto to go back to the origial display. Number Iput widow SCENE SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 F1 F2 F3 F4 F5 F6 You ca also iput a umber directly by pressig the Number [1] [10] buttos. I this case, the [10] butto is used to iput 0. Selectig a ote type Whe the cursor is located o the parameter to which the ote type is set, the ote ico appears at the lower right corer idicatig that you ca call up the Note Type selectio widow by pressig the [INFORMATION] butto. You ca specify the ote type by pressig the [F1] [F6] buttos ad the [SF1] [SF5] buttos. After selectig oe of the ote types, press the [ENTER] butto to actually eter the selectio. Press the [EXIT] butto to go back to the origial display. Note type selectio widow SCENE SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 F1 F2 F3 F4 F5 F6 Ower s Maual 35

36 About the editig fuctios About the editig fuctios There are three types of method for creatig data Editig parameters (Voice, Performace, etc.) ad Recordig MIDI data (Sog, Patter, etc.). I this sectio, we ll explai the basic operatios for editig the Voice, Performace, Sog Mixig, Patter Mixig, Mixig Voice settigs. For details o recordig MIDI data, see page 73. The Sog Edit fuctio (for editig the Sog MIDI sequece data) ad the Patter Edit fuctio (for editig the Patter MIDI sequece data) are ot explaied here. See page 90. Basic Operatio Edit Idicator You ca adjust or set various parameters by usig the data dial, [INC/YES] butto, [DEC/NO] butto, Kobs, ad Cotrol sliders i the Voice (Play/Edit ), Performace (Play/Edit ), Sog Mixig, Patter Mixig, ad Mixig Voice. Whe chagig the value of the parameter i these s, the [E] (Edit Idicator) will appear o the top left corer of the LCD display. This idicates that the curret program has bee modified but ot yet stored. If you wish to store your soud obtaied by edit operatio, be sure to store the curret program to iteral User memory i the Store before selectig aother program. Edit Idicator EDIT JOB STORE If the Edit Idicator appears... COMPARE SCENE STORE SET LOCATE Voice Edit Performace Edit Sog Mixig Edit Patter Mixig Edit Mixig Voice Edit Voice Store Performace Store Sog Mixig Store Patter Mixig Store Mixig Voice Store Compare Fuctio This coveiet fuctio lets you switch betwee the edited soud ad its origial, uedited coditio allowig you to liste to the differece betwee the two ad better hear how your edits affect the soud. For example, whe editig a Voice i the Voice Edit, the E Edit idicator is show. Pressig the [COMPARE] butto i this coditio reverts to the origial uedited soud (the butto lamp flashes ad the C Compare idicator is show). Press the [COMPARE] butto agai to retur to the edited soud. Edit Idicator (ewly edited soud) Chages to the Compare Idicator (origial soud) EDIT Lamp flashes JOB STORE EDIT JOB STORE COMPARE SCENE STORE SET LOCATE COMPARE SCENE STORE SET LOCATE 36 Ower s Maual

37 Cofirmatio Message Edit Recall Fuctio If you are editig a program ad select a differet program without storig your edited oe, all the edits you ve made will be erased. However, the edited program is maitaied i a backup memory locatio called the Recall buffer (page 150). To restore the lost data with your latest edits itact, use the Edit Recall fuctio i the Job. Job How to call up the Edit Recall display Voice [VOICE] [JOB] [F2] RECALL Performace [PERFORM] [JOB] [F2] RECALL Sog Mixig [SONG] [MIXING] [JOB] [F2] RECALL Patter Mixig [PATTERN] [MIXING] [JOB] [F2] RECALL Mixig Voice [SONG] or [PATTERN] [MIXING] [F5] VCE ED [JOB] [F2] RECALL Cofirmatio Message Basic Operatio Whe you execute certai operatios, such as those i the Job, Store, ad File s, this sythesizer shows a cofirmatio message. This lets you actually execute the operatio or cacel it if desired. If a cofirmatio message (like the oe illustrated above) appears, press the [INC/YES] butto to execute the operatio or press the [DEC/NO] butto to cacel it. Iformatio Display This coveiet fuctio lets you call up relevat details about the selected simply by pressig the [INFORMATION] butto. For example, whe the Voice is active, you ca quickly check iformatio about which voice bak is selected, what Play (poly or moo) is beig used, which effects are applied, ad so o. INFORMATION For details, see page 219. Note (Key) settigs Several parameters let you set a key rage for a fuctio for example, i settig up a keyboard split by specifyig certai ote values. You ca use the [INC/YES] ad [DEC/NO] buttos or data dial to set these parameters, or you ca directly eter the values from the keyboard by pressig the appropriate keys (as show below). INFORMATION Whe Note Limit is selected, the [KBD] mark appears, idicatig that you ca use the keyboard to set the value. Simultaeously hold dow the [INFORMATION] butto ad press the appropriate key. For details o the ote ames assiged to the keys, see page 14. Ower s Maual 37

38 Namig Namig You ca freely ame your created data such as Voices ad files saved to the USB storage device. The chart below lists the types of data that ca be amed alog with the operatios for callig up the respective amig displays. Data types that ca be amed How to call up the amig display Page Voice [VOICE] [EDIT] [F1] GENERAL [SF1] NAME 153 Performace [PERFORM] [EDIT] [F1] GENERAL [SF1] NAME 172 Sog [SONG] [JOB] [F6] SONG 04: Sog Name 189 Basic Operatio Patter [PATTERN] [JOB] [F6] PATTERN 05: Patter Name 202 Mixig Template [SONG] or [PATTERN] [MIXING] [STORE] 192 Mixig Voice [SONG] or [PATTERN] [MIXING] [F5] VCEED [F1] GENERAL [SF1] NAME 203 Phrase [PATTERN] [JOB] [F4] PHRASE 09: Phrase Name 200 Master [MASTER] [EDIT] [F1] NAME 216 Arpeggio [SONG] [JOB] [F5] TRACK 07: Put Track To Arp 188 [PATTERN] [JOB] [F5] TRACK 06: Put Track To Arp 201 Volume Label of the USB storage device [FILE] [F1] CONFIG [SF2] FORMAT 211 File/Folder saved to the USB storage device [FILE] [F2] SAVE or [F4] RENAME 211 First, call up the ame iput display accordig to the above table, the, move the cursor by usig the Cursor buttos to the desired locatio ad iput a character. See below for details. Sice the ame of the program is part of the data, make sure that you properly save the program after amig it. Basic amig operatio As show below, you ca set the ame by repeatig the two operatios movig the cursor to the desired locatio by usig the Cursor buttos ad selectig a character by usig the data dial, [INC/YES] butto, ad [DEC/NO] butto. Movig the cursor to the desired locatio o the ame Selectig a character at the cursor locatio DEC/NO INC/YES EXIT ENTER DEC/NO INC/YES EXECUTE 38 Ower s Maual

39 Namig Usig the character list If you fid it difficult to select the desired characters with the above method, you may wat to use the followig method selectig the characters from a list. INFORMATION Perform the operatios below while holdig the [INFORMATION] butto. Whe the cursor is located at the Name, this [LIST] ico appears ad you ca call up the Character List display by holdig the [INFORMATION] butto. Release the [INFORMATION] butto to retur back to the origial display. Basic Operatio Move the cursor to the desired locatio. Select a character for the cursor locatio o the ame. DEC/NO INC/YES INFORMATION INFORMATION EXIT ENTER DEC/NO INC/YES EXECUTE Ower s Maual 39

40 Voice Play Quick Guide Voice Play The Voice Play is where you select ad play the istrumet souds (voices) of this sythesizer. Selectig a Normal Voice Playig the MO Quick Guide Playig the MO Iterally, there are two Voice Types: Normal Voices ad Drum Voices. Normal Voices are maily pitched musical istrumet type souds that ca be played over the rage of the keyboard. Drum Voices are maily percussio/drum souds that are assiged to idividual otes o the keyboard. I this sectio, we ll show you how to select a Normal Voice. You ca select the desired Voice from various Voice Baks (Preset 1 4, User 1 2, GM preset) as show. Voice Bak User Bak Cotais the voices you ve created i the Voice Edit. PRE 1 PRE 2 PRE 3 PRE 4 USER 1 USER 2 GM Preset Bak Cotais the Voices built ito this istrumet. GM Preset Bak Cotais the voices allocated accordig to the GM stadard. For details, see page Press the [VOICE] butto to eter the Voice Play. I this coditio, playig the keyboard souds the Voice idicated i the display. The parameters show i the Voice Play are briefly explaied below. VOICE PERFORM MASTER Idicates the Keyboard MIDI trasmit chael. See page 43 for details. Idicates the Keyboard Octave settig. See page 29 for details. Idicates the fuctios assiged to the respective Kobs. See page 56. ARP1 ARP5 Use the [SF1] [SF5] buttos to call up the Arpeggio type assiged to each butto (page 48). Idicates the curretly selected voice. Bak ad Voice Program umber Category ad Voice ame USR1 : 001 (A01) Co : The Huter Bak (selected via the buttos) Number Category (selected via the Number [1] [16] buttos) Group (selected via the Group [A] [H] buttos) Voice Program umber (correspodig to Groups A to H ad Numbers 01 to 16) Voice ame Keep i mid that the example displays show i this maual are for istructio purposes oly, ad the cotets (for example, the Voice ame here) may differ slightly from those o your istrumet. 40 Ower s Maual

41 Voice Play 2 Select a Normal Voice Bak. Select oe of the Baks from Preset 1 4, User 1 2, ad GM. 3 Select a Normal Voice Group. Voices i each Bak are divided ito Groups [A] [H]. A B C D E F G H PRE 1 PRE 2 PRE 3 PRE 4 USER 1 USER 2 GM SYN LEAD SYN PAD/ CHOIR SYN COMP CHROMATIC PERCUSSION DRUM/ PERCUSSION SE MUSICAL FX COMBI Group Voice 4 Select a Normal Voice Number. Press oe of the Number [1] [16] buttos. About the User Baks ELEMENT/PERF. PART/ZONE Quick Guide The User Baks cotai various factory default Voices. User Bak 1 (USR1): This Bak cotai origial Voices for the User Bak. The same Voices are ot icluded i the Preset Baks. Playig the MO User Bak 2 (USR1): This Bak cotais recommeded Voices copied from the Preset Baks. If a Voice i a User Bak (User Voice) is overwritte or replaced, that User Voice will be lost. Whe you save a edited Voice, be careful ot to overwrite ay importat User Voices. 5 Play the keyboard. Selectig a Drum Voice 1 Press the [VOICE] butto to eter the Voice Play. 4 Select a Drum Voice Number. This is the same as i selectig a Normal Voice. 2 Select a Drum Voice Bak. While holdig the [DRUM KITS] butto, press oe of the followig buttos: [PRE 1] (Preset Drum), [USER 1] (User Drum), or [GM] (GM Drum). 5 Play the keyboard ad check which istrumet is assiged to each key. For details about the istrumet assigmets for each key, refer to the separate Data List. DRUM KITS FAVORITES PRE 1 A. PIANO PRE 2 KEYBOARD PRE 3 ORGAN PRE 4 USER 1 GUITAR PLUCKED BASS USER 2 STRINGS GM BRASS REED PIPE Usig the [INC/YES], [DEC/NO] buttos ad data dial I steps 3 ad 4 above, you ca select a Voice Number by usig the [INC/YES], [DEC/NO] buttos ad data dial. 3 Select a Drum Voice Group. Decreases umber Icreases umber This operatio is basically the same as i selectig a Normal Voice. The umbers of Groups that you ca select depeds o the Bak you ve selected i step 2. Decreases umber DEC/NO INC/YES Icreases umber Ower s Maual 41

42 Voice Play Usig the Category Search fuctio You ll probably have a lot of fu ad ispiratio goig through the Voices oe-by-oe, listeig to each i order but it will take you a log time to get through all of them, sice the MO has so may. This is where the Category Search fuctio comes i hady. It s a powerful ad easy-to-use way to quickly fid the Voices you wat. Let s try out the feature below, searchig for a Voice i the Pipe Orga category. 1 Tur the Category Search fuctio o by pressig the [CATEGORY SEARCH] butto. Press the [CATEGORY SEARCH] butto agai to tur this fuctio off. CATEGORY SEARCH 3 Select the Pipe Orga Sub Category. The Sub Category ames are show at the bottom of the Category Search display. All Categories are divided ito two or three Sub Categories for further ease i selectio. Here, press the [F2] PIPE butto. Quick Guide Playig the MO PRE 1 A. PIANO PRE 2 KEYBOARD PRE 3 ORGAN PRE 4 USER 1 GUITAR PLUCKED 2 Select the Orga Category. Press the [PRE 3] ORGAN butto of the Bak buttos ad Group buttos. The Voices i the Orga Category are displayed i a list. BASS USER 2 STRINGS GM BRASS REED PIPE A B C D E F G H SYN LEAD SYN PAD SYN COMP CHROMATIC DRUM SE MUSICAL FX CHOIR PERCUSSION PERCUSSION COMBI SF 1 SF 2 SF 3 F1 F2 F3 A alterate way of selectig categories is to use the Cursor buttos to select ad highlight the Category ame i the display, the use the [INC/YES] ad [DEC/NO] buttos or the data dial to select the Category. Some Voices such as User Voices may ot be registered to ay Category. You ca search for these Voices by settig the Category to CATEGORY SEARCH 4 Select the desired Voice from the Pipe Orga Voice list. PRE 1 A. PIANO PRE 2 KEYBOARD PRE 3 ORGAN PRE 4 USER 1 GUITAR PLUCKED BASS USER 2 STRINGS GM BRASS REED PIPE A B C D E F G H Step through the available Voices by usig the data dial. You ca also use the [INC/YES] ad [DEC/NO] buttos, or use the Cursor [ ][ ] buttos. SYN LEAD SYN PAD SYN COMP CHROMATIC DRUM SE MUSICAL FX CHOIR PERCUSSION PERCUSSION COMBI Category Voice List Category ames DEC/NO INC/YES EXIT ENTER Sub Category EXECUTE 5 Press the [ENTER] butto to actually select the Voice. You ca also use the [CATEGORY SEARCH] butto ad [EXIT] butto to select the Voice. 42 Ower s Maual

43 Voice Play Favorite Category The MO also lets you collect ad store your favorite Voices to create your persoal Favorite Category. By puttig your most ofte-used Voices i the Favorite Category, you ca select your favorite Voices quickly ad easily. 3 Press the [FAVORITES] butto to see the Voices you ve set to the Favorite Category i step 2. You also ca use the [F5] SET/CLR ad [F6] CLR ALL buttos i this display to register/remove the voices to/from the Favorite Category. 1 Select the Voice usig the Category Search fuctio. DRUM KITS FAVORITES 2 Register the Voice selected i step 1 to the Favorite Category by pressig the [F5] SET/ CLR butto, checkmarkig the box ext to the Voice ame. You ca u-checkmark the selectio by pressig the [F5] butto agai. 4 Press the [FAVORITES] butto agai to retur to the Category Search display. Quick Guide SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION 5 Pressig the [CATEGORY SEARCH] butto or [EXIT] butto to exit from the Category Search display will automatically store the Favorite Category settigs to iteral memory. Playig the MO F1 F2 F3 F4 F5 F6 Pressig [F5] toggles betwee the two settigs: Checkmark o Checkmark off To remove all the marked Voices from the Favorite Category, simply press the [F6] CLR ALL butto. CAUTION The settigs made i steps 2 3 will be lost if you tur the power off without executig step 5. CAUTION Never attempt to tur off the power while a Executig... or Please keep power o message is show. Turig the power off i this state may cause the system to freeze ad prevet ormal startup the ext time the power is tured o, as well as resultig i the loss of all user data. Keyboard MIDI trasmit chael settig This fuctio is especially coveiet whe recordig to a exteral sequecer or cotrollig aother istrumet via MIDI. It lets you easily chage the trasmit chael with just a couple of butto presses. Press the [TRACK SELECT] butto (the lamp lights), the press the appropriate Number butto ([1] [16]). The trasmit chael settig is show at the top right of the display TRACK SELECT ELEMENT PERF. PART ZONE MUTE SOLO You ca also set the MIDI keyboard trasmit chael from the Utility ([UTILITY] [F5] MIDI [SF1] CH KBDTrasCh). This parameter is available for the Voice /Performace but ot for the Sog /Patter. Ower s Maual 43

44 Performace Play Performace Play Each Performace ca cotai up to four differet Parts. This lets you play, for example, Flute, Violi, ad Timpai Voices i a layer across the keyboard, or split the keyboard accordig to the bass ad melody parts, the play the two differet istrumets ad soud like a duo eve though you re playig by yourself. Selectig a Performace 256 Performaces (2 baks) are provided i iteral User memory. I the Performace Play, you ca select ad play idividual User Performaces. 1 Press the [PERFORM] butto to eter the Performace Play. Quick Guide Playig the MO I this coditio, playig the keyboard souds the Performace idicated i the display. The parameters show i the Performace Play are briefly explaied below. VOICE PERFORM MASTER Idicates the Keyboard MIDI trasmit chael. See page 45 for details. Idicates the Keyboard Octave settig. See page 29 for details. Idicates the fuctios assiged to the respective Kobs. See page 65. ARP1-ARP5 Use the [SF1] [SF5] buttos to call up the Arpeggio type assiged to each butto (page 48). Bak ad Performace Program umber USR1 : 001 (A01) Idicates the curretly selected Performace. Category ad Performace ame Co : Prologue Bak Number (selected via the Number [1] [16] buttos) Category Performace ame Group (selected via the Group [A] [H] buttos) Performace Program umber (correspodig to Groups A to H ad Numbers 01 to 16) Keep i mid that the example displays show i this maual are for istructio purposes oly, ad the cotets (for example, the Performace ame here) may differ slightly from those o your istrumet. 44 Ower s Maual

45 Performace Play 2 Select a Performace Bak. Select oe of the Baks from User 1 ad 2. PRE 1 PRE 2 PRE 3 PRE 4 USER 1 USER 2 GM Performace Part mute/solo Each performace ca cotai a maximum of four Parts, each of which ca be tured o or off idepedetly. Mutig ad soloig of Parts is doe i the same way as that of tracks i a Sog/Patter. See page 75. A. PIANO KEYBOARD ORGAN GUITAR PLUCKED BASS STRINGS BRASS REED PIPE TRACK SELECT ELEMENT PERF. PART ZONE MUTE SOLO 3 Select a Performace Group. Performaces are divided ito Groups [A] [H]. Select a Group to display a list of the Performaces. A B C D E F G H SYN LEAD 4 Select a Performace Number. Press oe of the Number [1] [16] buttos. 1 SYN PAD/ CHOIR 2 SYN COMP CHROMATIC PERCUSSION Group 3 4 DRUM/ PERCUSSION 5 SE MUSICAL FX COMBI Performace Usig the Category Search fuctio As i the Voice Play, you ca use the Category Search ad Favorite Category fuctios i the Performace Play. For details o how to use the fuctio, see page 42. Keyboard MIDI trasmit chael settig As i the Voice Play, you ca chage the MIDI trasmit chael for the keyboard. Press the [TRACK SELECT] butto (the lamp lights), the press the appropriate Number butto ([1] [16]). The trasmit chael settig is show at the top right of the display. You ca also set the MIDI keyboard trasmit chael from the Utility ([UTILITY] [F5] MIDI [SF1] CH KBDTrasCh). This parameter is available for the Voice /Performace but ot for the Sog /Patter. Quick Guide Playig the MO ELEMENT/PERF. PART/ZONE Play the keyboard. Ower s Maual 45

46 Performace Play Creatig a Performace by combiig Voices Performaces ca be made up of a maximum of four Parts, each of which ca be assiged a differet Voice. I this sectio, we ll create a Performace by combiig two Voices. Preparig to create a Performace (Iitializig the Performace) Playig several Voices together (Layer) Quick Guide Playig the MO 1 2 Select the desired Performace i the Performace Play. Press the [JOB] butto, ad the the [F1] butto. The Iitialize display is show. Check the ALL check box to iitialize all data of the Performace. For details about the Iitialize fuctio, refer to page 168. EDIT COMPARE JOB STORE 5 Press the [F2] VOICE butto. This calls up a list idicatig which Voice is assiged to each Part of the curret Performace. Sice the curret Performace has bee iitialized, the oly Voice i the Performace is PRE1: Full Grad, set to Part 1. SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 3 Press the [INC/YES] butto to iitialize the Performace. Press the [ENTER] butto. (The display prompts you for cofirmatio.) Keep i mid that whe you execute the Store operatio by pressig the [STORE] butto here, the Performace at the destiatio will be replaced with the Iitialized Performace above. For details about the Store operatio, refer to page Assig the desired Voice to Part Move the cursor to the Voice Bak or Voice Number of Part 2. Voice Bak Voice Number 4 Press the [PERFORM] butto. The curret Performace ame will chage to Iit Perf i the display. Whe you iitialize a Performace, the Voice at Preset Bak 1, Voice umber 1 is assiged to Part 1 as the default. 6-2 Press the [SF1] ADD INT butto. This eables assigmet of the selected iteral Voice to Part Select the Voice you ve assiged to Part 2 as you did i steps 2 4 i the sectio Selectig a Normal Voice or Selectig a Drum Voice (page 40 or 41). You ca select the desired Bak ad Number directly by usig the [DEC/NO], [INC/YES] buttos ad data dial. You ca also use the Category Search fuctio (page 42). Here, we ll assig a flute Voice (PRE2: SweetFlute) to Part Ower s Maual

47 Performace Play Voice Bak Voice Number 9-2 Press a ote o the keyboard while holdig the [SF5] LIMIT L butto dow to set the lowest ote of Part 2. Note that the dark bar (at NOTE ) for Part 2 chages as the ote rage is chaged. SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 Assigs a Voice to the selected Part. Deletes the Voice assigmet of the selected Part. SF 5 SF 4 7 Play the keyboard. The Part 1 (piao Voice) ad Part 2 (flute Voice) ca be played i uiso. Part 1: Piao Part 2: Flute Note limit low 10 Play the keyboard. Note limit High Use your left had to play piao souds ad your right had to play flute souds. Quick Guide Playig the MO Part 1: Piao Part 2: Flute Next, we ll divide the keyboard ito two sectios oe for each Voice. Dividig the keyboard ito separate sectios Split 8 Assig the Voice of Part 1 to the lower key rage. 8-1 Move the cursor to Part Press a ote o the keyboard while holdig dow the [SF5] LIMIT H butto to set the highest ote for Part 1. 9 Note that the dark bar (at NOTE ) for Part 1 chages as the ote rage is chaged. Assig the Voice of Part 2 to the higher key rage. 9-1 Move the cursor to Part 2. Adjustig the Part levels ad storig the Performace 11 For details, see page For details about the Store operatio, see page 66. Adjust the Volume settigs of Parts 1 ad 2 by usig the Cotrol sliders. Store the settigs as a User Performace i the Performace Store. If you are editig a program ad you select a differet program without storig your edited oe, all the edits you ve made will be erased. I the sectio above, you leared how to assig two Voices to two differet Parts. Use same procedure to assig Voices to Parts 3 ad 4, ad create a full orchestral soud or the soud of a 3- or 4-piece bad just by usig a sigle MO. You ca also use the preset Performaces as startig poits i buildig your ow custom Voice combiatios. Ower s Maual 47

48 Usig the Arpeggio feature Usig the Arpeggio feature The versatile Arpeggio feature allows you to automatically play various rhythms ad phrases by simply pressig a key or playig a chord. The MO cotais a remarkably wide variety of Arpeggios a total of 1,787 from covetioal, popular phrases to the latest cuttig-edge rhythm patters. I additio, you ca assig your favorite Arpeggios to the [SF1] [SF5] buttos ad switch betwee Arpeggio phrases istatly. This powerful fuctio is a uedig source of ispiratio ad will help you create various riffs, phrases ad sogs quickly ad easily. Sice the preset Voices ad Performaces already have their ow Arpeggio types pre-assiged, all you eed to do is select the desired Voice ad tur o the Arpeggio fuctio. For details about Arpeggio, see page 145. The Arpeggio feature is also available i the Sog ad Patter s. For details, see page 79. Differet Arpeggio types caot be played back for each Part i the Performace, Sog, or Patter. Quick Guide Playig the MO 1 Press the [ARPEGGIO ON/OFF] butto to tur Arpeggio o. Selectig some programs (Voices, Performaces, Sogs, Patters) automatically turs this lamp o. MASTER EFFECT EFFECT BYPASS ARPEGGIO ON OFF Chagig the Arpeggio type durig your keyboard performace A differet Arpeggio type is assiged to each of the [SF1] ARP1 [SF5] ARP5 buttos for each preset Voice. Whe a musical ote ico appears to the right of each Arpeggio umber i the display (see below), the correspodig butto is assiged a Arpeggio type. The selected Arpeggio type is highlighted. Try out various Arpeggio types by pressig the [SF1] [SF5] buttos. 2 Play a ote or otes o the keyboard to trigger the Arpeggio playback. The particular rhythm patter or phrase that plays depeds o the actual otes or chords you play, as well as o the selected Arpeggio type. For details, see page 145 i the Basic Structure sectio. SF 1 SF 2 SF 3 SF 4 SF 5 You ca cofirm the curretly selected Arpeggio type i the [F6] ARP display. Arpeggio type curretly selected. Bak Selects pre (Preset) or usr (User). Ctgr For details, refer to page 145. Type For details, refer to the separate Data List booklet. 48 Ower s Maual

49 Usig the Arpeggio feature Register your favorite Arpeggio types to the [SF1] [SF5] buttos You ca chage the default settigs ad assig ay Arpeggio types you like to the [SF1] [SF5] buttos. 1 Select the desired Voice, Performace, Sog, or Patter, ad the press the [ARPEGGIO] butto to tur Arpeggio o. Cotrollig Arpeggio playback by usig the Kobs. These four Kobs let you adjust the tempo ad volume of Arpeggio playback. If you like the results ad wat to save them, you ca store the chages as a User Voice, Performace, Sog, or Patter. 1 Press the [ARP FX] butto to tur the lamp o. 2 Select the desired Arpeggio type i the [VOICE] [F6] (or [F5]) ARP display. 3 While holdig the [STORE] butto, press oe of the [SF1] [SF5] buttos. The curretly selected Arpeggio type is assiged to the pressed butto. If you execute this operatio with the [ARPEGGIO] lamp off, o Arpeggio type will be assiged to the pressed butto. 4 Repeat steps 2 3 as ecessary. 5 Store the chages as a User Voice, Performace, Sog, or Patter (pages 60, 66, 99). DAW REMOTE PAGE SELECT ASSIGN A ASSIGN B ASSIGN 1 ASSIGN 2 PAN SEND ASSIGN PAN CUTOFF REVERB RESONANCE CHORUS ATTACK TEMPO RELEASE TONE SWING GATE TIME VELOCITY UNIT MULTIPLY LOW LOW MID HIGH MID HIGH ARP FX EQ MEF 2 Tweak the kobs while the Arpeggio is playig. For details o the fuctios cotrolled by the Kobs, see page If you re satisfied with the results, store the chages as a User Voice, Performace, Sog, or Patter (pages 60, 66, 99). Quick Guide Playig the MO TIP Trasmittig Arpeggio playback as MIDI data If you wat to use the Arpeggios to trigger other MIDI toe geerators or record the MIDI data of Arpeggios to a sequecer for further editig, you ca have the Arpeggio playback data trasmitted as MIDI data. This is doe by settig the followig switch parameters to o : Voice Arpeggio Voice [UTILITY] [F3] VOICE [SF3] ARP CH OutputSwitch Performace Arpeggio Performace Performace selectio [EDIT] [COMMON] [F3] ARP [SF4] OUT CH OutputSwitch Sog/Patter Arpeggio Sog /Patter Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F3] ARP [SF4] OUT CH OutputSwitch Ower s Maual 49

50 Usig the Cotrollers o the MO Usig the Cotrollers o the MO This sectio shows you how to chage the souds by usig the cotrollers o the MO. Whe usig the exteral cotrollers, see page 69. Pitch Bed Wheel Use the Pitch Bed wheel to bed otes up (roll the wheel away from you) or dow (roll the wheel toward you) while playig the keyboard. The Pitch Bed wheel is self-ceterig ad will automatically retur to ormal pitch whe released. Try out the Pitch Bed wheel while pressig a ote o the keyboard. Pitch Up Quick Guide Playig the MO Whe playig a Performace, the Pitch Bed Rage depeds o the settig of the Voice assiged to each Part (made i the Voice ). Pitch Dow Pitch Bed Wheel The Pitch Bed Rage settig for each Voice ca be chaged i the OTHER display ([VOICE] [EDIT] [COMMON] [F1] GENERAL [SF5] OTHER) ad stored as a User Voice i the Voice Store. The Pitch Bed Rage settig also allows you to set the wheel to bed otes up or dow i the opposite directio (i.e., the pitch goes dow whe you move the wheel up). Fuctios other tha Pitch Bed ca be assiged to the Pitch Bed Wheel i the CTL SET display ([VOICE] [EDIT] [COMMON] [F4] CTL SET). These assigmet settigs ca be stored as a User Voice i the Voice Store. Eve if a differet fuctio is assiged to this wheel, the Pitch Bed fuctio is available ad Pitch Bed messages are still geerated whe the wheel is used. Modulatio Wheel Eve though the Modulatio wheel is covetioally used to apply vibrato to the soud, may of the preset Voices have other fuctios ad effects assiged to the wheel. The more you move this wheel up, the greater the effect that is applied to the soud. Try out the Modulatio wheel with various preset voices while playig the keyboard. Maximum Miimum Modulatio Wheel Whe playig a Performace, the effect of the Modulatio Wheel depeds o the settig of the Voice assiged to each Part (made i the Voice ). To avoid accidetally applyig effects to the curret Voice, make sure the Modulatio Wheel is set to miimum before you start playig. Various fuctios ca be assiged to the Modulatio Wheel i the CTL SET display ([VOICE] [EDIT] [COMMON] [F4] CTL SET). These assigmet settigs ca be stored as a User Voice i the Voice Store. 50 Ower s Maual

51 Usig the Cotrollers o the MO Kob Chagig the souds You ca chage the brightess ad toe characteristics of the curret Voice, Performace, Sog or Patter i realtime by turig the kobs while you play. Rotatig it to the right (clockwise) icreases the program umber, while rotatig it to the left (couter-clockwise) decreases it. You ca select the fuctio set assiged to the kobs amog the followig seve sets by pressig the appropriate Cotrol fuctio butto. Fuctio sets assiged to the Kobs Operatio Butto of which the lamp is tured o Fuctios cotrolled by each Kob KN1 (Kob 1) KN2 (Kob 2) KN3 (Kob 3) KN4 (Kob 4) Whe pressig the [PAN/ SEND] butto Whe pressig the [TONE] butto [PAN/SEND] butto [TONE] butto Pa (stereo positio) of the Voice/ Performace Filter Cutoff Frequecy (degree of brightess) Reverb Sed Level Chorus Sed Level Tempo of the Sog/ Patter/Arpeggio playback Resoace (the level of the sigal i the area of the cutoff frequecy) Attack Time of the soud Release Time of the soud (decay time after the key is released)* Quick Guide Whe pressig the [ARP FX] butto Whe pressig the [EQ] butto [ARP FX] butto [EQ] butto Swig degree of the Arpeggio playback Low bad of the Master EQ i the Voice/Performace, part EQ i the Sog/Patter Gate time (legth) of the Arpeggio playback Low-mid bad of the Master EQ i the Voice/Performace, Mid bad of the Part EQ i the Sog/Patter Velocity of the Arpeggio playback High-mid bad of the Master EQ i the Voice/Performace. (Not available i the Sog/Patter.) Arpeggio playback time High bad of the Master EQ i the Voice/Performace, part EQ i the Sog/Patter Playig the MO Whe pressig the [PAN/ SEND] butto ad the [TONE] butto simultaeously [PAN/SEND] butto [TONE] butto Fuctio assiged from the [UTILITY] [F4] CTLASN [SF2] ASSIGN display (page 208) i the Utility Fuctio assiged for each Voice from the [VOICE] [EDIT] [COMMON] [F4] CTLSET display (page 155) Whe pressig the [TONE] butto ad the [ARP FX] butto simultaeously** All the buttos are off Fuctio assiged for each Master from the [MASTER] [EDIT] Zoe selectio [F5] KN/CS display (page 217) Whe pressig the [ARP FX] butto ad the [EQ] butto simultaeously [ARP FX] butto [EQ] butto Fuctio assiged to the Master Effect parameters from the [UTILITY] [F4] CTLASN [SF5] MEF display. * For Drum Voices, this affects the release time for all played otes, whether held or released. ** Available oly whe settig the Zoe Switch to o i the Master Mode (page 215) Whe pressig ay of the Cotrol fuctio buttos, the lamp(s) of the buttos will light accordig to the above table, ad the status of the Kobs ad Cotrol sliders (curretly assiged fuctios ad set values) is show o the LCD display. The appearace of the kob ad slider i the display idicates the actual cotrol status of the kob ad slider. Whe a kob graphic i the display is black or a slider graphic is show with a shadow, the correspodig Kob or Cotrol slider o the pael affects the soud as idicated. A white kob graphic or a slider graphic without a shadow idicates that the curret Kob or Cotrol slider positio differs from the actual parameter value. I this case, movig the kob or slider does ot affect the soud util the kob or slider positio reaches the parameter s curret value (after which the kob graphic turs black or the slider graphic has a shadow). DAW REMOTE PAGE SELECT Adjustig these kobs/sliders affects the soud immediately. PAN SEND ASSIGN A PAN ASSIGN B REVERB ASSIGN 1 CHORUS ASSIGN 2 TEMPO ASSIGN CUTOFF RESONANCE ATTACK RELEASE TONE SWING GATE TIME VELOCITY UNIT MULTIPLY LOW LOW MID HIGH MID HIGH ARP FX MEF EQ Adjustig these kobs/sliders will ot affect the soud util the curret value is reached. Ower s Maual 51

52 Usig the Cotrollers o the MO Cotrol slider Chagig the volume You ca adjust the volume of the Voice/Performace you play o the keyboard, or the volume of the specified part (track) of the Sog/Patter by usig the Cotrol sliders. I the Master, various fuctios as well as the volume ca be assiged to the Cotrol sliders whe the Zoe Switch is set to o (page 215). Quick Guide Playig the MO Fuctio sets assiged to the Cotrol slider Mode Voice Whe a Normal Voice is selected Whe a Drum Voice is selected Performace Sog / Patter Master Whe tracks (Parts) 1 4 are selected Whe tracks (Parts) 5 8 are selected Whe tracks (Parts) 9 12 are selected Whe tracks (Parts) are selected Whe the Zoe Switch is set to o (page 215) MASTER VOLUME Fuctios cotrolled by each slider Cotrol slider 1 Cotrol slider 2 Cotrol slider 3 Cotrol slider 4 Elemet 1 Volume Elemet 2 Volume Elemet 3 Volume Elemet 4 Volume Volume of the etire Voice soud (movig ay slider produces same volume) Cotrols Volume of the assiged Parts (see Precautios ote below). Track 1 (Part 1) Volume Track 2 (Part 2) Volume Track 3 (Part 3) Volume Track 4 (Part 4) Volume Track 5 (Part 5) Volume Track 6 (Part 6) Volume Track 7 (Part 7) Volume Track 8 (Part 8) Volume Track 9 (Part 9) Volume Track 10 (Part 10) Volume Track 13 (Part 13) Volume ZONE 1 ZONE 2 ZONE 3 ZONE 4 Track 14 (Part 14) Volume Track 11 (Part 11) Volume Track 15 (Part 15) Volume Track 12 (Part 12) Volume Track 16 (Part 16) Volume Fuctio assiged for each Master from the [MASTER] [EDIT] Zoe selectio [F5] KN/CS display (page 217) * A Elemet is the fudametal toe geeratig uit of a Voice. For details, see page 53. The [MASTER VOLUME] slider adjusts the overall output level of the istrumet, while the Cotrol sliders adjust the MIDI Volume settig of the correspodig Elemet or Part. Precautios Usig sliders i the Performace I the Performace, the Cotrol sliders are assiged accordig to the specific Parts that are assiged i each Performace. Keep i mid that the slider umber may ot correspod to the same umbered Part. For example, whe usig a Performace (as show at right) i which two Parts (Part 1 ad Part 4) are combied, the sliders are assiged as follows: Slider 1 cotrols the volume of Part 1. Slider 2 cotrols the volume of Part 4. Sliders 3 ad 4 are ot used. Edit Idicator Movig the sliders directly chages the parameters of the Voice, Performace, Sog, or Patter. Whe ay of the parameters are chaged, the [E] (Edit) Idicator appears i the top left of the display. This idicates that the curret Voice, Performace, Sog, or Patter has bee modified but ot yet stored. For details about the Edit idicator, see page Ower s Maual

53 Editig a Voice Editig a Program Editig a Voice Each Voice ca cosist of up to four Elemets. A Elemet is made up of a basic waveform the basic soud of a musical istrumet plus the various sythesizer processig parameters used to ehace, alter or defie the soud, such as pitch, filter, ad amplitude cotrols. For example, a piao Voice ca be actually made up of several differet piao waveforms: oe for high otes, oe for low otes, ad waveforms for whe the keyboard is played softly. Combiig differet elemets i a set for playig at same time, or programmig them to switch depedig o how strogly the keyboard is played helps to create a much more powerful ad realistic piao soud. Creates each Elemet soud i the Elemet Edit. Elemet Piao wave for high otes Quick Guide Editig a Program Elemet Piao wave for low otes Commo Edit Determies the parameters for etire Voice i the Commo Edit. Piao Voice Elemet Piao wave for whe playig the keyboard is played softly A Drum Voice is made up of differet Keys or separate percussio/drum souds that are assiged to idividual otes o the keyboard. Normal Voice Edit 1 Press the [VOICE] butto to eter the Voice, the select a Normal Voice to be edited (page 40). 2 Press the [EDIT] butto to eter the Voice Edit. EDIT JOB STORE COMPARE Ower s Maual 53

54 Editig a Voice 3 Call up the Commo Edit display or Elemet Edit display. If you wish to edit the souds that make up a Voice ad the basic parameters that determie the soud such as Oscillator, Pitch, Filter, Amplitude, ad EG (Evelope Geerator) call up the Elemet Edit display. If you wish to edit more global parameters related to the overall Voice ad how it s processed such as Arpeggio, Cotroller, ad Effects call up the Commo Edit display. While i the Voice Edit, you ca switch betwee the Commo Edit display ad the Elemet Edit display as show below. Callig up the Commo Edit display Press the [COMMON] butto to call up the Commo Edit display. I the Edit, the [DRUM KITS] butto fuctios as the [COMMON] butto. DRUM KITS FAVORITES PRE 1 A. PIANO PRE 2 KEYBOARD PRE 3 ORGAN PRE 4 GUITAR PLUCKED A B C D SYN LEAD SYN PAD CHOIR SYN COMP CHROMATIC PERCUSSION Callig up the Elemet Edit display Press the desired elemet umber from the ELEMENT [1] [4] buttos to call up the Elemet Edit display. Idicates the display for editig Elemet 1. Quick Guide Editig a Program 4 Idicates a Commo Edit display. COMMON Select the meu you wish to edit by pressig the [F1] [F5] buttos ad [SF1] [SF5] buttos, the edit the parameters i each display. The followig briefly describes the mai Voice parameters ELEMENT PERF. PART ZONE To tur each Elemet o or off (to hear how each affects the overall soud), use buttos [9] [12]. You ca also isolate or solo a Elemet by holdig dow the [MUTE] butto ad pressig the desired umber butto ([9] [12]). To cacel the solo, press the [MUTE] butto agai. Arpeggio related parameters Pages 145, 154 [COMMON] [F3] ARP (Arpeggio) For each Voice, you ca set the Arpeggio related parameters such as Arpeggio type ad playback tempo. These ca be edited i the Commo Edit display. Basic parameters for creatig a soud Elemet selectio [F1] [F6] Page Repeat steps 3 4 as desired. If you wish to edit the basic soud-geeratig ad soudshapig parameters for the Voice such as Oscillator, Pitch, Filter, Amplitude, ad EG (Evelope Geerator) use the Commo Edit display. Effect related parameters Page 140 [COMMON] [F6] EFFECT The Effects use DSP (Digital Sigal Processig) to alter ad ehace the soud of a Voice. Effects are applied i the fial stages of editig, lettig you chage the soud of the created Voice as desired. The Commo Edit display lets you edit the Effect related parameters. Cotroller related parameters Page 70 [COMMON] [F4] CTL SET (Cotroller Set) For each Voice, you ca assig various fuctios to built-i cotrollers such as Pitch Bed Wheel, Modulatio Wheel, Kobs (ASSIGN1 ad 2), ad optioally coected cotrollers such as Footswitch ad Foot Cotroller. These settigs ca be edited i the Commo Edit display. 6 Name the edited Normal Voice. Eter a ame for the Voice from the NAME display ([COMMON] [F1] GENERAL [SF1] NAME). For detailed istructios o amig a Voice, refer to page 38. Eter the desired Voice ame 7 Store the settigs as a User Voice. The edited Voice ca be stored i the Voice Store. For details, see page Ower s Maual

55 Editig a Voice TIP The Compare Fuctio You ca compare the soud of the origial (uedited) Voice with the edited Voice. For details, see page 36. TIP To solo a Elemet for editig This feature is useful for isolatig the soud of sigle Elemet, for ease i editig. 1 I the Normal Voice Edit, simultaeously hold dow the [MUTE] butto ad press oe of the Number buttos [9] to [12] to solo the correspodig Elemet. Oce you ve selected a Elemet for soloig, the [MUTE] butto s lamp flashes, idicatig the Solo fuctio is active ad oly the selected Elemet ca be edited. I this example, oly Elemet 3 is tured o ad ca be edited. SYN PAD CHOIR ELEMENT PERF. PART ZONE CHROMATIC PERCUSSION DRUM PERCUSSION TRACK SELECT MUTE TIP Edit Recall If you are editig a Voice ad select a differet Voice without storig the oe you were editig, all the edits you ve made will be erased. If this happes, you ca use Edit Recall to restore the Voice with your latest edits itact. 1 Press the [JOB] butto i the Voice to eter the Voice Job. 2 Press the [F2] RECALL butto to call up the Recall display. 3 Press the [ENTER] butto. (The display prompts you for cofirmatio.) If you wish to cacel the operatio, press the [DEC/NO] butto. 4 Press the [INC/YES] butto to execute Edit Recall to restore the Voice. Quick Guide Editig a Program SOLO 2 To solo aother Elemet, simply press the appropriate umber butto ([9] [12]). 3 To exit from the Solo fuctio, press the [MUTE] butto agai. Ower s Maual 55

56 Editig a Voice TIP Editig a Voice by usig the Kobs The four kobs at the top left of the istrumet are ot oly for tweakig the soud while you perform you ca also use them to edit a Voice, either i the Voice Play or the Voice Edit. Whe the [PAN/SEND] idicator is tured o: PAN Determies the stereo pa positio of the Voice. [VOICE] Voice selectio [EDIT] [COMMON] Page 154 [F2] OUTPUT Pa REVERB Determies the amout of Reverb effect that is applied to the Voice. [VOICE] Voice selectio [EDIT] [COMMON] Page 154 [F2] OUTPUT RevSed CHORUS Determies the amout of Chorus effect that is applied to the Voice. [VOICE] Voice selectio [EDIT] [COMMON] Page 154 [F2] OUTPUT ChoSed TEMPO Determies the tempo of the Arpeggio assiged to the curretly selected Voice. [VOICE] Voice selectio [F6] ARP Tempo Page 154 Quick Guide Editig a Program Whe the [TONE] idicator is tured o: CUTOFF Raises or lowers the Filter cutoff frequecy to adjust the toe brilliace. [VOICE] Voice selectio [F5] EG CUTOF Page 152 RESONANCE Boosts or atteuates the level at the area aroud the Filter cutoff [VOICE] Voice selectio [F5] EG RESO Page 152 frequecy. ATTACK Determies the attack time of the soud. For example, you ca adjust a strigs Voice so that the soud gradually swells i volume by settig a slow attack time simply tur this kob to the right. [VOICE] Voice selectio [F5] EG ATK (AEG) Page 152 RELEASE Determies the release time of the soud. Turig the kob to the right sets a log release time ad (depedig o the selected Voice) lets the soud sustai after the key is released. To produce a sharp release, i which the soud abruptly cuts off, set a short release time. The settigs above are applied as offsets to the AEG ad FEG settigs i the Voice Edit. Whe the [ARP FX] idicator is tured o: [VOICE] Voice selectio [F5] EG REL (AEG) Page 152 SWING Adjusts the swig feel of the Arpeggio playback. [VOICE] Voice selectio [EDIT] [COMMON] [F3] ARP [SF3] PLAY FX Swig GATE TIME Adjusts the Gate Time (legth) of the Arpeggio otes. [VOICE] Voice selectio [EDIT] [COMMON] [F3] ARP [SF3] PLAY FX GateTimeRate VELOCITY Adjusts the velocity of the Arpeggio otes. [VOICE] Voice selectio [EDIT] [COMMON] [F3] ARP [SF3] PLAY FX VelocityRate UNITMULTIPLY Adjusts the Arpeggio playback time based o tempo. [VOICE] Voice selectio [EDIT] [COMMON] [F3] ARP [SF3] PLAY FX UitMultiply Page 155 Page 155 Page 155 Page 155 Whe the [EQ] idicator is tured o: LO LO MID HI MID HI Determies the amout of boost or atteuatio applied to the low frequecy bad of the Master EQ. Determies the amout of boost or atteuatio applied to the lowmidrage frequecy bad of the Master EQ. Determies the amout of boost or atteuatio applied to the highmidrage frequecy bad of the Master EQ. Determies the amout of boost or atteuatio applied to the high frequecy bad of the Master EQ. [VOICE] Voice selectio [EDIT] [COMMON] [F1] GENERAL [SF3] MEQ OFS LOW [VOICE] Voice selectio [EDIT] [COMMON] [F1] GENERAL [SF3] MEQ OFS LOW MID [VOICE] Voice selectio [EDIT] [COMMON] [F1] GENERAL [SF3] MEQ OFS HIGH MID [VOICE] Voice selectio [EDIT] [COMMON] [F1] GENERAL [SF3] MEQ OFS HIGH Page 153 Page 153 Page 153 Page 153 The settigs above are applied as offsets to the EQ settigs i the [VOICE] [UTILITY] [F3] VOICE [SF1] MEQ display. Whe both the [PAN/SEND] ad [TONE] idicators are tured o (by pressig them simultaeously): ASSIGN A Adjusts parameters assiged to these kobs i the [UTILITY] [F4] CTL ASN [SF2] ASSIGN display. Page 71 ASSIGN B ASSIGN 1 Adjusts parameters assiged to these kobs i the [VOICE] Voice selectio [EDIT] [COMMON] [F4] CTL SET display. Page 70 ASSIGN 2 I additio to above fuctios, Master Effect related parameters (set i the [UTILITY] [F3] VOICE [SF2] MEF display) ca be assiged to these four kobs by pressig the [ARP FX] ad [EQ] buttos simultaeously. The particular parameters assiged to the four kobs ca be set i the [UTILITY] [F4] CTL ASN [SF5] MEF display. TIP Editig a Voice by usig the Cotrol sliders [VOICE] Voice selectio [EDIT] Elemet selectio [F4] AMP [SF1] LVL/PAN Level I the Voice, the four Cotrol sliders let you idepedetly adjust the levels of the Elemets of a Normal Voice or the Drum Voice keys. Whe a Normal Voice is selected, you ca adjust the level balace amog the four Elemets. Iadvertet use of the sliders may result i o soud. If this occurs, move the sliders upward. 56 Ower s Maual

57 Editig a Voice Drum Voice Edit 1 Press the [VOICE] butto to eter the Voice, the select a Drum Voice to be edited. 2 Press the [EDIT] butto to eter the Voice Edit. EDIT JOB STORE COMPARE 3 Call up the Commo Edit display or Key Edit display. If you wat to edit the souds that make up a Drum Voice ad the basic parameters that determie the soud, such as Oscillator, Pitch, Filter, Amplitude, ad EG (Evelope Geerator), call up the Key Edit display. To edit more global parameters related to the overall Drum Voice ad how it s processed, such as Arpeggio, Cotroller, ad Effects, call up the Commo Edit display. While i the Voice Edit, you ca switch betwee the Commo Edit display ad the Key Edit display as show below. Quick Guide Callig up the Commo Edit display Press the [COMMON] butto to call up the Commo Edit display. I the Edit, the [DRUM KITS] butto fuctios as the [COMMON] butto. DRUM KITS FAVORITES PRE 1 A. PIANO PRE 2 KEYBOARD PRE 3 ORGAN PRE 4 GUITAR PLUCKED A B C D Callig up the Key Edit display Press the Number [1] butto to call up the Key Edit display, the select the key to which the desired istrumet is assiged. Editig a Program Idicates a Commo Edit display. SYN LEAD SYN PAD CHOIR SYN COMP CHROMATIC PERCUSSION Idicates the display for editig the key C0. COMMON ELEMENT PERF. PART ZONE C0 C1 C6 Key Edit (1 73) Key 1 Key 5 Key 10 Key 18 Key 21 Key 73 4 Select the desired meu for editig by pressig the [F1] [F6] ad [SF1] [SF5] buttos, the edit the parameters. The mai parameters available are basically the same as i the Normal Voice Edit (page 53). What is called Key Edit i the Drum Voice correspods to Elemet Edit i the Normal Voice. Please keep i mid that the LFO parameters are ot available i the Drum Voice. 5 Repeat 3 4 as desired. 6 Name the edited Drum Voice. Eter a ame for the Voice from the NAME display ([COMMON] [F1] GENERAL [SF1] NAME). For detailed istructios o amig a Voice, refer to page 38 i the Basic Operatio sectio. Eter the desired Voice ame. 7 Store the edited Voice to iteral User memory. The edited Voice ca be stored i the Voice Store. See page 60 for details. Ower s Maual 57

58 Editig a Voice TIP Assigig drum/percussio istrumets to idividual keys [VOICE] Drum Voice selectio [EDIT] Key selectio [F1] OSC [SF1] WAVE I the Drum Voice Edit, you ca create your ow origial drum kits by assigig specific istrumet souds to idividual keys i ay desired order ad edit detailed parameters for each key s soud. 1 Call up the Key Edit display i the Voice Edit. Refer to step 3 o page Call up the [F1] OSC [SF1] WAVE display. 4 Select the desired Waveform to be assiged. Move the cursor to Number ad chage the value by usig the data dial, [INC/YES] butto, ad [DEC/NO] butto. The, press the same key set i step 3 agai to cofirm the selected istrumet soud. Quick Guide Editig a Program 3 Press the key to which you wat to assig a soud. The drum istrumet curretly assiged to the pressed key will soud. 5 Create your origial drum kit by repeatig steps Store the created drum kit as a Drum Voice i User memory. The edited Voice ca be stored i the Voice Store. See page 60 for details. 58 Ower s Maual

59 Editig a Voice TIP Settig the drum key for idepedet ope ad closed hi-hat souds [VOICE] Drum Voice selectio [EDIT] Key selectio [F1] OSC [SF5] OTHER AltateGroup I a real drum kit, some drum souds caot physically be played simultaeously, such as ope ad closed hi-hats. You ca prevet drum istrumets from playig back simultaeously by assigig them to the same Alterate Group. The preset Drum Voices have may such Alterate Group assigmets to esure the most authetic, atural soud. Whe creatig a Voice from scratch, you ca use this feature either to esure authetic soud, or to create special effects, where playig oe soud cacels out a previous oe. 1 Call up the Key Edit display i the Voice Edit. Refer to step 3 o page Press the key which correspods to Hi-Hat Close ad set it to the same Alterate Group (1) as i step 3. 2 Call up the [F1] OSC [SF5] OTHER display. Quick Guide 3 Press the key which correspods to Hi-Hat Ope ad set the Alterate Group to 1. Editig a Program 5 Cofirm whether the Alterate Group has bee set properly. Immediately after pressig the Hi-Hat Ope key, press the Hi-Hat Close key. Pressig the secod key should cut off the soud of the first. Sice the settigs above are icluded i the Drum Voice data, store them as a Drum Voice i the Voice Store. TIP Determiig how the Drum Voice respods whe the key is released [VOICE] Drum Voice selectio [EDIT] Key selectio [F1] OSC [SF5] OTHER RcvNoteOff You ca determie whether or ot the selected Drum key respods to MIDI Note Off messages. Settig the Receive Note Off parameter to off ca be useful for cymbal souds ad other sustaiig souds. This lets you have the selected souds sustai to the legth of their atural decay eve if you release the ote, or whe a Note Off message is received. If this parameter is set to o, the soud will stop immediately whe the ote is released or a Note Off message is received. Ower s Maual 59

60 Editig a Voice Storig/Savig the created Voice Two steps are ecessary i order to store (save) your Voice storig the edited Voice to iteral memory ad savig the stored voices to a USB storage device. Iteral memory (Flash ROM) Voice Edit Store User Normal Voice 001 User Drum Voice 001 User Normal Voice 002 User Drum Voice 002 User Normal Voice 003 User Drum Voice 003 User Normal Voice Bak 1 User Drum Voice Bak User Drum Voice 32 Save USB storage device Quick Guide Editig a Program Keep i mid that edited Voice data is stored to iteral User memory (Flash ROM) ad is stored eve whe turig the power off. As such it is ot ecessary to save the data to a USB storage device; however, you may wat to save it to aother media for backup or orgaizatioal purposes, usig the Save operatio. Storig the edited Voice as a User Voice to iteral memory [VOICE] [STORE] User Normal Voice 128 User Normal Voice After editig the Voice, press the [STORE] butto to eter the Voice Store. Make sure to execute the Store operatio before selectig aother Voice. 3 Press the [ENTER] butto. The display prompts you for cofirmatio. Press the [DEC/ NO] butto to cacel the Store operatio. DEC NO INC YES 2 Select the destiatio Voice memory. Select a User Bak ( USR1 or USR2 whe storig a Normal Voice, UDR whe storig a Drum Voice) ad the desired Voice umber by usig the data dial, [INC/YES] ad [DEC/NO] butto. EXIT ENTER EXECUTE Select a User Bak. Select a Voice umber. CAUTION Whe you execute the Store operatio, the settigs for the destiatio memory will be overwritte. Importat data should always be backed up to a separate USB storage device. 60 Ower s Maual

61 Editig a Voice 4 To execute the Store operatio, press the [INC/YES] butto. After the Voice has bee stored, a Completed message appears ad operatio returs to the Voice Play display. 3 Set the Type parameter to All Voice. DEC NO INC YES The followig three file types are available for savig Voice data. Here, select All Voice. EXIT ENTER EXECUTE All Whe this is selected, execute the Save operatio to save all the created data icludig the User Voices as a sigle file (extesio: M7A). All Voice Whe this is selected, execute the Save operatio to save all User Voices as a sigle file (extesio: W7V). Voice Editor Whe this is selected, execute the Save operatio to save all User Voices as a sigle file (extesio: W7E) which ca be exported to the Voice Editor software. Quick Guide CAUTION Never attempt to tur off the power while a Executig... or Please keep power o message is show. Turig the power off i this state may cause the system to freeze ad prevet ormal startup the ext time the power is tured o, as well as resultig i the loss of all user data. CAUTION If you select aother Voice without storig, the curretly edited Voice will be lost. Make sure to store the edited Voice before selectig aother Voice. 4 Iput a file ame. Move the cursor to the file ame field, the iput the desired file ame. For detailed istructios o amig a Voice, refer to page 38. Editig a Program Savig the edited Voices to a USB storage device [FILE] [F2] SAVE Coect the USB device ad follow the istructios below. Whe a USB storage device is coected or media is iserted, a error message USB device uformatted. may appear i the LCD display, idicatig that the device must be formatted for use i the File (page 211). 5 File ame If you have created a destiatio folder, select the folder. For iformatio o how to select a folder, see page 213. For iformatio o how to create/delete a folder ad chage the folder ame, see page Press the [FILE] butto to eter the File. The press the [F1] CONFIG butto ad [SF1] CURRENT butto. 6 Press the [SF1] EXEC butto to actually save the file. If the device is divided ito several partitios, select the specific partitio for use. If the device has several media (e.g., discs) iserted, select a specific Slot umber. If you are about to overwrite a existig file, the display prompts you for cofirmatio. Press the [INC/YES] butto to execute the Save operatio to overwrite the existig file, or press the [DEC/NO] butto to cacel it. 2 Press the [F2] SAVE butto to call up the Save display. CAUTION While the data is beig saved/loaded, make sure to follow these precautios: Do ot remove or eject the media from the USB storage device. Do ot uplug or discoect the USB storage device. Do ot tur off the power of the istrumet or the relevat devices. Ower s Maual 61

62 Editig a Voice Loadig Voice data from a USB storage device [FILE] [F3] LOAD I the previous sectio, we saved Voice data as a All Voice file to a USB storage device. Here, we ll recall that Voice data ad load it to the istrumet with the Load operatio. Whe Type is set to Voice : Whe Type is set to Voice, you ca specify ad load a specific Voice from a file (with the extesio W7V or M7A). 1 Press the [FILE] butto to eter the File. The press the [F1] CONFIG butto ad [SF1] CURRENT butto. Move the cursor to the file (extesio:w7v) saved i the operatio explaied o the previous page. If the device is divided ito several partitios, select the specific partitio for use. If the device has several media (e.g., discs) iserted, select a specific Slot umber. ENTER EXECUTE Quick Guide Editig a Program 2 Press the [F3] LOAD butto to call up the Load display. 3 Select the file type to be loaded. The file saved i operatio explaied o the previous page has all the User Voices. If you wish to load all the User Voices, set Type to AllVoice. If you wish to load oly a specific Voice, set Type to Voice. Select a source Voice Bak from the selected file with the followig operatio. To select a User Normal Voice Bak, press oe of the [USER1] ad [USER2] buttos. To select a User Drum Voice Bak, simultaeously hold the [DRUM KITS] butto ad press the [USER1] butto. After selectig a source Voice Bak, all the Voices cotaied i the selected Bak are listed i the display. Move the cursor to the desired Voice to be loaded. Select a destiatio Voice Number. Select a Voice by movig the cursor to the locatio of USR1 i the above display ad usig the data dial. 4 Select the file ( ) to be loaded. CAUTION Loadig data to this istrumet automatically erases ad replaces ay existig data i the User memory. Move the cursor to the file (extesio: W7V) saved i the operatio explaied o the previous page. If you set the Type parameter to AllVoice i step 3, go to step 5. If the desired file was saved i specific folder, eter the folder ad select the file. For iformatio o how to select a folder, see page 213. If you set the Type parameter to Voice i step 3, execute the operatios i the followig box, the go to step 5. 5 Press the [SF1] EXEC butto to actually load the file. After the data has bee loaded, a Completed message appears ad operatio returs to the origial display. CAUTION While the data is beig saved/loaded, make sure to follow these precautios: Do ot remove or eject the media from the USB storage device. Do ot uplug or discoect the USB storage device. Do ot tur off the power of the istrumet or the relevat devices. 62 Ower s Maual

63 Editig a Performace Editig a Performace The Performace Edit ([PERFORM] [EDIT]) lets you create your ow origial Performaces cotaiig up to four differet Parts (Voices) by editig the various parameters. After assigig differet Voices to separate rages of the keyboard, edit the detailed parameters i the Performace Edit. 1 Press the [PERFORM] butto to eter the Performace, the select a Performace to be edited (page 44). 2 Press the [EDIT] butto to eter the Performace Edit. 3 Call up the Commo Edit display or Part Edit display. Use Part Edit to edit the parameters for each Part. Use Commo Edit to edit the parameters for all of the Parts. Quick Guide While i the Voice Edit, you ca switch betwee the Commo Edit display ad the Part Edit display as show below. Callig up the Commo Edit display Press the [COMMON] butto to call up the Commo Edit display. I the Edit, the [DRUM KITS] butto fuctios as the [COMMON] butto. Idicates a Commo Edit display. DRUM KITS FAVORITES PRE 1 A. PIANO PRE 2 KEYBOARD PRE 3 ORGAN PRE 4 GUITAR PLUCKED A B C D SYN LEAD SYN PAD CHOIR SYN COMP CHROMATIC PERCUSSION Callig up the Part Edit display Press the desired Part umber from the PERF. PART [1] [4] buttos to call up the Part Edit display. Idicates the display for editig Part 1. Editig a Program COMMON ELEMENT PERF. PART ZONE You ca select the four Performace Parts. Part 1 Edit Commo Edit Part 2 Edit Part 3 Edit Part 4 Edit Ower s Maual 63

64 Editig a Performace Quick Guide Editig a Program 4 Select the meu you wish to edit by pressig the [F1] [F6] buttos ad [SF1] [SF5] buttos, the edit the parameters i each display. The followig briefly describes the mai Performace parameters. Parameters for the Voice assiged to each Part Page 174 Part selectio [F1] VOICE The Voice assiged to each part ad its ote rage ca be set also i the Performace Play (page 171). I additio to the parameters available i the Performace Play, the Performace Edit also lets you set Portameto (pitch glide) ad Arpeggio Switch (which determies whether the Arpeggio plays a specific Part or ot). Basic parameters for creatig the soud Page 176 Part selectio [F4] TONE Edit the parameters for each Part s Voice such as Pitch, Filter, ad Amplitude. The parameters offset the same parameters i the Voice Elemet Edit. Effect related parameters Pages 143, 172 [COMMON] [F6] EFFECT [COMMON] [F2] OUT/MEF [SF3] MEF (Master Effect) 5 Repeat steps 3 4 as desired. 6 Name the edited Performace. Eter a ame for the Voice from the NAME display ([COMMON] [F1] GENERAL [SF1] NAME). For detailed istructios o amig a Voice, refer to page 38. Eter the desired Performace ame. 7 Store the settigs as a User Performace. The edited Performace ca be stored i the Performace Store. For details, see page 66. TIP The Compare Fuctio You ca compare the soud of the origial (uedited) Performace with the edited Performace. For details, see page 36. The Effects use DSP (Digital Sigal Processig) to alter ad ehace the soud of a Performace. The Commo Edit display lets you edit the Effect-related parameters. Master EQ related parameters Page 172 [COMMON] [F2] OUT/MEF [SF3] MEQ (Master Equalizer) These parameters let you use the five-bad Master EQ to process the overall soud of the Performace. Master EQ also features separate EQ shape parameters for the Low ad High bads, as well as the Frequecy, Gai ad Q cotrols for each bad. Cotroller related parameters Page 70 [COMMON] [F4] CTL ASN (Cotroller Assig) For each Performace, you ca assig the Cotrol Chage Number to built-i cotrollers such as Kob 3 ad 4 (ASSIGN1 ad 2) ad optioally coected cotrollers, such as Footswitch ad Foot Cotroller. TIP Edit Recall If you are editig a Voice ad select a differet Performace without storig the oe you were editig, all the edits you ve made will be erased. If this happes, you ca use Edit Recall to restore the Performace with your latest edits itact. 1 Press the [JOB] butto i the Performace to eter the Performace Job. 2 Press the [F2] RECALL butto to call up the Recall display. 3 Press the [ENTER] butto. (The display prompts you for cofirmatio.) If you wish to cacel the operatio, press the [DEC/NO] butto. Fuctios assiged to Cotrollers deped o the settigs of each Part s Voice edited i the Voice Edit. 4 Press the [INC/YES] butto to execute Edit Recall to restore the Performace. Arpeggio related parameters Pages 145, 173 [COMMON] [F3] ARP (Arpeggio) For each Performace, you ca set the Arpeggio related parameters, such as Arpeggio type ad playback tempo. These settigs ca be edited i the Commo Edit display. 64 Ower s Maual

65 Editig a Performace TIP Editig a Performace by usig the Kobs The four kobs at the top left of the istrumet are ot oly for tweakig the soud while you perform you ca also use them to edit a Performace, either i the Performace Play or the Performace Edit. Whe the [PAN/SEND] idicator is tured o: PAN Determies the stereo pa positio of the Performace. [PERFORM] Performace selectio [EDIT] [COMMON] [F2] OUT/MEF [SF1] OUT Pa REVERB CHORUS TEMPO Determies the amout of Reverb effect that is applied to the Performace. Determies the amout of Chorus effect that is applied to the Performace. Determies the tempo of the Arpeggio assiged to the curretly selected Performace. [PERFORM] Performace selectio [EDIT] [COMMON] [F2] OUT/MEF [SF1] OUT RevSed [PERFORM] Performace selectio [EDIT] [COMMON] [F2] OUT/MEF [SF1] OUT ChoSed Page 172 Page 172 Page 172 [PERFORM] Performace selectio [F6] ARP Tempo Page 171 Whe the [TONE] idicator is tured o: CUTOFF RESONANCE ATTACK RELEASE Raises or lowers the Filter cutoff frequecy to adjust the toe brilliace. Boosts or atteuates the level at the area aroud the Filter cutoff frequecy. Determies the attack time of the soud. For example, you ca adjust a strigs Voice so that the soud gradually swells i volume by settig a slow attack time simply tur this kob to the right. Determies the release time of the soud. Turig the kob to the right sets a log release time ad (depedig o the Voice assiged to the selected Performace) lets the soud sustai after the key is released. To produce a sharp release, i which the soud abruptly cuts off, set a short release time. The settigs above are applied as offsets to the AEG ad FEG settigs i the Performace Edit. Whe the [ARP FX] idicator is tured o: [PERFORM] Performace selectio [F5] EG CUTOF Page 171 [PERFORM] Performace selectio [F5] EG RESO Page 171 [PERFORM] Performace selectio [F5] EG ATK (AEG) Page 171 [PERFORM] Performace selectio [F5] EG REL (AEG) Page 171 SWING Adjusts the swig feel of the Arpeggio playback. [PERFORM] Performace selectio [EDIT] [COMMON] [F3] ARP [SF3] PLAY FX Swig GATE TIME Adjusts the Gate Time (legth) of the Arpeggio otes. [PERFORM] Performace selectio [EDIT] [COMMON] [F3] ARP [SF3] PLAY FX GateTimeRate VELOCITY Adjusts the velocity of the Arpeggio otes. [PERFORM] Performace selectio [EDIT] [COMMON] [F3] ARP [SF3] PLAY FX VelocityRate UNITMULTIPLY Adjusts the Arpeggio playback time based o tempo. [PERFORM] Performace selectio [EDIT] [COMMON] [F3] ARP [SF3] PLAY FX UitMultiply Page 173 Page 173 Page 173 Page 173 Quick Guide Editig a Program Whe the [EQ] idicator is tured o: LO LO MID HI MID HI Determies the amout of boost or atteuatio applied to the low frequecy bad of the Master EQ. Determies the amout of boost or atteuatio applied to the lowmidrage frequecy bad of the Master EQ. Determies the amout of boost or atteuatio applied to the highmidrage frequecy bad of the Master EQ. Determies the amout of boost or atteuatio applied to the high frequecy bad of the Master EQ. [PERFORM] Performace selectio [EDIT] [COMMON] [F1] GENERAL [SF3] MEQ OFS LOW [PERFORM] Performace selectio [EDIT] [COMMON] [F1] GENERAL [SF3] MEQ OFS LOW MID [PERFORM] Performace selectio [EDIT] [COMMON] [F1] GENERAL [SF3] MEQ OFS HIGH MID [PERFORM] Performace selectio [EDIT] [COMMON] [F1] GENERAL [SF3] MEQ OFS HIGH Page 172 Page 173 Page 173 Page 173 The settigs above are applied as offsets to the EQ settigs i the [PERFORM] Performace selectio [EDIT] [COMMON] [F2] OUT/MEF [SF2] MEQ (Master EQ) display. Whe both the [PAN/SEND] ad [TONE] idicators are tured o (by pressig them simultaeously): ASSIGN A Adjusts parameters assiged to these kobs i the [UTILITY] [F4] CTL ASN [SF2] ASSIGN display. Page 71 ASSIGN B ASSIGN 1 Depeds o the settigs of the Voice assiged to the selected Performace. Page 70 ASSIGN 2 I additio to above fuctios, Master Effect related parameters (set i the [PERFORM] Performace selectio [COMMON] [F2] OUT/ MEF [SF3] MEF display) ca be assiged to these four kobs by pressig the [ARP FX] ad [EQ] buttos simultaeously. The particular parameters are assiged to the four kobs ca be set i the [UTILITY] [F4] CTL ASN [SF5] MEF display. TIP Editig a Performace by usig the Cotrol sliders [PERFORM] Performace selectio [EDIT] Part selectio [F2] OUTPUT [SF1] VOL/PAN Volume I the Performace, the four Cotrol sliders let you idepedetly adjust the levels of the Parts (Voices), lettig you cotrol the overall balace of the Parts. Iadvertet use of the sliders may result i o soud. If this occurs, move the sliders upward. Ower s Maual 65

66 Editig a Performace Storig/Savig the created Performace Two steps are ecessary i order to store (save) your Performace storig the edited Performace to iteral memory ad savig the stored Performaces to a USB storage device. Performace Edit Storig edited Performaces idividually Store Iteral memory User Performace 001 User Performace 002 User Performace Bak 1 User Performace 128 Save All the User Performace data i iteral memory ca be saved as a sigle file. USB storage device Quick Guide Editig a Program Whe you tur off the power to the istrumet, User Performaces saved i the Performace Store are ot erased. As such it is ot ecessary to save the data to USB storage device; however, you may wat to save it for backup or orgaizatioal purposes, usig the Save operatio. Storig the edited Performace as a User Performace to iteral memory [PERFORM] [STORE] 1 After editig the Performace, press the [STORE] butto to eter the Performace Store. 2 Select the destiatio Performace memory. 4 To execute the Store operatio, press the [INC/YES] butto. After the Performace has bee stored, a Completed message appears ad operatio returs to the Performace Play display. Select a Performace umber by usig the data dial, [INC/ YES] ad [DEC/NO] butto. DEC NO INC YES EXIT ENTER EXECUTE CAUTION Whe you execute the Store operatio, the settigs for the destiatio memory will be overwritte. Importat data should always be backed up to a separate USB storage device. 3 Press the [ENTER] butto. The display prompts you for cofirmatio. Press the [DEC/ NO] butto to cacel the Store operatio. CAUTION Never attempt to tur off the power while a Executig... or Please keep power o message is show. Turig the power off i this state may cause the system to freeze ad prevet ormal startup the ext time the power is tured o, as well as resultig i the loss of all user data. DEC NO INC YES CAUTION If you select aother Performace without storig, the curretly edited Performace will be lost. Make sure to store the edited Performace before selectig aother Performace. EXIT ENTER EXECUTE 66 Ower s Maual

67 Editig a Performace Savig the edited Performaces to a USB storage device [FILE] [F2] SAVE The basic operatios are the same as i the Voice (page 61). However, keep i mid that you must set the Type parameter to All. Whe Type is set to All, executig the Save operatio saves all the created data, icludig the Performaces as well as the Voices assiged to them, as a sigle file (extesio: M7A). Loadig Performace data from the USB storage device [FILE] [F3] LOAD These istructios describe how to recall the data saved as a All file type (extesio: M7A) from the USB storage device, by usig the Load operatio. 1 Press the [FILE] butto to eter the File. The press the [F1] CONFIG butto ad [SF1] CURRENT butto. If the device is divided ito several partitios, select the specific partitio for use. If the device has several media (e.g., discs) iserted, select a specific Slot umber. Quick Guide Editig a Program 2 Press the [F3] LOAD butto to call up the Load display. 3 Select the file type to be loaded. The All file cotais all the Performaces. If you wish to load all the Performaces, set Type to All. I this case, all data that ca be created o this istrumet will be loaded. If you wish to load oly a specific Performace, set Type to Performace. USB storage device User Performace 001 User Performace 002 Loadig a specific Performace whe Type is set to Performace. Iteral Memory User Performace 001 User Performace 002 User Performace Bak 1 User Performace Bak 1 User Performace 128 All Performaces are loaded whe Type is set to All. User Performace 128 CAUTION Whe Type (file type) is set to All ad the Load operatio is executed, all data that ca be created o the istrumet will be loaded. This meas that ay existig data i User memory will automatically be overwritte ad lost. Make sure to save ay importat data to a USB storage device before performig the Load operatios, especially whe Type is set to All. Whe Type (file type) is set to Performace ad the Load operatio is executed, the soud of the Performaces may ot be reproduced properly if the User Voices assiged to the Performaces saved i the file have bee chaged by editig. Ower s Maual 67

