study for string instrument

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1 study or string instrument Simon Steen-Andersen 2007

2 Study or String Instrument (2007) Movement o the sound or sound o the movement? ne simle "samle" is reeated over and over and is slowly broken down in its individual elements in a rocess o autonomizing the movements themselves The iece is notated only as movements (and can thereore be layed on any string instrument and maybe even on other instruments), and it is ust as much a choreograhy or the layer as it is a sounding iece or the instrument A choreograhic game - or even a kind o dance, accomanying itsel Study or String Instrument (2007) Lydens bevgelse eller bevgelsens lyd? En samle gentages igen og igen og brydes langsomt ned i dens individuelle bestanddele i en roces, hvor selve bevgelserne langsomt år et eget liv Stykket er kun noteret som bevgelser (og kan deror silles å alle strygeinstrumenter og måske også andre instrumenter), og det er ligeså meget en koreograi or musikeren som det er et klingende stykke or instrumentet En koreograisk leg eller måske en orm or dans, som akkomagnerer sig selv

thereore be layed on any string instrument and maybe even on other instruments), and it is ust as much a choreograhy or the layer as it is a sounding iece or the instrument A choreograhic game - or

3 string(s) q=0-0 rog Œ Ó Ó Ó oint high dee Study or String Instrument - i layed in a very big or noisy hall amliication may be used - can be layed on any string or air o strings, with or without rearation (x detuned string(s), etc) - always use as much as osible and always move between the lowest osible osition and the very highest (the end o the ingerboard) - the harmonics can be any artiicial harmonic (x quarter) - the orte should be a very loud orte (~) - the signs and techniques are exlained as they aear (inaudible or whatever sound the movement o the hand makes) move back in osition Œ Œ Œ Œ Simon Steen-Andersen 2007 Œ Œ Œ Œ Œ Œ Strong downbeats r R 27 rk RÔ (very exonential movements, crescendi and diminuendi) w 1

harmonics can be any artiicial harmonic (x quarter) - the orte should be a very loud orte (~) - the signs and techniques are exlained as they aear (inaudible or whatever sound the

4 1 1 1 (small break in the sound, when returning to the oint, but within the time),, (hands ractically touching each other) (inaudible, don't active the tone - only the sound o sliding the inger, i any) 7 (not too short) Œ Œ Œ 2

touching each other) 5 5 5 (inaudible, don't active the

5 2 P F (Strong downbeats) (the hands ractically touching each other) (inaudible - only the sound o the inger, i any) 10 (sim) A bit slower oco sul ont ("as i dancing") > > 11 F F F First temo 120 = col legno; 100% wood ord ord Slower (according to the room; ind a temo where the smallest sounds are still audible) ord (taed) (scratch several strings with ingernails)

F First temo 120 = col legno; 100% wood ord ord Slower (according to the room; ind a temo

6 12 ord sim = =ord ( "eté") 11 ("tremolo scrath") (both hands' tremoli and vib should be clearly visible (=a bit exaggerated) and very equal - as i it was the same movements) (molto vibrato) (hard ressure, ure noise) (the hands ractically touching each other, as i two obects exchanging kinetic energy) r (ercussive sound by hitting the strings hard) 159 r (molto vibrato) ine: orzheim oct/07 duration: 0-0 min

ressure, ure noise) (the hands ractically touching each other, as i two obects exchanging kinetic energy) r

Omkostnings- og investeringsteori Efterår 2009 Opgaver

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