Visual Arts. Curriculum Glance Cards

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Visual Arts Curriculum Glance Cards A fundamental principle of the curriculum is that children s current understanding and knowledge should form the basis for new learning. The curriculum is designed to follow an incremental approach to teaching and learning by increasing the complexity of concepts as the child progresses through the primary school. The content objectives outlined in each of the strand units observe a spiral progression as the curriculum advances from infants to sixth class. These curriculum glance cards were designed to provide a one-page overview of the content objectives in each strand unit for all class levels. It is not intended that these glance cards replace the curriculum documents but that rather they will provide an immediate snapshot of how particular concepts are developed from infants to sixth class. Teachers are advised to pay particular attention to this feature of the curriculum when planning their work. It is important that teachers are fully aware of the level of knowledge and understanding required of the child in previous class levels as it will inform current planning. It is also important that teachers are familiar with what the children will be learn after the present class level so that they can prepare the child adequately for further learning. Awareness of the curriculum content which precedes and follows the current class content ensures progression in teaching and learning, and minimises unnecessary duplication. Teachers may find this useful when they are engaging in continuing professional development, or when they are planning for teaching and learning. However, it is essential that teachers consult the curriculum documents when engaging in planning as the content objectives are expanded upon in the context of the various class levels. It is also assumed that every content objective in these cards is preceded by The child will be enabled to... as is stated in the curriculum. Where it appears that a content objective applies to junior classes and is discontinued in higher class levels, it is intended that teachers continue to explicitly teach these concepts if the required level of understanding has not been reached. If the learning objective has been realised, the teacher will endeavour to maintain and consolidate the learning.

Strand: Paint and colour Strand unit: Painting Experiment with a variety of colour drawing instruments and media to develop colour awareness Use colour to express vividly recalled feelings, experiences and imaginings Discover colour in the visual environment to help develop sensitivity to colour Discover colour, pattern and rhythm in colourful objects Discover the relationship between how things feel and how they look Explore colour with a variety of materials and media Use colour expressively to interpret themes based on his/her personal or imaginative life Paint objects chosen for their colour possibilities Discover colour in the visual environment and become sensitive to tonal variations between light and dark, and to variations in pure colour (hue) Discover harmony and contrast in natural and manufactured objects and through themes chosen for their colour possibilities Discover colour, pattern and rhythm in natural and manufactured objects and interpret them in his/her work Explore the relationship between how things feel and how they look Explore colour with a variety of materials and media Make paintings based on recalled feelings and experiences, exploring the spatial effects of colour and tone, using overlapping, and with some consideration of scale Express his/her imaginative life and interpret imaginative themes using colour expressively Paint from observation Discover colour in the visual environment and become sensitive to colour differences and tonal variations through colour mixing Discover harmony and contrast in natural and manufactured objects and through themes chosen for their colour possibilities Discover pattern and rhythm in natural and manufactured objects and use them purposefully in his/her work Explore the relationship between how things feel and how they look Explore colour with a variety of colour drawing instruments, media and techniques Make paintings based on recalled feelings and experiences and discover ways of achieving spatial effects Express his/her imaginative life and interpret imaginative themes using colour expressively Paint from observation Become sensitive to increasingly subtle colour differences and tonal variations in natural and manufactured objects Discover harmony and contrast in natural and manufactured objects and through themes chosen for their colour possibilities Discover pattern and rhythm in natural and manufactured objects Explore the relationship between how things feel and how they look Strand: Paint and colour Strand unit: Looking and responding

Strand: Drawing Strand unit: Making drawings Experiment with the marks that can be made with different drawing instruments on a range of surfaces Make drawings based on vividly recalled feelings, real and imaginative experiences and stories Discover and draw line and shape as seen in natural and manufactured objects and discover that lines can make shapes Explore the relationship between how things feel and how they look Experiment with the marks, lines, shapes, textures, patterns and tones that can be made with different drawing instruments on a range of surfaces Make drawings based on his/her personal or imaginative life with a growing sense of spatial relationships Explore shape as seen in natural and manufactured objects and become aware of the shape of shadows cast by objects Experiment with the marks, lines, shapes, textures, patterns and tones that can be made with different drawing instruments on a range of surfaces Make drawings from recalled experiences, emphasising pattern, detail, context and location Express his/her imaginative life and interpret imaginative themes using inventive pattern and detail Experiment with the marks, lines, shapes, textures, patterns and tones that can be made with different drawing instruments on a range of surfaces, demonstrating increasing sensitivity and control Discover how line could convey movement and rhythm Make drawings based on themes reflecting broadening interests, experiences and feelings Draw imaginative themes using inventive pattern and detail Draw from observation Draw from observation Draw from observation Strand: Drawing Strand Unit: Looking and responding