68 Editig a Performace 4 Select the file ( ) to be loaded. Move the cursor to the file (extesio: M7A) saved i the operatio explaied i the previous istructios. If the desired file was saved i specific folder, eter the folder ad select the file. For iformatio o how to select a folder, see page 213. If you have set the Type parameter to All i step 3, go o to step 5. If you have set the Type parameter to Performace i step 3, execute the operatios i the followig box, the go o to step 5. Whe Type is set to Performace : Whe Type is set to Performace, you ca specify ad load a specific Performace from a file (with the extesio M7A). Quick Guide Editig a Program Move the cursor to the file (extesio: S7A) saved i the operatio explaied o the previous page. CAUTION ENTER EXECUTE All the Performaces cotaied i the selected file are listed o the display. Move the cursor to the desired Performace. Select the destiatio Performace umber. Loadig data to this istrumet automatically erases ad replaces ay existig data i the User memory. Select the desired Performace to be loaded. 5 Press the [SF1] EXEC butto to actually load the file. After the data has bee loaded, a Completed message appears ad operatio returs to the origial display. CAUTION While the data is beig saved/loaded, make sure to follow these precautios: Do ot remove or eject the media from the USB storage device. Do ot uplug or discoect the USB storage device. Do ot tur off the power of the istrumet or the relevat devices. 68 Ower s Maual

69 STANDBY ON DC IN TO DEVICE USB TO HOST MIDI THRU OUT IN FOOT SWITCH FOOT CONTROLLER DIGITAL OUT R OUTPUT L MONO PHONES Cotrollers supported by the MO Usig the Cotrollers Advaced Course Cotrollers supported by the MO You ca cotrol toe, volume, pitch ad other parameters by usig the cotrollers o the frot pael, as well as by usig exteral cotrollers coected to several cotroller jacks o the rear pael. Cotrollers o the frot pael Kobs Pitch Bed Wheel Modulatio Wheel Cotrol sliders Quick Guide MO rear pael MASTER VOLUME ZONE 1 ZONE 2 ZONE 3 ZONE 4 FOOT SWITCH FOOT CONTROLLER Usig the Cotrollers Advaced Course Optioal Cotrollers FC4 or FC5 FC7 Cotrollers o the MO Pitch Bed wheel/modulatio wheel These cotrol pitch ad vibrato. For details, see page 50. Kobs ad Cotrol sliders These cotrol various parameters. For details, see page 51. Cotrollers (optioal) that ca be coected to the rear pael of the MO Footswitch A optioal Yamaha FC4 or FC5 Foot Switch coected to the rear pael FOOT SWITCH jack ca be assiged to a rage of parameters. It is suited for switch-type (o/off) cotrols, such as sustai, Portameto Switch, icremet/decremet of a Voice or Performace Number, startig/stoppig the Sequecer, ad holdig the Arpeggio o or off. Foot Cotroller A optioal Foot Cotroller (such as the FC7), coected to the FOOT CONTROLLER jack o the rear pael, ca be assiged to cotrol a variety of parameters o the istrumet. By usig a foot cotroller for parameter cotrol i this way, both your hads are left free to play the keyboard (or to operate other cotrollers) a exceptioal coveiece whe playig live. Ower s Maual 69

70 Cotrollers supported by the MO Cotrollig a Voice with Cotroller Set [VOICE] Voice selectio [EDIT] [COMMON] [F4] CTL SET (page 155) Each of the Preset Voices of MO is programmed with appropriate Modulatio Wheel ad Kob assigmets, for adjustig the soud ad effects i ways that best match the selected Voice. For example, you ca use the Modulatio Wheel to apply a chorus effect to a piao Voice, or use oe of the Kobs to cotrol the decay time parameter of a bass guitar Voice. The settigs for all the cotrollers are referred to as a Cotroller Set. These Cotroller Set settigs ca be stored with the User Voice Quick Guide Usig the Cotrollers Advaced Course Switch the display for each Cotroller Set by usig the [SF1] [SF3] buttos 1 Elemet Switch Select whether the cotroller will affect each idividual Elemet. Keep i mid that some destiatios affect oly the etire Voice (all Elemets). I this case, the Elemet Switch parameter will be idicated by ---- ad caot be chaged. This applies oly to Normal Voices. 2 Source (cotroller) Determies the desired cotroller. For details about the abbreviatios for each cotroller, see page 155. The umber i brackets idicates the Cotrol Chage umber geerated whe movig the cotroller. 3 Destiatio (fuctio) Determies the fuctio assiged to the Source (cotroller). For the details about the abbreviatios ad the parameter types, refer to the Cotrol List i the separate Data List booklet. 4 Depth Determies the amout by which the parameter selected i Destiatio ca be cotrolled. For egative values, the cotroller operatio is reversed. TIP Assigig multiple fuctios to a cotroller You ca have a sigle cotroller affect differet aspects of the soud at the same time. For example, set the Source parameter of Cotrol Set 1 to MW (Modulatio wheel) ad the Destiatio parameter to ELFO-PM (Elemet LFO Pitch Modulatio Depth). The set the Source parameter of Cotrol Set 2 also to MW, but set the Destiatio parameter to ELM PAN (Elemet Pa). I this example, whe you move the Modulatio Wheel upward, the amout of Pitch Modulatio icreases accordigly, ad the Elemet is simultaeously paed from left to right. The Cotroller Set edited i the Voice Edit is available whe the correspodig Voice is selected i the Performace, Sog, ad Patter. The fuctios assiged to the Cotroller by the Cotroller Set fuctio are applied oly to the iteral toe geerator block. For coected exteral MIDI istrumets, use of the cotrollers geerates separate MIDI Cotrol Chage umbers, as show i the Source parameter. Eve if a differet fuctio is assiged to this wheel, the Pitch Bed fuctio is available ad Pitch Bed messages are still geerated whe the wheel is used. 70 Ower s Maual

71 Cotrollers supported by the MO Cotrollig the overall system with ASSIGN A ad B [UTILITY] [F4] CTL ASN [SF2] ASSIGN (page 208) The ASSIGN A ad B (Kob 1 ad 2) settigs let you cotrol the fuctios that affect all Voices, Performaces, Sog, ad Patter. You ca store the ASSIGN A ad B settigs as the system settigs by pressig the [STORE] butto. ASSIGN A ad B are commo to all Voices/Performaces/Sogs/Patters. Chagig the settig of ASSIGN A ad B may result i chages to the data of stored User Voices/Performaces/ Sogs/Patters ASSIGN A, ASSIGN B Determies the Cotrol Chage umbers geerated whe cotrollig the ASSIGN A ad B (Cotrol sliders 1 ad 2). Normally, there is o eed to chage these parameters. The covetioal parameter assigmets (as defied i the MIDI stadard) used for the cotrol umbers are idicated i paretheses. 2 Destiatio (fuctio) Determies the fuctios assiged to ASSIGN A ad B. For the details about the abbreviatios ad the parameter types, refer to the Cotrol List i the separate Data List booklet. Quick Guide Usig the Cotrollers Advaced Course Ower s Maual 71

72 Cotrollers supported by the MO Chagig Cotrol Chage umbers The fuctios assiged to the cotrollers by the Cotroller Set ad ASSIGN A/B fuctios are applied oly to the iteral toe geerator block. For coected exteral MIDI istrumets, use of the cotrollers geerates MIDI Cotrol Chage messages, as assiged i the chart below. Exteral MIDI istrumet Trasmittig the Cotrol Chage messages Cotroller Toe geerator block Quick Guide Usig the Cotrollers Advaced Course Affectig the destiatio (Dest) Cotroller Geerated MIDI message Display for settig the Cotrol Chage umber Aftertouch* Chael Aftertouch (DH) Pitch Bed wheel Pitch Bed (EH) Modulatio wheel Cotrol Chage (BH, 01H) ASSIGN A, B Cotrol Chage (BH) [UTILITY] [F4] CTL ASN [SF2] ASSIGN Footswitch Cotrol Chage (BH) [UTILITY] [F4] CTL ASN [SF3] FT SW Ribbo Cotroller* Cotrol Chage (BH) [VOICE] [UTILITY] [F3] VOICE [SF4] CTL ASN ASSIGN 1, 2 Foot Cotroller 1, 2* [PERFORM] Performace selectio [EDIT] [COMMON] [F4] CTL ASN [SONG]/[PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F4] CTL ASN Breath Cotroller* * The MO does ot have the followig MIDI cotrollers: Aftertouch, Ribbo Cotroller, Foot Cotroller 2 jack, or Breath Cotroller jack. However, keep i mid that if the same MIDI Cotrol Chage messages as set here are received from a exteral device, the iteral toe geerator also respods to those messages as if the usupported/uavailable MIDI cotroller was used o the MO. Covetioal cotrollers, such as Modulatio wheel, will affect coected MIDI istrumets i their covetioal way. For example, whe the pa fuctio is assiged to the Modulatio wheel uder Cotroller Set, usig the Modulatio wheel will apply the pa fuctio to the iteral toe geerator, but will trasmit the Modulatio messages to a exteral MIDI istrumet. Keep i mid also that if the same MIDI Cotrol Chage messages as set here are received from a exteral device, the iteral toe geerator also respods to those messages as if the cotroller o the MO itself was used. TIP Usig the Cotrollers for two differet fuctios You ca also set up a cotroller such that it seds oe kid of Cotrol message to the iteral toe geerator of the MO, yet aother kid of message to the MIDI Out. For example, i a Cotroller Set you could assig Resoace to ASSIGN 1 (Kob 3). The, i the Utility, you could assig Cotrol Chage umber 1 (modulatio) to the same Kob. Now, whe you move Kob 3, resoace will be applied to the soud of the iteral toe geerator block, while modulatio messages will be trasmitted to the exteral MIDI istrumet. 72 Ower s Maual

73 Playig the Demo Sogs/Patters Creatig a Sog o the MO I this sectio, we ll explai how to create a Sog by usig the built-i sequecer of the MO (Sog ad Patter ). There are two ways (or s) that you ca use the music productio features of the MO to create your ow music: Sog ad Patter. I the Sog, you ca create a Sog i order from begiig to ed. Sog Measure I the Patter, you ca create separate Sectios, each several measures i legth, as a Itro, melody A, mai theme, etc. the, combie the separate Sectios to create a etire Sog. Patter Itro Melody A Mai theme Melody A Edig Sectio A Sectio B Sectio C Sectio B Sectio P First, liste to the Sog ad Patter Demos that have bee specially programmed i the MO, to give you a idea how the Patters are built ad how they ca be used. Next, we ll give you a specific example i creatig a Sog eterig a rhythm patter to each Sectio i the Patter, the recordig a melody i the Sog. Oce you see how it s doe, you ca use the same method to create your ow music with Patters ad Sogs. Quick Guide Creatig a Sog o the MO Playig the Demo Sogs/Patters The Sog ad Patter Demos have bee specially programmed so you ca hear just how amazig the souds are, ad fid out just how powerful the istrumet really is for music creatio, performace ad productio. CAUTION Whe the Demo Sog/Patter data is loaded, the memory area for playback will be overwritte ad the [EFFECT BYPASS] butto will be tured off. Also, the followig settigs will be chaged i order to play back the Demo Sog/Patter properly. [UTILITY] [F1] GENERAL [SF1] TG Volume, NoteShift, Tue [UTILITY] [F1] GENERAL [SF4] OTHER CtrlRest Importat data should always be backed up to a USB storage device. 1 Simultaeously press the [FILE] butto ad [UTILITY] butto. MODE VOICE PERFORM MASTER SONG PATTERN MIXING DAW REMOTE FILE UTILITY DEMO EDIT JOB STORE COMPARE SCENE STORE SET LOCATE Ower s Maual 73

74 Playig the Demo Sogs/Patters 2 Set the LoadType to All. Ay of followig three types ca be set. However, for this example, select All. All... Loads both the Demo Sog ad Patter data. Sog... Loads oly the Demo Sog data. Patter... Loads oly the Demo Patter data. 3 Press the [ENTER] butto to load the Demo data. After the data is loaded, the Sog Play display is automatically called up. Locatio settigs for the selected Sog Quick Guide Creatig a Sog o the MO Sog track umber ad track mute/solo status Track data status Tempo for the selected Sog Time sigature for the selected Sog Traspose settig (for etire Sog) Curretly selected Sog Sog umber 01 : Dub'Bass Sog ame Idicates muted track. Idicates soloed track (page 75). Measure: Beat (for curret playback locatio) ARP1-ARP5 Use the [SF1] [SF5] buttos to call up the Arpeggio type ad Sog Scee assiged to each butto (page 89). Idicates that the track has Idicates a MIDI track o recorded data. cotaiig MIDI sequece data. The explaatios here also apply to the Patter. 4 Press the [F] (Play) butto to start Sog playback. Whe playback of the selected Sog is fiished, the Sog automatically stops. You ca stop the Sog aytime durig playback by pressig the [J] (Stop) butto. This pauses the Sog at the curret positio. To resume playback of the Sog from that poit, press the [F] (Play) butto agai. To istatly retur to the begiig of the Sog, press the [ IE] (Top) butto. SEQ TRANSPORT SEQ TRANSPORT 5 Select ad play aother Demo Sog. Move the cursor to Sog Number: Name (with the cursor buttos) the select aother Sog by usig the Data Dial, or the [INC/YES] ad [DEC/NO] buttos. Decreases umber Decreases umber DEC/NO INC/YES Icreases umber Icreases umber Top butto LOCATE 1 2 LOCATE 1 2 REC REC Start Stop Sog umber: Name SEQ TRANSPORT LOCATE 1 2 REC Start Next, let s play a Demo Patter. 74 Ower s Maual

75 Playig the Demo Sogs/Patters 6 Press the [PATTERN] butto to eter the Patter. MODE VOICE PERFORM MASTER 10 Select ad play aother Demo Patter. Selectig a Patter is doe i the same way as selectig a Sog. Refer to step 5 above. SONG DAW REMOTE PATTERN FILE MIXING UTILITY Usig Mute/Solo with the Sog ad Patter tracks EDIT JOB DEMO STORE Try this with the Demo Sogs to hear how the tracks soud both i isolatio ad i various combiatios. COMPARE SCENE STORE To mute a track SET LOCATE 7 Press the [F] (Play) butto to start Patter playback. There is aother way to start Patter playback by pressig the otes o the keyboard. Move the cursor to the keyboard ico ad press the [INC/YES] butto so that the mark appears. I this status, press ay key to start the Patter playback. 1 Press the [MUTE] butto (the lamp lights). 2 Press ay of the NUMBER [1] [16] buttos to select the track umber to be muted. The correspodig track is set to mute (its lamp goes off) ad produces o soud. Whe pressig the same umber butto agai, the track mute is caceled (its lamp lights) TRACK SELECT Quick Guide Creatig a Sog o the MO ELEMENT PERF. PART ZONE MUTE SOLO 8 Try out various rhythm variatios by chagig the Sectio. Make sure that the [SECTION] lamp is o (press the butto if ecessary), the press ay of the buttos show below to select ad play the various Sectios cotaied i a Patter. Pressig the [A] [H] buttos calls up Sectios A H ad pressig the [PRE1] [ ] buttos calls up Sectios I P. PRE 1 A. PIANO PRE 2 KEYBOARD PRE 3 ORGAN PRE 4 USER 1 GUITAR PLUCKED BASS USER 2 STRINGS GM BRASS SECTION REED PIPE A B C D E F G H SYN LEAD SYN PAD CHOIR SYN COMP CHROMATIC PERCUSSION DRUM PERCUSSION SE MUSICAL FX COMBI To tur Mute off, press the [MUTE] butto agai (the lamp goes off). To solo a track Simultaeously hold dow the [MUTE] butto ad press oe of the Number buttos [1] to [16] to solo the correspodig track. Oce you ve selected a track for soloig, the [MUTE] butto s lamp flashes, idicatig the Solo fuctio is active. While Solo is active, you ca chage the soloed track simply by pressig the correspodig Number butto [1] to [16]. To cacel the Solo fuctio, press the [MUTE] butto agai. Some Sectios of the Demo Patter may have o data. Because of this, selectig some Sectios may result i o soud TRACK SELECT ELEMENT PERF. PART ZONE 9 Press the [J] (Stop) butto to stop Patter playback MUTE SOLO Ulike Sog playback, Patter playback cotiues i a loop util the [J] (Stop) butto is pressed. You ca stop the Patter aytime durig playback by pressig the [J] (Stop) butto. This pauses the Patter at the curret positio. To resume playback of the Patter from that poit, press the [F] (Play) butto agai. To istatly retur to the begiig of the Patter, press the [ IE] (Top) butto. Ower s Maual 75

76 Creatig a Patter Creatig a Patter Whe you create a Sog, oe of the most essetial aspects is the rhythm. It is almost always the first thig you start with, ad provides a foudatio for the rest of the music. The Patter gives you the tools to create rhythm patters for the accompaimet of the Sog. Here, i brief, are the basic steps i usig Patters to create a Sog: 1) I the Patter, create ad chai together the phrases that will be used for the accompaimet ad the Sog. 2) Covert the Patter data to a Sog. The followig three methods ca be used to create a Patter. Creatig a Patter by Preset Phrases ad Arpeggio Creatig a Patter by User Phrases Creatig a Patter with Realtime ad Step recordig CAUTION The created Sog ad Patter data resides temporarily i DRAM (page 150). Because data cotaied i DRAM is lost whe the power is tured off, you should always store ay data residig i DRAM to a USB storage device before turig off the power. Quick Guide Creatig a Sog o the MO Settig up for Creatig a Patter (Mixig Settigs) First, select the desired Patter ad assiged the Voice to each track. 1 Press the [PATTERN] butto to eter the Patter Play. Select the Empty Patter. 3 Select a track (Part) to which you wat to assig a Voice. Press the [TRACK SELECT] butto so that its lamp lights, ad select a track (Part) by pressig the oe of the Number buttos [1] to [16]. You ca ow play the Voice of the selected track from the keyboard TRACK SELECT ELEMENT PERF. PART ZONE MUTE 2 Press the [MIXING] butto, the [F2] VOICE butto to call up the display for settig a Voice. SOLO MODE VOICE PERFORM MASTER SONG PATTERN MIXING You ca also select the Part by usig the Cursor [<] [>] buttos. DAW REMOTE FILE UTILITY EDIT JOB DEMO STORE 4 Select the desired Voice. COMPARE SCENE STORE SET LOCATE Tur the [TRACK SELECT] butto off, ad select the Voice ormally, i the same way as i Voice. You ca also use the Category Search fuctio. SCENE You ca also select the Voice Number or Voice Bak directly with the VOICE NUM or BANK MSB/BANK LSB parameters. Refer to the separate Data List booklet for details. Whe selectig the Mixig Voice, move the cursor to the BANK MSB/BANK LSB ad select mv, the move the cursor to VOICE NUM ad select the Voice Number. For details o the Mixig Voice, see page 78. SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 76 Ower s Maual

77 Creatig a Patter 5 Repeat steps 3 ad 4 above to assig the Voice to each track (Part). TIP Selectig the Voices by usig the Mixig Template 6 Store the Mixig settigs. Press the [STORE] butto (the display below appears). Press the [ENTER] butto to store the Mixig settigs with the Patter. A total of 32 Mixig settigs, each desiged for a differet music category or gere, have bee programmed ad stored as coveiet Mixig Templates. Each Mixig Template icludes the Voices, effects, pa ad other settigs suitable for the correspodig music gere. Simply dial up the template that comes closest to the type of Sog or Patter you wish to create, tweak the settigs as desired, the start recordig. You ca also store the Mixig settigs you ve created i the MO as a origial Mixig Template. For details, see page 94. The created Sog ad Patter data resides temporarily i DRAM (page 150). Because data cotaied i DRAM is lost whe the power is tured off, you should always store ay data residig i DRAM to a USB storage device before turig off the power. CAUTION You ca store the Mixig settigs as a Mixig Template. For details o the Mixig Template, see below. You ca also make settigs for the volume, pa, effects ad equalizer, as well as the Voice. For details, see page Press the [PATTERN] butto to eter the Patter Play. 2 Press the [MIXING] butto, the press the [F6] TEMPLATE butto to call up the display for settig a Template. 3 Select the desired Template by usig the [INC/ YES] ad [DEC/NO] buttos or the data dial. As soo as a Template is selected, the relevat Mixig settigs will be automatically loaded. Quick Guide Creatig a Sog o the MO 4 Play the keyboard to check the Mixig settigs. Press the [TRACK SELECT] butto so that its lamp lights, ad select a Part by pressig the oe of the Number buttos [1] to [16]. Ower s Maual 77

78 Creatig a Patter TIP Creatig Mixig Voices exclusively for Sogs/Patters If you assig User Voices to your Sog or Patter ad the edit them (i the Voice Edit ), the Voices may soud differet tha expected. This coveiet feature lets you create dedicated Mixig Voices for your Sogs ad Patters esurig that the Voices will play exactly as they were edited for the Sog/Patter. The Mixig Voice ca be stored with the Sog or Patter. Oly Normal Voices ca be created/edited as Mixig Voices. Quick Guide Creatig a Sog o the MO 1 Eter the Sog /Patter ad select the Sog umber/patter umber. 2 Press the [MIXING] butto (the lamp lights), the select the Part cotaiig the desired Voice ELEMENT PERF. PART ZONE MIXING TRACK SELECT MUTE 4 Call up the Commo Edit or Elemet Edit display as required. These displays are the same as i the Voice. See page Store the edited Mixig Voice to iteral User memory with the Sog/Patter. 5-1 Press the [STORE] butto to eter the Mixig Voice Store. 5-2 Set the destiatio Voice Bak to MIXV ad select the destiatio Voice umber. You ca store the Voice edited i the Mixig Voice Edit as a User Normal Voice by settig the Voice Bak to USER1 or USER2. Destiatio Voice Number 3 Press the [F5] VCE ED (Voice Edit) butto to eter the Mixig Voice Edit. The Mixig Edit ca oly be etered whe selectig a Part to which a Normal Voice has bee assiged. 5-3 Press the [ENTER] butto to execute the Store operatio. CAUTION Destiatio Voice Bak The created Sog ad Patter data resides temporarily i DRAM (page 150). Because data cotaied i DRAM is lost whe the power is tured off, you should always store ay data residig i DRAM to a USB storage device before turig off the power. Creatig a Patter by Preset Phrases ad Arpeggio Naturally, you ca create phrases ad Patters by recordig your ow keyboard performace i real time. However, the MO has coveiet features preset phrases ad the Arpeggio fuctio that let you quickly ad easily select backig parts ad phrases suitable for various music geres ad styles. First, we ll record a performace to Sectio A, usig the Preset Phrases of the Drum patters, as well as some guitar ad bass guitar Arpeggio phrases. Selectig a Drum patter from Preset Phrases 2 Tur the [SECTION] butto o, the press the [A] butto. 1 Press the [PATTERN] butto, the select the Patter you stored i the sectio Settig up for Creatig a Patter (Mixig Settigs) o page 76. PRE 1 A. PIANO PRE 2 KEYBOARD PRE 3 ORGAN PRE 4 USER 1 GUITAR PLUCKED BASS USER 2 STRINGS GM BRASS SECTION REED PIPE A B C D E F G H I the example here, we ll use a Patter that cosists of the followig: Track 1: Drums Track 4: Piao Track 2: Bass guitar Track 5: Strigs Track 3: Guitar SYN LEAD SYN PAD SYN COMP CHROMATIC DRUM SE MUSICAL FX CHOIR PERCUSSION PERCUSSION COMBI 78 Ower s Maual

79 Creatig a Patter 3 Set the meter (time sigature), tempo, ad legth. Meter (time sigature) Tempo Legth of patter TIP User Phrases I additio to the Preset Phrases, you ca store MIDI data you ve recorded i the Patter as User Phrases. User Phrases have the added beefit of beig able to use the souds of other istrumets, lettig you record bass, guitar, piao ad other parts as well as drums ad percussio. For details, see page Press the [F4] PATCH butto to call up the Patch display. TIP Turig the Phrase Voice o or off 5 Select Track 1, the select oe of the settigs Dr 1 to Dr 4 i the category. Next, select a Phrase Number. Press the [F] (Play) butto to hear the Drum Patter. Try out some differet drum patters here TRACK SELECT I the default settigs, whe assigig a Phrase to each track, the track s curret Voice will be chaged to the Voice stored i the Phrase (Phrase Voice). If you do ot wat to chage the Voice ad you wat to use oly the MIDI sequece data, set the followig parameter for the track to off. [F3]TRACK [SF3]TR VOICE Whe settig the parameters as show i the display below, the origial Voice i Track 3 will be used, eve if a Phrase is assiged to the track. If you assig Phrases to other tracks (those with the O settig), the Voices stored i the assiged Phrase will be used. Quick Guide Creatig a Sog o the MO ELEMENT PERF. PART ZONE MUTE Select a track Idicates the category of the preset Phrases Idicates the Phrase umber Next, let s record the bass guitar, guitar, ad piao by usig the Arpeggio fuctio. SEQ TRANSPORT LOCATE 1 2 REC Creatig a Patter by Arpeggio Record a bass guitar patter. DEC/NO INC/YES Select a Preset Phrase. Play the Patter to cofirm the assiged Phrase. 7 Select a track to which the bass guitar will be assiged. Press the [TRACK SELECT] butto so that its lamp lights, ad select a track by pressig the Number [2] butto. 6 Press the [J] butto to stop playback. Press the [F1] PLAY butto to retur the Patter Play. 8 Press the [REC] butto to eter the Patter Record. Set the parameters related to recordig i the [F1] SETUP display. Set Type to replace, set Loop to off, ad set Quatize to off. Ower s Maual 79

80 Creatig a Patter TIP Type, Loop, ad Quatize 11 Set the RecArp parameter to o i the [F4] RECARP (Record Arpeggio) display. Quick Guide Creatig a Sog o the MO Type The replace settig lets you overwrite a already recorded track with ew data. The first recordig is lost, ad the ew oe takes its place. The overdub settig lets you record (layer) additioal data to a track that already cotais data. These methods are both realtime recordig methods. The step settig (Step recordig) allows you to compose your performace by writig it dow oe evet at a time. For details, see page 82. Loop This fuctio plays back the Patter repeatedly i a loop. If Type is set to overdub ad Loop to o, you ca add separate otes or parts i order. For example, you could record the parts of a drum kit oe by oe recordig the kick o the first pass, a sare o the secod, a hi hat part o the third, ad so o. This techique is also coveiet for addig o-ote, soud-shapig data, such as that of the Kobs ad Cotroller. Sice we will be recordig with the Arpeggio i this example, set Loop to off here. Quatize Record quatize aligs the timig of otes i real time, as you record. This makes sure that all the otes will be recorded exactly o the beat, eve if your playig is somewhat off the beat. Sice we will be recordig with the Arpeggio i this example, set Quatize to off here. Whe this parameter is set to o, you ca record the Arpeggio playback to the track as MIDI sequece data. 12 Press the [F5] CLICK butto to tur Click o ad play the metroome durig the recordig. Whe the soud ico below is displayed, Click is o ad the metroome will play durig the recordig. 13 Press the [F] (Play) butto to start recordig. Play a ote or otes o the keyboard to trigger Arpeggio playback. The root chord of the bass patter chages depedig o the key you play. Start recordig LOCATE REC SEQ TRANSPORT 1 2 Arpeggio playback 9 Set the PartSw (Part Switch) parameters to off i the [F3] ARP display. Whe settig the parameter to o, you ca use the Arpeggio o this track. Actual recordig starts after oe measure. Recordig stops automatically whe Patter playback reaches the ed, sice Loop is set to off. 14 Tur the [ARPEGGIO ON/OFF] idicator off, ad press the [F] (Play) butto to hear your ewly recorded bass guitar patter. Next, let s record the guitar patter. 10 Set the Arpeggio Bak, Category, ad Type. Set the Bak to pre ad Ctgr (category) to Bass. Try out some differet bass patters here. 15 Select the track to which the guitar will be assiged. Press the [TRACK SELECT] butto so that its lamp lights, ad select a Part by pressig the Number [3] butto. 16 Record the guitar part usig the Arpeggio, i the same way you did with the bass guitar part above. I additio usig the preset Arpeggios, you ca also create your ow origial Arpeggio data. See page 97. Follow steps 8 14 above, this time selectig the GtPl (Guitar & Plucked) i the Arpeggio category, ad try out the various guitar phrases. 80 Ower s Maual

81 Creatig a Patter MIDI data recorded i the Patter is stored as a User Phrase. You ca store up to 256 User Phrases to a sigle Patter. Next, let s use the Patter Copy fuctio ad record our User Phrases to Sectio B. Copyig Patters ad Creatig a Patter with User Phrases I the followig steps, you ll assig the same phrases as the drum ad bass guitar parts of Sectio A to the drum ad bass parts of Sectio B, ad create a guitar part playig the guitar ad bass i uiso. Copyig a Patter I order to assig the drum ad bass phrases of sectio A to sectio B, we ll copy the performace of Sectio A to sectio B. 1 Press the [PATTERN] butto to eter the Patter Play, the press the [JOB] butto to eter the Patter Job Mode. 2 Copy the Patter i the [F6] PATTERN display. Select 01: Copy Patter ad press the [ENTER] butto. Creatig a Patter with User Phrases Have the guitar ad bass play together by usig the user phrase of the bass recorded i Sectio A. 7 Set the Phrase Voice parameter i Track 3 (Guitar) to off. You ca use oly MIDI sequece data i the User Phrase. Press the [F3] TRACK butto, the press the [SF3] TR VCE butto to call up the Phrase Voice display. If you leave the Phrase Voice settig at o, the Voice will chage whe usig the user phrase for the guitar part i step 8. Quick Guide Creatig a Sog o the MO 3 Select the Patter Numbers ad Sectios for both the source ad destiatio. 8 Press the [F4] PATCH butto to call up the Patch display. Select the Patter umber you created earlier ad Sectio A for the source. Select the same Patter umber ad Sectio B for the destiatio. 9 Set the Patter so that the user phrase of the bass of Track (Part) 2 will be used for Part 3. Source Destiatio Select the phrase umber of Part 3 ad set it to the same phrase umber of the bass phrase of Part 2. 4 Press the [ENTER] butto, the press the [INC/ YES] butto to execute the Copy operatio. 5 6 Press the [EXIT] butto several times to go back to the Patter Play. Tur the [SECTION] butto o, the press the [B] butto. Sectio B is selected. Press the [F] (Play) butto to play back ad cofirm the copied Patter. 10 Press the [F] (PLAY) butto to play back Sectio B. Adjust the octave ad velocity of the guitar phrase as desired from the [F2] NOTE scree of the Patter Job. CAUTION The same User Phrases ca be assiged to differet Sectios withi a patter. Keep i mid, however, that the Sectio data will automatically be chaged if aother Sectio sharig the same User Phrase is chaged. Ower s Maual 81

82 Creatig a Patter TIP Copyig a User Phrase from aother Patter to the curret Patter The User Phrases that ca be assiged with the Patch fuctio are limited to the oes cotaied i the curretly selected Patter. To copy Phrases from other Patters for use i the curret oe, follow the istructios below. 1 I the [F4] PATCH display, press the [SF5] COPY butto to call up the Copy Phrase display. 2 First, specify the source Patter umber ad Phrase umber as well as the destiatio (curret Patter) Phrase umber ad track umber. The, press the [ENTER] butto to execute the Copy operatio. Source Destiatio Quick Guide Creatig a Sog o the MO 3 Press the [EXIT] butto to retur to the [F4] PATCH display, the check the assiged Phrase by pressig the [F] (Play) butto to play the Patter. Next, record Sectio C by usig realtime recordig or step recordig. Creatig a Patter with the Realtime ad Step Recordig methods For Sectio C, set the drums, bass ad guitar to the same as sectio A, ad the add a piao part usig Realtime recordig, ad eter a strigs part by usig Step recordig. Here we ll also adjust the rhythmic feel of the phrase by usig the Groove fuctio. Creatig a Patter with Realtime recordig 4 Press the [F] (Play) butto to start recordig. 1 2 Copy Sectio A to Sectio C, followig the istructios i the sectio Copyig a Patter o page 81. Select the track to which the piao part is to be assiged. 5 Whe the recordig is fiished, press the [J] (Stop) butto to stop recordig. Press the [F] (Play) butto to hear your ewly recorded Patter. Press the [TRACK SELECT] butto so that its lamp lights, ad select the track for the piao part by pressig the Number [4] butto. 3 Press the [REC] butto to eter the Patter Record. Set the parameters related to recordig i the [F1] SETUP display. Set Type to overdub ad Loop to o. These settigs let you repeat the Patter recordig i a loop ad record additioal ote evets without deletig already-recorded data. For the other parameters, see page Ower s Maual

83 Creatig a Patter Creatig a Patter with Step recordig Next, we ll add a strigs part by usig the Step recordig method. 6 Press the [TRACK SELECT] butto so that its lamp lights, ad select the track for the strigs part by pressig the Number [5] butto. 7 Select the track to which the strigs part is to be assiged. Press the [REC] butto to eter the Patter Record. TIP Rehearsig parts before recordig To temporarily disegage the record ad eter the Rehearsal, simply press the [REC] butto durig realtime recordig the [REC] idicator will flash ad playback will cotiue uiterrupted but o data will be recorded. This coveiet Rehearsal lets you easily ad temporarily disable recordig, i order to practice a part or try out various ideas (while listeig to the other tracks) without actually recordig. To retur to the record press the [REC] butto agai the [REC] idicator will light cotiuously. 8 Set the Type parameter to step i the [F1] SETUP display. Recordig SEQ TRANSPORT LOCATE 1 2 Rehearsal (playback cotiues) LOCATE SEQ TRANSPORT 1 2 Quick Guide REC REC 9 Press the [F] (Play) butto to start the recordig. For details about Step Recordig, see page Press the [J] (Stop) butto to stop the recordig. Press the [F] (Play) butto to hear your ewly recorded Patter. CAUTION The created Sog ad Patter data resides temporarily i DRAM (page 150). Because data cotaied i DRAM is lost whe the power is tured off, you should always store ay data residig i DRAM to a USB storage device before turig off the power. TIP Editig the recorded Patter The Patter Edit ad Patter Job ca be used to edit or chage the data of the already recorded Patter. The Patter Edit lets you chage the recorded data ad isert ew data if eeded. This icludes ote data as well as o-ote data, such as program (Voice) chages ad MIDI cotrol chage messages. The Patter Job o the other had provides a comprehesive variety of tools you ca use to trasform the recorded data such as cleaig up the timig (Quatize), trasposig, chagig the velocity of otes, modifyig the legth of otes, ad other useful operatios for alterig the soud. It also icludes a variety of coveiet operatios, such as copyig or erasig data. Most of these operatios ca be performed o either a etire track or a selected rage of measures i the track. The procedure is basically the same as i the Sog. See page 90. Creatig a Sog o the MO Usig the Groove fuctio The Groove fuctio makes it possible to adjust the pitch, timig, legth, ad velocity of otes i a specified track via a 1-measure 16th-ote grid to create iterestig, uique grooves that would ot be possible with precise sequecer-like programmig. The Groove settigs are applied to all measures of the curret Patter. Keep i mid that you caot apply differet Groove settigs to each measure. The Grid Groove fuctio affects Patter playback without actually chagig the MIDI sequece data (created via the Recordig, File Loadig, ad Patch fuctios). The Groove settigs are hadled separately from MIDI sequece data. See page I the Patter Play, select a Patter ad Sectio for which the Groove is to be applied. 2 Press the [F2] GROOVE butto to call up the Groove settig display. Ower s Maual 83

84 Creatig a Patter 3 Select a track, the adjust the Groove settigs. Select a track ELEMENT PERF. PART ZONE TRACK SELECT MUTE Set each parameter. Move the cursor... DEC/NO INC/YES EXIT ENTER DEC/NO Set the value. INC/YES SOLO Move the cursor to the desired parameter ad grid poit ad set the offset value. NOTE OFST CLOCK SFT GATE OFST VELO OFST 0 + Quick Guide Creatig a Sog o the MO Play the Patter to check the result of the Groove settigs. LOCATE REC SEQ TRANSPORT 1 2 EXECUTE You ca also edit the Groove parameters i real time durig playback. CAUTION NOTE OFST (Note Offset) CLOCK SFT (Clock Shift) The created Sog ad Patter data resides temporarily i DRAM (page 150). Because data cotaied i DRAM is lost whe the power is tured off, you should always store ay data residig i DRAM to a USB storage device before turig off the power. TIP Grid GATE OFST (Gate time Offset) VELO OFST (Velocity Offset) Usig the Groove settigs to chage the Patter data Raises or lowers the pitch of the ote(s) o the selected grid i semitoes. Shifts the timig of the ote(s) o the selected grid forward or backward i clock icremets. Legthes or shortes the ote(s) o the selected grid i clock icremets. Icreases or decreases the velocity of the ote(s) o the selected grid. Grid Groove is a playback-oly feature that processes the recorded data of a Patter without actually chagig it. I other words, the origial data (created via the Recordig, File Loadig ad Patch fuctios) remais itact. If you wat to make the Grid Groove settigs permaet ad chage the data, use Normalize Play Effect i the Patter Jobs ([PATTERN] [JOB] [F5] TRACK 04: Normalize Play Effect). From this display, specify the track to be chaged accordig to the Groove settigs, ad press the [ENTER] butto to execute. Creatig a Patter Chai Each Patter cosists of 16 Sectios (A P) which ca be used as Patter variatios. Create the desired rhythm Patter variatios, or Sectios, that you wish to use as accompaimet ad backig for your ew Sog, accordig to the istructios i the previous sectios. After you ve created the Sectios, you ca strig these Sectios together i ay order desired to assemble the backig part of the Sog, over which you ca record a melody lie ad ay other parts, i the Sog Record. Patter Chai...Eter the desired Sectios for the Sog Sectio A Sectio B Sectio F Sectio H... Covert Sog Patter Mixig, Groove, ad Phrase Voice (Track Voice) o/off caot be set idepedetly for each Sectio, but apply to all Sectios. CAUTION The same User Phrases ca be assiged to differet Sectios withi a patter. Keep i mid, however, that the Sectio data will automatically be chaged if aother Sectio sharig the same User Phrase is chaged. For example, if you ve assiged a certai User Phrase to both Sectio A ad Sectio D, ad you chage that User Phrase for Sectio A, the same Phrase will be chaged for Sectio D as well. 84 Ower s Maual

85 Creatig a Patter Creatig a Patter Chai by chagig a Sectio while playig a Patter Switchig of sectios, track mutig, scee/mute chages, ad tempo chages ca all be recorded i real time as a Patter Chai. 1 I the Patter Play, select a Patter for which data has already bee created. 4 Press the [F] butto to start recordig ad play the Patter as you like. Chage the Sectio at the desired poits, as the Patter plays. LOCATE SEQ TRANSPORT 1 2 REC 2 Press the [F6] CHAIN butto to call up the Patter Chai Play display. Sectio I P 3 Press the [REC] butto to eter the Patter Chai Record, the set the basic parameters. I the Patter Chai Record Setup display, you ca set the Recordig track ad tempo. Three Patter Chai track types are available. The Tempo track lets you record tempo chages for the Chai, ad the Scee track lets you record track o/off chages. The Patter ( patt ) track lets you record Sectio chages at the desired measure poits i the Sog. Patter Chai Play display 5 PRE 1 A. PIANO PRE 2 KEYBOARD PRE 3 ORGAN PRE 4 USER 1 GUITAR PLUCKED Press the [J] (Stop) butto to stop recordig. Operatio returs to the Patter Chai display. BASS USER 2 STRINGS GM BRASS SECTION REED PIPE A B C D E F G H SYN LEAD SYN PAD CHOIR SYN COMP Sectio A H CHROMATIC PERCUSSION DRUM PERCUSSION SE MUSICAL FX COMBI Quick Guide Creatig a Sog o the MO 6 Press the [F] (Play) butto to hear the recorded Patter Chai. SEQ TRANSPORT LOCATE REC Save the created Patter data to a USB storage device (page 98) before turig the power off. Patter Chai Record Setup display Tempo Set the recordig track to patt ad eter the Sectios to the desired measures. You ca also record the Tempo track ad Scee track as desired. Whe the recordig track is set to tempo, move the cursor to tempo value (durig recordig i step 4 above) ad use the data dial ad the [INC/YES]/[DEC/NO] buttos to chage the tempo while the Chai is playig. Whe the recordig track is set to scee, press the [MUTE] butto (the lamp lights) ad use the Number buttos [1] [16] to tur each track o/off as desired durig recordig. Ower s Maual 85

86 Creatig a Patter Editig a Patter Chai The Patter Chai Edit makes it possible to edit the order of the Sectios i a chai, as well as isert tempo ad scee/mute evet data. 1 I the Patter Play, select a Patter for which data has already bee created. Covertig a Patter Chai to Sog data Oce you ve made a Patter Chai, you ca covert the data ad create a Sog with it. 1 I the Patter Play, select a Patter for which Patter Chai data has already bee created. 2 Press the [F6] CHAIN butto to call up the Patter Chai Play display. 2 Press the [F6] CHAIN butto to call up the Patter Chai Play display. Quick Guide Creatig a Sog o the MO Press the [EDIT] butto to eter the Patter Chai Edit, the edit each track of the Patter Chai. Press the [EXIT] butto to retur to the Patter Chai Play display, the press the [F] (Play) butto to hear the edited Patter Chai. Save the created Patter data to a USB storage device (page 98) before turig the power off. Patter Track Edit EDIT 3 4 Press the [EDIT] butto to eter the Patter Chai Edit. Press the [F3] SONG butto to call up the Covert to Sog display, the specify the destiatio Sog. Whe this box is checkmarked, program chage messages i the MIDI sequece data are ot copied. Destiatio Sog umber ad the top measure umber 5 Press the [ENTER] butto to execute the Covert operatio. Eter the desired sectio (A P) or the Ed mark by usig the [INC/YES] ad [DEC/NO] buttos. Scee Track Edit [F4] butto Press the [F6] butto to clear the evet at the cursor locatio. The Patter Chai data is coverted to Sog data ad copied to the top measure of the destiatio Sog. CAUTION This operatio overwrites ay data already existig at the destiatio Sog. [F4] butto 6 Save the created Sog data to a USB storage device (page 98) before turig the power off. Tempo Track Edit CAUTION The created Sog ad Patter data resides temporarily i DRAM (page 150). Because data cotaied i DRAM is lost whe the power is tured off, you should always store ay data residig i DRAM to a USB storage device before turig off the power. [F4] butto Press the [F5] butto to isert the evet to the cursor locatio. Press the [F6] butto to delete the evet at the cursor locatio. 86 Ower s Maual

87 Creatig a Sog Creatig a Sog The followig chart illustrates the basic procedure for creatig a Sog, usig the various methods ad fuctios described i this tutorial. Now, that you ve assembled the backig tracks for your Sog by covertig the Phrases or Patter Chai to Sog data, you ca ow record melody parts o them. Sog track CAUTION Patter Chai Keyboard Performace Phrase Covert the Patter Chai to Sog data ([PATTERN] [F6] CHAIN [EDIT] [F3] SONG). Record your keyboard performace to each track oe by oe i the Sog Record, called up via [SONG] [REC] Copy the Phrase to the Sog i the [SONG] [F5] PHRASE display. Sog track 1 Sog track 2 Sog track 3 Sog track 4 Sog track 5 Sog track 6 Sog track 7 Sog track 8 Sog track 9 Sog track 10 Sog track 11 Sog track 12 Sog track 13 Sog track 14 Sog track 15 Sog track 16 The created Sog ad Patter data resides temporarily i DRAM (page 150). Because data cotaied i DRAM is lost whe the power is tured off, you should always store ay data residig i DRAM to a USB storage device before turig off the power. Quick Guide Creatig a Sog o the MO Creatig a Sog with Patter Chai You ca easily create the backig parts for your performace ad/or sigig by combiig the Patters you created i the Patter. For details, see page 84. Ower s Maual 87

88 Creatig a Sog Recordig with the keyboard to a Sog track Arpeggio, Realtime Recordig/Step Recordig, Groove fuctio I the Sog, you ca use the Arpeggio, Realtime Recordig/Step Recordig, ad Groove fuctio i the same ways as you did i the Patter. The procedure is basically the same as that of the Patter. 5 Press the [F] (Play) butto to start the recordig. Whe Sog playback reaches the Puch I poit, play the keyboard. SEQ TRANSPORT Quick Guide Creatig a Sog o the MO Re-recordig a specific part of a Sog (Puch I/Out) I the Sog, use the Puch I/Out recordig method to record over oly a specific portio of the track. I the example istructios below, you ll see how to re-record measures three through five of a already recorded Sog I the Sog Play, select a Sog to be created. Press the [REC] butto to eter the Sog Record. Press the [TRACK SELECT] butto (the lamp lights), the select the desired track with the umber buttos [1] [16]. 6 7 LOCATE REC Whe Sog playback reaches the Puch I poit, play the keyboard. 1 2 Playback start Press the [J] (Stop) butto to stop recordig after the Sog playback reaches the Puch Out poit. Press the [F] (Play) butto to hear your ewly recorded Sog. 4 Set the parameters related to recordig i the [F1] SETUP display. Set the Type parameter to puch ad specify the area to be re-recorded. Set other parameters as ecessary. For details, see page 179. Puch I (Recordig start measure: beat) Playback of the recordig track is tured off from this poit, ad your keyboard performace will be recorded to the track. Locatio settig (page 92) Puch Out (Recordig ed measure: beat) Recordig eds at this poit ad ormal playback of the recordig track starts. Press the [SF1] COPY LOC to assig the measure umbers registered to the Locatios (Loc1 ad Loc2) to the Puch I ad Puch Out poits. 8 Save the Sog data to a USB storage device i the File (page 98) before turig the power off. Puch I/Out recordig is available oly i the Sog Record. This is ot available i the Patter Record. TIP Isert a Tempo chage evet to the middle of the Sog You ca use the followig three methods to chage the tempo i the middle of a already-recorded Sog. Usig the Tempo track Start recordig after settig the Type parameter to replace, settig RecTrack to tempo, ad movig the cursor to the tempo value i step 4. Durig recordig, chage the tempo value i real time while listeig to Sog playback. Sog Edit I the Sog Play, press the [EDIT] butto to eter the Sog Edit. Select the Tempo track (TMP) by pressig the [F4] TR SEL butto oce or twice, the chage the existig tempo value or isert a ew tempo value by usig the [F5] INSERT butto. For details about Sog Edit, see page 90. Step Recordig I step 4, set the Type parameter to step ad RecTrack to tempo the press the [F] (Play) butto to start Step recordig. After movig the cursor to Value, move the Sog poiter by usig the [H] (Forward) butto ad chage the tempo value at the desired poit, the eter the value by pressig the [ENTER] butto. For details about Step Recordig, see page Ower s Maual

89 Creatig a Sog TIP Sog Recordig usig a Performace If you have a favorite Performace or oe that would fit the Sog to be recorded, you ca copy certai settigs of up to four Parts of the Performace to the Sog Mixig settigs curretly beig edited. 1 Eter the Sog Mixig Job ([SONG] [MIXING] [JOB]). 2 Press the [F5] PF COPY butto to call up the Performace Copy display. 4 Press the [SONG] butto to retur to the Sog Play, the select Track 1 ad play the keyboard. Check whether the soud you hear is the same as that of the source Performace or ot. 3 Set the parameters as ecessary i the [F5] PF COPY display, the press the [ENTER] butto to execute the Copy operatio. Select a source Performace. CAUTION Checkmark the boxes of the desired parameters. The destiatio Mixig Parts appear automatically. The displayed Part umbers differ depedig o the source Performace. If the source Performace cotais four Parts, 1, 2, 3, 4 appears here. The destiatio Mixig Parts appear automatically. The displayed Part umbers differ depedig o the source Performace. If the source Performace cotais four Parts, 1, 2, 3, 4 appears here. The copy operatio overwrites the Mixig settigs previously existig i the destiatio. 5 Record your keyboard performace to Track 1. 6 Store the Sog Mixig i the [SONG] [MIXING] [STORE] display. The settigs copied from the Performace should be stored as Sog Mixig data. 7 Save the Sog data to a USB storage device i the File (page 98) before turig the power off. The explaatios here also apply to the Patter. Quick Guide Creatig a Sog o the MO Registerig a Sog Scee ad Arpeggio type simultaeously to the [SF1] [SF5] buttos Sog Scees ad Arpeggio types ca both be registered to the [SF1] [SF5] buttos (whe the ARP1 ARP5 meu items are show at the bottom of the display). These settigs are stored as Sog data. Sog Scee is a powerful fuctio that allows you to store five differet sapshots of importat Sog related parameters icludig traspose, tempo, track mute status, ad the basic soud/mixig cotrols (all parameter settigs cotrollable from the Kobs with the [PAN/SEND] or [TONE] lamp tured o, ad the Cotrol sliders). You ca call up both the Sog Scee ad Arpeggio type simultaeously by simply pressig oe of the [SF1] [SF5] buttos (whe ARP1 ARP5 are show at the bottom of the display i the Sog ). Registerig a Sog Scee ad Arpeggio type simultaeously to the [SF1] [SF5] buttos Recallig a Sog Scee ad Arpeggio type simultaeously from the [SF1] [SF5] buttos SCENE SCENE STORE + SF1 SF2 SF3 SF4 SF5 SF1 SF2 SF3 SF4 SF5 SCENE STORE SET LOCATE ARPEGGIO ON OFF Simultaeously hold the [STORE] butto ad press oe of the [SF1] [SF5] buttos. I the Sog, you ca register the Sog Scee ad Arpeggio type simultaeously to the [SF1] [SF5] buttos oly whe the ARP1 ARP5 meus appear at the bottom i the display. Ower s Maual 89

90 Creatig a Sog Recallig a Sog Scee ad Arpeggio type durig recordig ARP1 ARP5 meus appear also i the [F3] ARP display i the Sog Record as well as the [F1] PLAY display i the Sog Play. These idicate that you ca chage the Sog Scee ad Arpeggio type simultaeously durig Sog recordig from the [F3] ARP display. EDIT Quick Guide Creatig a Sog o the MO Recordig Sog Scee chages to a Sog Each Sog cotais a Scee track to which you ca record Scee chages. Whe the RecTrack is set to scee i step 4 described o page 88, you ca record Scee chages from ay display (eve from those i which ARP1 ARP5 are ot show) by pressig the [SF1] [SF5] buttos durig recordig. The explaatios o Arpeggio here also apply to the Patter. As i the Voice ad Performace, Arpeggio types ca oly be registered to the [SF1] [SF5] buttos whe the [ARPEGGIO ON/OFF] butto is tured off. For details o how to select a Arpeggio type i the Sog / Patter, see page 80. Editig the recorded Sog The Sog Edit ad Sog Job ca be used to edit or chage the data of the already recorded Sog. The Sog Edit lets you chage the recorded data ad isert ew data if eeded. This icludes ote data as well as o-ote data, such as program (Voice) chages ad MIDI cotrol chage messages. The Sog Job o the other had provides a comprehesive variety of tools you ca use to trasform the recorded data such as cleaig up the timig (Quatize), trasposig, chagig the velocity of otes, modifyig the legth of otes, ad other useful operatios for alterig the soud. It also icludes a variety of coveiet operatios, such as copyig or erasig data. Most of these operatios ca be performed o either a etire track or a selected rage of measures i the track. Sog positio 007:2-000 Measure umber Beat Clock (480 clocks per quarter-ote) 3 Select a track to be edited. MIDI evets Select oe of the three available track types by pressig the [F4] TR SEL (Track Select) butto. Each press of the butto alterates amog the track types. To select oe of the Patter tracks (1 16), make sure the 1 16 track edit display is selected (see below), the tur the [TRACK SELECT] butto o ad press ay of the [1] [16] buttos ELEMENT PERF. PART ZONE Select a track to be edited from track edit display TRACK SELECT MUTE SOLO The explaatios here also apply to the Patter. Editig the recorded Sog data by MIDI evet (i the Sog Edit ) Scee track edit display [F4] butto 1 Press the [SONG] butto to eter the Sog Play, the select a Sog to be edited. 2 Eter the Sog Edit by pressig the [EDIT] butto (the lamp lights), the press the [F1] CHANGE butto to call up the MIDI evet list display. Tempo track edit display [F4] butto [F4] butto 90 Ower s Maual

91 Creatig a Sog 4 Edit the MIDI evets of the Sog. Editig/Deletig Existig Evets To edit data i the Evet List, use the up/dow cursor buttos to highlight the specific evet you wat to edit, ad use the left/right cursor buttos to highlight the data type or parameter to be edited. The, chage the value as eeded by usig the [INC/YES] ad [DEC/NO] buttos or the data dial. The etire lie of the edited evet will flash o the display. Press the [ENTER] butto to actually eter the edited data (the etire lie of the edited evet will stop flashig). To abort a edit simply highlight to a ew evet locatio without pressig the [ENTER] butto. Press the [F6] butto to delete the evet at the curret locatio. Whe chagig the value, the etire lie will flash o the display idicatig this is beig edited ad ot fixed yet. I the Evet List display, you ca edit various types of evets such as Voice, volume, ad pa as well as ote evets. This meas that you could, for example, eter Voice chages to the middle of a track, eve if the track was recorded usig oly oe Voice. 5 For details about the MIDI evets hadled i the Evet List display, see page 182. If you fid the display too cluttered, you ca filter out certai evet types with the View Filter. Simply press the [F2] VIEW FLT butto ad select the evet types you wat to be displayed. For details, see page 182. Press the [F] (Play) butto to hear your edited data. Sice the Sog ca be played back from withi the Sog Edit, you ca istatly hear ad check the chages you ve made while editig. If you wat to hear just the track beig edited, use the Solo fuctio (page 75). Quick Guide [ENTER] butto Edit other tracks as required by repeatig steps 3 through 5 as desired. After editig, press the [SONG] butto to retur to the Sog Play. Save the edited Sog data to a USB storage device (page 98) before turig the power off. Creatig a Sog o the MO The lie stops flashig ad the value is actually etered. Press the [F6] butto to delete the evet at the curret locatio. Isertig New Evets To isert a evet, use the up/dow cursor buttos to highlight a evet at the desired poit i the track measure, beat, clock) this is the locatio to which the ew evet will be iserted. The, follow the steps below. Trasformig the recorded data ad other operatios Sog Job The Sog Job has a wide variety of operatios for chagig ad workig with Sog data. Virtually all of the Jobs share the same procedure, so we ll explai oly oe of them here Quatize, which lets you clea up the timig of a previously recorded track. I the followig example, this musical passage has bee writte with exact quarter-ote ad eighth-ote values. Press the [F1] butto or [EXIT] butto to abort ad retur to the mai Evet List display. [F5] butto Eve though you thik you may have recorded the passage accurately, your actual performace may be slightly ahead of or behid the beat (or both!). Quatize allows you to alig all the otes i a track so that the timig is absolutely accurate to the specified ote value. [F1] butto Press the [F6] SET butto to actually isert the evet show i the display ad remai i display. If you wish to isert the evet type curretly show i the display several times, use [F6] SET ad press the [F1] or [EXIT] butto to retur to the mai Evet List display. 1 Press the [SONG] butto to eter the Sog Play, the select a Sog for which the Job is to be applied. ENTER EXECUTE Press the [ENTER] butto to actually isert the evet ad retur to the mai Evet List display. Ower s Maual 91

92 Creatig a Sog 2 Press the [JOB] butto to eter the Sog Job. As show below, the Jobs are divided ito six mai groups, each of which is selected usig the [F1] [F6] buttos. Idicates the Job List. Because all the Jobs caot be displayed simultaeously, you will eed to use the cursor buttos to scroll the display i order to fid the desired Job. 6 Press the [SONG] butto to retur to the Sog Play, the press the [F] butto to hear the Sog over which the Job is applied. If you are satisfied with the result of the Job, go to step 7. If ot, execute the UNDO Job i the [F1] UNDO display i the Sog Job to restore the data to its previous state, the try out the Job (from step 4) agai. For details about Udo, see ext page. Quick Guide Creatig a Sog o the MO [F1] UNDO [F2] NOTE [F3] EVENT [F4] MEAS [F5] TRACK [F6] SONG 3 [F1] [F2] [F3] [F4] [F5] [F6] Udo (Cacelig the executed Job)/Redo (Restorig the executed Job) fuctios Note Data Job Evet Job Measure Job Track Job Sog Job Press the [F2] NOTE butto, move the cursor to 01: Quatize the press the [ENTER] butto to call up the Quatize Job display. 4 Set the relevat Job parameters. After specifyig the track ad rage over which the Job is to be applied, set Quatize to (8th ote) accordig to the otatio example above. Set the Stregth to 100%, SwigRate to 050%, ad GateTime to 100%. Regardig these parameters, see page 183. Track over which the Job is applied Rage over which the Job is applied 7 Save the Sog data to a USB storage device i the File (page 98) before turig the power off. I additio to Quatize, you ll fid a variety of other useful ad powerful Jobs i the Sog Job (page 183) ad Patter Job (page 199). Sog Locatio The Sog Play has a coveiet Locatio fuctio that lets you jump to user-specified parts of a Sog. This lets you assig a specific measure umber i the selected Sog, ad istatly jump to the assiged measure either durig playback or whe the Sog is stopped. Two Locatios ca be assiged. Assigig Locatios Select the desired measure i the recorded Sog for the Locatio. (Highlight MEAS ad use the [INC/YES] ad [DEC/NO] buttos or data dial.) The, to assig the measure to Locatio 1, simultaeously hold dow the [SET LOCATE] butto ad press the [G] (Reverse) butto. To assig Locatio 2, use the [H] (Forward) butto. Set the Quatize value to correspod to the smallest value otes i the track you are workig with. For example, if the data was recorded with both quarter otes ad eighth otes, use eighth ote for the quatize value. 5 Press the [ENTER] butto to execute the Job. After the Job has bee completed, a Completed message appears ad operatio returs to the origial display. CAUTION A Executig... message is show whe it takes a short amout of time to execute the Job. Never attempt to tur off the power while the Job is beig executed. Turig the power off i this state results i loss of all user data. EDIT COMPARE JOB STORE SCENE STORE SET LOCATE I this example, the selected measure is assiged to Locatio 1. The curret settigs for Locatios 1 ad 2 are show at the top right of the display. LOCATE Jumpig to a assiged Locatio To istatly jump to the assiged Locatio 1 or 2, simultaeously hold dow the [SET LOCATE] butto ad pressig the [G] (Reverse) butto (for Locatio 1) or the [H] (Forward) butto (for Locatio 2). SEQ TRANSPORT Specify a measure umber to be registered. REC SEQ TRANSPORT 1 2 LOCATE 1 2 REC 92 Ower s Maual

93 Creatig a Sog TIP Usig the Udo/Redo fuctios If you re ot satisfied with the results of a just-executed Job, or you wat to hear the differece of the soud before ad after usig a Job, you ca use the coveiet Udo ad Redo fuctios. After chagig the data with a particular Job, repeat steps 1 4 as desired. 1 Press the [SONG] butto to retur to the Sog Play, the press the [F] butto to hear the Sog as it was chaged by the Job. This lets you check the results of the Job. 2 After stoppig the Sog, press the [JOB] butto followed by the [F1] UNDO butto to call up the Udo display. Press the [ENTER] butto to execute Udo. The Sog data is restored to its previous state. Idicates the operatio to be affected by Udo. [ENTER] butto Chages to Redo. Quick Guide 3 Press the [SONG] butto to retur to the Sog Play, the press the [F] (Play) butto to play the Sog. This lets you check the soud before actually makig chages to it with the Job. 4 After stoppig the Sog, press the [JOB] butto followed by the [F1] UNDO butto to call up the Udo display. Press the [ENTER] butto to execute the Redo. This lets you redo the Job, restorig the Sog to the chages you made before usig Udo i step 2 above. Creatig a Sog o the MO [ENTER] butto Idicates the operatio to be affected by Redo. Chages to Udo. Udo/Redo is applied to the most recet operatio (Job, Edit, Record, etc.). The Udo/Redo Job is available also i the Patter Job. Editig Mixig parameters to complete a Sog (i the Mixig / Mixig Edit ) I this fial step (other tha savig your precious work, which we ll cover ext), you ca mix dow your tracks with the Sog Mixig fuctio adjustig the volume balace ad pa settig of all the parts ad tweakig the effect levels. 1 The explaatios here also apply to the Patter. Press the [SONG] butto to eter the Sog Play, the select a Sog for which Mixig edits have bee made. If you alter ay parameters, the [E] idicator will appear i the top left of the display. Press the [F5] VCE ED butto to eter the Mixig Voice Edit (page 203). You ca use the Sog Mixig for the simple mixig fuctios. For iformatio o the available parameters, see page 203. If you wish to edit more detailed Mixig parameters, eter the Sog Mixig Edit. 2 Eter the Sog Mixig by pressig the [MIXING] butto (the lamp lights). Select the meu you wish to edit by pressig the [F1] [F4] buttos, the edit the parameters i each display. 3 Press the [EDIT] butto to eter the Sog Mixig Edit. EDIT JOB STORE COMPARE SCENE STORE SET LOCATE Ower s Maual 93

94 Creatig a Sog 4 Call up the Commo Edit display or Part Edit display. Use Part Edit to edit the parameters for each Part. Use Commo Edit to edit the parameters for all of the Parts. While i the Sog Mixig Edit, you ca switch betwee the Commo Edit display ad the Elemet Edit display as show below. Callig up the Commo Edit display Press the [COMMON] butto to call up the Commo Edit display. I the Edit, the [DRUM KITS] butto fuctios as the [COMMON] butto. DRUM KITS FAVORITES PRE 1 A. PIANO PRE 2 KEYBOARD PRE 3 ORGAN PRE 4 GUITAR PLUCKED A B C D Callig up the Part Edit display Press the desired Part umber from the PART [1] [16] buttos to call up the Part Edit display. Idicates the display for editig Part 1. Idicates a Commo Edit display. SYN LEAD SYN PAD CHOIR SYN COMP CHROMATIC PERCUSSION Quick Guide Creatig a Sog o the MO COMMON You ca mute or solo a Part just as is doe with tracks i the Sog Play or Patter Play. Commo Edit ELEMENT PERF. PART ZONE Part 1 Edit Part 2 Edit Part 3 Edit Part 4 Edit... Part 16 Edit 5 Select the meu you wish to edit by pressig the [F1] [F5] buttos ad [SF1] [SF5] buttos, the edit the parameters i each display. For details o the available parameters, see page Repeat steps 4 5 as desired. 7 Store the edited Sog Mixig settigs to iteral User memory (DRAM) with the Sog data or store it to iteral memory (Flash ROM) as the Mixig Template data. TIP Storig the Mixig settigs as a Template You ca store the Mixig settigs created i the Sog ad Patter as origial Mixig Template data. If you are storig the Mixig settigs as Template data, you ca call up the same Mixig settigs i aother Sog or Patter with a simple operatio. For details about how to call up a template, see page 77. After pressig the [EXIT] butto to retur to the Sog Mixig, press the [STORE] butto to eter the Sog Mixig Store, the press the [ENTER] butto to execute the Store operatio (page 98). 8 Before turig the power off, save the stored Sog Mixig settigs to a USB storage device as Sog data i the File (page 98). Sice the Sog Mixig templates are stored as System data (page 150) i the Flash ROM, the data is maitaied eve whe the power is tured off. 94 Ower s Maual

95 Creatig a Sog TIP Sog Chai This fuctio allows Sogs to be chaied together for automatic sequetial playback. I this sectio, try usig the Sog Chai features with the Demo Sogs. 1 Press the [F6] CHAIN butto to call up the Sog Chai display. From this display you ca program ad play your ow custom Sog sequeces. 3 Play the Sog Chai. Move the cursor to the top of the Sog Chai display, ad press the [F] (Play) butto to start Sog playback. SEQ TRANSPORT LOCATE 1 2 REC 2 Program the desired order of the Sogs. Move the cursor to 001 by usig the cursor buttos ad select the desired Sog by usig the Data Dial, or the [INC/YES] ad [DEC/NO] buttos. Likewise, assig the other Sogs to locatios 002, 003, 004, ad so o. I additio, the followig parameters ca be set i the Sog Chai. skip stop ed Skips past (igores) the selected chai umber ad cotiues playback from the ext chai umber. Stops Sog Chai playback at that chai umber. You ca restart Sog Chai playback from the ext chai umber by pressig the [F] (Play) butto. Idicates the ed mark of the Sog Chai data. Whe the Sog Chai programmed i step 2 reaches to the ed, playback stops automatically. Press the [ ] (Stop) butto durig playback to stop Sog Chai playback. The Sog Chai ca oly be played back i the Sog Chai display, ad ot from ay other display. Quick Guide Creatig a Sog o the MO Ower s Maual 95

96 Creatig a Sog TIP Editig a Mixig by usig the Kobs (i the Sog /Patter ) The four kobs at the top left of the istrumet ca be used to tweak the Sog/Patter Mixig settigs as they play (i the Sog Play/Patter Play ). What s, you ca use them to edit the Mixig settigs, i the Sog Mixig Edit/ Patter Mixig Edit s. For details o the parameters edited by the kobs, refer to the descriptios i the Performace (page 65). Whe the [PAN/SEND] idicator is tured o: PAN REVERB [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F2] OUTPUT [SF1] VOL/PAN Pa [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F2] OUTPUT [SF2] EF SEND RevSed Page 191 Page 191 CHORUS [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F2] OUTPUT Page 191 [SF2] EF SEND ChoSed TEMPO Tempo of the curret Sog/Patter Page 74 Quick Guide Creatig a Sog o the MO Whe the [TONE] idicator is tured o: CUTOFF RESONANCE ATTACK RELEASE [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F4] TONE [SF2] FILTER Cutoff [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F4] TONE [SF2] FILTER Resoace [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F4] TONE [SF4] AEG Attack [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F4] TONE [SF4] AEG Release Whe the [ARP FX] idicator is tured o: Page 191 Page 191 Page 191 Page 191 SWING GATE TIME VELOCITY UNITMULTIPLY [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F3] ARP [SF3] PLAY FX Swig [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F3] ARP [SF3] PLAY FX GateTimeRate [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F3] ARP [SF3] PLAY FX VelocityRate [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F3] ARP [SF3] PLAY FX UitMultiply Page 190 Page 190 Page 190 Page 190 Whe the [EQ] idicator is tured o: LO [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F3] EQ Low Gai Page 191 LO MID [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F3] EQ Mid Gai Page 191 HI MID - HI [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F3] EQ High Gai Page 191 Whe both the [PAN/SEND] ad [TONE] idicators are tured o (by pressig them simultaeously): ASSIGN A Adjusts parameters assiged to these kobs i the [UTILITY] [F4] CTL ASN [SF2] ASSIGN display. Page 71 ASSIGN B ASSIGN 1 Deped o the settigs of the voice assiged to the curretly selected part. Page 70 ASSIGN 2 I additio to the above fuctios, Master Effect related parameters ([SONG] or [PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F2] MEQ/MEF [SF2] MEF) ca be assiged to these four kobs, ad the kobs ca be used for these assigmets by pressig the [ARP FX] ad [EQ] buttos simultaeously to tur them o. The particular parameters assiged to the four kobs ca be set i the [UTILITY] [F4] CTL ASN [SF5] MEF display. 96 Ower s Maual

97 Creatig a Sog TIP Editig a Mixig by usig Cotrol sliders (i the Sog /Patter ) [SONG] Sog selectio [MIXING] [EDIT] Part selectio [F2] OUTPUT [SF1] VOL/PAN Volume I the Sog/Patter, the four Cotrol sliders let you idepedetly adjust the levels of the Parts (Voices), lettig you cotrol the overall balace of the Parts. Iadvertet use of the sliders may result i o soud. If this occurs, move the sliders upward. TIP Creatig a Arpeggio I additio usig the preset Arpeggios, you ca also create your ow origial Arpeggio data. Actually, there is o direct operatio for recordig Arpeggios. First, you have to record a Phrase to a Sog or Patter track. The, use the appropriate Sog or Patter Job fuctio to covert the data to Arpeggio data. Record the MIDI sequece data to be used 1 2 as the basis for base of the Arpeggio to a Sog or Patter. Covert the MIDI sequece data (recorded to the Sog or Patter) as Arpeggio data. Quick Guide Recordig Recordig Recordig Sog or Patter Track 1 Track 2 Track 3 Track 4 Track 5 Track 6 Track 7 Track 8 Arpeggio User Arpeggio 256 User Arpeggio 001 Track 1 Track 2 Track 3 Track 4 Creatig a Sog o the MO Track 9 Track 10 Covert Recordig Track 11 Track 12 Track 13 Track 14 [SONG] [JOB] [F5] TRACK 07: Put Track To Arp After settig the parameters as show below, press the [ENTER] butto to execute Covert. Specify the destiatio Arpeggio umber. Specify the source Sog/Patter umber ad measure rage. Track 15 Track 16 You ca record MIDI sequece data for the Arpeggio to ay of the tracks. After recordig, select four tracks from all sixtee ad covert them to Arpeggio data. Specify the tracks of the source Sog or Patter. Set uused tracks to off. Select a covert type by track (see below). Set the root ote whe the covert type of ay track is set to OrgNote. Determiig how Sog/Patter data is coverted to a Arpeggio Covert Type MIDI sequece data (of Sog/Patter tracks) ca be coverted to Arpeggio data i oe of three ways, accordig to the Covert types below. These types ca also be selected idepedetly for each destiatio track providig eormous flexibility ad performace cotrol. Normal Fixed OrgNotes (Origial Notes) The Arpeggio is played back usig oly the played ote ad its octave otes. Playig ay ote(s) will trigger the same MIDI sequece data. Basically same as Fixed with the exceptio that the Arpeggio playback otes differ accordig to the played chord. Ower s Maual 97

98 Creatig a Sog Record the MIDI sequece data to a Sog or Patter track, referrig to the previous istructios i this chapter as eeded. The examples listed below are used as referece. Creatig a rhythm patter (usig a Drum Voice) Track 1 Record a basic rhythm patter usig various drum istrumets. Covert via Fixed. Track 2 4 Record a differet rhythm patter usig a specific drum istrumet to each track. Covert via Normal. Creatig a bass lie (usig a Normal Voice) Track 1 Record a bass lie usig a specific desired key (root). Covert via OrgNote after the OrgNotesRoot is set. Track 2 4 off Quick Guide Creatig a Sog o the MO Creatig a guitar backig part (usig a Keyboard Mega Voice) Track 1 Record a guitar backig part usig a specific desired key (root). Covert via Normal. Track 2 Record a differet rhythm usig oe of the special souds, such as a figer Covert via Fixed. mute or scratchig oise. Track 3 4 off Up to 16 uique ote umbers ca be recorded to the Arpeggio track. (This does ot apply to multiple istaces of the same ote umber.) If more tha 16 differet ote umbers have bee recorded to the MIDI sequece data, the Covert operatio reduces the otes i excess of the limit. Because of this, be careful to record oly up to 16 differet otes whe you create a Arpeggio, especially whe usig all four tracks. Covert type which determies how the Sog/Patter data is coverted to the Arpeggio data The Arpeggio data created via the above istructios is stored o iteral Flash ROM, meaig that it will ot be lost, eve if you tur the power off. Whe savig the Arpeggio data to a USB storage device, set the file type (TYPE) to All or UsrArp i step 3 described o page 99. Storig/Savig the created Sog/Patter The created Sog/Patter data resides o DRAM (page 150). Because data cotaied i DRAM is lost whe the power is tured off, you should always save ay data residig i DRAM to a USB storage device i the File before turig off the power. Please ote that the edited Mixig settigs should be stored before savig to a USB storage device. Sice the Mixig templates are stored as System data i the Flash ROM, the data is maitaied eve whe the power is tured off. Iteral memory (Flash ROM) Store Mixig template Mixig Edit Iteral memory (DRAM) Store Sog/Patter Mixig USB storage device Mixig Voice Edit Mixig Voice Save Recordig MIDI Sequece data Save all the created data as a sigle file. Settigs i the Play Groove, etc. Save all Sogs or Patters i iteral DRAM as a sigle file. File extesios: M7A, W7S, W7P 98 Ower s Maual

