GETTIN UNDERGROUND TOGETHER!

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3 GETTIN UNDERGROUND TOGETHER!

4 KISMIF Convenors Andy Bennett, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal KISMIF Scientific Committee Alastair Gordon, Leicester De Montfort University, Punk Scholars Network, United Kingdom Andy Bennett, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Augusto Santos Silva, Faculty of Economics, Institute of Sociology, University of Porto, KISMIF Project, Portugal Carles Feixa, Department of Geography and Sociology, University of Lleida, JOVIS, European Youth Studies, International Sociological Association, KISMIF Project, Spain Heitor Alvelos, University of Porto, Portugal Jeder Janotti Junior, Post-Graduate Program in Communication for the Communication Department of Federal University of Pernambuco, Audiovisual and Music Analysis Laboratory, Brazil João Queirós, School of Education, Polytechnic Institute of Porto, Institute of Sociology, University of Porto, KISMIF Project, Portugal José Machado Pais, Institute of Social Sciences, University of Lisbon, Portugal Júlio Dolbeth, Faculty of Fine Arts of the University of Porto, Dama Aflita Gallery, Portugal Luís Fernandes, Faculty of Psychology and Educational Sciences, University of Porto, KISMIF Project, Portugal Manuel Loff, Department of History, Faculty of Arts and Humanities, University of Porto, Portugal Matthew Worley, University of Reading, Subcultures Network, United Kingdom Mike Dines, Institute of Contemporary Music Performance, Punk Scholars Network, United Kingdom Paula Abreu, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Paulo Cunha e Silva, Councillor, Department of Culture, Porto Municipal Council, Portugal Pedro Costa, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal Rui Telmo Gomes, Centre for Research and Studies in Sociology, University Institute of Lisbon, KISMIF Project, Portugal Will Straw, Department of Art History and Communications Studies, Director of McGill Institute for the Study of Canada, McGill University, Canada KISMIF Executive Committee Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Project, Portugal Ana Raposo, ESAD College of Art and Design Matosinhos, Punk Scholars Network, KISMIF Projet, Portugal Esgar Acelerado, Independent Artist, Mr. Esgar, KISMIF Project, Portugal Gil Fesch, Institute of Sociology, University of Porto, Portugal Guilherme Blanc, Department of Culture, Porto Municipal Council, Portugal João Queirós, School of Education, Polytechnic Institute of Porto, Institute of Sociology, University of Porto, KISMIF Project, Portugal Marcos Farrajota, Comics Library of Lisbon/ BLX, Municipality of Lisbon, Chili Com Carne Association, MMMNNNRRRG label, KISMIF Project, Portugal Paula Abreu, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal

5 Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Pedro Costa, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal Pedro Miguel Ferreira, Polytechnic Institute of Leiria, School of Education and Social Sciences, Preguiça Magazine, Portugal Pedro Quintela, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Ricardo Salazar, Lawyer, Owner of the bar RADIO, Portugal Rui Telmo Gomes, Centre for Research and Studies in Sociology, University Institute of Lisbon, KISMIF Project, Portugal Tânia Moreira, Faculty of Arts and Humanities, University of Porto, KISMIF Project, Portugal Vítor Massa, Faculty of Arts and Humanities, University of Porto, Portugal Armanda Vilar, Graphic designer, Freelancer, Portugal [email protected]

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7 Vera Marmelo

8 8 Practical information

9 Faculty of Arts and Humanities of the University of Porto The Faculty of Arts and Humanities of the University of Porto (FLUP) is a higher education institution (established in 1928), dedicated to teaching and research in the areas of the Human and Social Sciences, and is host to 12 Research and Development Units. FLUP is an institution renowned not only for its extensive, high-quality range of academic training but also for the volume and quality of its scientific production. Also worthy of note is its integration and interrelations with the surrounding environment, operating as a vector in the promotion and dissemination of knowledge and in the social, cultural and economic development of the region and the country itself. With over 3000 students, FLUP offers 13 undergraduate courses (licenciatura), 30 Master s courses (mestrado) and 18 doctoral courses (doutoramento). Some of these courses are taught jointly with other Faculties of the University of Porto and/or other universities. Apart from the degrees offered, FLUP also provides a wide variety of vocational training courses as well as open courses (including a range of language programmes, from Arabic, Chinese and Japanese to Hungarian, Polish and Persian). Most of the vocational training courses are certified by the Portuguese Pedagogical and Scientific Council for In-Service Training and award credits for career development. Based on an exchange of knowledge and expertise, the courses are designed to encourage the production of scientific knowledge and provide students with the professional skills they will require to enter the labour market and to pursue endeavours in entrepreneurship. The Faculty s teaching staff is highly qualified with almost all its members hold a doctoral degree. They are vastly prolific in scientific production and have significant international experience in their areas of research and teaching. Both teaching staff and PhD and master s students are involved in a number of on-going national and international research projects as part of the activities of R&D Units accredited and financed by the Portuguese Foundation for Science and Technology. MusiCult Practical information 9

10 The Faculty s Central Library holds close to volumes, which are available in its digital catalogue, and is extensively used by the its students, as well as students from other faculties and universities. It also provides specialized international databases, and readers can consult a wide range of electronic publications and journals. Additionally, the Digital Library provides users with full text access to the Faculty s publications. Address: Faculdade de Letras da Universidade do Porto, Via Panorâmica, s/n, Porto PORTUGAL Phone number: Website: Facebook: Porto/ How to get to FLUP? Faculty of Arts and Humanities of the University of Porto By Metro: The nearest Metro station to FLUP is Casa da Música and it s approximately 10 minutes away on foot. Once up on the surface, you can get on bus 204 heading to Foz and stop at Junta de Massarelos in Campo Alegre. The Faculty of Arts is located in Via Panorâmica, near the motorway junction. For more information: By Bus: The Faculty of Arts of the University of Porto is served by the following bus lines: 200, 204, 207, 902, 903. Regardless of the departure point, the closest bus stop to FLUP is Junta de Massarelos in Campo Alegre. If you do not have a metro or bus ticket ( Andante or Passe ), you can purchase one on board. For more information: By Train: If you want to get to Porto by train, you should get off in one of two main stations: Campanhã or S. Bento. If you get off at Campanhã, there are 2 means of public transport available: (a) by metro: take any of the lines that go by Campanhã because any one of them will take you to Casa da Música without having to transfer (To learn how to go from Casa da Música to FLUP, please see By Metro above); (b) by bus: bus 207 passes by Campanhã and heads 10 Practical information

11 towards Foz. This bus will take you to Rua do Campo Alegre, where you will have to stop at Junta de Massarelos. If you get off at S. Bento, there are also 2 means of public transport available: (a) by metro: the metro station of St. Bento is right outside the train station to the left and is an underground station. You should take the Metro heading towards Hospital de S. João. You will have to make the transfer at the Trindade Station, get on another Metro and then get off at Casa da Música. To learn how to go to FLUP, please see By Metro above; (b) by bus: when getting off at the train station, go to: (1) Praça da Cordoaria (in the upper end of Rua dos Clérigos) and get on bus 902 or 903; (2) Praça D. João I and get on bus 200 or 207. You will have to get off at Junta de Massarelos in Rua do Campo Alegre. By Car: FLUP is located in Pole 3 of the University of Porto, at the road junction of Campo Alegre. If coming from North or East, you should follow the main collector road of VCI, towards Lisbon (Ponte da Arrábida) and exit in Campo Alegre. If coming from South, follow the direction towards Ponte de Arrábida and exit in Campo Alegre (1st exit immediately after the bridge). FLUP - 0 th Floor Practical information 11

12 FLUP - 2 nd Floor 12 Practical information

13 Casa da Música Casa da Música was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe, and it is the first new building in Portugal to be entirely dedicated to music - to the presentation and public enjoyment of music, to music education and to the creation of music. The project took shape in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 on the site of Porto's former central tram garage on the Rotunda da Boavista, and Casa da Música opened its doors to the public on April 15th, Casa da Música was planned as a home for all types of music and it is not only part of the urban redevelopment of Porto but also part of a network of cultural facilities, for the city of Porto and for the wider world. Underlying it is an innovative and wide-ranging cultural project, which aims to make an exciting contribution to the national and international music scene, as an arena for all types of musical events - from classical music to jazz, from fado to electronic music, from great international productions to more experimental projects. Besides concerts, recitals and other types of performance, Casa da Música also organises events for musicians and musicologists and invests in research into the origins of Portuguese music. In addition, it plays a very important role in music education. It is a cultural meeting point between music and other areas of artistic creation and knowledge, providing a space for all kinds of audiences and creators. Address: Av. da Boavista, , Porto, PORTUGAL Phone number: (+351) Website: Facebook: How to get to Casa da Música? By Metro: The nearest Metro station to Casa da Música is the Metro station with the same name - Casa da Música. To go to this Metro Station you can take the following lines: A, B, C, E and F. For more information: By Bus: Casa da Música is served by the following bus lines: 201, 202, 203, 204, 208, 209, 303, 402, 501, 502, 503, 504, 507, 601, 803, 902, 903. Regardless of the departure point, the closest bus stop to Casa da Música is a bus stop with the same name - Casa da Música. If you do not have a metro or bus ticket ( Andante or Passe ), you can purchase one on board. For more information: Practical information 13

14 By Train: If you want to get to Porto by train, you should get off in one of two main stations: Campanhã or S. Bento. If you get off at Campanhã, you can take any of the lines that go by Campanhã because any one of them will take you to Casa da Música without having to transfer. If you get off at S. Bento, the metro station of St. Bento is right outside the train station to the left and is an underground station. You should take the Metro heading towards Hospital de S. João. You will have to make the transfer at the Trindade Station, get on another Metro and then get off at Casa da Música. Casa da Música - 1 st Floor 14 Practical information

15 TM Rivoli The Rivoli Municipal Theatre (TM Rivoli), owned by the Porto City Council, is one of the two poles of the Municipal Theatre of Porto (the other pole is the Municipal Theatre Campo Alegre). It is located at Praça D. João I and presents an own and regular programming, directed by Tiago Guedes and under the umbrella of the Department of Culture of the municipality. If we go back in the history of this theater, we can say that in the 1970s, the image of the theater suffered a setback, caused by a bad financial situation. Rivoli began to deteriorate, with obsolete equipment and without regular schedule or own target public. At that time, the Porto City Council decided to buy the structure in order to return it to the city and its inhabitants. In 1992, the Theater closed for a complete refurbishment with a project of the architect Pedro Ramalho. The existing area of m² was expanded to more than m², creating a secondary auditorium, a Cafe-concert, one Rehearsal Room and one Foyer of Artists, as well as spaces for Administrative Services and Technical Services. In October of 1997, Rivoli reopened its doors. In 2014, the Department of Culture of the Porto City Council definitely took the destiny of the Municipal Theatre (Rivoli and Campo Alegre). For the first time conceived in its entirety by the new artistic direction, the proposal of Rivoli opens to multiple arts, with emphasis on dance, but with space for performance, theater, cinema, thought, music, literature, exhibitions, workshops, artist residencies, puppetry and new circus. Address: Praça D. João I, Porto, PORTUGAL Phone number: (+351) [email protected] Website: Facebook: How to get to TM Rivoli? By Metro: The nearest Metro stations to TM Rivoli are the Metro stations with the name Trindade or Aliados. To go to the Metro Station Trindade you can take any of the lines of the Metro. To go to the Metro Station Aliados you can take the line D. For more information: By Bus: Nearest to TM Rivoli, there is a bus stop called PR.D.JOÃO I. This bus stop is served by the following bus lines: 200, 207, 300, 302, 305, 400, 801, 904, 905, 22, 11. If you do not have a metro or bus ticket ( Andante or Passe ), you can purchase one on board. For more information: Porto., Teatro Municipal do Porto Practical information 15

