The Pearson brand guidelines SUMMARY LOGO AND COLOUR GUIDELINES



Similar documents
Congratulations on becoming a Big Lottery Fund grant recipient

TABLE OF CONTENTS. SECTION ONE: OVERVIEW... 4 Who are these guidelines for?... 4 What is a visual identity guideline?... 4

rscds RSCDS corporate identity Detailed design guidance for the logo

An International Inner Wheel Campaign. Happier Futures. Branding Guidelines. An International Inner Wheel Campaign

General Rules for Usage of NMEA logo

Brand and Identity Guidelines

Logo Standards Guideline

Brand Identity Guide

LXI Consortium Trademark and Logo

Mini Brand Guide. Season 2014/15 Edition 01

McAFEE IDENTITY. October 2011

Brand identity guidelines

LEAGUE OF WOMEN VOTERS NAME & LOGO GUIDELINES

Fleet Operator Recognition Scheme design standards. Issue 1

BRAND GUIDELINES FOR CUSTOMERS: VERSION 02 IMPROVING BUSINESS PERFORMANCE

International Inner Wheel. Branding Guidelines

Branding Guidelines. April

LOGO & SIGNAGE STANDARDS USAGE MANUAL

Graphic Standards Guideline. Concrete Reinforcing Steel Institute

Congratulations on becoming a Big Lottery Fund grant recipient!

Drinkaware Logo Guidelines

a printer s guide to logo design

There are a number of ways to use the Trapeze Networks logo. Here are the guidelines to use that will help strengthen our logo awareness:

Year. English. Garden. In association with. Logo Design Guidelines

Brand-identity Guidelines

Oracle PartnerNetwork Brand Guidelines

Contents. Digital use..18 Presentations..20 Stakeholder Hub..22 Trademarks & Copyright..24 A summary..26

REVISED JUNE PLEASE DISCARD ANY PREVIOUS VERSIONS OF THIS GUIDE. Graphic Style Guide

Graphic Standards Manual

Get to know us. Canada Council for the Arts Brand Guidelines

English Tourism. Week. Logo Design Guidelines. In association with

Own it? Respect it. Secure it. Initiative

Graphic Communication Desktop Publishing

FSC CORPORATE DESIGN MANUAL

Forest Stewardship Council. Trademark Quick Guide for Certificate Holders

BRAND GUIDELINES. Version 13.1

VISUAL IDENTITY STYLE GUIDE. JUNE 23, 2014 VERSION 1.0 QUESTIONS:

SUBMITTING A PRESS-READY COVER For Paperback Books with Perfect Binding, Plastic Comb, and Plastic Coil Binding

Table of Contents Logo Implementation Typography Corporate Stationery Divisional Stationery Collateral Materials Web Site

Brand Identity Guidelines for Level 3 Global Partners

Emapa Ltd. CI Book. digital maps for business

Guidelines for GSA Division/Section Logo Revisions 1 May 2011

Design manual for CULT SHAKER

Creating Print-Ready Files

STYLE GUIDE From the Office of Marketing and Public Relations

File Folders. To produce a file folder you have the following options:

Hawkeye Community College

Office of Creative Services. Tuck Visual Identity. A reference guide to Tuck s logos and visual identification standards

Athletic Graphic Standards MANUAL

VIRGINIA WESLEYAN COLLEGE QUICK GUIDE TO GRAPHIC STANDARDS

APACHE BRAND GOLD. Standards. Apache. Geogrotesque. Adelle

So you say you want something printed...

LOGO GUIDELINES. January 2010

DALHOUSIE BRAND GUIDE AND TOOL KIT 4.0 SHORT FORM LOGO

UNDER REVISION. Appendix I. NCES Graphic Standards for Publication and Other Product Covers, Title Page, and Back of Title Page

The Logo 3. Fiksu Logo

FILE PREPARATION GUIDE

clipper design Issue 6 January 2016 Extract

UNIVERSITY OF LIMERICK BRAND SPECIFICATIONS

Labour Literature Design Assistant and Guidelines

CERTIFICATION. A VALUE TO COMMUNICATE.

National Energy Technology Laboratory Design Standards for the NETL Logo

One identity. One CMU. Brand Identity Standards 2014.v1

Microsoft Partner Program Certified Partner Logo Usage Guidelines

Brand Standard Guide

Plymouth. Britain s Ocean City.