99 Creatig a Sog Storig the edited Sog Mixig/ Patter Mixig settigs to iteral memory 2 Press the [F2] SAVE butto to call up the Save display. [MIXING] [STORE] 3 Set the TYPE parameter to All. Storig the Mixig settigs as a part of a Sog Press the [STORE] butto to eter the Sog Mixig Store /Patter Mixig Store, the select Store to Curret Sog by usig the data dial, [INC/YES] butto, or [DEC/NO] butto. The, press the [ENTER] butto to execute the Store operatio. The Mixig settigs are actually stored to the curret Sog/Patter by executig the Store operatio. Storig the Mixig settigs as a Mixig Template Press the [STORE] butto to eter the Sog Mixig Store /Patter Mixig Store, the select Store to Template by usig the data dial, [INC/YES] butto, or [DEC/NO] butto. The, press the [ENTER] butto to execute the Store operatio. You ca load the Mixig Template stored here for other Sogs ad Patters. Move the cursor to the TYPE, the set the File type by usig the data dial, [INC/YES] ad [DEC/NO] butto. You ca select oe of the followig four file types to save the Sog or Patter data. Here, select All because various kids of data have bee created i order to complete a Sog. All All Sog All Patter SMF All data i this sythesizer s iteral User Memory is treated as a sigle file (extesio: M7A), ad ca be saved to a USB storage device. All the User Sog data i this sythesizer s iteral User Memory (DRAM) is treated as a sigle file (extesio: W7S), ad ca be saved to a USB storage device. All the User Patter data i this sythesizer s iteral User Memory (DRAM) is treated as a sigle file (extesio: W7P), ad ca be saved to a USB storage device. Sequece track (1 16) ad Tempo track data of a Sog/ Patter created i the Sog/Patter ca be saved to a USB storage device as Stadard MIDI File (format 0) data. Quick Guide Creatig a Sog o the MO CAUTION The curretly edited Mixig program will be lost whe selectig a differet Sog/Patter or goig to a differet without storig it. I additio, simply playig back the Sog/Patter or receivig ay MIDI messages from a exteral MIDI istrumet may chage the curret Mixig program. Make sure to store the Mixig program before executig these operatios. 4 Iput a file ame. Move the cursor to the file ame iput locatio, the iput a file ame. For detailed istructios o amig, refer to page 38 i the Basic Operatio sectio. File ame iput locatio Savig the Sog/Patter data to the USB storage device 5 If you have created a destiatio folder, select the folder. [FILE] [F2] SAVE The recorded Sog ad Patter data resides temporarily i DRAM (page 150). Because data cotaied i DRAM is lost whe the power is tured off, you should always save ay data residig i DRAM to a USB storage device before turig off the power. After coectig the USB storage device to this sythesizer, follow the istructios below. 1 CAUTION Press the [FILE] butto to eter the File. The press the [F1] CONFIG butto ad [SF1] CURRENT butto If the device is divided ito several partitios, select the specific partitio for use. If the device has several media (e.g., discs) iserted, select a specific Slot umber. For iformatio o how to select a folder, see page 213. For iformatio o how to create/delete a folder ad chage the folder ame, see page Press the [SF1] EXEC butto to actually save the file. If you are about to overwrite a existig file, the display prompts you for cofirmatio. Press the [INC/YES] butto to execute the Save operatio to overwrite the existig file, or press the [DEC/NO] butto to cacel it. CAUTION While the data is beig saved/loaded, make sure to follow these precautios: Do ot remove or eject the media from the USB storage device. Do ot uplug or discoect the USB storage device. Do ot tur off the power of the istrumet or the relevat devices. Ower s Maual 99

100 Creatig a Sog Savig a Sog or a Patter Sectio as a Stadard MIDI File After coectig the USB storage device to the istrumet, follow the istructios below. Quick Guide Creatig a Sog o the MO 1 Press the [FILE] butto to eter the File. The press the [F1] CONFIG butto ad [SF1] CURRENT butto. If the device is divided ito several partitios, select the specific partitio for use. If the device has several media (e.g., discs) iserted, select a specific Slot umber. 2 Press the [F2] SAVE butto to call up the Save display. 3 Set the TYPE parameter to SMF. 4 Iput a file ame. Move the cursor to the file ame iput locatio, the iput a file ame ad press the [SF1] EXEC butto. For detailed istructios o amig, refer to page 38 i the Basic Operatio sectio. 5 Select a Sog/Patter to be saved. 6 If you have created a destiatio folder, select the folder. For iformatio o how to select a folder, see page 213. For iformatio o how to create/delete a folder ad chage the folder ame, see page Press the [SF1] EXEC butto to actually save the file. If you are about to overwrite a existig file, the display prompts you for cofirmatio. Press the [INC/YES] butto to execute the Save operatio to overwrite the existig file, or press the [DEC/NO] butto to cacel it. While the data is beig saved/loaded, make sure to follow these precautios: Do ot remove or eject the media from the USB storage device. Do ot uplug or discoect the USB storage device. Do ot tur off the power of the istrumet or the relevat devices. CAUTION Whe loadig a SMF (Stadard MIDI File), set the file type to Sog or Patter. Oly the sequece track (1 16) ad tempo track data of a Sog/Patter created i the Sog/Patter ca be saved to a USB storage device as Stadard MIDI File (format 0) data. The Mixig settigs will ot be saved to a Stadard MIDI File. If you wish to save the etire Sog/Patter icludig the Mixig settigs, set the file type to All or AllSog. or AllPatter. Whe savig a Sog as SMF: Select a Sog umber. Whe savig a Patter as SMF: Select a Patter umber ad Sectio. Loadig a file saved to a USB storage device [FILE] [F3] LOAD These istructios describe how to recall the data saved as a file type All (extesio: M7A) described o page 99 from the USB storage device to the istrumet by usig the Load operatio. CAUTION Loadig a file (extesio: M7A) to this sythesizer automatically erases ad replaces all existig data i the User memory. Make sure to save ay importat data to a USB storage device before performig ay Load operatios. 1 If the device is divided ito several partitios, select the specific partitio for use. If the device has several media (e.g., discs) iserted, select a specific Slot umber. 2 Press the [FILE] butto to eter the File. The press the [F1] CONFIG butto ad [SF1] CURRENT butto. Press the [F3] LOAD butto to call up the Load display. 100 Ower s Maual

101 Creatig a Sog 3 Select a file type to be loaded. You ca load the file (extesio: M7A) saved as All by selectig oe of the followig file types. All Voice Performace Sog Patter All data i a file that is saved to the USB storage device as a All type ca be loaded ad restored to this istrumet. A specified Voice i a file ca be idividually selected ad loaded to this istrumet. A specified Performace i a file ca be idividually selected ad loaded to this istrumet. A specified Sog i a file ca be idividually selected ad loaded to this istrumet. A specified Patter i a file ca be idividually selected ad loaded to this istrumet. 4 Select a file ( ) to be loaded. Move the cursor to the file (extesio: M7A) which was saved as All o previous page. Whe Type is set to All, go to step 5. Whe Type is set to somethig other tha All, follow the istructios below the go to step 5. Whe Type is set to Voice or Performace : You ca select ad load a specified Voice or Performace i the file (extesio: M7A) to this istrumet. Quick Guide Creatig a Sog o the MO Move the cursor to the file (extesio: M7A) which was saved as All o previous page. ENTER EXECUTE All Voices or Performaces i the selected file are listed. Move the cursor to the desired Voice or Performace to be loaded. Select the desired Voice or Performace. Select the destiatio Voice umber or Performace umber. Whe Type is set to Sog or Patter : You ca select ad load a specified Sog or Patter i the file (extesio: M7A) to this istrumet. Move the cursor to the file (extesio: M7A) which was saved as All o previous page. ENTER EXECUTE All Sogs or Patters i the selected file are listed. Move the cursor to the desired Sog or Patter to be loaded. Select the desired Sog or Patter. Select the destiatio Sog umber or Patter umber. CAUTION Loadig data to this sythesizer automatically erases ad replaces ay existig data i the User memory. Make sure to save ay importat data to a USB storage device before performig ay Load operatios. 5 Press the [ENTER] butto to execute the Load operatio. After the data has bee loaded, a Completed message appears ad operatio returs to the origial display. CAUTION While the data is beig saved/loaded, make sure to follow these precautios: Do ot remove or eject the media from the USB storage device. Do ot uplug or discoect the USB storage device. Do ot tur off the power of the istrumet or the relevat devices. Ower s Maual 101

102 Creatig a Sog TIP Settig a specific file to load automatically whe the power is tured o The MO is very easy to use ad you ca create Voices, Performaces, Patters ad Sogs very quickly o it. However, there may be times that creatig ad editig of data may be spread out over several sessios. I such a case, you may fid it coveiet to have the istrumet automatically load the appropriate files for you whe you tur it o, so you ca easily resume your editig sessio. Save the data after editig. USB Storage device Save Tur the power off The saved files are loaded automatically whe you tur the power o ext time. USB Storage device Auto Load Quick Guide Creatig a Sog o the MO The Auto Load parameter is set to o whe this sythesizer is shipped from the factory. The file type which ca be loaded automatically is All. 1 Chage the ames of the files you wish to have load automatically whe the power is tured o as described below, ad save them together i a sigle folder or i the root directory. File type All File ame AUTOLOAD.M7A 2 Eter the Utility ad call up the Auto Load display ([UTILITY] [F1] GENERAL [SF4] OTHER). 3 Set Auto Load to o, ad press the [SF5] GET butto. 4 Select the folder saved i step 1. If the device is iserted the multiple medias, select the Slot umber. If the device is divided the multiple partitios, select the Partitio umber. 5 Press the [STORE] butto to store the settigs as the system settig of Utility. If the Auto Load files caot be foud (for example, a USB storage device is ot istalled properly or a USB storage device cotaiig o Auto Load files is istalled, etc.) whe turig the power o eve with the Auto Load parameter set to o, the Demo Sog/Patter data the iteral ROM will be loaded automatically. 102 Ower s Maual

103 DAT Coectios Coectig the MO to exteral devices Coectios Coectig to Exteral Audio Equipmet Sice the MO has o built-i speakers, you ll eed a exteral audio system or a set of stereo headphoes to properly moitor it. Alteratively, you could use a pair of headphoes. There are several methods of coectig to exteral audio equipmet, as described i the followig illustratios. Audio Output Aalog Output For optimum, accurate reproductio of the istrumet s rich souds, effects ad full stereo image, use a pair of powered speakers. Coect the powered speakers to the OUTPUT L/MONO ad R jacks o the rear pael. Headphoes Powered speaker (Left) OUTPUT L/MONO PHONES Powered speaker (Right) OUTPUT R Quick Guide Coectig the MO to exteral devices MO Whe usig just oe powered speaker, coect it to the OUTPUT L/MONO jack o the rear pael. Digital Output The soud output through the OUTPUT jacks by aalog ca also be output by digital through the DIGITAL OUTPUT jack. Usig this digital output jack, you ca record the keyboard performace or Sog/Patter playback of this sythesizer to exteral media (e.g., a MD recorder) with exceptioally high-quality soud. Coaxial cable Recordig DIGITAL OUTPUT DIGITAL INPUT DAT or CD recorder MO Ower s Maual 103

104 Coectios Coectig Exteral MIDI Istrumets Usig a stadard MIDI cable (optioal), you ca coect a exteral MIDI device, ad cotrol it from the MO. Likewise, you ca use a exteral MIDI device (such as a keyboard or sequecer) to cotrol the souds o the MO. This sectio itroduces several differet applicatios of MIDI. Either of the iterfaces MIDI or USB ca be used for MIDI data trasmissio/receptio. However, they caot be used at the same time. Select which coector is used for MIDI data trasfer i the Utility with the followig operatio. [UTILITY] [F5] MIDI [SF4] OTHER MIDI IN/OUT (page 210) Cotrollig from a exteral MIDI keyboard Use a exteral keyboard to remotely select ad play Voices of the MO. MIDI IN MIDI OUT Quick Guide Coectig the MO to exteral devices MO Use a exteral MIDI Trasmit Chael ad Receive Chael Make sure match the MIDI Trasmit Chael of the exteral MIDI istrumet with the MIDI Receive Chael of the MO. For details o settig the MIDI Trasmit Chael of the exteral MIDI istrumet, refer to the Ower s Maual of the MIDI istrumet. For details o settig the MIDI Receive Chael of the MO, check the followig poits. I the Voice /Performace (usig the MO as a sigle timbre toe geerator) Check the MIDI Basic Receive Chael with the followig operatio. [UTILITY] [F5] MIDI [SF1] CH BasicRcvCh Exteral MIDI keyboard or sythesizer, such as the S/SY/EX series If ecessary, chage this parameter to the same umber as the MIDI Trasmit Chael of the exteral MIDI istrumet. I the Sog /Patter (usig the MO as a multi-timbral toe geerator) Check the MIDI Receive Chael for each part of the Sog/Patter with the followig operatio. [SONG] or [PATTERN] [MIXING] [EDIT] Part selectio [F1] VOICE [SF2] MODE ReceiveCh Chage the settigs of the desired parts to match the MIDI Trasmit Chael settigs o the exteral MIDI istrumet. Please ote that all the parts whose MIDI Receive Chael are same as MIDI Trasmit Chael of the exteral MIDI istrumet are souded by your keyboard performace. The fuctios of the iteral toe geerator differ depedig o whether the Voice/Performace (sigle timbre, keyboard playback) or the Sog/Patter (multi-timbral, sequecer playback) is selected. For details, see page 134. Cotrollig a exteral MIDI keyboard from this sythesizer This coectio lets you soud a exteral MIDI toe geerator (sythesizer, toe geerator module, etc.) by playig the MO or playig back the Sog/Patter of the MO. Use this coectio whe you wish to soud the other istrumet as well as the MO. MIDI OUT MIDI IN MO Exteral MIDI keyboard or sythesizer, such as the S/SY/EX series 104 Ower s Maual

105 Coectios TIP Splittig the soud betwee the MO ad a exteral toe geerator by MIDI chael (Part 1) Usig the coectio example show above, you ca play both istrumets ad have them separately soud differet parts for example, havig your keyboard performace soud the exteral istrumet while the Sog/Patter plays the souds of the MO. Check the followig poits. I the Voice /Performace You ca check the MIDI Trasmit Chael at the right corer of the [F1] PLAY display i the Voice Play /Performace Play. If ecessary, you ca chage the MIDI Trasmit Chael by turig the [TRACK SELECT] butto o ad eterig the desired value with the Number buttos. Whe you wish to soud oly the exteral toe geerator, set Master Volume to 0 or set Local Cotrol to off with the followig operatio. [UTILITY] [F5] MIDI [SF2] SWITCH LocalCtrl For details o how to set the MIDI Receive Chael of the exteral MIDI istrumet, refer to the Ower s Maual of that MIDI istrumet. I the Sog /Patter You ca check the MIDI Trasmit Chael for each track of the curret Sog/Patter with the followig operatio. Chage this settig as ecessary. [SONG] or [PATTERN] [F3] TRACK [SF1] CHANNEL Alterately, you ca set the output destiatio (Iteral or exteral MIDI toe geerator) for each track from the followig display. [[SONG] or [PATTERN] [F3] TRACK [SF2] OUTSW I this case, you ll eed to set the exteral MIDI toe geerator to multi-timbral operatio ad set the MIDI Receive Chael for each part. For details, refer to the ower s maual of the exteral MIDI toe geerator. Alterately, you ca have your keyboard performace split ad assiged to differet MIDI chaels by usig the Zoe settigs i the Master. (See page 125.) The fuctios of the iteral toe geerator differ depedig o whether the Voice/Performace (sigle timbre, keyboard playback) or the Sog/Patter (multi-timbral, sequecer playback) is selected. For details, see page 134. Quick Guide Coectig the MO to exteral devices Recordig ad playback usig a exteral MIDI sequecer I this coectio example, sog data o the exteral MIDI sequecer plays the souds of the toe geerator o the MO. The exteral sog data ca also be recorded to Sog/Patter tracks o the MO. MIDI IN MIDI OUT MIDI IN MIDI OUT Soudig the MO toe geerator from a MIDI sequecer, such as the QX/QY series, RM1x, RS7000 MO I this case, make sure that the MO is set to the Sog or Patter. If the istrumet is set to the Voice or to a Performace settig i which multi-chael MIDI messages are ot recogized, the exteral sequece data (cotaiig multi-chael data) will ot play back properly o the MO. I additio, you may have to make certai MIDI sychroizatio settigs (see below). Sychroizig with a exteral MIDI istrumet (Master ad Slave) The Sogs ad Patters of this istrumet ca be sychroized to the playback of a exteral MIDI sequecer, To do this, oe device must be set to iteral clock operatio ad the other (as well as all other devices to be cotrolled) to exteral clock. The device set to iteral clock serves as a referece for all coected devices, ad is referred to as the master istrumet. The coected devices set to exteral clock are referred to as slaves. Whe recordig playback data of the exteral MIDI sequecer to a Sog/Patter of the MO i the above coectio example, make sure to set the MIDI sychroizatio parameter to the use of exteral clock i the Utility with the followig operatio. [UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc = MIDI Ower s Maual 105

106 C Coectios Cotrollig aother MIDI istrumet via MIDI THRU If you have more sythesizers ad toe geerators tha MIDI ports, you ca use the MIDI THRU jack to coect ad cotrol additioal devices. Here, the playback data of a MIDI sequecer is used to play the souds of aother MIDI istrumet (coected to the MIDI THRU coector) as well as the MO. The MIDI THRU coector simply redirects ay received MIDI data (via MIDI IN) to coected istrumet. MIDI OUT MIDI IN MIDI THRU MIDI IN MIDI IN MIDI OUT MIDI toe geerator MIDI sythesizer MIDI sequecer such as the QY/QX series, RM1x, RS7000 Quick Guide Coectig the MO to exteral devices I this case, make sure that the MO is set to the Sog or Patter. If the istrumet is set to the Voice or to a Performace settig i which multi-chael MIDI messages are ot recogized, the exteral sequece data (cotaiig multi-chael data) will ot play back properly o the MO. I additio, you may have to make certai MIDI sychroizatio settigs (see below). Likewise, make sure to set the MIDI toe geerator (coected to the MIDI THRU coector) to the multi-timbral. I additio, you eed to set the MIDI sychroizatio related parameters of the MO to eable exteral clock from the followig display. [UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc = MIDI TIP MO Splittig the soud betwee the MO ad a exteral toe geerator by MIDI chael (Part 2) I this coectio example show above, you ca split the sequece playback betwee the MO ad aother istrumet coected to MIDI THRU ad have them soud differet parts. For example, o the MO assig the Sog/Patter parts to MIDI Receive Chaels 1 through 9 with the followig operatio, ad set the rest of the parts (ot to be souded) to off. [SONG] or [PATTERN] [MIXING] [EDIT] Part selectio [F1] VOICE [SF2] MODE ReceiveCh O the coected MIDI toe geerator, assig the parts to be souded to MIDI Receive Chaels 10 through 16, ad set the rest of the parts (ot to be souded) to off. Coectig to a MTR (Multi Track Recorder) Sice this sythesizer ca receive the MTC (MIDI Time Code) ad ca trasmit the MMC (MIDI Machie Cotrol), you ca produce music by sychroizig to a MTC- or MMC-compatible multi-track. You ca use two types of MTR cotrol (illustrated below) by settig the MIDI Syc to MTC i the Utility, with the followig operatio. [UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc = MTC MTC ad MMC are available oly i the Sog. Sychroizig the MO to the MTC sigal from a exteral MTR After receivig the MTC sigal trasmitted from the MTR (whe MTR playback is started), the selected Sog of the MO will start, oce the MTC Start Offset time elapses (set from the display [UTILITY] [F5] MIDI [SF3] SYNC MTC StartOffset i the Utility ). MIDI cable MIDI IN MTC OUT MO AW2400, etc. MTC (MIDI Time Code) allows simultaeous sychroizatio of multiple audio devices via stadard MIDI cables. It icludes data correspodig to hours, miutes, secods, ad frames. The MO does ot trasmit MTC. A istrumet such as the Yamaha AW2400 is ecessary as a MTC master. 106 Ower s Maual

107 Coectios Cotrollig a MTR by usig MMC trasmitted from the MO You ca cotrol the start/stop ad fast forward/rewid of the MMC-compatible MTR from the SEQ TRANSPORT buttos o the frot pael of the MO, outputtig MMC messages via MIDI. MIDI cable SEQ TRANSPORT MIDI IN MIDI OUT MIDI IN MIDI OUT LOCATE 1 2 REC MO AW2400, etc. MMC (MIDI Machie Cotrol) allows remote cotrol of multitrack recorders, MIDI sequecers, etc. A MMC-compatible multitrack recorder, for example, will automatically respod to start, stop, fast forward, ad rewid operatios performed o the cotrollig sequecer, thus keepig playback of the sequecer ad multitrack recorder aliged. Coectig to a Computer Coectig this istrumet to a computer via MIDI opes up a whole world of musical possibilities such as usig sequecer software to record ad play back compositios with the MO souds or usig the Voice Editor/Multi Part Editor software (page 112) to create ad edit your ow custom Voices/Mixig settigs (Multis). I order to use the istrumet with a computer via a USB coectio, you will eed to istall a appropriate USB-MIDI driver (page 110). Usig a USB TO HOST coector MIDI messages ca be trasferred betwee the sequecer software ad MO usig the USB cable. However, audio data caot be trasmitted or received via USB o the MO. Whe usig a USB coectio, make sure to set the followig parameter to USB. [UTILITY] [F5] MIDI [SF4] OTHER MIDI IN/OUT = USB Quick Guide Coectig the MO to exteral devices USB cable USB TO HOST MO Computer with a USB iterface USB cables have differet coectors o each ed: the A type ad the B type. Whe coectig this sythesizer to the computer, coect the A type to your computer ad the B type to the USB TO HOST coector. Whe coectig this sythesizer to the computer, coect the A type to your computer ad the B type to the USB TO HOST coector. MIDI chaels ad MIDI ports MIDI data is assiged to oe of sixtee chaels, ad this istrumet is capable of simultaeously playig sixtee separate parts via these chaels. While a sigle MIDI cable is equipped to hadle data over up to sixtee chaels simultaeously, a USB coectio is capable of hadlig far more thaks to the use of MIDI ports. Each MIDI port ca hadle sixtee chaels, ad the USB coectio allows up to eight ports, lettig you use up to 128 chaels (8 ports x 16 chaels) o your computer. The toe geerator block i this istrumet ca recogize ad use oly oe port. Whe usig a USB coectio, make sure to match the MIDI trasmit port ad the MIDI receive port as well as the MIDI trasmit chael ad the MIDI receive chael. Ower s Maual 107

108 Coectios TIP Thru Port Settig MIDI ports ca be used to divide playback amog multiple sythesizers, as well as expad the MIDI chael capacity beyod sixtee. I the example below, a separate sythesizer coected to the MO is played by MIDI data via port 5, as set i the ThruPort parameter with the followig operatio. [UTILITY] [F5] MIDI [SF4] OTHER ThruPort = 5 MIDI IN MIDI cable USB cable Oly MIDI data over port 5 will be trasmitted through the MO to this toe geerator. MIDI OUT USB TO HOST Outputtig the MIDI data via multiple ports Quick Guide Coectig the MO to exteral devices Precautios whe usig the USB TO HOST coector Whe coectig the computer to the USB TO HOST coector, make sure to observe the followig poits. Failig to do so risks freezig the computer ad corruptig or eve losig the data. If the computer or the istrumet freezes, tur the power to the istrumet off or restart the computer. CAUTION Oly MIDI data over port 1 is recogized. For details o the relatioship betwee the MIDI port ad the toe geerator block, see page 135. Before coectig the computer to the USB TO HOST coector, exit from ay power-savig (such as suspeded, sleep, stadby) of the computer. Before turig o the power to the istrumet, coect the computer to the USB TO HOST coector. Execute the followig before turig the power to the istrumet o/off or pluggig/upluggig the USB cable to/from the USB TO HOST coector. - Quit ay ope applicatios (such as Voice Editor, Multi Part Editor, ad sequecer software). - Make sure that data is ot beig trasmitted from the istrumet. (Data is trasmitted oly by playig otes o the keyboard or playig back a Sog.) While a USB device is coected to the istrumet, you should wait for six secods or more betwee these operatios: (1) whe turig the power of the istrumet off the o agai, or (2) whe alterately coectig/discoectig the USB cable. Usig a MIDI cable MIDI cable MIDI iterface MIDI IN MIDI OUT Serial port (m or priter port) or USB port MO Computer Use a appropriate MIDI iterface for your computer. If you are usig a computer that has a USB port, make sure to coect the computer ad the MO by USB. 108 Ower s Maual

109 Coectios Local O/Off whe Coected to a Computer Whe coectig this sythesizer to a computer, the keyboard performace data is geerally set to the computer, ad the retured from the computer to play the toe geerator block. If the Local Cotrol i the Utility is set to o, a double soud may result, sice the toe geerator is receivig performace data from both the keyboard directly ad the computer. Use the settig suggestios below as a guidelie; specific istructios may differ depedig o your computer ad the software used. Whe MIDI Echo (MIDI Thru) is set to o the software/computer: USB TO HOST MO IN OUT Computer (SQ01, etc.) Toe geerator block Keyboard OUT [UTILITY] [F5] MIDI [SF2] SWITCH LocalCtrl = off Whe trasmittig or receivig System Exclusive data (such as with the Bulk Dump fuctio), use the settig example below, makig sure that MIDI Echo (MIDI through) o the computer software is set to off. Whe MIDI Echo (MIDI Thru) is set to off the software/computer: MO Toe geerator block USB TO HOST OUT Keyboard [UTILITY] [F5] MIDI [SF2] SWITCH LocalCtrl = o IN MIDI Echo (MIDI thru) = o Although ot idicated i the illustratio above, the MO actually receives ad respods to MIDI data from the computer applicatio (sequecer), regardless of the Local Cotrol settig o the MO. * MIDI Echo is a fuctio o sequecers that takes ay data received via the MIDI IN ad echoes it (or seds it as is) through the MIDI OUT. I some software, this fuctio is also called MIDI Thru. IN Computer (SQ01, etc.) MIDI Echo (MIDI thru) = off Quick Guide Coectig the MO to exteral devices For details about MIDI Echo, refer to the ower s maual of your particular software. TIP Quick Setup The MO is capable of hadlig may differet music applicatios such as live performace, coectio to a computer for recordig, etc. However, depedig o the particular situatio, you may have to chage the MIDI sychroize settig or the Local O/Off settig above maually. To help with this, the MO features a coveiet Quick Setup fuctio that lets you istatly chage importat settigs for four differet typical situatios. For details about the Quick Setup fuctio, see page 208. Ower s Maual 109

110 Usig as a Multi-timbral Toe Geerator for your DAW/sequecer Usig as a Multi-timbral Toe Geerator for your DAW/sequecer The MO ca serve as a high-quality, 16-part, multi-timbral toe geerator for playig back sog data from your DAW (digital audio workstatio) or sequecer software. By assigig each track i a MIDI sog file to a differet MIDI chael, you ca have each track i the sog idepedetly play back a differet Voice o the MO. Settig up for usig a computer 1 I the example explaatios below, the MO is coected to computer via USB. You ca also use MIDI cables to coect the istrumet to a computer. Dowload the latest USB-MIDI driver from the website at the followig URL: Usig the souds of the MO for sog playback from a sequecer 1 Follow the istructios described i Settig up for usig a computer (at left). Quick Guide Coectig the MO to exteral devices OS: Widows XP Professioal/Home Editio, Mac OS X * This iformatio above applies to versio (for Widows XP) ad versio (for Mac OS X). Keep i mid that the software is ofte updated ad the system requiremets are subject to chage. You ca check the latest versio iformatio of each program ad its system requiremets at the website above. 2 Istall the USB-MIDI driver to the computer. For iformatio about how to istall, refer to the istallatio guide icluded i the dowloaded file. 2 Start up the sequecer software o the computer, ad the ope a ew sog file i the sequecer. Set the MIDI port ad MIDI chael settig of each track i the sequecer sog file as desired. MIDI Port settigs Whe you are usig the iteral toe geerator of the MO, set the MIDI port of each track of the sequecer to 1. MIDI chael settigs Match the MIDI trasmit chaels of the sequecer with the receive chaels of the Sog/Patter Parts. The receive chaels of the Sog/Patter ca be set i the [F1] VOICE display i the Sog/Patter Mixig Edit. 3 Coect the MO to the computer by the USB cable. MIDI ports 1 8 of USB are show as YAMAHA USB IN/OUT 0-1 YAMAHA USB IN/OUT 0-8 i Widows, ad as YAMAHA MO Port 1 YAMAHA MO Port 8 o the Macitosh. For details, see page Set the followig parameter to USB. [UTILITY] [F5] MIDI [SF4] OTHER MIDI IN/OUT 3 Press the [SONG] or [PATTERN] butto to eter the Sog or Patter. VOICE PERFORM MASTER SONG PATTERN MIXING 5 Press the [STORE] butto to store the settigs as the system settigs of the Utility. CAUTION Never attempt to tur off the power while a Executig... or Please keep power o message is show. Turig the power off i this state may cause the system to freeze ad prevet ormal startup the ext time the power is tured o, as well as resultig i the loss of all user data. 4 Select a Sog or Patter. Set the Voices to be assiged to each Mixig settig, as well as the Receive Chaels ad Effects for the desired sog. For details about the Mixig settigs, see page Ower s Maual

111 Usig as a Multi-timbral Toe Geerator for your DAW/sequecer 5 Record your sog data to the sequecer sog file. For details, refer to the ower s maual of your sequecer. 6 Play back the sequecer sog file usig the souds of the MO. Whe a Note O message is received, the correspodig Part is played. For example, whe you play back tracks o the sequecer, the Part whose Receive Chael is same as the sequecer track s Trasmit Chael is played. If two or more Parts have the same MIDI receive chael value, those Parts will play i uiso. Exteral keyboard Exteral sequecer Sog playback Quick Guide Toe geerator Mixig Part Voice Playig a Sog /Patter Coectig the MO to exteral devices Ower s Maual 111

112 Usig the MO with computer software Usig the MO with computer software Editig the MO as a virtual sythesizer Voice Editor ad Multi Part Editor The Voice Editor ad Multi Part Editor for MO provide a highly ituitive way to create ad edit the Voices ad Mixig settigs (Multis) completely from your computer display. These programs ot oly allow you to see virtually all parameters at oce, they also give you direct graphic cotrol for example, lettig you adjust the settigs by clickig ad draggig o a graph eablig you to edit Voices ad Mixig settigs (Multis) with remarkable efficiecy, speed ad coveiece. The latest versios of MO6/MO8 Voice Editor ad Multi Part Editor ca be dowloaded at our website: For details o how to operate the Editor, refer to the PDF maual icluded with the Editor. OS: Widows XP Professioal/Home Editio, Mac OS X 10.3 or later Quick Guide Coectig the MO to exteral devices * This iformatio above applies to versio (for Widows XP) ad versio (for Mac OS X). Keep i mid that the software is ofte updated ad the system requiremets are subject to chage. You ca check the latest versio iformatio of each program ad its system requiremets at the website above. You will eed the Studio Maager software (Versio 2) to start each Editor. Make sure to dowload Studio Maager together with the appropriate Editors from the website above. Studio Coectios Studio Coectios is a sophisticated software/hardware solutio that lets you seamlessly itegrate the MO ito your computer music system. If you are usig sequecer software that is compatible with Studio Coectios (such as Cubase SX 3) ad the Voice Editor/Multi Part Editor, you ca use the MO withi your sequecer, just as if it were a plug-i software sythesizer without the eed for ay complicated coectios or complex setup procedures. Furthermore, you ca save all MO settigs alog with the project (sog) file of the sequecer. The, whe you ope the project agai, all your MO settigs for the sog are istatly recalled. This elimiates the repetitive work of recreatig all your hardware settigs whe you reope a sog file. For details about Studio Maager, visit our web site at: Studio Coectios eables a coveiet, seamless lik betwee your hardware ad software. Computer MO Sequecer software compatible with Studio Coectios (such as Cubase SX 3) Toe geerator compatible with Studio Coectios Multi Part Editor Voice Editor Mixer compatible with Studio Coectios 112 Ower s Maual

113 Usig the MO with computer software Remote-cotrollig the software This powerful feature lets you cotrol your music/audio software programs by usig sliders ad buttos o the pael of the MO, rather tha your computer s mouse ad keyboard. The MO ca be used to cotrol sequecer software ad DAW software, such as Cubase SX, Logic, ad SONAR. These sequecers or DAWs are already set to respod to specific hardware cotrollers. Computer Software that ca be cotrolled from the istrumet Widows Cubase SX 3 SQ01 SONAR 4 MO6/MO8 Multi Part Editor S90 ES Multi Part Editor MOTIF ES Multi Part Editor MOTIF-RACK Multi Part Editor MOTIF-RACK ES Multi Part Editor Settig up for Remote Cotrol 1 Macitosh Cubase SX 3 Logic Pro 7 Digital Performer 4.52 MO6/MO8 Multi Part Editor S90 ES Multi Part Editor MOTIF ES Multi Part Editor MOTIF-RACK Multi Part Editor MOTIF-RACK ES Multi Part Editor Coect the MO to the computer via USB (page 107). 2 Set the followig parameter to USB. [UTILITY] [F5] MIDI [SF4] OTHER MIDI IN/OUT If the MO is coected to the computer by MIDI cable, the Remote Cotrol fuctio caot be used. 3 4 Call up the Remote Cotrol Setup display by pressig the [F4] CTL ASN butto, followed by the [SF4] REMOTE butto. Select the software to be cotrolled ad the Port umber. From the MO, you ca remote-cotrol the sequecer ad Multi Part Editor simultaeously usig Mode A ad Mode B. Quick Guide Coectig the MO to exteral devices Whe cotrollig Cubase SX via MIDI port 4 Mode A Set the Port for remote cotrol of the sequecer or DAW. Select your sequecer ad the desired Port umber. Whe cotrollig Yamaha software, select geeral. Mode B Set the Port for remote cotrol of the Multi Part Editor. Whe cotrollig the Multi Part Editor, select geeral. I this case, the parameter is set to off because the Multi Part Editor is ot used. The geeral settig is for remote cotrol of the Yamaha software. This lets you cotrol the Multi Part Editor i Mode A, ad cotrol Yamaha sequecer software i Mode B. For details o how to operate the Editor, refer to the PDF maual icluded with the software. MO Remote-cotrol block Port 4 (Mode A) Computer Cubase SX Toe geerator block Mixig settigs of Sog Patter Port 1 (Playback data from sequecer) Port 1 (Playback data from keyboard of MO) Project file (Sog file) Ower s Maual 113

114 Usig the MO with computer software 5 Press the [ENTER] butto to execute the settigs. Digital Performer Pull dow the [Setup] meu ad select [Cotrol Surface Setup] to call up the Cotrol Surface widow. Quick Guide Coectig the MO to exteral devices 6 If you tur the power off without storig, the curretly edited settigs will be lost. Never attempt to tur off the power while a Executig... or Please keep power o message is show. Turig the power off i this state may cause the system to freeze ad prevet ormal startup the ext time the power is tured o, as well as resultig i the loss of all user data. 7 Press the [STORE] butto to store the settigs as the system settigs of the Utility. CAUTION CAUTION Start the software to be remote-cotrolled, ad make the MIDI settigs ad remote cotrol settigs. Set the Port settig for remote cotrol o the software, referrig to the illustratio i step 4. Specific istructios for settig up your particular software follow. For istructios o how to start the software, refer to the documetatio icluded with the software. Cubase SX 3 1 Pull dow the [Devices] meu ad select [Device Setup] to call up the Device Setup widow. 2 Click the [+] butto ad add Mackie Cotrol. 3 Select Mackie Cotrol from the popup list. 2 Click the [+] butto. 3 Select Mackie Cotrol i the Driver sectio. 4 I the box for settig Uit ad MIDI, select Mackie Cotrol i the Uit sectio ad select the MIDI port i the MIDI sectio. Logic Pro 7 Whe turig o the power of the MO before startig Logic: 1 Start Logic o the computer, the tur o the power of the MO. 2 Start Logic o the computer. Logic automatically recogizes the MO as Logic Cotrol ad performs the required settigs. Whe startig Logic before turig o the power of the MO: 1 Start Logic o the computer, the tur the power to the MO o. If you have already set the software to be cotrolled to Logic i the Utility, you eed ot perform step 2 because Logic automatically recogizes the MO whe this step is performed. 2 Set the software to be cotrolled to Logic i the Utility, the eter the Remote Cotrol. Logic automatically recogizes the MO ad performs the required settigs. 4 Whe settig the Port to 4, for example, i step 4 of Settig up for Remote Cotrol, set the MIDI Iput to YAMAHA USB IN 0-4 ad the MIDI Output to YAMAHA USB OUT 0-4. The fuctios of buttos o the Mackie Cotrol are assiged to the buttos of the MO, with the exceptio of UserA ad UserB (FootSw) which are ot supported by the MO. SONAR 4 1 Pull dow the [Optios] meu ad select [MIDI Devices] to call up the MIDI Devices widow. 2 Whe settig the Port to 4 for example i step 4 of Settig up for Remote Cotrol add YAMAHA USB IN 0-4 to the Iputs ad add YAMAHA USB OUT 0-4 to the Outputs. 3 Pull dow the [Optios] meu ad select [Cotrol Surfaces] to call up the Cotrol Surface widow. 4 Click the [+] butto, select Mackie Cotrol, the set the Iput Port to YAMAHA USB IN 0-4 ad the Output Port to YAMAHA USB OUT 0-4 (for example, whe settig the Port to 4 i step 4 of Settig up for Remote Cotrol ). 114 Ower s Maual

115 Usig the MO with computer software Usig the Remote Cotrol fuctios 1 To eter the Remote Cotrol, press the [DAW REMOTE] butto (the lamp flashes). The REMOTE display appears, ad the pael cotrols are eabled for Remote operatio of the computer software (their ormal fuctios are disabled). DAW REMOTE FILE UTILITY DEMO Press this butto agai to exit from the Remote Cotrol. 2 Select the software to be remote-cotrolled (Mode A or Mode B). Chage the Mode by simultaeously holdig dow the [F6] SHIFT butto ad pressig the [DAW REMOTE] butto. Mode A F6 DAW REMOTE Mode B Quick Guide 3 Use the Kobs ad buttos o the MO to remotely cotrol the software. The followig explais which sequecer fuctios are assiged to which pael cotrols i the remote cotrol. For details about how to operate the Editor, refer to the PDF maual icluded with the Editor. Press the Cotrol fuctio butto to chage the fuctios assiged to the [F1] [F6] ad [SF1] [SF5] buttos (show at the bottom of the display). Refer to the separate Data List. These dark bars serve as the cursor, idicatig the track/part curretly beig edited by the Kob. Movig the slider automatically moves the cursor to the correspodig track/part. Coectig the MO to exteral devices PAN SEND ASSIGN TONE ARP FX MEF EQ The fuctios of the buttos o each DAW cotroller are assiged to the [F1] [F6] ad [SF1] [SF5] butto o the MO. The fuctios to be assiged deped o the software selected i the Mode A or B. For details, refer to the Remote Cotrol Assigmets o page 117. Upper row idicates the settig values for kobs/sliders 1 4 o the DAW cotroller. Bottom row idicates the settig values for kobs/sliders 5 8 o the DAW cotroller. [J], [F], [I], [ IE], [G], [H] buttos The six MODE buttos are used as trasport cotrols, lettig you start/stop playback of the DAW software o the computer. [EDIT], [JOB], ad [STORE] buttos Whe the Mode is set to Geeral or Cubase Whe the Mode is set to Logic Whe the Mode is set to SONAR Whe the Mode is set to D.Perf Not used. These buttos perform the same fuctios as those of the [OPTION], [CONTROL] ad [ALT] buttos o the Logic Cotrol. These buttos perform the same fuctios as those of the [M2], [M3] ad [M4] buttos o the Mackie Cotrol. These buttos perform the same fuctios as those of the [OPTION], [CONTROL] ad [COMMAND] buttos o the Mackie Cotrol. [ARPEGGIO ON/OFF] butto Whe the Mode is set to Geeral or Cubase Whe the Mode is set to Logic Whe the Mode is set to SONAR Whe the Mode is set to D.Perf Not used. The butto ca be used to switch the whether the track/slot umber of DAW is displayed o the LCD or ot. The butto ca be used to switch the whether the track/slot umber of DAW is displayed o the LCD or ot. The butto ca be used to switch the whether the sed/effect umber of DAW is displayed o the LCD or ot. Ower s Maual 115

116 Usig the MO with computer software Data dial, [INC/YES] ad [DEC/NO] buttos Whe the [DIAL] meu appears at the [SF4] butto Whe the meu does ot appear at the [SF4] butto These cotrols ca be used to set the value for the kob of the DAW cotroller, for the track/part selected by the cursor. The Kobs ca also be used, but these help you make fie adjustmets to the value that are difficult to make with the Kobs. The buttos ca be used to move the sog positio i the DAW. You ca also move the sog positio by usig the cursor [<] [>] buttos. Kobs Assigs the fuctios of eight kobs o the DAW cotroller (01X, Mackie Cotrol, ad Logic Cotrol) to the four Kobs o the MO. The Kobs let you cotrol various parameters of each track (part). Pressig the [SF5] butto chages which group of kobs is assiged (kobs 1 4 or kobs 5 8). The eight kobs o the DAW cotroller ca also be used as switches. The switch fuctio correspodig to the kob track (part) at the cursor positio is also assiged automatically to the [ENTER] butto, sice the Kobs o the MO do ot have a switch fuctio. Quick Guide Coectig the MO to exteral devices Cotrol sliders Assigs the fuctios of eight sliders o the DAW cotroller (01X, Mackie Cotrol, ad Logic Cotrol) to the four Cotrol sliders o the MO. The sliders let you cotrol the volume of each track (part). Pressig the [SF5] butto chages which group of faders (faders 1 4 or faders 5 8 o the DAW cotroller) is assiged to the Cotrol sliders o the MO. Cotrol fuctio buttos, [F1] [F6] buttos, [SF1] [SF5] buttos Whe the Mode is set to Geeral Whe the Mode is set to Logic Whe the Mode is set to Cubase, SONAR, or D.Perf Amog the fuctios assiged to the [F1] [F6] buttos ad [SF1] [SF5] buttos, the fuctios idicated with brackets (such as [DIAL]) are ot related to the Mackie Cotrol, Logic Cotrol ad 01X but are uique to the MO. Cursor [<] [>] buttos These buttos are assiged to perform the same fuctios as the pael buttos o the 01X. The correspodig ames of the 01X pael buttos are also idicated at the bottom of the display of the MO. These buttos are assiged to perform the same fuctios as the pael buttos o the Logic Cotrol. The correspodig ames of the Logic Cotrol pael buttos are also idicated at the bottom of the display of the MO. These buttos are assiged to perform the same fuctios as the pael buttos o the Mackie Cotrol. The correspodig ames of the Mackie Cotrol pael buttos are also idicated at the bottom of the display of the MO. By movig the cursor left/right, you ca chage the track or part to cotrolled by the data dial ad [INC/YES]/[DEC/NO] buttos. Pressig the Cursor [>] butto moves through the colums i successio (1, 2, 3, 4...). After 4, the cursor is hidde ad wraps aroud to 1. Press the [SF5] KN 5 8 (KN 1 4) butto to move the cursor up/dow. Cursor [ ] [ ] buttos Whe the Mode is set to Geeral These buttos are assiged to the fuctios of the DISPLAY [ ][ ] buttos o the 01X. Whe the Mode is ot set to Geeral These buttos are assiged to the fuctios of the cursor up/dow buttos o the Mackie Cotrol ad Logic Cotrol. [EXIT] butto Whe the Mode is set to Geeral The butto is assiged to the fuctio of the [PAGE SHIFT] butto o the 01X. Whe the Mode is ot set to Geeral Not used. Bak, Group [A] [H], Number [1] [16] buttos These buttos are assiged to perform the same fuctios as the buttos directly over the faders o the Yamaha 01X, Mackie Cotrol ad Logic Cotrol. Whe the Mode is set to Geeral Whe the Mode is ot set to Geeral Numbers [1] [8] ad [TRACK SELECT] buttos These buttos are assiged to the fuctios of the ie [SEL] buttos o the Yamaha 01X. Numbers [9] [16] ad [MUTE] buttos These buttos are assiged to the fuctios of the ie [ON] buttos o the 01X. [PRE1] [ ] buttos These buttos are assiged to the fuctios of the eight [REC/RDY] buttos o the Mackie Cotrol ad Logic Cotrol. Group [A] [H] buttos These buttos are assiged to the fuctios of the eight [SOLO] buttos o the Mackie Cotrol ad Logic Cotrol. Numbers [1] [8] buttos These buttos are assiged to the fuctios of the eight [MUTE] buttos o the Mackie Cotrol ad Logic Cotrol. Numbers [9] [16] buttos These buttos are assiged to the fuctios of the eight [SELECT] buttos o the Mackie Cotrol ad Logic Cotrol. 116 Ower s Maual

117 Usig the MO with computer software Checkig the Remote Cotrol assigmets If you re usure as to which software fuctio has bee assiged to a particular pael cotrol o the MO, this coveiet feature lets you quickly check it from the display. 1 I the Remote Cotrol, press the [INFORMATION] butto to call up the iformatio display, idicatig the fuctio of the last pressed butto. 2 Press the butto for which you wat to check the assigmet. Remote Cotrol Assigmets SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 SF1 SF2 SF3 SF4 SF5 F1 F2 F3 F4 F5 F6 Whe cotrollig Multi Part Editor/SQ01 V2 This display show above appears whe you press the [F] (Play) butto. I this way, you ca check each butto s cotrol assigmet simply by pressig it. 3 Press the [INFORMATION] butto agai to retur to the Remote Cotrol. While the Iformatio display is show, the pael buttos caot be used to cotrol the computer software. Fuctios of 01X assiged to [F1] [F6] ad [SF1] [SF5] buttos PAN/SEND TONE ARP FX EQ PAGE1 FADER BANKS MIXER/LAYER PAGE2 SEND GROUP NAME/VALUE DIAL RESET KN1-4/5-8 DYNAMICS EFFECT BANK-L BANK-R PAN SHIFT FLIP NAME/VALUE DIAL RESET KN1-4/5-8 BANK-L BANK-R SOLO REC/RDY SHIFT INST AUX/BUS NAME/VALUE DIAL RESET KN1-4/5-8 OTHER BANK-L BANK-R AUDIO MIDI SHIFT EQ LOW EQ HIGH-MID NAME/VALUE DIAL RESET KN1-4/5-8 LOW-MID EQ HIGH BANK-L BANK-R SEL CH EQ SHIFT Quick Guide Coectig the MO to exteral devices Demo display i Remote Cotrol fuctio If the coectio settigs are ot appropriate, the demo display (below) will be show. If this happes, check the MO settigs ad DAW settigs as described o page 113. PAN/SEND TONE TONE ARP FX F5 F6 F7 F8 KN1-4/5-8 F1 F2 F3 F4 SHIFT NAME/VALUE DIAL RESET KN1-4/5-8 BANK-L BANK-R SHIFT ARP FX CURSOR-L CURSOR-R SCRUB DIAL RESET KN1-4/5-8 EQ CURSOR-DWN CURSOR-UP ZOOM BANK-L BANK-R SHIFT Butto/Cotroller ames o 01X Fuctios I all s: [DISPLAY UP] [DISPLAY DOWN] [NAME/VALUE] [SHIFT]+[NAME/VALUE] [ON] (i the ormal status) [SHIFT] + [ON] of the Master Chael (i the ormal status) [SHIFT] + [ON] of each chael (i the ormal status) [ON] (with the [SOLO] lamp tured o) [SHIFT] + [ON] (with the [SOLO] lamp tured o) [SOLO] [SHIFT]+[SOLO] [SHIFT]+[REC RDY] [AUDIO] [INST] [MIDI] Chages the parameter to be edited. Chages the idicatio of the parameter ame ad its value. Chages the meter display. Turs each chael off or o (mutes/umutes the sigal). Turs all the chaels icludig the Master Chael off or o (mutes/umutes the sigal). Turs all the chaels with the exceptio of the Master Chael off or o (mutes/umutes the sigal). Turs the Solo fuctio of each chael o or off (applies to the Chael Module/Software Sythesizer Module) Turs the Solo fuctio of each chael o or off (applies to the Chael Module/Software Sythesizer Module) Chages the fuctio of the [ON] butto to the Solo fuctio. Determies the Solo/Mute settigs of the selected tracks i the Track View widow. Turs track recordig o or off. Starts the Audio Mixer or moves the Audio Mixer Widow to the frot of the computer scree. This butto operatio applies to the Chael Module software. Starts the Audio Mixer or moves the Audio Mixer Widow to the frot of the computer scree. This butto operatio applies to the Software Sythesizer Module. Starts the MIDI Editor (such as the Multi Part Editor) or moves it to the frot of the computer scree. Ower s Maual 117

118 Usig the MO with computer software Quick Guide Coectig the MO to exteral devices Butto/Cotroller ames o 01X [AUX/BUS] Opes the AUX/BUS widow or brigs it to the frot of the computer scree (whe the Audio Mixer is active). [OTHER] Starts the Audio Mixer or brigs it to the frot of the computer scree. This operatio applies to the Effect Module software. (Oly PAN is available i the R settigs.) [BANK </>] Scrolls through the track idicatio every eight chaels. [SHIFT]+[F1] Brigs the Track View widow to the frot of the computer scree. (This operatio applies to the curret sog.) [SHIFT]+[F2] Starts the Mixer widow (Audio Mixer/Multi Part Editor) or brigs it to the frot of the computer scree. [SHIFT]+[F3] Opes the List widow or brigs it to the frot of the computer scree. [SHIFT]+[F4] Closes the curret widow. [SHIFT]+[F5] Opes the Piao Roll widow or brigs it to the frot of the computer scree. [SHIFT]+[F6] [SHIFT]+[F7] Starts the TWE (Wave Editor). [SHIFT]+[F8] Alterately hides/shows the Trasport widow (Trasport Bar/ Locatio Bar/Record). [RWD] Press briefly to move back oe measure at a time, or hold to cotiuously rewid. [FF] Press briefly to move forward oe measure at a time, or hold to cotiuously fast-forward. [STOP] Press to stop recordig or playback. Pressig this whe playback is stopped goes to the top of the sog. [PLAY] Press to start playback from the curret poit. [REC] Press this to eter/exit from the Recordig Stadby. The [F] (Play) ad [REC] lamp are tured o durig recordig. [SCRUB] Determies how the Scrub fuctio is applied whe usig the dial. Whe this is set to o, Scrub moves accordig to the Grid positio i the Track View widow. Whe set to off, it moves i measures. [UP] (with the [ZOOM] lamp Moves the cursor (idicatig the curret track) up. tured off) [DOWN] (with the [ZOOM] Moves the cursor (idicatig the curret track) dow. lamp tured off) [LEFT] (with the [ZOOM] Selects the ext block. lamp tured off) [RIGHT] (with the [ZOOM] Selects the previous block. lamp tured off) [ZOOM] Turs Zoom o ad off. [UP]/[DOWN]/[LEFT]/[RIGHT] Zooms i/out i the active Track View ad Piao Roll Widow. (with the [ZOOM] lamp tured o) PAN [PAN] Kobs 1 8 (tweakig) Edits the Pa (o page 1). Kobs 1 8 (tweakig) Edits the Iput level (o page 2). [SHIFT] + Kobs 1 8 (pressig) Fuctios Resets the edited parameter to the default value (CENTER/ 0.00). AUX SEND [SEND] (Not available whe the AUX/BUS widow is active.) Kobs 1 8 (tweakig) Edits the AUX Sed Level. [SHIFT] + Kobs 1 8 Resets the edited parameter to the default value (- ). (pressig) EFF SEND [EFFECT] (Not available whe the AUX/BUS widow is active.) Kobs 1 8 (tweakig) Edits the Effect Sed Level. [SHIFT] + Kobs 1 8 Resets the edited parameter to the default value (- ). (pressig) Whe cotrollig Logic Pro 7: Fuctios of Logic Cotrol assiged to [F1] [F6] ad [SF1] [SF5] buttos PAN/SEND TONE ARP FX EQ PAN/SEND TONE TONE ARP FX ARP FX EQ ASSIGNMENT SEND PLUG-IN INSTRUMENT DIAL RESET KN1-4/5-8 PAN/SURND EQ BANK-L BANK-R TRACK SHIFT FADER BANKS FLIP NAME/VALUE DIAL RESET KN1-4/5-8 BANK-L BANK-R CHANNEL-L CHANNEL-R SHIFT GLOBAL VIEW AUX BUSSES OUTPUTS USER KN1-4/5-8 INPUTS AUDIO TR AUDIO INST GLOBAL VIEW MIDI TR SHIFT UTILITIES SAVE UNDO NAME/VALUE DIAL RESET KN1-4/5-8 BANK-L BANK-R CANCEL ENTER SHIFT F5 F6 F7 F8 KN1-4/5-8 F1 F2 F3 F4 SHIFT NUDGE DROP CLICK DIAL RESET KN1-4/5-8 REPLACE SOLO MARKER CYCLE SHIFT CURSOR-L CURSOR-R SCRUB DIAL RESET KN1-4/5-8 CURSOR-DWN CURSOR-UP ZOOM BANK-L BANK-R SHIFT Butto/Cotroller ames o Logic Cotrol Fuctios I all s: [NAME/VALUE] Chages the idicatio of the parameter ame ad its value. [SHIFT]+[NAME/VALUE] Chages the meter display. [SEL] Selects a chael. [MUTE] Mutes or umutes each chael. [OPTION]+[MUTE] Sets all chaels to o. [SOLO] Sets the Solo of each chael to o or off. [OPTION]+[SOLO] Sets the Solo of all the chaels to off. [REC RDY] Sets the REC RDY of each chael to o or off. [OPTION]+[REC RDY] Sets the REC RDY of all the chaels to off. [MIDI TR] Makes the Global View active ad displays the MIDI track with the Multi Chael view. [INPUT] Makes the Global View active ad displays the AUDIO INPUT object with the Multi Chael view. [AUDIO TR] Makes the Global View active ad displays the Audio track with the Multi Chael view. [AUDIO INST] Makes the Global View active ad displays the Audio Istrumet track with the Multi Chael view. [AUX] Makes the Global View active ad displays the AUX object with the Multi Chael view. [BUSSES] Makes the Global View active ad displays the BUS object with the Multi Chael view. [OUTPUT] Makes the Global View active ad displays the AUDIO OUTPUT object with the Multi Chael view. [GLOBAL VIEW] Switches betwee the Global View ad Track View. [BANK </>] Scrolls through the track idicatio every eight chaels. [CHANNEL </>] Scrolls through the track idicatio chael-by-chael. [SHIFT]+[FLIP] Exchages the fuctios betwee the Chael Kobs ad the Faders. [FLIP] Assigs the fuctio of the Chael Kob to the Fader. [NUDGE] Turs Nudge o or off. [SHIFT]+[NUDGE] Eters the Nudge Optio. [CYCLE] Turs Loop o or off. [SHIFT]+[CYCLE] Eters the Cycle Optio. [F1] [F7] Calls up Scree Sets 1 7. [F8] Closes the widow located at the frot of the computer or floatig widow. [UNDO] Executes the Udo operatio. [SHIFT]+[UNDO] Executes the Redo operatio. [SAVE] Executes the Save operatio. [MARKER] Turs the Marker o or off. [SHIFT]+[MARKER] Eters the Marker Optio. 118 Ower s Maual

119 Usig the MO with computer software Butto/Cotroller ames o Logic Cotrol [RWD] Press to cotiuously rewid. Press repeatedly to rewid more quickly. Whe the Marker is tured o, this operatio moves the sog positio to the previous Marker. Whe Nudge is tured o, this operatio moves the curret object. [FF] Press to cotiuously fast-forward. Press repeatedly to fastforward more quickly. Whe the Marker is tured o, this operatio moves the sog positio to the ext Marker. Whe Nudge is tured o, this operatio moves the curret object. [STOP] Press to stop recordig or playback. Pressig this whe playback is stopped goes to the top of the sog. [PLAY] Press to start playback from the curret poit. [REC] Press this to start sog recordig. The [F] (Play) ad [REC] lamp are tured o durig recordig. [ZOOM] Turs Zoom o ad off. [SCRUB] Turs Scrub o ad off. Whe Scrub is o, the dial ca be used for Scrub playback. Whe Scrub is off, the dial is used to move the sog positio. PAN [PAN] (Multi Chael View) [PAN] [PAN] (Track Parameter View of PAN/SURROUND) Kobs 1 8 (turig) Edits the parameter. Kobs 1 8 (pressig) Resets the edited parameter to the default value. (Parameters other tha Mode selectio) SEND [SEND] (Multi Chael View) [SEND] [SEND] (Track Parameter View) Cursor [UP]/[DOWN] Chages the Slot umber. (Multi Chael View) Cursor [LEFT] Chages the parameter to be edited. Cursor [RIGHT] (Multi Chael View) Cursor [LEFT] Cursor [RIGHT] (Track Parameter View) Kobs 1 8 (turig/turig pressig) Kobs 1 8 (pressig) (whe the edited parameter is Sed Level) Kobs 1 8 (pressig) (whe the edited parameter is PRE/POST or Mute) Switches betwee SEND 1/2 ad SEND 3/4. For editig parameters. Whe settig the Sed destiatio, tur the kob to select it (idicatio flashes), the press the kob to actually eter the selected settig. Reset the parameter value to the default. Chages the setup. PLUG-IN [PLUG-IN] (Multi Chael View) [PLUG-IN] [PLUG-IN] (Track Parameter View) Cursor [UP]/[DOWN] Chages the Slot umber. (Multi Chael View) Kobs 1 8 (tweakig pressig) Kobs 1 8 (pressig) (Kob to which the Plug-i is assiged) Kobs 1 8 (tweakig) (Parameter page) Kobs 1 8 (pressig) (Parameter page) Cursor [LEFT] Cursor [RIGHT] (Parameter page) [PLUG-IN] Tur the kob to select the desired Plug-i for isertio (idicatio flashes), the press the kob to actually eter the selected settig. Calls up the parameter page ad opes the Editor widow o Logic. For editig parameters. Reset the parameter value to the default. (Some parameters caot be reset.) Chages the page. Retur to the PLUG-IN. INSTRUMENT [INSTRUMENT] (Multi Chael View) [INSTRUMENT] [INSTRUMENT] (Track Parameter View) Kobs 1 8 (tweakig pressig) Kobs 1 8 (pressig) (a Kob to which the Istrumet is assiged) Kobs 1 8 (tweakig) (Parameter page) Kobs 1 8 (pressig) (Parameter page) Cursor [LEFT] Cursor [RIGHT] (Parameter page) [INSTRUMENT] Tur the kob to select the desired istrumet for isertio (idicatio flashes), the press the kob to actually eter the selected settig. Calls up the parameter page ad opes the Editor widow o Logic. Edits the parameter. Resets the edited parameter value to the default. (Please ote that some parameters caot be reset.) Chages the page. Fuctios Retur to the INSTRUMENT. Press the [DRUM KIT] butto to idicate the Track/Slot umber i the brackets [ ] at the top of the LCD. The [OPTION], [CONTROL], ad [ALT] buttos o the Logic Cotrol correspods to the [EDIT], [JOB], ad [STORE] buttos respectively. Additioal operatios other tha those listed above are available. For details, refer to the relevat documetatio of Logic Cotrol. Whe cotrollig Cubase SX 3: Fuctios of Mackie Cotrol assiged to [F1] [F6] ad [SF1] [SF5] buttos PAN/SEND TONE ARP FX EQ PAN/SEND TONE TONE ARP FX ARP FX EQ Butto/Cotroller ames o Mackie Cotrol I all s: [PAGE UP] [PAGE DOWN] [SHIFT]+[PAGE UP] [SHIFT]+[PAGE DOWN] [NAME/VALUE] [SEL] [MUTE] [SHIFT]+[SOLO DEFEAT] [SOLO] [SOLO DEFEAT] [REC RDY] [BANK </>] [CHANNEL </>] [FLIP] [CYCLE] [F1] [F8] [PROJECT] [MIXER] [SHIFT]+[EDIT] ASSIGNMENT PAGE UP PLUG-INS DYN DIAL RESET KN1-4/5-8 BANK-L BANK-R PAGE DWN PAN EQ SHIFT FADER BANKS FLIP EDIT NAME/VALUE DIAL RESET KN1-4/5-8 CHANNEL-R BANK-L BANK-R CHANNEL-L SHIFT MASTER SAVE REVERT DIAL RESET KN1-4/5-8 INSTRUMENTS REDO SENDS UNDO SHIFT FaderGroup KN1-4/ SHIFT F5 F6 F7 F8 KN1-4/5-8 F1 F2 F3 F4 SHIFT PROJECT MIXER SOLO DEFAT DIAL RESET KN1-4/5-8 CYCLE PUNCH LEFT RIGHT SHIFT CURSOR-L CURSOR-R ADD DIAL RESET KN1-4/5-8 CURSOR-DWN CURSOR-UP PREV NEXT EDIT SHIFT Fuctios Calls up the ext/previous page. Calls up the first page. Calls up the last page. Chages the idicatio of the parameter ame ad its value. Selects a chael. Mutes or umutes each chael. Umutes all chaels. Sets Solo for each chael to o or off. Sets Solo for all chaels to off. Sets the REC RDY of each chael to o or off. Scrolls through the track idicatio every eight chaels. Scrolls through the track idicatio chael-by-chael. Switches the fuctios of the Chael Kobs ad Faders. Turs Loop o or off. [F1] [F8] as defied i Cubase SX. Brigs the Track View widow to the frot of the computer scree. Opes the Mixer widow. Closes the curret widow. [1] [8] Correspods to 1 8 of the Chael View o the Mixer Widow. [UNDO] Executes the Udo operatio. [REDO] Executes the Redo operatio. [SAVE] Executes the Save operatio. [ADD] Eters a Marker at the curret sog positio. [RWD] Hold to cotiuously rewid. [SHIFT]+[RWD] Moves the sog positio to the top of the sog. [PREV] Moves the sog positio to the previous Marker. [FF] Hold to cotiuously fast-forward. [SHIFT]+[FF] Moves the sog positio to the ed of the sog. [NEXT] Moves the sog positio to the ext Marker. (This may ot work i certai coditios.) [STOP] Press to stop recordig or playback. Pressig this whe playback is stopped goes to the sog locatio at which the sog playback started at last time. [PLAY] Press to start playback from the curret poit. [REC] Press this to start sog recordig. The [F] (Play) ad [REC] lamp are tured o durig recordig. PAN [PAN] (MULTI CHANNEL oly) Kobs 1 8 For editig parameters. EQ [EQ] (SELECTED CHANNEL oly) Kobs 1 8 For editig parameters. Quick Guide Coectig the MO to exteral devices Ower s Maual 119

120 Usig the MO with computer software Butto/Cotroller ames o Mackie Cotrol Fuctios Butto/Cotroller ames o Mackie Cotrol Fuctios Quick Guide Coectig the MO to exteral devices SEND [DYN] (SELECTED CHANNEL oly) Kobs 1 8 For editig parameters. PLUG-IN [PLUG-IN] (SELECTED CHANNEL oly) Kob 1 Chages the Slot Number (o page 1 oly). Kob 2 Turs the Effects o or off (o page 1 oly). Kob 3 Selects a Effect Type (o page 1 oly). Kobs 1 8 (turig) Edits each of the parameters (o page 2 ad later). SEND EFFECT [SENDS]/MASTER EFFECT [MASTER] (Global oly) Kob 1 Chages the Slot Number (o page 1 oly). Kob 2 Turs the Effects o or off (o page 1 oly). Kobs 1 8 Edits each of the parameters (o page 2 ad later). INSTRUMENT [INSTRUMENTS] (Global oly) Kob 1 Chages the Slot Number (o page 1 oly). Kob 2 Turs the software toe geerator o or off (o page 1 oly). Kobs 1 8 Edits each of the parameters (o page 2 ad later). Parameters to be edited differ depedig o the assiged Effect ad Software Toe Geerator. Additioal operatios other tha those listed above are available. For details, refer to the relevat documetatio of Mackie Cotrol. Whe cotrollig SONAR 4: Fuctios of Mackie Cotrol assiged to [F1] [F6] ad [SF1] [SF5] buttos PAN/SEND TONE ARP FX EQ PAN/SEND TONE TONE ARP FX ARP FX EQ Butto/Cotroller ames o Mackie Cotrol I all s: [EDIT] [CHANNEL </>] (Multi chael) [BANK </>] (Multi chael) [CHANNEL </>] (Selected chael) [BANK </>] (Selected chael) [NAME/VALUE] [SEL] [MUTE] [M4]+[MUTE] [SOLO] [M4]+[SOLO] [REC RDY] [M4]+[REC RDY] [TRACK] ASSIGNMENT SENDS PLUG-INS DYN DIAL RESET KN1-4/5-8 BANK-L BANK-R TRACKS PAN EQ M1 FADER BANKS FLIP EDIT NAME/VALUE DIAL RESET KN1-4/5-8 CHANNEL-R BANK-L BANK-R CHANNEL-L M1 TRACKS/DIALOG/WINDOW OK/ENTER CANCEL NEXT WINDOW CLOSE WINDOW KN1-4/5-8 MIDI FIT TRACK FIT PROJECT NEW AUDIO NEW M1 TRACK AUX MAIN DIAL RESET KN1-4/5-8 BANK-L BANK-R SAVE UNDO REDO M1 F5 F6 F7 F8 KN1-4/5-8 F1 F2 F3 F4 M1 JOG PRM LOOP ON/OFF HOME DIAL RESET KN1-4/5-8 LOOP SELECT PUNCH MAKER M1 CURSOR-L CURSOR-R SCRUB DIAL RESET KN1-4/5-8 CURSOR-DWN CURSOR-UP ZOOM BANK-L BANK-R M1 Fuctios Assigs a parameter to a Kob by usig the [CHANNEL] ad [BANK] buttos. Chages a parameter to be edited via a Kob i order oe by oe whe [EDIT] is tured o. Chages the parameters to be edited via a Kob i groups of eight whe [EDIT] is tured o. Chages a idicated parameter i order oe by oe whe [EDIT] is tured o. Chages the idicated parameters i groups of eight whe [EDIT] is tured o. Chages the idicatio of the parameter ame ad its value. Selects a chael. Mutes or umutes each chael. Umutes all chaels. Sets Solo for each chael to o or off. Sets Solo for all chaels to off. Sets the REC RDY of each chael to o or off. Sets the REC RDY of all chaels to off. Assigs a Track to a Fader. [AUX] [MAIN] [BANK </>] [CHANNEL </>] [FLIP] [FLIP] [FLIP] [NEXT WINDOW] [LOOP SW] [F1] [F8] [CLOSE WINDOW] [UNDO] [REDO] [SAVE] [M1]+[MARKER] [MARKER] [RWD] [M1]+[RWD] [FF] [M1]+[FF] [STOP] [PLAY] [REC] [ZOOM] [SCRUB] [JOG PRM] Assigs a AUX BUS to a Fader. Assigs output level adjustmet of the Virtual Mai Bus to the Faders. Scrolls through the track idicatio every eight chaels. Scrolls through the track idicatio chael-by-chael. Assigs the fuctios of the Chael Kobs to the Faders. Switches the fuctios of the Chael Kobs ad the Faders. Moves the ext widow to the frot of the scree. Sets Loop to o or off. [F1] [F8] as defied i SONAR. Closes the curret widow. Executes the Udo operatio. Executes the Redo operatio. Executes the Save operatio. Opes the widow for eterig the Marker to the curret sog positio. Turs the Marker o or off. Press briefly to move back oe measure at a time, or hold to cotiuously rewid. Whe the Marker is tured o, this operatio moves the sog positio to the previous Marker. Moves the sog positio to the top of the sog. Whe the Marker is tured o, this operatio opes the widow for eterig the Marker. Press briefly to move forward oe measure at a time, or hold to cotiuously fast-forward. Whe the Marker is tured o, this operatio moves the sog positio to the ext Marker. Moves the sog positio to the ed of the sog. Whe the Marker is tured o, this operatio opes the widow for eterig the Marker. Stops recordig or playback. Press to start playback from the curret poit. Press this to start sog recordig. The [F] (Play) ad [REC] lamp are tured o durig recordig. Turs Zoom o ad off. Turs Scrub o ad off. Whe Scrub is o, the dial ca be used for Scrub playback. Whe Scrub is off, the dial is used to move the sog positio. Turs Data Etry o ad off. Whe tured o (the lamp lights), rotatig the dial has the Data Etry fuctio. TRACK [TRACKS] (Track Parameter ) [TRACKS] [TRACKS] (Selected Chael ) Kobs 1 8 (turig) For editig parameters. (The LCD idicatio may ot be updated.) Kobs 1 8 (pressig) Resets the parameter value to its default. PAN [PAN] [PAN] [PAN] (Selected Chael of PAN/SURROUND) Kobs 1 8 (turig) For editig parameters. Kobs 1 8 (pressig) Resets the parameter value to its default. SEND [SENDS] [SENDS] [SENDS] (Selected Chael ) Kobs 1 8 (turig) For editig parameters. Kobs 1 8 (pressig) Resets the parameter value to its default. PLUG-IN [PLUG-IN] [PLUG-IN] [PLUG-IN] (Selected Chael ) [M1]+[CHANNEL </>] Chages the Plug-i umber whe the [EDIT] is tured o. Kobs 1 8 (turig) For editig parameters. Kobs 1 8 (pressig) Resets the parameter value to its default. EQ Edit [EQ] [EQ] [EQ] (Selected Chael ) (i the Selected Chael ) [EQ] (Bad ) [M1]+[CHANNEL </>] Chages the EQ umber whe the [EDIT] is tured o. Kobs 1 8 (Bad ) For editig each frequecy bad. Faders (Bad ) For editig the gai of each Bad. The Sog Positio Bar may ot sychroize with the actual playback positio durig Scrub playback. Parameters to be edited may differ depedig o the assiged Effect ad Software Toe Geerator. Some parameters may ot be available depedig o the selected Effect Type. Press the [DRUM KIT] butto to idicate the Track/Slot/EQ/DYN umber i the brackets [ ] at the top of the LCD. The [M2] [M4] buttos o the Mackie Cotrol correspod respectively to the [EDIT], [JOB], ad [STORE] buttos. Additioal operatios other tha those listed above are available. For details, refer to the relevat documetatio of Mackie Cotrol. You ca fid the Help widow by selectig Mackie Cotrol from the Tool Meu o SONAR ad pressig the [F1] butto. Please keep i mid that some fuctios may ot be available. 120 Ower s Maual