16 Matéria Prima Matéria Prima has begun with a service of orders and deliveries of records but quickly became a true cultural epicenter in Oporto for those interested in the most contemporary music scenes. Much more than just a music store, this is a meeting point for professionals and lovers of less mainstream music, ideal space for the discovery of innovative and alternative styles. A sort of cult spot that deserves the attention of those who constantly seek for new sounds and experiences, from a unique and selected range of CDs and vinyl, but also maga zines, books, DVDs, all connected to the world of music. Always getting a wider dynamic, Matéria Prima is also associated to a lot of gigs and artists that have been in Porto over the recent years, and keeps on seeking the promotion of events in partnership with other local cultural spaces. Address: Rua da Picaria, n.º 84, Porto, PORTUGAL [email protected] Phone number: (+351) Website: Matéria Prima How to get to Matéria Prima? By Metro: The nearest Metro stations to Matéria Prima are the Metro stations with the name Trindade or Aliados. To go to the Metro Station Trindade you can take any of the lines of the Metro. To go to the Metro Station Aliados you can take the line D. For more information: By Bus: Nearest to Matéria Prima, there is a bus stop called Praça Filipa de Lencastre'. This bus stop is served by the following bus lines: 200, 201, 207, 208, 300, 302, 305, 501. If you do not have a metro or bus ticket ( Andante or Passe ), you can purchase one on board. For more information: Practical information

17 Edifício Montepio Since the end of the year 2012, Edifício Montepio is part of a project (coordinated by the Porto City Council through Porto Vivo and Porto Lazer) which aims to promote the attractiveness of the center of Porto, promoting their rehabilitation and revitalization. It is intended not only to attract new people, but also to create a greater affinity of the inhabitants of Porto with the city. Thus, this project seeks to strengthen the dynamics of creativity and social and cultural intervention on the city center and to approximate the various poles of downtown, serving as a main center of a set of initiatives and interventions which should have the ability to contaminate the entire downtown, strengthening and sustaining the long-term process of rehabilitation and revitalization. Address: Av. dos Aliados, 90 R/C, Porto, PORTUGAL How to get to Edifício Montepio? By Metro: The nearest Metro stations to Edifício Montepio are the Metro stations with the name Trindade or Aliados. To go to the Metro Station Trindade you can take any of the lines of the Metro. To go to the Metro Station Aliados you can take the line D. For more information: By Bus: Nearest to Edifício Montepio, there are a bus stop called PR.D.JOÃO I and AV. ALIADOS. This bus stops are served by the following bus lines: 200, 201, 202, 207, 208, 300, 302, 305, 400, 501, 600, 801, 900, 901, 904, 905, 906, 22, 11. If you do not have a metro or bus ticket ( Andante or Passe ), you can purchase one on board. For more information: Practical information 17

18 Palacete Viscondes Balsemão Palacete dos Viscondes de Balsemão is a manor house built in the second half of the 18th century, and underwent profound changes in the two subsequent centuries. Commissioned by José Alvo Brandão Coutinho Perestrelo Pereira da Azevedo, it came into the possession of the Balsemão family, by marriage of D. Maria Rosa with Luís Máximo Alfredo Pinto de Sousa Coutinho. Around 1840, it was leased to António Bernardino Peixe, who set up a renowned inn, where King Charles Albert of Sardinia stayed in 1849, during his exile in Porto. In 1854, the 1st Viscount of Trindade bought the palace and refurbished it. After the death of his widow in 1895, the building came into the possession of their daughter, D. Josefina Henriqueta Sousa Basto. From 1907 until the First World War ( ), it housed the Gas Company of Porto, and later, in 1988, the Municipal Gas and Electricity Services and EDP. Since 1996, it houses the Municipal Directorate for Culture and Tourism, of the City Council of Porto, and the Numismatic Office which has one of the most complete and important collections in the country (since the origins of the coin, with Roman, Visigoths, Arabs pieces and Portuguese coins of monarchy and republic). The building still boasts its ceilings decorated with stucco work, paintings and coffered ceilings, sliding doors with tinted glazing, and commemorative medals of distinguished guests. Address: Praça de Carlos Alberto, 71, Porto [email protected] Phone number: (+351) How to get to Palacete Viscondes Balsemão? By Bus: Nearest to Palacete Viscondes de Balsemão, there is a bus stop called Carmo'. This bus stop is served by the following bus lines: 200, 201, 207, 208, 300, 302, 305,501, 507, 601. If you do not have a metro or bus ticket ( Andante or Passe ), you can purchase one on board. For more information: Practical information

19 Plano B Plano B is more than a club, it s a space of cultural association, divided over two floors and a set of large rooms with different atmospheres, sometimes being a cultural space with good conditions for holding exhibitions of visual arts, design and architecture, conferences, gatherings and workshops, sometimes being a commercial space with shop, bar and coffee supporting, or a multipurpose space for music concerts, from jazz to rock, passing by electronic or experimental music, film and documentaries cycles, theatre, dance and other performances. With a chic décor (for an alternative space), full of mirrors and retro objects, Plano B is a local established in December 2006 from the concerted effort of the architects Bernardo Fonseca and Filipe Teixeira, and of the plastic artist and musician João Carlos Teixeira. Plano B is a space where we know we can find new national values in areas such as fashion, design, literature, music, etc.., as well as a careful selection of national quality products such as wines, cheeses, jams, teas and other delicacies. With an urban and cosmopolitan concept, worthy of any of the coolest cities in the world, for sure Plano B will call your attention and visit. Address: Rua Cândido dos Reis, 30 Porto, PORTUGAL [email protected] Website: Facebook: How to get to Plano B? By Bus: Nearest to Plano B, there is a bus stop called Cordoaria'. This bus stop is served by the following bus lines: 200, 201, 207, 208, 301, 303, 305,501, 601. If you do not have a metro or bus ticket ( Andante or Passe ), you can purchase one on board. For more information: Practical information 19

20 Taylor's Port Cellars For many, Taylor s is the archetypal Port house and its wines the quintessential Ports. Established over three centuries ago in 1692, Taylor s is one of the oldest of the founding Port houses. It is dedicated entirely to the production of Port wine and in particular to its finest styles. Above all, Taylor s is regarded as the benchmark for Vintage Port. Noted for their elegance and poise as well as for their restrained power and longevity, Taylor s Vintage Ports are blended from the finest wines of the firm s own quintas or estates, Vargellas, Terra Feita and Junco. Taylor s is also respected as a producer of wood aged ports and holds one of the largest reserves of rare cask aged wines from which its distinguished aged tawny Ports are drawn. The house is also known as the originator of Late Bottled Vintage, a style which the firm pioneered and of which it remains the leading producer. Based in Oporto and the Douro Valley the company is closely involved in all stages of the production of its Ports, from the planting of the vineyard and the cultivation of the grapes to the making, ageing, blending and bottling of the wines. The family s commitment to the future of Port is demonstrated in its single minded dedication to the highest standards in Port production, its continued investment in all aspects of the firm s operations and its determination to preserve the unique environment of the Douro Valley through the promotion of sustainable and responsible viticulture. Address: Rua do Choupelo nº 250, Vila Nova de Gaia, PORTUGAL Phone number: (+351) Website: Facebook: How to get to Taylor's Port Cellars? By Metro: The nearest Metro stations to Taylor's Port Cellars are the Metro stations with the name General Torres. To go to this Metro Station you should take the line D. For more information: By Bus: Nearest to Taylor's Port Cellars, there is a bus stop called General Torres'. This bus stop is served by the following bus lines: 904 or 905. If you do not have a metro or bus ticket ( Andante or Passe ), you can purchase one on board. For more information: Practical information

21 Rádio bar In the downtown of Porto city, there is a bar called Radio and has dual frequency, with different waves but which supplement and complement each other. In an emblematic building, with historical and architectural value, where in the nineteenth century worked a court and Camilo Castelo Branco was tried, and in the early twentieth century was the stage for a cabaret. Now is the space that houses this bar with a very own character, overlooking a square and extending to an interior garden, with an area to talk and dance floor where the music is a fusion between the recent and the oldest. Downstairs we find the FM space, with a frequency marked by the dancing waves. The first floor includes the AM space, with more relaxed frequency waves, excellent to conversations. In this floor should be highlighted the restoration that preserved the building's original traces and revived their memories, keeping details of refinement, paintings, stained glass windows, doors, woods. The building has several rooms that are now decorated with contemporary notes, showing each one its own personality. Address: Praça de Dona Filipa de Lencastre, 18, Porto, PORTUGAL Phone number: (+351) Facebook: How to get to Rádio bar? By Bus: Nearest to Rádio bar, there is a bus stop called PR.FILIPA DE LENCASTRE '. This bus stop is served by the following bus lines: 200, 201, 207, 208, 300, 302, 305, 501, 22. If you do not have a metro or bus ticket ( Andante or Passe ), you can purchase one on board. For more information: Practical information 21

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23 Rui Oliveira

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25 Program overview 5

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27 Vera Marmelo Short Program 7

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29 Tuesday, 07 July h00-18h30 Official opening and Welcome Speeches There's a City in My Head Foyer 3rd Floor, TM Rivoli, Porto 18h30-19h00 OPENING EXHIBITION DIY DIY My Outspace Zines & Records Foyer 3 rd Floor, TM Rivoli, Porto Friday, 10 July h30-15h30 OPENING EXHIBITION Under-Ventures by Ondina Palacete Viscondes Balsemão, Porto 16h30-17h00 OPENING EXHIBITION Ain t Art, Bastards! Exhibition of Esgar Acelerado Edifício Montepio, Porto 17h00-17h30 OPENING EXHIBITION We Love 77 Edifício Montepio, Porto 17h30-18h00 OPENING EXHIBITION DIY DIY My Outspace Zines & Records Edifício Montepio, Porto Monday, 13 July h00-09h30 Official opening and Welcome Speeches Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 09h30-10h40 DISCUSSION LECTURES: Carles Feixa and Ross Haenfler Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 10h40-11h00 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 11h00-12h30 Work Sessions 1./ 2. Working Group 1 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Working Group 2 No Room for You [203], Faculty of Arts and Humanities of the University of Porto Short Program 9

30 12h30-13h30 Lunch Room at The Top [Sala de Reuniões], Faculty of Arts and Humanities of the University of Porto 13h30 OPENING EXHIBITION All the Love in the World Hall the Love of the Room [Entrada da Sala de Reuniões] 13h30 OPENING EXHIBITION Search & Destroy Two People in a Room [207] 13h30 OPENING EXHIBITION DIY DIY My Outspace Zines & Records DIY DIY my Darling [202], Faculty of Arts and Humanities of the University of Porto 14h00-14h30 OPENING EXHIBITION On the Road to the American Underground Library, Faculty of Arts and Humanities of the University of Porto 14h30-15h00 BOOK LAUNCH Subcultures: The Basics, by Ross Haenfler Library, Faculty of Arts and Humanities of the University of Porto 15h00-15h10 DISCUSSION LECTURES: Andy Bennett and François Ribac Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 16h10-16h30 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 16h30-18h00 Work Sessions 3./ 4. Working Group 3 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Working Group 4 No Room for You [203], Faculty of Arts and Humanities of the University of Porto 18h30-19h00 BOOK LAUNCH De la Generación@ a la #Generacion, by Carles Feixa Cibermúsica [Cybermusic], Casa da Música Tuesday, 14 July h00-10h10 DISCUSSION LECTURES: Alastair Gordon and Mike Dines Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 10h10-10h30 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 10 Short Program