Strand: Construction Strand unit: Making constructions Make drawings from observation to analyse the structures of buildings and the natural structures of plants Make drawings from observation to analyse form and structure Make imaginative structures Make imaginative structures Make imaginative structures Make imaginative structures Strand: Construction Strand unit: Looking and responding Look at, investigate and talk about spatial arrangements and balance in collections of objects and in photographs of natural and built structures Look at collections or photographs of natural and built structures and investigate spatial arrangements, balance and outline and how the spaces created relate to the whole Look at collections or photographs of natural and built structures and investigate spatial arrangements, balance, outline Look at, investigate and talk about spatial arrangements, balance and outline in collections or photographs of natural and manufactured structures Look at and talk about structures that are easily accessible and close at hand, at visually stimulating structures and at a range of common artefacts Look at and talk about a local building complex, at a famous building and at visually stimulating artefacts (or slides or prints) Look at and talk about interesting examples of contemporary architecture and the work of great architects and builders of history. Look at and talk about impressive examples of buildings created in the past in different parts of the world and at contemporary architecture, sculpture, engineering and design (slides or prints)

Strand: Clay Strand unit: Developing form in clay Make a clay form and manipulate it with fingers to suggest a subject Invent mixed-media pieces in both representational and nonrepresentational modes Change the form of a small ball of clay, using the medium expressively Use clay to analyse and interpret form from observation Explore some of the essential characteristics of three-dimensional work Make simple pottery Make simple clay pots Make simple pottery and sculpture Make sturdy figures in clay using the medium expressively and with imaginative detail Work inventively with cubes or oblong blocks of clay and add details to suggest a solid structure Experiment with and develop line, shape, texture and pattern in clay Work inventively and expressively with cubes or oblong blocks of clay Develop line, shape, texture and pattern in clay Work inventively and expressively with papier maché Make an imaginative slab-built structure Experiment with and develop line, shape, texture and pattern in low relief Work inventively and expressively with papier maché Strand: Clay Strand Unit: Looking and responding Look at, handle and talk about objects with free-flowing forms Look at, handle and talk about his/her own work, the work of other children and simple pieces of clay pottery experience of three-dimensional form the work of other children and figures by famous sculptors with contrasting styles (or slides or prints) experience of three-dimensional form the work of other children and figurative and non-representational pieces of sculpture (slides or prints) Look at and talk about ritual masks, street theatre masks and figures, and functional and decorative pottery (or slides or prints) experience of three-dimensional form work of sculptors, including relief sculptures (prints or slides) Look at and talk about ritual masks, street theatre masks and figures, and functional and decorative pottery from different cultures and different times

Strand : Printing Strand unit : Making prints Experiment with the effects that can be achieved with simple print-making Use a variety of print-making techniques Experiment with the effects that can be achieved with simple print-making techniques Use a variety of print-making techniques to make theme-based or non-representational prints Experiment with a widening range of printmaking techniques Use a widening range of printmaking techniques to make themebased or nonrepresentational prints Make prints for functional uses (as well as for their own sake) Use a computer art program to create original images that are not dependent on clip art Experiment with more complex printmaking techniques Use more complex print-making techniques to make theme-based or nonrepresentational prints Make prints for functional uses (as well as for their own sake) Use a computer art program to create original images that are not dependent on clip art Strand: Printing Strand unit : Looking and responding Look at, handle and talk about familiar objects for experience of shape, texture, pattern prints composed of simple shapes and textures Look at and talk about examples of simple print design in everyday use Look at, handle and talk about familiar objects for experience of shape, texture and pattern prints that have relatively simple shapes, textures and patterns Look at examples of print design in everyday use experience of texture, shape, pattern prints or print design that emphasise the play of shape, texture or line Look at and talk about examples of design in everyday use experience of texture, shape and pattern prints or print design that demonstrate a variety of print-making techniques Strand: Fabric and Fibre Strand unit : Creating in fabric and fibre

Explore the possibilities of fabric and fibre as media for imaginative Make simple collages of fabric and fibre as media for imaginative Make small inventive pieces with fabric and fibre Explore and discover the possibilities of fabric and fibre as media for imaginative Make small inventive pieces in fabric and fibre Make soft toys, emphasising individuality and variety Invent a costume Invent a costume Invent a costume for a character from a story or use fabric as a stimulus for an exotic costume design of fabric and fibre as media for imaginative Make small inventive pieces in fabric and fibre Make simple character toys Design and make a costume Strand: Fabric and Fibre Strand unit: Looking and responding structural qualities spatial qualities Look at and talk about fabrics crafts and artefacts and visit a craftsperson at work if possible. spatial qualities Look at and talk about woven, embroidered, knitted and other fabrics, including interesting items of clothing from different times and cultures Look at and talk about fabric crafts and artefacts and visit a craftsperson at work if possible. spatial qualities Look at and talk about woven, embroidered, knitted and other fabrics, including interesting items of clothing from different times and cultures, and explore the role of textiles in culture Look at fabric crafts and artefacts and visit a craftsperson at work if possible.