121 Usig the MO with computer software Whe cotrollig Digital Performer 4.52: Fuctios of Mackie Cotrol assiged to [F1] [F6] ad [SF1] [SF5] buttos PAN/SEND TONE ARP FX EQ PAN/SEND TONE TONE ARP FX ARP FX EQ ASSIGNMENT SENDS PLUG-INS DYN DIAL RESET KN1-4/5-8 BANK-L BANK-R I/O PAN EQ SHIFT FADER BANKS FLIP EDIT LEVEL METERS DIAL RESET KN1-4/5-8 CHANNEL-R BANK-L BANK-R CHANNEL-L SHIFT Track Groups/Widows SEQ EDITOR TR OVERVIEW MIXING BOARD DIAL RESET KN1-4/5-8 UNGROUP SUSPEND BANK-L BANK-R GROUOP SHIFT Dialog/Record OVERDUB PATCH THRU CLEAR CLIP DIAL RESET KN1-4/5-8 ESCAPE CLICK COUNTOFF ENTER SHIFT Trasport/Project UNDO REDO SAVE AUDIBLE MODE KN1-4/5-8 SLAVE EXT SYNC MEMORY LINK PRE/POST ROLL BANK-L BANK-R SHIFT PUNCH SELECT SOLO DIAL RESET KN1-4/5-8 GRID BANK-L BANK-R MARKER EDIT CYCLE SHIFT CURSOR-L CURSOR-R SCRUB DIAL RESET KN1-4/5-8 CURSOR-DWN CURSOR-UP ZOOM BANK-L BANK-R SHIFT Butto/Cotroller ames o Mackie Cotrol Fuctios I all s: [I/O] Calls up the Mode list display. [LEVEL METERS] Turs the Meter idicatio o or off. [SEL] Selects a chael. [SHIFT] + [SEL] Selects multiple chaels. [MUTE] Mutes or umutes each chael. [SOLO] Sets Solo for each chael to o or off. [REC RDY] Sets the REC RDY of each chael to o or off. [BANK </>] Scrolls through the track idicatio every eight chaels. [CHANNEL </>] Scrolls through the track idicatio chael-by-chael. [CONTROL]+[CYCLE] Turs Loop o or off. [TR OVERVIEW] Moves the Track Overview to frot. [MIXING BOARD] Opes the Mixer widow. [SEQ EDITOR] Starts the Sequecer Editor widow. [SHIFT]+[SEQ EDITOR] Starts the Soudbites widow. [UNDO] Executes the Udo operatio. [REDO] Executes the Redo operatio. [SAVE] Whe the lamp lights, press this so that the lamp flashes. Press this agai to execute the Save operatio (lamp turs off). [MARKER] Turs the Marker o or off. [SHIFT]+[MARKER] Opes the Marker Optio widow. [RWD] Press to cotiuously rewid. Press agai to rewid more quickly. Whe the Marker is tured o, this operatio moves the sog positio to the previous Marker. [FF] Press to cotiuously fast-forward. Press agai to fast-forward more quickly. Whe the Marker is tured o, this operatio moves the sog positio to the ext Marker. [STOP] Stops recordig or playback. [PLAY] Press to start playback from the curret poit. [REC] Press this to start sog recordig. The [F] (Play) ad [REC] lamp are tured o durig recordig. [ZOOM] Switches betwee Scroll (lamp lights), Zoom (lamp is off), ad Nudge (lamp flashes). [SCRUB] Turs Scrub o ad off. Whe tured o, you ca use the dial to move the sog positio. (A malfuctio may occur.) PAN [PAN] (or [I/O] kob) Kobs 1 8 (turig) For editig parameters. [DYN] + Kobs 1 8 Resets the edited parameter to the default value (ceter). (pressig) [FLIP] Switches the fuctios of the Chael Kobs ad the Faders. [PAN] i the PAN Turs the Meter o or off. Butto/Cotroller ames o Mackie Cotrol SdVal [SEND] (or [I/O] kob) Kobs 1 8 (turig) For editig parameters. Cursor [UP] [DOWN] Chages the Sed umber. Kobs 1 8 (pressig) Sets Mute to o or off. [DYN] + Kobs 1 8 Resets the parameter value to the default (0 db). (pressig) [FLIP] Switches the fuctios of the Chael Kob ad the Faders. [SEND] i the SdVal Turs the Meter o or off. SdOut [I/O] Kob Cursor [UP] [DOWN] Chages the Sed umber. Kobs 1 8 (turig) Selects the bus for each Sed of the track. Kobs 1 8 (turig) Switches betwee Sed PRE ad POST. (except whe selectig a bus) Iput [I/O] Kob Kobs 1 8 (turig) Selects a iput bus for a track. Output [I/O] Kob Kobs 1 8 (turig) Selects a output bus for a track. Effect [PLUG-IN] (or [I/O] Kob) Kobs 1 8 (turig) Selects a Plug-i Effect for each track. Cursor [UP] [DOWN] Chages the Effect Number. Kobs 1 8 (pressig) Turs the Effect Bypass o or off. Whe the bus is tured o, X is idicated above the Effect ame. [EQ] + Kobs 1 8 Assigs the Parametric EQ to the correspodig track. (pressig) [EDIT] + Kobs 1 8 (pressig) (whe ay track is selected) Edit Kobs 1 8 (turig) Cursor [UP] [DOWN] [LEFT]/[RIGHT] [CHANNEL </>] [BANK </>] [FLIP] Fuctios Eters the Plug-i Effect Edit. (Available oly whe the Plug-i Effect is selected.) Please keep i mid that some parameters may ot be available depedig o the selected Effect Type. Press the [EDIT] butto agai to exit from the Edit. For editig parameters. Chages a Effect Number. Calls up the Effect of a differet track. Chages the parameters to be edited with the Kobs i order oe by oe. Chages the parameters to be edited with the Kobs i groups of eight. Switches the fuctios of the Chael Kobs ad the Faders. Some edited values are ot show o the MO display. Press the [DRUM KIT] butto to idicate the Sed/Effect umber i the brackets [ ] at the top of the LCD. Some parameters may ot be available depedig o the Effect Type. The [OPTION], [CONTROL], ad [COMMAND] buttos o the Mackie Cotrol correspod respectively to the [EDIT], [JOB], ad [STORE] buttos. Additioal operatios other tha those listed above are available. For details, refer to the relevat documetatio of Mackie Cotrol. Please keep i mid that some fuctios may ot be available. Quick Guide Coectig the MO to exteral devices Ower s Maual 121

122 Creatig Your Origial Program Set (Master ) Creatig Your Origial Program Set (Master ) The Master is the highest i the MO hierarchy, lettig you istatly switch betwee programs you ve created i the Voice, Performace, Sog ad Patter s. Use the Master i oe of the followig ways: Storig your favorite programs This lets you register settigs that you ofte use i the Voice, Performace, Sog or Patter, ad istatly recall the ad custom settigs together i a sigle butto press, without havig to first select a. It also lets you set up a sequece of custom programs for example, whe playig differet sogs live ad smoothly switch from settig to settig as eeded. Quick Guide Creatig Your Origial Program Set (Master ) Playig as a master keyboard This lets you divide the keyboard ito four separate sectios just as if you were playig four differet MIDI keyboards. You ca also separately play the souds of the MO ad the souds of coected MIDI devices all from the MO keyboard by assigig each zoe to a differet MIDI chael. Moreover, you ca use the Cotrol sliders to tweak the soud of each as desired. Selectig a Master The MO features 128 specially programmed Masters. Try some of these out ow. 1 Press the [MASTER] butto to eter the Master Play. VOICE PERFORM MASTER Mode memorized to the curret Master. Program umber (Voice umber i this example) memorized to the curret Master. Idicates the curretly selected Master. Idicates iformatio related to the Kobs. The settigs deped o the program umber memorized to the curret Master. Use the [SF1] [SF5] buttos to call up the Arpeggio type assiged to each butto. Assiged types deped o the program umber memorized to the curret Master. 2 Select a Master. Selectig a Master is doe i basically the same way as selectig a Voice. Sice there is oly oe bak for Masters, you eed ot select a Master bak. 3 Play the selected Master program. Whe the Mode is set to Voice or Performace, play the keyboard. Whe the Mode is set to Sog or Patter, press the [F] butto. 122 Ower s Maual

123 Creatig Your Origial Program Set (Master ) Storig your favorite programs 1 Select a Master to be created. 5 Store the edited Master to iteral User memory. 2 3 Press the [F2] MEMORY butto to call up the Mode settig display. Select the desired ad program umber to register the Master. If you wat to divide the keyboard ito multiple Zoes i the Master, set the Zoe Switch to o. 5-1 Press the [STORE] butto to eter the Master Store. 5-2 Select the destiatio Master by usig the data dial or the [INC/YES] ad [DEC/NO] buttos. CAUTION Whe you execute the Store operatio, the settigs for the destiatio memory will be overwritte. Importat data should always be backed up to a separate USB storage device (page 211). Determies the that called up whe Master umber is selected. Determies whether Zoe Switch is set to o or off. 5-3 Press the [ENTER] butto. (The display prompts you for cofirmatio.) To cacel the Store operatio, press the [DEC/NO] butto. Quick Guide Determies the program umber that is called up whe the Master is selected. 4 Name the edited Master. Iput a ame i the [EDIT] [COMMON] [F1] NAME display. For detailed istructios o amig a voice, refer to page Press the [INC/YES] butto to execute the Store operatio. CAUTION Never attempt to tur off the power while a Executig... or Please keep power o message is show. Turig the power off i this state may cause the system to freeze ad prevet ormal startup the ext time the power is tured o, as well as resultig i the loss of all user data. CAUTION If you select aother Master without storig, the curretly edited Master will be lost. Make sure to store the edited Master before selectig aother Master. Creatig Your Origial Program Set (Master ) Iput a Master ame. Playig as a master keyboard I the Master, you ca divide the keyboard ito (up to) four idepedet areas (called Zoes ). Each Zoe ca have differet MIDI chael assigmets as well as differet fuctios for the Cotrol sliders. This makes it possible to cotrol several parts of the multi-timbral toe geerator simultaeously by a sigle keyboard or to cotrol voices of a exteral MIDI istrumet over several differet chaels i additio to the iteral voices of this sythesizer itself lettig you use the MO to effectively do the work of several keyboards. You ca set the parameters related to the four Zoes i the Master Edit ad store the settigs as a User Master. 1 Select a Master to be created. 2 Press the [F2] MEMORY butto to call up the Mode settig display. Ower s Maual 123

124 Creatig Your Origial Program Set (Master ) 3 After settig the Mode ad Program umber which you wish to memorize to the Master, set the Zoe Switch to o. Determies the that is called up whe the Master umber is selected. Set the Zoe Switch to o. Determies the program umber that is called up whe the Master is selected. 4 Press the [EDIT] butto to eter the Master Edit. Quick Guide Creatig Your Origial Program Set (Master ) 5 Call up the Commo Edit display or Zoe Edit display. Use Zoe Edit to edit the parameters for each Zoe. Use Commo Edit to edit the parameters for all of the Zoes. While i the Master Edit, you ca switch betwee the Commo Edit display ad the Zoe Edit display as show below. Callig up the Commo Edit display Press the [COMMON] butto to call up the Commo Edit display. I the Edit, the [DRUM KITS] butto fuctios as the [COMMON] butto. Idicates a Commo Edit display. DRUM KITS FAVORITES EDIT JOB STORE COMPARE PRE 1 A. PIANO PRE 2 KEYBOARD PRE 3 ORGAN PRE 4 GUITAR PLUCKED A B C D SYN LEAD SYN PAD CHOIR SYN COMP CHROMATIC PERCUSSION Callig up the Zoe Edit display Press the desired Zoe umber from the ZONE [1] [4] buttos to call up the Zoe Edit display. Idicates the display for editig Zoe COMMON ELEMENT PERF. PART ZONE Commo Edit Zoe 1 Edit Zoe 2 Edit Zoe 3 Edit Zoe 4 Edit 6 Select the meu you wish to edit by pressig the [F1] [F5] buttos ad [SF1] [SF5] buttos, the edit the parameters i each display. See the ext page for details ad some settig examples. 7 Name the edited Master. Iput a ame i the [EDIT] [COMMON] [F1] NAME display. For detailed istructios o amig a Voice, refer to page Store the edited Master to iteral User memory. Refer to step 5 o page Ower s Maual

125 Creatig Your Origial Program Set (Master ) Usig Zoes effectively with a exteral toe geerator The two examples below show how to use the Zoes with both the iteral toe geerator ad a coected exteral toe geerator. These istructios correspod to the steps o the previous page. Though all four Zoes are used i the example below, you ca use ay umber of Zoes (two, three, or four). The settigs are made with the MIDISwitch parameter ([MASTER] [EDIT] Zoe selectio [F1] TRANS MIDISwitch) ad the TGSwitch parameter ([MASTER] [EDIT] Zoe selectio [F1] TRANS TGSwitch). I these examples, the Zoes are assiged to differet areas of the keyboard. However, two or more Zoes ca also be assiged to the same area i a layer, from the NOTE display ([MASTER] [EDIT] Zoe selectio [F2] NOTE). Master settigs with the Voice /Performace (Sigle-timbre toe geerator ) Exteral toe geerator (Multi-timbral) Set the MIDI receive chael for each part. For each Zoe, set whether or ot MIDI data is trasmitted to the exteral istrumet. [MASTER] [EDIT] Zoe selectio [F1] TRANS MIDISwitch Quick Guide MIDI Trasmit Chael 1 MIDI Trasmit Chael 2 MIDI Trasmit Chael 3 Iteral toe geerator (Sigle Timbre) [UTILITY] [F5] MIDI [SF1] CH BasicRcvCh = 01 MIDI Trasmit Chael 4 Determie the MIDI Trasmit Chael for each zoe. [MASTER] [EDIT] Zoe selectio [F1] TRANS TrasCh Determie the ote rage of each zoe. [MASTER] [EDIT] Zoe selectio [F2] NOTE NoteLimitH [MASTER] [EDIT] Zoe selectio [F2] NOTE NoteLimitL For each Zoe, set whether or ot MIDI data is trasmitted to each Part of the iteral toe geerator. [MASTER] [EDIT] Zoe selectio [F1] TRANS TGSwitch Master settigs with the Sog /Patter (Multi-timbral toe geerator ) Creatig Your Origial Program Set (Master ) Exteral toe geerator (Multi-timbral) Set the MIDI receive chael for each part. For each Zoe, set whether or ot MIDI data is trasmitted to the exteral istrumet. [MASTER] [EDIT] Zoe selectio [F1] TRANS MIDISwitch MIDI Trasmit Chael 1 MIDI Trasmit Chael 2 MIDI Trasmit Chael 3 MIDI Trasmit Chael 4 Determie the MIDI Trasmit Chael for each zoe. [MASTER] [EDIT] Zoe selectio [F1] TRANS TrasCh Determie the ote rage of each zoe. [MASTER] [EDIT] Zoe selectio [F2] NOTE NoteLimitH [MASTER] [EDIT] Zoe selectio [F2] NOTE NoteLimitL For each Zoe, set whether or ot MIDI data is trasmitted to each Part of the iteral toe geerator. [MASTER] [EDIT] Zoe selectio [F1] TRANS TGSwitch Part 05 Receive Chael 1 Part 13 Receive Chael 2 Iteral toe geerator (Multi-timbral) [SONG] [MIXING] [EDIT] Part selectio [F1]VOICE [SF2]MODE ReceiveCh Ower s Maual 125

126 Creatig Your Origial Program Set (Master ) Assigig Cotrol Chage umbers to the Kobs/Sliders for each Zoe Here i the KN/CS display of the Master Edit, you ca set how the Cotrol Kobs ad Sliders will affect each Zoe. This lets you specify a separate MIDI Cotrol Chage umber for each Kob ad Slider. DAW REMOTE PAGE SELECT PAN SEND ASSIGN A PAN ASSIGN B REVERB ASSIGN 1 CHORUS ASSIGN 2 TEMPO ASSIGN CUTOFF RESONANCE ATTACK RELEASE TONE SWING GATE TIME VELOCITY UNIT MULTIPLY LOW LOW MID HIGH MID HIGH All idicators are tured off by settig the [MASTER] [EDIT] [COMMON] [F2] OTHER Kob/Slider parameter to zoe. ARP FX EQ MEF Quick Guide Creatig Your Origial Program Set (Master ) MASTER VOLUME ZONE 1 ZONE 2 ZONE 3 ZONE 4 You ca determie which Cotrol Chage umbers are used for the Kobs ad Sliders for each zoe i the [MASTER] [EDIT] Zoe selectio [F5] KN/CS display. I the example above, the Cotrol Kobs for all Zoes have bee set to 10 (Pa), ad the Sliders have bee set to 11 (Expressio). I this way, you ca cotrol the stereo positio of each Zoe with the appropriate Kob, ad use the Sliders to adjust the relative volume balace amog the Zoes. 126 Ower s Maual

127 Creatig Your Origial Program Set (Master ) TIP Settig up the Master Zoes to Split or Layer This operatio lets you easily determie whether the Zoes of the selected Master are to be used i a Split or a Layer. The ote rage settigs for each Zoe ca be determied by settig the NoteLimitH ad NoteLimitL parameters from the NOTE display ([MASTER] [EDIT] Zoe selectio [F2] NOTE). Zoes 1 ad 2 are used i the explaatios here. 1 I the Master Play, press the [JOB] butto to eter the Master Job. 2 Press the [F1] INIT butto to call up the Iitialize display. 3 Ucheckmark the box of All by usig the [DEC/NO] butto ad checkmark the box of Zoe. 4 Set the Type to Split or Layer. Quick Guide Whe Type is set to Split Set the UpperCh (MIDI trasmit chael of the upper rage), LowerCh (MIDI trasmit chael of the lower rage), ad Split Poit (which separates the keyboard ito the upper rage ad lower rage). Lower Split Poit (C3) Upper Whe Type is set to Layer Set the UpperCh (MIDI trasmit chael of Zoe 1) ad LowerCh (MIDI trasmit chael of Zoe 2). Creatig Your Origial Program Set (Master ) Layer (Upper) Layer (Lower) 5 Press the [ENTER] butto. (The display prompts you for cofirmatio.) To cacel the Job, press the [DEC/NO] butto. 6 Press the [INC/YES] butto to execute the Job. After the Job has bee completed, a Completed message appears ad operatio returs to the origial display. Ower s Maual 127

128 Iteral Structure (System Overview) Basic Structure This sectio gives you a easy-to-uderstad overview of the MO its wide rage of sophisticated features, its MIDI cotrol ad performace fuctios, ad its coveiet file maagemet system for origial data you ve created with the istrumet. Iteral Structure (System Overview) This sythesizer is made up of several blocks, as show here. Cotroller block Keyboard Cotrollers MIDI output MASTER VOLUME ZONE 1 ZONE 2 ZONE 3 ZONE 4 Basic Structure Sequecer block MIDI Sequece data Sog Patter Arpeggio Recordig by the keyboard performace Playback Toe Geerator block Voice Performace Mixig Keyboard performace Effect block DSP Reverb Chorus Master Effect Part Equalizer Master Equalizer Operatig the pael Audio (soud) output Recordig Playback Playback Audio sigal flow Exteral MIDI istrumet MIDI messages flow Cotroller block This block cosists of the keyboard, Pitch Bed ad Modulatio Wheels, Kobs, Cotrol sliders, ad so o. The keyboard itself does t geerate souds, but istead geerates/trasmits ote o/off, velocity ad other iformatio (MIDI messages) to the sythesizer s toe geerator block whe you play otes. The cotrollers also geerates/trasmits MIDI messages. The sythesizer s toe geerator block produces the soud accordig to the MIDI messages trasmitted from the keyboard ad cotrollers. Cotrollers supported by the MO The cotrollers you ca use o this sythesizer ad the referece pages are as follows: Cotrollers with which the MO is equipped Keyboard (Iitial Touch)...page 16 Pitch Bed Wheel...page 50 Modulatio Wheel...page 50 Kob...page 51 Cotrol slider...page 52 Cotrollers (sold separately) that ca be coected to the rear pael of the MO Foot Cotroller... page 69 Footswitch... page Ower s Maual

129 Iteral Structure (System Overview) Toe Geerator block The Toe Geerator block is what actually produces soud i respose to the MIDI messages geerated by playig the keyboard, usig the cotrollers, ad the playback of the sequecer (Sog/Patter/Arpeggio). Outputs the wave that makes up the soud. Chages the toal quality of the soud output from the PITCH uit. Toe Geerator OSC PITCH FILTER AMP To the Effect block Cotrols the pitch of the soud. Cotrols the output level (amplitude) of the soud output from the FILTER uit. The sigals are the set at this level to the Effect block. Iteral AWM2 Toe Geerator Iteral AWM2 Toe Geerator Basic Structure AWM2 (Advaced Wave Memory 2) AWM2 (Advaced Wave Memory 2) is a sythesis system based o sampled waves (soud material), ad is used i may Yamaha sythesizers. For extra realism, each AWM2 Voice uses multiple samples of a real istrumet s waveform. Furthermore, a wide variety of parameters evelope geerator, filter, modulatio, ad others ca be applied. Voice, Performace, ad Mixig This istrumet features three differet types of programs, that form the basis for creatig ad playig souds. Voice A program that cotais the soic elemets for geeratig a specific musical istrumet soud is referred to as a Voice. Each Voice cosists of up to four Elemets (Normal Voice) or up to 73 Keys (Drum Voice). Each Voice is created by editig parameters uique to each Elemet/Key ad parameters commo to all the Elemets/Keys i the Voice (page 151) or i the Mixig Voice (page 203). Performace A program i which multiple Voices (parts) are combied i a layer, or i other cofiguratios is referred to as a Performace. Each Performace ca cotai up to four differet Parts (Voices). Each Performace ca be created by editig parameters uique to each Part ad parameters commo to all the Parts i the Performace (page 171). Mixig A program i which multiple Voices are assiged to Parts for multi-timbral play i the Sog ad Patter s is referred to as a Mixig. Each Mixig ca cotai up to 16 Parts (page 136). Each Mixig ca be created by editig parameters uique to each Part ad parameters commo to all the Parts i the Sog Mixig (page 189) or i the Patter Mixig (page 202). The Mixig belogs to the Sog or Patter. Ower s Maual 129

130 Iteral Structure (System Overview) The illustratio below shows the structure ad iterrelatioship of the Voices, Performaces, ad Mixigs. VOICE Oe Voice Up to four elemets (Normal Voice) Up to 73 keys (Drum Voice) This sythesizer has two types of Voices Voices created i the Voice ad Mixig Voices (dedicated for the Sog/Patter) created i the Mixig Voice. Elemet 1 4 or Key C0 C6 Commo Edit parameters Arpeggio, Effects, Cotroller Set, etc. PERFORM Oe Performace Up to four parts SONG MIXING Oe Mixig 1 16 parts (of the iteral toe geerator) PATTERN MIXING Oe Part Voice Part Edit parameters Oe Part Voice Part Edit parameters Commo Edit parameters Basic Structure Differet Voice for each part Commo Edit parameters Set i the Voice Edit (page 153) Elemet Edit parameters or Key Edit parameters LFO Low Frequecy Oscillator Differet Voice for each part OSC (Oscillator) Waveform (AWM2) PITCH FILTER AMP PEG FEG AEG Pitch Evelope Geerator Filter Evelope Geerator Amplitude Evelope Geerator The Drum Voice Key Edit parameters do ot cotai LFO settigs. Keyboard Mega Voices Normal Voices use velocity switchig to make the soud quality ad/or level of a Voice chage accordig to how strogly or softly you play it. This makes the Voices soud authetic ad atural. However, with Keyboard Mega Voices, each velocity rage (the measure of your playig stregth) has a completely differet soud. For example, a guitar Voice icludes the souds of various performace techiques. I covetioal istrumets, differet Voices havig those souds would be called up via MIDI ad played i combiatio to achieve the desired effect. Now with Keyboard Mega Voices, a covicig guitar Part ca be played with just a sigle Voice, usig specific velocity values to play the desired souds. The Keyboard Mega Voice ames are idicated as Mega ** i the display. 130 Ower s Maual

131 Iteral Structure (System Overview) The followig illustratios may help i uderstadig the memory structure of the Voices, Performaces, ad Mixigs. Voices VOICE Normal Voice Drum Voice Preset Voice Normal Voices: 512 Drum Voices: 64 PRE 1 A. PIANO Preset 1 (128 Voices) PRE 3 ORGAN Preset 3 (128 Voices) DRUM KITS PRE 1 Preset Drum (64 Voices) PRE 2 Preset 2 (128 Voices) PRE 4 Preset 4 (128 Voices) FAVORITES A. PIANO KEYBOARD GUITAR PLUCKED GM Voice Normal Voices: 128 Drum Voice: 1 GM BRASS GM Preset (128 Voices) DRUM KITS FAVORITES GM BRASS GM Drum (1 Voice) 1 User Voice Normal Voices: 256 Drum Voices: 32 USER 1 BASS User 1 (128 Voices) USER 2 STRINGS User 2 (128 Voices) DRUM KITS FAVORITES USER 1 BASS User Drum (32 Voices) Mixig Voices Normal Voices: up to 256 (Up to 16 Voices for each Sog/ Patter) The Mixig Voices ca be selected oly i the Sog / Patter. These caot be selected i the Voice or assiged to each Part i the Performace. Sog 1 (16 Voices) Patter 1 (16 Voices) Sog 64 (16 Voices) Patter 64 (16 Voices) Basic Structure Performace PERFORM USER 1 BASS User 1 (128 Performaces) Mixig SONG MIXING Sog 1 (16 Parts)... Sog 64 (16 Parts) Template 1 2 USER 2 User 2 (128 Performaces) PATTERN MIXING Patter 1 (16 Parts)... Patter 64 (16 Parts) STRINGS Ower s Maual 131

132 Iteral Structure (System Overview) Basic Structure Normal Voice ad Drum Voice Iterally, there are two Voice Types: Normal Voices ad Drum Voices. Normal Voices are maily pitched musical istrumet-type souds that ca be played over the rage of the keyboard. Drum Voices are maily percussio/drum souds that are assiged to idividual otes o the keyboard. A collectio of assiged percussio/drum waves or Normal Voices is kow as a Drum Kit. Normal Voice Waveform (Preset ) Velocity Drum Voice Elemet 1 Elemet 3 Elemet 2 Elemet 4 Oe Voice I the sectios that follow, we ll explai i detail about the soud-related parameters ad provide a itroductio to the basics of electroic sythesis. Oscillator [VOICE] Voice selectio [EDIT] Elemet selectio/ Drum Key selectio [F1] OSC This uit outputs the wave which determies the basic pitch. You ca assig the wave (or basic soud material) to each Elemet of the Normal Voice or each Key of the Drum Voice. I the case of the Normal Voice, you ca set the ote rage for Elemet (the rage of otes o the keyboard over which the Elemet will soud) as well as the velocity respose (the rage of ote velocities withi which the Elemet will soud). For example, you could set oe Elemet to soud i a upper rage of the keyboard, ad aother Elemet to soud i a lower rage. Thus, eve withi the same Voice, you ca have two differet souds for differet areas of the keyboard or you ca make the two Elemet rages overlap so that their souds are layered over a set rage. Furthermore, you ca set each Elemet to respod to differet velocity rages so that oe Elemet souds for lower ote velocities, whereas aother Elemet souds for higher ote velocities. You ca assig the wave with the followig operatio. [VOICE] Voice selectio [EDIT] Elemet selectio/drum Key selectio [F1] OSC [SF1] WAVE GM Voices C0 C1 C6 Key 1 Key 5 Key 10 Key 18 Key 21 Key 73 Idividual drum souds (differet for each key) GM (Geeral MIDI) is a worldwide stadard for Voice orgaizatio ad MIDI fuctios of sythesizers ad toe geerators. It was desiged primarily to esure that ay sog data created with a specific GM device would soud virtually the same o ay other GM device o matter the maufacturer or the l. The GM Voice bak o this sythesizer is desiged to appropriately play back GM sog data. However, keep i mid that the soud may ot be exactly the same as played by the origial toe geerator. Toe geerator parameters that produce the Voice soud Amog various parameters that makes up oe Voice, Oscillator, Pitch, Filter, Amplitude, LFO ad three Evelope Geerators (PEG, FEG, AEG) show i the illustratio o pages are the basic parameters for creatig the Voice soud. Parameters related to Oscillator, Pitch, Filter ad Amplitude determie the three basic elemets of the soud Pitch (how low or high it is), Toe (or its overall soud quality), ad Volume (how loud its volume level is) of the Voice. Parameters such as LFO ad EG (Evelope Geerator) determie the trasitio i these three basic elemets of the soud from the momet the soud starts to the momet the soud stops. Pitch [VOICE] Voice selectio [EDIT] Elemet selectio/ Drum Key selectio [F2] PITCH This uit cotrols the pitch of the soud (wave) output from the Oscillator. I the case of the Normal Voice, you ca detue separate Elemets, apply Pitch Scalig ad so o. Also, by settig the PEG (Pitch Evelope Geerator), you ca cotrol how the pitch chages over time. PEG (Pitch Evelope Geerator) Usig the PEG, you ca cotrol the trasitio i pitch from the momet the soud starts the momet the soud stops. You ca create the PEG by settig parameters as illustrated below. Whe you press a ote o the keyboard, the pitch of the Voice will chage accordig to these evelope settigs. This is useful for creatig automatic chages i pitch, which is effective for example i syth brass souds. Furthermore, differet PEG parameters ca be set for each Elemet or each Key. Pitch 0 Hold Level Hold Time Attack Time Attack Level Pressig the key (Key o) Decay1 Time Decay1 Level Sustai Level (Decay2 Level) Decay2 Time Release Time Release Level Time Releasig the key (Key off) 132 Ower s Maual

133 Iteral Structure (System Overview) Filter [VOICE] Voice selectio [EDIT] Elemet selectio/ Drum Key selectio [F3] FILTER Bad Pass Filter This passes oly those a bad of sigals aroud the Cutoff frequecy. The width of this bad ca be varied. This uit modifies the toe of the soud output from Pitch by cuttig the output of a specific frequecy portio of the soud. Level Rage passed Cutoff Frequecy ad Resoace Here s how filters work. I the example below (a low pass filter), a portio of the sigal lower tha a give frequecy is allowed to pass, ad sigals above that frequecy are cut. This frequecy is referred to as the Cutoff frequecy. You ca produce a relatively bright or darker soud by settig the cutoff. Resoace is a parameter that boosts the level of the sigal i the area of the cutoff frequecy. By emphasizig the overtoes i this area, this ca produce a distictive peaky toe, makig the soud brighter ad harder. Level Cutoff frequecy Bad Elimiatio Filter This atteuates a bad of sigals aroud the Cutoff frequecy, but passes everythig else. Level Cutoff rage Ceter frequecy Cutoff rage Frequecy Level These frequecies are passed by the filter. Frequecy (pitch) Rage passed Ceter frequecy Frequecy Basic Structure Cutoff frequecy Resoace Frequecy (pitch) FEG (Filter Evelope Geerator) Usig the FEG, you ca cotrol the trasitio i toe from the momet the soud starts to the momet the soud stops. You ca create the FEG by settig parameters as illustrated below. Whe you press a ote o the keyboard, the cutoff frequecy will chage accordig to these evelope settigs. This is useful for creatig automatic wah or filter sweep effects, for example. Furthermore, differet FEG parameters ca be set for each Elemet or each Key. About the mai Filter types The Low Pass Filter is show i the illustratio above however, this sythesizer features four other Filter types as show below. Low Pass Filter (above) This passes oly those sigals below the Cutoff frequecy. You ca the use the Reso (Resoace) parameter to add further character to the soud. High Pass Filter This passes oly those sigals above the Cutoff frequecy. You ca the use the Reso (Resoace) parameter to add further character to the soud. Cutoff Frequecy 0 Hold Level Hold Time Attack Time Attack Level Pressig the key (Key o) Decay1 Time Decay1 Level Decay2 Time Sustai Level (Decay2 Level) Release Time Release Level Time Releasig the key (Key off) Level Resoace These frequecies are passed by the filter. Cutoff frequecy Ower s Maual 133

134 Iteral Structure (System Overview) Amplitude [VOICE] Voice selectio [EDIT] Elemet selectio/ Drum Key selectio [F4] AMP This uit cotrols the output level (amplitude) of the soud output from the Filter block. The sigals are the set at this level to the Effect block. Also, by settig the AEG (Amplitude Evelope Geerator), you ca cotrol how the volume chages over time. Sigle Timbre Toe Geerator (Voice/ Performace ) ad Multi-timbral Toe Geerator (Sog/Patter ) The iteral toe geerator block operates i two differet ways (Sigle timbre ad Multi-timbral) depedig o the selected. The differece betwee the two is whether or ot they ca hadle multiple MIDI chaels at the same time. Basic Structure AEG (Amplitude Evelope Geerator) Usig the AEG, you ca cotrol the trasitio i volume from the momet the soud starts is to the momet the soud stops. You ca create the AEG by settig parameters as illustrated below. Whe you press a ote o the keyboard, the volume will chage accordig to these evelope settigs. Furthermore, differet AEG parameters ca be set for each Elemet or each Key. Iitial Level Level (Volume) 0 Attack Time Attack Level Decay1 Time Decay1 Level Decay2 Time Sustai Level (Decay2 Level) Release Time Release Level Time Sigle Timbre Toe Geerator (Voice/Performace ) A MIDI toe geerator that receives over a sigle MIDI chael ad plays a sigle istrumet part is referred to as a sigle timbre toe geerator. This is the operatig status of the iteral toe geerator i the Voice ad Performace s. To set the MIDI receive chael for sigle timbre operatio (Voice ad Performace s), use the followig operatio i the Utility. [UTILITY] [F5] MIDI [SF1] CH BasicRcvCh Multi-timbral Toe Geerator (Sog/Patter ) A MIDI toe geerator that simultaeously receives over multiple MIDI chaels ad plays multiple istrumet parts is referred to as a multi-timbral toe geerator. This allows playback of multi-chael MIDI sog data such as o a MIDI sequecer or computer with each iteral part beig assiged to ad played by a differet track or chael. This is the operatig status of the iteral toe geerator i the Sog ad Patter s. Pressig the key (Key o) LFO (Low Frequecy Oscillator) Releasig the key (Key off) [VOICE] Voice selectio [EDIT] Elemet selectio/ Drum Key selectio [F5] LFO To set the MIDI receive chael for multi-timbral operatio (Sog ad Patter s), use the followig operatio i the Utility. [SONG] or [PATTERN] [MIXING] [EDIT] Part selectio [F1] VOICE [SF2] MODE ReceiveCh Whe usig a exteral MIDI sequecer or computer to play this istrumet, make sure to use the Sog or Patter. [VOICE] Voice selectio [EDIT] [COMMON] [F5] LFO As its ame suggests, the LFO produces a wave of a low frequecy. These waves ca be used to vary the pitch, filter or amplitude of each Elemet to create effects such as vibrato, wah ad tremolo. LFO ca be set idepedetly for each Elemet; it ca also be set globally for all Elemets. Maximum Polyphoy Maximum polyphoy refers to the highest umber of otes that ca be souded simultaeously from the iteral toe geerator of the istrumet. The maximum polyphoy of this sythesizer is 64. Whe the iteral toe geerator block receives a umber of otes exceedig the maximum polyphoy, previously played otes are cut off. Keep i mid this may be especially oticeable with Voices ot havig decay. Furthermore, the maximum polyphoy applies to the umber of voice elemets used, ot the umber of voices. Whe the ormal voices that iclude up to four elemets are used, the maximum umber of simultaeous otes may be less tha Ower s Maual

135 Iteral Structure (System Overview) Part structure of the Toe Geerator block The MO plays the souds i its toe geerator block i respose to MIDI messages received from exteral cotrollers or sequecer. The MIDI messages are assiged to sixtee idepedet chaels, ad the istrumet is capable of simultaeously playig sixtee separate Parts, via the sixtee MIDI chaels. However, the sixtee-chael limit ca be overcome by usig separate MIDI ports, each supportig sixtee chaels. The USB cable supports up to eight separate MIDI ports. However, the toe geerator i the MO supports oly oe port. A sigle MIDI cable/coectio caot hadle data over multiple MIDI ports. Part structure of the toe geerator block i the Voice I this, a Voice is played usig a sigle Part. The toe geerator block i the Voice receives MIDI data over a sigle chael. For this reaso, sog data o a exteral sequecer cosistig of multiple MIDI chaels will ot play back properly i this. If you are usig a exteral MIDI sequecer or computer to play the istrumet, make sure to use the Sog or Patter. To set the MIDI receive chael for sigle timbre operatio (Voice ad Performace s), use the followig operatio i the Utility. [UTILITY] MIDI display BasicRcvCh I the Performace, the istrumet recogizes oly data over MIDI Port 1. Part structure of the toe geerator block i the Sog /Patter This lets you use multiple Parts ad assig differet Voices to be played back for each Part. Sice differet MIDI chaels ca be set for each Part of the toe geerator block, you ca use a exteral MIDI sequecer to play the souds. As illustrated below, the sequece data of each track plays the correspodig Parts (those havig the same MIDI chael assigmet) i the toe geerator block. Toe geerator block Sog/Patter Mode MIDI Port 1 (for the iteral toe geerator) Part 1 Part 2 Part 14 Part 15 Part 16 Basic Structure Toe geerator block Voice MIDI port Part 1 To set the MIDI receive chael for sigle timbre operatio (Voice ad Performace s), use the followig operatio i the Utility. [UTILITY] MIDI display BasicRcvCh I the Voice, the istrumet recogizes oly data over MIDI Port 1. Part structure of the toe geerator block i the Performace This lets you play a Performace (i which multiple Voices or Parts are combied i a layer, or i other cofiguratios). While a total of seve Parts are available i this (as show below), a maximum of four Parts ca be used simultaeously. Although this lets you play several Parts at the same time, all are set to receive over the same sigle MIDI chael, as i the Voice. For this reaso, sog data o a exteral sequecer cosistig of multiple MIDI chaels will ot play back properly i this. If you are usig a exteral MIDI sequecer or computer to play the istrumet, make sure to use the Sog or Patter. Toe geerator block Performace Mode MIDI Port 1 Part 1 Part 2 Part 3 Part 4 Part 5 Parts for the iteral toe geerator The MIDI Trasmit Chael/Port of the Sog/Patter ca be set with the followig operatio. I the Sog : [SONG] Sog selectio [F3] TRACK [SF1] CHANNEL I the Patter : [PATTERN] Patter selectio [F3] TRACK [SF1] CHANNEL Whe soudig the iteral toe geerator block, assig the tracks to Trasmit Port 1 ad use Parts Keep i mid that data over Trasmit Ports 2 or 3 caot soud the iteral toe geerator block. The MIDI Receive Chael of the toe geerator s part ca be set with the followig operatio. I the Sog : [SONG] Sog selectio [MIXING] [EDIT] Part selectio [F1] VOICE [SF2] MODE ReceiveCh I the Patter : [PATTERN] Patter selectio [MIXING] [EDIT] Part selectio [F1] VOICE [SF2] MODE ReceiveCh For details about MIDI, see page 223. The Voice ad related settigs (volume, pa, etc.) are souded by the keyboard accordig to the Part parameters i the Mixig settigs of the curret Sog/Patter ad Part. Other settigs such as Cotrollers ad Effect types correspod to the Commo parameters i the Mixig settigs of the curret Sog/Patter. Part 16 Parts 5 16 are ot used. Ower s Maual 135

136 Iteral Structure (System Overview) Sequecer Block This block lets you create Sogs ad Patters by recordig ad editig your performaces as MIDI data (from the cotroller block), the playig it back with the toe geerator block. The sequecer block ca be operated i the Sog, i the Patter, ad with the Arpeggio feature. Whe a Sog or a Patter is played back, the musical data of each sequece track is trasmitted to the toe geerator block accordig to the Trasmit Chael settigs. Sogs ca be played back oly i the Sog. They caot be played back i other s. Patters ca be played back oly i the Patter. They caot be played back i other s. Arpeggios ca be played back i ay. Sogs ad Patters Sogs ad Patters are MIDI sequece data cosistig of up to 16 tracks. A Sog o this sythesizer is effectively the same as a Sog o a MIDI sequecer, ad playback automatically stops at the ed of the recorded data. I the MO, the term Patter refers to a relatively short musical or rhythmic phrase 1 to 256 measures which is used for looped playback. Therefore, oce Patter playback starts, it cotiues util you press the [ ] (Stop) butto. This sythesizer features a variety of preset Phrase data that is used as the basic material i makig up Patters. Basic Structure Sog data structure The followig illustratio shows the track structure of a Sog. Sogs are created by recordig MIDI sequece data to idividual tracks ad by settig toe geerator related parameters (i Sog Mixig). Sog 64 Sog 63 Sog 02 Sog 01 Tempo track Scee track Tempo chage Track mute status/scee memory chage/arpeggio type chage (icludig tempo, traspose, etc.) Musical performace data Scee 1 Scee 2 Scee 3 Scee 4 Scee 5 Track 1 Track 2 Track 3 MIDI sequece data MIDI sequece data MIDI sequece data Groove, Trasmit Chael/Port, Track loop settigs Groove, Trasmit Chael/Port, Track loop settigs Groove, Trasmit Chael/Port, Track loop settigs Track 16 MIDI sequece data Groove, Trasmit Chael/Port, Track loop settigs Sog Mixig (Toe Geerator related settigs) Part 1 Part 2 Part 3 Mixig settigs Mixig settigs Mixig settigs Mixig Commo Edit Parameters applied to all the parts Part 16 Mixig settigs Mixig Voice 16 Mixig Voice 01 Set i the Sog Play Created i the Sog Record, Sog Edit, ad Sog Job Set i the Sog Mixig ad Sog Mixig Edit Created i the Mixig Voice Edit 136 Ower s Maual

137 Iteral Structure (System Overview) Sog Mixig Eve if you record your keyboard performace to a Sog track, the setup data (o-ote evets such as voice, pa, volume) which for proper playback should be recorded at the top of the Sog will ot be recorded to it. For this reaso, the setup data hadled as Sog Mixig settigs should be stored i the Sog Mixig Store. Because the Sog Mixig is a collectio of settigs related to the toe geerator, it ca be applied to the sequece data trasmitted from the exteral MIDI sequecer as well as this sythesizer s Sog playback. Scee A Sog Scee is a sapshot of importat settigs, ad cotais parameter settigs such as traspose, tempo, ad track mute ad the toe geerator related parameters cotrollable from the Kobs with the [PAN/SEND] or [TONE] lamp tured o, ad the Cotrol sliders. Five settigs ca be registered to the [SF1] [SF5] buttos for each Sog. Sog Chai This fuctio allows Sogs to be chaied together for automatic sequetial playback. The Sog Chai ca be created ad played back from the [SONG] [F6] CHAIN display. This istrumet allows you to create oe Sog Chai data. Sog 1 Sog 22 Sog 15 Patter data structure The followig illustratio shows the track structure of a Patter. Patters are created by recordig MIDI sequece data to idividual tracks, by assigig Phrases (Preset ad User) which comprise the material for a Patter to idividual tracks, ad by settig toe geerator related parameters (i a Patter Mixig). Basic Structure Patter 64 Patter 01 Groove, Trasmit Chael/Port, Track loop, Track Voice settigs Patter Mixig (Toe Geerator related settigs) Part 1 Part 2 Part 3 Mixig settigs Mixig settigs Mixig settigs Mixig Commo Edit Parameters applied to all the parts Part 16 Mixig settigs User Phrase (MIDI sequece data) Patter Chai Mixig Voice 16 User Phrase (MIDI sequece data) A B P 16 Sectios Mixig Voice 01 User Phrase Copy the Phrase recorded to a track of aother Patter Track 1 Track 2 Track 3 MIDI sequece data MIDI sequece data MIDI sequece data Preset Phrase (MIDI sequece data) Track 16 MIDI sequece data The Patch fuctio lets you assig a Phrase to each track. Set i the Patter Play Created i the Patter Record, Patter Edit, ad Patter Job Set i the Patter Mixig ad Patter Mixig Edit Created i the Mixig Voice Edit Created i the Patter Chai Preset Phrase Ower s Maual 137

138 Iteral Structure (System Overview) Patter Mixig Eve if you record your keyboard performace to a Patter track, the setup data (o-ote evets such as voice, pa, volume) which for proper playback should be recorded at the top of the Patter will ot be recorded to it. For this reaso, the setup data hadled as Patter Mixig settigs should be stored i the Patter Mixig Store. Ulike the Sog, oly the voice umber is recorded to a track as a Track Voice (Phrase Voice) which is used for playback ormally. Because the Patter Mixig is a collectio of settigs related to the toe geerator, it ca be applied to the sequece data trasmitted from the exteral MIDI sequecer as well as this sythesizer s Patter playback. MIDI tracks MIDI tracks are created by recordig your keyboard performace i the Sog Record /Patter Record. MIDI track recordig method [SONG] or [PATTERN] [REC] (Record) [F1] SETUP Type The followig explaatios are importat poits for you to keep i mid as you record your User Sogs/Patters. The recordig methods explaied here should be set from the Setup display i the Sog Record /Patter Record before recordig. Basic Structure Sectio A Patter cosists of oe or more Sectios (Patter variatios). You ca play the Patter by specifyig a Sectio after selectig a Patter. Phrase This is the basic MIDI sequece data ad the smallest uit used i creatig a Patter. Phrase is a short musical/ rhythmic passage for a sigle istrumet, such as a rhythm patter for the rhythm part, a bass lie for the bass part, or a chord backig for the guitar part. This sythesizer features 687 Preset Phrases, ad cotais memory space for 256 of your ow origial User Phrases. Realtime recordig ad Step recordig Realtime recordig With realtime recordig, the istrumet fuctios i the same way as a tape recorder, recordig the performace data as it is played. This allows you to capture all the uaces of a actual performace. This method is used for the Recordig types explaied below, such as Replace, Overdub, Loop, ad Puch I/Out. Step recordig (Type = step) With step recordig, you ca compose your performace by writig it dow oe evet at a time. This is a o-realtime, step recordig method similar to writig music otatio oto paper. Patter Chai Patter Chai allows you to strig several differet Sectios (withi a sigle Patter) together to make a sigle Sog. You ca have the sythesizer automatically chage Sectios by creatig Patter Chais i this way beforehad. You ca create the Patter Chai by recordig a Patter playback with Sectio chages from the [PATTERN] [F6] CHAIN display or by editig the timig of Sectio chages from the [PATTERN] [F6] CHAIN [EDIT] display. The created Patter Chai ca be played back whe callig up the [PATTERN] [F6] CHAIN display. You ca also use them whe creatig Sogs based o a certai Patter, sice the created Patter Chai ca be coverted ito a Sog from the [PATTERN] [F6] CHAIN [EDIT] [F3] SONG display. This sythesizer lets you create oe Patter Chai for each Patter. Replace ad Overdub (Sog/Patter) Replace You ca use this method whe you wat to overwrite a already recorded track with ew data. The first recordig is lost, ad the ew oe takes its place. Overdub You ca use this method whe you wat to add more data to a track that already cotais data. The first recordig is kept, ad the ew oe is added. This method lets you build up a complex phrase together with Loop recordig (below). Patter Chai Patter track Scee track Tempo track Sectio chage Track mute settig Tempo chage Example Sectio J Sectio H Sectio P 138 Ower s Maual

139 Iteral Structure (System Overview) Loop Recordig (Patter) [PATTERN] [REC] (Record) [F1] SETUP loop = o Patter repeats the rhythm patter of several measures (1 to 256 measures) i a loop, ad its recordig is also doe usig loops. This method is used whe recordig a Patter Phrase usig the Overdub method (above). As show i the example below, otes that you record will play back from the ext repetitio (loop), lettig you record while hearig previously recorded material. Whe recordig a rhythm of Bass Drum, Sare Drum, Hi-Hat cymbal i order: Loop 1st roud Bass Drum Loop 2d roud Sare Drum Bass Drum Basic Structure Loop 3rd roud Hi-Hat Sare Drum Bass Drum Loop Recordig ca oly be used with Realtime recordig. Puch I/Out (Sog) You ca use this method whe you wat to re-record oly over a specific area of the track. You ll eed to set the start ad ed poits before re-recordig. I the eight-measure example below, the third measures through the fifth measure are re-recorded. Before re-recordig Recordig start Recordig stop Puch i Puch out After re-recordig Newly recorded data Puch I/Out Recordig ca oly be used with Realtime recordig. Note that the Puch I/Out method always replaces (destroys) the origial data over the specified area. Ower s Maual 139

140 Iteral Structure (System Overview) Effect Block This block applies effects to the output of the toe geerator block, processig ad ehacig the soud usig sophisticated DSP (digital sigal processig) techology. Basic Structure Effect structure The effect processig of this sythesizer features the System Effects, Isertio Effects, Master Effect, Part EQ (Equalizer), ad Master EQ (Equalizer). System Effects (Reverb, Chorus) System Effects are applied to the overall soud, whether it be a Voice, Performace, Sog, ad Patter. With System effects, the soud of each Part is set to the effect accordig to the effect Sed Level for each Part. The processed soud (referred to as wet ) is set back to the mixer, accordig to the Retur Level, ad output after beig mixed with the uprocessed dry soud. This arragemet lets you prepare a optimum balace of the effect soud ad the origial soud of the Parts. Reverb The Reverb effects add a warm ambiece to the soud, simulatig the complex reflectios of actual performace spaces, such as a cocert hall or a small club. A total of 20 differet Reverb types are available. Bypassig the Effects (Effect Off) You ca bypass the Master Effect by turig o the [MASTER EFFECT] butto with a sigle touch. The System Effect(s) or Isertio Effect(s) ca be bypassed by turig o the [EFFECT BYPASS] butto. From the followig display, you ca select the specific effect(s) to be bypassed with the [EFFECT BYPASS] butto. [UTILITY] [F1] GENERAL {SF3] EF BYPS Cotrollig the Master effect by usig the Kobs Whe pressig the [ARP FX] butto ad the [EQ] butto simultaeously (both lamps light), you ca cotrol the kobs to adjust the Master effect related parameters specified i the [UTILITY] [F4] CTL ASN [SF5] MEF display of the Utility. Chorus The Chorus effects use various types of modulatio processig, icludig flager ad phaser, to ehace the soud i a variety of ways. A total of 49 types are available, icludig reverb ad delay effects. Isertio Effects A, B Isertio effects ca be applied idividually to each part. Isertio effects are maily used to directly process a sigle part. The depth of the effect is adjusted by settig the dry/wet balace. Sice a Isertio effect ca oly be applied to oe particular part, it should be used for souds you wat to drastically chage or for souds that use a effect uiteded for other souds. You ca also set the balace so that oly the effect soud is heard, by settig Wet to 100%. This sythesizer features three sets of Isertio effects (oe set has A ad B uits). They ca be applied to three Parts (maximum) of the Performace, Sog, ad Patter. A total of 116 differet Chorus types are available. I the Voice, oly oe set of the Isertio effects is available. Master Effect This block applies effects to the fial stereo output sigal of the etire soud. A total of 8 differet Master Effect types are available. 140 Ower s Maual

141 Iteral Structure (System Overview) Equalizer (EQ) Usually a equalizer is used to correct the soud output from amps or speakers to match the special character of the room, or to chage the toal character of the soud. The soud is divided ito several frequecy bads, ad adjustmets are made to the soud by raisig or lowerig the level of each bad. By adjustig the soud accordig to the gere classical music beig more refied, pop music more crisp, ad rock music more dyamic you ca draw out the special characteristics of the music ad make your performace more ejoyable. Three separate EQ sectios are available o the istrumet: Elemet EQ, Part EQ, ad Master EQ. Part EQ [PERFORM] Performace selectio [EDIT] Part selectio [F3] EQ [SONG]/[PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F3] EQ This 3-bad EQ is applied to each part of the Performace/ Sog/Patter, The high bad ad low bad are the shelvig type. The middle bad is the peakig type. Gai + 0 Q (frequecy badwidth) Frequecy Elemet EQ [VOICE] Voice selectio [EDIT] Elemet selectio/key selectio [F6] EQ 3 bads LOW MID HIGH The Elemet EQ is applied to each elemet of the Normal Voice ad each key of the Drum Voice. You ca specify which shape is used amog the two shapes described below ad set the related parameters. Peakig type This type of EQ shape lets you atteuate/boost the sigal at the specified Frequecy settig. Gai + The part EQ is ot available i the Voice. Master EQ [VOICE] Voice selectio [UTILITY] [F3] VOICE [SF1] MEQ [PERFORM] Performace selectio [EDIT] [COMMON] [F2] OUT/MEF [SF2] MEQ [SONG]/[PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F2] MEQ/MEF [SF1] MEQ Basic Structure 0 Frequecy Master EQ is applied to the fial (post-effect), overall soud of the istrumet. I this EQ, all bads ca be set to peakig, or the lowest ad highest bads ca be set to shelvig (as show below). EQ for which all bads are set to peakig type Shelvig type This type of EQ shape lets you atteuate/boost the sigal at frequecies above or below the specified Frequecy settig. Gai + Q (frequecy badwidth) Gai Low Gai High Gai + 0 Frequecy 0 Frequecy 3 bads LOW LOWMID MID HIGHMI HIGH Low Freq High Freq EQ for which LOW ad HIGH are set to shelvig type I additio to the idividual gai cotrols, there is also a overall level parameter that atteuates/boosts the etire frequecy rage. Gai + Q (frequecy badwidth) 0 Frequecy 5 bads LOW LOWMID MID HIGHMID HIGH Ower s Maual 141

142 Iteral Structure (System Overview) Effect coectio i each I the Voice The Effect parameters i the Voice are set for each Voice ad the settigs are stored as a User Voice. Note that the Master Effect ad Master EQ parameters are set for all the Voices i the Utility. Oce the Master Effect ad EQ settigs have bee made, they ca be stored as System settigs by pressig the [STORE] butto. [VOICE] Voice selectio [EDIT] [COMMON] [F6] EFFECT [SF1] CONNECT System effects (Reverb effect ad Chorus effect) Chorus Ctg, Chorus Typ (Chorus Effect Category, Chorus Effect Type) Reverb Typ (Reverv Effect Type) Determies the effect type for Chorus. Chorus Sed, Reverb Sed Determies the level of the soud (from Isertio A or B, or the bypassed sigal) that is set to Chorus/Reverb effect. Settigs: Basic Structure Toe Geerator block Elemet 1-4 Effect Output EL: OUT 1-4 Elemet or Key Elemet EQ Determies which Isertio effect (A or B) is used to process each idividual Elemet (Key). The thru settig lets you bypass the Isertio effects for the specific Elemet. Isertio effects Is A Ctgry, Is B Ctgry (Isertio effect Category), Is A Type, Is B Type (Isertio effect Type) Determies the effect type for Isertio A or B. Is EF Coect (Isertio Effect Coect) Reverb Sed Chorus Sed Chorus Retur, Reverb Retur Chorus Pa, Reverb Pa Determies the Retur level ad pa positio settig for the Chorus/Reverb effect. Settigs: 0 127, L63 (far left) C (ceter) R63 (far right) Chorus to Reverb Determies the Sed level of the sigal set from the Chorus Effect to the Reverb Effect. Settigs: Reverb Retur Chorus Retur Master effect Master EQ Output Settigs: isa, isb, thru Determies the effect routig for Isertio effects A ad B. The settig chages are show o the diagram i the display, givig you a clear picture of how the sigal is routed. [VOICE] [UTILITY] [F3] VOICE [SF2] MEF (for all Voices) [VOICE] [UTILITY] [F3] VOICE [SF1] MEQ (for all Voices) [VOICE] Voice selectio [EDIT] [COMMON] [F1] GENERAL [SF3] MEQ OFS Settigs Is A to B Is B to A Para A A A B B B 142 Ower s Maual

143 Iteral Structure (System Overview) I the Performace The Effect parameters i the Performace are set for each Performace. System effects (Reverb effect ad Chorus effect) Chorus Ctg, Chorus Typ (Chorus Effect Category, Chorus Effect Type) Reverb Typ (Reverb Effect Type) Determies the effect type for Chorus. [PERFORM] Performace selectio [EDIT] [COMMON] [F6] EFFECT [SF1] CONNECT Chorus Sed, Reverb Sed Determies the level of the soud (from Isertio A or B, or the bypassed sigal) that is set to Chorus/Reverb effect. These parameters ca be set i the Performace i the [F2] OUT/MEF display (*3). Settigs: Chorus Retur, Reverb Retur Chorus Pa, Reverb Pa Determies the Retur level ad pa positio settig for the Chorus/Reverb effect. Settigs: 0-127, L63 (far left) - C (ceter) - R63 (far right) Chorus to Reverb Determies the Sed level of the sigal set from the Chorus Effect to the Reverb Effect. Settigs: 0 ~ 127 The Isertio coectio type depeds o the settig of the Voice assiged to the selected Part. Toe Geerator block Part 1 Part EQ *2 *1 Part 1 Isertio Effect (VCE INS) A B *3 Reverb Sed Chorus Sed Reverb Retur Chorus Retur Master effect [PERFORM] Performace selectio [EDIT] [COMMON] [F2] OUT/MEF [SF3] MEF *4 Master EQ Output Basic Structure *1 Select the part to which the Isertio effect is applied. The Isertio effect depeds o the settig of the Voice assiged to the selected part. [PERFORM] Performace selectio [EDIT] [COMMON] [F6] EFFECT [SF2] INS SW *2 [PERFORM] Performace selectio [EDIT] Part selectio [F3] EQ *3 [PERFORM] Performace selectio [EDIT] [COMMON] [F2] OUT/MEF [SF1] OUT *4 [PERFORM] Performace selectio [EDIT] [COMMON] [F2] OUT/MEF [SF2] MEQ [PERFORM] Performace selectio [EDIT] [COMMON] [F1] GENERAL [SF3] MEQ OFS Ower s Maual 143

144 Iteral Structure (System Overview) I the Sog/Patter The Effect parameters i the Sog/Patter are set for each Sog/Patter. System effects (Reverb effect ad Chorus effect) Chorus Ctg, Chorus Typ (Chorus Effect Category, Chorus Effect Type) Reverb Typ (Reverb Effect Type) Determies the effect type for Chorus. [SONG]/[PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F6] EFFECT [SF1] CONNECT Chorus Sed, Reverb Sed Determies the level of the soud (from Isertio A or B, or the bypassed sigal) that is set to Chorus/Reverb effect. These Parameters ca be set i the Sog/Patter Mixig (*3) Settigs: Settigs: Chorus Retur, Reverb Retur Chorus Pa, Reverb Pa Determies the Retur level ad pa positio settig for the Chorus/Reverb effect. Settigs: 0 127, L63 (far left) C (ceter) R63 (far right) Chorus to Reverb Determies the Sed level of the sigal set from the Chorus Effect to the Reverb Effect. Settigs: 0 ~ 127 Basic Structure Toe Geerator block Part 1 Part EQ *2 *1 Part 1 Isertio Effect (VCE INS) A B *3 Reverb Sed Chorus Sed Reverb Retur Chorus Retur Master effect [SONG]/[PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F2] MEQ/ MEF [SF2] MEF 4* Master EQ Output *1 Select the part to which the Isertio effect is applied. The Isertio effect depeds o the settig of the Voice assiged to the selected part. [SONG]/[PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F6] EFFECT [SF2] INS SW *2 [SONG]/[PATTERN] Sog/Patter selectio [MIXING] [EDIT] Part selectio [F3] EQ *3 [SONG]/[PATTERN] Sog/Patter selectio [MIXING] [F4] EF SEND *4 [SONG]/[PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F2] MEQ/MEF [SF2] MEQ [SONG]/[PATTERN] Sog/Patter selectio [MIXING] [EDIT] [COMMON] [F1] GENERAL [SF3] MEQ OFS 144 Ower s Maual

145 Iteral Structure (System Overview) Arpeggio This fuctio lets you automatically trigger musical ad rhythmic phrases usig the curret Voice by simply pressig a ote or otes o the keyboard. The Arpeggio sequece also chages i respose to the actual otes or chords you play, givig you a wide variety of ispirig musical phrases ad ideas both i composig ad performig. A sigle Arpeggio type ca be played back at the same time eve i the Performace, Sog, ad Patter, eablig you to play multiple toe geerator s parts simultaeously. Category of the Arpeggio type The Arpeggio types are divided ito 18 categories as listed below. LCD Category Name Descriptio Seq Syth Sequece Various arpeggio phrases suited for syth voices. ChSq Syth Chord Sequece Various rhythmic chord phrases or syth voices. HySq Syth Hybrid Sequece Various arpeggio types programmed so that bass phrases are played with the lower keys ad chords or melodies are played with the midrage ad higher keys. These arpeggio types ar e useful for split voice combiatios. I additio, there are also Hybrid Velocity ( HybVel... ) types that feature differet phrases for differet velocity rages, lettig you chage the arpeggio phrase depedig o how str ogly you play the keyboard. APKb Acoustic Piao & Keyboard Various arpeggio types suited for piao ad other keyboard voices, such as electric piao ad clav. Org Orga Various arpeggio types suited for orga voices. GtPl Guitar & Plucked Various arpeggio types suited for guitar ad harp voices. GtKM Guitar Keyboard Mega Voice Various arpeggio types suited for guitar Keyboard Mega voices (see ote below). Bass Bass Various arpeggio types suited for bass or syth bass voices. BaKM Bass Keyboard Mega Voice Various arpeggio types suited for bass Keyboard Mega voices (see ote below). Basic Structure Str Strigs Various arpeggio types suited for strigs ad pizzicato voices. Bras Brass Various arpeggio types suited for brass voices. RdPp Reed & Pipe Various arpeggio types suited for saxophoe ad flute voices. Lead Syth Lead Various arpeggio types suited for syth lead voices. PdMe Syth Pad & Musical FX Various arpeggio types suited for syth pad voices ad special musical ef fects voices, icludig percussive souds. CPrc Chromatic Percussio Various arpeggio types suited for chromatic percussio voices. DrPc Drum & Percussio Various arpeggio types suited for drum ad percussio voices (drum kits). Comb Combiatio Various arpeggio types suited for Performaces. These are combiatio arpeggios, with separate phrases suitable for drum voices, bass voices, ad chord/melody istrumets. Ctr Cotrol Various arpeggio types programmed primarily with Cotrol Chage ad Pitch Bed data. These arpeggio types chage the toe or pitch of the soud, rather tha play specifi c otes. I fact, some types cotai o ote data at all. Whe usig a type of this categor y, set the KeyMode parameter to direct i each. Ower s Maual 145

146 Iteral Structure (System Overview) Arpeggio playback types The MO features a total of 1787 Arpeggio types divided ito 18 categories, each with its ow playback type desiged for use with particular types of Voices, as described below. Arpeggios for Normal Voices Arpeggio types (belogig to the categories except for the DrPC ad Ctr) created for use of Normal Voices have the followig two playback types. Playback oly of the played otes Playback of a programmed sequece accordig to the played chord The Arpeggio is played back usig oly the played ote ad its octave otes. These Arpeggio types have the several sequeces each of which is suited for a certai chord type. Eve if you press oly oe ote, the Arpeggio is played back usig the programmed sequece meaig that otes other tha the oes you play may be souded. Addig otes to those already held chages the sequece accordigly i other words, the arpeggio plays back accordig to the chord you play. The two playback types above are ot distiguished by the category ame or type ame. You ll have to actually play the types ad hear the differece. Sice these types are programmed for Normal Voices, usig them with Drum Voices may ot give musically appropriate results. Arpeggios for Drum/Percussio Voices Category: DrPc These arpeggio types are programmed specifically for use with Drum Voices, givig you istat access to various rhythm patters. Three differet playback types are available. Basic Structure Playback of a drum patter Playback of a drum patter, plus additioal played otes (assiged drum istrumets) Playback oly of the played otes (assiged drum istrumets) Pressig ay ote(s) will trigger the same rhythm patter. Pressig ay ote will trigger the same rhythm patter. Addig otes to the oe already held produces additioal souds (assiged drum istrumets) for the drum patter. Playig a ote or otes will trigger a rhythm patter usig oly the otes played (assiged drum istrumets). Keep i mid that eve if you play the same otes, the triggered rhythm patter differs depedig o the order of the otes played. This gives you access to differet rhythm patters usig the same istrumets simply by chagig the order i which you play the otes. The three playback types above are ot distiguished by the category ame or type ame. You ll have to actually play the types ad hear the differece. Sice these types are programmed for Drum Voices, usig them with Normal Voices may ot give musically appropriate results. Arpeggios for Performaces Category: Comb The Arpeggio types belogig to the category Comb are programmed so that differet arpeggios are triggered a arpeggio for a Normal Voice ad a arpeggio for a Drum Voice depedig o the played ote. These types are useful i the Performace i which multiple voices (Drum Voice ad Normal Voice) are combied i a layer sice these types eable you trigger the arpeggio for the Normal Voice ad the Drum Voice at the same time. Arpeggios cotaiig maily o-ote evets Category: Ctr These arpeggio types are programmed primarily with Cotrol Chage ad Pitch Bed data. They are used to chage the toe or pitch of the soud, rather tha play specific otes. I fact, some types cotai o ote data at all. Whe usig a type of this category, set the KeyMode parameter to direct with the followig operatios. Voice Performace Sog Patter [VOICE] Voice selectio [EDIT] [COMMON] [F3] ARP [SF1] TYPE KeyMode [PERFORM] Performace selectio [EDIT] [COMMON] [F3] ARP [SF1] TYPE KeyMode [SONG] Sog selectio [MIXING] [EDIT] [COMMON] [F3] ARP [SF1] TYPE KeyMode [PATTERN] Patter selectio [MIXING] [EDIT] [COMMON] [F3] ARP [SF1] TYPE KeyMode 146 Ower s Maual

147 Iteral Structure (System Overview) Arpeggio related parameters The Arpeggio related parameters ca be set from the followig displays, depedig o the selected. Voice Arpeggio type parameters called up whe selectig a Voice [VOICE] Voice selectio [F6] ARP Page 152 [VOICE] Voice selectio [EDIT] [COMMON] [F3] ARP Page 154 Assigig Arpeggio types to the [SF1] [SF5] buttos for each Voice [VOICE] Voice selectio [F1] PLAY Page 151 MIDI output parameters for Arpeggio playback for all the Voices [VOICE] [UTILITY] [F3] VOICE [SF3] ARP CH Page 206 MIDI output parameters for Arpeggio playback are set for each Voice i the Voice. I the other s, however, they ca be set for each Performace, Sog, ad Patter. Performace Arpeggio type parameters called up whe selectig a Performace (icludig MIDI output parameters for Arpeggio playback) Assigig Arpeggio types to the [SF1] [SF5] buttos for each Performace [PERFORM] Performace selectio [F6] ARP Page 171 [PERFORM] Performace selectio [EDIT] [COMMON] [F3] ARP Page 173 [PERFORM] Performace selectio [F1] PLAY Page 171 Sog Parameters related to the Arpeggio type called up whe selectig a Sog (icludig MIDI output parameters for Arpeggio playback) [SONG] Sog selectio [MIXING] [EDIT] [COMMON] [F3] ARP Page 190 Basic Structure Assigig Arpeggio types to the [SF1] [SF5] buttos for each Sog [SONG] Sog selectio [F1] PLAY Page 178 [SONG] Sog selectio [RED] (Record) [F3] ARP Page 180 Arpeggio type parameters i recordig [SONG] Sog selectio [REC] (Record) [F4] REC ARP Page 180 Arpeggio related parameters i the Sog belog to the Mixig. Therefore, if desired, store them to iteral memory (DRAM) i the Sog Mixig Store ad save them to the USB storage device as Sog data i the File. Patter Parameters related to the Arpeggio type called up whe selectig a Patter (icludig MIDI output parameters for Arpeggio playback) [PATTERN] Patter selectio [MIXING] [EDIT] [COMMON] [F3] ARP Page 202 Assigig Arpeggio types to the [SF1] [SF5] buttos for each Patter [PATTERN] Patter selectio [F1] Play Page 196 [PATTERN] Patter selectio [REC] (Record) [F3] ARP Page 198 Arpeggio type parameters i recordig [PATTERN] Patter selectio [REC] (Record) [F4] REC ARP Page 198 Arpeggio related parameters i the Patter belog to the Mixig. Therefore, if desired, store them to iteral memory (DRAM) i the Patter Mixig Store ad save them to the USB storage device as Patter data i the File. Ower s Maual 147

148 Iteral Memory ad File Maagemet Iteral Memory ad File Maagemet As you use the MO, you ll create may differet kids of data, icludig Voices, Performaces, Sogs, ad Patters. This sectio describes how to maitai the various types of data ad use the memory devices/media for storig them. Maitaiig data You ca maitai the data you ve created via the followig three methods. Store This is a process of trasferrig or savig the created data of this sythesizer to a dedicated locatio (User Memory) i the iteral memory. Each type of data ca be stored with the followig operatios. Voice [VOICE] Voice selectio [STORE] Page 168 Performace [PERFORM] Performace selectio [STORE] Page 177 Sog Mixig [SONG] Sog selectio [MIXING] [STORE] Page 192 Patter Mixig [PATTERN] Patter selectio [MIXING] [STORE] Page 202 Basic Structure Mixig Voice [SONG] or [PATTERN] Sog/Patter selectio [MIXING] [F5] VCE ED [STORE] Page 204 Master [MASTER] Master selectio [STORE] Page 218 System settigs [UTILITY] [STORE] * Page 205 * Please ote that pressig the [STORE] i the Utility starts the Store operatio of the System settigs immediately. CAUTION Sice Sog Mixig, Patter Mixig, ad Mixig Voice data is stored to DRAM (page 150), all such data is lost whe turig off the power eve if the data has bee stored with the operatios above. Make sure to save this data to the USB storage device i the File after storig. CAUTION Never attempt to tur off the power while data (e.g., Voice) is beig writte to Flash ROM (while a Executig... or Please keep power o message is show). Turig the power off i this state may cause the system to freeze (due to corruptio of data i the Flash ROM) ad prevet ormal startup the ext time the power is tured o, as well as resultig i the loss of all user data. Save [FILE] [F2] SAVE This is a process of trasferrig or savig the created data of this sythesizer to a exteral memory device (USB storage device). This process ca be doe i the File. The Save operatio ca be doe via various methods, such as savig all data as a sigle file or savig a specified type of data (e.g., oly Voices) as a sigle file. For details, see Memory Structure (page 149) ad Referece (page 211). The saved data as files ca be recalled by loadig them i the File. Bulk Dump This fuctio lets you save the data i the Edit buffer (DRAM) or Flash ROM by trasmittig it as Bulk data (system exclusive message) to a exteral MIDI istrumet or sequece software o a computer. This ca be doe with the followig operatios. Voice Performace Sog Mixig Patter Mixig Master [VOICE] Voice selectio [JOB] [F4] BULK [PERFORM] Performace selectio [JOB] [F4] BULK [SONG] Sog selectio [MIXING] [JOB] [F4] BULK [PATTERN] Patter selectio [MIXING] [JOB] [F4] BULK [MASTER] Master selectio [JOB] [F4] BULK Mixig Voice data caot be trasmitted as Bulk data via pael operatios. User Arpeggio data ad some of the System settigs are ot hadled as Bulk data. The data i the User Memory of Flash ROM ca be trasmitted to a exteral MIDI istrumet or computer upo receptio of a bulk request message. For details about the bulk request message ad bulk dump format, see the separate Data List. Usig the Voice Editor ad Multi Part Editor Voice data ca be trasmitted to a computer for editig with the Voice Editor software (page 112). The edited Voice o the istrumet itself data ca the be trasmitted back to the istrumet i baks as bulk data. Similarly, Voice data created i the Voice Edit ca be set to the computer i baks as bulk data. Mixig data ca also be trasmitted to a computer for editig, usig the Multi Part Editor software (page 112). The edited Mixig data ca the be trasmitted back to the istrumet as bulk data. Mixig data created i the Mixig Edit o the istrumet itself ca also be set to the computer i baks as bulk data. 148 Ower s Maual