31 10h30-12h00 Work Sessions 5./ 6. Working Group 5 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Working Group 6 No Room for You [203], Faculty of Arts and Humanities of the University of Porto 12h00-13h00 Lunch Room at The Top [Sala de Reuniões], Faculty of Arts and Humanities of the University of Porto 13h00-13h30 OPENING EXHIBITION Live Fast! Die Punk! Teacher's Lounge, Faculty of Arts and Humanities of the University of Porto 13h30-14h00 BOOK LAUNCH Rock me Like The Devil: a assinatura das cenas e das identidades metálicas [Rock me Like The Devil: the signature of the metal scenes and identities] by Jeder Janotti Jr. Library, Faculty of Arts and Humanities of the University of Porto 14h00-15h10 DISCUSSION LECTURES: Jeder Janotti Junior and Pedro Costa Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 15h10-16h40 Work Sessions 7./ 8. Working Group 7 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Working Group 8 No Room for You [203], Faculty of Arts and Humanities of the University of Porto 16h40-17h00 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 17h30-18h30 OPENING EXHIBITION Facadas na Noite [Stabs at Night] Matéria Prima, Porto 19h00-19h45 PRE-RELEASE O Meu Espelho [My Mirror] by Paula Guerra Café-Concerto, TM Rivoli, Porto 19h45-20h15 BOOK LAUNCH More Than Loud, edited by Paula Guerra Café-Concerto, TM Rivoli, Porto 21h30-23h00 SCREENING/ RELEASE of the documentary Bastardos. Trajetos do Punk Português ( ) [Bastards. Pathways of the Portuguese Punk ( )] Pequeno Auditório [Small Auditorium], TM Rivoli, Porto Short Program 11

32 23h30-00h30 GIG Tó Trips. Guitarra Makaka. Danças a um Deus Desconhecido [Monkey Guitar. Dancing to a God Unknown] Sub-palco [Under Stage], TM Rivoli, Porto Wednesday, 15 July 2015 From 08h00 Opening and Registration Faculty of Arts and Humanities of the University of Porto 09h15-10h30 PLENARY LECTURE: Andy Bennett and Dick Hebdige Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 10h30-11h00 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 11h00-12h15 PLENARY LECTURE: Carles Feixa and Paula Guerra Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 12h15-13h30 Lunch Room at The Top [Sala de Reuniões], Faculty of Arts and Humanities of the University of Porto 13h30-15h15 Parallel Sessions 1.1./ 2.1./ 3.1./ 4.1./ Hybridism and glocalization in popular music Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 2.1. Always louder than anywhere else: punk in between the global and the local No Room for You [203], Faculty of Arts and Humanities of the University of Porto 3.1. Paranoid images, kaleidoscopes of sound Room For One More [208], Faculty of Arts and Humanities of the University of Porto 4.1. Between Heaven And Hell : Music, resistence, authority and social change Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto 5.1. Creativity, entrepeneurship and cultural resistance in contemporaneity Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto 15h15-17h00 Parallel Sessions 1.2./ 2.2./ 3.2./ 4.2./ The troubled paths from underground to mainstream Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 2.2. I Was a Teenage Werewolf! Punk, style, authenticity and commodification 12 Short Program

33 No Room for You [203], Faculty of Arts and Humanities of the University of Porto 3.2. Cultural cartographies of popular music scenes, cities and creative industries Room For One More [208], Faculty of Arts and Humanities of the University of Porto 4.2. High on Rebellion : Gender, diference, subversion and (sub)culture Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto 5.2. Carreers, jobs and arts: challenges and persistences Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto 17h00-17h30 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 17h30-19h15 Parallel Sessions 1.3./ 2.3./ 3.3./ 5.3./ Whatever Happened to Rock 'n' Roll?: popular music heritage and memories Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 2.3. Destroy all monsters! Punk rock pedagogy, subversion, resistance and community No Room for You [203], Faculty of Arts and Humanities of the University of Porto 3.3. Crossing borders of underground music scenes through arts and creativity Room For One More [208], Faculty of Arts and Humanities of the University of Porto 5.3. Rebellious Jukebox: Dream narratives and challenges in current artistic work Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto 6.1. Alive Tonight! Electronic dance music, post-colonial studies and borders Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto 19h30-20h15 BOOK LAUNCH One Chord Wonders: Power and Meaning in Punk Rock, by Dave Laing Cibermúsica [Cybermusic], Casa da Música 20h15-21h00 TRIBUTE After 35 years of Subculture: The Meaning of Style, with interview to Dick Hebdige Café-Concerto, TM Rivoli, Porto 21h30-23h00 SCREENING of the documentary Teenage Pequeno Auditório [Small Auditorium], TM Rivoli, Porto 23h30-00h30 GIG Psicotronics and Tracy Vandal Sub-palco [Under Stage], TM Rivoli, Porto Thursday, 16 July h15-11h00 Parallel Sessions 2.4./ 3.4./ 5.4./ 6.2./ 7.1. Short Program 13

34 2.4. The punk scene in France ( ): Identities and specificities Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 3.4. The city is mine! Cities, transformation, activism and intervention Room For One More [208], Faculty of Arts and Humanities of the University of Porto 5.4. Revolution Ballroom : Social innovation, creativity, DIY and social inclusion Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto 6.2. Power, loud and darkness: the persistence of metal No Room for You [203], Faculty of Arts and Humanities of the University of Porto 7.1. Everybody Everywhere : Mediation, strategies and audiences Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto 11h00-11h30 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 11h30-12h15 PLENARY LECTURE: Matthew Worley Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 12h15-13h00 PLENARY LECTURE: Mary Fogarty Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 13h00-14h30 Lunch Room at The Top [Sala de Reuniões], Faculty of Arts and Humanities of the University of Porto 14h30-16h15 Parallel Sessions 1.4./ 2.5./ 4.3./ 6.3./ You Can Put Your Arms Around a Memory: authenticity and identity in popular music Room For One More [208], Faculty of Arts and Humanities of the University of Porto 2.5. I Wanna Be Your Bastard! Punk rock in the midst of social changes in Portugal ( ) Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto 4.3. The Correct Use of Soap : Resisting subcultures? No Room for You [203], Faculty of Arts and Humanities of the University of Porto 6.3. Shaping the past: heritage and memories in current music scenes Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto 8.1. Countercultures, comics, and alternative press Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 14 Short Program

35 16h15-16h45 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 16h45-18h30 Parallel Sessions 1.5./ 2.6./ 4.4./ 6.4./ Take Me Out! Underground, authenticity and local music scenes Room For One More [208], Faculty of Arts and Humanities of the University of Porto 2.6. Punk, transformation and hybridism Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto 4.4. Wrong place, Right time : Autenthicty, counterculture and subcultural (re)emergence No Room for You [203], Faculty of Arts and Humanities of the University of Porto 6.4. Driving You Insane. Aesthetic and styllistic fragmentation: the multiple worlds of indie rock Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto 8.2. Fanzines, music magazines and underground music scenes Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 19h00-20h00 BOOK LAUNCH The Festivalization of Culture, by Andy Bennett, Jodie Taylor and Ian Woodward Cibermúsica [Cybermusic], Casa da Música 20h30-00h00 KISMIF CONFERENCE DINNER The Cost of Loving Taylor's Port Cellars, Porto Friday, 17 July h30-11h15 Parallel Sessions 6.5./ 7.2./ Waiting Underground : Indie rock, global, local and glocal music scenes Cibermúsica [Cybermusic], Casa da Música 7.2. Fandom, music lovers, audiences and popular music Sala de Ensaio 1 [Rehearsal Room 1], Casa da Música 8.3. Popular music heritage, nostalgia and retromania Sala de Ensaio 3 [Rehearsal Room 3], Casa da Música 11h15-11h45 Coffee-Break Foyer, Casa da Música 11h45-12h30 PLENARY LECTURE: Paul Hodkinson Sala 2 [Room 2], Casa da Música 12h30-13h15 PLENARY LECTURE: Dave Laing Sala 2 [Room 2], Casa da Música 13h15-14h45 Lunch Short Program 15

36 13-17 July 2015 Foyer, Casa da Música 14h45-16h30 Parallel Sessions 6.6./ 7.3./ Shakin' All Over! Mobilities, transnational identities, transglobal sounds Cibermúsica [Cybermusic], Casa da Música 7.3. Born to be ALIVE! Festivals, live music venues, festivalization of culture and musicscapes Sala de Ensaio 1 [Rehearsal Room 1], Casa da Música 8.4. Gatekeeping, online social media and youth cultures Sala de Ensaio 3 [Rehearsal Room 3], Casa da Música 16h30-17h00 Coffee-Break Foyer, Casa da Música 17h00-18h45 Parallel Sessions 4.5./ 6.7./ Dreams Never End. Genealogy and history of youth cultures and subcultures Sala de Ensaio 1 [Rehearsal Room 1], Casa da Música 6.7. Transmissions, migrations, diasporas, cultural identities and music scenes Cibermúsica [Cybermusic], Casa da Música 8.5. DIY, new music, new technologies and media Sala de Ensaio 3 [Rehearsal Room 3], Casa da Música 18h45-19h20 FINAL DISCUSSION Sala 2 [Room 2], Casa da Música Curated by Anselmo Canha and Heitor Alvelos 19h30-20h30 DISCUSSION As palavras do punk [The words of punk], by Augusto Santos Silva and Paula Guerra Cibermúsica [Cybermusic], Casa da Música 23h00-01h30 GIG d3ö Plano B 16 Short Program

37 Vera Marmelo There's a City in My Head constitutes the cultural, artistic and musical program of KISMIF Conference. With activities in many places of Porto city (Faculty of Arts and Humanities of the University of Porto, Casa da Música, TM Rivoli, Edifício Montepio, Palacete Viscondes Balsemão, Matéria Prima and Plano B). There's a City in My Head tries to approximate the city, the general public, the academy and the underground cultural-musical-artistic manifestations. Between July 7th and July 17th, all the interested people can visit our exhibitions, attend to our gigs and book launches, among other activities. Official opening and Welcome Speeches: 07 July 2015 Foyer 3 rd Floor, TM Rivoli, Porto [Music is] something which brought people together, so they realized something [is] possible. Pete Shelley (Buzzcocks) There's a City in My Head 17

38 18 There's a City in My Head

39 DIY DIY My FLUP/ Montepio. Outspace Zines & Records Artists: Esgar Acelerado, Chili Com Carne, MMMNNNRRRG, Ondina Pires, Victor Torpedo, Noé Alves, Anoik, João Belga, Rudolfo, Chaputa Records and others Since the 1970 s uncommon cultural products have been produced in Portugal, many of them without official records to prove them. From comic books and graphic novels to music, from poetry to politics, there are several artists, writers and editors that, unwilling to follow the rules of official labels. Since then they have been taking the matter into their hands and working towards producing and distributing publications (many times free) that don t fit in the bookshelves, music that is extremely loud in old-fashioned media (vinyl, K7 ) and images printed with forgotten techniques, etc Also, content-wise, there is total liberty July 2015 TM Rivoli, Faculty of Arts and Humanities of the University of Porto and Edifício Montepio, Porto Curated by Esgar Acelerado and Marcos Farrajota Ain t Art, Bastards! Exhibition of Esgar Acelerado Artist: Esgar Acelerado People with a Sweet Tooth, on the magnificent work of Esgar Acelerado by valter hugo mãe. I always have the idea that the characters of Esgar Acelerado bring with them a look of gluttony for things, gluttony for life with their frequently bulging appearance, with a hard and intense expression. They are a very tender group of figures that mix the cartoon imaginary world with that of illustration, from the more pragmatic of the former genre to the more lyrical aspects of the latter. I always have a sense of fun to which is added ferment sensitivity which many times lead to a tone that is also dramatic, even melancholic and hence romantic. URL: July 2015 Edifício Montepio, Porto Curated by Esgar Acelerado and Paula Guerra There's a City in My Head 19