Logo The Pearson logo

standards graphic standards manual

UPnP Logo Usage Guidelines 2016 Open Interconnect Consortium, Inc. All rights reserved. UPnP Logo Usage Guidelines

Brand Guidelines for Independent Award Centres

Design and print Briefing a design agency

size and proportion Graphic Standards Manual Version 1.3 January 2014

Forest Stewardship Council

Brand Identity and Style Guide Welcome. welcome. TO the Tottenham hotspur BRAND IDENTITY AND STYLE GUIDE. SUPPORTERS CLUB EDITION Version 2.

The Point Cloud Library Logo

Criteria and Terms of Use for the ONC Certified HIT Certification and Design Mark

UK Stroke Forum 2016 TOOLKIT

Design standards. for the University of York s 50th Anniversary logo

Society of Petroleum Engineers Graphic Standards Guide

Brand Standards Guide

Graphic Standards Manual

2015 Marketing Guidelines Parallels IP Holdings GmbH. All rights reserved. Terms of Use Privacy Policy

University of Stirling Brand Rules. Contents

How To Color Print

NDSU s official colors are yellow and green. Color codes for printed and digital needs are listed below.

Version 2 December How to promote your BSI certification.

Logo Use Guidelines and Waiver of Liability Form

Coeliac Society of Ireland. Brand Guidelines for Identity. design

Getting Started. Important if your cards are to have any extras (numbering, barcodes etc) then please supply two sets of PDFs.

Brand Guidelines Visual Identity

Logo files are available for download at Brand.amadeus.com

Guidelines for using The Heritage Council logo March 2008

October 15, Br and Standards Guide

The following guidelines will help ensure that our identity is used properly and effectively.

The University of Arizona Logo and Color Standards

Digital Asset & File Supply

Brand Identity Guidelines

Rules for use of the Responsible Jewellery Council Logo, Trademarks and Intellectual Property

to the Volkswagen events organizers

AirWatch by VMware. Partner Brand Guide

Transcription:

The Pearson brand guidelines SUMMARY LOGO AND COLOUR GUIDELINES

Logo and bar device We ve refined and simplified our logo. It s now represented by the Pearson name inside a bar and we ve removed the arc or swoosh. The bar can appear in any one of the four principal Pearson colours*. We use it at the top or bottom of Pearson applications so people know who they re dealing with, and that we re proud of what we re offering them. To download logo artwork, visit the media section on www.pearson.com. If you work at Pearson or on behalf of Pearson please contact pearson.communications@pearson.com for access to our full Pearson brand guidelines. These cover in detail guidelines on stationery templates, digital applications, marketing materials and the like. * Note: there are specific exceptions where the logo bar can appear in colours other than the four Pearson colours. They are: 1. When the logo bar appears on a book or a digital product. In these cases, the bar can take on a prominent colour from that product. 2. The bar can appear in black and white on materials that aren t printed in colour. p 2

Logo and bar device rules Logo and strapline/tagline sizes within the bar The size of our logo and strapline within the bar is defined by the golden ratio, a mathematical number that is said to have aesthetic proportions and has been used in art, design and construction for centuries. The Pearson logo and strapline must always be used on the bar device. Always use the master artwork provided, never re-create the elements yourself. Positioning the bar at the top When the bar appears at the top of a page or digital application (e.g. letterhead, business card, website) Pearson appears on the left and Always learning on the right. Positioning the bar at the bottom When the bar appears at the bottom (e.g. on ads, brochure covers, endorsed brand stationery, PowerPoint) the positions are reversed with Pearson on the right and Always learning on the left. Bar colour The bar can be in any one of the four Pearson principal colours. See page 32 for colour values. Never use the four logo bars together on the same application. We have a black version of the bar which you can use where you have printing restrictions. The bar should never appear at both the top and bottom of our communications and no other elements should ever appear in the logo bar; the only exceptions are the Pearson Foundation, PowerPoint and online environments. The logo bar should never sit in the middle of your layout on standard formats. 1 Overview AND OBJECTiveS 2 OUR New STRUCTUre 3 VISUAL TOOLKIT 4 KEY APPLICATIONS 5 HELP, PLEASE p 19