149 Iteral Memory ad File Maagemet Memory Structure This diagram details the relatioship amog the fuctios of the MO ad the iteral memory ad USB storage device. Iteral Memory Iteral data commuicatio Recall Buffer Compare Buffer (DRAM) Excludig Master ad Utility settigs *2 Preset Data (ROM) Voice Preset Phrase (Patter) Preset Arpeggio Demo Bulk Dump *1 MIDI istrumet or computer Sequece software Voice Editor Multi Part Editor Data commuicatio betwee this sythesizer ad the exteral device Edit Buffer (DRAM) User Memory Bulk Dump *1 USB storage device Flash ROM Voice Edit User Voice (Normal, Drum) File extesios.w7v ad.w7e Mixig Voice Edit Performace Edit Master Edit Utility settigs Patter Mixig Edit Sog Mixig Edit Sog Record Sog Chai Store *1 *3 *3 Store *1 *4 User Performace User Master User Arpeggio System settigs (Utility settigs + Mixig Template) Sog DRAM Sog Chai Load/Save (executed i the File ) *1 File extesios.w7g File extesios.m7a (icludig all the data o the User Memory) File extesios.mid File extesios.w7s Basic Structure Store *1 Patter Record Patter Patch Patter Chai Phrase Patter Patter Chai File extesios.w7p *1 For details o the Bulk Dump, Save, ad Store operatios, see page 148. *2 Oly the curretly edited data ca be trasmitted as Bulk data. Note that the Mixig Voice caot be trasmitted as Bulk data. *3 The Mixig settigs ca be stored/recalled as a template i the Sog Mixig Job /Patter Mixig Job. *4 You ca covert the MIDI sequece data recorded i the Sog Record /Patter Record to Arpeggio data. This ca be executed with the followig operatios: [SONG] [JOB] [F5] TRACK 07: Put Track to Arp [PATTERN] [JOB] [F5] TRACK 06: Track to Arp Ower s Maual 149

150 Iteral Memory ad File Maagemet Iteral Memory Below are explaatios of the basic terms used i the Memory Structure illustratio o the previous page. Flash ROM ROM (Read Oly Memory) is memory desiged specifically for readig out of data, ad as such data caot be writte to it. Ulike covetioal ROM, Flash ROM ca be overwritte allowig you to store your ow origial data. The cotets of Flash ROM are maitaied eve whe the power is tured off. DRAM RAM (Radom Access Memory) is memory desiged specifically for data writig ad data readig operatios. There are two differet kids of RAM, depedig o the coditio for storig the data: SRAM (Static RAM) ad DRAM (Dyamic RAM). The created data stored o DRAM is lost whe the power is tured off. Because of this, you should always store ay data residig i DRAM to the USB storage device before turig off the power. Basic Structure Edit Buffer ad User Memory The edit buffer is the memory locatio for edited data of these types: Voice, Performace, Master, Sog Mixig, ad Patter Mixig. Data edited i this locatio will be stored to the User Memory. If you select aother Voice, Performace, Master, Sog, or Patter, the etire cotets of the edit buffer will be rewritte with the ewly selected Voice/Performace/Master/Sog Mixig/Patter Mixig data. Make sure to store ay importat data before selectig aother Voice, etc. Edit Buffer ad Recall Buffer If you ve selected aother Voice/Performace/Sog/Patter without storig the oe you were editig, you ca recall your origial edits, sice the edit buffer s cotets are stored i backup memory. Keep i mid that the recall buffer is ot available i the Master Edit. 150 Ower s Maual

151 Referece Voice Play Voice Voice Play [VOICE] Voice selectio The Voice Play lets you perform a variety of geeral editig operatios o the selected Voice. For more detailed ad comprehesive editig operatios, use the Voice Edit. Edited parameters with the exceptio of some parameters are stored to iteral Flash ROM as a User Voice. I the Voice Play ad Voice Edit, you ca set the parameters for each Voice. The parameters for all the Voices such as Master EQ ad Master Effect ca be set from the [UTILITY] [F3] VOICE display i the Utility. The parameters that have the same ame i the Voice Play ad i the Voice Edit have the same fuctios ad settigs. [F1] PLAY TCH (Trasmit Chael) OCT (Octave) Idicates the Keyboard MIDI trasmit chael. You ca chage the Keyboard MIDI trasmit chael by pressig the [TRACK SELECT] butto so that its idicator lights ad pressig ay of the Number [1] [16] buttos. The Keyboard MIDI trasmit chael ca be chaged also with the followig operatio: [UTILITY] [F5] MIDI [SF1] CH KBDTrasCh. Idicates the Keyboard Octave settig. This ca be chaged with the followig operatio: [UTILITY] [F1] GENERAL [SF2] KBD Octave. ASA (ASSIGN A), ASB (ASSIGN B) Idicates the fuctios assiged to the respective Kobs (prited ASSIGN A ad ASSIGN B ) whe the lamps of both the [PAN/SEND] ad [TONE] buttos are tured o. The fuctios are assiged with the followig operatio: [UTILITY] [F4] CTL ASN [SF2] ASSIGN. TCH (Trasmit Chael), OCT (Octave), ASA (ASSIGN A), ad ASB (ASSIGN B) settigs do ot belog to each Voice. Because of this, these are ot stored as a idividual Voice i the Voice Store (page 168). Voice AS1 (ASSIGN 1), AS2 (ASSIGN 2) [SF1] ARP1 (Arpeggio 1) [SF5] ARP5 (Arpeggio 5) Idicates the fuctios assiged to the respective Kobs (prited ASSIGN 1 ad ASSIGN 2 ) whe the lamps of both the [PAN/SEND] ad [TONE] buttos are tured o. The fuctios are assiged by settig the Voice Edit commo parameters with the followig operatio: [VOICE] [EDIT] [COMMON] [F4] CTL SET. You ca register the desired Arpeggio types to these buttos ad call them up ay time durig your keyboard performace. For details, see page 48. Performace [F3] EFFECT Pressig the [F3] EFFECT butto i the Voice Play calls up the same EFFECT display i the Voice Edit ([VOICE] [EDIT] [COMMON] [F6] EFFECT). From this display, you ca set the effect related parameters for the curret Voice. For details, see page 158. [F4] PORTA (Portameto) From this display you ca select moophoic or polyphoic playback ad set the Portameto parameters. Portameto is used to create a smooth trasitio i pitch from the first ote played o the keyboard to the ext. Moo/Poly PortaSw (Portameto Switch) PortaTime (Portameto Time) PortaMode (Portameto Mode) Determies whether the Voice is played back moophoically (sigle otes oly) or polyphoically (multiple simultaeous otes). Settigs: moo, poly Whe pressig the secod ote while holdig the first ote with the PortaSw set to o ad the Moo/Poly set to o, the secod ote soud starts succeedig the trasitio of the first ote, or the secod ote starts ot from the EG (AEG/ PEG/FEG) start poit but from the EG (AEG/PEG/FEG) poit the first ote reaches. This realizes the legato performace. This legato degree ca be set with the followig operatio: [VOICE] [EDIT] [COMMON] [F1] GENERAL [SF4] PORTA LegatoSlope (page 153). Determies whether Portameto is applied to the curret Voice or ot. Settigs: off, o Determies the pitch trasitio time. Higher values result i loger trasitio times. Settigs: Determies the Portameto. The behavior of the Portameto varies depedig o whether Moo/Poly is set to moo or poly. Settigs: figered, fulltime figered... Portameto is oly applied whe you play legato (playig the ext ote before releasig the previous oe). fulltime... Portameto is always applied. Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 151

152 Voice Play [F5] EG (Evelope Geerator) This display cotais the basic EG settigs, both volume ad filter, for the Voice, as well as the filter s cutoff frequecy ad resoace settigs. The settigs made here are applied as offsets to the AEG ad FEG settigs i the Voice Edit. The full ames of the available parameters are show i the chart below, as they appear i the display. ATK DCY SUS REL DEPTH CUTOFF RESO AEG Sustai level Attack time Decay time Release time FEG --- Depth Cutoff frequecy Resoace Settigs: (except --- above) [F6] ARP (Arpeggio) This display cotais the basic settigs for Arpeggio playback, icludig Type ad Tempo. About the [SF1] [SF5] buttos, see the explaatio of the [F1] PLAY display. Bak, Ctgr (Category), Type Tempo VelLimit (Velocity Limit) Switch These three parameters determie the Arpeggio Type. The three-letter prefix umber before the Type ame idicates the umber withi the selected Category. Settigs: Refer to the separate Data List. Determies the Arpeggio Tempo. Whe MIDI Syc ([UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc) is set to MIDI, MIDI is displayed here ad caot be set. Settigs: Determies the lowest ad highest velocity which ca trigger the Arpeggio playback. The Arpeggio plays whe you play otes at velocities withi i this rage. Settigs: Keys played outside the set limit soud ormally without ay Arpeggio. Determies whether Arpeggio playback is o or off. You ca also tur this o or off from the frot pael with the [ARPEGGIO ON/OFF] butto. Settigs: off, o Voice Performace Hold Determies whether the Arpeggio playback is held or ot. Whe this is set to o, the Arpeggio cycles automatically, eve if you release your figers from the keys, ad it cotiues to cycle util the ext key is pressed. Settigs: syc-off (see below), off, o syc-off...whe set to syc-off, the Arpeggio playback cotiues to ru siletly, eve whe you release the keys. Pressig ay key turs the Arpeggio playback o agai. I other words, you ca use the key to u-mute or mute (ot start or stop) the Arpeggio playback by, respectively, holdig it dow or releasig it. Sog Patter Mixig Voice Utility File Master Referece 152 Ower s Maual

153 Voice Edit Normal Voice Edit Commo Edit Voice Edit [VOICE] Voice selectio [EDIT] There are two kids of Voices: Normal Voices ad Drum Voices. The followig sectio shows how to edit the differet types of Voices ad explais the parameters available. Note that the parameters available for editig differ depedig o the Voice types (Normal Voice, Drum Voice). Normal Voice Edit Whe a Normal Voice is selected, the Voice Edit parameters are divided ito Commo Edit (parameters commo to all four Elemets), ad Elemet Edit (parameters of idividual Elemets). Commo Edit [VOICE] Normal Voice selectio [EDIT] [COMMON] These parameters are for makig global (or commo) edits to all four Elemets of the selected Normal Voice. [F1] GENERAL [SF1] NAME From this display you ca assig the category (sub ad mai) of the selected Voice, ad create a ame for the Voice. The Voice ame ca cotai up to 10 characters. For specific istructios o amig, see Basic Operatio o page 38. [SF2] PLY MODE (Play ) From this display you ca make various settigs for the toe geerator of this sythesizer, ad assig differet Micro Tuig settigs. Moo/Poly Determies whether the Voice is played back moophoically (sigle otes oly) or polyphoically (multiple simultaeous otes). Settigs: moo, poly KeyAsgMode (Key Assig Mode) M. TuigNo. (Micro Tuig Number) Whe this is set to sigle, double playback of the same ote is preveted. This is useful whe two or more istaces of the same ote are received early simultaeously, or without a correspodig ote off message. To allow playback of each istace of the same ote, set this to multi. Settigs: sigle, multi Determies the tuig system for the Voice. Normally, this should be set to 00 (Equal temperamet); however additioal tuig systems are available for a variety of tuig applicatios ad effects. Settigs: See the Micro Tuig List o page 169. Voice M. TuigRoot (Micro Tuig Root) [SF3] MEQ OFS (Master EQ Offset) [SF4] PORTA (Portameto) Determies the root ote of the Micro Tuig set above. Settigs: C B From this display you ca adjust the master (global) EQ settigs for the etire Voice. The settigs made here are applied as offsets to the EQ settigs (with the exceptio of MID ) i the Utility, with the followig operatio: [VOICE] [UTILITY] [F3] VOICE [SF1] MEQ. Moreover, you ca also tweak these settigs directly from the four Kobs o the frot pael whe the [EQ] butto is tured o. Settigs: From this display you ca set the Portameto parameters for all parts of the selected performace. Portameto is used to create a smooth trasitio i pitch from the first ote played o the keyboard to the ext. Performace Sog Switch Time Mode TimeMode LegatoSlope Determies whether Portameto is applied to your keyboard performace usig the curret Voice or ot. Settigs: off, o Determies the pitch trasitio time. Higher values result i a loger pitch chage time. Settigs: Determies how the Portameto is applied to your keyboard performace. Settigs: figered, fulltime figered... Portameto is oly applied whe you play legato (playig the ext ote before releasig the previous oe). fulltime... Portameto is always applied. Determies how the Time parameter above affects the Portameto effect. Settigs: rate1, time1, rate2, time2 rate1... Pitch chages at the specified rate. time1... Pitch chages i the specified time. rate2... Pitch chages at the specified rate withi a octave. time2... Pitch chages at the specified rate withi a octave. Determies the speed of the attack of legato otes, whe Switch above is set to o ad Moo/Poly is set to moo. (Legato otes overlap each other, the ext beig played before the previous is released.) The higher the value, the slower the attack rate. Settigs: 0 7 Master File Utility Mixig Voice Patter Referece Ower s Maual 153

154 Voice Edit Normal Voice Edit Commo Edit [SF5] OTHER KobAssig PB Upper (Pitch Bed rage Upper), PB Lower (Pitch Bed rage Lower) AssigA, AssigB, Assig1, Assig2 From this display you ca set the cotrol fuctios for the Kobs, ad determie the up/dow rage for the Pitch Bed wheel. Determies the fuctio for the assigable Kobs (1 4). Pressig the Kob Cotrol Fuctio butto o the pael sets the desired fuctio row, which is automatically stored to memory with the curretly selected Voice. Settigs: pa, toe, assig, MEQofs, MEF, arpfx Sets the amout (i semitoes) by which the pitch of the ote is varied whe you move the Pitch bed wheel up/dow. For example, a Lower settig of -12 would result i the pitch beig lowered up to a maximum of oe octave (12 semitoes) whe the Pitch Bed wheel is moved dowwards. Similarly, settig the Upper parameter to +12 would result i a maximum pitch rise of oe octave whe the wheel is moved upwards. Settigs: This parameter offsets the value of each Dest (Destiatio) parameter. Please ote that certai Destiatios of Assig A/B chage the absolute value. [F2] OUTPUT Volume Pa RevSed ChoSed Determies the output level of the Voice. Settigs: Determies the stereo pa positio of the Voice. Moreover, you ca also tweak these settigs directly from the four Kobs o the frot pael whe the [PAN/SEND] butto is tured o. Settigs: L63 (far left) C (ceter) R63 (far right) Whe a stereo Voice is selected, this parameter settig may ot be effective. Voices with Elemets set to opposite Pa settigs (set i [F4] AMP [SF1] LVL/PAN Pa) i.e., oe at L63 ad aother at R63 are cosidered stereo Voices. Determies the Sed level of the sigal set from Isertio Effect A/B (or the bypassed sigal) to the Reverb/ Chorus effect. Moreover, you ca also tweak these settigs directly from the four Kobs o the frot pael whe the [PAN/SEND] butto is tured o. Settigs: For details o the Effect coectios i the Voice, see page 142. Voice Performace [F3] ARP (Arpeggio) [SF1] TYPE Bak, Ctgr (Category), Type Tempo This display cotais the basic settigs for Arpeggio playback, icludig Type ad Tempo. These three parameters determie the Arpeggio Type. The three-letter prefix umber before the Type ame idicates the umber withi the selected Category. Settigs: Refer to the separate Data List. Determies the Arpeggio Tempo. Whe MIDI Syc ([UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc) is set to MIDI, MIDI is displayed here ad Tempo caot be set. Settigs: Referece Sog Patter Mixig Voice Utility File Master ChgTimig (Chage Timig) Switch Hold KeyMode VelMode (Velocity Mode) Determies the actual timig at which the Arpeggio type is switched whe you select aother type durig Arpeggio playback. Settigs: realtime, measure realtime...the Arpeggio type is switched immediately whe you select aother type. measure...the Arpeggio type is switched at the top of the ext measure after you select aother type. Determies whether Arpeggio is o or off. You ca also tur this o or off from the frot pael with the [ARPEGGIO ON/OFF] butto. Settigs: off, o Determies whether the Arpeggio playback is held or ot. Whe this is set to o, the Arpeggio cycles automatically, eve if you release your figers from the keys, ad it cotiues to cycle util the ext key is pressed. Settigs: syc-off (see below), off, o syc-off...whe set to syc-off, the Arpeggio playback cotiues to ru siletly, eve whe you release the keys. Pressig ay key turs the Arpeggio playback o agai. I other words, you ca use the key to u-mute or mute (ot start or stop) the Arpeggio playback by, respectively, holdig it dow or releasig it. Determies how the Arpeggio plays back whe playig the keyboard. Settigs: sort, thru, direct, sortdirect, thrudirect sort...whe you play specific otes (for example, the otes of a chord), the same sequece plays, o matter what order you play the otes. thru...whe you play specific otes (for example, the otes of a chord), the resultig sequece differs depedig o the order of the otes. direct...note evets of the Arpeggio sequece do ot play; oly the otes you play o the keyboard are heard. This settig is for use with o-ote Arpeggio data, such as Cotrol Chage or Pitch Bed. Whe the Arpeggio plays back, these evets are applied to the soud of your keyboard performace. Use this settig whe the Arpeggio types icludes o-ote data or whe the Category type Ctrl is selected. sortdirect...the Arpeggio is played back accordig to the sort settig here, ad the ote pressed is also souded. thrudirect...the Arpeggio is played back accordig to the thru settig here, ad the ote pressed is also souded. Some Arpeggio types belogig to the Ctr Category may ot have ote evets (page 146). Whe such a Arpeggio type is selected ad the KeyMode is set to sort or thru, o soud is produced eve if you press the ote o the keyboard. With the sort ad thru settigs, the order i which otes are played back will deped o the Arpeggio sequece data. This determies the playback velocity of the Arpeggio, or how it respods to your ow playig stregth. Settigs: origial, thru origial...the Arpeggio plays back at the preset velocities icluded i the Arpeggio sequece data. thru...the Arpeggio plays back accordig to the velocity of your playig. For example, if you play the otes strogly, the playback volume of the Arpeggio icreases. 154 Ower s Maual

155 Voice Edit Normal Voice Edit Commo Edit [SF2] LIMIT NoteLimit Determies the lowest ad highest otes i the Arpeggio s ote rage. Notes played i this rage trigger the Arpeggio. Settigs: C -2 G8 For example, settig a Note Limit of C5 C4 lets you trigger the Arpeggio by playig otes i the two rages of C -2 to C4 ad C5 to G8; otes played betwee C4 ad C5 have o effect o the Arpeggio. You ca also set the rage directly from the keyboard, by holdig dow the [INFORMATION] butto ad pressig the desired low ad high keys. Please keep i mid that o soud is produced whe the KeyMode is set to sort or thru ad otes are played outside the Note Limit settig here. VelocityLimit Determies the lowest ad highest velocity i the Arpeggio s velocity rage. This lets you cotrol whe the Arpeggio souds by your playig stregth. Settigs: You ca also create separate low ad high trigger rages for the Arpeggio playback, with a velocity hole i the middle, by specifyig the maximum value first. For example, settig a Velocity Limit of lets you play the Arpeggio from two separate velocity rages: soft (1 34) ad hard (93 127). Notes played at middle velocities betwee 35 ad 92 do ot play the Arpeggio. [SF3] PLAY FX These Play Effect parameters let you cotrol the playback of the Arpeggio i useful ad iterestig ways. By chagig the timig ad velocity of the otes, you ca chage the rhythmic feel of the Arpeggio. UitMultiply (Uit Multiply) Adjusts the Arpeggio playback time. For example, if you set a value of 200%, the playback time will be doubled ad the tempo halved. O the other had, if you set a value of 50%, the playback time will be halved ad the tempo doubled. Normal playback time is 100%. Settigs: 50%, 66%, 75%, 100%, 133%, 150%, 200% Swig Delays otes o eve-umbered beats (backbeats) to produce a swig feel. Settigs: QutValue (Quatize Value) Determies to what beats the ote data i the Arpeggio sequece data will be aliged, or determies to what beats i the Arpeggio sequece data the swig is applied. QutStregth (Quatize Stregth) Settigs: 32d ote 16th ote triplet 16th ote 8th ote triplet 8th ote 1/4 ote triplet 1/4 ote The Stregth value sets the stregth by which ote evets are pulled toward the earest quatize beats. A settig of 100% produces exact timig set via the QutValue parameter above. A settig of 0% results i o quatizatio. Settigs: 0% 100% Voice VelocityRate Determies how much the Velocity of the Arpeggio playback is offset from the origial value. For example, a settig of 100% meas the origial values are used. Settigs below 100% will reduce the velocity of the Arpeggio otes, whereas settigs above 100% will icrease the velocities. Settigs: 0% 200% Performace GateTimeRate [F4] CTL SET (Cotroller Set) [SF1] SET1/2 [SF3] SET5/6 ElemetSw Source Dest (Destiatio) Depth The Velocity caot be decreased or icreased beyod its ormal rage of 1 to 127; ay values outside that rage will automatically be limited to the miimum or maximum. If it exceeds 127, it will be limited to 127. Determies how much the Gate Time (legth) of the Arpeggio otes is offset from the origial value. This determies how the origial Gate Times are icreased or decreased durig Arpeggio playback. A settig of 100% meas the origial values are used. Settigs below 100% will shorte the gate times of the Arpeggio otes, whereas settigs above 100% will legthe them. Settigs: 0% 200% The Gate Time caot be decreased beyod its ormal miimum of 1; ay values outside that rage will automatically be limited to the miimum. Sice up to six Cotroller Sets ca be assiged to each Voice, three pages (Sets 1/2, Sets 3/4 ad Sets 5/6) are provided. For more iformatio o Cotroller Sets, see page 70. Determies whether or ot the selected cotroller affects each idividual Elemet. Settigs: Elemets 1 to 4 eabled ( 1 to 4 ) or disabled ( - ) This parameter is disabled whe the Dest (Destiatio) described below is set to a parameter urelated to the Voice Elemets. Determies which pael cotroller is to be assiged ad used for the selected Set. This cotroller the is used to cotrol the parameter set i Destiatio below. Settigs: PB (Pitch Bed Wheel), MW (Modulatio Wheel), AT (After Touch), FC1 (Foot Cotroller 1), FS (Footswitch), RB (Ribbo Cotroller), BC (Breath Cotroller), AS1 (ASSIGN 1; Kob 3), AS2 (ASSIGN 2; Kob 4), FC2 (Foot Cotroller2) Keep i mid that ulike the other cotrollers, the ASSIGN A ad B Kobs ca each be assiged to oe commo fuctio for the etire system of this sythesizer, ad ot to differet fuctios for each idividual Voice. Also refer to the Utility (page 208). Determies the parameter that is cotrolled by the Source cotroller (above). Settigs: Details are give i the Cotrols List of the separate Data List. Determies the degree to which the Source cotroller affects the Destiatio parameter. For egative values, the cotroller operatio is reversed; maximum cotroller settigs produce miimum parameter chages. Settigs: Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 155

156 Voice Edit Normal Voice Edit Commo Edit [F5] LFO (Low Frequecy Oscillator) From these displays, you ca make a variety of LFO related settigs. As its ame suggests, the LFO creates waveforms of a low frequecy. These waveforms ca be used to vary the pitch, filter or amplitude to create effects such as vibrato, wah ad tremolo. [SF1] WAVE Wave Speed TempoSyc TempoSpeed Determies the LFO waveform used to vary the soud. Settigs: tri, tri+, sawup, sawdw, squ1/4, squ1/3, squ, squ2/3, squ3/4, trpzp, S/H 1, S/H 2, user Determies the speed of the LFO waveform. The higher the value, the faster the speed. Settigs: 0 63 Determies whether or ot the LFO is sychroized to the tempo of the Arpeggio or sequecer (sog or patter). Settigs: off (ot sychroized), o (sychroized) This parameter is available oly whe TempoSyc above has bee set to o. It allows you to make detailed ote value settigs that determie how the LFO pulses i syc with the Arpeggio or sequecer. Settigs: 16th, 8th/3 (eighth-ote triplets), 16th. (dotted sixteeth otes), 8th, 4th/3 (quarter-ote triplets), 8th. (dotted eighth otes), 4th (quarter otes), 2d/3 (half-ote triplets), 4th. (dotted quarter otes), 2d (half otes), whole/3 (whole-ote triplets), 2d. (dotted half otes), 4th x 4 (quarter-ote quadruplets; four quarter otes to the beat), 4th x 5 (quarter-ote quituplets; five quarter otes to the beat), 4th x 6 (quarter-ote sextuplets; six quarter otes to the beat), 4th x 7 (quarter-ote septuplets; seve quarter otes to the beat), 4th x 8 (quarter-ote octuplets; eight quarter otes to the beat) The actual legth of the ote depeds o the iteral or exteral MIDI tempo settig. Referece Voice Performace Sog Patter Mixig Voice Utility File Master KeyOReset RadomSpeed [SF2] DELAY Delay (Delay Time) FadeI (Fade I Time) Hold (Hold Time) Determies whether or ot the LFO is reset each time a ote is pressed. The followig three settigs are available. Settigs: off, each-o, 1st-o off...the LFO cycles freely with o key sychroizatio. Pressig a key starts the LFO wave at whatever phase the LFO happes to be at that poit. each-o...the LFO resets with each ote you play ad starts a waveform at the phase specified by the Phase parameter (below). 1st-o...The LFO resets with every ote you play ad starts the waveform at the phase specified by the Phase parameter (below). However, if you play a secod ote while the first is beig held, the LFO cotiues cyclig accordig to the same phase as triggered by the first ote. I other words, the LFO oly resets if the first ote is released before the secod is played. off each-o 1st-o Key o Determies the degree to which the LFO speed chages at radom. A settig of 0 results i the origial speed. Higher values result i a larger degree of speed chage. Settigs: Determies the delay time betwee the momet you press ote o the keyboard ad the momet the LFO comes ito effect. A higher value results i a loger delay time. Settigs: Determies the amout of time for the LFO effect to fade i (after the Delay time has elapsed). A higher value results i a slower fade-i. Settigs: Time Low FadeI value Faster fade-i Delay Max Key o Key o (first ote) FadeI Key o (secod ote) Determies the legth of time durig which the LFO is held at its maximum level. A higher value results i a loger Hold time. Settigs: Hold Max Time Delay Time Key o (first ote) High FadeI value Slower fade-i Max Key o Time Key o (secod ote) FadeI Time Time 156 Ower s Maual

157 Voice Edit Normal Voice Edit Commo Edit FadeOut Determies the amout of time for the LFO effect to fade out (after the Delay time has elapsed). A higher value results i a slower fade-out. Settigs: Low FadeOut value Faster fade-out Max Hold FadeOut High FadeOut value Slower fade-out Hold Max FadeOut Time Time [SF3] PHASE Phase Determies the value for the particular step selected i the Step parameter below. Settigs: 0, 90, 120, 180, 240, 270 Time Phase Offset EL1 EL4 Determies the offset values of the Phase parameter (above) for the respective Elemets. Settigs: +0, +90, +120, +180, +240, +270 [SF4] BOX1 3 From this display you ca select the destiatio parameter for the LFO (which aspect of the soud the LFO cotrols), the Elemets to be affected by the LFO, ad the LFO Depth. Three pages (boxes) provided for settig the destiatio let you assig multiple destiatios. ElemSw (Elemet Switch) Dest (Destiatio) Depth DptRatio EL1 EL4 (Depth Offset Elemet 1 Elemet 4) [SF5] USER Template Slope Value Step Determies whether or ot each Elemet is to be affected by the LFO. The Elemet umber (1 4) is show whe the LFO is eabled; a dash ( ) idicates the LFO is disabled for that Elemet. Determies the parameters which are to be cotrolled (modulated) by the LFO Wave. Settigs: amd, pmd, fmd, reso (Resoace), pa, ELFOSpd (Elemet LFO Speed) Determies the LFO Wave Depth. Settigs: Determies the offset values of the Depth parameter (above) for the respective Elemets. Settigs: This meu is available oly whe the User LFO wave is selected. You ca create a custom LFO wave cosistig of up to sixtee steps. You ca select a pre-programmed template for the LFO wave. The selected template s wave graph appears o the display ad you ca create the LFO wave by viewig it. Each time pressig the [SF1] radom butto, differet LFO wave is appears o the display radomly. Settigs: all0... Values of all the steps are set to 0. all64... Values of all the steps are set to 64. all Values of all the steps are set to 127. saw up... Creates a saw shaped upward wave. saw dow... Creates a saw shaped dowward wave. eve step... Values of all eve steps are set to 0, ad values of all odd steps are set to 127. odd step... Values of all odd steps are set to 0, ad values of all eve steps are set to 127. Determies the slope or ramp characteristics of the LFO wave. Settigs: off (o slope), up, dow, up&dow Determies the value for the particular step selected i the Step parameter below. Settigs: Numerator: Selects the desired step. Settigs: 1 16 Deomiator: Determies the maximum umber of steps. Settigs: 2, 3, 4, 6, 8, 12, 16 Voice Performace Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 157

158 Voice Edit Normal Voice Edit Elemet Edit [F6] EFFECT For details o the Effect coectios i the Voice, see page 142. For details o the Effect Types, refer to the Effect Type list i the separate Data List booklet. [SF1] CONNECT This display gives you comprehesive cotrol over the effects. For details about the parameters, see page 142. [SF2] INS A (Isertio A) [SF3] INS B (Isertio A) [SF4] REVERB These are for adjustig the various parameters of the Effect blocks. The umber of parameters ad values available differs depedig o the curretly selected effect type. For more iformatio, see the Effect Type List i the separate Data List booklet. Note that the meu of the correspodig Effect block disappears whe the thru type is selected. [SF5] CHORUS Elemet Edit [VOICE] Normal Voice selectio [EDIT] Elemet selectio These parameters are for editig the idividual Elemets that make up a Normal Voice. [F1] OSC (Oscillator) [SF1] WAVE From this display you ca select the desired waveform or soud used for the Elemet. ElemetSw (Elemet Switch) Determies whether the curretly selected Elemet is o or off. Settigs: off (iactive), o (active) Wave No. (Waveform Number), WaveCtgry (Waveform Category) Determies the Waveform for the selected Elemet. See the Waveform list i the separate Data List. [SF2] OUTPUT From this display you ca set certai output parameters for the selected Elemet. Referece Voice Performace Sog Patter Mixig Voice Utility File Master KeyODelay DelayTempoSyc DelayTempo IsEffectOut (Isertio Effect Output) [SF3] LIMIT NoteLimit VelocityLimit VelCrossFade (Velocity Cross Fade) Determies the time (delay) betwee the momet you press a ote o the keyboard ad the poit at which the soud is played. You ca set differet delay times for each Elemet. Settigs: Determies whether or ot the KeyODelay is sychroized to the tempo of the Arpeggio or sequecer (sog or patter). Settigs: off (ot sychroized), o (sychroized) Determies the timig of the KeyODelay whe the DelayTempoSyc is set to o. Settigs: 16th, 8th/3 (eighth-ote triplets), 16th. (dotted sixteeth otes), 8th, 4th/3 (quarter-ote triplets), 8th. (dotted eighth otes), 4th (quarter otes), 2d/3 (half-ote triplets), 4th. (dotted quarter otes), 2d (half otes), whole/3 (whole-ote triplets), 2d. (dotted half otes), 4th x 4 (quarter-ote quadruplets; four quarter otes to the beat), 4th x 5 (quarter-ote quituplets; five quarter otes to the beat), 4th x 6 (quarter-ote sextuplets; six quarter otes to the beat), 4th x 7 (quarter-ote septuplets; seve quarter otes to the beat), 4th x 8 (quarter-ote octuplets; eight quarter otes to the beat) Determies which Isertio effect (A or B) is used to process each idividual Elemet. The thru settig lets you bypass the Isertio effects for the specific key. (This parameter is the same as EL: OUT o the [F6] EFFECT [SF1] CONNECT display i Normal Commo Edit. Makig a settig here automatically chages the settig of that parameter as well.) Settigs: thru, isa (Isertio Effect A), isb (Isertio Effect B) Determies the lowest ad highest otes of the keyboard rage for each Elemet. The selected Elemet will soud oly whe you play otes withi this rage. Settigs: C -2 G8 You ca also create a lower ad a upper rage for the Elemet, with a ote rage hole i the middle, by specifyig the highest ote first. For example, settig a Note Limit of C5 - C4 lets you play the Elemet from two separate rages: C -2 to C4 ad C5 to G8. Notes played betwee C4 ad C5 do ot play the selected Elemet. You ca also set the Ceter Key directly from the keyboard, by holdig dow the [INFORMATION] butto ad pressig the desired key. Determies the miimum ad maximum values of the velocity rage withi which each Elemet will respod. Each Elemet will oly soud for otes played withi its specified velocity rage. For example, this lets you have oe Elemet soud whe you play softly ad have a differet oe soud whe you play strogly. Settigs: You ca also create separate low ad high rages for the Elemet, with a velocity hole i the middle, by specifyig the maximum value first. For example, settig a Velocity Limit of lets you play the Elemet from two separate velocity rages: soft (1 34) ad hard (93 127). Notes played at middle velocities betwee 35 ad 92 do ot play the selected Elemet This determies how gradually the soud of a Elemet decreases i volume i proportio to the distace of velocity chages outside the Velocity Limit settig (above). The practical applicatio of this parameter is to create atural-soudig velocity crossfades, i which differet Elemets chage gradually depedig o how strogly or softly you play. The higher the value, the more gradual the level chage. Settigs: Ower s Maual

159 Voice Edit Normal Voice Edit Elemet Edit [F2] PITCH [SF1] TUNE From this display you ca set various pitch-related parameters for the selected Elemet. Coarse Determies the pitch of each Elemet i semitoes. Settigs: Fie Determies the fie tuig for the pitch of each Elemet. Settigs: FieScalig Determies the degree to which the otes (specifically, their positio or octave rage) affect the pitch i fie tuig (set above) of the selected Elemet, regardig C3 as the basic pitch. A positive settig will cause the pitch of lower otes to chage lower ad that of higher otes to chage higher. Negative values will have the opposite effect. Settigs: Radom This lets you radomly vary the pitch of the Elemet for each ote you play. This is effective i reproducig the atural pitch variatios i acoustic istrumets. It is also useful for creatig uusual radom pitch chages. The higher the value, the greater the pitch variatio. A value of 0 results i o pitch chage. Settigs: [SF2] VEL SENS (Velocity Sesitivity) From this display you ca determie how the Pitch EG respods to velocity. EGTime, Segmet Determies the velocity sesitivity of the PEG s Time parameters. Select the Segmet first, the set its Time parameter. Positive Time settigs will play back the specified Segmet faster i proportio to the played velocity ad egative values will play it back slower. Settigs: EGTime: Settigs: Segmet: atk, atk+dcy, dcy, atk+rls, all atk (attack)... EG Time Value affects Attack time. atk+dcy (attack + decay)... EG Time Value affects Attack/Decay1 time. dcy (decay)... EG Time Value affects Decay time. atk+rls (attack + release)... EG Time Value affects Attack/Release time. all... EG Time Value affects all PEG Time parameters. EGDepth, Curve Determies the velocity sesitivity of the PEG Level. Positive settigs will cause the pitch chage to rise the harder you play the keyboard, ad egative values will cause it to fall. The Curve parameter lets you select from five differet preset velocity curves (graphically idicated i the display), that determie how velocity affects the Pitch EG Depth. Settigs: EGDepth: Settigs: Curve: 0 4 Voice Pitch Determies the velocity sesitivity of the Pitch. Extreme values produce greater variatio i PEG Depth. For positive values, the harder you play the keys, the greater the chage i PEG Depth. For egative values, the softer you play the keys, the greater the chage i PEG Depth. Settigs: Performace [SF3] PEG (Pitch Evelope Geerator) From this display you ca make all the time ad level settigs for the Pitch EG, which determie how the pitch of the soud chages over time. These ca be used to cotrol the chage i pitch from the momet a ote is pressed o the keyboard to the momet the soud stops. The full ames of the available parameters are show i the chart below, as they appear i the display. Sog [SF4] KEY FLW (Key Follow) PitchSes (Pitch Sesitivity) FCeterKey Settigs: TIME: LEVEL: DEPTH: For details o the PEG, see page 132. From this display you ca set the Key Follow effect i other words, how the pitch of the Elemet ad its Pitch EG respod to the particular otes (or octave rage) you play. Determies the degree of the Key Follow effect (the pitch iterval of adjacet otes). A Ceter Key settig is used as the basic settig. At +100 (the ormal settig), adjacet otes are pitched oe semitoe (100 cets) apart. At 0, all otes are the same pitch. At +50, oe octave is stretched out over twety-four otes. For egative values, the settigs are reversed. Settigs: This parameter is useful for creatig alterate tuigs, or for use with souds that do ot eed to be spaced i semitoes, such as pitched drum souds i a Normal Voice. Determies the cetral ote or pitch for the Key Follow effect o pitch. The ote umber set here is the same pitch as ormal regardless of the Pitch Sesitivity settig. Depedig o the Pitch Sesitivity parameter above, the further away from the Ceter Key the keys are played, the greater the degree of pitch chage. Settigs: C -2 G8 HOLD ATK DCY1 DCY2 REL DEPTH TIME Hold time Attack time Decay1 time Decay2 time Release time LEVEL Hold level Attack level Decay1 level Decay2 level Release level Depth You ca also set the Ceter Key directly from the keyboard, by holdig dow the [INFORMATION] butto ad pressig the desired key. Master File Utility Mixig Voice Patter Referece Ower s Maual 159

160 Voice Edit Normal Voice Edit Elemet Edit EGTimeSes (EG Time Sesitivity) FCeterKey Determies the degree to which the otes (specifically, their positio or octave rage) affect the Pitch EG times of the selected Elemet. The Ceter Key (ext parameter) is used as the basic pitch for this parameter. A positive settig will cause the amplitude of lower otes to chage slower ad that of higher otes to chage faster. coversely, egative values will cause it to fall. Settigs: Determies the cetral ote or pitch for the Key Follow effect o Pitch EG. Whe the Ceter Key ote is played, the PEG behaves accordig to its actual settigs. The pitch chage characteristics for other otes will vary i proportio to the EG Time settigs. Settigs: C -2 G8 You ca also set the Ceter Key directly from the keyboard, by holdig dow the [INFORMATION] butto ad pressig the desired key. Pitch Sesitivity ad Ceter Key Whe Pitch Sesitivity is set to 100 Positive value EG Time Sesitivity ad Ceter Key Large Amout of pitch chage + Small Negative value Faster speed Lower rage Higher rage -40 Slower speed Lower rage Ceter key Higher rage Ceter key [F3] FILTER Voice Performace [SF1] TYPE Type Gai Cutoff From this display you ca make comprehesive settigs for the Filter uit. The available parameters differ depedig o which Filter type is selected here. Basically, there are four differet Filter types: a LPF (Low Pass Filter), a HPF (High Pass Filter), a BPF (Bad Pass Filter) ad a BEF (Bad Elimiatio Filter). Each type has a differet frequecy respose ad produces a differet effect o the soud. This sythesizer also features special combiatio Filter types, for additioal soic cotrol. Settigs: Refer to page 170. Determies the Gai (the amout of boost applied to the sigal set to the Filter). Settigs: Determies the cutoff frequecy for the Filter. or the cetral frequecy aroud which the Filter is applied. Referece Sog Patter Mixig Voice Utility File Master Resoace/Width Distace HPFCutoff HPFKeyFlw (Key Follow) [SF2] VEL SENS (Velocity Sesitivity) EGTime, Segmet Settigs: This parameter s fuctio varies accordig to the selected Filter Type. If the selected filter is a LPF, HPF, BPF (excludig the BPFw), or BEF, this parameter is used to set the Resoace. For the BPFw, it is used to adjust the Width of the bad. Resoace is used to set the amout of Resoace (harmoic emphasis) applied to the sigal at the cutoff frequecy. This ca be used i combiatio with the cutoff frequecy parameter to add further character to the soud. The Width parameter is used to adjust the width of the bad of sigal frequecies passed by the filter with the BPFw. Settigs: Determies the distace betwee the Cutoff frequecies, for the Dual Filter types (which feature two idetical filters combied i parallel, ad the LPF12 + BPF6 type). Settigs: Determies the cetral frequecy for the Key Follow parameter (below) of the HPF. Whe a filter type LPF12 or LPF6 is selected, this parameter is available. Settigs: Determies the Key Follow settig for the HPF Cutoff frequecy. This parameter varies the ceter frequecy accordig to the positio of the otes played o the keyboard. A positive settig will raise the ceter frequecy for higher otes ad lower it for lower otes. A egative settig will have the opposite effect. This parameter is available oly whe the filter type LPF12 or LPF6 is selected. Settigs: -200 ~ 0 ~ +200 From this display you ca determie how the Filter ad the FEG respod to velocity. Determies the velocity sesitivity of the FEG s Time parameters. Select the Segmet first, the set its Time parameter. Positive Time settigs will play back the specified Segmet faster i proportio to the played velocity ad egative values will play it back slower. Settigs: EG Time: Settigs: Segmet: atk, atk+dcy, dcy, atk+rls, all atk (attack)...eg Time Value affects Attack time. atk+dcy (attack + decay)...eg Time Value affects Attack/Decay1 time. dcy (decay)...eg Time Value affects Decay time. atk+rls (attack + release)...eg Time Value affects Attack/Release time. all...eg Time Value affects all FEG Time parameters. 160 Ower s Maual

161 Voice Edit Normal Voice Edit Elemet Edit EGDepth, Curve Cutoff Resoace [SF3] FEG (Filter Evelope Geerator) Determies the velocity sesitivity of the FEG Level. For positive settigs, the more strogly you play the keyboard, the more Filter chages the soud. Negative settigs do the opposite; the more softly you play, the more the soud chages. The Curve parameter lets you select from five differet preset velocity curves (graphically idicated i the display), that determie how velocity affects the Filter EG. Settigs: EGDepth: Settigs: Curve: 0 4 Determies the degree to which velocity affects the Cutoff frequecy of the Filter EG. For positive values, the more strogly you play the keys, the greater the chage i the Cutoff frequecy. Negative values do the opposite; the more softly you play, the greater the chage i frequecy. Settigs: Determies the degree to which velocity affects the Resoace of the Filter EG. For positive values, the more strogly you play the keys, the greater the Resoace chage. Negative values do the opposite; the more softly you play, the greater the chage i Resoace. Settigs: From this display you ca make all the time ad level settigs for the Filter EG, which determie how the toal quality of the soud chages over time. These ca be used to cotrol the chage i Cutoff Frequecy from the momet a ote is pressed o the keyboard to the momet the soud stops. The full ames of the available parameters are show i the chart below, as they appear i the display. HOLD ATK DCY1 DCY2 REL DEPTH TIME Hold time Attack time Decay1 time Decay2 time Release time LEVEL Hold level Attack level Decay1 level Decay2 level Release level Depth Settigs: TIME: LEVEL: DEPTH: For details o the FEG, see page 133. [SF4] KEY FLW (Key Follow) CutoffSes (Cutoff Sesitivity) FCeterKey From this display you ca set the Key Follow effect for the Filter i other words, how the toal qualities of the Elemet ad its Filter EG respod to the particular otes (or octave rage) you play. Determies the degree to which the otes (specifically, their positio or octave rage) affect the Filter of the selected Elemet. A Ceter Key settig (ext parameter) of C3 is used as the basic settig by the Cutoff parameter. A positive settig will lower the Cutoff frequecy for lower otes ad raise it for higher otes. A egative settig will have the opposite effect. Settigs: This idicates that the cetral ote for Cutoff Sesitivity above is C3. At C3, the toe remais uchaged. For other otes played, the Cutoff Frequecy varies accordig to the particular ote ad the Cutoff Sesitivity settig. Keep i mid that this is for display purposes oly; the value caot be chaged. Settigs: C -2 G8 Voice Performace EGTimeSes (EG Time Sesitivity) FCeterKey [SF5] SCALE (Filter Scalig) Determies the degree to which the otes (specifically, their positio or octave rage) affect the Filter EG times of the selected Elemet. The basic speed of chage for the FEG is at the ote specified i the Ceter Key (ext parameter). A positive settig will cause slower chages for lower otes ad faster chages for higher otes. A egative settig will have the opposite effect. Settigs: Determies the cetral ote or pitch for the Key Follow effect o Filter EG. Depedig o the EG Time Sesitivity parameter above, the further away from the Ceter Key the keys are played, the more the time of the Filter EG deviates from the ormal. Whe the Ceter Key ote is played, the FEG behaves accordig to its actual settigs. The Filter chage characteristics for other otes will vary i proportio to the EG Time settigs. Settigs: C -2 G8 Cutoff Sesitivity ad Ceter Key Lower rage Whe Cutoff Sesitivity is set to 100 Amout of cutoff frequecy chage + Ceter key You ca also set the Ceter Key directly from the keyboard, by holdig dow the [INFORMATION] butto ad pressig the desired key. Filter Scalig cotrols the filter cutoff frequecy accordig to the positios of the otes o the keyboard. You ca divide the etire keyboard by four break poits, ad assig differet offset values of Cutoff Frequecy to them respectively. Refer to the settig example o page 169. Settigs: BREAK POINT 1 4: C-2 G8 OFFSET 1 4: Large Small Higher rage Positive value Negative value EG Time Sesitivity ad Ceter Key Lower rage Faster speed Slower speed Ceter key Higher rage You ca also set the Break Poit directly from the Keyboard, by holdig dow the [INFORMATION] butto ad pressig the desired key. -40 Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 161

162 Voice Edit Normal Voice Edit Elemet Edit [F4] AMP (Amplitude) [SF1] LVL/PAN (Level/Pa) This display ot oly lets you make basic Level ad Pa settigs for each idividual Elemet, it also gives you some detailed ad uusual parameters for affectig Pa positio. Level Determies the output level for the selected Elemet. Settigs: Pa Determies the stereo Pa positio for the selected Elemet. This will also be used as the basic Pa positio for the Alterate, Radom ad Scale settigs. Settigs: L63 (far left) C (ceter) R63 (far right) AlteratePa Determies the amout by which the soud of the selected Elemet is paed alterately left ad right for each ote you press. The Pa settig (above) is used as the basic Pa positio. Settigs: L64 0 R63 RadomPa Determies the amout by which the soud of the selected Elemet is paed radomly left ad right for each ote you press. The Pa settig is used as the Ceter Pa positio. Settigs: ScaligPa Determies the degree to which the otes (specifically, their positio or octave rage) affect the Pa positio, left ad right, of the selected Elemet. At ote C3, the mai Pa settig (above) is used for the basic Pa positio. Settigs: [SF2] VEL SENS (Velocity Sesitivity Depth) From this display you ca determie how the Amplitude (volume) EG respods to velocity. EG Time, Segmet Determies the velocity sesitivity of the AEG s Time parameters. Select the Segmet first, the set its Time parameter. Positive Time settigs will play back the specified Segmet faster i proportio to the played velocity ad egative values will play it back slower. Settigs: EG Time: Settigs: Segmet: atk, atk+dcy, dcy, atk+rls, all atk (attack)...eg Time Value affects Attack time. atk+dcy (attack + decay)...eg Time Value affects Attack/Decay1 time. dcy (decay)...eg Time Value affects Decay time. atk+rls (attack + release)...eg Time Value affects Attack/Release time. all...eg Time Value affects all AEG Time parameters. Voice Performace Level, Curve Determies the velocity sesitivity of the Amplitude EG Level. For positive settigs, the more strogly you play the keyboard, the more the volume chages. Negative settigs do the opposite; the more softly you play, the more the volume chages. The Curve parameter lets you select from five differet preset velocity curves (graphically idicated i the display), that determie how velocity affects the Amplitude EG. Settigs: Level: Curve: 0 4 Referece Sog Patter Mixig Voice Utility File Master [SF3] AEG (Amplitude Evelope Geerator) [SF4] KEY FLW (Key Follow) LevelSes (Level Sesitivity) FCeterKey EGTimeSes (EG Time Sesitivity) From this display you ca make all the time ad level settigs for the Amplitude EG, which determie how the volume of the soud chages over time. These ca be used to cotrol the chage i volume from the momet a ote is pressed o the keyboard to the momet the soud stops. The full ames of the available parameters are show i the chart below, as they appear i the display. INIT ATK DCY1 DCY2 REL DEPTH TIME --- Attack time Decay1 time Decay2 time Release time LVL/SW Iitial level Attack level Decay1 level Decay2 level Settigs: TIME: LEVEL: For details o the AEG, see page 134. From this display you ca set the Key Follow effect for Amplitude i other words, how the volume of the Elemet ad its Amplitude EG respod to the particular otes (or octave rage) you play. Determies the degree to which the otes (specifically, their positio or octave rage) affect the volume of the selected Elemet. A Ceter Key settig of C3 is used as the basic settig. A positive settig will lower the output level for lower otes ad raise it for higher otes. A egative settig will have the opposite effect. Settigs: This idicates that the cetral ote for Level Sesitivity above is C3. At C3, the volume (level) remais uchaged. For other otes played, the volume varies accordig to the particular ote ad the Level Sesitivity settig. Keep i mid that this is for display purposes oly; the value caot be chaged. Determies the degree to which the otes (specifically, their positio or octave rage) affect the Amplitude EG times of the selected Elemet. The Ceter Key (ext parameter) is used as the basic amplitude for this parameter. A positive settig will cause the amplitude of lower otes to chage slower ad that of higher otes to chage faster. Negative values will have the opposite effect. Settigs: Ower s Maual

163 Voice Edit Normal Voice Edit Elemet Edit FCeterKey Determies the cetral ote or pitch for the Key Follow effect o Amplitude EG. Depedig o the EG Time Sesitivity parameter above, the further away from the Ceter Key the keys are played, the more the time of the Amplitude EG deviates from the orm. Whe the Ceter Key is played, the AEG behaves accordig to its actual settigs. The amplitude chage characteristics for other otes will vary i proportio to the EGTime settigs. Settigs: C -2 G8 You ca also set the Ceter Key directly from the keyboard, by holdig dow the [INFORMATION] butto ad pressig the desired key. Level Sesitivity ad Ceter Key Whe Level Sesitivity is set to 100 Positive value EG Time Sesitivity ad Ceter Key Large Amout of AEG level chage + Small Negative value Faster speed Lower rage Higher rage -40 Slower speed Lower rage Ceter key Higher rage Ceter key [SF5] SCALE (Amplitude Scalig) Amplitude Scalig cotrols the output level (set i the [F4] AMP í [SF1] LVL /PAN display) accordig to the positios of the otes o the keyboard. You ca divide the etire keyboard by four break poits, ad assig differet offset values of amplitude to them respectively. Refer to the settig example o page 169. Settigs: BREAK POINT 1 4: C-2 G8 Settigs: OFFSET 1 4: You ca also set the Break Poit directly from the Keyboard, by holdig dow the [INFORMATION] butto ad pressig the desired key. [F5] LFO (Low Frequecy Oscillator) This display gives you a comprehesive set of cotrols over the LFO for each idividual Elemet. The LFO ca be used to create vibrato, wah, tremolo ad other special effects, by applyig it to the pitch, filter ad amplitude parameters. Wave Determies the LFO waveform used to vary the soud. Settigs: saw, tri, squ saw (sawtooth wave) tri (triagle wave) squ (square wave) Voice Performace Speed Determies the speed of the LFO waveform. The higher the value, the faster the speed. Settigs: 0 63 Sog KeyOReset KeyODelay PMod (Pitch Modulatio Depth) FMod (Filter Modulatio Depth) AMod (Amplitude Modulatio Depth) FadeITime Determies whether or ot the LFO is reset each time a ote is played. Settigs: off, o Off Key o Time O Key o Determies the delay time betwee the momet you play a ote o the keyboard ad the momet the LFO comes ito effect. A higher value results i a loger delay time. Settigs: Determies the amout (depth) by which the LFO waveform varies (modulates) the pitch of the soud. The higher the value, the greater the amout of pitch modulatio. Settigs: Determies the amout (depth) by which the LFO waveform varies (modulates) the Filter Cutoff frequecy. The higher the value, the greater the amout of filter modulatio. Settigs: Determies the amout (depth) by which the LFO waveform varies (modulates) the amplitude or volume of the soud. The higher the value, the greater the amout of amplitude modulatio. Settigs: Determies the amout of time for the LFO effect to fade i (after the KeyODelay time has elapsed). A higher value results i a slower fade-i. Time Master File Utility Mixig Voice Patter Referece Settigs: Ower s Maual 163

164 Voice Edit Elemet Edit [F6] EQ (Equalizer) Type Determies the Equalizer Type. This sythesizer features a wide selectio of various equalizer types, which ca be used ot oly to ehace the origial soud, but eve completely chage the character of the soud. The particular parameters ad settigs available deped o the specific Equalizer Type that is selected. Settigs: EQ L/H, P.EQ, boost6, boost12, boost18, thru EQ L/H (Low/High)...This is a shelvig equalizer, which combies separate high ad low frequecy bads. P.EQ (Parametric EQ)...The Parametric EQ is used to atteuate or boost sigal levels (gai) aroud the Frequecy. This type features 32 differet Q settigs, which determie the frequecy bad width of the equalizer. boost6 (boost 6dB)/boost12 (boost 12dB)/boost18 (boost 18dB) These ca be used to boost the level of the etire sigal by 6dB, 12dB ad 18dB, respectively. thru...if you select this, the equalizers are bypassed ad the etire sigal is uaffected. Whe set to EQ L/H Low Freq Settigs: 50.1Hz 2.00kHz Gai High Freq Setttigs: 503.8Hz 10.1kHz + Whe set to P.EQ + Q (Frequecy characteristic) Settigs: Gai Frequecy 0 Frequecy Gai Settigs: Low Gai High Gai Settigs: Settigs: Freq Settigs: 139.7Hz 12.9kHz Voice Performace Sog Patter Mixig Voice Utility File Master Referece 164 Ower s Maual

165 Voice Edit Drum Voice Edit Commo Edit Drum Voice Edit Whe a Drum Voice is selected, Voice Edit parameters are divided ito Commo Edit (parameters commo to all keys, up to 73), ad Key Edit (parameters of idividual keys). Commo Edit [VOICE] Drum Voice selectio [EDIT] [COMMON] These parameters are for makig global (or commo) edits to all keys of the selected Drum Voice. [F1] GENERAL [SF1] NAME Same as i Normal Voice Commo Edit. See page 153. [SF3] MEQ OFS (Master EQ Offset) [SF5] OTHER [F2] OUTPUT Same as i Normal Voice Commo Edit. See page 154. I additio, the followig two parameters are also available. IsRevSed (Isertio Reverb Sed) IsChoSed (Isertio Chorus Sed) Determies the Sed level for the etire Drum Voice (all keys), set from Isertio Effect A/B to the Reverb effect. Settigs: Determies the Sed level for the etire Drum Voice (all keys), set from Isertio Effect A/B to the Chorus effect. Settigs: The parameters caot be set idepedetly for each Drum key. For Normal Voices, the values are fixed at 127 (maximum). [F3] ARP (Arpeggio) [SF1] TYPE Same as i Normal Voice Commo Edit. See page 154. [SF2] LIMIT [SF3] PLAY FX [F4] CTL SET (Cotroller Set) Same as i Normal Voice Commo Edit. See page 155. Please ote that the Elemet Switch parameter is ot available i Drum Voice Commo Edit. [F6] EFFECT Same as i Normal Voice Commo Edit. See page 158. The oly differece here is that KEY: OUT appears i the [SF1] CONNECT display istead of EL: OUT (i Normal Commo Effect). Voice Performace Sog Key Edit These parameters are for editig the idividual keys that make up a Drum Voice. [F1] OSC (Oscillator) [SF1] WAVE Type ElemetSw (Elemet Switch) Bak Number Category [VOICE] Drum Voice selectio [EDIT] Key selectio From this display you ca select the desired wave or Normal Voice used for the idividual Drum key. Determies whether a Wave or a Normal Voice is to be used for the selected key. Also, use the Bak, Number ad Category parameters below to specify the desired Wave or Normal Voice. Settigs: pre wav (Preset wave), voice Whe the Type is set to voice here, some parameters i the Drum Voice Edit caot be edited. This parameter is available whe Type (above) is set to pre wav. This determies whether the curretly selected key is o or off, or i other words, whether the wave for the key is active or iactive. Settigs: o, off This parameter is available whe Type (above) is set to voice. Ay of the Normal Voice baks ca be selected. Determies the Wave/Voice umber. The umber differs depedig o the selected Type. For details about available Waves ad Voices, refer to the separate Data List booklet. Settigs: Whe Type is set to pre wav : Whe Type is set to voice : Determies the Category of the Wave/Normal Voice. If you switch to aother Category, the first Wave/Normal Voice i that Category will be selected. For more iformatio about the Categories, refer to the separate Data List booklet. Master File Utility Mixig Voice Patter Referece Ower s Maual 165

166 Voice Edit Drum Voice Edit Key Edit [SF2] OUTPUT IsEFOut (Isertio Effect Output) RevSed (Reverb Sed) ChoSed (Chorus Sed) [SF5] OTHER AssigMode RcvNoteOff (Receive Note Off) AlterateGroup From this display you ca set certai output parameters for the selected Drum key. Determies which Isertio effect (A or B) is used to process each idividual Drum key. The thru settig lets you bypass the Isertio effects for the specific key. Settigs: thru, isa (Isertio Effect A), isb (Isertio Effect B) Determies the level of the Drum key soud (the bypassed sigal) that is set to Reverb effect. This is available oly whe Isertio Effect Output (above) is set to thru. Settigs: Determies the level of the Drum key soud (the bypassed sigal) that is set to Chorus effect. This is available oly whe Isertio Effect Output (above) is set to thru. Settigs: From this display you ca set various parameters related to how the idividual otes of the Drum Voice respod to the keyboard ad MIDI data. Selects sgl (sigle) or mlti (multi) Key Assig. Whe this is set to sgl, double playback of the same ote is preveted. To allow playback of each istace of the same ote, set this to mlti. Settigs: sgl (sigle), mlti (multi) Determies whether or ot the selected Drum key respods to MIDI Note Off messages. Settigs: off, o This parameter is oly available if the Type parameter ([F1] OSC [SF1] WAVE display) is set to pre wav. Sets the Alterate Group to which the key is assiged. I a real drum kit, some drum souds caot physically be played simultaeously, such as ope ad closed hi-hats.you ca prevet keys from playig back simultaeously by assigig them to the same Alterate Group. Up to 127 Alterate Groups ca be defied. You ca also select off here if you wish to allow the simultaeous playback of souds. Settigs: off, This parameter is oly available if the Type parameter ([F1] OSC [SF1] WAVE display) is set to pre wav. [F2] PITCH Voice Performace [SF1] TUNE Coarse Fie [SF2] VEL SENS (Velocity Sesitivity) From this display you ca set various pitch-related parameters for the selected key. Determies the pitch of each Drum Key Wave (or Normal Voice) i semitoes. Settigs: If a Normal Voice has bee assiged to the key, this parameter adjusts the positio of its ote (ot its pitch) relative to ote C3. Determies the fie tuig for the pitch of each Drum Key Wave (or Normal Voice). Settigs: This parameter is oly available if the Type parameter ([F1] OSC [SF1] WAVE display) is set to pre wav. Referece Sog Patter Mixig Voice Utility File Master Pitch [F3] FILTER [SF1] CUTOFF LPFCutoff LPFReso HPFCutoff [SF2] VEL SENS (Velocity Sesitivity) LPFCutoff Determies how the pitch of the selected Drum key respods to velocity. For positive values, the more strogly you play the key, the higher the pitch becomes. For egative values, the more strogly you play the key, the lower the pitch. Settigs: This sythesizer lets you apply a low pass filter ad high pass filter to each idividual Drum key givig you exceptioally detailed ad comprehesive soic cotrol over the Drum voice. Settigs: This parameter is available whe the Type is set to pre wav i the [F1] OSC [SF1] WAVE display. Determies the Cutoff frequecy of the Low Pass Filter. Settigs: Determies the amout of Resoace (harmoic emphasis) applied to the sigal at the Cutoff frequecy. Settigs: Determies the Cutoff frequecy of the High Pass Filter. Settigs: This parameter is oly available if the Type parameter ([F1] OSC [SF1] WAVE display) is set to pre wav. Determies the velocity sesitivity of the Low Pass Filter Cutoff frequecy. For positive settigs, the more strogly you play the keyboard, the higher the cutoff frequecy becomes. For egative settigs, the more strogly you play, the lower the cutoff frequecy. Settigs: Ower s Maual

167 Voice Edit Drum Voice Edit Key Edit [F4] AMP (Amplitude) [SF1] LVL/PAN (Level/Pa) Level Pa AlteratePa RadomPa This display ot oly lets you make basic Level ad Pa settigs for the soud of each idividual Drum key, it also gives you some detailed ad uusual parameters for affectig Pa positio. Determies the output for the selected Drum key (Wave). This lets you make detailed balace adjustmets amog the various souds of the Drum Voice. Settigs: Determies the stereo Pa positio for the selected Drum key (Wave). This will also be used as the basic Pa positio for the Alterate ad Radom settigs. Settigs: L63 (far left) C (ceter) R63 (far right) Determies the amout by which the soud of the selected Drum key is paed alterately left ad right for each ote you press. The Pa settig (above) is used as the basic Pa positio. Settigs: L64 0 R63 This parameter is available whe the Type is set to pre wav i the [F1] OSC [SF1] WAVE display. Determies the amout by which the soud of the selected Drum key is paed radomly left ad right for each ote you press. The Pa settig (above) is used as the Ceter Pa positio. Settigs: This parameter is available whe the Type is set to pre wav i the [F1] OSC [SF1] WAVE display. [SF2] VEL SENS (Velocity Sesitivity) Level Determies the velocity sesitivity of the Amplitude Evelope Geerator s output level. Positive settigs will cause the output level to rise the harder you play the keyboard ad, coversely, egative values will cause it to fall. Settigs: [SF3] AEG (Amplitude Evelope Geerator) AttackTime Settigs: Decay1Time Settigs: Decay1Lvl (Level) Settigs: Voice Decay2Time Settigs: 0 126, hold Decay2Time = Level Attack level Decay1 level Decay2Time = hold Attack level Level Decay1 level Performace Attack time Key o Decay1 time Decay2 time Time Attack time Key o Decay1 time Decay2 time Time Sog [F6] EQ (Equalizer) Same as i Normal Voice Elemet Edit. See page 164. This parameter is available whe the Type is set to pre wav i the [F1] OSC [SF1] WAVE display. Master File Utility Mixig Voice Patter Referece Ower s Maual 167

168 Voice Job Voice Job [VOICE] Voice selectio [JOB] The Voice Job features several basic operatios, such as Iitialize ad Copy. After settig parameters as required from the selected display, press the [ENTER] butto to execute the Job. [F1] INIT (Iitialize) This fuctio lets you reset (iitialize) all Voice parameters to their default settigs. It also allows you to selectively iitialize certai parameters, such as Commo settigs, settigs for each Elemet/Drum key, ad so o very useful whe creatig a completely ew Voice from scratch. Type of parameter to be iitialized All: All data i the Commo Edit ad Elemet (Key) Edit s Commo: Data i the Commo Edit EL (1 4): Data of the correspodig Elemet Edit parameters If without Wave is checked, the waves assiged to the Elemets (Keys) will ot be iitialized. I order to select Commo, EL, or without Wave, the ALL box must be uchecked. If you tur the check mark o whe a Drum Voice is selected, you ca select a specific Drum Key. [F2] RECALL (Edit Recall) If you are editig a Voice ad select a differet Voice without storig your edited oe, all the edits you ve made will be erased. If this happes, you ca use Edit Recall to restore the Voice with your latest edits itact. [F3] COPY Source Voice From this display you ca copy Commo ad Elemet/Drum Key parameter settigs from ay Voice to the Voice you are editig. This is useful if you are creatig a Voice ad wish to use some parameter settigs from aother Voice. Data type to be copied (Type) Commo: Data i the Commo Edit Elemet (1 4): Data of the correspodig Elemet Edit parameters Key C0 C6: Data of the correspodig Key Edit parameters Referece Voice Performace Sog Patter Mixig Voice Utility File Master [F4] BULK (Bulk Dump) Destiatio Voice (Curret Voice) This fuctio lets you store your edited Voice to User memory. For details, refer to page 60 i the Quick Guide sectio. Copy procedure 1. Select the Source Voice. Whe Curret is selected i the Source Voice, the Source Voice will be same as the Destiatio Voice. If you wish to copy oe Elemet to aother Elemet i the same Voice, select Curret. 2. Select the Destiatio Voice (Curret Voice). If the Source Voice type (Normal/Drum) differs from that of the Voice you are curretly editig (destiatio), you will oly be able to copy the Commo parameters. 3. Whe Elemet or Key is selected i the Source Voice, select the Part/Key to be copied i the Destiatio Voice. 4. Press the [ENTER] butto. This fuctio lets you sed all your edited parameter settigs for the curretly selected Voice to a computer or aother MIDI istrumet for data archivig. For details, see page 148. I order to execute Bulk Dump, you ll eed to set the correct MIDI Device Number, with the followig operatio: [UTILITY] [F5] MIDI [SF1] CH DeviceNo. Voice Store [VOICE] Voice selectio [STORE] 168 Ower s Maual

169 Supplemetary ifomatio Supplemetary iformatio Micro Tuig List [VOICE] [EDIT] [COMMON] [F1] GENERAL [SF2] PLY MODE M.TuigNo./M.TuigRoot (page 153) M.TuigNo. Type M.TuigRoot Commets 00 Equal Temp (Equal temperamet) -- The compromise tuig used for most of the last 200 years of Wester music, ad foud o most electroic keyboards. Each half step is exactly 1/12 of a octave, ad music ca be played i ay key with idetical pitch relatioships. However, oe of the itervals are perfectly i tue. 01 PureMaj (Pure major) C B This tuig is desiged so that most of the itervals (especially the major third ad perfect fifth) i the major scale are pure. This meas that other itervals will be correspodigly out of tue. You eed to specify the key (C B) you will be playig i. 02 PureMi (Pure mior) C B The same as Pure Major, but desiged for the mior scale. 03 Werckmeist (Werckmeister) C B Adreas Werckmeiser, a cotemporary of Bach, desiged this tuig so that keyboard istrumets could be played i ay key. Each key has a uique character. 04 Kirberger C B Joha Philipp Kirberger, a 18th cetury composer, created this tempered scale to allow performaces i ay key. 05 Vallot&Yg (Vallotti & Youg) C B Fracescatoio Vallotti ad Thomas Youg (both mid-1700s) devised this adjustmet to the Pythagorea tuig, i which the first six fifths are lower by the same amout. 06 1/4 Shift (1/4 shifted) -- This is the ormal equal tempered scale shifted up 50 cets. 07 1/4 toe -- Twety-four equally spaced otes per octave. (Octaves are 24 otes apart.) 08 1/8 toe -- Forty-eight equally spaced otes per octave. (Octaves are 48 otes apart.) 09 Idia -- Desiged for use Idia music (white keys oly). 10 Arabic 1 C B Desiged for use Arabic music. 11 Arabic 2 12 Arabic 3 Voice Settig example of Filter Scalig Settig example of Amplitude Scalig Performace [VOICE] [EDIT] Elemet selectio [F3] FILTER [SF5] SCALE (page 161) The best way to uderstad Filter Scalig is by example. For the settigs show i the example display below, the basic Cutoff frequecy value is 64, ad the various Offset values at the selected Break poit settigs chage that basic value accordigly. The specific chages to the Cutoff frequecy are show i the diagram below. The Cutoff frequecy chages i a liear fashio betwee successive Break Poits as show. Cutoff Frequecy C 1 D 2 C3 A4 Break Break Poit 2 Poit 3 Break Poit 1 Break Poit 4 Note [VOICE] [EDIT] Elemet selectio [F4] AMP [SF5] SCALE (page 163) The best way to uderstad Amplitude Scalig is by example. For the settigs show i the example display above, the basic Amplitude (volume) value for the selected Elemet is 80, ad the various Offset values at the selected Break poit settigs chage that basic value accordigly. The specific chages to the Amplitude are show i the diagram below. The Amplitude chages i a liear fashio betwee successive Break Poits as show. Amplitude C1 C2 C3 C4 Break Break Poit 2 Poit 3 Break Poit 1 Break Poit 4 Note Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 169

170 Supplemetary Iformatio Filter Type List [VOICE] [EDIT] Elemet selectio [F3] FILTER [SF1] TYPE Type (page 160) LPF24D (24dB/oct Digital Low Pass Filter) A dyamic 24dB/oct low-pass filter with a characteristic digital soud. Compared to the LPF24A type (below), this filter ca produce a more proouced resoace effect. HPF12 (12dB/oct High Pass Filter) 12dB/oct dyamic high-pass filter. Resoace Dual HPF (Dual High Pass Filter) Two 12dB/oct high-pass filters coected i parallel. Level Distace Resoace These frequecies are passed by the filter. BPF12D (12dB/oct Digital Bad Pass Filter) Level Resoace The lower cutoff frequecy is set directly o the display. Frequecy LPF24A (24dB/oct Aalog Low Pass Filter) A digital dyamic low-pass filter with characteristics similar to a 4-pole aalog syth filter. Resoace Cutoff rage 12db/oct Rage passed Cutoff rage Frequecy Dual BPF (Dual Bad Pass Filter) Two 6dB/oct bad-pass filters coected i parallel. Level Distace Referece Voice Performace Sog Patter Mixig Voice Utility File Master LPF18 (18dB/oct Low Pass Filter) 3-pole 18dB/oct low-pass filter. LPF18s (18dB/oct Staggered Low Pass Filter) 3-pole 18dB/oct low-pass filter. This filter has a smoother cutoff slope tha the LPF18 type. Resoace LPF18 LPF18s LPF12 (12dB/oct Low Pass Filter) 12dB/oct low-pass filter. This filter is desiged to be used i cojuctio with a high-pass filter. Resoace LPF6 (6dB/oct low-pass Filter) 1-pole 6dB/oct low-pass filter. No resoace. This filter is desiged to be used i cojuctio with a high-pass filter. HPF24D (24dB/oct Digital High Pass Filter) A dyamic 24dB/oct high-pass filter with a characteristic digital soud. This filter ca produce a proouced resoace effect. Resoace BPFw (Wide Bad Pass Filter) A 12dB/oct BPF that combies HPF ad LPF filters to allow wider badwidth settigs. Level Cutoff rage Width ca be icreased Rage passed BPF6 (6dB/oct Bad Pass Filter) Level Cutoff rage Resoace 6db/oct Rage passed Cutoff rage Cutoff rage BEF12 (12dB/oct Bad Elimiatio Filter) BEF6 (6dB/oct Bad Elimiatio Filter) Level Cutoff rage Rage passed Rage passed Ceter frequecy Dual LPF (Dual Low Pass Filter) Two 12dB/oct low-pass filters coected i parallel. Level Distace The lower cutoff frequecy is set directly o the display. Frequecy Frequecy Frequecy Frequecy Dual BEF (Dual Bad Elimiatio Filter) Two 6dB/oct bad-elimiatio filters coected i serial. Level Frequecy LPF12 + BPF6 (12dB/oct Low Pass Filter + 6dB/ oct Bad Pass Filter) A combied low-pass ad high-pass filter. Level The lower cutoff frequecy is set directly o the display. Distace The lower cutoff frequecy is set directly o the display. Distace The lower cutoff frequecy is set directly o the display. Frequecy Frequecy thru The filters are bypassed ad the etire sigal is uaffected. 170 Ower s Maual