40 Marcos Farrajota 20 There's a City in My Head

41 Marcos Farrajota There's a City in My Head 21

42 Esgar Acelerado 22 There's a City in My Head

43 Under-Ventures by Ondina Artist: Ondina Pires Ondina Pires: the show of art and wise-insanity. Ex-musician in bands like Ezra Pound and The Madness, Pop dell Arte, The Great Lesbian Show; writer, collage and scraps addicted; collector of bizarre items. I was born on November 9, 1961, in Lisbon downtown, within a very humble family that, nevertheless, had some intellectual references at home: books, newspapers, drawings, small oil paintings and a love for music. (...) With April 25, 1974 (The Revolution of Carnations) other artistic references came along and were added to the previous (...). It was the time of discovering the Others - Camões High School mates, the reactionary neighbours, films, rock music (At the age of 11 years old, I had a crush for Susi Quatro band hard-glamour rock!). As I hated the clothes bought by my mother and godmother I also used to modify them...in the second big musical passion The Sex Pistols! And I ve never stopped. So, to cut the long story short, while I was trying to digest in the same basket Punk mouvement, countercultures like the Beat Generation and Hippie, Black American music, the classics of English literature (...), DADA, Surrealism, Futurism art, plus Leninism, Marxism, Anarchism, Fascism and an amount of isms, I had to endure public education with its boring school pedagogic programs. At the same time, I was rehearsing the first musical and poetic steps with some of my best pals of Camões High School. Ondina Pires In July 2015 Palacete Viscondes Balsemão, Porto Curated by Ondina Pires and Esgar Acelerado We Love 77 Artist: Sardine & Tobleroni (Victor Torpedo and Jay Rechsteiner) We Love 77 is an exhibition of Sardine & Tobleroni. Victor Torpedo is Sardine and Jay Rechsteiner is Tobleroni. They are a so-called art duo which means they do stuff together. They started off as painters - Sardine doing the right hand-side and Tobleroni the left hand-side. However, they soon started doing other things as well such as videos, installations, online art and all that crap. They describe what they do as Conceptual Art Brut, the equivalent to what Punk is in music. We Love 77 is an exhibition of 77 paintings of 77 highly influential Punk bands, featuring names from the early American precursors like the Stooges, to contemporary bands like the Libertines. This exhibition wants to give a profound and detailed insight into one of the most important cultural and social movements of the last century: Punk. It has had a great impact on the political and social landscape as well as on contemporary art and music, questioning and rejecting existing moral values and the creation of a fertile ground for new ideas that have changed the world politically and socially ever since. URL: July 2015 Edifício Montepio, Porto Curated by Esgar Acelerado and Victor Torpedo There's a City in My Head 23

44 Ondina Pires 24 There's a City in My Head

45 Ondina Pires There's a City in My Head 25

46 Víctor Torpedo 26 There's a City in My Head

47 10 Covers Artist: Júlio Dolbeth The Faculty of Arts and Humanities of the University of Porto will not be large enough to accommodate all the great artists who collaborate with KISMIF Conference And among these artists, is Júlio Dolbeth that will certainly mark once again KISMIF Conference, surprising us with their fascinating and distinctive illustrations. 10 Covers is an exhibition where Dolbeth reinterprets 10 emblematic record covers that are part of the collective memories of the public. Albums like Thriller by Michael Jackson, Houses of the Holy by Led Zeppelin, Heroes by David Bowie and Kind of Blue by Miles Davis are some of the records whose covers were redesigned with a graphite pencil and Chinese ink Júlio Dolbeth July 2015 Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto Curated by Esgar Acelerado and Júlio Dolbeth All the Love in the World Artists: Cobraprima Organized as a parody of the making off and reflections on durational projects, this exposition imagines Kayl Worska (alter ego of Carolina Val do Rio) was created by a multidisciplinar artistic team over 10 years ago. Reflecting on the life of the character as a duality between the social and the individual, the work (conceptual designs, blueprints of the Caldas house, sculptures, videos and documents) seek to deconstruct the organization of self-constructed identity. Seeking a DiY ethos in both its production and its themes, this exposition seeks to reflect the Portuguese independent culture, understanding it in light of an individual past July 2015 Hall the Love of the Room [Entrada da Sala de Reuniões], Faculty of Arts and Humanities of the University of Porto Curated by Cobraprima There's a City in My Head 27

48 Júlio Dolbeth 28 There's a City in My Head

49 Cobraprima There's a City in My Head 29

50 On the Road to the American Underground + BOOK LAUNCH On the Road to the American Underground by Paula Guerra and João Leite The exhibition On the Road to the American Underground will agglomerate the most interesting publications on the American underground acquired by the Library of the Faculty of Arts and Humanities of the University of Porto in recent times. It is an exhibition that will result in the release of the book On the Road to the American Underground authored by Paula Guerra and João Leite. This book, inspired by the homonymous book of Jack Kerouac, will serve as basis also for the tribute to Ross Haenfler, US natural, key speaker invited to the KISMIF Conference 2015 and lover/ researcher of subcultures. 13 July - 30 September 2015 Library, Faculty of Arts and Humanities of the University of Porto Curated by Ana Carolina Avillez, Isabel Leite, João Leite, Laura Gil, Marlene Borges, Paula Guerra and Tânia Moreira Our Favourite Room 3x3x3 Artists: Anoik, Esgar Acelerado, João Belga and Rudolfo 3 artists, 3 exhibitions, 3 rooms. Thus is the exhibition Our Favorite Room that will bring new colors and lines to the walls of four rooms of the Faculty of Arts and Humanities of the University of Porto. This is to show recent, emerging and underground dynamics of the city's illustration. The exhibition will run from 13th to 17th July July 2015 Room to Breathe [201], No Room for You [203], Room For One More [208], Faculty of Arts and Humanities of the University of Porto Curated by Esgar Acelerado Search & Destroy Journals: Interactions, Metal Music Studies, Journal of Urban Cultural Studies, Punk and Post Punk, Fashion, Style & Popular Culture, Journal of Community Music, Journal of Music, Technology and Education, Scene, among others. The second edition of KISMIF Conference makes a new bet and organizes an exhibition of scientific journals that will bring to the Faculty of Arts and Humanities of the University of Porto some of the most interesting journals (national and international) of the scientific community most dedicated to the theme of popular music, cultural studies, sociology of art and sociology of culture. The aim is to increase the knowledge and generate interest and exchange July 2015 Two People in a Room [207], Faculty of Arts and Humanities of the University of Porto Curated by Michael Spanu and Tânia Moreira 30 There's a City in My Head

51 Live Fast! Die Punk! + BOOK LAUNCH Live Fast! Die Punk! by Rui Oliveira Photo exhibition authored by the photojournalist Rui Oliveira, a punk lover that captures heart and soul of the tribes, dispossessed of the city and the underground. Thus, in partnership with the project Keep it Simple, Make it Fast!, Rui sought to portray some of the day-to-day aspects of the of the actors involved in the Portuguese punk scene. The result of this search is a set of live pictures to be presented at KISMIF Conference July 2015 Teacher's Lounge, Faculty of Arts and Humanities of the University of Porto Curated by Rui Oliveira e Ana Oliveira Facadas na Noite [Stabs at Night] + BOOK LAUNCH Facadas na noite: retromania, nostalgia e efémero na música popular [Stabs at night: retromania, nostalgia and ephemeral in popular music ] by Paula Guerra and Pedro Quintela + Release of Cassette + DJ Set Matéria Prima + Drinks Exhibition which aims to foster a deepening of multidisciplinary reflection on the processes of change in contemporary music marking the 25th anniversary of the iconic record store Matéria Prima and simultaneously the KISMIF Conference inside the doors of this store. At the same time, and through the approach to traditional production and dissemination modes - namely, in cassette format - offers an accurate reflection on the 'retromania' and nostalgia that, as several authors (Simon Reynolds, Gilles Lipovetsky, among others) have been emphasize, feature the contemporary and, in particular, the sphere of urban popular music and graphic design. In an innovative way, this event will have an impact object that despite the (national and international) cult around it, remains largely to study in an academic context - Facadas na Noite [Stabs At Night], a Portuguese cassettes publisher, located between Porto and Braga, dedicated to 'radical' sounds and whose activity mainly took place between late 1980 and mid-next decade. URL: July 2015 Matéria Prima, Porto curated by Paulo Vinhas and Pedro Quintela There's a City in My Head 31

52 [Presentation] Subcultures: The Basics by Ross Haenfler + Performance Gambuzinos + Port Wine Welcome Drink Subcultures: The Basics is an accessible, engaging introduction to youth cultures in a global context. Blending theory and practice to examine a range of subcultural movements including hip hop in Japan, global graffiti writing crews, heavy metal in Europe and straight edge movements in the USA, this text answers the key questions posed by those new to the subject. Tracing the history and development of subcultures to the present day, with further reading and case studies throughout, this text is essential reading for all those studying youth culture in the contexts of sociology, cultural studies, media studies, anthropology and criminology. 13 July 2015 Library, Faculty of Arts and Humanities of the University of Porto Curated by Paula Guerra and Tânia Moreira [Presentation] De la Generación@ a la #Generacion by Carles Feixa + Autograph Session + Port Wine Welcome Drink De la Generación@ a la #Generacion presents and systematizes a set of outstanding features for those who are dedicated to the study of youth and youth cultures not only with an anthropological approach but also with an approach that lies at the heart of the social sciences in general. Within the line that has been developing over the last 15 years, Carles Feixa one of the most cited anthropologists in Spain and Latin America does a youth approach articulating both the subcultural approach, whether the contemporary neo-tribalism and the postsubcultural theories, proposing an integrating analysis model of youth cultures (and an happy one, we would say) of theoretical positions to address the context of youth culture in late modernity. 13 July 2015 Cibermúsica [Cybermusic], Casa da Música Curated by Paula Guerra and Tânia Moreira 32 There's a City in My Head

53 [Book launch] Lost Histories of Youth Culture by Christine Feldman-Barrett + Autograph Session + Port Wine Welcome Drink Young people and their activities have always been a part of history yet such narratives have remained mostly untold and often lost in the sands of time. This unprecedented and international collection sheds light on youth s hidden histories from the nineteenth century to the early twenty-first century: whether from the American Civil War, Maoist China, postcolonial Greenland, or contemporary Iran. These tales of leisure, identity, and belonging take readers into the heart of youth history and uncover heretofore unrecognized cultural contributions that young people have made throughout the ages. 13 July 2015 Cibermúsica [Cybermusic], Casa da Música Curated by Paula Guerra and Tânia Moreira [Pre-release] O Meu Espelho [My Mirror] by Paula Guerra + DJ Set Adolfo Luxúria Canibal + Port Wine Welcome Drink 11 Portuguese rock biographies are the motto of this book of Paula Guerra: Adolfo Luxuria Canibal, Alexandre Soares, Gustavo Costa, João Peste, João Vieira, Paulo Furtado, Pedro Ayres Magalhães, Rui Reininho, Tó Trips, Xana e Zé Pedro. With them, one traces the sociologic course of the statement of Portuguese rock in the last 30 years, showcasing the specificities and There's a City in My Head 33