Using the Pearson bar BOUNDING BOX BOUNDING BOX Logo and strapline artwork The artwork for the logo and the strapline are provided as separate artwork files with a predetermined bounding box around it that should be sized to the height of the bar. (When placing artwork into InDesign, crop to Media in the import options to view the bounding box.) See the following page for bar sizes. Always use the artwork provided. Width of the bar The bar is designed to stretch across the width of an application. Stretch the bar by pulling the bar and the logo across, ensuring that the logo and strapline are not distorted. Height of the bar The height of the bar is set to a specific size determined by the size of the application, as seen in the table to the right. The sizes to the right show the height of the bar up to A0 when used on portrait or landscape formats. On websites the height of the bar should be 44 pixels. The height of the bar should never be smaller than 8mm/0.31 or 36 pixels. See the Online Guidelines for more information. Application Height of bar A6/Postcard 8mm/0.32 A5/Statement 10mm/0.4 A4/US Letter 14mm/0.52 A3/Tabloid 18mm/0.73 A2/ANSI-C 26mm/0.96 A1/ANSI-D 34mm/1.38 A0/ANSI-F 44mm/1.73 Large format 82mm/3.22 Large format bar usage The nature of large format applications such as graphics in exhibitions and conferences, means they may be viewed from longer distances. Purely for this reason we have created a large format bar device for A0/ ANSI-F and above. It has been set at A0/ ANSI-F width but the height has been increased to 82mm/3.22. From this format the bar can be proporationally scaled to stretch across the width of any large format. EXCLUSION ZONE Logo exclusion zone within the bar The bounding box surrounding the logo also forms an internal exclusion zone within the bar. Always ensure that the strapline does not enter the logo exclusion zone. If the bar is too narrow to comfortably fit both the strapline and the logo, the strapline should be removed. On book spines, always ensure that no other artwork elements enter the logo exclusion zone. See pages 24 28 for further information on books. EXCLUSION ZONE TOP OF PAGE EXCLUSION ZONE BOTTOM OF PAGE Bar device exclusion zone There is also an exclusion zone surrounding the bar which all other artwork elements should avoid. This is defined by the height of the P in the Pearson logo. 1 Overview AND OBJECTiveS 2 OUR New STRUCTUre 3 VISUAL TOOLKIT 4 KEY APPLICATIONS 5 HELP, PLEASE p 20

The Pearson bar scale guide The diagram to the right provides guidance on the height of the Pearson bar when used on specific paper dimensions. An Adobe Illustrator file containing the artwork for these scales is available to download from brand-microsite.pearson.com. You can select the scale you need, edit the colour and import the bar directly into your design file. Remember, if your bar appears at the top of your communication, the Pearson logo is positioned on the left-hand side and the strapline on the right-hand side. These artworks do not account for a bleed area, you will need to consider this when applying the bar to your design. Pearson bar artworks are also available for digital use. These bar artworks are produced for use full screen width on a variety of pre-set screen sizes. Screen size Bar size HDTV 1920 x 1080px 1920 x 128px YouTube 1280 x 720px 1280 x 76px Widescreen 1024 x 576px 1024 x 60px Web 800 x 600px 800 x 47px PAL 720 x 576px 720 x 44px NTSC 720 x 480 720 x 40 For bar sizes used within web pages the pixel height of the bar should not appear smaller than 36 pixels. Print focussed bars (World and US formats) NB: The bars shown here are for bottom bar application. Bar device, UK Landscape sizes. 8mm, A6 usage (148.5mm wide) 10mm, A5 usage (210mm wide) 14mm, A4 usage (297mm wide) 18mm, A3 usage (420mm wide) 26mm, A2 usage (594mm wide) 34mm, A1 usage (840mm wide) 44mm, A0 usage (1188mm wide) Bar device, UK Portrait sizes. 8mm, A6 usage (105mm wide) 10mm, A5 usage (148.5mm wide) 14mm, A4 usage (210mm wide) 18mm, A3 usage (297mm wide) 26mm, A2 usage (420mm wide) 34mm, A1 usage (594mm wide) 44mm, A0 usage (840mm wide) Bar device, US Landscape sizes. 0.32, Postcard usage (5.82 inches wide) 0.4, Statement usage (8.5 inches wide) 0.52, US Letter usage (11 inches wide) 0.73, Tabloid usage (17 inches wide) 0.96, ANSI-C usage (22 inches wide) 1.38, ANSI-D usage (34 inches wide) 1.73, ANSI-F usage (40 inches wide) Bar device, US Portrait sizes. 0.32, Postcard usage (3.92 inches wide) 0.4, Statement usage (5.5 inches wide) 0.52, US Letter usage (8.5 inches wide) 0.73, Tabloid usage (11 inches wide) 0.96, ANSI-C usage (17 inches wide) 1.38, ANSI-D usage (22 inches wide) 1.73, ANSI-F usage (28 inches wide) Large format scaleable bars (World and US formats) Bar device, UK sizes, CMYK. 82mm, A0 (840mm wide) portrait usage and above 82mm, A0 (1188mm wide) landscape usage and above Bar device, US sizes, CMYK. 3.22, ANSI-F (28 inches wide) portrait usage and above 3.22, ANSI-F (40 inches wide) portrait usage and above 1 Overview AND OBJECTiveS 2 OUR New STRUCTUre 3 VISUAL TOOLKIT 4 KEY APPLICATIONS 5 HELP, PLEASE p 21