171 Performace Play Performace Performace Play [PERFORM] Performace selectio The Performace Play lets you perform a variety of geeral editig operatios o the selected Performace. For more detailed ad comprehesive editig operatios, use the Performace Edit. Edited parameters with the exceptio of some parameters are stored to iteral Flash ROM as a User Performace. The parameters that have the same ame i the Performace Play ad i the Performace Edit have the same fuctios ad settigs. [F1] PLAY TCH (Trasmit Chael) OCT (Octave) Same as i Voice Play. These parameters are available both i the Voice ad the Performace regardless of the selected Voice or Performace. ASA (ASSIGN A), ASB (ASSIGN B) TCH (Trasmit Chael), OCT (Octave), ASA (ASSIGN A), ad ASB (ASSIGN B) settigs do ot belog to each Performace. Because of this, these are ot stored as a idividual Performace i the Performace Store (page 177). AS1 (ASSIGN 1), AS2 (ASSIGN 2) [SF1] ARP1 (Arpeggio 1) [SF5] ARP5 (Arpeggio 5) Idicates the values obtaied by cotrollig the respective Kobs (prited ASSIGN 1 ad ASSIGN 2 ). The fuctios assiged to these Kobs deped o the settig of the Voice assiged to each Part of the Performace. You ca register the desired Arpeggio types to these buttos ad call them up ay time durig your keyboard performace. Refer to page 48 i the Quick Guide sectio. [F2] VOICE From this display you ca select a Voice for each Part ad determie the ote rage it ca be played from. [SF1] ADD [SF3] DELETE [SF4] LIMIT L (Note Limit Low) [SF5] LIMIT H (Note Limit High) [F3] EFFECT Press this butto to assig a Voice to the selected Part. Pressig this butto deletes the Voice assigmet for the selected Part, leavig the Part blak. This sets the lowest ote of the rage over which the voice of the selected part souds. Simultaeously hold dow this butto ad press the desired key o the keyboard to set the ote. This sets the highest ote of the rage over which the voice of the selected part souds. Simultaeously hold dow this butto ad press the desired key o the keyboard to set the ote. Voice Performace Pressig the [F3] EFFECT butto i the Performace Play calls up the same EFFECT display i the Performace Edit ([PERFORM] [EDIT] [COMMON] [F6] EFFECT). From this display, you ca set the effect related parameters for the curret Performace. [F4] PORTA (Portameto) From this display you ca set the Portameto parameters for each part. Portameto is used to create a smooth trasitio i pitch from the first ote played o the keyboard to the ext. PortaSw (Portameto Switch) Determies whether Portameto is o or off for all Parts. Settigs: off, o PortaTime (Portameto Time) Determies the pitch trasitio time. This parameter offsets the same parameter i the part edit (page 174). Higher values result i loger trasitio times. Settigs: PartSwitch [F5] EG (Evelope Geerator) Determies whether Portameto is o or off for each idividual Part. This is available oly whe the PortaSw (above) is set to o. This display cotais the basic EG settigs, both volume ad filter. The settigs made here are applied as offsets to the AEG ad FEG settigs i the Performace Edit (page 176). The parameters are the same as i the Voice Play. See page 152. [F6] ARP (Arpeggio) This display cotais the basic settigs for Arpeggio playback, icludig Type ad Tempo. Note that the Performace lets you idepedetly eable or disable Arpeggio playback for each Part. The parameters are the same as i the Voice Play (page 152) except for PartSw below. PartSw Determies whether Arpeggio is o or off for the selected Part. The Parts for which boxes are checkmarked are eabled for Arpeggio play. Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 171

172 Performace Edit Commo Edit Performace Edit [PERFORM] Performace selectio [EDIT] Voice Edit parameters are divided ito Commo Edit (parameters commo to all four Parts), ad Part Edit (parameters of idividual Parts). Commo Edit [PERFORM] Performace selectio [EDIT] [COMMON] These parameters are for makig global (or commo) edits to all four Parts of the selected Performace. [F1] GENERAL [SF1] NAME [SF3] MEQ OFS (Master EQ Offset) [SF4] PORTA (Portameto) [SF5] OTHER From this display you ca assig the category (sub ad mai) of the selected Performace, ad create a ame for the Performace. The Performace ame ca cotai up to 10 characters. For specific istructios o amig, see Basic Operatio o page 38. Determies the offset values of the Master EQ i the [F2] OUT/MEF [SF2] MEQ display. The level of each of the four bads (with the exceptio of MID ) ca be adjusted. Moreover, you ca also tweak these settigs directly from the four Kobs o the frot pael whe the [EQ] butto is tured o. This display allows you to set the Portameto related parameters. The parameters are the same as i the Performace Play. See page 171. From this display you ca set the cotrol fuctios for the Kobs ad related parameters. With the exceptio of Pitch Bed, which caot be set here, these parameters are the same as i the Voice Edit (page 154). [F2] OUT/MEF (Output/Master Effect) [SF1] OUT (Output) Volume Determies the output level of the selected Performace. You ca adjust the overall volume, keepig the balace betwee all Parts. Settigs: Referece Voice Performace Sog Patter Mixig Voice Utility File Master Pa RevSed (Reverb sed) ChoSed (Chorus sed) Determies the stereo pa positio of the selected Performace. This parameter offsets the same parameter i the part edit settig. Whe the [PAN/SEND] butto is tured o, you ca also adjust this parameter usig the Kob. Settigs: L63 (far left) C (ceter) R63 (far right) A settig of C (ceter) maitais the idividual Pa settigs of each Part. Determies the Sed level of the sigal set from Isertio Effect A/B (or the bypassed sigal) to the Reverb effect. Whe the [PAN/SEND] butto is tured o, you ca also adjust this parameter usig the Kob. Settigs: Determies the Sed level of the sigal set from Isertio Effect A/B (or the bypassed sigal) to the Chorus effect. Whe the [PAN/SEND] butto is tured o, you ca also adjust this parameter usig the Kob. Settigs: For details o the Effect coectios i the Performace, see page 143. [SF2] MEQ (Master EQ) SHAPE FREQ (Frequecy) GAIN Q (Frequecy Characteristic) For details o the EQ, see page 141. [SF3] MEF (Master Effect) Switch Type From this display you ca apply five-bad equalizatio to all Parts of the selected Performace. You ca raise or lower the sigal level at the Frequecy of each bad (LOW, LOWMID, MID, HIGHMID, HIGH). Determies whether the equalizer type used is Shelvig or Peakig. The Peakig type atteuates/boosts the sigal at the specified Frequecy settig, whereas the Shelvig type atteuates/boosts the sigal at frequecies above or below the specified Frequecy settig. This parameter is available oly for the LOW ad HIGH frequecy bads. Settigs: shelv (Shelvig type), peak (Peakig type) Determies the ceter frequecy. Frequecies aroud this poit are atteuated/boosted by the Gai settig. Settigs: LOW: Shelvig 32Hz 2.0kHz, Peakig 63Hz 2.0kHz LOWMID, MID, HIGHMID: 100Hz 10.0kHz HIGH: 500Hz 16.0kHz Determies the level gai for the Frequecy (set above), or the amout the selected frequecy bad is atteuated or boosted. Settigs: -12dB 0dB +12dB This varies the sigal level at the Frequecy settig to create various frequecy curve characteristics. Settigs: From this display you ca set the Master Effect related parameters. Determies whether Master Effect is applied or ot to the selected Performace. Settigs: off, o Determies the Master Effect type. Settigs: Refer to the Effect Types list i the separate Data List booklet. The available parameters except for the above two differ depedig o the curretly selected effect type. Refer to the separate Data List booklet for details. 172 Ower s Maual

173 Performace Edit Commo Edit [F3] ARP (Arpeggio) From this display you ca set the Arpeggio related parameters. [SF1] TYPE Same as i Normal Voice Commo Edit. See page 154. [SF2] LIMIT [SF3] PLAY FX (Play Effect) [SF4] OUT CH (Output Chael) OutputSwitch TrasmitCh From this display you ca set a separate MIDI output chael for the Arpeggio playback data, lettig you have the Arpeggio soud from a exteral toe geerator or sythesizer. Whe this is set to o, Arpeggio playback data is output via MIDI. Settigs: o, off Determies the MIDI trasmit chael for Arpeggio playback data. Whe set to KbdCh, the Arpeggio playback data is output via the MIDI Keyboard Trasmit Chael ([UTILITY] [F5] MIDI KBDTrasCh). Settigs: 1 16, KbdCh (Keyboard Chael) [F4] CTL ASN (Cotroller Assig) You ca assig Cotrol Chage umbers to the cotrollers listed below, lettig you use the hardware cotrollers o the keyboard to alter the soud of exteral MIDI devices, via the appropriate MIDI messages. Whe the MO receives Cotrol Chage data correspodig to the settigs here, the iteral toe geerator respods as if the istrumet's cotrollers were used. BC (Breath Cotroller) RB (Ribbo Cotroller) AS1 (Assig 1), AS2 (Assig 2) The MO does ot have a jack to coect a Breath Cotroller. However, the MO respods as if a Breath Cotroller was used whe receivig Cotrol Chage messages over the Cotrol Chage umber determied i this parameter. The MO does ot have a Ribbo Cotroller. However, the MO respods as if a Ribbo Cotroller was used whe receivig Cotrol Chage messages over the Cotrol Chage umber determied i this parameter. Determies the Cotrol Chage umber geerated whe you cotrol the ASSGN 1 (Kob3) ad the ASSIGN 2 (Kob4) with both the [PAN/SEND] ad [TONE] lamp tured o. FC1 (Foot Cotroller 1) FC2 (Foot Cotroller 2) [F6] EFFECT Determies the Cotrol Chage umber geerated whe you use the Foot Cotroller coected to the FOOT CONTROLLER jack. The MO has oly oe jack for coectio to a Foot Cotroller. However, the MO respods as if a 2d Foot Cotroller was used whe receivig Cotrol Chage messages over the Cotrol Chage umber determied i this parameter. Keep i mid that the fuctios of these cotrollers set here are ot chaged for the iteral toe geerator. The cotroller assigmets for the MO itself deped o the settigs of the Voices assiged to each Part. This meu gives you comprehesive cotrol over the effects. For details o the Effect coectios i the Performace, see page 143. [SF1] CONNECT (Coectio) For more iformatio o parameters, refer to page 143. [SF2] INS SW (Isertio Switch) The Isertio Effects ca be applied to up to three Parts. This display lets you set to which Parts the Isertio Effects are applied. Voice Performace Sog [SF4] REVERB [SF5] CHORUS The umber of parameters ad values available differs depedig o the curretly selected effect type. Refer to the separate Data List booklet. Master File Utility Mixig Voice Patter Referece Ower s Maual 173

174 Performace Edit Part Edit Part Edit [PERFORM] Performace selectio [EDIT] Part selectio These parameters are for editig the idividual Parts that make up a Performace. [F1] VOICE [SF1] VOICE PartSw (Part Switch) Bak Number You ca select a voice for each part. Set each pat to o or off. Settigs: o, off Determies the Voice Bak (page 40) for each Part. Determies the Voice Program umber for each Part. [SF2] MODE Moo/Poly ArpSwitch (Arpeggio Switch) Determies the playback method of the Voice for each Part moophoic (sigle otes oly) or polyphoic (multiple otes). Settigs: moo, poly This parameter is ot available for the part to which the Drum Voice is assiged. Determies whether Arpeggio is o or off for the curretly selected Part. Settigs: o, off [SF3] LIMIT NoteLimitH (Note Limit High) NoteLimitL (Note Limit Low) Determies the lowest ad highest otes of the keyboard rage for each Part. Each Part will oly soud for otes played withi its specified rage. Settigs: C -2 G8 If you specify the highest ote first ad the lowest ote secod, for example C5 to C4, the the ote rage covered will be C-2 to C4 ad C5 to G8. You ca set the ote by pressig the keyboard while holdig the [INFORMATION] butto. Voice Performace VelLimitH (Velocity Limit High) VelLimitL (Velocity Limit Low) [SF4] PORTA (Portameto) Switch Determies the miimum ad maximum values of the velocity rage withi which each Part will respod. Each Part will oly soud for otes played withi its specified velocity rage. Settigs: If you specify the maximum value first ad the miimum value secod, for example 93 to 34, the the velocity rage covered will be 1 to 34 ad 93 to 127. Determies the Portameto parameters for each Part. Portameto is used to create a smooth trasitio i pitch from the first ote played o the keyboard to the ext. Determies whether Portameto is o or off. Settigs: off, o Referece Sog Patter Mixig Voice Utility File Master Time Mode [SF5] OTHER PB (Pitch Bed) Upper, PB (Pitch Bed) Lower VelSesDpt (Velocity Sesitivity Depth) Determies the pitch trasitio time. Higher values result i a loger pitch chage time. Settigs: Determies the Portameto. Settigs: figr (figered), full (full time) figr (figered)... Portameto is oly applied whe you play legato (playig the ext ote before releasig the previous oe). full (full time)... Portameto is always applied. These Portameto parameters above are ot available for the part to which the Drum voice is assiged. Determies the amout ad directio of Pitch Bed rage. Details are same as that i the Commo Edit parameters i Normal Voice (page 154). Determies the degree to which the resultig volume of the toe geerator respods to your playig stregth. The higher the value, the more the volume chages i respose to your playig stregth (as show at right). Settigs: Actual resultig velocity (affectig the toe geerator) Whe Offset (below) is set to 64: Depth = Velocity with which you play a ote Depth = 64 Depth = 32 Depth = Ower s Maual

175 Performace Edit Part Edit VelSesOfst (Velocity Sesitivity Offset) Determies the amout by which played velocities are adjusted for the actual resultig velocity effect. This lets you raise or lower all velocities by the same amout allowig you to automatically compesate for playig too strogly or too softly. Settigs: Whe Depth (above) = 64 ad Offset = 32 Whe Depth (above) = 64 ad Offset = 64 Whe Depth (above) = 64 ad Offset = Actual resultig velocity (affectig the toe geerator) Velocity with which you play a ote [F2] OUTPUT [SF1] VOL/PAN (Volume/Pa) Volume Pa VoiceELPa (Voice Elemet Pa) Determies the volume for each part, allowig you to set the optimum level balace of all the Parts. Settigs: Determies the stereo pa positio for each Part. Settigs: L63 (far left) C (ceter) R63 (far right) Determies whether the idividual pa settigs for each Voice (made via [VOICE] [EDIT] Elemet selectio [F4] AMP [SF1] LVL/PAN Pa) are applied or ot. Whe this is set to off, the basic pa positio for the selected Part is set to ceter. Settigs: o, off [SF2] EF SEND (Effect Sed) RevSed (Reverb Sed) From this display you ca set the Sed Level ad Dry Level set to the System Effects for each Part. For details o the Effect coectios i the Performace, see page 143. Determies the sed level for the Reverb effect of the selected Part, givig you detailed cotrol over the Reverb balace amog the Parts. Settigs: Voice ChoSed (Chorus Sed) Dry Level [SF3] SELECT (Output Select) IsEF (Isertio Effect) [F3] EQ (Equalizer) Determies the sed level for the Chorus effect of the selected Part, givig you detailed cotrol over the Chorus balace amog the Parts. Settigs: Determies the level of the uprocessed (dry) soud of the selected Part, lettig you cotrol the overall effect balace amog the Parts. Settigs: Determies whether the Isertio effects are applied to the output sigal from the rear pael or ot. Settigs: o, off From this display you ca adjust the EQ settigs for each Part. Note that two differet display types listed below are provided ad you ca switch betwee them by pressig the [SF5] butto. Each display type features the same settigs i a differet format; use the type you feel most comfortable with. Display showig four Parts Display showig all parameters for oe Part Keep i mid that sice all the available parameters caot be simultaeously displayed i the four-part display, you will eed to use the cursor cotrols to scroll the display i order to see ad set the other parameters. For details about the Effect coectio icludig the EQ i the Performace, see page 143. LowFreq (Low Frequecy) LowGai (Low Gai) MidFreq (Middle Frequecy) MidGai (Middle Gai) MidReso (Middle Resoace) HighFreq (High Frequecy) Determies the ceter frequecy of the low EQ bad that is atteuated/boosted. Settigs: K Determies the amout of boost or atteuatio applied to the low EQ bad. Settigs: Determies the ceter frequecy of the middle EQ bad that is atteuated/boosted. Settigs: K Determies the amout of boost or atteuatio applied to the middle EQ bad. Settigs: Determies the resoace applied to the ceter frequecy of the middle EQ bad. Settigs: 0 31 Determies the ceter frequecy of the high EQ bad that is atteuated/boosted. Settigs: K Performace Sog Master File Utility Mixig Voice Patter Referece HighGai (High Gai) Determies the amout of boost or atteuatio applied to the high EQ bad. Settigs: Ower s Maual 175

176 Performace Edit Part Edit [F4] TONE You ca set parameters related to the pitch ad toe for each Part. Keep i mid that the settigs made here are applied as offsets to the Voice Edit settigs. [SF1] TUNE NoteShift Detue [SF2] FILTER Cutoff Resoace FEGDepth [SF3] FEG (Filter Evelope Geerator) Determies the pitch (key traspose) settig for each Part i semitoes. Settigs: Determies the fie tuig for each part. Settigs: -12.8Hz +12.7Hz Keep i mid that the settigs made here are applied as offsets to the filter settigs i the Elemet Edit parameters of each Part s Voice. Determies the cutoff frequecy for each Part. This parameter is available for the LPF whe the filter used by the part is a combiatio type of LPF ad HPF. Settigs: Determies the amout of filter resoace or emphasis of the Cutoff Frequecy for each Part. Settigs: Determies the Filter Evelope Geerator depth (amout of Cutoff Frequecy) for each Part. Settigs: For details about Filter, see page 133. From this display you ca set the FEG (Filter Evelope Geerator) parameters for each Part. Keep i mid that the settigs made here are applied as offsets to the filter settigs i the Elemet Edit parameters of each Part s Voice. Referece Voice Performace Sog Patter Mixig Voice Utility File Master Attack (Attack Time) Determies each parameter of the FEG for each Part. For details about FEG, see page 133. Decay (Decay Time) Sustai (Sustai Level) Release (Release Level) [SF4] AEG (Amplitude Evelope Geerator) Settigs: These parameters are ot available for the Drum Voice Parts. From this display you ca set the AEG (Amplitude Evelope Geerator) parameters for each Part. Keep i mid that the settigs made here are applied as offsets to the filter settigs i the Elemet Edit parameters of each Part s Voice. Attack (Attack Time) Determies each parameter of the AEG for each Part. For details about AEG, see page 134. Decay (Decay Time) Sustai (Sustai Level) Release (Release Level) [F5] RCV SW (Receive Switch) Settigs: The Sustai ad Release parameters are ot available for the Drum Voice Parts. From this display you ca set how each idividual Part respods to various MIDI data, such as Cotrol Chage ad Program Chage messages. Whe the relevat parameter is set to o, the correspodig Part respods to the appropriate MIDI data. Note that two differet display types listed below are provided ad you ca switch betwee them by pressig the [SF5] butto. Each display type features the same settigs i a differet format; use the type you feel most comfortable with. Display showig four Parts Display showig all parameters for oe Part Keep i mid that sice all the available parameters caot be simultaeously displayed i the four-part display, you will eed to use the cursor cotrols to scroll the display i order to see ad set the other parameters. Settigs: See below. CtrlChage (Cotrol Chage) PB (Pitch Bed) MW (Modulatio Wheel) RB (Ribbo Cotroller) ChAT (Chael Aftertouch) FC1 (Foot Cotroller 1) Idicates all the Cotrol Chage messages. MIDI messages geerated by usig the Pitch Bed Wheel. MIDI messages geerated by usig the Modulatio Wheel. MIDI messages for Ribbo Cotroller. MIDI messages for Chael Aftertouch. FC2 (Foot Cotroller 2) MIDI messages for Foot Cotroller 2. Sus (Sustai) FS (Footswitch) AS1 (Assig 1), AS2 (Assig 2) MIDI messages geerated by usig the optioal Foot Cotroller coected to the rear pael. MIDI messages for Cotrol Number 64 (Sustai). This parameter is ot available for the Drum Voice Parts. MIDI messages geerated by usig the optioal Footswitch coected to the FOOT SWITCH jack o the rear pael. MIDI messages geerated by usig the ASSIGN 1 ad ASSIGN 2 Kobs with both the [PAN/SEND] ad [TONE] lamps tured o. BC (Breath Cotroller) Exp (Expressio) MIDI messages for Breath Cotroller. MIDI messages (Expressio) geerated by usig the optioal Foot Cotroller coected to the rear pael. 176 Ower s Maual

177 Performace Job Performace Job [PERFORM] Performace selectio [JOB] The Performace Job features several basic operatios, such as Iitialize ad Copy. After settig parameters as required from the selected display, press the [ENTER] butto to execute the Job. [F1] INIT (Iitialize) This fuctio lets you reset (iitialize) all Performace parameters to their default settigs. It also allows you to selectively iitialize certai parameters, such as Commo settigs, settigs for each Part, ad so o very useful whe creatig a completely ew Performace from scratch. Type of parameter to be iitialized All: All data i the Performace Commo: Data i the Commo Edit Part 1 4: Data of the Part Edit parameters of the correspodig iteral Part I order to select Commo or Part, the ALL box must be uchecked. [F2] RECALL (Edit Recall) If you are editig a Performace ad select a differet Performace without storig your edited oe, all the edits you ve made will be erased. If this happes, you ca use Edit Recall to restore the Performace with your latest edits itact. [F3] COPY Source Performace You ca copy Part parameter settigs from ay Performace to a particular Part of the Performace you are editig. This is useful if you are creatig a Performace ad wish to use some parameter settigs from aother Performace. Data type to be copied (Type) Part 1 4: Data of the Part Edit parameters of the correspodig iteral Part Destiatio Performace (curretly selected Performace) [F4] BULK (Bulk Dump) Copy procedure 1. Select the Source Performace. Whe Curret is selected i the Source Performace, the Source Performace will be same as Destiatio Performace. If you wish to copy oe Part to aother Part i same Performace, select Curret. 2. Select the type of Source Performace (data that you wat to copy). 3. Select which Parts will be replaced by the copied Part i the Destiatio Performace parameter. If you choose Arp (Arpeggio) or Effect, the Arpeggio data or Effect settigs for the Voice assiged to the Source Part will be copied. 4. Press the [ENTER] butto. Voice Performace This fuctio lets you sed all your edited parameter settigs for the curretly selected Performace to a computer or aother MIDI istrumet for data archivig. For details, see page 148. I order to execute Bulk Dump, you ll eed to set the correct MIDI Device Number, with the followig operatio: [UTILITY] [F5] MIDI [SF1] CH DeviceNo. Sog Performace Store [PERFORM] Performace selectio [STORE] This fuctio lets you store your edited Performace to User memory. For details, refer to page 66 i the Quick Guide sectio. Master File Utility Mixig Voice Patter Referece Ower s Maual 177

178 Sog Play Sog Creatig Sogs basic procedure Sogs cosist of the followig three types of data: MIDI sequece data (created i the Sog Record, Sog Edit, ad Sog Job ) Setup data (created i the Sog Play ) Mixig data (created i the Sog Mixig /Mixig Edit ad stored i the Sog Mixig Store ) After creatig the data i these s described above, store the Mixig settigs i the Sog Mixig Store to archive it as Sog data ad save the etire Sog to the USB storage device i the File. No-ote MIDI evets (such as Voice umber, volume, pa, ad effect sed level) which are ecessary at the start of a Sog are ot recorded as MIDI sequece data, but are stored istead as Mixig data. CAUTION Because Sog data (MIDI sequece data, Setup data, ad Mixig data) is recorded to DRAM (page 150), it will be lost whe turig the power off. Make sure to save ay Sog data created via the Record, Edit, Job, ad Mixig settig to the USB storage device i the File before turig the power off. For details o savig Sog data, see page 211. Sog Play [SONG] Sog selectio [F1] PLAY Loc1 (Locatio 1), Loc2 (Locatio 2) Idicates the measure umber to which the Sog playback ca be jumped by usig the Locatio feature (page 92). Referece Voice Performace Sog Patter Mixig Voice Utility File Master Tras (Traspose) MEAS (Measure) [SF1] ARP1 (Arpeggio 1) [SF5] ARP5 (Arpeggio 5) [F2] GROOVE (Grid Groove) NOTE OFST (Note Offset) CLOCK SFT (Clock Shift) GATE OFST (Gate time Offset) VELO OFST (Velocity Offset) [F3] TRACK [SF1] CHANNEL OUT CH (Output Chael) Determies the key traspose settig for the etire Sog, ad ca be adjusted i semitoes. Settigs: If the Patter icludes a track that you do ot wat to traspose, set the Note Shift parameter for each Part ([SONG] [MIXING] [EDIT] Part selectio [F4] TONE [SF1] TUNE NoteShift). Idicates the curret measure umber ad beat for the curret Sog. Durig playback, this idicatio chages automatically accordig to the Sog playback. You ca iput the desired measure umber directly by usig the Number Iput widow called up via the [INFORMATION] butto. You ca register the desired Arpeggio types ad Sog Scees to these buttos ad call them up ay time durig your keyboard performace. Refer to page 89 i the Quick Guide sectio. The Grid Groove fuctio makes it possible to adjust the pitch, timig, legth, ad velocity of otes i a specified track via a 1-measure 16th-ote grid to create grooves that would ot be possible with precise sequecer-like programmig. The Grid Groove fuctio affects Sog playback without actually chagig the sequece data. 0 + Raises or lowers the pitch of the ote(s) o the selected grid i semitoes. Settigs: Shifts the timig of the ote(s) o the selected grid forward or back ward i clock icremets. Settigs: Legthes or shortes the ote(s) o the selected grid i clock icremets. Settigs: Icreases or decreases the velocity of the ote(s) o the selected grid. Settigs: NOTE OFST (Note Offset) CLOCK SFT (Clock Shift) GATE OFST (Gate Time Offset) VELO OFST (Velocity Offset) From this display you ca set the MIDI output chael/port for each of the sixtee tracks of the correspodig iteral/exteral toe geerator. You ca also simultaeously set multiple tracks (tracks 1 8 or tracks 9 16) to the same value as the curretly selected track, by chagig the parameter while holdig the [SF2] 1 8 butto or [SF3] 9 16 butto. Sets up the MIDI output chael for each track. Tracks set to Off will ot soud. Settigs: off, I the Sog/Patter, the MIDI message created by playig the keyboard/kobs/wheels is set to the toe geerator block or the exteral MIDI istrumets via the MIDI output chael of the curretly selected track. 178 Ower s Maual

179 Sog Record Sog Record Stadby PORT [SF2] OUT SW (Output Switch) INT SW (Iteral Switch) EXT SW (Exteral Switch) [SF3] TR LOOP (Track Loop) Determies the MIDI trasmissio port for the correspodig track. Playback data of tracks set to off is output via MIDI without ay Port message. The iteral toe geerator parts of this sythesizer ca be played back oly over Port 1. Settigs: off, 1 3 Port data ca be output oly through the USB termial. No port data is trasmitted through the MIDI OUT termial, eve if the correspodig track is set to a specific port umber. You ca also simultaeously set multiple tracks (tracks 1 8 or tracks 9 16) to the same settig as the curretly selected track, by chagig the parameter while holdig the [SF2] 1 8 butto or [SF3] 9 16 butto. Determies whether playback data is trasmitted to the iteral toe geerator block or ot. Settigs: o, off Determies whether playback data is output to the exteral MIDI toe geerator via MIDI or ot. Settigs: o, off From this display you ca determie whether the data i the selected track loops or ot i playback. Usig Loop ca be a effective way to repeat short patters ad phrases throughout the Sog. For details, see page 193. Settigs: off, o [F5] PHRASE Specify the source phrase from the Preset Phrases (Dr1 Dr4) ad the User Phrases i the previously selected Patter. You ca copy ay of the Preset Phrases (Dr1 Dr4) ad User Phrases i the previously selected Patter to the track of the curretly selected sog. Specify the destiatio track ad measure of the curret selected sog. [F6] CHAIN After completig the settigs, press the [ENTER] butto to execute Copy Phrase. Voice This fuctio allows Sogs to be chaied together for automatic sequetial playback. For details, refer to the Quick Guide o page 95. skip... Skips past (igores) the selected chai umber ad cotiues playback from the ext chai umber. stop... Stops Sog chai playback at that chai umber. You ca restart the Sog chai playback from the ext chai umber by pressig the [F] (Play) butto. ed... Idicates the ed mark of the Sog chai data. Performace Sog Record [SONG] Sog selectio [REC] Sog Sog Record Stadby [F1] SETUP Type (Recordig Type) Quatize Evet RecTrack Determies the recordig method. For details o each method, refer to page 138 i the Basic Structure sectio. Settigs: Whe the RecTrack is set to ay of 1-16: replace, overdub, puch, step Whe the RecTrack is set to tempo: replace, puch, step Whe the RecTrack is set to scee: replace, puch Whe the RecTrack is set to multi: replace, overdub, puch Whe puch is selected, Puch-i measure: beat ad Puch-out measure: beat appear i the display ad should be set. If you ve set the Locate 1 ad 2 poits (Loc1, Loc2; see page 92), the puch-i/out poits ca be set with a sigle butto press. Move the cursor to the puch-i/out value, ad otice that a COPYLOC meu item appears. Press the [SF1] COPYLOC butto, ad the puch-i/out settigs are automatically assiged to the existig Locate poits. Whe step is selected, you should specify the evet type to be etered. This parameter is available whe the Recordig Type is set to somethig other tha step. Record quatize aligs the timig of otes automatically, as you record. You ca set this parameter also by usig the Note Type selectio widow called up via the [INFORMATION] butto. For details, see page 35. Settigs: off, 60 (32d ote), 80 (16th ote triplet), 120 (16th ote), 160 (8th ote triplet), 240 (8th ote), 320 (1/4 ote triplet), 480 (1/4 ote) This parameter is available whe the Recordig Type is set to step. This lets you specify the evet type to be etered. Settigs: ote, p.bed (pitch bed), CC#000 #119 (Cotrol Chage) Determies the track to be recorded. Pressig the [F6] butto lets you switch betwee Sigle Track recordig ad All Track recordig. Settigs: tempo, scee, 1 16, multi Master File Utility Mixig Voice Patter Referece Ower s Maual 179

180 Sog Record Sog Record Stadby (Tempo) Determies the Sog tempo. Settigs: Meas (Measure) Determies the measure from which Sog recordig will be started. [F2] VOICE I this display you ca set the voice related parameters for the recordig track. The settigs here affect the Part for which the receive chael (set i the Mixig ) matches the trasmit (output) chael of the recordig track. Voice Volume Pa IsEF (Isertio Effect Part Switch) (Tempo) Meas (Measure) Determies the voice used i the recordig track. Whe the cursor is located here, you ca select a voice by usig the Bak, Group, Number buttos ad the Category Search fuctio (page 42). Determies the volume of the recordig track. Settigs: Determies the stereo pa positio of the recordig track. Settigs: L63 (Left) C (Ceter) R63 (Right) Determies whether the Isertio effects are applied to the recordig track or ot. Settigs: o, off Determies the Sog tempo. Settigs: Determies the measure from which Sog recordig will be started. [F3] ARP (Arpeggio) From this display you ca set parameters related to the Arpeggio of the recordig track. Bak, Ctgr (Category), Type These three parameters determie the Arpeggio Type. The three-letter prefix umber before the Type ame idicates the umber withi the selected Category. Settigs: Refer to the separate Data List. Referece Voice Performace Sog Patter Mixig Voice Utility File Master VelLimit (Velocity Limit) Hold PartSw (Part Switch) Meas (Measure) [SF1] ARP1 (Arpeggio 1) [SF5] ARP5 (Arpeggio 5) [F4] RECARP (Record Arpeggio) [F5] CLICK RecArp (Record Arpeggio) OutputSwitch TrasmitCh (Trasmit Chael) Determies the lowest ad highest velocity which ca trigger the Arpeggio playback. The Arpeggio plays whe you play otes at velocities withi this rage. Settigs: Determies whether the Arpeggio playback is held or ot. Whe this is set to o, the Arpeggio cycles automatically, eve if you release your figers from the keys, ad it cotiues to cycle util the ext key is pressed. Settigs: syc-off, off, o About syc-off, see page 154. Determies whether Arpeggio is o or off for the toe geerator Part correspodig to the recordig track. Settigs: off, o Determies the measure from which Sog recordig will be started. This parameter is same as the Meas parameter i the [F1] SETUP display. You ca register the desired Arpeggio types ad Sog Scees to these buttos ad call them up ay time durig your keyboard performace. Refer to page 89 i the Quick Guide sectio. Determies whether the sequece data played by Arpeggio is recorded to the Sog track or ot. Whe this is set to o, the played sequece data is recorded. Settigs: off, o Determies whether the sequece data played by Arpeggio durig recordig is output via MIDI or ot. Whe this is set to o, the played sequece data by Arpeggio durig recordig is output via MIDI. Settigs: off, o Determies the MIDI trasmit chael of the Arpeggio playback durig recordig. Settigs: 1 16, KbdCh Pressig the [F5] butto lets you tur the click soud (metroome) o/off for recordig. [F6] ALL TR (All Track)/1TR (1 track) Pressig the [F6] butto lets you switch betwee Sigle Track recordig ad All Track recordig. 180 Ower s Maual

181 Sog Record Durig Sog Recordig Step Recordig Durig Sog Recordig [SONG] Sog selectio [REC] [F] (Play) Realtime Recordig Refer to page 88 i the Quick Guide sectio. Step Recordig Examples of Step Recordig are described o page 193. [F1] SETUP Poiter idicatig the curret ote positio. Beat Graph Beat Graph Poiter This is the display i which otes are placed durig step recordig. Whe the meter is 4/4, the display is divided ito four beats (oe measure). Each diamod-shaped marker i the display represets oe 32d beat (each 1/4 ote divisio is divided ito eight 32d beats). For example, if the followig rhythmic patter is etered i 4/4 time, a display like the oe show above right will appear. Determies the data-etry positio. The triagular poiter above the beat graph idicates the data-etry positio. To move the poiter right or left, use the [INC/YES] ad [DEC/NO] buttos or the data dial. Value StepTime GateTime [F3] REST Whe the Evet to be etered ([F1] SETUP Evet) is set to ote, this value specifies the velocity with which the ote will be etered. Settigs: Whe the Evet is set to ote : 1 127, kbd, rd1 rd4 Whe the Evet is set to p.bed : Whe the Evet is set to CC (Cotrol Chage ) : Whe the Evet is set to tempo with the RecTrack = tempo: You ca select kbd (keyboard) ad rd1 rd4 (radom1 4) as well as the values whe the Evet to be etered is set to ote. Whe kbd is selected, the actual playig stregth will be etered as the velocity value. Whe oe of the radom settigs is selected, a radom velocity value will be etered. The size of the curret recordig step time for the ext ote to be etered. This determies to what positio the poiter will advace after a ote has bee etered. Settigs: , 32d ote, 16th ote triplet, 16th ote, 8th ote triplet, 8th ote, 1/4 ote triplet, 1/4 ote, half ote, whole ote Sets the gate time to produce slurs, staccato otes, etc. Gate time refers to the actual legth of time the ote souds. For the same 1/4 ote, for example, a log gate time will produce a slur while a short gate time will produce a staccato effect. Gate time is idicated as a percet value of the step time. A settig of 50% produces a staccato soud, values betwee about 80% ad 90% produce ormal ote legth, ad a value of 99% will produce a slur. Settigs: 1% 200% Press [F3] to eter a rest as log as the specified step time. The poit will move ahead to the ext data-etry positio. Rests do ot appear o the display. [F4] TIE There is o actual data represetig rests i the MIDI sequecer. Whe a rest is etered the poiter simply moves ahead to the ext data-etry positio, effectively leavig a rest. [F5] DELETE Press this to actually delete the ote evets at the curret cursor positio. [F6] BAK DEL (Back Delete) Moves the poiter backward by oe step ad deletes all otes at that locatio. 1 2 Whe the [F4] butto is pressed to eter a tie, the precedig ote is legtheed to the full step time. For example, i the phrase show at left, ote 1 is etered with 1/4 ote step time. If the step time is the chaged to a 8th ote ad [F4] is pressed, ote 2 is etered. Dotted otes ca also be etered usig the TIE fuctio. To produce a dotted 1/4 ote, for example, set the step time to a 8th ote, eter a ote ad the press [F4] twice. This display is available oly whe the Evet to be etered is set to ote. Mistakely etered otes ca be erased by pressig [F6] immediately after they are etered (before chagig the step time value). Voice Performace Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 181

182 Sog Edit Sog Edit [SONG] Sog selectio [EDIT] This gives you comprehesive, detailed cotrols for editig the MIDI evets of idividual Sog tracks. MIDI evets are messages (such as ote o/off, ote umber, program chage umber, etc.) that make up the data of a recorded Sog. [F1] CHANGE Shows the Evet List of the selected Sog track. For iformatio o how to edit the Evet List, see page 90. [F2] VIEW FLT (View Filter) The Evet View Filter lets you select the evet types that appear o the Evet List display ([F1] CHANGE display). For example, if you wish to edit oly ote evets, place a checkmark i the box ext to Note so that oly the ote evets appear i the Evet List display. Settigs: Note, PitchBed, ProgramChage, CotrolChage, Ch.AfterTouch, PolyAfterTouch, RPN (Registered Parameter Number), NRPN (No Registered Parameter Number), Exclusive [F5] CLR ALL (Clear All) [F6] SET ALL Press the [F5] butto to remove all checkmarks at oce. Press the [F6] butto to set checkmarks ito all boxes. [F4] TR SEL (Track Select) You ca switch betwee the display for 1 16 tracks, SCN (Scee) track, ad TMP (Tempo) track by pressig this butto. [F5] INSERT Whe the cursor is located at the desired positio i the [F1] CHANGE display (Evet List), pressig this butto calls up the display for isertig ew MIDI evets i the Sog or Patter. Note FNOTE (Note ame) This is the most commo ad prevalet type of data the idividual otes of a Sog. Determies the ote ame or the specific keyboard pitch of the ote. Settigs: C -2 G8 Referece Voice Performace Sog Patter Mixig Voice Utility File Master FGATE (Gate time) FVELO (Velocity) PitchBed FDATA ProgramChage FBANK FPC NO (Program Chage Number) CotrolChage FCTRL NO (Cotrol Number) Determies the legth of time that a ote actually souds i beats ad clocks. Settigs: 00: :479 O this sythesizer, oe clock is 1/480th of a quarter ote. Determies how strogly the selected ote souds. Settigs: These are the evets that defie cotiuous chages i pitch ad these evets are geerated by Pitch Bed Wheel operatio. Determies the Pitch Bed data. Settigs: These evets determie the Voice for the selected track. Determies the Voice bak. FDATA See page 224. Ch.AfterTouch (Chael After Touch) FDATA PolyAfterTouch (Polyphoic Aftertouch) FNOTE (Note ame) Settigs: , *** Bak select MSB ad LSB are actually part of the Cotrol Chage set of messages (below). However, sice they apply specifically to Voice selectio, they are grouped ad described here. Determies the specific Voice (from the bak selected by MSB ad LSB above). Settigs: For a complete list of the available voice baks ad umbers, refer to the Voice List i the separate Data List booklet. These evets cotrol the soud ad certai respose characteristics of the voice, ad are usually geerated/ recorded by movig a cotroller (such as a modulatio wheel, kob, slider or foot cotroller). Determies the Cotrol Chage umber. Settigs: For details o the specific fuctios assiged to each of the umbers, see page 224. Settigs: This evet is geerated whe pressure is applied to a key after the ote is played. The keyboard of the MO does ot feature a Aftertouch fuctio. However, you ca isert Aftertouch evets ito the Sog data from this display. This represets the amout of pressure applied to the key. Settigs: This evet is geerated whe pressure is applied to a key after the ote is played. Ulike Chael Aftertouch above, this is recorded ad applied idepedetly for each key pressed. The keyboard of the MO does ot feature a Aftertouch fuctio. However, you ca isert Aftertouch evets ito the Sog data from this display. Determies the key to which aftertouch is applied. Settigs: C -2 G8 FDATA This represets the amout of pressure applied to the key. Settigs: Ower s Maual

183 Sog Job RPN (Registered Parameter Number) This evet chages parameter values for each toe geerator Part. This evet is used to set Part settigs such as Pitch Bed Sesitivity or Tuig. FMSB-LSB See page 225. Settigs: FDATA (Data Etry MSB-LSB) See page 225. Settigs: , *** Normally three types of cotrol chage data are set: RPN MSB (101), RPN LSB (100), ad Data Etry MSB (6). I this sythesizer, Data Etry LSB (38) is added to this ad the resultig group of cotrol chage evets is hadled as oe i this display. NRPN (No Registered Parameter Number) These evets are used to chage the parameter values for each toe geerator Part. They ca be is used to edit souds via MIDI, allowig you to edit filter or EG settigs, or adjust the pitch or level for each istrumet of a drum voice. FMSB-LSB See page 225. Settigs: FDATA (Data Etry MSB-LSB) See page 225. Settigs: , *** Normally three types of cotrol chage data are set: NRPN MSB (99), NRPN LSB (98), ad Data Etry MSB (6). I this sythesizer, this group of cotrol chage evets is hadled as oe i this display. For a complete list of the available RPN ad NRPN umbers ad their correspodig cotrols, refer to the MIDI Data Format i the separate Data List booklet. Exclusive (System Exclusive) A type of MIDI message used to exchage data uique to a specific l or type of device. Ulike other MIDI evets, these evets differ depedig o the maufacturer/device, ad are icompatible amog differet devices. FDATA (HEX) See page 226. Settigs: 00 7F, F7 (Data must be etered i hexadecimal format.) Sog Job [SONG] Sog selectio [JOB] Voice The Sog Job cotais a comprehesive set of editig tools ad data trasform fuctios you ca use to chage the soud of the Sog. It also icludes a variety of coveiet operatios, such as copyig or erasig data. After settig parameters as required from the selected display, press the [ENTER] butto to execute the Job. A Executig... message is show whe it takes a short amout of time to execute the Job. Never attempt to tur off the power while a Executig... message is show. Turig the power off i this state results i loss of all user data. [F1] UNDO/REDO The Udo Job cacels the chages you made i your most recet recordig sessio, editig sessio, or Job, restorig the data to its previous state. This allows you to recover from accidetal data loss. Redo is available oly after usig Udo, ad lets you restore the chages you made before udoig them. CAUTION Udo/Redo does ot work with Mixig Voice operatios. [F2] NOTE (Note data Job) CAUTION Before executig the Note data Job, make sure that you specify the track (01 16, all) ad rage (measure : beat : clock) to which the Job is applied. 01: Quatize Quatizatio is the process of adjustig the timig of ote evets by movig them closer to the earest exact beat. You ca use this feature, for example, to improve the timig of a performace recorded i real time. TR (Track) 001 : 1 : : 4 : 479 Quatize (Resolutio) Stregth Determies the track (01-16, all) ad rage of measures/beats/clocks over which the Job is applied. Determies to what beats the ote data i the specified track will be aliged. Settigs: 32d ote, 16th ote triplet, 16th ote, 8th ote triplet, 8th ote, 1/4 ote triplet, 1/4 ote, 16th ote + 16th ote triplet, 8th ote + 8th ote triplet The Stregth value sets the stregth by which ote evets are pulled toward the earest quatize beats. A settig of 100% produces exact timig. A settig of 0% results i o quatizatio. Settigs: 000% 100% Performace Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 183

184 Sog Job SwigRate GateTime Delays otes o eve-umbered beats (backbeats) to produce a swig feel. For example, if the meter is 4/4 ad the quatize value is quarter otes, the 2d ad 4th beats of the measure will be delayed. Whe a triplet quatize value is used, the last ote of each triplet is delayed. Whe the quatize value is eve-umbered, beats will be delayed. Settigs: See below. If the quatize value is 1/4 ote, 8th ote, 16th ote, 32d ote: 50% 75% A settig of 100% is equivalet to twice the legth of the specified quatize value. A settig of 50% produces exact timig ad therefore o swig feel. Settigs above 51% icrease the amout of swig, with 75% beig equivalet to a dotted-ote delay. If the quatize value is 1/4 ote triplet, 8th ote triplet, 16th ote triplet: 66% 83% A settig of 100% is equivalet to three times the legth of the specified quatize value. A settig of 66% produces exact timig ad therefore o swig feel. Settigs above 67% icrease the amout of swig, with 83% beig equivalet to a sextuplet delay. If the quatize value is 8th ote + 8th ote triplet, 16th ote + 16th ote triplet: 50% 66% A settig of 100% is equivalet to twice the legth of a 8th ote or 16th ote. A settig of 50% produces exact timig ad therefore o swig feel. Settigs above 51% icrease the amout of swig, with 66% beig equivalet to a triplet delay. If a swig value other tha 100% results i otes beig positioed after other o-swig otes, the latter otes are delayed accordigly. Determies the gate time (the legth of time a ote souds) of the eve-umbered backbeat otes to ehace the swig feel. Whe a triplet quatize value is used, the gate time of the last ote of each triplet is adjusted. Whe the quatize value is 8th ote + 8th ote triplet or 16th ote + 16th ote triplet, the gate time of the eveumbered 8th ote or 16th ote beats will be adjusted. A settig of 100% leaves the origial gate time uchaged. If a adjusted gate time value is less tha 1, the value is rouded off to 1. Settigs: 000% 200% 02: Modify Velocity This Job alters the velocity values of the specified rage of otes, lettig you selectively boost or cut the volume of those otes. Velocity chages are calculated as follows: Adjusted velocity = (origial velocity x Rate) + Offset If the result is 0 or less, the value is set to 1. If the result is higher tha 127, the value is set to 127. TR (Track) 001 : 1 : : 4 : 479 Determies the track (01-16, all) ad rage of measures/beats/clocks over which the Job is applied. Referece Voice Performace Sog Patter Mixig Voice Utility File Master SetAll Rate Sets the velocities of all target otes to the same fixed value (1 to 127). Whe set to off the Set All parameter has o effect. Whe set to a value other tha off the Rate ad Offset parameters are uavailable ad appear as *** o the display. Settigs: off (0), Determies the percetage by which the target otes will be shifted from their origial velocities. Settigs below 100% reduce the velocities, ad settigs above 100% icrease the velocities proportioately. Whe the Set All parameter is ot OFF this parameter appears as *** ad caot be chaged. Settigs: 000% 200%, *** Offset Adds a fixed value to the Rate-adjusted velocity values. A settig of 0 produces o chage. Settigs below 0 reduce the velocities, ad settigs above 0 icrease the velocities. Whe the Set All parameter is ot OFF this parameter appears as *** ad caot be chaged. Settigs: , *** 03: Modify Gate Time This Job alters the gate times of the specified rage of otes. Gate time chages are calculated as follows: Adjusted gate time = (origial gate time x Rate) + Offset If the result is 0 or less, the value is rouded off to 1. TR (Track) 001 : 1 : : 4 : 479 SetAll Rate Determies the track (01-16, all) ad rage of measures/beats/clocks over which the Job is applied. Sets the gate times of all target otes to the same fixed value. Whe set to off the Set All parameter has o effect. Whe set to a value other tha off, the Rate ad Offset parameters are uavailable ad appear as *** o the display. Settigs: off (0), Determies the percetage by which the gate time of the target otes will be chaged. Settigs below 100% shorte the otes, ad settigs above 100% legthe the otes proportioately. Whe the Set All parameter (above) is set to somethig other tha off, this parameter appears as *** ad caot be chaged. Settigs: 000% 200%, *** Offset Adds a fixed value to the Rate-adjusted gate time values. A settig of 0 produces o chage. Settigs below 0 shorte the gate time, ad settigs above 0 legthe the gate time. Whe the Set All parameter (above) is set to somethig other tha off, this parameter appears as *** ad caot be chaged. Settigs: , *** 04: Crescedo This Job lets you create a crescedo or decrescedo over the specified rage of otes. (Crescedo is a gradual icrease i volume, ad decrescedo is a gradual decrease.) TR (Track) 001 : 1 : : 4 : 479 VelocityRage Determies the track (01-16, all) ad rage of measures/beats/clocks over which the Job is applied. Determies the itesity of the crescedo or decrescedo. The velocity values of the otes i the specified rage are gradually icreased or decreased startig at the first ote i the rage. The velocity of the last ote i the rage becomes the origial velocity of the ote plus the Velocity Rage value. If the resultat velocity is outside the rage, it is set to 1 or 127 accordigly. Settigs greater tha 0 produce a crescedo, ad settigs less tha 0 produce a decrescedo. A settig of 0 produces o effect. Settigs: Ower s Maual

185 Sog Job 05: Traspose Traspose lets you chage the key or pitch of the otes i the specified rage. TR (Track) 001 : 1 : : 4 : 479 Note Traspose Determies the track (01-16, all) ad rage of measures/beats/clocks over which the Job is applied. Determies the rage of ote pitches over which the Job is applied. You ca also set the Note directly from the Keyboard, by holdig dow the [INFORMATION] butto ad pressig the desired key. Settigs: C-2 G8 Trasposes otes i the specified rage (i semitoes). A settig of +12 trasposes up oe octave, while a settig of -12 trasposes dow a octave. A settig of 0 produces o chage. Settigs: : Glide The Glide Job replaces all otes followig the first ote i the specified rage with pitch bed data, producig smooth glides from ote to ote. This is ideal for producig guitar-like slide or ote-bedig effects. TR (Track) 001 : 1 : : 4 : 479 GlideTime PBRage (Pitch Bed Rage) Determies the track (01 16, all) ad rage of measures/beats/clocks over which the Job is applied. Determies the legth of the glide. Higher values produce a loger glide betwee otes. Settigs: Determies the maximum pitch bed rage to be applied by the Glide Job (i semitoes). Settigs: : Create Roll This Job creates a series of repeated otes (like a drum roll) i the specified rage with the specified cotiuous chages i clock step ad velocity. This is ideal for creatig fast staccato rolls ad special stutterig effects. TR (Track) 001 : 1 : : 4 : 479 StartStep (Startig Step) EdStep (Edig Step) Determies the track (01 16) ad rage of measures/beats/clocks over which the Job is applied. Determies the size of the step (i.e. the umber of clocks) betwee each ote i the roll. Both the startig ad edig clock values ca be specified, makig it easy to create rolls i which the step size varies durig the roll. Settigs: StartStep: , EdStep: Note Determies the specific ote (or istrumet i Drum voices) for the roll effect. You ca also set the ote directly from the Keyboard, by holdig dow the [INFORMATION] butto ad pressig the desired key. Settigs: C-2 G8 Voice StartVelo (Startig Velocity) EdVelo (Edig Velocity) Determies the velocity of the otes i the roll. Both the startig ad edig velocity values ca be specified, makig it easy to create rolls i which the velocity icreases or decreases. This lets you create rolls that gradually icrease or decrease i volume (crescedo/decrescedo) a techique ofte used i dace music. Settigs: StartVelo: , EdVelo: : Sort Chord This Job sorts chord evets (simultaeous ote evets) by order of pitch. The sort affects the order of the otes i the Evet List display (page 90), but does ot chage the timig of the otes. Whe used to pre-process chords before usig the Separate Chord Job (below), Chord Sort ca be used to simulate the stroke or strummig soud of guitars ad similar istrumets. TR (Track) 001 : 1 : : 4 : 479 Type Grid Determies the track (01 16, all) ad rage of measures/beats/clocks over which the Job is applied. Determies how the chord ote data is sorted. Settigs: up, dow, up&dow, dow&up up... The otes are sorted i ascedig order. After executig this Job with this settig, execute the Separate Chord Job to create a guitar-like upstroke strum. dow... The otes are sorted i descedig order. After executig this Job with this settig, execute the Separate Chord Job to create a guitar-like dowstroke strum. up&dow... Sorts chord otes o dowbeats i ascedig order ad chord otes o upbeats i descedig order, based o the Grid settig (below). dow&up... Sorts chord otes o dowbeats i descedig order ad chord otes o upbeats i ascedig order, based o the Grid settig (below). Determies the type of ote that serves as the basis for the Chord Sort Job. Settigs: 32d ote, 16th ote triplet, 16th ote, 8th ote triplet, 8th ote, 1/4 ote triplet, 1/4 ote 09: Separate Chord This Job slightly separates otes i chords withi the specified rage, isertig a specified umber of clocks betwee each ote. Use this Job after the Chord Sort Job above, to create guitar-like upstroke or dowstroke effects. TR (Track) 001 : 1 : : 4 : 479 Clock Determies the track (01 16, all) ad rage of measures/beats/clocks over which the Job is applied. Determies the umber of clock cycles iserted betwee adjacet chord otes. Settigs: Note that there are 480 clock cycles per quarter ote. It is ot possible to separate chords so that they cross the ext chord or they overstep the rage (set above). Performace Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 185

186 Sog Job [F3] EVENT (Evet Job) Before executig the Evet Job, make sure that you specify the track ad rage (measure : beat : clock) to which the Job is applied. Please ote that the track to be specified varies depedig o the Job. 01: Shift Clock This Job shifts all data evets i the specified rage forward or backward by the specified umber of clocks. TR (Track) 001 : 1 : : 4 : 479 Clock Directio Determies the track (01 16, TMP, SCN, all) ad rage of measures/beats/clocks over which the Job is applied. Determies the amout by which the data will be delayed or advaced i measures, beats, ad clocks. Settigs: 000:0: :3:479 Determies the directio i which the data will be shifted. ADVANCE moves the data toward the begiig of the sequece, while DELAY shifts the data toward the ed of the sequece. Settigs: Advace, Delay 02: Copy Evet Source track ad rage i measures, beats, ad clocks This Job copies all data from a specified source rage to a specified destiatio locatio. Destiatio track ad the top (measure, beat, ad clock) of the destiatio. Execute this Job after settig: Source track (01 16, TMP, SCN, all) Source rage (measure : beat : clock) Destiatio track (01 16, TMP, SCN, all) Destiatio rage (measure : beat : clock) Top measure of destiatio Cout (umber of times data is to be copied) NumberOfTimes Determies the umber of times the data is copied. Settigs: CAUTION Whe Copy Evet is executed, ay data already existig at the Destiatio locatio will be overwritte. 03: Erase Evet This Job clears all specified evets from the specified rage, effectively producig a segmet of silece. Voice Performace TR (Track) 001 : 1 : : 4 : 479 Evet Type Determies the track (01 16, TMP, SCN, all) ad rage of measures/beats/clocks over which the Job is applied. Determies the evet type to be erased. All evets are cleared whe ALL is selected. Idividual cotrol chage umbers ca be specified whe erasig cotrol chage evets. Settigs: Whe TR is set to 01 16: Note (Note evets), PC (Program Chage), PB (Pitch Bed), CC (Cotrol Chage)*, CAT (Chael Aftertouch), PAT (Polyphoic Aftertouch), EXC (System Exclusive), All (all evets) Whe TR is set to TMP (Tempo): TMP (tempo) Whe TR is set to SCN (Scee): SceeMemory (Scee chage iformatio), TrackMute (Track mute settig chage iformatio) * You ca also specify the CC No. (Cotrol Chage umber). Referece Sog Patter Mixig Voice Utility File Master 04: Extract Evet This Job moves all istaces of specified evet data from a specified rage of a track to the same rage i a differet track. TR (Track) 001 : 1 : : 4 : 479 EvetType Determies the track (01 16) ad rage of measures/beats/clocks over which the Job is applied. Selects the evet type to be extracted. Specific ote ad cotrol chage umbers ca also be specified as required. Settigs: Note, PC (Program Chage), PB (Pitch Bed), CC (Cotrol Chage), CAT (Chael Aftertouch), PAT (Polyphoic Aftertouch), EXC (System Exclusive) TR Determies the destiatio track (01 16). 05: Create Cotiuous Data This Job creates cotiuous pitch bed or cotrol chage data over the specified rage. TR (Track) 001 : 1 : : 4 : 479 EvetType Data (Data Rage) Clock Curve Determies the track (01 16, TMP, all) ad rage of measures/beats/clocks over which the Job is applied. Determies the evet type to be created. Settigs: PB (Pitch Bed), CC (Cotrol Chage)*, CAT (Chael Aftertouch), EXC (System Exclusive), TMP (Tempo) * You ca also specify the CC No. (Cotrol Chage umber). Determies the lower ad upper limits for the data rage to be created. The left value is the lower limit, ad the right value is the upper limit. Settigs: Whe Evet Type is set to PB: Whe Evet Type is set to TMP: Whe Evet Type is set to other: Determies the umber of clocks to be iserted betwee each created evet. Settigs: Determies the curve of the cotiuous data. Refer to the graph for approximate curve shapes. Settigs: Curve = +16 Curve = 0 (liear) Curve = -16 Ed poit Start poit This distace specified by Clock 186 Ower s Maual

187 Sog Job NumberOfTimes Determies the umber of times the data creatio is to be repeated. For example, if data is created i the rage M001:1:000 M003:1:000 ad this parameter is set to 03, the same data will be created at M003:1:000 M005:1:000 ad M005:1:000 M007:1:000. This Job lets you isert cotiuous volume or filter cutoff variatios to create tremolo or wah effects. Settigs: : Thi Out This Job this out the specified type of cotiuous data i the specified rage allowig you to free up memory space for other data or further recordig. TR (Track) 001 : 1 : : 4 : 479 EvetType Determies the track (01 16, TMP, all) ad rage of measures/beats/clocks over which the Job is applied. Determies the evet type to be thied. Settigs: PB (Pitch Bed), CC (Cotrol Chage)*, CAT (Chael Aftertouch), PAT (Polyphoic Aftertouch), TMP (Tempo) * You ca also specify the CC No. (Cotrol Chage umber). The Thi Out Job will ot work o cotiuous data that has a clock iterval of greater tha 60 clocks per evet. 07: Modify Cotrol Data This Job lets you chage the values of a specified type of cotrol chage data pitch bed, cotrol chage, aftertouch, etc. i the specified rage. Data chages are calculated as follows: Modified value = (origial value x Rate) + Offset. The modified value caot exceed the miimum/maximum limits of the parameter. Ay result lower tha the miimum is set to the miimum; ay result higher tha the maximum is set to the maximum. TR (Track) 001 : 1 : : 4 : 479 EvetType SetAll Determies the track (01 16, TMP, all) ad rage of measures/beats/clocks over which the Job is applied. Determies the evet type to be modified. Settigs: PB (Pitch Bed), CC (Cotrol Chage)*, CAT (Chael Aftertouch), PAT (Polyphoic Aftertouch), TMP (Tempo) * You ca also specify the CC No. (Cotrol Chage umber). Sets all target evets to the same fixed value. Whe set to off, the Set All parameter has o effect. Whe set to a value other tha off, the Rate ad Offset parameters are uavailable ad appear as *** o the display. Settigs: off, ( for pitch bed, for tempo) Rate Offset Determies the percetage by which the target evets will be shifted from their origial values. Whe the Set All parameter (above) is set to somethig other tha off, this parameter appears as *** ad caot be chaged. Settigs: 000% 200%, *** Adds a fixed value to the Rate-adjusted evet values. Whe the Set All parameter (above) is set to somethig other tha off, this parameter appears as *** ad caot be chaged. Settigs: ( for pitch bed, for tempo), *** 08: Beat Stretch This Job performs time-expasio or compressio over the selected rage. Keep i mid that this operatio affects all evet timig, ote step times, ad ote gate times. TR (Track) 001 : 1 : : 4 : 479 Determies the track (01 16, all) ad rage of measures/beats/clocks over which the Job is applied. Rate Determies the amout of time expasio or compressio as a percetage. Settigs higher tha 100% produce expasio, ad settigs below 100% produce compressio. Settigs: 025% 400% [F4] MEAS (Measure Job) 01: Create Measure This Job creates empty measures at the specified locatio i all tracks. Meter of measures to be iserted Isertio poit (Measure umber) Number of measures to be iserted Meter (time sigature) of measures to be iserted Determies the meter or time sigature of the measures to be created. You may fid it coveiet to use this parameter whe you eed to create a Sog that icorporates meter chages. Settigs: 1/16 16/16, 1/8 16/8, 1/4 8/4 Determies the isert poit (measure umber) at which the ewly created blak measures will be iserted. Settigs: Determies the umber of empty measures to be created ad iserted. Settigs: Isertio poit (measure umber) Number of measures to be iserted Source data Whe empty measures are iserted, measure ad meter data followig the isert poit are moved forward accordigly measures iserted at measure The iserted 8 measures If the isert poit is set after the last measure cotaiig data, oly the meter data at that poit is set without actually isertig the measures. 024 Voice Performace Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 187

188 Sog Job 02: Delete Measure This Job deletes the specified measures. Measure ad meter data followig the deleted measures are moved backward accordigly. Source data Measures M006 M012 deleted Delete Rage Settigs: [F5] TRACK (Track Job) Delete rage 01: Copy Track Source Sog ad Track Destiatio Sog ad Track This Job copies all data from a specified source track to the specified destiatio track. CAUTION The copy operatio overwrites ay data previously existig o the destiatio track. Data Type to be copied Data Type to be copied Determies the type(s) of data to be copied. Select the desired type by checkmarkig the appropriate box. Settigs: Seq Evet (all evets i the track), Grid Groove (for the selected track), Mix Part Param (all Mixig Part parameters), 02: Exchage Track Target tracks for the Exchage operatio (01 16) This Job exchages or swaps the specified type of data betwee two specified tracks i the curret Sog. Referece Voice Performace Sog Patter Mixig Voice Utility File Master Data Type to be exchaged Determies the type(s) of data to be exchaged. Select the desired type by checkmarkig the appropriate box. Settigs: Seq Evet (all evets i the track), Grid Groove (for the selected track), Mix Part Param (all Mixig Part parameters) 03: Mix Track This Job mixes all data from two selected tracks ( A ad B ), ad places the result i track B. Oe useful applicatio for this would be to free up the data i track A, lettig you record ew data to it. Target tracks for the Mix operatio Settigs: : Clear Track Track for which data will be cleared (01 16, TMP, SCN, all) This Job deletes all data of the selected type from the selected track, or from all tracks. Data type to be cleared Determies the type(s) of data to be cleared. Select the desired type by checkmarkig the appropriate box. Settigs: Seq Evet (all evets i the track), Grid Groove (for the selected track), Mix Part Param (all Mixig Part parameters) 05: Normalize Play Effect This Job rewrites the data i the selected track so that it icorporates the curret Grid Groove settigs. TR (Track) Determies the Sog track to which the Job is applied. Settigs: 01 16, all 06: Divide Drum Track Separates the ote evets i a drum performace assiged to a specified track, ad places the otes correspodig to differet drum istrumets i separate tracks (tracks 1 through 8). TR (Track) Data Type to be exchaged Track A (01 16) Track B (01 16) Determies the Sog track to which the Job is applied. Settigs: Data to be cleared Track A Track B Track B Mix Track 07: Put Track To Arp This Job copies data i the specified measures of a track for creatig Arpeggio data. For details, refer to page 97 i the Quick Guide sectio. 188 Ower s Maual

189 Sog Mixig [F6] SONG (Sog Job) 01: Copy Sog Source Sog This Job copies all data from a selected source Sog to a selected destiatio Sog. The Mixig Voice used by the source Sog is also copied. CAUTION This Job overwrites ay data already existig i the destiatio Sog. Destiatio Sog 02: Split Sog To Patter Source Sog rage (i measures) This Job allows you to copy a part of the curret Sog all 16 tracks over a specific rage of measures to a specific Patter, lettig you use Sog data to create a Patter. Destiatio Patter ad sectio CAUTION This Job overwrites ay data already existig i the destiatio Patter ad sectio. 03: Clear Sog This Job deletes all data from the selected Sog or all Sogs, icludig the Mixig Voices. 04: Sog Name This Job lets you assig a ame to the selected Sog. See Basic Operatio o page 38. Sog Mixig [SONG] Sog selectio [MIXING] I this, you ca set up mixig data for your sogs, ad set various parameters for the toe geerator parts icludig the desired Voice, as well as its level, pa, EQ, effect ad other settigs. Sog Mixig parameters are ot actually part of the Sog sequece data i each track, but rather are settigs for the toe geerator, as it is played back by the Sog data. As such, the Sog Mixig parameter settigs are ot recorded to the Sog tracks. Parameter settigs made i the Sog Mixig ad Sog Mixig Edit should be stored to iteral memory (DRAM) as part of the Sog data. I additio, make sure to save the etire Sog data (icludig the Mixig settigs) to the USB storage device, sice the data i DRAM is stored oly temporarily (page 150). CAUTION Parameter settigs i the Sog Mixig ad Sog Mixig Edit ca be stored as a template to iteral Flash ROM, as well as beig stored as part of a Sog. See page 94 for details. [F1] VOL/PAN From this display you ca set the Pa ad Volume for each Part (track). PAN VOLUME [F2] VOICE Determies the stereo pa positio for each part. Settigs: L63 (far left) C (ceter) R63 (far right) Determies the volume for each Part, allowig you to set the optimum level balace of all the Parts. Settigs: You ca also adjust the Volume by usig the Cotrol Sliders. See page 52 for details. From this display you ca select a voice for each Part. Mixig Voices ca also be selected. [F3] EFFECT The Category Search fuctio ca also be used to select Voices here, except for Mixig Voices. Pressig the [F3] EFFECT butto i the Sog Mixig calls up the [SONG] [MIXING] [EDIT] [COMMON] [F6] EFFECT display i the Sog Mixig Edit. From this display, you ca set the effect related parameters for the curret Sog. See page 144 for details. [F4] EF SEND (Effect Sed) From this display you ca make basic effect settigs for each Part Sed Level for the System Effect (Reverb, Chorus) as well as the Dry Level for Isertio Effects. For iformatio o the effect coectios i the Sog, seepage 144. [F5] VCE ED (Mixig Voice Edit) Press the [F5] VCE ED butto i the Sog Mixig to eter the Mixig Voice Edit. Press the [EXIT] butto to retur to the origial display i the Sog Mixig. Normal Voices ca be edited specifically for use with the Sog/Patter s, creatig a dedicated Mixig Voice. Refer to Mixig Voice o page 203 for details. Voice Performace Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 189

190 Sog Mixig Edit Commo Edit [F6] TEMPLATE [SF1] MIX [SF2] PERFORMANCE From this display you ca copy the Mixig Template to the Mixig settigs of curretly edited Part. As soo as a Template is selected, the relevat Mixig settigs will be automatically loaded. I additio to the Mixig settigs, the tempo settig stored i the Mixig Template will also be automatically loaded. From this display you ca copy the Part settigs of the Performace to the curretly edited Sog. As soo as a Performace is selected, the relevat settigs of all Parts will be copied. This display is similar to the [F5] PF COPY display i Sog Mixig Job (page 192). However, this display is differet from the [F5] PF COPY display i two major poits: All parameters are copied simultaeously. The Receive Chael settigs are assiged to the destiatio automatically, accordig to the followig rules. 1) Whe ote limit settigs for all Parts are the same ad the Part Switch ad ArpSwitch parameters are both set to ON, the same Receive Chael is assiged to the Parts. 2) Whe Note Limit settigs for the Parts are differet ad Part Switch is set to ON for the Parts, Parts whose ArpSwitch parameter is set to OFF are give differet Receive Chael values, while other Parts are set to the same chael. 3) For those Parts which Part Switch is set to OFF, Receive Chael is also set to OFF. I additio to the Part settigs, the Arpeggio tempo settig stored i the Performace will also be copied. Sog Mixig Edit [SONG] Sog selectio [MIXING] [EDIT] This provides more detailed Mixig parameters tha i the Sog Mixig. Keep i mid that Sog Mixig parameters are ot actually part of the Sog sequece data i each track, but rather are settigs for the toe geerator, as it is played back by the Sog data. As such, the Sog Mixig parameter settigs are ot recorded to the Sog tracks. Referece Voice Performace Sog Patter Mixig Voice Utility File Master Parameter settigs made i the Sog Mixig ad Sog Mixig Edit should be stored to iteral memory (DRAM) as part of the Sog data. I additio, make sure to save the etire Sog data (icludig the Mixig settigs) to the USB storage device, sice the data i DRAM is stored oly temporarily (page 150). CAUTION Parameter settigs i the Sog Mixig ad Sog Mixig Edit ca be stored as a template to iteral Flash ROM, as well as beig stored as part of a Sog. See page 94 for details. Commo Edit Use Commo Edit to edit the settigs commo to all Parts. [F1] GENERAL [SF1] MEQ OFS (Master EQ Offset) [SF5] OTHER KobAssig Assig A, Assig B, Assig 1, Assig 2 [F2] MEQ/MEF (Master EQ/Master Effect) [SF1] MEQ (Master EQ) [SONG] Sog selectio [MIXING] [EDIT] [COMMON] The Sog Mixig parameters feature global EQ settigs for all Parts of the selected Sog (see MEQ, below). The settigs made here i this display are applied as offsets to those MEQ settigs. Settigs: Determies the fuctio for the assigable Kobs (1 4). Pressig ay of the Kob Cotrol Fuctio buttos o the pael sets the desired fuctio row, which is automatically stored to memory with the curretly selected Sog. Settigs: pa, toe, assig, parteq, MEF, arpfx This lets you directly set ad memorize the value for each Assig Kob (A, B, 1, ad 2), from the Kob itself. Simply tweak the kob to the desired settig. Settigs: From this display you ca apply five-bad equalizatio to all Parts of the selected Sog. The parameters are the same as i Performace Commo Edit. See page 172. [SF2] MEF (Master Effect) From this display you ca set parameters related to the Master Effect (page 140). The parameters are the same as i Performace Commo Edit. See page 172. [F3] ARP (Arpeggio) [SF1] TYPE The basic parameters (e.g., type) of the Arpeggio are provided i this display. This is the same as i Normal Voice Commo Edit (page 154), except that the Tempo settig is ot available here, sice the Arpeggio plays accordig to the Sog tempo. [SF2] LIMIT Same as i Normal Voice Commo Edit. See page 155. [SF3] PLAY FX (Play Effect) Same as i Normal Voice Commo Edit. See page 155. [SF4] OUT CH (Output Chael) Same as i Performace Commo Edit. See page Ower s Maual

191 Sog Mixig Edit Part Edit [F4] CTL ASN (Cotroller Assig) From this display, you ca assig Cotrol Chage umbers to the hardware cotrollers of the istrumet (such as the Kobs), for each Sog. The parameters are the same as i Performace Commo Edit. See page 173. [F6] EFFECT For iformatio o the effect coectios i the Sog, see page 144. [SF1] CONNECT For more iformatio o parameters, refer to page 144. [SF2] INS SW (Isertio Switch) [SF4] REVERB [SF5] CHORUS The Isertio Effects ca be applied to up to three parts. This display lets you set to which parts the Isertio Effects are applied. The umber of parameters ad values available differs depedig o the curretly selected effect type. For more iformatio, see the Effect Type List i the separate Data List booklet. Part Edit [SONG] Sog selectio [MIXING] [EDIT] Part selectio These parameters are for editig the idividual Parts that make up a Sog Mixig. [F1] VOICE [SF1] VOICE Determies the Voice for each Part. For details, see page 76. Whe the cursor is located o the Bak, you ca select a Voice (with the exceptio of Mixig Voices) via the method explaied i the Quick Guide o page 40. [SF2] MODE Moo/Poly ArpSwitch (Arpeggio Switch) ReceiveCh (Receive Chael) [SF3] LIMIT [SF4] PORTA (Portameto) Determies the playback method of the Voice for each Part moophoic (sigle otes oly) or polyphoic (multiple otes). Settigs: moo, poly This parameter is ot available for the part to which a Drum Voice is assiged. Determies whether Arpeggio is o or off for the curretly selected Part. Settigs: o, off Oly Parts havig the same receive chael ca be applied simultaeously. Determies the MIDI receive chael for the selected Part. Sice MIDI data may be comig from may chaels at oce, you should set this to match the particular chael over which the desired cotrollig data is beig set. Settigs: 01 16, off From this display you ca determie the ote rage ad velocity rage for each Part. The parameters are the same as i Performace Part Edit. See page 174. Determies the Portameto parameters for each Part. The parameters are the same as i Performace Part Edit. See page 174. [SF5] OTHER Same as i Performace Part Edit. See page 174. [F2] OUTPUT [SF1] VOL/PAN (Volume/Pa) Same as i Performace Part Edit. See page 175. [SF2] EF SEND (Effect Sed) Same as i Performace Part Edit. See page 175. [SF3] SELECT (Output Select) Same as i Performace Part Edit. See page 175. [F3] EQ (Equalizer) From this display you ca set parameters related to the Part EQ. The parameters are the same as i Performace Part Edit. See page 175. [F4] TONE [SF1] TUNE Same as i Performace Part Edit. See page 176. [SF2] FILTER Same as i Performace Part Edit. See page 176. [SF3] FEG (Filter Evelope Geerator) [SF4] AEG (Amplitude Evelope Geerator) From this display you ca set the FEG (Filter Evelope Geerator) parameters for each Part. The parameters offset the same parameters of the assiged Voice set i the Voice (Elemet) Edit (page 161). The parameters are the same as i Performace Part Edit. See page 176. The FEG settig is ot available for Parts to which Drum Voices have bee assiged. From this display you ca set the AEG (Amplitude Evelope Geerator) parameters for each Part. The parameters offset the same parameters of the assiged Voice set i the Voice (Elemet) Edit (page 162). The parameters are the same as i Performace Part Edit. See page 176. Sustai ad Release settigs are ot available for Parts to which Drum Voices have bee assiged. Voice Performace Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 191