54 contours of this pioneering path in Portugal. The trajectories of these actors are shown as translating a group of shared values, in the face of which several practices of Portuguese contemporary society are highlighted. 14 July 2015 Café-Concerto, TM Rivoli, Porto Curated by Paula Guerra and Tânia Moreira [Book launch] More Than Loud edited by Paula Guerra This book explores the many worlds that exist within each sound. Indeed, if we situate ourselves in the field of pop rock, we can easily realize that the different arrangements of this gender and style have been over the last seventy years, the core of the structuring of experiences and leisure and cultural sociability around the world, giving rise to a profusion of tastes, spaces, works, (sub)cultures and styles. Given its importance, it is no wonder that over the last three decades, music has come to constitute a priority area of sociological reflection on how this relates to the social structure, the way whereby the worlds of music are designed, configured and canonized and the importance of music in the identity formation of his listeners. In this book, we present some research on music developed in Portugal, in the social sciences and humanities field, bringing together researchers from different generations and theoretical and institutional affiliations. 14 July 2015 Café-Concerto, TM Rivoli, Porto Curated by Paula Guerra and Tânia Moreira 34 There's a City in My Head

55 [Presentation] Rock me Like The Devil: a assinatura das cenas e das identidades metálicas [the signature of the metal scenes and identities] by Jeder Janotti Jr. + Port Wine Welcome Drink Rock me Like The Devil is the result of Jeder Janoti Jr's research in the Federal University of Pernambuco on music scenes and genres. It also has a very personal and biographical touch, given that, more than a professor, Jeder is also a music critic, a musician, and a fan of rock. The first part of the book concerns itself with discussions on the aesthetic and performance of taste for mass-produced popular music, disucssing the politics and poetics of the discussion on what constitutes good music. In the second part, the book brings these discussions to the identities of heavy metal. 14 July 2015 Library, Faculty of Arts and Humanities of the University of Porto Curated by Paula Guerra and Tânia Moreira There's a City in My Head 35

56 [Book launch] One Chord Wonders: Power and Meaning in Punk Rock by Dave Laing + Autograph Session + Port Wine Welcome Drink Originally published in 1985, One Chord Wonders was the first full-length study of the glory years of British punk rock. The book argues that one of punk s most significant political achievements was to expose the operations of power in the British entertainment industries as they were thrown into confusion by the sound and the fury of musicians and fans. Through a detailed examination of the conditions under which punk emerged and then declined, Dave Laing develops a view of the music as both complex and contradictory. Special attention is paid to the relationship between punk and the music industry of the late 1970s, in particular the political economy of the independent record companies through which much of punk was distributed. The rise of punk is also linked to the febrile political atmosphere of Britain in the mid-1970s. 15 July 2015 Cibermúsica [Cybermusic], Casa da Música Curated by Paula Guerra and Tânia Moreira [Presentation] The Festivalization of Culture by Andy Bennett, Jodie Taylor and Ian Woodward + Autograph Session + Port Wine Welcome Drink The festivalization of culture explores the links between various local and global cultures, communities, identities and lifestyle narratives as they are both constructed and experienced in the festival context. Drawing on a wide range of case studies from Australia and Europe, festivals are examined as sites for the performance and critique of lifestyle, identity and cultural politics; as vehicles for the mobilization and cementation of local and global communities; and as spatio-temporal events that inspire and determine meaning in people's lives. Investigating the manner in which festivals are no longer merely periodic, cultural, religious or historical events within communities, but rather a popular means through which citizens consume and experience culture, this book also sheds light on the increasing diversity of contemporary societies and the role played by festivals as sites of cohesion, cultural critique and social mobility. As such, this book will be of interest to those working in areas such as the sociology, consumption and commodification of culture, social and cultural geography, anthropology, cultural studies and popular music studies. 16 July 2015 Cibermúsica [Cybermusic], Casa da Música Curated by Paula Guerra and Tânia Moreira 36 There's a City in My Head

57 [Discussion] As palavras do punk [The words of punk] by Augusto Santos Silva and Paula Guerra + Port Wine Welcome Drink Punk came to Portugal relatively early. Among the latter years of the 1970s and early 80s, it was formed a first national punk scene. It endures to the present day, and to prove it there are the three hundred bands in activity, directly or indirectly related to punk. This book covers the scene from the discourses that it generates about the country and the role of punk. It does so from interviews with 214 protagonists of the punk scene and the content analysis of the names of the bands, the song lyrics, the album covers, the fanzines or the video clips. Thus the book proposes a sociological interpretation of punk development in Portugal that is combined and enriched by the reflections of musicians, promoters, fans and other agents of the scene. The book seeks to answer some key questions: who are the protagonists of the Portuguese punk? How had they constituted a separate scene? How is this scene structured? Who are the people, the bands? Which are the emblematic songs? What do the punks say on themselves and on society? Which messages do they seek to transmit? How do they define their collective identity? What divides and opposes them? Does punk make sense today? So this debate on Words of Punk will be guided by these issues. 17 July 2015 Cibermúsica [Cybermusic], Casa da Música Curated by Paula Guerra and Tânia Moreira There's a City in My Head 37

58 Bastardos. Trajetos do Punk Português ( ) [Bastards. Pathways of the Portuguese Punk ( )] Documentary about the socio-musical manifestations of punk in Portugal, since 1977 and up to today. It is based in documents and statements gathered and archived during an research project, as well as the results of the field work of Keep it Simple Make it Fast! (KISMIF). Given the invisibility of punk rock manifestations, both the investigators and the general public, this documentary will serve as a path through the history of Portugal in the last four decades. The emergence of punk in Portugal was marked by the opening and the transformation of post-25 of April, and is characterized by the mimesis/reappropriation of north-american realities. We are in front of an important case of cultural hybridism which wavers between mimesis and recreation which is strongly felt in the Portuguese case. It is assumed as a journey in Portugal, given the relevance and visibility of the lifestyles and narratives marked by the punk universe. 14 July 2015 Pequeno Auditório [Small Auditorium], TM Rivoli, Porto Curated by Paula Guerra and Tânia Moreira 38 There's a City in My Head

59 Teenage Film of 2013 directed by Matt Wolf based on the book Teenage: The Creation of Youth Culture, de Jon Savage. Teenagers did not always exist. In this living collage of rare archival material, filmed portraits, and voices lifted from early 20th Century diary entries, a struggle erupts between adults and adolescents to define a new idea of youth. The film gives a voice to four young people of different eras and countries, and uses their stories to capture the teenage spirit of the time and the pre-history of youth: from party-addict flappers and swingers, to the Hitler youth. 15 July 2015 Pequeno Auditório [Small Auditorium], TM Rivoli, Porto Curated by Porto/Post/Doc and KISMIF Teenage Documentary There's a City in My Head 39

60 Tó Trips. Guitarra Makaka. Danças a um Deus Desconhecido [Monkey Guitar. Dancing to a God Unknown] Tó Trips presents his second solo record in the KISMIF Conference Those who remember Tó Trips as the guitarman in Amen Sacristi or as the leader of Lulu Blind, are not entirely convinced of the transformation. The man who shouted on stage, guitar just below the knee, is the same who today reaches for his acoustic guitar, in silence, seemingly unaware of the noise of the public. What happened? Growing older and wiser, the need for introspection, the fatigue led by the excess electricity. These are all plausible motives, but it leaves out the most prosaic - his interests simply shifted. It so happens that in his solo work, the strings of the acoustic guitar, the ressonance of the instrument and the solitude of the chords, have taken place as sovereignity. And as for the musical identity of the project, Tó Trips' voice, it is being built, progressively, with the melodies, the rhythms, the compositions and the possibilities and chances which live in acoustic music. It is not a musical monologue either, since, since the beginning of the project, Trips has established dialogues with Carlos Paredes, Joseph Spence, the Andaluzia, Peter Walker, or African blues - without privileging any of them, listening to all of them with the same attention and pleasure. His goal has just been to create new music from his tastes and affections. Guitarra Makaka: Danças a Um Deus Desconhecido, his latest work, is truly new music, with the languid sadness of the Cape Verde, the upbeat freshness of Mali sounds, or the echoes of Lisbon, who, in an embarrassed happiness invites the Mediterranean to a summer dance. This is why this should be a night to remember, with the themes of his latest work paving the way. (In: Ticket: 5 euros 14 July 2015 Sub-palco [Under Stage], TM Rivoli, Porto Curated by Pedro Miguel Ferreira and Rivoli TM Psicotronics + Tracy Vandal Psicotronics generators and stuff to hypnotise you and to make you feel In the words of Victor Torpedo: Psicotronics is the Marquis of Cha Cha, lord of the out of bill and norm and of moral society. Marquis is the last remaining survivor of a crystalline world, a beautiful world where unicorns kiss in the twilight. If you notice it, we have yet to talk about music, and it is not even needed, given that everything about Marquis is melody and music to look and to hear. There is no need to create personas and histories when everything is so pure and direct. You can hope to get good music, touching angles between electronica and minimal rock and roll. For me, it is much more than that: it is the Special One. Thank you Marquis of Cha Cha (to me, Victor Torpedo and to Pedro Antunes) to be part of this adventure. Love, Victor Torpedo. The sound of Psicotronics wanders between the 80s electronic, in such names as Suicide, DAF, Cabaret Voltaire, Frontline Assembly, Alien Sex Fiend, Ministry and others. They are a trio: Victor Torpedo (Tédio Boys, Parkinsons, Blood Safari) in the electric guitar, Pedro Calhau (Subway 40 There's a City in My Head

61 Riders and Bunnyranch) in the electric bass and Marquis of Cha Cha in the voice, to which a dancing programme is added. In the melodic masses a sub-repticious groove is announced which takes hold of the listener and forces him to dance. After a great period of absence, Tracy Vandal presents her first disc as herself, the EP The end of Everything. Boz Boorer guitar player, composer and music director of Morrissey and exmembers of Polecats, has been with her throughout nearly all songs. João Rui, of A Jigsaw, made the arrangements of some of the songs built on emotions filled with a desolate emptiness, and putting the emphasis on that dark side of the disc. Written in a cold and melancholic November, in Coimbra, resulting from a forced isolation at home and a confrontation with the emotional longing which fills us, this disc stresses the moment in which life seems to fade out being only the beginning, despite being the end. In the United Kingdom Tracy Vandal was part of projects such as Giant Paw, Dick Johnson, Lincoln and Karelia (the first band of Alex Kapranos of Franz Ferdinand). In London she met Victor Torpedo, who with Kaló (Tédio Boys, Bunnyranch and Parkinsons) and Portuguese Pedro Serra (Ruby Ann & the Boppin Boozers) formed the Tijuana Bibles. Living in Portugal since 2011 after the extinction of the aforementioned project, Tracy Vandal decided to continue her career as a solo. The first adventure is the 5 song EP The End Of Everything. Ticket: 5 euros 15 July 2015 Sub-palco [Under Stage], TM Rivoli, Porto Curated by Pedro Miguel Ferreira and Rivoli TM Before Surgery. No Punk, No Science, No Now A sound ensemble creates and explores the scientific punk genre. How to decipher the possible dynamics and dissonances between shards of punk music idioms, scientific content, and the current zeitgeist? Conference participants will be invited to donate their papers as source material for live deconstruction and methodological mash-up. KISMIF Conference 2015 will close its scientific activities under the sound of this ensemble. 17 July 2015 Sala 2 [Room 2], Casa da Música Curated by Anselmo Canha and Heitor Alvelos d3ö + DJ Set 2 BADjs with Sérgio Cardoso d3ö (the trio) were born in 2002 in Coimbra, from the ashes of Tédio Boys [Boredom Boys]. Composed by Toni Fortuna (voice and guitar, ex-tédio Boys), Tó Rui (guitar, ex-garbage Catz) and Nito Gonçalves (drums, ex-m'as Foice), d3ö already edited SixPackTrack (2003), 8 Tracks On Red (2004) and 7 Heartbeat Tracks (2005), thus completing an initial project: a trio / three EPs. With a unique sound, they didn't go unnoticed to the English publisher Dirty Water Records that put on the world market, one single on 7 vinyl, with the themes Wanna Hold You and Go. Among its different concerts, they highlight passages at Coliseu dos Recreios [Lisbon Coliseum], Alive Festival, the mind-blowing night with Mudhoney, the new incursions by Spain There's a City in My Head 41

