Markiyan Filevych EDUCATION

Transcription

1 CURRICULUM VITAE Markiyan Filevych Lector of of Sacred Arts, Department of, Ukrainian Catholic University EDUCATION Doctor of Master of Bachelour of (Eastern Christian Studies) Institute for Liturgics, Hymnography and Sacred Arts and the Faculty of Catholic at The Karl-Franzens-University Graz, Austria Dissertation: Iconography and of the Deësis Image In Eastern Slavic Art From Its Origins Until the 15 th Century Faculty of Catholic at The Karl-Franzens-University Graz, Austria Master Тhesis: The Iconography of the Byzantine Sanctuary Screen in the Context of the Liturgy and the Church s Interior Metropolitan Sheptycky Institute at the St. Paul University, Ottwa, Canada Bachelour programm in Eastern Christian theology Lviv Theological Academy (now Ukrainian Catholic University) Programm in philosophy and theology The College of Fine Arts in Lviv, Ukraine (the department of textile art) Uncompleted Bachelor of Arts degree in Applied Arts PROFESSIONAL EXPERIENCE Areas of Research Interest Visual sacred arts Byzantine art and Byzantine theology of the sacred image Eastern European sacred art Devotional and liturgical practices and their relations to the sacred imagery Interactions and relations between liturgy and sacred architecture Sacred imagery and mass media Problems of the contemporary visual arts and ist social and cultural context 1

2 Current Research Editing the publication of theological writings of Karlo Zvirynsky (Ukrainian artist and iconographer) Article on theological significanse of TV live broadcasting of liturgical services and its implications in the understanding of the Byzantine liturgy Research on Contemporary Christian Sacred Architecture and Visual Arts in the Post-Soviet Region Teaching activities Feb. Oct and from Sept untill present From Feb untill present July August 2005, July August 2006 Feb. Oct Feb. Oct Teaching at the Bachelor and Master programmes, and Philosophy Faculty, Ukrainian Catholic University Lecturing optional courses at Lviv Business School Supervising the thesis researches of Master of students, and Philosophy Faculty, Ukrainian Catholic University Lecturing at the Icon Writing Summer School, Ukrainian Catholic University Lecturing at the Catechetical Programs, Evening School Lecturing at the Catechetical Programs, Kiev School Courses taught History of Sacred Art in Europe of the Icon and Problem of the Image in Christianity Selected Topics in of Image: Eastern and Western Approaches The Sacred Architecture of the Christian East Contemporary Issues in Easthetics What is Art About? Introduction into Visual Arts How to Understand the Architecture? Introduction into Architecture 2

3 Administrative and other experience Since Feb Director, Ukrainian Catholic University Press 2005 and 2006 Director, Icon Writing Summer School at the Ukrainian Catholic University Pastoral assistant at the St. George Cathedral in Saskatoon, Saskatchewan, Canada, then at the St. Elias Church, Brampton, Ontario, Canada Journalist and section editor at the Christian Newspaper for Youth Viruyu ( I believe ) in Lviv PERSONAL Date of Birth: July 18, Lviv, Ukraine Professional address: Ukrainian Catholic University, Sventsitskogo Str. 17, Lviv 79011, Ukraine Tel: Fax: [email protected] Home Address: Rynok Square 37/4, Lviv, 79008, Ukraine Tel: Marital Status: Married. PUBLICATIONS AND PRESENTATIONS Chapters in book (in Ukrainian): 1. Lviv Gospel (The Armenian Manuscript of the 14 th c) // Encyclopedia of Lviv, Lviv Tadeusz Mankowski (Lviv Art Historian of the first half of the 20 th c) // Encyclopedia of Lviv, Lviv 2009 Selected Articles (in Ukrainian): 1. Andy Warhol. In Memoriam // Magazine Nova Doba 1 (1997) 2. On the Edge of Traditions. Contemporary Visual Art in the Lviv Church Buildings // Newspaper Postup 6 (1997) 3. Several Prelimenary Questions for Understanding an Icon // Magazine of the Christian Laity Patriarchat, 6 (2003) 4. Constantinas Cavafis and Bruno Schulz // Online Magazine Train 76, 3 (2004) 5. On Perspectives of New Art // Magazine of Texts and Visions Chetver, 21 (2004) 3

4 6. What Shell We Do with Iconostasis? // Magazine of the Christian Laity Patriarchat, 1 (2006) 7. The Art of Banksy As a Social Protest // Magazine of the Christian Laity Patriarchat, 2 (2009) 8. National Bronze. Problems of the Post Soviet Monumental Sculpture // Zaxid Net, Oct Recent presentations 1. Centers of Icon Painting in Ukraine: Ideas, Problems and Perspectives // Icon in Ukraine in 21 th century - International Conference of the Ukrainian Theological Sociaty (September 2009), Zarvanycia, Ukraine 2. When Sacred Art Becomes Sacred? Esthetics As the Theological Value // Freedom and Responsibility in Sacred Art International Conference of the Society of Sacred Art Enthusiasts (October 2009), Przemysl, Poland DISSERTATION ABSTRACT Title: Iconography and of the Deësis Image In Eastern Slavic Art From Its Origins Until the 15 th Century (2009, Graz, Austria) The object of study in my dissertation is the description of theological ideas which in the 11 th 15 th centuries might be signified through the deësis image. This description can be made by means of analysis of iconography of the deësis image found in Eastern Slavic art from its origins until the 15 th century. The first part presents the main works of the epoch in their context, supplemented by observations regarding iconographical changes. The first chapter of the second part deals with the differences within the iconography of the deësis and the following chapter analyzes the appearances of the image in the context of the Eastern Slavic sacral space. The main theological ideas and topics linked with the deësis image are presented in the last chapters of the study. The general observations and the main results of the research are presented in the summary of the deësis study. The image and the theology affected one another: they existed under constant mutual influences. Thus one has to analyze sequentially changes in the iconography of the works and their sites within the sacred interiors. One also has to remember the contemporary religiosity in both its dimensions: in the scholarly theology of high society and in the popular devotional practices. 4

5 LANGUAGES 1. Spoken, Read and Written: Ukrainian (mother tongue), English, German, Russian 2. Spoken and Read: Polish 3. Read: French, Greek and Latin 5