192 Sog Mixig Job [F5] RCV SW (Receive Switch) From this display you ca set how each idividual Part respods to various MIDI data, such as Cotrol Chage ad Program Chage messages. Whe the relevat parameter is set to o, the correspodig Part respods to the appropriate MIDI data. Note that two differet display types listed below are provided ad you ca switch betwee them by pressig the [SF5] butto. Each display type features the same settigs i a differet format; use the type you feel most comfortable with. Display showig four Parts This display type shows the Receive Switch status for four Parts at a time. Set the desired Part o or off, for the correspodig MIDI data type. To view ad edit aother set of four Parts, press the appropriate Number butto, [1] to [16]. Keep i mid that sice all the available parameters caot be simultaeously displayed, you will eed to use the cursor cotrols to scroll the display i order to see ad set the other parameters. Display showig all parameters for oe Part This display type shows all of the Receive Switch settigs for a sigle selected Part. Set the desired MIDI data type o or off for the selected Part. To select other Parts, use the Number [1] [16] buttos (makig sure that the [TRACK SELECT] butto is o). Sog Mixig Job [SONG] Sog selectio [MIXING] [JOB] The Sog Mixig Job features several basic operatios, such as Iitialize ad Copy. After settig parameters as required from the selected display, press the [ENTER] butto to execute the Job. [F1] INIT (Iitialize) This fuctio lets you reset (iitialize) all Sog Mixig parameters to their default settigs. It also allows you to selectively iitialize certai parameters, such as Commo settigs, settigs for each Part, ad so o very useful whe creatig a completely ew Sog Mixig program from scratch. Type of parameter to be iitialized: GM, All, Commo (Commo parameter settigs for the selected Sog Mixig), Part 1 16 [F2] RECALL (Edit Recall) Referece Voice Performace Sog Patter Mixig Voice Utility File Master If you are editig a Sog Mixig program ad select a differet program without storig your edited oe, all the edits you ve made will be erased. If this happes, you ca use Edit Recall to restore the Sog Mixig program with your latest edits itact. [F3] COPY Source sog ad part Destiatio sog (curret sog) ad part [F4] BULK (Bulk Dump) This fuctio lets you store your edited Sog Mixig program to User memory (DRAM). For details, refer to page 98 i the Quick Guide sectio. From this display you ca copy Part parameter settigs from ay Sog Mixig program icludig the curretly edited (but ot yet stored) oe to a particular Part of the Sog Mixig program you are editig. This would come i hady whe you wat to use some settigs from aother program. The procedure is basically the same as i the [F3] COPY display i the Performace Job. Refer to page 177. This fuctio lets you sed all your edited parameter settigs for the curretly selected Sog Mixig program to a computer or aother MIDI istrumet for data archivig. I order to execute Bulk Dump, you ll eed to set the correct MIDI Device Number. For details, see page 209. [F5] PF COPY (Performace Copy) This coveiet operatio lets you copy certai settigs of the four Parts i a performace to the Sog Mixig program curretly beig edited. The display is similar to the [F6] TEMPLATE [SF2] PERFORM display i the Sog Mixig. However, the followig poits differ. You ca select the desired parameters. The MIDI receive chael settigs are set to match the basic chael settigs (page 209). Whe the basic chael is set to omi, the receive chael here is set to 1. Sog Mixig Store [SONG] Sog selectio [STORE] 192 Ower s Maual

193 Supplemetary ifomatio Supplemetary iformatio Sog Track Loop settig example [SONG] [F3] TRACK [SF3] TR LOOP (Track Loop) page 179 I the example below, a 40-measure sog has bee recorded ad Track 1 is set to play back ormally over the 40 measures. Track 2 has bee set to loop, ad will repeat util the [J] (Stop) butto is pressed. Playback Track1 (40 measures of data) Step Recordig examples [SONG] or [PATTERN] [REC] [F1] SETUP Type = step This sectio explais how to step-record otes, usig three specific examples. Example 1 page 179 The explaatios here usig the Sog display apply also to the Patter. Track2 (40 measures of data) The four-measure data is repeated te times Whe Track Loop has bee set to o, you ca specify the rage to be looped. (Oly the ed poit ca be set; the start poit of looped playback is fixed to the begiig of the sog.) CAUTION Please ote that chagig the Track Loop from off to o will delete the data of the area that is ot looped. 1 Set the parameters as illustrated below. Press the Record butto to call up the display below. Here, we'll set the Step Time to (480) so that quarter otes will be etered, ad set the GateTime to 100% to have the otes play i legato. 1 Press [F1] to call up the Sog Play display. Here, chage the chage the curret measure this will be used for the last measure of the loop. 2 Play the keys C, D, E, F, G, A, B ad C i order. Voice I this example, set to 004. Performace 2 Call up the [F3] TRACK [SF3] TR LOOP display ad move the cursor to the track to be looped. Sog 3 Set the selected track to o by usig the [INC/YES] ad [DEC/NO] buttos or the data dial. (The display prompts you for cofirmatio.) 4 Press the [INC/YES] butto. The Loop is set to o ad the data after the loop ed is deleted. If you wat to restore the deleted data ad retur the selected track to off, press the [SF5] UNDO butto. CAUTION The Udo fuctio ca oly be used o the last Track Loop operatio. If you ve set other tracks to loop, the data of those previous tracks caot be recovered. Each time you press a key ad release it, the poiter moves forward by oe step ad the played ote is recorded. 3 Move the poiter to the top (begiig) of the sog ad press the [F] (Play) butto to hear the ote data you just recorded i steps 1 ad 2. LOCATE REC SEQ TRANSPORT 1 2 Master File Utility Mixig Voice Patter Referece Ower s Maual 193

194 Supplemetary ifomatio Example 2 (Usig the Tie fuctio) 4 Follow the istructios below to eter the ext dotted half ote. 1 Chage this to a quarter ote (480). 1 Set the parameters as illustrated below. Sice the first ote is a half ote, set the StepTime to the halfote ico (a value of 960), ad set the GateTime to 80%, sice you do't wat the otes to play i legato. 2 Press ad release A. 3 Press the [F4] butto twice to expad the quarter ote to a dotted half ote. 2 Eter the first ote F. 5 Eter the last quarter ote by pressig ad releasig F. 1 Press ad release F. Referece Voice Performace Sog Patter Mixig Voice Utility File Master 2 Chage this to a eighth ote (240). 3 Press the [F4] butto to tie the two F otes (half ote ad 8th ote). 3 Eter the ext 8th otes. Keep the display settigs uchaged for the remaiig otes i the measure, ad press/release each key oe by oe as show below. 6 Move the poiter to the top (begiig) of the sog ad press the [F] (Play) butto to hear the ote data you just recorded i steps 1 5. LOCATE REC SEQ TRANSPORT Ower s Maual

195 Supplemetary ifomatio Example 3 (Usig the Rest fuctio) 5 Eter the ext 4th ote C as show below. 1 Chage this value to 480, sice the rest value is a quarter ote. 1 Set the parameters as illustrated below. Set the StepTime to a quarter ote (480) ad the Gate Time to 80%. 2 Press ad release C. 2 Eter the first ote, F. Press ad release F. 6 Eter the ext 8th rest as you did i step 3 above. 3 Eter the ext 8th rest as show below. 1 Chage this to a eighth ote (240), sice we ll be eterig a eighth-ote rest. 7 Eter the last 8th ote, F. Press ad release F. Performace Voice 2 Eter the selected rest value (eighth ote) by pressig the [F3] butto 4 Eter the ext 8th ote A. Press ad release A. 8 Move the poiter to the top (begiig) of the sog ad press the [F] (Play) butto to hear the ote data you just recorded i steps 1 7. LOCATE REC SEQ TRANSPORT 1 2 TIP Eterig a chord I Step recordig, you ca also eter chords. Press ad hold dow each ote of the chord i successio, the release them all together to record them as a chord. Keep i mid that otes are ot actually recorded to a track util they are released. Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 195

196 Patter Play Patter Creatig Patters basic procedure Patters cosist of the followig three types of data: MIDI sequece data (created i the Patter Record, Patter Edit, ad Patter Job ) Setup data (created i the Patter Play ) Mixig data (created i the Patter Mixig /Mixig Edit ad stored i the Patter Mixig Store ) After creatig the data i these s described above, store the Mixig settigs i the Patter Mixig Store to archive it as Patter data ad save the etire Patter to the USB storage device i the File. No-ote MIDI evets (such as Voice umber, volume, pa, ad effect sed level) which are ecessary at the start of a Patter are ot recorded as MIDI sequece data, but are stored istead as Mixig data. CAUTION Because Patter data (MIDI sequece data, Setup data, ad Mixig data) is recorded to DRAM (page 150), it will be lost whe turig the power off. Make sure to save ay Patter data created via the Record, Edit, Job, ad Mixig settig to the USB storage device i the File before turig the power off. For details o savig Patter data, see page 98. Patter Play [PATTERN] Patter selectio [F1] PLAY Referece Voice Performace Sog Patter Mixig Voice Utility File Master Tras (Traspose) MEAS (Measure) [SF1] ARP1 (Arpeggio 1) [SF5] ARP5 (Arpeggio 5) [F2] GROOVE (Grid Groove) Same as i the Sog Play. See page 178. [F3] TRACK Determies the key traspose settig for the Patter, ad ca be adjusted i semitoes. Settigs: If the Patter icludes a track that you do ot wat to traspose, set the Not Shift parameter for each Part ([PATTERN] [MIXING] [EDIT] Part selectio [F4] TONE [SF1] TUNE NoteShift). Idicates the curret measure umber ad beat for the curret Patter. Durig playback, this idicatio chages automatically accordig to the Patter playback. You ca iput the desired measure umber directly by usig the Number Iput widow called up via the [INFORMATION] butto. You ca register the desired Arpeggio types to these buttos ad call them up ay time durig your keyboard performace. [SF1] CHANNEL Same as i the Sog Play. See page 178. [SF2] OUT SW (Output Switch) Same as i the Sog Play. See page 179. [SF3] TR VCE (Track Voice) [F4] PATCH Determies whether the program chage data cotaied i the phrase data is effective or ot. For most purposes, this should be set to off. For example, if a phrase has embedded Voice chages (program chage messages) but you do t wat the Voice to chage i the middle of the phrase, set this to off. Tracks that are set to off here automatically play back with the Voice umber assiged to the Part set i the Mixig. The Phrase Voice embedded i the Phrase ca be specified from the Voice display i the Patter Record (page 198). Refer to page 78 i the Quick Guide sectio. From this display, you ca assig a Preset phrase or a User phrase (recorded i the Patter Record ) to each track ad create a Patter that cotais up to 16 tracks. The Patch fuctio allows you to use oly User phrases recorded to a track of the curretly selected Patter. If you wish to use User phrases recorded to tracks of other Patters, use the Phrase Data Copy fuctio, selected with [SF5] butto. Sectio Shows the curret edited sectio. For details about how to chage sectios, see page 75. Meas [SF4] CLEAR [SF5] COPY Shows Measure: Beat for curret playback locatio. This clears the Phrase assigmet to the curretly selected track ad leaves the track empty. Source Patter umber, phrase umber Destiatio phrase ad track of the curret edited Patter After settig, press the [ENTER] butto to copy the phrase. The User phrases that ca be assiged with the Patch fuctio are limited to the oes cotaied i the curretly selected Patter. This fuctio lets you copy phrases i aother Patter to the selected oe. Press the [SF5] butto to call up the display show at left. After settig the parameters as eeded, press the [ENTER] butto to copy the phrase data. CAUTION The copy operatio overwrites ay data previously existig i the destiatio phrase. 196 Ower s Maual

197 Patter Play [F5] REMIX This fuctio gives you a variety of semi-radom presets for dividig the MIDI sequece data ad alterig the ote legths, lettig you create completely ew variatios of a Patter. Set the parameters below, the press the [ENTER] butto to execute the Remix operatio. You ca press the Play butto at this poit to hear the results of the Remix. If you re ot satisfied with the results, try aother Type/Variatio ad press [ENTER]. If you wat to keep the chages, press [SF5] OK. (Udo caot be used with Remix.) To retur to the origial display without alterig the data, press the [SF4] CANCEL butto. Sice the remixed data is stored as a ew phrase ad assiged to the curret track, the origial phrase data remais as a uassiged phrase. Type Variatio Iterval [F6] CHAIN Patter Chai Play Patter Chai Record Determies how the data i a measure will be divided ad rearraged. The divisio ad rearragemet rules are differet for each remix type. The type is also show graphically i the display. Settigs: 1 16 Determies how the origial MIDI sequece data will be modified. Settigs: Normal 1 16, Roll 1 16, Break 1 16, Fill 1 48 Normal The origial data is oly divided ad rearraged. 16 variatios are provided. Roll I additio to divisio ad rearragemet, some portios of the data may be played with a roll effect. 16 variatios are provided. Break I additio to divisio ad rearragemet, some portios of the data may be deleted to create breaks. 16 variatios are provided. Fill I additio to divisio ad rearragemet, some portios of the data may be played with a roll effect. 48 variatios are provided. Determies the measure(s) to which Remix is applied. Settigs: 1 8 For example, whe set to "1," Remix is applied to all measures. Whe set to "2," Remix is applied to measures 2, 4, 6, etc. (every other measure). Whe set to "3," Remix is applied to measures 3, 6, 9, etc. (every third measure). Refer to page 84 i the Quick Guide sectio. [PATTERN] [F6] This lets you play the programmed sectio chai sequece created i the Patter Record ad Patter Edit. The parameters are the same as i the [F1] PLAY display. [PATTERN] [F6] [REC] Recordig Stadby Recordig track You ca select oe of the followig tracks for recordig. patt (Patter): Records sectio chages durig playback tempo: Records tempo chage iformatio durig playback scee: Records track mute settigs durig playback Voice Performace Patter Chai Edit Durig Recordig [PATTERN] [F6] [REC] [F] (Play) Whe recordig the tempo track, you ca chage the tempo value. Whe recordig the scee track, you ca chage the track mute settig. Whe recordig the Patter track, you ca chage the sectio. [PATTERN] [F6] [EDIT] Sog [F1] CHANGE Patter Track Edit Scee Track Edit Tempo Track Edit [F2] COPY [F3] SONG The Patter Chai Edit makes it possible to edit the order of the sectios i a chai, as well as isert tempo, ad scee/mute evet data. Call up the desired track display by pressig the [F4] TR SEL butto to edit the selected track. From this display, you ca edit the sectio chages for each measure. Move the cursor to the Sectio colum for the desired measure, ad eter the desired sectio. To set the ed of the chai, eter a END mark at the appropriate measure. To clear the evet at the curretly selected locatio, press the [F6] CLEAR butto. You ca edit the track mute chage i beats. Use the [F5] INSERT ad [F6] DELETE butto to isert/delete the evet. You ca edit the tempo chage i beats. Use the [F5] INSERT ad [F6] DELETE butto to isert/delete the evet. Source rage This display lets you copy all Patter chai evets from a specified rage of measures (source) to a destiatio locatio. After specifyig the source rage i measures, the top measure of the destiatio locatio, ad NumberOfTimes (umber of times the data is copied), press the [ENTER] butto to execute the Copy operatio. Top measure of destiatio CAUTION This operatio overwrites ay evets already existig at the destiatio. This fuctio coverts the Patter chai data to Sog data (stadard MIDI format) ad places the results i the ormal Sog tracks. After specifyig the desired destiatio Sog ad measure umber to which the coverted data is to be copied, the press the [ENTER] butto to execute. Master File Utility Mixig Voice Patter Referece CAUTION This operatio overwrites ay data already existig at the destiatio rage. Ower s Maual 197

198 Patter Record Patter Record Stadby Patter Record [PATTERN] Patter selectio [REC] Patter Record Stadby [F1] SETUP Type (Recordig Type) Loop Determies the recordig method.for iformatio o each method, refer to page 138 i the Basic Structure sectio. Settigs: replace, overdub, step Ulike i the Sog Record, Puch recordig is ot available for Patter recordig. Turs loop recordig ON or OFF. Whe ON, the phrase will play repeatedly durig real-time recordig. This ca be hady whe recordig drum parts (page 139), allowig you to add differet istrumets o each pass. Whe OFF recordig stops after oe pass through the phrase. Settigs: o, off Quatize Same as i the Sog Record. See page 179. Evet Same as i the Sog Record. See page 179. (Tempo) Meas (Measure) Determies the Patter tempo. Settigs: Ulike i Sogs, Scee track ad Tempo track are ot available for Patters. Determies the measure from which Patter recordig will be started. [F2] VOICE From this display you ca set Voice-related parameters for the selected track. The settigs made here affect the toe geerator parts whose MIDI receive chaels match the MIDI trasmit chael of the sog track. The Voice set here becomes the phrase Voice (page 79). Parameters are the same as i the Sog Record. See page 180. Referece Voice Performace Sog Patter Mixig Voice Utility File Master [F3] ARP (Arpeggio) From this display you ca set parameters related to the Arpeggio of the recordig track. Parameters are the same as i the Sog Record. See page 180. [F4] REC ARP (Record Arpeggio) From this display you ca determie whether the sequece data played by Arpeggio is recorded to the Patter track or ot. Parameters are the same as i the Sog Record. See page 180. [F5] CLICK Pressig the [F5] butto lets you tur the click soud (metroome) o/off for recordig. Durig Patter Recordig Realtime Recordig Same as i the Sog Edit. See page 182. [PATTERN] Patter selectio [REC] [F] (Play) Refer to page 82 i the Quick Guide sectio. Step Recordig Examples of Step Recordig are described o page 193. Parameters i the displays are the same as i the Sog Record. See page 181. Patter Edit [PATTERN] Patter selectio [EDIT] 198 Ower s Maual

199 Patter Job Patter Job [PATTERN] Patter selectio [JOB] The Patter Job cotais a comprehesive set of editig tools ad fuctios you ca use to chage the soud of the Patter. It also icludes a variety of coveiet operatios, such as copyig or erasig data. After settig parameters as required from the selected display, press the [ENTER] butto to execute the Job. CAUTION A Executig... message is show whe it takes a short amout of time to execute the Job. Never attempt to tur off the power while a Executig... message is show. Turig the power off i this state results i loss of all user data. [F1] UNDO/REDO The Udo Job cacels the chages you made i your most recet recordig sessio, editig sessio, or Job, restorig the data to its previous state. This allows you to recover from accidetal data loss. Redo is available oly after usig Udo, ad lets you restore the chages you made before udoig them. CAUTION Udo/Redo does ot work with Mixig Voice operatios. [F2] NOTE (Note data Job) The Note data Jobs i the Patter are basically same as i the Sog Job. However, ulike i the Sog Job, Patter Note data Jobs are applied to the phrases ( ) ad a selected rage i the phrase (measure : beat : clock). Specify the phrase ad the rage (i measures/beats/clocks) over which the Job is applied. 01: Quatize Same as i the Sog Job. See page : Modify Velocity Same as i the Sog Job. See page : Modify Gate Time Same as i the Sog Job. See page : Crescedo Same as i the Sog Job. See page : Traspose Same as i the Sog Job. See page : Glide Same as i the Sog Job. See page : Create Roll Same as i the Sog Job. See page : Sort Chord Same as i the Sog Job. See page : Separate Chord Same as i the Sog Job. See page 185. [F3] EVENT (Evet Job) The Evet Jobs i the Patter are basically same as i the Sog Job. However, ulike i the Sog Job, Patter Evet Jobs are applied to the phrases ( ) ad a selected rage i the phrase (measure : beat : clock). 01: Shift Clock Same as i the Sog Job. See page : Copy Evet Same as i the Sog Job. See page : Erase Evet Same as i the Sog Job. See page 186. Ulike i the Sog Job, Tempo, Scee Memory, or Track Mute caot be selected as Evet Types. 04: Extract Evet Same as i the Sog Job. See page : Create Cotiuous Data Same as i the Sog Job. See page 186. Ulike i the Sog Job, Tempo caot be selected as a Evet Type. 06: Thi Out Same as i the Sog Job. See page : Modify Cotrol Data Same as i the Sog Job. See page 187. Ulike i the Sog Job, Tempo caot be selected as a Evet Type. 08: Beat Stretch Same as i the Sog Job. See page 187. [F4] PHRASE (Phrase Job) 01: Copy Phrase Selects the Patter ad phrase to be copied. (Preset phrase also ca be selected.) This Job copies a selected phrase to the desigated destiatio phrase. After specifyig the source Patter ad phrase ad the destiatio Patter ad phrase, press the [ENTER] butto to execute this Job. Specify the destiatio Patter ad phrase. CAUTION Ay previous data i the copy destiatio will be overwritte. Voice Performace Sog Master File Utility Mixig Voice Patter Referece 02: Exchage Phrase This Job exchages or swaps the cotets of two specified phrases ( A ad B ). Ower s Maual 199

200 Patter Job 03: Mix Phrase This Job mixes all data from two selected user phrases ( A ad B ), ad places the result i phrase B. Phrase A Phrase B Mix Phrase Phrase B 04: Apped Phrase This Job appeds oe phrase (A) to the ed of aother (B) to create oe loger phrase (B). Phrase A Phrase B Apped Phrase 05: Split Phrase This Job splits a selected phrase (A) ito two separate phrases (A ad B). The data before the split poit is stored to the origial phrase A ad the data after the split poit is moved ad stored to aother phrase B. You ca also set the Meters of the phrase A ad B after the Split Phrase Job. CAUTION Whe either Patter or Phrase is set to off, the split Phrase B data is erased. Phrase A The Job overwrites ay data already existig i destiatio phrase B. Phase A is divided at the Split Poit Phrase A Phrase B Referece Voice Performace Sog Patter Mixig Voice Utility File Master 06: Get Phrase From Sog Source Sog, track, ad rage of This Job copies a segmet of sequece-track measures to be copied. Destiatio phrase data from a Sog ito the desigated destiatio phrase. After specifyig the source Sog/track/rage of measures to be copied ad the destiatio phrase, press the [ENTER] butto to execute this Job. CAUTION The Job overwrites ay data already existig i the destiatio phrase. 07: Put Phrase To Sog Destiatio Sog, track, This Job copies a selected user phrase ito a Source phrase ad top measures specified area of a selected sog. After specifyig the source phrase ad destiatio Sog/track/top measure, press the [ENTER] butto to execute this Job. 08: Clear Phrase This Job deletes all data from the selected phrase. 09: Phrase Name This Job lets you assig a ame (of up to eight characters) to the selected phrase. For istructios o amig, refer to page 38 i the Basic Operatio sectio. [F5] TRACK (Track Job) CAUTION The Job overwrites ay data already existig i the destiatio track. 01: Copy Track Source Patter, sectio, ad track Destiatio Patter, sectio, ad track This Job copies all data from a specified source track to the specified destiatio track. The types of data to be copied are the same as i the Sog Job. See page 188. Types of data to be copied 02: Exchage Track Target tracks for the Exchage operatio This Job exchages or swaps the specified type of data betwee two specified tracks i the curret Patter ad sectio. The types of data to be exchaged are the same as i the Sog Job. See page 188. Types of data to be exchaged 200 Ower s Maual

201 Patter Job 03: Clear Track Sectio ad track from which data is to be cleared This Job deletes all data of the selected type from the selected Patter track. The types of data to be cleared are the same as i the Sog Job. See page : Normalize Play Effect This Job rewrites the data i the selected track so that it icorporates the curret Grid Groove settigs. After specifyig a track (TR 01 16) to which this Job is applied, press the [ENTER] butto to execute this Job. 05: Divide Drum Track Separates the ote evets i a drum performace assiged to a specified track, ad places the otes correspodig to differet drum istrumets i separate tracks (tracks 1 through 8). After specifyig a track (TR 01 16) to which this Job is applied, press the [ENTER] butto to execute this Job. This job requires 8 empty User Phrases. If there are't eough empty tracks, a error message appears. If this happes, use the Clear Track Job (avobe) to delete some User Phrases, the try the Job agai. 06: Put Track To Arp This Job copies data i the specified measures of a sectio/track for creatig Arpeggio data. For details, refer to page 97 i the Quick Guide sectio. [F6] PATTERN (Patter Job) Types of data to be cleared 01: Copy Patter Source Patter ad sectio Destiatio Patter ad sectio This Job copies all data from a selected source Patter to a selected destiatio Patter. After specifyig the source Patter/sectio, ad the destiatio Patter/sectio, as well as settig the checkboxes as ecessary, press the [ENTER] butto to execute this Job. If you set the source sectio to all, the destiatio sectio is also set to all automatically. With this status, execute this Job to copy the etire source Patter data to the destiatio. Preset Phrase User Duplicate User Phrase Chai Whe this box is checkmarked, Preset Phrases (if icluded i the source Patter) are copied to the User Phrase, which will be assiged to the destiatio Patter. Whe this box is checkmarked, User Phrases (if icluded i the source Patter) are copied to aother User Phrase, which will be assiged to the destiatio Patter. However, if the Patter umber of the source is same as the umber of destiatio, aother User Phrase will be ot created. Whe this box is checkmarked, Patter chai data (if icluded i the source Patter) is copied to the destiatio Patter. 02: Apped Patter Source Patter Appeds oe Patter to the ed of aother to ad sectio Destiatio Patter ad sectio create oe loger Patter with all 16 tracks. If the Patter legth becomes greater tha 256 measures as a result of the Apped Patter Job, a error message will be displayed ad the Job will be aborted. Voice Performace Sog Keep Origial Phrase Whe this box is checkmarked, the origial destiatio Patter data is retaied i memory, alog with the ew appeded Patter data. If the box is ot checkmarked, the origial destiatio Patter is erased ad replaced with the ewly created data. Whe the KEEP ORIGINAL PHRASE checkbox is checked, this Job requires twice the umber of empty user phrases as the umber of tracks cotaiig data i which to store the appeded phrase data. If the required space is uavailable, a alert message will appear ad the Job will be aborted. If this occurs use the Clear Phrase Job (page 200) to delete uused phrases ad try agai. 03: Split Patter This Job splits a selected Patter (all 16 tracks data) ito two Patters. After the Split Patter operatio, the part of the Patter before the Split Poit Keep Origial Phrase Source Patter ad sectio Destiatio Patter ad sectio Determies the Split Poit by settig a measure umber. specified Split Poit will remai, ad the part followig the Split Poit will be moved to the destiatio Patter. CAUTION The Job overwrites ay data already existig i the destiatio Patter. Whe this box is checkmarked, the origial Source Patter data is retaied i memory ad the results of the Split Job are writte to empty phrases. Whe this box is ot checkmarked, the origial Source Patter is erased ad replaced with the ewly created data. Master File Utility Mixig Voice Patter Referece Whe the KEEP ORIGINAL PHRASE checkbox is checked, this Job requires twice the umber of empty user phrases as the umber of tracks cotaiig data i which to store the appeded phrase data. If the required space is uavailable, a alert message will appear ad the job will be aborted. If this occurs use the Clear Phrase Job (page 200) to delete uused phrases ad try agai. Ower s Maual 201

202 Patter Mixig 04: Clear Patter This Job deletes all data from the selected Patter, or from all Patters. Whe the specific sectio is selected to be cleared, you ca umark the Chai box. If the Chai box is ot checkmarked, the Patter Chai data will be kept eve though the Clear Patter Job is executed. 05: Patter Name This Job lets you assig a ame to the selected Patter. For istructios o amig, refer to page 38 i the Basic Operatio sectio. Patter Mixig [PATTERN] Patter selectio [MIXING] I this, you ca set up mixig data for your patters, ad set various parameters for the toe geerator parts icludig the desired Voice, as well as its level, pa, EQ, effect ad other settigs. Patter Mixig parameters are ot actually part of the Patter sequece data i each track, but rather are settigs for the toe geerator, as it is played back by the Patter data. As such, the Patter Mixig parameter settigs are ot recorded to the Patter tracks. Mixig operatios ad parameters are the same as those of the Sog Mixig. See page 189. Parameter settigs made i the Patter Mixig ad Patter Mixig Edit should be stored to iteral memory (DRAM) as part of the Patter data. I additio, make sure to save the etire Patter data (icludig the Mixig settigs) to the USB storage device, sice the data i DRAM is stored oly temporarily (page 150). CAUTION Parameter settigs i the Patter Mixig ad Patter Mixig Edit ca be stored as a template to iteral Flash ROM, as well as beig stored as part of a Patter. See page 94 for details. Patter Mixig Edit [PATTERN] Patter selectio [MIXING] [EDIT] Referece Voice Performace Sog Patter Mixig Voice Utility File Master This provides more detailed Mixig parameters tha i the Patter Mixig. Keep i mid that Patter Mixig parameters are ot actually part of the Patter sequece data i each track, but rather are settigs for the toe geerator, as it is played back by the Patter data. As such, the Patter Mixig parameter settigs are ot recorded to the patter tracks. Mixig operatios ad parameters are the same as those of the Sog Mixig Edit. See page 190. Parameter settigs made i the Patter Mixig ad Patter Mixig Edit should be stored to iteral memory (DRAM) as part of the Patter data. I additio, make sure to save the etire Patter data (icludig the Mixig settigs) to the USB storage device, sice the data i DRAM is stored oly temporarily (page 150). CAUTION Parameter settigs i the Patter Mixig ad Patter Mixig Edit ca be stored as a template to iteral Flash ROM, as well as beig stored as part of a Patter. See page 94 for details. Patter Mixig Job Same as i the Sog Mixig Job. See page 192. Patter Mixig Store This fuctio lets you store your edited Patter Mixig to User memory (DRAM). For details, refer to page 98 i the Quick Guide sectio. [PATTERN] Patter selectio [MIXING] [JOB] [PATTERN] Patter selectio [MIXING] [STORE] 202 Ower s Maual

203 Mixig Voice Edit Commo Edit Mixig Voice Creatig Mixig Voices basic procedure The Mixig Voice provides most of the same Normal Voice editig parameters as the Voice, with the mai exceptio that these Voices are dedicated for use with the Sogs ad Patters, ad are stored specifically as Mixig Voices. The Mixig Voice Job lets you use the supplemetary fuctios like Copy ad Delete. After completig the Mixig Voice editig, you ca store the edited Voice to a User Bak to iteral memory (Flash ROM) or you ca store it as a part of the curret Sog/Patter data to iteral memory (DRAM). Whe storig the edited Mixig Voice as a part of the curret Sog/Patter data, make sure to save the data to a USB storage device i the File. Mixig Voice Edit [SONG] or [PATTERN] [MIXING] [F2] VOICE Normal Voice selectio [F5] VCE ED The Mixig Voice Edit is divided ito Commo Edit, for settig parameters commo to all four Elemets, ad Elemet Edit, for settig parameters of idividual Elemets. Commo Edit [SONG] or [PATTERN] [MIXING] [F2] VOICE Normal Voice selectio [F5] VCE ED [COMMON] These parameters are for makig global (or commo) edits to all four Elemets of the selected Normal Voice. The Mixig Voice Edit parameters are basically the same as those i the Voice Edit. However, some parameters havig the same ame as those i the Sog Mixig/Patter Mixig Part Edit are ot available i the Mixig Voice Edit. [F1] GENERAL Same as i the Normal Voice Commo Edit. See page 153. Please ote that the [SF3] MEQ OFS (Master EQ Offset) display is ot available i the Mixig Voice Edit. [F2] OUTPUT Same as i the Normal Voice Commo Edit. See page 154. [F4] CTL SET (Cotroller Set) Same as i the Normal Voice Commo Edit. See page 155. [F5] LFO Same as i the Normal Voice Commo Edit. See page 156. [F6] EFFECT Same as i the Normal Voice Commo Edit. See page 158. Please ote that the [SF4] REVERB ad [SF5] CHORUS displays are ot available i the Mixig Voice Edit. Whe the Isertio Switch of the selected Part is off (page 191), this display will be uavailable. Voice Performace Sog Elemet Edit These parameters are for editig the idividual Elemets that make up a Normal Voice. [F1] OSC (Oscillator) [SONG] or [PATTERN] [MIXING] [F2] VOICE Normal Voice selectio [F5] VCE ED Elemet selectio Same as i the Normal Voice Elemet Edit. See page 158. [F2] PITCH Same as i the Normal Voice Elemet Edit. See page 159. [F3] FILTER Same as i the Normal Voice Elemet Edit. See page 160. [F4] AMP (Amplitude) Same as i the Normal Voice Elemet Edit. See page 162. [F5] LFO (Low Frequecy Oscillator) Same as i the Normal Voice Elemet Edit. See page 163. [F6] EQ (Equalizer) Same as i the Normal Voice Elemet Edit. See page 164. Master File Utility Mixig Voice Patter Referece Ower s Maual 203

204 Mixig Voice Job Mixig Voice Job [SONG] or [PATTERN] [MIXING] [F5] VCE ED [JOB] The Mixig Voice Job features two basic operatios, Copy ad Delete. After settig parameters as required from the selected display, press the [ENTER] butto to execute the Job. [F2] RECALL If you are editig a Mixig Voice ad select a differet Mixig Voice, Mixig program, Sog or Patter without storig your edited oe, all the edits you ve made will be erased. Edits are also erased if the curret part to which the edited Mixig Voice is assiged receives a program chage from a exteral MIDI istrumet. If this happes, you ca use Edit Recall to restore the Mixig Voice with your latest edits itact by pressig the [ENTER] butto from the [F2] RECALL display. Sice a Recall Buffer for the Mixig Voice is prepared for each Part of the curret Sog or Patter, you ca specify the Part to which the Mixig Voice to be recalled is assiged before executig the Edit Recall. [F3] COPY Source sog/patter ad part This Job lets you copy the Mixig Voice stored to a specified Part i oe Sog/Patter to a Part i aother Sog/Patter. Destiatio sog/patter ad part [F5] DELETE This Job lets you delete a Mixig Voice assiged to a specified Sog/Patter s Part. Voice Performace Mixig Voice Store [SONG] or [PATTERN] [MIXING] [F5] VCE ED [STORE] This fuctio lets you store your edited Mixig Voice to User memory (Flash ROM or DRAM). For details, refer to page 78 i the Quick Guide sectio. Sog Patter Mixig Voice Utility File Master Referece 204 Ower s Maual

205 Utility Utility The Utility features a variety of importat settigs related to overall operatio of the MO. These settigs ca also be stored simply press the [STORE] butto from ay (with the exceptio of the Utility Job ), ad store the data to iteral Flash ROM as system settigs (page 150). You ca also save the settigs to a USB storage device i the File. Utility [UTILITY] I this, you ca set parameters that apply to the etire system of this istrumet. This is actually a sub- of the Voice/Performace/Sog/Patter. Press the [UTILITY] butto i each to eter the Utility ad press the [EXIT] butto after makig settigs to go back to the previous. [F1] GENERAL [SF1] TG (Toe Geerator) From this display you ca make overall settigs for the iteral toe geerator. Settigs here do ot affect MIDI messages trasmitted to the exteral MIDI istrumet. Volume Determies the overall volume of the istrumet. Settigs: NoteShift Determies the amout (i semitoes) by which the pitch of all otes is shifted. Settigs: Tue Determies the fie tuig (i 0.1 cet steps) of the iteral toe geerator s overall soud. Settigs: BCCurve (Breath Cotroller Curve) These four curves determie how the soud of the iteral toe geerator respods to use of a Breath Cotroller. The settig here affects the Destiatio parameters whe the Source is set to BC, both of which ca be set i the CTL SET displays ([VOICE] [EDIT] [COMMON] [F4] CTL SET). The graph show i the display idicates the cotroller respose curve. (The horizotal lie represets the received breath cotrol values, while the vertical lie represets the actual respose of the iteral toe geerator.) The MO does ot have the Breath Cotroller jack. However, keep i mid that if the same MIDI Cotrol Chage messages as Cotroller Set are received from a exteral device, the iteral toe geerator also respods to those messages as if the usupported/uavailable MIDI cotroller was used o the MO. Settigs: thru, soft, hard, wide Voice [SF2] KBD (Keyboard) Octave From this display you ca set the keyboard-related parameters. The settigs here affect the MIDI messages geerated by playig the keyboard. Determies the amout i octaves by which the rage of the keyboard is shifted up or dow. This settig ca be chaged also by pressig ay of the [OCTAVE] buttos o the MO6. Settigs: Performace Traspose VelCurve (Velocity Curve) FixedVelocity [SF3] EF BYPS (Effect Bypass) Isertio System FReverb Determies the amout i semitoes by which the rage of the keyboard is shifted up or dow. Settigs: If you traspose beyod the ote rage limits (C-2 ad G8), otes i the adjacet octaves will be used. For example, a trasposed ote of F9 will be chaged to F8. These five curves determie how the actual velocity will be geerated ad trasmitted accordig to the velocity (stregth) with which you play otes o the keyboard. The graph show i the display idicates the velocity respose curve. (The horizotal lie represets the received velocity values (stregth of your playig), while the vertical lie represets the actual velocity values trasmitted to the iteral/exteral toe geerators.) Settigs: orm, soft, hard, wide, fixed orm (ormal)... This liear curve produces oe-to-oe correspodece betwee the stregth of your keyboard playig (velocity) ad the actual soud chage. soft... This curve provides icreased respose, especially for lower velocities. I other words, playig softly results i higher respose tha the orm curve. hard... This curve provides icreased respose, especially for higher velocities. I other words, playig hard results i higher respose tha the orm curve. wide... This settig provides opposite respose curves for lower ad higher velocities. It wides the apparet dyamic rage of the cotroller, producig less soud chage i the softer rage ad more chage i the higher rage. fixed... This settig produces the same amout of soud chage (set i Fixed Velocity below), o matter what your playig stregth. This parameter is oly available if you select the fixed Velocity Curve above. The velocity of the ote you play is fixed at the value set here. Settigs: From this display you ca select the specific effect(s) to be bypassed whe the [EFFECT BYPASS] butto is tured o. Whe this is set to o ad the [EFFECT BYPASS] butto is tured o, the iteral Isertio Effect is bypassed. Whe this is set to o ad the [EFFECT BYPASS] butto is tured o, the Reverb effect is bypassed. Sog Master File Utility Mixig Voice Patter Referece FChorus Whe this is set to o ad the [EFFECT BYPASS] butto is tured o, the Chorus effect is bypassed. For details about the Effects, see page 140. Ower s Maual 205

206 Utility [SF4] OTHER AutoLoad PowerOMode CtrlReset (Cotroller Reset) Determies whether the Auto Load fuctio is o or off. Whe this is o, the istrumet will automatically load the specified files (from USB storage device) to User memory wheever the power is tured o. For details about the Auto Load fuctio, see page 102. Settigs: o, off This determies the default power-o (ad memory bak) lettig you select which coditio is automatically called up whe you tur the power o. Settigs: performace, voice (USR1), voice (PRE1), GM, last, master performace...performace Play (User Performace 001) voice (USR1)...Voice Play (User Voice USR1: 001 ) voice (PRE1)...Voice Play (Preset Voice PRE 1: 001 ) GM...Voice Play (GM Voices GM: 001 ) last...the ad program umber registered the last time by the procedure o page 210. master...master Play (User Master 001) Determies the status of the cotrollers (Modulatio Wheel, Aftertouch, Foot Cotroller, Breath Cotroller, Kobs, etc.) whe switchig betwee voices. Whe this is set to hold, the cotrollers are kept at the curret settig. Whe this is set to reset, the cotrollers are reset to the default states (below). Settigs: reset, hold If you select reset, the cotrollers will be reset to the followig states/positios: Pitch Bed... Ceter Modulatio Wheel... Miimum Aftertouch... Miimum Foot Cotroller... Maximum Breath Cotroller... Maximum Foot Switch... Off Expressio... Maximum Foot Volume... Maximum Sustai... Off [F2] OUTPUT Referece Voice Performace Sog Patter Mixig Voice Utility File Master L&RGai [F3] VOICE Set the output gai of the L/MONO ad R jacks. Settigs: 0dB, +6dB [VOICE] [UTILITY] [F3] These special voice-related settigs are available oly whe eterig the Utility from the Voice, lettig you set parameters related to all the Voices. [SF1] MEQ (Master EQ) [SF2] MEF (Master Effect) [SF3] ARP CH (Arpeggio Chael) OutputSwitch TrasmitCh (Trasmit chael) [SF4] CTL ASN (Cotroller Assig) [F3] SEQ (Sequecer) From this display you ca apply five-bad equalizatio to all Voices, raisig or lowerig the level of each frequecy bad (LOW, LOWMID, MID, HIGHMID, HIGH). The parameters are the same as i the Performace Commo Edit. See page 172. Settigs: For details about EQ, see page 141. From this display you ca set the Master Effect related parameters applied to all the Voices. The parameters are the same as i the Performace Commo Edit. See page 172. From this display you ca set parameters related to output of the Arpeggio MIDI data i the Voice. This eables or disables MIDI data output for the Arpeggio fuctio. Whe this is set to o, Arpeggio data is set via MIDI allowig you to sed the Arpeggio data to a exteral sequecer or play back the Arpeggios o coected MIDI toe geerators. Settigs: o (eable), off (disable) Determies the MIDI chael through which Arpeggio playback data will be set (whe Output Switch above is o). Settigs: 1 16 Sets the parameters related to the cotrollers i the Voice. Details o each parameter are the same as i Performace Commo Edit. See page 173. [SONG] or [PATTERN] [UTILITY] [F3] These special sog- ad patter-related settigs are available oly whe eterig the Utility from the Sog or Patter. [SF1] CLICK Mode Beat Volume From this display you ca set the parameters related to the click soud (metroome) that is used durig recordig or playback i the Sog/Patter. Determies whether ad whe the metroome click will soud. Settigs: off, rec, rec/play, all off...the click will ot soud. rec...the click will soud durig sog/patter recordig oly. rec/play...the click will soud durig sog/patter recordig ad playback. all...the click will always soud. Determies o which beats the metroome click will soud. Settigs: 16 (16th otes), 08 (8th otes), 04 (quarter otes), 02 (half otes), 01 (whole otes) Determies the click soud volume. Settigs: Type Determies the click soud type. Settigs: Ower s Maual

207 Utility RecCout Sets the umber of cout-i measures provided before recordig actually starts after pressig the [F] (Play) butto i the Record stadby. Settigs: off (Recordig starts as soo as the [F] butto is pressed), 1 meas 8 meas Sice the click soud is created with the iteral toe geerator, usig click playback affects the overall polyphoy of this sythesizer. [SF2] FILTER (MIDI Filter) From this display you ca set which MIDI evets will be recogized/trasmitted via MIDI. The settigs made here apply oly to Sog/Patter playback data; they do ot affect the MIDI evets geerated by your keyboard playig or pael operatios i the Voice ad Performace s. MIDI evets to which the Filter is applied: Note, PgmChage (Program Chage), CtrlChage (Cotrol Chage), PB (Pitch Bed), ChAt (Chael Aftertouch), PolyAT (Polyphoic Aftertouch), Exclusive [SF3] OTHER PtQuatize (Patter Quatize) PtTempoHold (Patter Tempo Hold) Determies the quatize value for Patter switchig durig playback. Whe set to 1, Patters (sectios) will always switch o the first beat of the measure durig playback. Whe 1/16 is selected, Patters (sectios) ca be switched o ay 16th beat durig playback. Settigs: 1 (1 measure), 1/2 (Half ote), 1/4 (Quarter ote), 1/8 (8th ote), 1/16 (16th ote) Determies whether or ot the tempo settig will switch to the tempo value stored with each Patter whe a ew Patter is selected durig playback. Whe set to o, the tempo will be retaied whe Patters are switched. Whe set to off, the tempo will switch to that stored with the ew Patter whe Patters are switched. Settigs: o, off The tempo settig data i the Patter Chai is ot affected by this parameter. SogEvetChase DumpIterval (Bulk Dump Iterval Time) LoadMix Evet Chase allows you to specify which o-ote data types are properly recogized durig fast-forward ad rewid operatios. Normally, if a Sog or Patter is played back from mid-poit ad/or fast-forward or rewid are used, certai data types (such as Program Chage, Pitch Bed, ad Cotrol Chage) may ot play back as expected. Settig this to a specific evet esures the playback itegrity of the evet, eve whe fast forwardig or rewidig. Settigs: Off, PC (Program Chage), PC+PB+Ctrl (Program Chage+Pitch Bed+Cotrol Chage), all (All evets) Keep i mid that settigs other tha off may result i slower operatio for example, a pause before startig playback, or slower rewid/fast forward speed. Whe this is set to all, a excessive amout of MIDI data may be geerated, possibly resultig i a MIDI error o the coected device. Whe playig back system exclusive data (bulk data) that is recorded o the sequece tracks, this sets the iterval that is iserted for each 1KB. Whe sedig bulk data from this sythesizer to a coected MIDI device, a MIDI error may result if the device caot hadle large amouts of data i a short time. This parameter compesates for that by settig a iterval that provides eough time for the receivig device to process the bulk data. Settigs: (msec) The playback may be a little slower depedig o the curretly set iterval. Also whe a MIDI error occurs, try to set the iterval a little higher ad sed the data agai. Determies whether the Mixig settigs are loaded (o) or ot (off) whe the Sog/Patter umber is chaged. Settigs: off, o This settig affects the Sog/Patter chage durig Sog/Patter chai playback. Voice Performace Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 207

208 Utility [SF4] QUICK SET If you use the MO for a variety of sequecer based applicatios ad switch betwee those applicatios, the Quick Setup comes i hady. It allows you to istatly recofigure the istrumet for four differet applicatios. The followig parameters are chaged i Quick Setup. [UTILITY] [F5] MIDI [SF2] SWITCH Local Ctrl [UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc [UTILITY] [F5] MIDI [SF3] SYNC SeqCtrl [SONG]/[PATTERN] [F3] TRACK [SF3] OUT SW INT SW, EXT SW [SONG]/[PATTERN] [REC] [F4] RECARP OutputSwitch The INT SW, EXT SW, ad OutputSwich parameters are set for each Sog/Patter. Therefore, whe chagig a Sog/ Patter umber, the parameter values are chaged. Make sure to execute Quick Setup agai after chagig a Sog/Patter. Whe the MIDI Syc parameter is set to "MIDI," you ca oly use the Arpeggio while receivig Timig Clock (MIDI Clock) messages from the exteral sequecer. Keep i mid that some sequecers oly trasmit Timig Clock messages durig playback of the sog file. 1. Whe usig oly the MO LocalCtrl... o MIDI Syc... iteral SeqCtrl... i/out INT SW.... o (all tracks) EXT SW... o (all tracks) OutputSwitch... off 2. Whe recordig a Sog o the MO to a computer/sequecer LocalCtrl...off MIDI Syc...midi SeqCtrl...i INT SW....off (all tracks) EXT SW...o (all tracks) OutputSwitch...off Set the MIDI Thru (MIDI Echo) settig i the sequecer to o. 3. Whe usig the MO as a toe geerator for a computer/sequecer Referece Voice Performace Sog Patter Mixig Voice Utility File Master [F4] CTL ASN (Cotroller Assig) [SF1] ARP (Arpeggio) Switch Determies the Cotrol Chage Number that cotrols o/off status of Arpeggio playback. Settigs: Hold Determies the Cotrol Chage Number that cotrols o/off status of Arpeggio Hold (page 152). [SF2] ASSIGN ASA (Assig A) Dest (Destiatio) ASB (Assig B) Dest (Destiatio) LocalCtrl... off MIDI Syc... iteral SeqCtrl... off INT SW... off (all tracks) EXT SW... o (all tracks) OutputSwitch... off Set the MIDI Thru (MIDI Echo) settig i the sequecer to o. If you wish to sychroize the MO s Arpeggio with the tempo settig o the computer sequecer, set the MIDI Syc parameter to "MIDI." 4. Whe recordig the Arpeggio to a computer/sequecer Settigs: LocalCtrl... o MIDI Syc... MIDI SeqCtrl... i INT SW... o (all tracks) EXT SW... o (all tracks) OutputSwitch... o Set the MIDI Thru (MIDI Echo) settig i the sequecer to off. Whe playig back the sog data icludig the Arpeggio MIDI data, tur the [ARPEGGIO ON/OFF] butto off. You ca assig specific fuctios to the Kob 1 ad 2 (ASSIGN A ad B) whe the [PAN/SEND] ad [TONE] lamps are o. Two parameters are available here. The first (ASA) determies the Cotrol Chage umber geerated by the ASSIGN A kob. The secod, Destiatio (Dest), determies what parameter or aspect of the soud is affected by the kob. Keep i mid that if the same MIDI Cotrol Chage messages as set here are received from a exteral device, the iteral toe geerator also respods to those messages. Settigs: Refer to the separate Data List booklet. Two parameters are available here. The first (ASB) determies the Cotrol Chage umber geerated by the ASSIGN B kob. The secod, Destiatio (Dest), determies what parameter or aspect of the soud is affected by the kob. Keep i mid that if the same MIDI Cotrol Chage messages as set here are received from a exteral device, the iteral toe geerator also respods to those messages. Settigs: Refer to the separate Data List booklet. 208 Ower s Maual

209 Utility [SF3] FT SW (Footswitch) FSAssig (Footswitch Assig) [SF4] REMOTE [SF5] MEF (Master Effect) Kob1 Kob4 From this display you ca determie the Cotrol Chage umber geerated by usig the Footswitch coected to the FOOT SWITCH jack. Keep i mid that if the same MIDI Cotrol Chage messages set here are received from a exteral device, the iteral toe geerator also respods to those messages as if the Footswitch of the istrumet was used. Settigs: (000, 032: off, 096: Arpeggio Switch, 097: Arpeggio Hold, 098: playback start/stop i the Sequece Play, 099/100: Program Chage INC/DEC 101: Octave Rest) Two differet computer software cotrol s ca be selected here, as well as the respective MIDI port settigs for cotrol. Whe you ve made the desired settigs, press the [ENTER] butto to actually call up the preset cotrol templates for the software. For details, refer to the Quick Guide o page 113. From this display you ca set the parameters related to the Master Effect Cotrol slider operatios. (Press both the [ARP FX] ad [EQ] buttos so that their lamps light.) Assigs a parameter of the Master Effect to each Kob. Available parameters differ depedig o the selected Master Effect type. [F5] MIDI [SF1] CH (Chael) From this display you ca make basic MIDI settigs. BasicRcvCh (Basic Receive Chael) Determies the MIDI receive chael whe this sythesizer is set to sigle-timbre toe geerator (Voice/ Performace s). Settigs: 1 16, omi (all chaels), off I the multi-timbral toe geerator (Sog ad Patter s), each Part receives MIDI data accordig to its assiged MIDI receive chael ([SONG] or [PATTERN] [MIXING] [EDIT] Part selectio [F1] VOICE [SF2] MODE ReceiveCh). KBDTrasCh (Keyboard Trasmit Chael) Determies the MIDI chael over which the istrumet seds MIDI data (to a exteral sequecer, toe geerator, or other device). This parameter is available i the sigle-timbre toe geerator (Voice/ Performace s). Settigs: 1 16, off DeviceNo. (Device Number) I the multi-timbral toe geerator (Sog ad Patter s), MIDI data geerated by playig the keyboard (ad its cotrollers) is set to the iteral toe geerator ad exteral devices via the MIDI output chael, which correspods to the selected Part umber. Determies the device umber used by this sythesizer i receivig or trasmittig data. This umber must match the Device Number of the exteral MIDI device whe trasmittig/receivig bulk data, parameter chages or other system exclusive messages. Settigs: 1 16, all, off Voice [SF2] SWITCH BakSel PgmChage (Program Chage) CtrlChage (Cotrol Chage ) LocalCtrl (Local Cotrol O/Off) RcvBulk (Receive Bulk) This switch eables or disables Bak Select messages, both i trasmissio ad receptio. Whe this is set to o, this sythesizer respods to icomig Bak Select messages, ad it also trasmits appropriate Bak Select messages (whe usig the pael). Settigs: off, o This switch eables or disables Program Chage messages, both i trasmissio ad receptio. Whe this is set to o, this sythesizer respods to icomig Program Chage messages, ad it also trasmits appropriate Program Chage messages (whe usig the pael). Settigs: off, o Determies how this sythesizer receives ad recogizes the AEG Sustai MIDI message. Whe set to 1, it is received as a Parameter Chage. Whe set to 2, it is received as a Cotrol Chage message. Settigs: 1, 2 This determies whether or ot the toe geerator of the istrumet respods to your keyboard playig. Normally, this should be set to o sice you ll wat to hear the soud of the MO as you play it. However, for exteral sequecer applicatios, you may eed to set this to off to avoid gettig double otes, i which the toe geerator of the istrumet is played twice oce by the keyboard ad oce agai by the keyboard data routed through the sequecer. Eve if this is set to off, the data will be trasmitted via MIDI. Also, the iteral toe geerator block will respod to messages received via MIDI. Settigs: off, o Determies whether or ot Bulk Dump data ca be received. Settigs: protect (ot received), o (received) Performace Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 209

210 Utility Job [SF3] SYNC (Sychroizatio) MIDI Syc ClockOut SeqCtrl (Sequecer Cotrol) From this display you ca set various parameters related to MIDI clock ad sychroizatio. Determies whether Sog/Patter/Arpeggio playback will be sychroized to the istrumet s iteral clock or a exteral MIDI clock. Settigs: iteral, MIDI, MTC iteral...sychroizatio to iteral clock. Use this settig whe this sythesizer is to be used aloe or as the master clock source for other equipmet. MIDI...Sychroizatio to a MIDI clock received from a exteral MIDI istrumet via MIDI. MTC (MIDI Time Code)...Sychroizatio to a MTC sigal received via MIDI. MMC sigals are trasmitted via MIDI. Use this settig whe this sythesizer is to be used as a MIDI slave, such as whe sychroized to a MTCcapable MTR. The MTC Syc fuctio is available oly i the Sog. Please keep i mid that the sog or patter will ot start eve if you press the [F] (Play) butto whe the MIDI Syc is set to other tha iteral. MTC (MIDI Time Code) allows simultaeous sychroizatio of multiple audio devices via stadard MIDI cables. It icludes data correspodig to hours, miutes, secods, ad frames. This sythesizer does ot trasmit MTC. A device such as the Yamaha AW2400 is ecessary i order to use this sythesizer as a MTC master. MMC (MIDI Machie Cotrol) allows remote cotrol of multitrack recorders, MIDI sequecers, etc. A MMC-compatible multitrack recorder, for example, will automatically respod to start, stop, fast forward, ad fast reverse operatios performed o the cotrollig sequecer, thus keepig playback of the sequecer ad multitrack recorder aliged. Determies whether MIDI clock (F8) messages will be trasmitted via MIDI. Settigs: o (trasmitted), off Determies whether Sequecer Cotrol sigals start, cotiue, stop, ad sog positio poiter will be received ad/or trasmitted via MIDI. Settigs: off, i, out, i/out off...not trasmitted/recogized. i...recogized but ot trasmitted. out...trasmitted but ot recogized. i/out...trasmitted/recogized. Referece Voice Performace Sog Patter Mixig Voice Utility File Master MTC StartOffset [SF4] OTHER MIDI IN/OUT ThruPort (Through Port) BulkIterval (Bulk Iterval) Utility Job I this Mode, you ca restore this sythesizer s User memory (page 149) to the factory default settigs (Factory Set). For details, see page 26. Supplemetary Settig the default display whe turig the power o Determies the specific time code poit from which sequece playback starts, whe MTC is received. This feature ca be used to accurately alig playback of this sythesizer with a exteral MTC-compatible device. Settigs: Hour : Miute : Secod : Frame Hour Miute Secod Frame Determies which physical output termial(s) will be used for trasmittig/receivig MIDI data: MIDI IN/OUT or USB. Settigs: MIDI, USB Two types of termials above caot be used at the same time. May computer sequecers are capable of trasmittig data over several MIDI ports, effectively breakig the 16-chael barrier. Whe usig the USB termial for MIDI trasmissio/receptio, you ca have this sythesizer respod to MIDI data over oe port, while relayig the data for aother port umber (you ca set here) to a separate toe geerator (coected to the MIDI OUT termial). I this way, 16 chaels of data ca be played o this sythesizer ad aother 16 ca be played o the coected MIDI device. Settigs: 1 8 Determies a iterval time for trasmittig the bulk data, whe usig the Bulk Dump fuctio o the MO (page 148) or receivig Bulk Request messages from a exteral device. [UTILITY] [JOB] [UTILITY] [F1] GENERAL [SF4] OTHER PowerOMode 1 Eter the desired ad the program umber you wish to call up first whe turig the power o. 2 Press the [ENTER] butto while holdig the [STORE] butto to register the ad program umber set i step 1. 3 Set the PowerOMode parameter to last i the [UTILITY] [F1] GENERAL [SF4] OTHER display. 4 Press the [STORE] butto to store the Utility settig made i step 3 above. 5 Tur the power off ad tur the power o agai to call up the /program umber set i step 2 to the display. 210 Ower s Maual

211 File File The File provides tools for trasferrig data betwee the istrumet ad USB storage device. For details about USB storage devices, see page 31. For details about the relatioship betwee the data created o this sythesizer ad the files for savig, see page 149. File [FILE] For iformatio o how to select a file/folder ad how to create a ew folder, see page 213. [F1] CONFIG [SF1] CURRENT USB Device FSlot Status FFree FTotal [SF2] FORMAT From this display you ca set the parameters about the curretly recogized USB storage device. Select the partitio i the device. You ca trasfer files betwee the partitio i the slot selected below ad this istrumet. If usig a USB storage device compatible with multiple media, select the slot umber. The desired partitio ca be selected i the right box. Idicates the status of the storage device recogized by this sythesizer. Idicates the amout of uused (free) memory o the curret device. Idicates the amout of total memory o the curret device. Before you ca use a ew USB storage device with this sythesizer, you will eed to format it. Use this operatio to format the USB storage device ad assig a Volume Label to it. For istructios o formattig, see page 213. Slot Type Volume Label Selects a slot to be accessed whe the coected USB storage device supports multiple media. Settigs: 1 8 Specifies the partitio to be formatted. Settigs: all, partitio1 4 Names the Volume Label. For istructios o amig, refer to page 38 i the Basic Operatio sectio. Voice [F2] SAVE File/Folder ame File/Folder selectio box This operatio lets you save files to a USB storage device. For istructios o savig files of the various data types, refer to the followig pages: page 60 (Voices), page 67 (Performaces), page 99 (Sogs ad Patters). Performace TYPE [SF1] EXEC [SF2] SETNAME [F6] NEW [F3] LOAD TYPE [SF1] EXEC Press the [F6] NEW butto to create a ew folder. Amog the various types of data created o this sythesizer, you ca save all of them or oly a specific type of data to a sigle file. This parameter determies which specific type of data will be saved to a sigle file. Settigs: Refer to Supplemetary iformatio o page 214. Executes savig of the file ito the selected folder. Curretly selected folder (directly) File/Folder selectio box The [ENTER] butto o the pael is used to call up the cotets of the selected folder. Copies the file/folder ame selected i the File/Folder selectio box ito the File ame colum. Creates a ew folder i the curret folder. This operatio lets you load files from a USB device to this sythesizer. You ca also perform o the keyboard while playig backig parts from a SMF file cotaied i the USB storage device. See page 213. Amog the various types of data saved i a sigle file o a USB storage device, you ca load all of them or oly a specific type of data to this sythesizer. This parameter determies which specific type of data will be loaded from a sigle file. Settigs: Refer to Supplemetary iformatio o page 214. Executes loadig of the file. The [ENTER] butto o the pael is used to call up the cotets of the selected folder. Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 211

212 File [F4] RENAME Select the desired file type. Select the file/folder to be reamed. From this display you ca reame files or folders i the selected USB storage device, usig up to eight alphabetic ad umeric characters. Files are amed accordig to the MS-DOS amig covetio. If the file ame cotais spaces ad other characters urecogized i MSDOS, these characters will automatically be replaced by _ (uderscore) characters whe savig. Reame the selected file/folder here. [SF1] EXEC [SF2] SETNAME [F6] NEW Executes reamig of the file. The [ENTER] butto o the pael is used to call up the cotets of the selected folder. Copies the file/folder ame selected i the File/Folder selectio box ito the File ame colum. Creates a ew folder withi the curret folder. [F5] DELETE Select the desired file type. From this display you ca delete files/folders from the selected USB storage device. Select the desired file or folder as show below, the press the [SF1] EXEC butto. Whe you wish to delete a folder, delete all the files ad folders cotaied i the folder beforehad. Please keep i mid that oly folders that cotai o files or other ested folders ca be deleted. Select the file or folder to be deleted. Voice Performace Sog Patter Mixig Voice Utility File Master Referece 212 Ower s Maual

213 Supplemetary ifomatio Supplemetary iformatio File ( )/Folder ( ) selectio The istructios ad illustratios below show you how to select files ad folders o the USB storage devices withi the File. Move the cursor to the desired file or folder by usig the [INC/YES] ad [DEC/NO] buttos or the data dial. Formattig a USB storage device Before you ca use a ew USB storage device with this sythesizer, you will eed to format it. Follow the istructios below. CAUTION If data is already saved o the USB storage device, be careful ot to format it. If you format the USB storage device, all the previously recorded data will be deleted. To retur to the ext highest level, press the [EXIT] butto. To call up the cotets of a desired folder, highlight the folder ad press the [ENTER] butto. 1 Coect a USB storage device to the USB TO DEVICE coector. If ecessary, isert the proper media ito the slot of the USB storage device. 2 Press the [FILE] to eter the File. Move the cursor to the desired file or folder by usig the [INC/YES] ad [DEC/NO] buttos or the data dial. 3 Press the [F1] CONFIG butto, the [SF2] FORMAT butto to call up the Format display. Playig back the SMF (Stadard MIDI file) from the USB storage device I the File, you ca play back directly the SMF file saved i the USB storage device. This is useful if you are playig a keyboard with the accompaimet of SMF file. 1 Coect the USB storage icludig the SMF file device to this istrumet. 2 Eter the Sog or Patter, the select the Sog or Patter which has desired the Mixig settigs. 3 Press the [FILE] butto to eter the File. 4 Press the [F3] LOAD butto. 5 Move the cursor to the TYPE, the select the Sog or Patter. 6 Select the SMF file. 7 Press the [F6] F (Play) butto to play back the SMF file with the Mixig settigs of curretly selected Sog or Patter. Press the J (Stop) butto agai to stop the playback. 8 Try playig the keyboard alog with the accompaimet of the SMF file. To select the Track for keyboard performace, tur the [TRACK SELECT] butto o, the press the ay of Number [1] [16] buttos. Also, you ca cotrol the soud of each Part by usig the Kobs ad Cotrol sliders as the Sog ad Patter. 4 Select the slot ad partitio to be formatted. Specify the slot umber at the right top of the display as ecessary ad select the partitio to be formatted at the Type value locatio i the secod lie of the display. 5 Set the Volume Label. Move the cursor to the Volume Label ad iput a Volume Label. For istructios o amig, refer to page 38 i the Basic Operatio sectio. 6 Press the [ENTER] butto. (The display prompts you for cofirmatio.) Press the [DEC/NO] butto to cacel the Format operatio. 7 Press the [INC/YES] butto to execute the Format. After formattig has bee completed, a Completed message appears ad operatio returs to the origial display. CAUTION While formattig is i process, make sure to follow these precautios: Never remove or eject the media from the device (USB storage). Never uplug or discoect ay of the devices. Never tur off the power of the MO or the relevat devices. By executig the Format operatio i the File, the USB storage device will be formatted to MS-DOS or Widows format. The formatted USB storage device may ot be compatible with other devices such as a Macitosh computer or digital camera. Voice Performace Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 213

214 Supplemetary ifomatio File types that ca be hadled by the MO File types that ca be saved from the istrumet to the USB storage device [FILE] [F2] SAVE TYPE TYPE File extesio* Descriptio All.M7A All data i this sythesizer s iteral User Memory (Flash ROM) is treated as a sigle file, ad ca be saved to the USB storage device. AllVoice.W7V All the User Voice data i this sythesizer s iteral User Memory (Flash ROM) is treated as a sigle file, ad ca be saved to the USB storage device. However, the Mixig Voices are ot saved. UserARP.W7G All the User Arpeggio data i this sythesizer s iteral User Memory (Flash ROM) is treated as a sigle file, ad ca be saved to the USB storage device. AllSog.W7S All the User Sog data i this sythesizer s iteral User Memory (DRAM) is treated as a sigle file, ad ca be saved to the USB storage device. AllPatter.W7P All the User Patter data i this sythesizer s iteral User Memory (DRAM) is treated as a sigle file, ad ca be saved to the USB storage device. SMF.MID Sequece track (1 16) ad Tempo track data of Sogs or Patters created i the Sog/Patter ca be saved to the USB storage device as Stadard MIDI File (format 0) data. Voice Editor.W7E All the User Voice data stored o User Baks (Flash ROM) is hadled as a sigle file ad saved to the USB storage device. The saved file ca be loaded to the MO6/MO8 Voice Editor (page 112) o your computer. * Assiged to the file which ca be saved. File types that ca be loaded from USB storage device to the istrumet [FILE] [F3] LOAD TYPE Referece Voice Performace Sog Patter Mixig Voice Utility File Master TYPE File extesio* Descriptio All.M7A Files of the All type saved to USB storage device ca be loaded ad restored to the istrumet. Whe the box at the left of without System is checkmarked, oly the Utility settigs will ot be loaded. AllVoice.W7V Files of the All Voice type saved to USB storage device ca be loaded ad restored to the istrumet. Voice * Assiged to the file which ca be loaded..m7a.w7v A specified voice i a file that is saved to the USB storage device as All or All Voice type ca be idividually selected ad loaded to the istrumet. Please ote that the file icos of M7A ad W7V are chaged to (as virtual folders) whe this file type is selected (Quick Guide o page 62). Performace.M7A A specified performace i a file that is saved to the USB storage device as All type ca be idividually selected ad loaded to the istrumet. Please ote that the file ico of M7A is chaged to (as a virtual folder) whe this file type is selected (Quick Guide o page 68). UserARP.W7G Files of the UserARP type saved to USB storage device ca be loaded ad restored to the istrumet. AllSog.W7S Files of the All Sog type saved to USB storage device ca be loaded ad restored to the istrumet. Sog.M7A.W7S.MID A specified Sog i a file that is saved to the USB storage device as All or All Sog type ca be idividually selected ad loaded to the istrumet. Please ote that the file icos of M7A ad W7S are chaged to (as virtual folders) whe this file type is selected (Quick Guide o page 101). I additio, selectig this file type lets you load the Stadard MIDI file (format 0, 1) to a specific Sog. AllPatter.W7P Files of the All Patter type saved to USB storage device ca be loaded ad restored to the istrumet. Patter.M7A A specified Sog i a file that is saved to the USB storage device as All or All Patter type ca be idividually selected.w7p ad loaded to the istrumet. Please ote that the file icos of M7A ad W7P are chaged to (as virtual folders).mid whe this file type is selected (Quick Guide o page 101). I additio, selectig this file type lets you load the Stadard MIDI file (format 0, 1) to a specific sectio of a Patter. Voice Editor.W7E The Voice data edited via the MO6/MO8 Voice Editor o your computer ca be loaded to the istrumet. The All Voice, UserARP, All Sog, All Patter, ad Voice Editor files usig the MOTIF ES ca be loaded to the MO. These file extesios are same as the MO. The All (.W2A), All Voice (.W2V), ad Voice Editor (.W2E) files usig the MOTIF also ca be loaded to the MO as the file types below. File Type All Voice Voice Voice Editor File extesio.w2v.w2a,.w2v.w2e Keep i mid that the Voices may ot produce the exact same soud as those o the origial istrumet, sice the cotets of the preset Waveforms ad the Effect structure are differet betwee the two istrumet series. 214 Ower s Maual

215 Master Play Master Master Play [MASTER] Master selectio The Master Play lets you perform a variety of geeral editig operatios o the selected Master. For more detailed ad comprehesive editig operatios, use the Master Edit. Edited parameters with the exceptio of some parameters are stored to iteral Flash ROM as a User Master. [F1] PLAY OCT (Octave) ASA (ASSIGN A), ASB (ASSIGN B) Idicates Keyboard Octave settig set via the [OCTAVE] buttos. This ca be chaged also with the followig operatio: [UTILITY] [F1] GENERAL [SF2] KBD Octave. Idicates the fuctios assiged to the respective Kobs (prited ASSIGN A ad ASSIGN B ) whe the lamps of both the [PAN/SEND] ad [TONE] buttos are tured o. The fuctios are assiged from the [UTILITY] [F4] CTL ASN [SF2] ASSIGN display. OCT (Octave), ASA (ASSIGN A), ad ASB (ASSIGN B) settigs are ot idepedetly assigable for each Master. Because of this, these are ot stored as a idividual Master i the Master Store (page 218). AS1 (ASSIGN 1), AS2 (ASSIGN 2) [SF1] ARP1 (Arpeggio 1) [SF5] ARP5 (Arpeggio 5) Idicates the values obtaied by cotrollig the respective Kobs (prited ASSIGN 1 ad ASSIGN 2 ) whe the lamps of both the [PAN/SEND] ad [TONE] buttos are tured o. The fuctios assiged to these kobs deped o the settig of the Voice selected as a Master program. You ca call up the Arpeggio types by pressig these buttos to which the Arpeggio types are assiged. The Arpeggio type assiged to each butto depeds o the program (Voice, Performace, Sog, Patter) selected as a Master. [F2] MEMORY From this display you ca set basic parameters for the Master, icludig the that is called up with the Master ad the program umber. Mode Memory Determies the that is called up whe the Master umber is selected. Settigs: Voice, Performace, Patter, Sog Determies the Program umber that is called up whe the Master is selected. Settigs: Whe the Mode is set to Voice: Select a Voice bak ad umber. Whe the Mode is set to Performace: Select a Performace bak ad umber. Whe the Mode is set to Patter: Select a Patter ad sectio. Whe the Mode is set to Sog: Select a Sog umber. Voice Performace ZoeSwitch Determies whether the Zoe fuctio is used (o) or ot (off). See page 123 for details about the Zoe fuctio. Whe the Mode is set to Voice or Performace ad the Zoe Switch is tured o, oly Zoe 1 ca be used i the default settig (playig Zoes 2-4 will produce o soud). You ca use these Zoes by settig various parameters i the Master Edit. Sog Master File Utility Mixig Voice Patter Referece Ower s Maual 215