62 and England (Manchester, Sheffield and London). In 2009, after record a session 3 Pistas [ 3 tracks ] for the program 'Portugália' of Antena 3, which included an acoustic version of Rehab by Amy Winehouse, d3ö recorded their debut album, Exposed, produced by the Dutch Wout Straatman (the same of 'Farewell' - Sean Riley & The Slowriders). In early 2012, d3ö completed the recordings of their new album of originals, Love Binder. URL: 2 BADjs are Toni Fortuna and Rui Ferreira. Faithful to rock'n'roll sounds, they promise an end of respect to KISMIF Conference Sérgio Cardoso (confessed music lover and musician of bands such as É Mas Foi-se, Tédio Boys, Wraygunn, Foragidos da Placenta, Sound Systeam) joins to this party and enriches even more the spectacle. URL: Ticket: 5 euros 17 July 2015 Plano B Curated by Pedro Miguel Ferreira and Tânia Moreira 42 There's a City in My Head

63 Tó Trips There's a City in My Head 43

64 Víctor Torpedo 44 There's a City in My Head

65 Heitor Alvelos There's a City in My Head 45

66 Toni Fortuna 46 There's a City in My Head

67 Rise Up: a scientific interface Rise Up is a moment where, during the lunch time, the participants in the KISMIF! International Conference and Summer School can present their works in a more relaxed and informal way. So, if you have recently edited a book, a magazine or a fanzine, if you released a record, a film, if you are building up a home-made instrument, etc., this might be the moment for you to present it in Portugal and discuss it with the fellow colleagues who are joining the Conference and the Summer School July 2015 Faculty of Arts and Humanities of the University of Porto and Casa da Música Curated by Pedro Quintela [Tribute] After 35 years of Subculture: The Meaning of Style, with interview to Dick Hebdige + Interview The subcultures, after 35 years, by Andy Bennett, Paula Guerra and Pedro Quintela + Port Wine Welcome Drink 'Hebdige's Subculture: The Meaning of Style is so important: complex and remarkably lucid, it's the first book dealing with punk to offer intellectual content. Hebdige [...] is concerned with the UK's postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads and punks.' (Rolling Stone). With enviable precision and wit Hebdige has addressed himself to a complex topic - the meanings behind the fashionable exteriors of working-class youth subcultures - approaching them with a sophisticated theoretical apparatus that combines semiotics, the sociology of devience and Marxism and come up with a very stimulating short book. (Time Out) This book is an attempt to subject the various youth-protest movements of Britain in the last 15 years to the sort of Marxist, structuralist, semiotic analytical techniques propagated by, above all, Roland Barthes. The book is recommended whole-heartedly to anyone who would like fresh ideas about some of the most stimulating music of the rock era. (The New York Times) 15 July 2015 Café-Concerto, TM Rivoli, Porto Curated by Paula Guerra and Tânia Moreira There's a City in My Head 47

68 Marta Borges 48 There's a City in My Head

69 KISMIF Conference Dinner: The Cost of Loving + DJ Set O Amor É Um Gajo Estranho [Love Is A Strange Dude] On July 16th, 2015, all participants of KISMIF Conference 2015 can gather at the official Dinner of KISMIF Conference. The KISMIF Conference Dinner will be held at Taylor's Port Cellars ( and will be organized by Três Séculos ( The menu will have vegan options and will include an assortment of starters, one main course, desserts, drinks, coffee. Dinner will be accompanied by the DJ Set Love Is A Strange Dude of DJ Peter Schmeichael. The name of the DJ Set it's from the song O Amor É Um Gajo Estranho (PT) by a Portuguese band called Pop Dell' Arte, one of the most important and inventive bands from the alternative scene in Portugal. The DJ Set will be totally improvised as usual but yes, something between Einsturzend Neubauten and INXS. 16 July 2015 Taylor's Port Cellars, Porto Curated by Tânia Moreira and Pedro Miguel Ferreira There's a City in My Head 49

70 Susana Marques 50 There's a City in My Head

71 Rui Oliveira KISMIF Conference 2015 will be preceded by a two-day summer school ( July) entitled Gettin Underground Together!. The summer school will offer an opportunity for undergraduate and graduate students, including those staying on for the conference, to attend specialist master classes and discuss their research in seminars led by top academics in the field. It is also the possibility of deepening both theoretical and methodological questions in both proximity and dialogue with some of the main world references of the urban musical scenes July 2015 Faculty of Arts and Humanities of the University of Porto and Casa da Música, Porto KISMIF is a brilliantly conceived conference, genuinely international and open in spirit, with top quality research from around the world. Will Straw (Professor, McGill University, KISMIF Scientific Committee, Canada)

72 Working Group 1 Host: Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Project, Portugal Commentator: Carles Feixa, Department of Geography and Sociology, University of Lleida, JOVIS, European Youth Studies, International Sociological Association, KISMIF Project, Spain 1.1. To be or not to be (underground). The transformations of Argentinian rock music scene during the last military dictatorship in Argentina ( ) Julián Delgado, University of Buenos Aires, Argentina 1.2. Tales from the Belgrade pit: performance, identity, communication and violence at underground concerts Danilo Trbojevic, Faculty of Philosophy, University of Belgrade, Serbia 1.3. Just can`t stand back: Raul Seixas and '80s rock Lucas Marcelo Tomaz de Souza, University of São Paulo, University of Porto, Brazil 1.4. From the party to the press. The scenification of the Buenos Aires underground porteño scene of the 80s, among the amateur journalism publications, during the 80s Vanina Soledad Lopez, Universidad Nacional de Quilmes CONICET, Argentina 13 July 2015 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Working Group 2 Host: Rui Telmo Gomes, Centre for Research and Studies in Sociology, University Institute of Lisbon, KISMIF Project, Portugal Commentator: Ross Haenfler, University of Mississippi, United States of America 2.1. I hope I die before I get old, an Approach to British Cinema and Youth Subcultures José Emilio Pérez Martínez, Complutense University of Madrid, Spain 2.2. Peripheral subcultures Mara Persello, University of Potsdam, Germany 2.3. On the outskirts of the mainstream: a terminological journey into Montreal music underground Ariane Gruet-Pelchat, University Laval, Canada 13 July 2015 No Room for You [203], Faculty of Arts and Humanities of the University of Porto 52 Parallel Sessions Summer School

73 Working Group 3 Host: Pedro Quintela, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Commentator: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia 3.1. Notes on the concept of independence in the context of Brazilian rock in the XXI century Thiago Meneses Alves, Faculty of Arts and Humanities, University of Porto, Portugal, Brazil 3.2. The commodification of vinyl records in underground musical scenes: looking for economic and cultural alternatives Léa Roger, Free University of Brussels, School for Advanced Studies in the Social Sciences in Paris, France 3.3. Developing a taste for electronic dance music: Personal narratives of 'entrance' in UK club culture from Zoe Armour, De Montfort University, Leicester, United Kingdom 3.4. We're from Switzerland, that's a chocolate island in Sweden : understanding the situations of Swiss bands with regard to the indie rock rhizome Loïc Riom, University of Geneva, Switzerland 13 July 2015 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Working Group 4 Host: Heitor Alvelos, University of Porto, Portugal Commentator: François Ribac, Institute Denis Diderot, University of Dijon, Laboratory Cimeos, France 4.1. The mixed economy of favours : Theorising social relations in a post-crisis music scene Eileen Hogan, Institute for Popular Music, University of Liverpool, United Kingdom 4.2. The sociology of music and its founders: A diachronic review Gil Fesch, Institute of Sociology, University of Porto, Portugal 4.3. Implications of Rosi Braidotti s nomadic theory for research in complex experimental music scenes Maximilian Georg Spiegel, University of North Carolina at Chapel Hill, United States of America 4.4. Back to MPB: Exploring the controversies of the new Brazilian popular music (New MPB) Laís Barros Falcão de Almeida, Post-Graduate Program in Communication for the Communication Department of Federal University of Pernambuco, Audiovisual and Music Analysis Laboratory, Brazil Parallel Sessions Summer School 53

74 13 July 2015 No Room for You [203], Faculty of Arts and Humanities of the University of Porto 54 Parallel Sessions Summer School

75 Working Group 5 Host: João Queirós, School of Education, Polytechnic Institute of Porto, Institute of Sociology, University of Porto, KISMIF Project, Portugal Commentator: Alastair Gordon, Leicester De Montfort University, Punk Scholars Network, United Kingdom 5.1. Preliminary research into online autonomous scenes Rodrigo Nicolau Almeida, University of Porto, Portugal 5.2. Alternative Music Scenes in Yugoslavia and former Yugoslavia Julijana Zhabeva-Papazova, Institute of Art Studies, Bulgarian Academy of Sciences, Bulgaria 5.3. The Boston basement show scene Vera Vidal, École des Hautes Etudes en Sciences Sociales, France 14 July 2015 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Working Group 6 Host: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Commentator: Mike Dines, Institute of Contemporary Music Performance, Punk Scholars Network, United Kingdom 6.1. Punks politics: Educating each other to resist the system Kirsty Lohman, University of Warwick, United Kingdom 6.2. Ain't a Sleepy Little Town : Building and maintaining a punk rock community in Peterborough, Ontario Katie Victoria Green, Trent University, Canada 6.3. Sirenas al ataque! Punk women in Mexico City Tanja Wälty, Institute of Interdisciplinary Latin American Studies of Freie Universität Berlin, Germany 6.4. The separation of scene and state: the balkanization of the Belgrade punk scene in the wake of the wars in Yugoslavia Sonja Žakula, Institute of Ethnography, SASA, Serbia 14 July 2015 No Room for You [203], Faculty of Arts and Humanities of the University of Porto Parallel Sessions Summer School 55

76 Working Group 7 Host: Gil Fesch, Institute of Sociology, University of Porto, Portugal Commentator: Jeder Janotti Junior, Post-Graduate Program in Communication for the Communication Department of Federal University of Pernambuco, Audiovisual and Music Analysis Laboratory, Brazil 7.1. Leiria Calling in 90 s Pedro Miguel Ferreira, Polytechnic Institute of Leiria, School of Education and Social Sciences, Preguiça Magazine, Portugal 7.2. Radio Live Transmission: indie rock and the importance of radio in Portugal Catarina Ribeiro Figueiredo, Faculty of Arts and Humanities, University of Porto, Portugal 7.3. Nakedness, gender and print culture: bodies in the magazine La Luna de Madrid Fernando García Naharro, Complutense University of Madrid, Spain 7.4. The multiple and complex genealogy of noise music: an approach from Paris Sarah Benhaïm, CRAL, Ecole des Hautes Etudes en Sciences Sociales, France 14 July 2015 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Working Group 8 Host: Paula Abreu, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Commentator: Pedro Costa, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal 8.1. The Underground is cool : The city centre of Porto as space of consumption, leisure and symbolic reference Célia Ferreira, University of Porto, Centre for the Study of Geography and Spatial Planning, Portugal 8.2. What is important is the space: transformations and hybridisations in Basque counterculture Ion Andoni del Amo, University of the Basque Country, Basque Country, Spain 8.3. Coimbra and the rock n roll: a relational space from the beginning of the 1990 s Pedro Almeida Martins, Faculty of Economics of the University of Coimbra, Portugal 8.4. My zone is my music: an approach of integrating young people through music Vânia Pinheiro, Faculty of Arts and Humanities, University of Porto, Portugal 56 Parallel Sessions Summer School