Things to avoid when using the logo bar Don t use the old logo with the arc. Don t lock the strapline up to the logo. Only use our four principal colours on Pearson communications. Don t place any graphics or images in the bar. ALWAYS LEARNING PEARSON Don t slant, angle or skew the bar. Don t change the proportion of the logo in the bar. Don t place the logo and strapline together, always at either end of the bar. Don t use the logo out of the bar. If it is not possible to print the bar, please contact the brand team. WORKSHOP Don t stretch the strapline and logo when sizing the bar. Don t put the bar in the middle of the page. Always put it at the bottom or top. Don t place the logo in the middle of promotional merchandise. Always try to incorporate the bar in your design. If this is not possible, please contact the brand team. Don t rewrite the strapline in the bar with different events or words. There are two exceptions: in PowerPoint (where the bar can contain date information) and websites (where the bar can act as a navigation tool). music was dead Don t use two straplines in the logo bar device. Don t combine other elements such as illustrations with the logo bar device. Don t place any additional words in the logo bar device. 1 Overview AND OBJECTiveS 2 OUR New STRUCTUre 3 VISUAL TOOLKIT 4 KEY APPLICATIONS 5 HELP, PLEASE p 23

Colour values Principal colours The four principal colours provide variety and should be given equal usage. Use one colour per application (in other words, don t mix them up on a single page). Pearson Orange PMS 158 C 0 68 100 0 237 107 6 ed6b06 Pearson Purple PMS 221 C 24 100 44 26 157 19 72 9d1348 Pearson Green PMS 334 C 94 0 74 16 0 139 93 008b5d Pearson Blue PMS 661 C 100 75 0 0 54 67 149 364395 Background colours Cream and white are our background colours. Cream PMS 9142 C 2 4 10 0 251 245 234 fbf5ea Colour proportions Only use one principal colour per application, with black as a supporting colour. Colour is an important and ownable element of our identity system. The breakdowns given here have been specifically calibrated and tested and should not be altered or re-configured. The colours shown here and throughout this manual have not been evaluated by PANTONE Inc. for accuracy and may not match the PANTONE Colour Standards. Consult current PANTONE Publications for accurate colour. PANTONE is the property of PANTONE Inc. All RGB breakdowns use srgb colourspace. Please note: The CMYK specifications in these guidelines are correct. Whilst every effort has been made to match to the Pantone colours given, there is a possibility that varying results may occur. Please ensure that you match to the Pantone colours specified; always ask your printer for a proof to ensure the colour has been matched correctly. The preferred method of printing is CMYK. Pantones should only ever be used if single print production is the only option. Large format inkjet printers are often not colour calibrated. For this reason the printer should match to the Pantone colour and use the Pantone recommended CMYK breakdowns as a starting point. This rule applies to all of the colours. 1 Overview AND OBJECTiveS 2 OUR New STRUCTUre 3 VISUAL TOOLKIT 4 KEY APPLICATIONS 5 HELP, PLEASE p 32