216 Master Edit Commo Edit Master Edit [MASTER] Master selectio [EDIT] The Master Edit is divided ito Commo Edit, for settig parameters commo to all four Zoes, ad Zoe Edit, for settig parameters of idividual Zoes. Whe Zoe Switch is set to o i the [F2] MEMORY display i the Master Play, oly the Commo Edit is available. Commo Edit [MASTER] Master selectio [EDIT] [COMMON] These parameters are for makig global (or commo) edits to all four Zoes of the selected Master. [F1] NAME From this display you ca create a ame for the Master. For istructios o amig, refer to page 38 i the Basic Operatio sectio. [F2] OTHER Kob/Slider From this display you ca set which row of Kob/Slider fuctios will be lit ad selected. Settigs: pa... Selectig the Master lights the [PAN/SEND] lamp, for cotrol over the Pa/Sed row. toe... Selectig the Master lights the [TONE] lamp, for cotrol over the Toe row. assig... Selectig the Master lights the [PAN/SEND] ad [TONE] lamps, for cotrol over the Assig row. MEQofs or parteq... Selectig the Master lights the [EQ] lamp, for cotrol over the EQ row. Whe the Mode is set to Voice, MEQofs is available. Whe the Mode is set to Performace, Sog, or Patter, parteq is available. MEF... Selectig the Master lights the [ARP FX] ad [EQ] lamps, for cotrol over the Master Effects row. arpfx... Selectig the Master lights the [ARP FX] lamp, for cotrol over the Arpeggio FX row. zoe... Selectig the Master lights o lamp ad automatically calls up the Kob/Slider fuctios specifically set for each respective Zoe (page 126). This is available oly whe the Zoe Switch is set to o i the [F2] MEMORY display i the Master Play. Referece Voice Performace Sog Patter Mixig Voice Utility File Master Zoe Edit [MASTER] Master selectio [EDIT] Zoe selectio These parameters are for editig the idividual Zoes that make up a Master. Zoe Edit is available oly whe the Zoe Switch is tured o i the [F2] MEMORY display i the Master Play. [F1] TRANS (Trasmit) From this display you ca set how each Zoe trasmits MIDI messages whe you play the keyboard. TrasCh (Trasmit Chael) TGSwitch (Toe Geerator Switch) MIDISwitch [F2] NOTE Determies the MIDI Trasmit Chael for each Zoe. Settigs: 1 16 Determies whether or ot MIDI data for each Zoe is trasmitted to the iteral toe geerator. Settigs: o, off Determies whether or ot MIDI data for each Zoe is trasmitted to a exteral MIDI device. Settigs: o, off From this display you ca set the pitch- ad keyboard-related parameters for each Zoe allowig you to set up Zoe splits ad determie the pitch rage for each Zoe. Octave Traspose NoteLimitH, L (High, Low) Determies the amout i octaves by which the rage of the Zoe is shifted up or dow. Settigs: -3 0 (Default) +3 Determies the amout i semitoes by which the rage of the Zoe is shifted up or dow. Settigs: (Default) +11 Determies the lowest ad highest otes of the rage for each Zoe. The selected Zoe will soud oly whe you play otes withi this rage. Settigs: C -2 G8 You ca also set the rage directly from the keyboard, by holdig dow the [INFORMATION] butto ad pressig the desired low ad high keys. 216 Ower s Maual

217 Master Edit Zoe Edit [F3] TX SW (Trasmit Switch) From this display you ca set how the playig of each idividual Zoe affects trasmissio of various MIDI messages, such as Cotrol Chage ad Program Chage messages. Whe the relevat parameter is set to o, playig the selected Zoe will trasmit the correspodig MIDI messages. Note that two differet display types are provided (see below). Each display type features the same settigs i a differet format; use the type you feel most comfortable with. Display showig four Zoes Display showig all parameters for oe Zoe Keep i mid that sice all the available parameters caot be simultaeously displayed i the four-zoe display, you will eed to use the cursor cotrols to scroll the display i order to see ad set the other parameters. Settigs: Bak (TG) PC (TG) Bak (MIDI) PC (MIDI) PB (Pitch Bed) MW (Modulatio Wheel) Vol (Volume) Pa Slider FC1 (Foot Cotroller1) Determies whether or ot to trasmit Bak Select MSB/LSB messages to the iteral toe geerator. Determies whether or ot to trasmit Program Chage messages to the iteral toe geerator. Determies whether or ot to trasmit Bak Select MSB/LSB messages to the exteral toe geerator via MIDI. Determies whether or ot to trasmit Program Chage messages to the exteral toe geerator via MIDI. Determies whether or ot to trasmit Pitch Bed messages to the iteral ad exteral toe geerator. Determies whether or ot to trasmit MIDI messages geerated by usig the Modulatio Wheel to the iteral ad exteral toe geerator. Determies whether or ot to trasmit Volume messages to the iteral ad exteral toe geerator. Determies whether or ot to trasmit Pa messages to the iteral ad exteral toe geerator. Determies whether or ot to trasmit MIDI messages geerated by usig the Sliders to the iteral ad exteral toe geerator. Determies whether or ot to trasmit MIDI messages geerated by pressig the optioal Foot Cotroller to the iteral ad exteral toe geerator. FS (Footswitch) Kob [F4] PRESET Determies whether or ot to trasmit MIDI messages geerated by pressig the Footswitch coected to the FOOT SWITCH jack to the iteral ad exteral toe geerator. Determies whether or ot to trasmit MIDI messages geerated by usig the Kobs to the iteral ad exteral toe geerator. From this display you ca make the Voice-related settigs for each Zoe, i the selected Master program umber. I this way, selectig a differet Master automatically calls up a completely differet set of Voices ad Voice-related settigs for the four Zoes. Usig the [F6] SEND butto, you ca select whether the settigs i PRESET display are immediately applied or ot. If the [F6] SEND butto is tured o ( ), each MIDI messages will be output from the MO as soo as you chaged each parameter i this display. If the [F6] SEND butto is tured off ( ), each MIDI messages will be output from the MO after you store the edited Master ad the select the Master agai. However, the parameters set to off i the [F1] TRANS or [F3]TX SW display caot be output. Voice Performace Sog BakMSB, BakLSB, PgmChage (Program Chage) Volume Pa [F5] KN/CS (Kob/Cotrol Slider) Determies the Voice assigmet for each Zoe i the selected Master. Settigs: Refer to the Voice List i the separate Data List booklet. Determies the output level of the Voice i each Zoe. Settigs: Determies the stereo pa positio of the Voice i each Zoe. Settigs: L64 (Left) C (Ceter) R63 (Right) From this display you ca determie which Cotrol Chage umbers are used for the Kobs ad Sliders for each Zoe. These settigs are available oly whe the Kob/Slider parameter (i the [F2] OTHER display i Commo Edit) is set to zoe. Settigs: off, 1 95 Master File Utility Mixig Voice Patter Referece Ower s Maual 217

218 Master Job Zoe Edit Master Job [MASTER] [JOB] The Master Job cotais two coveiet operatios (called Jobs ) oe lettig you iitialize (reset) the Master data, ad the other lettig you trasmit your edited Master data to a exteral MIDI device or computer. After settig parameters as required from the selected display, press the [ENTER] butto to execute the Job. [F1] INIT (Iitialize) This fuctio lets you reset (iitialize) all Master parameters to their default settigs. It also allows you to selectively iitialize certai parameters, such as Commo settigs, settigs for each Zoe, ad so o very useful whe creatig a completely ew Master from scratch. Parameter Types (for Iitializig): All, Commo, Zoe ALL Commo Zoe Split 4Zoe Layer All settigs for the selected Master are iitialized. Commo parameter settigs for the selected Master are iitialized. You ca iitialize the Zoe settig to oe of the followig three types. Splits the keyboard rage usig Zoe 1 ad Zoe 2. UpperCh determies the MIDI trasmit chael of the upper rage of the keyboard, LowerCh determies the MIDI trasmit chael of the lower rage of the keyboard, ad SplitPoit determies the ote (C2 G8) umber which separates the upper rage ad lower rage of the keyboard. Iitializes all four Zoes. Lets you layer two parts usig Zoe 1 ad Zoe 2. UpperCh ad LowerCh determie the MIDI trasmit chaels of the two Zoes respectively. [F4] BULK (Bulk Dump) This fuctio lets you sed all your edited parameter settigs for the curretly selected Master to a computer or aother MIDI device for data archivig. For details, page 148. I order to execute Bulk Dump, you ll eed to set the correct MIDI Device Number, with the followig operatio: [UTILITY] [F5] MIDI [SF1] CH DeviceNo. Voice Performace Master Store This fuctio lets you store your edited Master to User memory (Flash ROM). For details, refer to page 123 i the Quick Guide sectio. [MASTER] Master selectio [STORE] Sog Patter Mixig Voice Utility File Master Referece 218 Ower s Maual

219 Appedix Iformatio Displays Iformatio Displays The coveiet Iformatio displays let you see at-a-glace some of the more importat settigs relevat to each. Select the desired, the press the [INFORMATION] butto to call up the Iformatio display for that. To exit from the display, press the butto agai (or ay other pael butto). Voice Sog Sog Play Bak Idicates the MSB/LSB (page 224) of the curretly selected Voice bak. EL 1234 Idicates the curretly selected Voice, o/off status of the four Elemets ad moo/poly (page 151) status. Porta (Portameto) Idicates the Portameto switch o/off status of the curretly selected Voice. PB (Pitch Bed) Idicates the Upper/Lower settig of the Pitch Bed rage. IsA (Isertio A), IsB (Isertio B), Rev (Reverb), Cho (Chorus) Idicates the curretly selected effect type for each effect block (page 140). Idicates the amout of curretly uused (available) memory (DRAM) for sog recordig. Sog Mixig Is (Isertio) Idicates the Part umber to which the Isertio effect is applied. Rev (Reverb), Cho (Chorus) Idicates the curretly selected effect type for each effect block (page 140). Mixig Voice Edit Performace Bak Idicates the MSB/LSB (page 224) of the curretly selected Voice bak. Bak Idicates the MSB/LSB (page 224) of the curretly selected Performace bak. Is (Isertio) Idicates the Part umber to which the Isertio effect is applied. Rev (Reverb), Cho (Chorus) Idicates the curretly selected effect type for each effect block (page 140). EL 1234 Idicates the curretly selected Voice, ad the o/off status of the four Elemets. IsA (Isertio A), IsB (Isertio B) Idicates the curretly selected effect type for each effect block. Used Mix Voice Curret Idicates the umber of Parts usig the Mixig Voices i the curretly selected Sog. Total Idicates the total umber of Parts usig the Mixig Voices i all the Sogs ad Patters. Appedix Ower s Maual 219

220 Iformatio Displays Patter Patter Play File Idicates the amout of curretly uused (available) memory (DRAM) for Patter Phrase recordig. Patter Mixig Same as i the Sog Mixig. Mixig Voice Edit Same as i the Sog Mixig Voice Edit. Utility USB Free Idicates the amout of curretly available (uused) memory of the coected USB storage device. Slot, Volume Label Idicates the slot umber ad volume label of USB storage device's directory used i the File. Curret Dir (Curret Directory) Idicates the curretly selected directory. Master MIDI IN/OUT Idicates which physical output termial(s) will be used for trasmittig/receivig MIDI data. Auto Load This is available oly whe the [SF4] OTHER display is selected from [F1] GENERAL. Mode Idicates the ad program umber memorized to the curretly selected Master. ZoeSwitch Idicates the o/off status of the Zoe switch. ZoeTCH (Zoe Trasmit Chael) Idicates the MIDI trasmit chael of each Zoe (whe the Zoe Switch is set to o). Idicates the slot umber ad volume label of the directory of the USB storage device specified i the Auto Load fuctio. Remote Cotrol Quick Setup For details, see page 117. Idicates the parameter values/settigs before ad after the Quick Setup fuctio is used. For details o Quick Setup, see page 208. Appedix 220 Ower s Maual

221 Display Messages Display Messages LCD Idicatio Explaatio Are you sure? [YES]/[NO] Cofirms whether you wat to execute a specified operatio or ot. Press [INC/YES] or [DEC/NO] as required. Arp memory full The iteral memory for Arpeggio data is full, prevetig storig the recorded sequece data as a Arpeggio. Arpeggio type stored The curret Arpeggio type has bee stored to oe of the [SF1] - [SF5] buttos. Bad USB device The USB storage device is uusable. Format the USB storage device ad try agai. Bulk protected. Bulk data was received whe RcvBulk was set to protect. (See page 209.) Ca t make folder. No more directories ca be created below the curret level. Ca t udo OK? [YES]/[NO] Choose user phrase. Completed. Device umber is off. Device umber mismatch. Executig... File already exists. File ot foud. Folder is too deep. Folder ot empty. Illegal check box. Illegal file Illegal file ame. Illegal iput. Illegal measure. Illegal phrase umber. Illegal track umber. Icompatible USB device Meter mismatch MIDI buffer full. MIDI checksum error. MIDI data error. Mixig stored Mixig Voice full No data. No F7 (Ed of Exc.) No respose from USB device Not empty folder Now loadig... (xxxx) Now savig... (xxxx) Now scaig auto loaded files Now workig... Overwrite? [YES]/[NO] Patter legth mismatch. Phrase legth mismatch Phrase umber overflow Please keep power o. Whe certai Sog/Patter Jobs are executed, iteral memory becomes too full for use of the Udo operatio. Press [INC/YES] if this is OK, or [DEC/NO] to abort the operatio. Try agai after erasig uwated Sogs, Patters, or User phrases. You have attempted to record a Patter track to which a preset phrase is assiged. If you wish to use a preset phrase as raw material for Patter recordig, copy it to a User phrase before recordig. The specified load, save, format, or other Job has bee completed. Bulk data caot be trasmitted/received sice the device umber is off. Bulk data caot be trasmitted/received sice the device umbers do t match. A format operatio or Job is beig executed. Please wait. A file havig the same ame as the oe you are about to save already exists. The file of the specified type caot be foud o the USB storage device Directories below this level caot be accessed. You have attempted to delete a folder that cotais data. No check boxes have bee checked i a Sequecer track Job which requires a check box selectio. Check the appropriate check box. The file specified for loadig is uusable by the MO or caot be loaded i the curret. The specified file ame is ivalid. Try eterig a differet ame. A ivalid iput or value has bee specified. Check the iput method or value. A ivalid measure umber has bee specified i the Sog/Patter. Select the measure agai. A ivalid phrase umber has bee specified i the Patter. Select the phrase agai. A ivalid track umber has bee specified i the Sog/Patter. Select the track agai. A USB device which caot be used with the MO has bee coected to the USB TO DEVICE coector. I the Patter Job, the meter (time sigature) of the destiatio Patter is differet from the meter of the source Patter. Failed to process the MIDI data because too much data was received at oe time. A error occurred whe receivig bulk data. A error occurred whe receivig MIDI data. I the Sog/Patter, the Mixig settigs have bee loaded from the file. The Mixig Voice caot be stored because the umber of Voices already stored has exceeded the maximum capacity. Whe a Sog/Patter Job is executed, the selected track or rage cotais o data. Select a appropriate track or rage. I additio, this message appears whe a Job related to a Mixig Voice caot be executed because the specified Mixig Voice is ot available. Exclusive data has bee etered or chaged without the ecessary Ed of Exclusive byte (F7). Make sure F7 is icluded. There is o respose from the USB device coected to the USB TO DEVICE termial. You have attempted to delete a folder that cotais data. Idicates that a file is beig loaded. Idicates that a file is beig saved. Scaig for the files specified for Auto Load. Cacelig the Load/Save operatio by pressig the [EXIT] butto. A save operatio will overwrite data o the USB storage device, ad this message cofirms whether it is OK to cotiue or ot. Press [INC/YES] or [DEC/NO] as required. A Patter Job will result i the legth of a Patter beig greater tha 256 measures. A Patter Job will result i the legth of a phrase beig greater tha 256 measures. The maximum umber of phrases (256) has bee exceeded whe recordig, executig a Patter Job, or editig. The data is beig writte to Flash ROM. Never attempt to tur off the power while data is beig writte to Flash ROM. Turig the power off while this message is show results i loss of all user data ad may cause the system to freeze (due to corruptio of data i the Flash ROM). This may also result i the MO beig uable to properly start up the ext time the power is tured o. Appedix Ower s Maual 221

222 Display Messages Please stop sequecer. Power o stored Read oly file. Receivig MIDI bulk Recordig stopped Scee & Arpeggio type stored Seq memory full. System memory crashed. This performace uses user voices. Too may favorites Too may fixed otes Trasmittig MIDI bulk Ukow file format. USB coectio termiated. Press [ENTER]. USB device coectig USB device full. LCD Idicatio USB device ot ready. USB device read/write error. USB device uformatted. USB device write protected. USB power cosumptio exceeded. USB trasmissio error Utility stored The operatio you ve attempted to execute caot be doe durig Sog/Patter playback. The settig of the program umber automatically selected whe turig the power o has bee stored. You have attempted to delete, reame, or overwrite a read-oly file. The MO is receivig MIDI bulk data. The recordig has bee stopped sice the memory became full. The Sog Scee ad curret Arpeggio type have bee stored to oe of the [SF1] [SF5] buttos. The iteral memory for Sequece data is full, prevetig ay further operatio (such as recordig, editig, Job executio, MIDI receptio/trasmissio, or loadig from the USB storage device). Try agai after erasig uwated Sog, Patter, or User phrase data. Writig data to Flash ROM has failed. The performace you have loaded icludes User voice data. Check whether the voice you saved exists at the appropriate User voice bak. You ve attempted to assig more tha 257 voices to the Favorite category. Whe covertig the sog or patter data to the Arpeggio data, the amout of differet otes i the data to be coverted has exceeded sixtee. The MO is trasmittig MIDI bulk data. File format is ot recogized. A break i the coectio with the USB storage device has occurred because of a abormal electric curret. Discoect the USB storage device from the USB TO DEVICE coector, the press the [ENTER] butto. Recogizig the USB storage device coected to the USB TO DEVICE termial. The USB storage device is full ad o more data ca be saved. Use a ew USB storage device, or make space by erasig uwated data from the USB storage device. A USB storage device is ot properly iserted i or coected to the MO. A error occurred while readig or writig to/from a USB storage device. The disk is ot formatted, or the format is uusable by the MO. The USB storage device is write protected, or you have attempted to write to a read-oly medium such as CD-ROM. The power cosumptio of the USB storage device coected to the USB TO DEVICE coector exceeds the regulated value. A error occurs whe commuicatig with the USB storage device. The settigs i the Utility have bee stored. Explaatio Appedix 222 Ower s Maual

223 About MIDI About MIDI MIDI (Musical Istrumet Digital Iterface) is a stadard which allows electroic musical istrumets to commuicate with each other, by sedig ad receivig compatible Note, Cotrol Chage, Program Chage ad various other types of MIDI data, or messages. This sythesizer ca cotrol other MIDI devices by trasmittig ote related data ad various types of cotroller data. It ca also be cotrolled by icomig MIDI messages which automatically determie the toe geerator, select MIDI chaels, voices ad effects, chage parameter values, ad of course play the voices specified for the various Parts. MIDI chaels MIDI performace data is assiged to oe of sixtee MIDI chaels. Usig these chaels, 1 16, the performace data for sixtee differet istrumet parts ca be simultaeously set over oe MIDI cable. Thik of the MIDI chaels as TV chaels. Each TV statio trasmits its broadcasts over a specific chael. Your home TV set receives may differet programs simultaeously from several TV statios ad you select the appropriate chael to watch the desired program. Weather Report 1 2 News News 2 MIDI operates o the same basic priciple. The trasmittig istrumet seds MIDI data o a specific MIDI chael (MIDI Trasmit Chael) via a sigle MIDI cable to the receivig istrumet. If the receivig istrumet s MIDI chael (MIDI Receive Chael) matches the Trasmit Chael, the receivig istrumet will soud accordig to the data set by the trasmittig istrumet. For iformatio o how to set the MIDI trasmit chael ad the MIDI receive chael, see page 104. MIDI cable MIDI Trasmit chael 2 MIDI Receive chael 2 MIDI chael ad MIDI port MIDI data is assiged to oe of sixtee chaels. However, we ca overcome the sixtee-chael limit by usig separate MIDI ports, each supportig sixtee chaels. For details, see page 107. MIDI Messages Trasmitted/Recogized by this sythesizer MIDI messages ca be divided ito two groups: Chael messages ad System messages. Below is a explaatio of the various types of MIDI messages which this sythesizer ca recogize/trasmit. The messages trasmitted/recogized by this sythesizer are show i the MIDI Data Format ad MIDI Implemetatio Chart of the separate Data List. Some of the followig explaatios are described i a geeral sese, ad ot ecessarily as how they relate to the MO. For details about the behavior of MO whe receivig each MIDI message, refer to the MIDI Data Format ad the MIDI Implemetatio Chart i the separate Data List. Appedix Ower s Maual 223

224 About MIDI CHANNEL MESSAGES Chael messages cotai data related to the performace o the keyboard for the specific chael. Mai Volume (Cotrol #007) Messages which cotrol the volume of each Part. Settig the value to 127 produces maximum volume ad 0 results i volume off. Appedix Note O/Note Off (Key O/Key Off) Messages which are geerated whe the keyboard is played. Receptio ote rage = C-2 (0) G8 (127), C3 = 60 Velocity rage = (Oly the Note O velocity is received) Note O: Geerated whe a key is pressed. Note Off: Geerated whe a key is released. Each message icludes a specific ote umber which correspods to the key which is pressed, plus a velocity value based o how hard the key is struck. Cotrol Chage Cotrol Chage messages let you select a voice bak, cotrol volume, paig, modulatio, portameto time, brightess ad various other cotroller parameters, through specific Cotrol Chage umbers which correspod to each of the various parameters. Bak Select MSB (Cotrol #000) Bak Select LSB (Cotrol #032) Messages which select variatio voice bak umbers by combiig ad sedig the MSB ad LSB from a exteral device. The fuctios of MSB ad LSB messages differ depedig o the toe geerator. MSB umbers select voice type (Normal Voice or Drum Voice), ad LSB umbers select voice baks. (For more iformatio about Baks ad Programs, see Voice List i the separate Data List.) A ew bak selectio will ot become effective util the ext Program Chage message is received. Modulatio (Cotrol #001) Messages which cotrol vibrato depth usig the Modulatio Wheel. Settig the value to 127 produces maximum vibrato ad 0 results i vibrato off. Portameto Time (Cotrol #005) Messages which cotrol the duratio of portameto, or a cotiuous pitch glide betwee successively played otes. Whe the parameter Portameto Switch (Cotrol #065) is set to o, the value set here ca adjust the speed of pitch chage. Settig the value to 127 produces maximum portameto time ad 0 results i miimum portameto time. Data Etry MSB (Cotrol #006) Data Etry LSB (Cotrol #038) Messages which set the value for the parameter specified by RPN MSB/LSB (page 225) ad NRPN MSB/LSB (page 225). Parameter value is determied by combiig the MSB ad LSB. Pa (Cotrol #010) Messages which cotrol the stereo paig positio of each Part (for stereo output). Settig the value to 127 positios the soud to the far right ad 0 positios the soud to the far left. Expressio (Cotrol #011) Messages which cotrol itoatio expressio of each Part durig performace. Settig the value to 127 produces maximum volume ad 0 results i volume off. Hold1 (Cotrol #064) Messages which cotrol sustai o/off. Settig the value betwee turs the sustai o, betwee 0 63 turs the sustai off. Portameto Switch (Cotrol #065) Messages which cotrol portameto o/off. Settig the value betwee turs the portameto o, betwee 0 63 turs the portameto off. Sosteuto (Cotrol #066) Messages which cotrol sosteuto o/off. Holdig specific otes ad the pressig ad holdig the sosteuto pedal will sustai those otes as you play subsequet otes, util the pedal is released. Settig the value betwee turs the sosteuto o, betwee 0 63 turs the sosteuto off. Harmoic Cotet (Cotrol #071) Messages which adjust the filter resoace set for each Part. The value set here is a offset value which will be added to or subtracted from the voice data. Higher values will result i a more characteristic, resoat soud. Depedig o the voice, the effective rage may be arrower tha the rage available for adjustmet. Release Time (Cotrol #072) Messages which adjust the AEG release time set for each Part. The value set here is a offset value which will be added to or subtracted from the voice data. Attack Time (Cotrol #073) Messages which adjust the AEG attack time set for each Part. The value set here is a offset value which will be added to or subtracted from the voice data. Brightess (Cotrol #074) Messages which adjust the filter cutoff frequecy set for each Part. The value set here is a offset value which will be added to or subtracted from the voice data. Lower values result i a softer soud. Depedig o the voice, the effective rage may be arrower tha the rage available for adjustmet. 224 Ower s Maual

225 About MIDI Decay Time (Cotrol #075) Messages which adjust the AEG decay time set for each Part. The value set here is a offset value which will be added to or subtracted from the voice data. Effect1 Depth (Reverb Sed Level) (Cotrol #091) Messages which adjust the sed level for the Reverb effect. Effect3 Depth (Chorus Sed Level) (Cotrol #093) Messages which adjust the sed level for the Chorus effect. Data Icremet (Cotrol #096) Decremet (Cotrol #097) for RPN Messages which icrease or decrease the MSB value of pitch bed sesitivity, fie tue, or coarse tue i steps of 1. You will eed to assig oe of those parameters usig the RPN i the exteral device i advace. The data byte is igored. Whe the maximum value or miimum value is reached, the value will ot be icremeted or decremeted further. (Icremetig the fie tue will ot cause the coarse tue to be icremeted.) NRPN (No-Registered Parameter Number) LSB (Cotrol #098) NRPN (No-Registered Parameter Number) MSB (Cotrol #099) Messages which adjust a voice s vibrato, filter, EG, drum setup or other parameter settigs. First sed the NRPN MSB ad NRPN LSB to specify the parameter which is to be cotrolled. The use Data Etry (page 224) to set the value of the specified parameter. Note that oce the NRPN has bee set for a chael, subsequet data etry will be recogized as the same NRPN s value chage. Therefore, after you use the NRPN, you should set a Null (7FH, 7FH) value to ullify further chages ad prevet uexpected results. RPN (Registered Parameter Number) LSB (Cotrol #100) RPN (Registered Parameter Number) MSB (Cotrol #101) Messages which offset, or add or subtract values from a Part s pitch bed sesitivity, tuig, or other parameter settigs. First sed the RPN MSB ad RPN LSB to specify the parameter which is to be cotrolled. The use Data Icremet/Decremet to set the value of the specified parameter. Note that oce the RPN has bee set for a chael, subsequet data etry will be recogized as the same RPN s value chage. Therefore after you use the RPN, you should set a Null (7FH, 7FH) value to avoid uexpected results. The followig RPN umbers ca be received. RPN MSB RPN LSB PARAMETER Pitch Bed Sesitivity Fie Tue Coarse Tue Chael Mode Messages The followig Chael Mode Messages ca be received. 2d BYTE 3rd BYTE MESSAGE All Souds Off Reset All Cotrollers All Notes Off Moo Poly All Souds Off (Cotrol #120) Clears all souds curretly soudig o the specified chael. However, the status of chael messages such as Note O ad Hold O is maitaied. Reset All Cotrollers (Cotrol #121) The values of the followig cotrollers will be reset to the defaults. CONTROLLER Pitch Bed Chage Aftertouch Polyphoic Aftertouch Modulatio Expressio Hold1 Portameto Sosteuto Soft Pedal Portameto Cotrol RPN NRPN All Notes Off (Cotrol #123) Clears all otes curretly o for the specified chael. However, if Hold1 or Sosteuto is o, otes will cotiue soudig util these are tured off. Moo (Cotrol #126) Performs the same fuctio as whe a All Souds Off message is received, ad if the 3rd byte (moo umber) is i the rage of 0 16, it sets the correspodig chael to Moo Mode (Mode 4: m = 1). Poly (Cotrol #127) Performs the same fuctio as whe a All Souds Off message is received, ad sets the correspodig chael to Poly Mode. Program Chage VALUE 0 (ceter) 0 (off) 0 (off) 0 (off) 127 (max) 0 (off) 0 (off) 0 (off) 0 (off) Cacels the Portameto source key umber Number ot specified; iteral data will ot chage Number ot specified; iteral data will ot chage Messages that determie which voice to select for each Part. With a combiatio of Bak Select, you ca select ot oly basic voice umbers, but also variatio voice bak umbers. For a list of the Voices, see the separate Data List. 7F 7F Null Appedix Ower s Maual 225

226 About MIDI Pitch Bed Pitch Bed messages are cotiuous cotroller messages that allow the pitch of desigated otes to be raised or lowered by a specified amout over a specified duratio. Chael Aftertouch Messages which let you cotrol the souds by the pressure you apply to the keys after the iitial strikig of the keys, over the etire chael. This sythesizer does ot trasmit this data from the keyboard; however, this sythesizer does properly respod to this data whe received from a exteral device. Polyphoic Aftertouch Messages which let you cotrol the souds by the pressure you apply to the keys after the iitial strikig of the keys, for each idividual key. This sythesizer does ot trasmit this data from the keyboard; however, the data is trasmitted from the iteral sequecer. SYSTEM MESSAGES Timig Clock (F8H) This message is trasmitted with a fixed iterval (24 times per 1/4 ote) to sychroize coected MIDI istrumets. You ca select whether the sequecer block uses the iteral Timig Clock, or exteral Timig Clock messages received via MIDI IN by settig the MIDI Syc parameter: [UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc. Start (FAH) This message lets the MIDI sequece data start playig back from the begiig. This message will be trasmitted whe pressig the [F] (Play) butto at the top of the Sog or Patter. Cotiue (FBH) This message lets the MIDI sequece data start playig back from the curret sog positio. This message will be trasmitted whe pressig the [F] (Play) butto at the middle of the Sog or Patter. Stop (FCH) This message causes MIDI sequece data (sog) to stop playig back. This message will be trasmitted whe pressig the [ ] (Stop) butto durig playback. System messages are the data related to the overall system of the device. You ca select whether this sythesizer will trasmit Timig Clock, Start, Cotiue, ad Stop messages by settig the SeqCtrl parameter: [UTILITY] [F5] MIDI [SF3] SYNC SeqCtrl. System Exclusive Messages System Exclusive messages cotrol various fuctios of this sythesizer, icludig master volume ad master tuig, toe geerator, effect type ad various other parameters. System Commo Message System Commo messages also cotrol the sequecer, icludig Sog Select ad Sog Positio Poiter messages. Geeral MIDI (GM) System O (Sog /Patter oly) Whe Geeral MIDI system o is received, the MO will receive the MIDI messages which are compatible with GM System Level 1, ad cosequetly will ot receive NRPN ad Bak Select messages. F0 7E 7F F7 (Hexadecimal) Make sure that the iterval betwee this message ad the first ote data of the sog is at least a quarter ote or greater i legth. Master Volume Whe received, the Volume MSB will be effective for the System Parameter. F0 7F 7F ll mm F7 (Hexadecimal) * mm (MSB) = appropriate volume value, ll (LSB) = igored System Realtime Messages These messages cotrol the sequecer, that is to say Sog ad Patter. Appedix Active Sesig (FEH) Oce FEH (Active Sesig) has bee received, if o MIDI data is subsequetly received for loger tha a iterval of approximately 300 msec, the MO will perform the same fuctio as whe All Souds Off, All Notes Off, ad Reset All Cotrollers messages are received, ad will the retur to a status i which FEH is ot moitored. 226 Ower s Maual

227 Troubleshootig Troubleshootig If you hear o soud or a strage soud, first check the items described below ad take appropriate actio. You may be able to solve the problem by resettig the istrumet to the factory settigs (page 26). (Make sure to back up ay importat data to a exteral device first.) If the problem persists, cosult your Yamaha dealer. No soud comes from the speakers. Are all four Cotrol sliders set to appropriate levels (other tha zero or miimum)? Has the Local Cotrol switch bee set to off? If this is set to off, the iteral toe geerator will ot soud. [UTILITY] [F5] MIDI [SF2] SWITCH Local Ctrl (page 209) Have you tured o the power of this istrumet ad all coected exteral equipmet? Have you made all the appropriate level settigs icludig the Master Volume o this istrumet ad the volume settigs o ay coected exteral equipmet? Is the Foot Cotroller pressed dow (whe it is coected to the FOOT CONTROLLER jack)? Are you usig a exteral MIDI cotroller ad are the MIDI volume ad/or MIDI expressio settigs too low? Is this istrumet properly coected to related exteral equipmet (e.g., amplifier or speaker) via audio cables? Are the effect ad filter settigs appropriate? If you are usig the filter, try chagig the cutoff settig. Some cutoff settigs may mute the soud etirely. [VOICE] [EDIT] [COMMON] [F6] EFFECT (page 158) [PERFORM] [EDIT] [COMMON] [F6] EFFECT (page 173) [SONG]/[PATTERN] [MIXING] [F3] EFFECT (pages 189, 202) [VOICE] [EDIT] Elemet/Key selectio [F3] FILTER (page 160) [PERFORM] [EDIT] Part selectio [F4] TONE [SF2] FILTER (page 176) [SONG]/[PATTERN] [MIXING] [EDIT] Part selectio [F4] TONE [SF2] FILTER (pages 191, 202) [SONG]/[PATTERN] [UTILITY] [F3] SEQ [SF2] FILTER (page 207) Are the volume or level settigs too low? [UTILITY] [F1] GENERAL [SF1] TG Volume (page 205) [VOICE] [EDIT] [COMMON] [F2] OUTPUT Volume (page 154) [VOICE] [EDIT] Elemet/Key selectio [F4] AMP [SF1] LVL/PAN Level (page 162) [PERFORM] [EDIT] [COMMON] [F2] OUT/MEF [SF1] OUT Volume (page 172) [PERFORM] [EDIT] Part selectio [F2] OUTPUT [SF1] VOL/PAN Volume (page 175) [SONG]/[PATTERN] [MIXING] [EDIT] Part selectio [F2] OUTPUT [SF1] VOL/PAN Volume (pages 191, 202) Are the elemet switch, ote limit, velocity limit parameters set appropriately? [VOICE] [EDIT] Elemet/Key selectio [F1] OSC [SF1] WAVE ElemetSw (page 158) [VOICE] [EDIT] Elemet/Key selectio [F1] OSC [SF3] LIMIT (page 158) [PERFORM] [F2] VOICE (page 171) [PERFORM] [EDIT] Part selectio [F1] VOICE [SF1] VOICE PartSw (page 174) [PERFORM] [EDIT] Part selectio [F1] VOICE [SF3] LIMIT (page 174) Whe the Performace/Sog/Patter produces o soud, has a Voice bee assiged to each Part? [PERFORM] [F2] VOICE (page 171) [SONG]/[PATTERN] [MIXING] [F2] VOICE (pages 189, 202) Whe the Sog/Patter produces o soud, are the output port/chael of each track i the Sog/Patter Play ad the receive port/chael of each Part i the Mixig set appropriately? [SONG]/[PATTERN] [F3] TRACK (pages 178, 196) [SONG]/[PATTERN] [MIXING] [EDIT] Part selectio [F1] VOICE [SF2] MODE ReceiveCh (pages 191, 202) Appedix Ower s Maual 227

228 Troubleshootig Whe the Sog/Patter produces o soud, is the Velocity Offset parameter i the Groove display set appropriately? [SONG]/[PATTERN] [F2] GROOVE VELO OFST (pages 178, 196) Playback cotiues without stoppig. Whe the [ARPEGGIO ON/OFF] butto is tured o, press it so that its lamp is tured off. Whe i the Sog/Patter, press the [J] (Stop) butto. Whe the click soud cotiues, check the followig settigs. If the parameter is set to all, set it to somethig other tha all. [SONG]/[PATTERN] [UTILITY] [F3] SEQ [SF1] CLICK Mode (page 206) Distorted soud. Are the effect settigs appropriate? (Some effect types or settigs ca cause distortio.) [VOICE] [EDIT] [COMMON] [F6] EFFECT (page 158) [PERFORM] [EDIT] [COMMON] [F6] EFFECT (page 173) [SONG]/[PATTERN] [MIXING] [F3] EFFECT (pages 189, 202) Are the filter settigs appropriate? (Excessively high filter resoace settigs ca cause distortio.) [VOICE] [EDIT] Elemet/Key selectio [F3] FILTER (page 160) [PERFORM] [EDIT] Part selectio [F4] TONE [SF2] FILTER (page 176) [SONG]/[PATTERN] [MIXING] [EDIT] Part selectio [F4] TONE [SF2] FILTER (pages 191, 202) Is the volume set so high that clippig is occurrig? [UTILITY] [F1] GENERAL [SF1] TG Volume (page 205) [VOICE] [EDIT] [COMMON] [F2] OUTPUT Volume (page 154) [PERFORM] [EDIT] [COMMON] [F2] OUT/MEF [SF1] OUT Volume (page 172) [SONG]/[PATTERN] [MIXING] [F1] VOL/PAN VOLUME (pages 189, 202) Soud is choppy ad itermittet. Are you exceedig the maximum polyphoy of this istrumet? (page 134) Oly oe ote souds at a time. Is the Moo/Poly parameter set to moo? If you wish to play chords, set this parameter to poly. [VOICE] [F4] PORTA Moo/Poly (page 153) [PERFORM] [EDIT] Part selectio [F1] VOICE [SF2] MODE Moo/Poly (page 174) [SONG]/[PATTERN] [MIXING] [EDIT] Part selectio [F1] VOICE [SF2] MODE Moo/Poly (pages 191, 202) Pitch or itervals are wrog. Is the Master Tue parameter set at a value other tha 0? [UTILITY] [F1] GENERAL [SF1] TG Tue (page 205) Is the Note Shift parameter set at a value other tha 0? [UTILITY] [F1] GENERAL [SF1] TG NoteShift (page 205) Whe the voice produces a wrog pitch, is the appropriate tuig system selected from Micro Tuig parameter? [VOICE] [EDIT] [COMMON] [F1] GENERAL [SF2] PLY MODE M.TuigNo. (page 153) Whe the voice produces a wrog pitch, is the LFO Pitch Modulatio Depth set too high? Appedix [VOICE] [EDIT] Elemet/Key selectio [F5] LFO PMod (page 163) 228 Ower s Maual

229 Troubleshootig Whe the Performace/Sog/Patter produces a wrog pitch, is the Note Shift or Detue parameter of each Part set to a value other tha 0? [PERFORM] [EDIT] Part selectio [F4] TONE [SF1] TUNE (page 176) [SONG]/[PATTERN] [MIXING] [EDIT] Part selectio [F4] TONE [SF1] TUNE (pages 191, 202) Whe the Performace/Sog/Patter produces a wrog pitch, is the Note Offset parameter i the Groove display set to a value other tha 0? [SONG]/[PATTERN] [F2] GROOVE NOTE OFST (pages 178, 196) No effects are applied. Is the [EFFECT BYPASS] butto tured off? Are the Kobs (for REVERB ad CHORUS) set to appropriate levels (other tha zero or miimum)? Have ay or all of the Elemets Effect Output parameters bee set to thru i the effect settig display? [VOICE] [EDIT] [COMMON] [F6] EFFECT [SF1] CONNECT EL: OUT 1-4 (page 142) Have ay or all of the effect types bee set to thru or off? (pages ) Whe this occurs i the Performace/Sog/Patter, check whether the Isertio Switch (INS SW) parameters are set properly or ot. [PERFORM] [EDIT] [COMMON] [F6] EFFECT [SF2] INS SW (page 173) [SONG]/[PATTERN] [MIXING] [F3] EFFECT [SF2] INS SW (pages 189, 202) The Edit Idicator appears, eve whe parameters are ot beig edited. Keep i mid that simply movig a Kob or Slider chages the parameter, automatically displayig the Edit idicator. Caot start the Arpeggio. Check whether the [ARPEGGIO] butto is tured o or off. Have you selected a User Arpeggio type (with o User data)? Are the Arpeggio related parameters such as Note Limit ad Velocity Limit set appropriately? [VOICE] [EDIT] [COMMON] [F3] ARP [SF2] LIMIT (page 155) [PERFORM] [EDIT] [COMMON] [F3] ARP [SF2] LIMIT (page 173) [SONG]/[PATTERN] [MIXING] [EDIT] [COMMON] [F3] ARP [SF2] LIMIT (pages 190, 202) Whe this occurs i the Performace/Sog/Patter, check whether the Arpeggio Switch parameter for each Part is set properly or ot. [PERFORM] [EDIT]] Part selectio [F1] VOICE [SF2] MODE ArpSwitch (page 174) [SONG]/[PATTERN] [MIXING] [EDIT] Part selectio [F1] VOICE [SF2] MODE ArpSwitch (pages 191, 202) Is the MIDI syc parameter set to iteral (usig iteral clock)? [UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc = iteral (page 210) Caot stop the Arpeggio. Whe Arpeggio playback does ot stop eve if you release the key, set the Arpeggio Hold parameter to off. [VOICE] [EDIT] [COMMON] [F3] ARP [SF1] TYPE Hold (page 152) [PERFORM] [EDIT] [COMMON] [F3] ARP [SF1] TYPE Hold (page 173) [SONG]/[PATTERN] [MIXING] [EDIT] [COMMON] [F3] ARP [SF1] TYPE Hold (pages 190, 202) The Sog/Patter caot be started eve whe pressig the [F] (Play) butto. Does the selected Sog or Patter (phrase) actually cotai data? Is the Remote Cotrol feature tured o? Is the MIDI syc parameter set to iteral (usig iteral clock)? [UTILITY] [F5] MIDI [SF3] SYNC MIDI Syc = iteral (page 210) Appedix Ower s Maual 229

230 Troubleshootig Sog/Patter (Phrase) caot be recorded. Is there eough free memory for recordig? The total memory capacity determies the umber of Sogs/Patters (phrases) that ca be recorded. For example, if the memory cotais Sogs/Patters (phrases) that use up a large amout of memory, the memory may become full eve though the available Patter or Sog umbers are ot all used. I the Patter Record, does the specified track to which the Phrase is assiged have preset data? Recordig caot be doe to a track that cotais preset data. Caot eter the Patter Job /Patter Mixig. Check whether this istrumet is i the Patter Chai or ot. If so, exit from the Patter Chai, the press the [JOB] butto or [MIXING] butto. The drum soud is wrog or uexpected whe chagig the traspose value. This is ormal. Chagig the traspose settig while playig a Drum Voice will produce differet souds for the same keys played. Data commuicatio betwee the computer ad this istrumet does ot work properly. Check whether the Port settig o the computer is appropriate or ot. Is the cable settig (MIDI, USB) i the Utility appropriate? [UTILITY] [F5] MIDI [SF4] OTHER MIDI IN/OUT (page 210) This istrumet does ot soud properly eve whe playig back sog data o a computer or a MIDI istrumet coected to this istrumet. Make sure to set this istrumet to the Sog or Patter. To play back multiple chaels simultaeously, Sog or Patter must be selected. MIDI bulk data trasmissio/receptio does ot work properly. Is Bulk data receive protectio eabled? Tur the Receive Bulk parameter to o. [UTILITY] [F5] MIDI [SF2] SWITCH RcvBulk (page 209) Whe receivig recorded data with the iteral Bulk Dump fuctio, the device umber must be set to the same value as that used whe trasmittig/recordig. [UTILITY] [F5] MIDI [SF1] CH DeviceNo. (page 209) Whe trasmissio does ot work properly, is the device umber of the MIDI istrumet coected to this istrumet set to match the DeviceNo. parameter? [UTILITY] [F5] MIDI [SF1] CH DeviceNo. (page 209) Whe usig the Voice Editor/Multi Part Editor, have you set a sufficiet Dump Iterval? The Dump Iterval i the Editor Setup dialog must be set to 20ms or greater. For details refer to the PDF maual icluded with the Editor. Data caot be saved i the USB storage device Is the coected USB storage device write protected? (Write-protect should be set to off for savig data.) Is the coected USB storage device properly formatted? [FILE] [F1] CONFIG [SF2] FORMAT (page 211) Caot eter the Edit Is the Category Search fuctio tured o? After exitig from the Category Search fuctio, press the [EDIT] butto. Is this istrumet i the File? After exitig from the File, press the [EDIT] butto. Appedix 230 Ower s Maual

231 Specificatios Specificatios Keyboards MO8 88 keys, Balaced Hammer Effect Keyboard (Iitial Touch) MO6 61 keys, LC Keyboard (Iitial Touch) Toe Geerator block Toe Geerator AWM2 Polyphoy 64 otes Multi Timbral Capacity 16 parts (iteral) Wave 175MB (whe coverted to 16-bit liear format), 1,859 waveforms Voice Preset: 512 ormal voices + 64 drum kits GM: 128 ormal voices + 1 drum kit User: 128 x 2 (Bak 1: Origial, Bak 2: Picked up from Preset) Normal Voice + 32 drum kits Performace User: 256 (up to 4 parts) Filter 18 types Effect System Reverb x 20 types, Chorus x 49 types, Isertio (A, B) x 116 types x 3 blocks, Master Effect x 8 types, Master Equalizer (5 bads), Part EQ (3 bads, stereo) Sequecer block Note Capacity Approx. 226,000 otes Note Resolutio 480 ppq (parts per quarter ote) Maximum Polyphoy 124 otes Tempo Recordig type Real time replace, Real time overdub (with the exceptio of the Patter Chai), Real time puch (Sog oly), Step (with the exceptio of the Patter Chai) Tracks Patter Mode: 16 phrase tracks Patter Chai Mode: Patter track, Tempo track, Scee track Sog Mode: 16 sequece tracks (Loop o/off ca be set for each track), Tempo track, Scee track Patters 64 patters (x 16 sectios) Measures: 256 maximum Phrases Preset Phrases: 687 phrases User Phrases: 256 per patter Sogs 64 sogs Mixig voices: 16 per patter (256 maximum) Mixig templates: 32 Arpeggio Preset x 1787 types, User x 256 types * MIDI Syc, MIDI trasmit/receive chael, Velocity Limit, ad Note Limit ca be set. Scee Memory Sequece Format 5 per Sog MO6/MO8 Origial format (compatible with MOTIF ES) SMF format 0, 1 (Format 1 load oly) Others Master User: 128 * 4 Zoes (Master keyboard settigs), Assigable Kob/Slider settigs, Program Chage Table Sequece Software compatible with the Remote Cotrol fuctio Cotrollers Display Coectors Power Cosumptio Dimesios, Weight Accessories For Widows Cubase SX 3, SQ01 V2, SONAR 4, MO6/MO8/MOTIF ES/MOTIF-RACK ES/MOTIF- RACK/S90 ES Multi Part Editor For Macitosh Cubase SX 3, Logic Pro 7, Digital Performer 4.52, MO6/MO8/MOTIF ES/MOTIF- RACK ES/MOTIF-RACK/S90 ES Multi Part Editor *Fuctios to be cotrolled by the MO6/MO8 differ depedig o the software you use. Pitch Bed wheel, Modulatio wheel, Assigable Cotrol Sliders (4), Assigable Kobs (4), Data dial 240 x 64 dot graphic backlit LCD OUTPUT L/MONO, R (stadard phoe jack) PHONES (stadard stereo phoe jack) DIGITAL OUT (RCA-pi) FOOT CONTROLLER FOOT SWITCH MIDI IN/OUT/THRU USB (TO HOST, TO DEVICE) DC INLET 13.5 W MO6: 1,023(W) x 382.7(D) x 101.9(H) mm., 10.4kg MO8: 1,357(W) x 386(D) x 167(H) mm, 21kg Power adapter, Ower s Maual (this book), Data List * Specificatios ad descriptios i this ower's maual are for iformatio purposes oly. Yamaha Corp. reserves the right to chage or modify products or specificatios at ay time without prior otice. Sice specificatios, equipmet or optios may ot be the same i every locale, please check with your Yamaha dealer. Appedix Ower s Maual 231

232 Idex Idex Appedix Numerics [1] [16] buttos...17, 34 1/4 Shift (1/4 shifted) /4 toe /8 toe A [A] [H] buttos...17, 34 Accessories...6 Active Sesig (FEH) ADD AEG (Amplitude Evelope Geerator)...134, 162, 176, 191 Aftertouch...72 All Notes Off All Souds Off ALL TR (All Track)/1TR (1 track) AlteratePa AltateGroup...59 AMod (Amplitude Modulatio Depth) AMP (Amplitude)...162, 167 Amplitude Apped Patter Apped Phrase Arabic ARP (Arpeggio)...152, 171, 173, 180, 190, 208 ARP CH (Arpeggio Chael) [ARP FX] butto...51 ARP1 ARP5...40, 74 Arpeggio...48, 78, 88, 89 [ARPEGGIO ON/OFF] butto...48 Arpeggio type ArpSwitch (Arpeggio Switch)...174, 191 AS1 (ASSIGN 1)...151, 171, 173, 215 AS2 (ASSIGN 2)...151, 171, 173, 215 ASA (ASSIGN A)...151, 171, 208, 215 ASB (ASSIGN B)...151, 171, 208, 215 ASSIGN ASSIGN A/B...71 Assig1/ AssigA/B AssigMode Attack (Attack Time) Attack Time AutoLoad AWM B BAK DEL (Back Delete) Bad Elimiatio Filter Bad Pass Filter Bak...17 Bak Select LSB Bak Select MSB BakSel BasicRcvCh (Basic Receive Chael) BC (Breath Cotroller) BCCurve (Breath Cotroller Curve) Beat Graph Beat Stretch BEF12 (12dB/oct Bad Elimiatio Filter) BEF6 (6dB/oct Bad Elimiatio Filter) BOX BPF12D (12dB/oct Digital Bad Pass Filter) BPF6 (6dB/oct Bad Pass Filter) BPFw (Wide Bad Pass Filter) Breath Cotroller Brightess BULK (Bulk Dump) , 177, 192, 218 Bulk Dump C Cable clip [CATEGORY SEARCH] butto CeterKey , 160, 161, 162 CH (Chael) Ch.AfterTouch (Chael After Touch) CHAIN , 197 CHANGE , 197 CHANNEL Chael Aftertouch CHANNEL MESSAGE Chael Mode Message ChgTimig (Chage Timig) Chorus Chorus Ctg Chorus Pa Chorus Retur Chorus Sed Chorus to Reverb Chorus Typ ChoSed (Chorus Sed) , 166, 172, 175 CLEAR Clear Patter Clear Phrase Clear Sog Clear Track , 201 CLICK... 80, 180, 206 CLOCK SFT (Clock Shift) ClockOut Coarse Commo Edit... 53, 63, 94 Compare Computer CONFIG Cotiue (FBH) Cotrast cotrol Cotrol Chage , 224 Cotrol Chage Number Cotrol slider Cotroller Cotroller Set COPY , 177, 192, 196, 197, 204 Copy Evet Copy Patter Copy Phrase Copy Sog Copy Track , 200 Create Cotiuous Data Create Measure Create Roll Crescedo CTL ASN (Cotroller Assig).. 173, 191, 206, 208 CTL SET (Cotroller Set) CtrlChage (Cotrol Chage ) CtrlReset (Cotroller Reset) CURRENT Cursor buttos Curve , 161, 162 Cutoff , 161, 176 Cutoff Frequecy CutoffSes (Cutoff Sesitivity) D Data Decremet Data dial Data Etry LSB Data Etry MSB Data Icremet DAW [DAW REMOTE] butto DC IN [DEC/NO] butto Decay (Decay Time) Decay Time DELAY Delay (Delay Time) DelayTempo DelayTempoSyc DELETE , 181, 204, 212 Delete Measure Demo Sogs/Patters Depth... 70, 155, 157 Dest (Destiatio) , 157, 208 Destiatio... 70, 71 Detue DeviceNo. (Device Number) DIGITAL OUT Display Message Distace Divide Drum Track , 201 DptRatio EL1 EL4 (Depth Offset Elemet 1 Elemet 4) DRAM [DRUM KITS] butto Drum Voice... 41, 132 Drum Voice Edit Dry Level Dual BEF (Dual Bad Elimiatio Filter) Dual BPF (Dual Bad Pass Filter) Dual HPF (Dual High Pass Filter) Dual LPF (Dual Low Pass Filter) DumpIterval (Bulk Dump Iterval Time) E Echo Edit Buffer [EDIT] butto... 24, 53, 63 Edit idicator Edit Recall EF BYPS (Effect Bypass) EF SEND (Effect Sed) , 189, 191 EFFECT , 151, 158, 171, 173, 189, 191 [EFFECT BYPASS] butto... 16, 140 Effect coectio Effect Off Effect1 Depth Effect3 Depth EG (Evelope Geerator) , 171 EGDepth , 161 EGTime , 160, 162 EGTimeSes (EG Time Sesitivity). 160, 161, Ower s Maual

233 Idex Elemet...53 Elemet Edit...53 Elemet EQ Elemet Switch...70 ElemetSw (Elemet Switch)...155, 158 ElemSw (Elemet Switch) [ENTER] butto...17 EQ (Equalizer)...164, 167, 175, 191 [EQ] butto...51 Equal Temp (Equal temperamet) Equalizer (EQ) Erase Evet Evet...179, 198 EVENT (Evet Job)...186, 199 Exchage Phrase Exchage Track...188, 200 Exclusive (System Exclusive) EXEC...211, 212 [EXIT] butto...28 Expressio EXT SW (Exteral Switch) Extract Evet F [F1] [F6] buttos...33 Factory Settigs...26 FadeI (Fade I Time) FadeITime FadeOut Favorite Category...43 FC1 (Foot Cotroller 1) FC2 (Foot Cotroller 2) FEG (Filter Evelope Geerator)...133, 161, 176, 191 FEGDepth [FILE] butto...24, 148 File File types FILTER...133, 160, 166, 176, 191 FILTER (MIDI Filter) Filter Type List Fie FieScalig FixedVelocity Flash ROM FMod (Filter Modulatio Depth) FOOT CONTROLLER...69 FOOT SWITCH...69 FORMAT FREQ (Frequecy) FSAssig (Footswitch Assig) FT SW (Footswitch) G Gai...160, 172 GATE OFST (Gate time Offset) GateTime GateTimeRate Geeral MIDI (GM) System O Get Phrase From Sog Glide GM Preset Bak...40 GM Voice GROOVE (Grid Groove)...178, 196 Groove fuctio...83, 88 H Harmoic Cotet High Pass Filter HighFreq (High Frequecy) HighGai (High Gai) Hold , 154, 180, 208 Hold (Hold Time) Hold HPF12 (12dB/oct High Pass Filter) HPF24D (24dB/oct Digital High Pass Filter) HPFCutoff , 166 HPFKeyFlw (Key Follow) I [INC/YES] butto Idia [INFORMATION] butto... 17, 37 Iformatio Display INIT (Iitialize) , 177, 192, 218 Is A Ctgry Is A Type Is B Ctgry Is B Type Is EF Coect IsChoSed (Isertio Chorus Sed) IsEF (Isertio Effect Part Switch) IsEF (Isertio Effect) IsEffectOut (Isertio Effect Output) INSERT Isertio Effect IsRevSed (Isertio Reverb Sed) INT SW (Iteral Switch) Iterval J [JOB] butto K KBD (Keyboard) KBDTrasCh (Keyboard Trasmit Chael) KEY FLW (Key Follow) , 162 KeyAsgMode (Key Assig Mode) Keyboard Keyboard Mega Voice KeyMode KeyODelay , 163 KeyOReset , 163 Kirberger KN/CS (Kob/Cotrol Slider) Kob... 51, 56, 65, 96 Kob/Slider KobAssig L L&RGai Layer... 46, 127 LCD display LegatoSlope Level LevelSes (Level Sesitivity) LFO (Low Frequecy Oscillator) , 156, 163 LIMIT , 158 LIMIT H (Note Limit High) LIMIT L (Note Limit Low) LOAD LoadMix Loc1 (Locatio 1)...74, 178 Loc2 (Locatio 2)...74, 178 Local Cotrol LocalCtrl (Local Cotrol O/Off) Loop...80, 198 Loop Recordig Low Pass Filter LowFreq (Low Frequecy) LowGai (Low Gai) LPF12 (12dB/oct Low Pass Filter) LPF12 + BPF6 (12dB/oct Low Pass Filter + 6dB/oct Bad Pass Filter) LPF18 (18dB/oct Low Pass Filter) LPF18s (18dB/oct Staggered Low Pass Filter) LPF24A (24dB/oct Aalog Low Pass Filter) LPF24D (24dB/oct Digital Low Pass Filter) LPF6 (6dB/oct low-pass Filter) LPFCutoff LPFReso M M. TuigNo. (Micro Tuig Number) M. TuigRoot (Micro Tuig Root) Mai Volume Master [MASTER] butto...24, 122 Master Edit Master Effect [MASTER EFFECT] butto...16 Master EQ Master Job Master...122, 215 Master Play Master Store Master Volume [MASTER VOLUME] slider...16 Maximum Polyphoy MEAS (Measure Job) MEAS (Measure)...74, 178, 180, 196, 198 Meas (Measure) MEF (Master Effect)...172, 190, 206, 209 MEMORY Memory structure MEQ (Master EQ)...172, 190, 206 MEQ OFS (Master EQ Offset)...153, 172, 190 Micro Tuig List MidFreq (Middle Frequecy) MidGai (Middle Gai) MIDI...209, 223 MIDI chael...107, 223 MIDI coectios MIDI IN/OUT/THRU...18, 104, 210 MIDI Message MIDI port...107, 223 MIDI Syc MIDISwitch MidReso (Middle Resoace) MIX Mix Phrase Mix Track Mixig...76, 129 [MIXING] butto...24 Mixig Voice...78 Mixig Voice Edit Mixig Voice Job Mixig Voice Appedix Ower s Maual 233

234 Idex Appedix Mixig Voice Store MMC MODE...24 Mode...153, 174, 215 Mode A Mode B Mode structure...27 Mode table...28 Modify Cotrol Data Modify Gate Time Modify Velocity Modulatio Modulatio wheel...50 Moo Moo/Poly...151, 153, 174, 191 MTC MTC StartOffset MTR (Multi Track Recorder) Multi Part Editor...112, 148 Multi-timbral Toe Geerator [MUTE] butto...45, 75 N NAME...153, 172, 216 Namig...38 NEW...211, 212 Normal Voice...40, 132 Normal Voice Edit...53, 153 Normalize Play Effect...188, 201 NOTE...182, 216 Note (Key) settigs...37 NOTE (Note data Job)...183, 199 NOTE OFST (Note Offset) Note O/Note Off (Key O/Key Off) NoteLimit...155, 158 NoteLimitH (Note Limit High)...174, 216 NoteLimitL (Note Limit Low)...174, 216 NoteShift...176, 205 NRPN (No Registered Parameter Number) O OCT (Octave)...40, 151, 171, 215 Octave...205, 216 [OCTAVE UP] ad [OCTAVE DOWN] buttos..29 Offset EL1 EL OSC (Oscillator)...132, 158, 165 OUT CH (Output Chael) OUT SW (Output Switch) OUTPUT L/MONO ad R...19 OutputSwitch...173, 180, 206 Overdub P Pa...154, 162, 172, 175, 180, 189, 224 [PAN/SEND] butto...51 Part Edit...63, 94 Part EQ Part structure PartSw (Part Switch)...171, 174, 180 PartSwitch PATCH Patter...23, 73, 136 PATTERN (Patter Job) [PATTERN] butto...24 Patter Chai...84, 138 Patter Chai Edit Patter Chai Play Patter Chai Record Patter Edit... 90, 198 Patter Job... 90, 199 Patter Mixig Patter Mixig Edit... 93, 202 Patter Mixig Job Patter Mixig Patter Mixig Store Patter Patter Name Patter Play Patter Record Patter Track Edit PB (Pitch Bed) Lower PB (Pitch Bed) Upper PB Lower (Pitch Bed rage Lower) PB Upper (Pitch Bed rage Upper) Peakig type PEG (Pitch Evelope Geerator) , 159 [PERFORM] butto PERFORMANCE Performace... 23, 129 Performace Edit... 63, 172 Performace Job Performace Performace Play... 44, 171 Performace Store PF COPY (Performace Copy) PgmChage (Program Chage) Phase PHONES PHRASE , 179 PHRASE (Phrase Job) Phrase Name Phrase Voice PITCH , 159, 166 Pitch Bed , 226 Pitch Bed wheel PitchSes (Pitch Sesitivity) PLAY FX PMod (Pitch Modulatio Depth) Poiter Poly PolyAfterTouch (Polyphoic Aftertouch) Polyphoic Aftertouch PORT PORTA (Portameto) 151, 153, 171, 172, 174, 191 Portameto Switch Portameto Time PortaMode (Portameto Mode) PortaSw (Portameto Switch) , 171 PortaTime (Portameto Time) , 171 PowerOMode , 210 PRESET Preset Bak Preset Phrase Program Program Chage , 225 PtQuatize (Patter Quatize) PtTempoHold (Patter Tempo Hold) Puch I/Out... 88, 139 PureMaj (Pure major) PureMi (Pure mior) Put Phrase To Sog Put Track To Arp , 201 Q Q (Frequecy Characteristic) Quatize... 80, 179, 183, 198 QUICK SET Quick Setup QutStregth (Quatize Stregth) QutValue (Quatize Value) R Radom RadomPa RadomSpeed RB (Ribbo Cotroller) RCV SW (Receive Switch) , 192 RcvBulk (Receive Bulk) RcvNoteOff (Receive Note Off)... 59, 166 Realtime Recordig... 82, 88, 138 RECALL (Edit Recall) , 177, 192, 204 Recall Buffer RecArp (Record Arpeggio) RecCout Receive Chael ReceiveCh (Receive Chael) RecTrack Redo Release (Release Level) Release Time REMIX REMOTE Remote cotrol RENAME Replace Reset All Cotrollers Resoace , 160, 161, 176 REST Reverb Reverb Pa Reverb Retur Reverb Sed Reverb Typ RevSed (Reverb Sed) , 166, 172, 175 Ribbo Cotroller RPN (Registered Parameter Number) RPN (Registered Parameter Number) LSB RPN (Registered Parameter Number) MSB S SAVE , 211 sawtooth wave SCALE (Amplitude Scalig) SCALE (Filter Scalig) ScaligPa Scee Scee Track Edit Sectio [SECTION] butto Segmet , 160, 162 SELECT (Output Select) Separate Chord SEQ (Sequecer) SEQ TRANSPORT buttos SeqCtrl (Sequecer Cotrol) Sequecer SETNAME , 212 [SF1] [SF5] buttos SHAPE Ower s Maual

235 Idex Shelvig type Shift Clock Sigle Timbre Toe Geerator Slave Slope SMF (Stadard MIDI File) [SOLO] butto...45, 55, 75 SONG Sog...23, 73, 136 SONG (Sog Job) [SONG] butto...24 Sog Chai...95, 137 Sog Edit...90, 182 Sog Job...90, 183 Sog Locatio...92 Sog Mixig Sog Mixig Edit...93 Sog Mixig Edit Sog Mixig Job Sog Mixig Sog Mixig Store Sog Sog Name Sog Play Sog Record Sog Scee...89 Sog Track Loop SogEvetChase Sort Chord Sosteuto Source...70, 155 Specificatios Speed...156, 163 Split...47, 127 Split Patter Split Phrase Split Sog To Patter square wave [STANDBY/ON] switch...20 Start (FAH) Step Step Recordig...82, 88, 138, 193 StepTime Stop (FCH) Store [STORE] butto...24, 148 Studio Coectios Sustai (Sustai Level) Swig SWITCH Switch...152, 153, 154, 172, 174, 208 SYNC (Sychroizatio) System Commo Message System Effect System Exclusive Message SYSTEM MESSAGE System Realtime Message T TCH (Trasmit Chael)...40, 151, 171 TEMPLATE Template...94, 157 Tempo...152, 154, 180, 198 Tempo Track Edit TempoSpeed TempoSyc TG (Toe Geerator) TGSwitch (Toe Geerator Switch) Thi Out Thru Port , 210 TIE Time , 174 TimeMode Timig Clock (F8H) TONE , 191 [TONE] butto Toe Geerator TR LOOP (Track Loop) TR SEL (Track Select) TR VCE (Track Voice) TRACK TRACK (Track Job) , 200 [TRACK SELECT] butto Tras TRANS (Trasmit) Tras (Traspose) , 196 TrasCh (Trasmit Chael) Trasmit Chael... 43, 45, 104 TrasmitCh (Trasmit Chael) , 180, 206 Traspose... 29, 185, 205, 216 triagle wave Troubleshootig TUNE , 176, 191, 205 TX SW (Trasmit Switch) TYPE Type Type (Recordig Type) , 198 U Udo UNDO/REDO , 199 UitMultiply (Uit Multiply) USB... 18, 30, 107 USB TO DEVICE coector USB TO HOST coector USB-MIDI driver User Bak User Memory User Phrase USR [UTILITY] butto Utility Job Utility V Vallot&Yg (Vallotti & Youg) Value , 181 Variatio VCE ED (Mixig Voice Edit) VEL SENS (Velocity Sesitivity Depth) VEL SENS (Velocity Sesitivity) , 160 VelCrossFade (Velocity Cross Fade) VelCurve (Velocity Curve) VelLimit (Velocity Limit) , 180 VelLimitH (Velocity Limit High) VelLimitL (Velocity Limit Low) VelMode (Velocity Mode) VELO OFST (Velocity Offset) VelocityLimit , 158 VelocityRate VelSesDpt (Velocity Sesitivity Depth) VelSesOfst (Velocity Sesitivity Offset) VIEW FLT (View Filter) Voice... 23, 129, 180 [VOICE] butto Voice Edit...53 Voice Edit Voice Editor...112, 148 Voice Job Voice Voice Play...40, 151 Voice Store VoiceELPa (Voice Elemet Pa) Volume...154, 172, 175, 180, 189, 205 W Wave...156, 163 Wave No. (Waveform Number) WaveCtgry (Waveform Category) Werckmeist (Werckmeister) Width Z Zoe Zoe Edit ZoeSwitch Appedix Ower s Maual 235

236 Memo 236 Ower s Maual

237 Memo Ower s Maual 237

238 Memo 238 Ower s Maual

239 For details of products, please cotact your earest Yamaha represetative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurat das la liste suivate. Die Eizelheite zu Produkte sid bei Ihrer ute aufgeführte Niederlassug ud bei Yamaha Vertragshädler i de jeweilige Bestimmugsläder erhältlich. Para detalles sobre productos, cotacte su tieda Yamaha más cercaa o el distribuidor autorizado que se lista debajo. NORTH AMERICA CANADA Yamaha Caada Music Ltd. 135 Miler Aveue, Scarborough, Otario, M1S 3R1, Caada Tel: U.S.A. Yamaha Corporatio of America 6600 Oragethorpe Ave., Buea Park, Calif , U.S.A. Tel: CENTRAL & SOUTH AMERICA MEXICO Yamaha de México S.A. de C.V. Calz. Javier Rojo Gómez #1149, Col. Guadalupe del Moral C.P , México, D.F., México Tel: BRAZIL Yamaha Musical do Brasil Ltda. Av. Reboucas 2636-Piheiros CEP: Sao Paulo-SP. Brasil Tel: ARGENTINA Yamaha Music Lati America, S.A. Sucursal de Argetia Viamote 1145 Piso2-B 1053, Bueos Aires, Argetia Tel: PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha Music Lati America, S.A. Torre Baco Geeral, Piso 7, Urbaizació Marbella, Calle 47 y Aquilio de la Guardia, Ciudad de Paamá, Paamá Tel: EUROPE THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherboure Drive, Tilbrook, Milto Keyes, MK7 8BL, Eglad Tel: IRELAND Dafay Ltd. 61D, Sallyoggi Road, Du Laoghaire, Co. Dubli Tel: GERMANY Yamaha Music Cetral Europe GmbH Siemesstraße 22-34, Rellige, Germay Tel: SWITZERLAND/LIECHTENSTEIN Yamaha Music Cetral Europe GmbH, Brach Switzerlad Seefeldstrasse 94, 8008 Zürich, Switzerlad Tel: AUSTRIA Yamaha Music Cetral Europe GmbH, Brach Austria Schleiergasse 20, A-1100 Wie, Austria Tel: CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA Yamaha Music Cetral Europe GmbH, Brach Austria, CEE Departmet Schleiergasse 20, A-1100 Wie, Austria Tel: POLAND Yamaha Music Cetral Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Styczia 56, PL Warszawa, Polad Tel: THE NETHERLANDS/ BELGIUM/LUXEMBOURG Yamaha Music Cetral Europe GmbH, Brach Beelux Clarissehof 5-b, 4133 AB Viae, The Netherlads Tel: FRANCE Yamaha Musique Frace BP Mare-la-Vallée Cedex 2, Frace Tel: ITALY Yamaha Musica Italia S.P.A. Combo Divisio Viale Italia 88, Laiate (Milao), Italy Tel: SPAIN/PORTUGAL Yamaha-Haze Música, S.A. Ctra. de la Corua km. 17, 200, Las Rozas (Madrid), Spai Tel: GREECE Philippos Nakas S.A. The Music House 147 Skiathou Street, Athes, Greece Tel: SWEDEN Yamaha Scadiavia AB J. A. Wettergres Gata 1 Box S Göteborg, Swede Tel: DENMARK YS Copehage Liaiso Office Geeratorvej 6A DK-2730 Herlev, Demark Tel: FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF Helsiki, Filad Tel: NORWAY Norsk filial av Yamaha Scadiavia AB Grii Nærigspark 1 N-1345 Østerås, Norway Tel: ICELAND Skifa HF Skeifa 17 P.O. Box 8120 IS-128 Reykjavik, Icelad Tel: OTHER EUROPEAN COUNTRIES Yamaha Music Cetral Europe GmbH Siemesstraße 22-34, Rellige, Germay Tel: AFRICA Yamaha Corporatio, Asia-Pacific Music Marketig Group Nakazawa-cho 10-1, Hamamatsu, Japa Tel: MIDDLE EAST TURKEY/CYPRUS Yamaha Music Cetral Europe GmbH Siemesstraße 22-34, Rellige, Germay Tel: OTHER COUNTRIES Yamaha Music Gulf FZE LB Jebel Ali Freezoe P.O.Box 17328, Dubai, U.A.E. Tel: ASIA THE PEOPLE S REPUBLIC OF CHINA Yamaha Music & Electroics (Chia) Co.,Ltd. 25/F., Uited Plaza, 1468 Najig Road (West), Jiga, Shaghai, Chia Tel: HONG KONG Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Cato Road, Tsimshatsui, Kowloo, Hog Kog Tel: INDONESIA PT. Yamaha Music Idoesia (Distributor) PT. Nusatik Gedug Yamaha Music Ceter, Jala Jed. Gatot Subroto Kav. 4, Jakarta 12930, Idoesia Tel: KOREA Yamaha Music Korea Ltd. Tog-Yag Securities Bldg. 16F 23-8 Yoido-dog, Yougdugpo-ku, Seoul, Korea Tel: MALAYSIA Yamaha Music Malaysia, Sd., Bhd. Lot 8, Jala Perbadara, Kelaa Jaya, Petalig Jaya, Selagor, Malaysia Tel: PHILIPPINES Yupagco Music Corporatio 339 Gil J. Puyat Aveue, P.O. Box 885 MCPO, Makati, Metro Maila, Philippies Tel: SINGAPORE Yamaha Music Asia Pte., Ltd. #03-11 A-Z Buildig 140 Paya Lebor Road, Sigapore Tel: TAIWAN Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Na Jig E. Rd. Taipei. Taiwa 104, R.O.C. Tel: THAILAND Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Buildig, floor Rama 1 road, Wagmai, Pathumwa Bagkok 10330, Thailad Tel: OTHER ASIAN COUNTRIES Yamaha Corporatio, Asia-Pacific Music Marketig Group Nakazawa-cho 10-1, Hamamatsu, Japa Tel: OCEANIA AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queesbridge Street, Southbak, Victoria 3006, Australia Tel: NEW ZEALAND Music Houses of N.Z. Ltd. 146/148 Captai Sprigs Road, Te Papapa, Aucklad, New Zealad Tel: COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporatio, Asia-Pacific Music Marketig Group Nakazawa-cho 10-1, Hamamatsu, Japa Tel: SY37 HEAD OFFICE Yamaha Corporatio, Pro Audio & Digital Musical Istrumet Divisio Nakazawa-cho 10-1, Hamamatsu, Japa Tel:

240 Yamaha Web Site (Eglish oly) Yamaha Maual Library U.R.G., Pro Audio & Digital Musical Istrumet Divisio, Yamaha Corporatio 2005 Yamaha Corporatio This documet is prited o chlorie free (ECF) paper with soy ik. WF MWCP A0 Prited i Japa