77 14 July 2015 No Room for You [203], Faculty of Arts and Humanities of the University of Porto Parallel Sessions Summer School 57

78 Vera Marmelo KISMIF Conference 2015 follows the great success of the first KISMIF Conference (held in July, 2014). Keeping the focus on underground music and its creative possibilities for resistance and DIY, we extend the analysis of music scenes to consider the intersection and debate with other cultural, artistic and creative fields (cinema and video; graffiti and street art; theater and performance art; literature and poetry; radio; graphic design, illustration, cartoon and comics; etc.). Thus, exploiting the potential of the theoretical and analytical development of the intersection of music scenes, we intend to enrich their relevance in the development of social theory, but also in the interpretation of late modernity in times of contemporary societal and cultural crisis July 2015 Faculty of Arts and Humanities of the University of Porto and Casa da Música, Porto KISMIF 2014 was a superb conference that helped extend our geographical and critical understanding of punk and subculture. It was wonderful to be part of it! George McKay (Professor, University of East Anglia, United Kingdom) 58 Parallel Sessions Conference

79 Vera Marmelo Coordinator: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia This theme brings together a whole range of prospects of approach about the contemporary musical scenes, showing the clear dynamism of this issue at the heart of researches of social theory. A first approach topic focuses on increasing hybridization of popular music in the context of located globalization and here he have contributions around the Americanization and influence of reggae/jamaica, of South African culture, of music scene of Coimbra in Portugal, of the penetration of Sundanese traditional musical instrument in folk, as well as manifestations of yugorock and turbo-folk in post-socialist societies. As it should be, the continuous transitions between the underground and the mainstream occupy the next topic. In this, are under review the underground music scene of Montreal, the Basque radical rock scene, the appropriation of DIY music genres in United Kingdom and Czechoslovakia and the underground without borders in Hungary. The whole debate around memory, heritage and legacy, the cultural and political legacy also occupies an important place in this theme. The structuring discussion of authenticity and identity in contemporary music scenes is assumed as a topic of utmost relevance here by analyzing the cultural manifestations inherent to the work of Raul Seixas, the approach of ethos and praxis of the Ramones, the national identity and Britpop, the balkanization of the Belgrade punk scene, the 'authentic parochialism' in Liverpool, the (re)emergence of rock and pop through the 'Neue Deutsche Welle', the intersection between punk and electronic music, the Brazilian funk, the italo-pop and the Gliwice Parallel Sessions Conference 59

80 alternative scene in Poland Hybridism and glocalization in popular music Chair: Soon Christian hip hop and the multifaceted americanization of South African culture Ibrahim Abraham, University of Helsinki, Finland Revivalism, hibridism and transformism: From sociability to musical identity, Coimbra s rock music scene during the 90 s Pedro Almeida Martins, Faculty of Economics of University of Coimbra, Portugal Cosmopolitan ideologues and rastafarian performativity in the South African reggae music of Teba Shumba and The Champions Tuomas Järvenpää, University of Eastern, Finland The folk-underground music as culture revivalism: Mixing The Sundanese traditional musical instrument and underground music as the struggle for culture sovereignity Yusar Muljadji, Faculty of Social and Political Science, Universitas Padjadjaran, Indonesia Yugorock, turbofolk and Shakira: exploring the subtextualities of the urban nightscape(s) in post-socialist Sarajevo Jordi Nofre, New University of Lisbon, Portugal Jordi Martín-Díaz, University of Barcelona, Catalonia, Spain 15 July 2015 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 1.2. The troubled paths from underground to mainstream Chair: Soon On the outskirts of the mainstream: a terminological journey into Montreal music underground Ariane Gruet-Pelchat, University Laval, Canada When underground becomes (alter)mainstream: The commercial as transgression Ion Andoni del Amo, University of the Basque Country, Basque Country, Spain The mythology of the underground in the construction and performance of popular music history Mario Dunkel, TU Dortmund University, Germany From resistance to incorporation: Ideological appropriation of DIY music genres in United Kingdom and Czechoslovakia on the example of the media policy Martin Husak, Charles University in Prague, Czech Republic Underground without borders. Radical right-wing scene in Hungary and Szeklerland Ágnes Patakfalvi-Czirják, University of Pécs, Hungary Approaching music in sociological terms. Remix Ensemble and the ethnographic turn Gil Fesch, Institute of Sociology, University of Porto, Portugal 15 July 2015 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 60 Parallel Sessions Conference

81 1.3. Whatever Happened to Rock 'n' Roll?: popular music heritage and memories Chair: Soon Melbourne scenes and the creation of underground and mainstream popular music heritage Catherine Strong, RMIT University, Australia Memories of an underground scene at the southern Brazil: between descriptions and meanings about one subterraneous past Daniel Ribeiro Medeiros, Federal University of Pelotas, Brazil Isabel Porto Nogueira, Federal University of Rio Grande do Sul; Federal University of Pelotas, Brazil The cultural and political legacy of punk/post-punk Peter Webb, University of Cambridge, University of the West of England Bristol, England The rock contradictions Nadja Vladi, Federal University of Recôncavo da Bahia, Brazil Writhing Underground Flowers : Conceptualizing perceived underground musics in times of change Maximilian Georg Spiegel, University of North Carolina at Chapel Hill, United States of America 15 July 2015 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 1.4. You Can Put Your Arms Around a Memory: authenticity and identity in popular music Chair: Soon Counterculture in the Tropics: building a young audience in Brazil Lucas Marcelo Tomaz de Souza, University of São Paulo, University of Porto, Brazil Britpop s Common People: the representation of national identity in popular music Claudia Lueders, Royal Holloway, University of London, United Kingdom, Germany The separation of scene and state: the balkanization of the Belgrade punk scene in the wake of the wars in Yugoslavia Sonja Žakula, Institute of Ethnography, SASA, Serbia Authentic parochialism : Locating the uses of authenticity in a small city s music scene Eileen Hogan, Institute for Popular Music, University of Liverpool, United Kingdom The emergence of rock and pop. A sociological study on an efficacious practice ascending from underground music to everyday culture Franka Schäfer, Institute of Sociology, FernUniversität, Hagen, Germany Anna Daniel, Institute of Sociology, FernUniversität, Hagen, Germany Ramones and hardcore - when fast is bad J. Mark Percival, Queen Margaret University, Scotland 16 July 2015 Room For One More [208], Faculty of Arts and Humanities of the University of Porto Parallel Sessions Conference 61

82 1.5. Take Me Out! Underground, authenticity and local music scenes Chair: Soon More than 3 chords in a guitar: intersections between punk and electronic music Rui Pereira Jorge, Center for the Study of Sociology and Musical Aesthetics, Portugal An analysis of the funk of ostentation: The hymn consumption Shemilla Rossana de Oliveira Paiva, University of Rio Grande do Norte, Brazil Lázaro Fabrício de França Souza, University of Rio Grande do Norte, Brazil XYZ music: Italo-pop as neutral ground Philippe Birgy, Université Toulouse II Jean Jaurès, France I am alone I will kill you. On the Gliwice alternative scene Piotr Zanko, University of Warsaw, Poland 16 July 2015 Room For One More [208], Faculty of Arts and Humanities of the University of Porto 62 Parallel Sessions Conference

83 Vera Marmelo Coordinator: Paula Guerra, Faculty of the Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Did the punk die? Or did it change, did it transmute itself? It is around this theme and after 35 years of the publication of Subcultures - the meaning of style that is structured this issue. The high number of proposals received proves the importance of punk in the discussion of various topics of extreme relevance in popular music, among which we highlight: the restructuring of the alternative and underground through the commodification, the local-global dialogue in appropriations and musical contemporary identities, the directions and dynamics through music intervention in late modernity, the authenticity and hybridisms, the importance of style and its multiple meanings, among others. Worth mentioning in this theme is the specific discussion of three lines of contemporary research-action around the punk. The first, under the impulse of Punk Scholars Network bring to the discussion a range of approaches related to punk pedagogy and mark the central role of this network as a determining partner of KISMIF Conference. The second embodied in the panel dedicated to the punk scene in France ( ): the study of this hexagonal scene whose symbolical birth can be set when the first punk festival was organized in Mont de Marsan (1976 and 1977) raises the questions of the specificities as well as the circumstances in which the actors got to grips with a culture, made it live, gave it a national definition and transformed it on a regional basis. This study tries to determine the main punk idiolect features and points out the differences from their Anglo- Parallel Sessions Conference 63

84 American homologues. The third line of research binds specifically to KISMIF project focused on the study of the manifestations of Portuguese punk scene from 1977 to the present day where punctuate works dedicated to the analysis and understanding of the social space of the Portuguese punk, their urban and territorial registrations and the elements to set up a file of socio-musical manifestations of Portuguese punk inside the line of what was defended by Lester Bangs: At its best New Wave/punk represents a fundamental and age-old Utopian dream: that if you give people the license to be as outrageous as they want in absolutely any fashion they can dream up, they ll be creative about it, and do something good besides Always louder than anywhere else : punk in between the global and the local Chair: Soon Anarchy in the UK? Punk and the establishment John Street, University of East Anglia, United Kingdom Punk communication and interaction between Yugoslavia and the West Jack Pitt, UEA, United Kingdom Atomic Attack and Nuclear Accidents: From Hiroshima to Fukushima. Transmissions of shared anti-nuclear aesthetics between European and Japanese punk culture from 1980 to present Alastair Gordon, Leicester De Montfort University, United Kingdom Shake it off your body! Overcoming distress through the sounds of reggae and punk Gonzalo Fernández Monte, Complutense University of Madrid, Spain The DIY punk scene: between the reproduction of social structures of domination and emancipation Simon Le Roulley, CERReV, University of Caen Basse-Normandie, France 15 July 2015 No Room for You [203], Faculty of Arts and Humanities of the University of Porto 2.2. I Was a Teenage Werewolf! Punk, style, authenticity and commodification Chair: Soon Not Real Punx, but Kindred Creatures (Creature Simili) : the enactment of post-punk in Milan Simone Tosoni, Università Cattolica del Sacro Cuore, Italy Locked by the look. The different risks you take when you look like a punk in GDR and FRG ( ) Pierre Raboud, University of Lausanne, Swiss National Science Foundation, Switzerland; and Max-Planck Institut für Bildungsforschung, Germany Punk representations at advertising: impurity, stigma, deviance Cláudia Pereira, Pontifical University of Rio de Janeiro, Brazil You Can t Blow Up a Symbolic Relationship: spectacular and physical resistance of punk Donal Fullam, University College Dublin, Ireland Surrender unto me: punk rock, bhakti-rasa and the devotional aesthetic of krishnacore Mike Dines, Institute of Contemporary Music Performance, United Kingdom 64 Parallel Sessions Conference

85 15 July 2015 No Room for You [203], Faculty of Arts and Humanities of the University of Porto 2.3. Destroy all monsters! Punk rock pedagogy, subversion, resistance and community Chair: Soon Imperfect makes practice: Participation, punk and collectivity Allister Gall, Plymouth College of Art and Plymouth University, United Kingdom Punk rock pedagogy: Bullshit and the art of crap-detection Scott Robertson, University of California, Los Angeles, United States of America Here we are now, educate us : The pedagogical approach to teaching the history of punk Rylan Kafara, Edmonton Free School, Canada The role of media during the reception and development of punk music after the Spanish dictatorship David de la Fuente García, University of Oviedo, Spain Ever fallen in love (with someone you shouldn t have?): punk, politics and same-sex passion David Wilkinson, University of Reading, United Kingdom 15 July 2015 No Room for You [203], Faculty of Arts and Humanities of the University of Porto 2.4. The punk scene in France ( ): Identities and specificities Chair: Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Social Research, KISMIF Project Coordinator, Portugal Punk sound and writing: a few reflections about sonorous and textual identities of the punk scene in France Luc Robene, CNRS, THALIM, France Solveig Serre, University of Bordeaux, THALIM, France Porosity between punk space and politico-associative field. The punk music as an auxiliary means of collective mobilizations Humeau Pierig, CURAPP CNRS UMR 7319, France French touch and fuck you style: Punk bodies and identities Philippe Liotard, Université Lyon 1, CRIS, France Geographic Information System and DIY zines: a tool for mapping underground music scenes Samuel Etienne, École Pratique des Hautes Etudes, CNRS UMR Prodig, France Dorothée James, École Pratique des Hautes Etudes, France Space of styles and space of positions inside the French independent punk scene Humeau Pierig, CURAPP CNRS UMR 7319, France 16 July 2015 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Parallel Sessions Conference 65

86 2.5. I Wanna Be Your Bastard! Punk rock in the midst of social changes in Portugal ( ) Chair: Solveig Serre, University of Bordeaux, THALIM, France Portuguese punk scenes: a social profile of their founders and participants Paula Abreu, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Social Research, KISMIF Project Coordinator, Portugal Augusto Santos Silva, Faculty of Economics, Institute of Sociology, University of Porto, KISMIF Project, Portugal Tânia Moreira, Faculty of Arts and Humanities, University of Porto, KISMIF Project, Portugal Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Project, Portugal Ain t only punk, they re inglorious bastards! Topological essay of the actors of the Portuguese punk ( ) Hélder Alves, Institute of Social Work of Porto, Portugal Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Social Research, KISMIF Project Coordinator, Portugal Tânia Moreira, Faculty of Arts and Humanities, University of Porto, KISMIF Project, Portugal Punk and the city: DIY cultures and radical uses of urban spaces in Porto, Portugal João Queirós, School of Education, Polytechnic Institute of Porto, Institute of Sociology, University of Porto, KISMIF Project, Portugal Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Social Research, KISMIF Project Coordinator, Portugal Social sciences, punx archives and memories: considerations concerning the KISMIF Archive Tânia Moreira, Faculty of Arts and Humanities, University of Porto, KISMIF Project, Portugal Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Social Research, KISMIF Project Coordinator, Portugal Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Project, Portugal Pedro Quintela, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Revolution rock: the influence of The Clash upon Portuguese Punk Bands/Musicians Maria João Ramos, Beja Polytechnic Higher Institute, Portugal 16 July 2015 Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto 2.6. Punk, transformation and hybridism Chair: Soon Boots, braces and baseball bats: Right wing Skinheads in Czech Republic ( ) Jan Charvát, Charles University, Czech Republic 66 Parallel Sessions Conference

87 Punk and new wave: Destruction or a doorway into Europe for the former Socialist countries Yvetta Kajanova, Faculty of Philosophy - Comenius University, Slovakia It Ain't a Sleepy Little Town : Building and maintaining a punk rock community in Peterborough, Ontario Katie Victoria Green, Trent University, Canada A case study of the formation of the punk movement in Rio de Janeiro between 1978 and 1984 and a comparative analysis with the São Paulo punk movement Dylan Fernando Oliveira da Silva, Federal Rural University of Rio de Janeiro, Brazil Mobility and connections: in and beyond the Dutch punk scene Kirsty Lohman, University of Warwick, United Kingdom 16 July 2015 Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto Parallel Sessions Conference 67

88 Vera Marmelo Coordinator: Pedro Costa, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal This theme examines the relationship between territory(ies), art and creativity, exploring concepts like scenes and urban creative milieus and trying to disentangle the spatiality(ies) and the territorial conditions of cultural and creative practices. With cases from Brazil, Canada, Ireland and the United States, in a first panel, the spatiality of (underground) musical local scenes is explored, seeking to perceive the connection between music and the city, and the territorial conditions for the emergence of underground and DIY scenes. In a second panel, the focus is on the cartographies of popular music scenes and the creative industries in cities, through the analysis of cases in Brazil and the United Kingdom. The third panel explores the intersections between music and underground music scenes and other forms of art or creativity, such as graphic design or the performing arts, basing on case studies coming from countries such as Portugal and Germany, and drawing our attention to the diversity and fluid borders of the underground urban cultural scenes. Finally, in the fourth panel the possibilities of resistance, action and transformation in the (and of the) city, through artistic intervention and artivism present in manifestations such as graffiti and street art or parkour, are discussed, emphasizing the potential of place, its image and performativity in public space as drivers of social change and political action. 68 Parallel Sessions Conference

89 3.1. Paranoid images, kaleidoscopes of sound Chair: Michael Goddard, University of Salford, United Kingdom To tra-verse memories and explanations... cities scratched on images Elenise Cristina Pires de Andrade, State University of Feira de Santana, Bahia, Brazil Érica Speglich, State University of Feira de Santana, Brazil Pernambuco Building: spacialities of live music in the ExcentriCidades project through a constellation of concepts Jeder Janotti Junior, Post-Graduate Program in Communication for the Communication Department of Federal University of Pernambuco, Audiovisual and Music Analysis Laboratory, Brazil Laís Barros Falcão de Almeida, Post-Graduate Program in Communication for the Communication Department of Federal University of Pernambuco, Audiovisual and Music Analysis Laboratory, Brazil The Ghost of the Machine : The bass saxophone and popular music remediations in the Montreal underground scenes François Mouillot, McGill University, Canada Space, place, and the local in Dublin s underground Jaime Jones, University College Dublin, Ireland Underground basements: the role of private spaces in the Boston DIY scene Vera Vidal, École des Hautes Etudes en Sciences Sociales, France 15 July 2015 Room For One More [208], Faculty of Arts and Humanities of the University of Porto 3.2. Cultural cartographies of popular music scenes, cities and creative industries Chair: Claudino Ferreira, Faculty of Economics, Centre for Social Studies, University of Coimbra, Portugal Cross cultural cartographies and archaeologies of popular music scenes, cities and creative industries Michael Goddard, University of Salford, United Kingdom Fabricio Silveira, Unisinos, RS, Brazil Adriana Amaral, Unisinos, RS, Brazil Bedroom Culture: is the bedroom a space for freedom or the only free space? Débora Gomes dos Santos, Institute of Architecture and Urbanism, University of São Paulo, Brazil Digging the POA and MCR urban music scenes Michael Goddard, University of Salford, United Kingdom MCR2015. A communicational exploration at the margins of pop music Fabricio Silveira, Unisinos, RS, Brazil 15 July 2015 Room For One More [208], Faculty of Arts and Humanities of the University of Porto Parallel Sessions Conference 69

90 3.3. Crossing borders of underground music scenes through arts and creativity Chair: Soon Performance art in Portugal in the 80s? A drift towards music? Cláudia Madeira, Faculty of Social Sciences and Humanities, New University of Lisbon, Portugal How underground music influenced the course of graphic design in Europe and USA Maria João Bom, Polytechnic Institute of Tomar, Portugal Individual art and repeatable beauty Mara Persello, University of Potsdam, Germany Experimentation in the performing arts Julianna Faludi, Corvinus University Budapest, Trento University, Italy Tangencias, a medium of art practice Pedro González Fernández, Royal College of Music, Stockholm, Sweden 15 July 2015 Room For One More [208], Faculty of Arts and Humanities of the University of Porto 3.4. The city is mine! Cities, transformation, activism and intervention Chair: Soon Graffitti, street, delirium: arts defiances Elenise Cristina Pires de Andrade, State University of Feira de Santana, Bahia, Brazil Milena Santos Rodrigues, State University of Feira de Santana, Bahia, Brazil Edivan Carneiro de Almeida, State University of Feira de Santana, Bahia, Brazil Parkour through music: daily routine and powerful imaginations Ines Braune, Center for Near and Middle Eastern Studies, Marburg University, Germany Transforming the city: Shaping urban public space through collective street art initiatives Ágata Dourado Sequeira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal Art is resistance. Year Zero (2007) and The Slip (2008), the Nine Inch Nails conceptual dyptich Maxime Munier, University of Montréal, Canada 16 July 2015 Room For One More [208], Faculty of Arts and Humanities of the University of Porto 70 Parallel Sessions Conference

91 Rui Oliveira Coordinator: Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Projet, Portugal With contributions from different geographical contexts, in this theme are explored the concepts of subcultures, counter-cultures, tribes and neo-tribes, discussing aspects such as its authenticity, its power of resistance and the relations established with the political context in which they emerge. From case studies from UK, Bulgaria, Italy and France, the first panel examines how different musical genres can be assumed as forms of resistance and how they can promote social change. In the second panel is discussed the power of political resistance of youth musical subcultures through the cases of Egypt, Brazil, Argentina and the historic conflict between Israel and Palestine. The third panel essentially explores gender issues and (in)equality in subcultures such as hip hop, punk and underground music. In the fourth panel are discussed aspects such as the authenticity of different subcultures, with cases coming from contexts also different, such as Germany, the Czech Republic and the United States of America (USA). The fifth panel offers an approach to historicity and genealogy of youth subcultures that have emerged in realities as diverse as Spain, the USA, Colombia and Turkey, exploring issues such as creative practices and their (political) meanings. Parallel Sessions Conference 71

92 4.1. Between Heaven and Hell : Music, resistence, authority and social change Chair: Soon Happy resistance: A radical inuit response to white authority Tom Artiss, University of Cambridge, United Kingdom Rituals of misrule within Bulgarian popular music Asya Draganova, Canterbury Christ Church University, United Kingdom Shane Blackman, Canterbury Christ Church University, United Kingdom Cattivi guagliuni: The identity politics of 99 Posse Marcello Messina, Federal University of Acre, Brazil DIY practices, English singing and white male empowerment in the French death metal scene Michael Spanu, University of Lorraine, France 15 July 2015 Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto 4.2. High on Rebellion : Gender, diference, subversion and (sub)culture Chair: Soon Contemporary art and construction gender equality Fellipe Eloy Teixeira Albuqueuerque, Federal University of São Paulo, Brazil So Cute or So Nasty? Contrasting Discourses of Masculinity and Femininity Surrounding B-girls (Female Breakdancers) Helen Simard, Université du Québec à Montréal, Canada Aesthetical strategies for queering punk: the zine J.D.s Atlanta Ina Beyer, Carl von Ossietzky University of Oldenburg, Germany Gender perspectives in the Hungarian music underground before and after the political transition of 1989 Enikő Bódis, ELTE University of Budapest, Hungary Katalin Soós, ELTE University of Budapest, Hungary Space to Play: sonic subversion by female punk bands in the 1970s Helen Reddington, University of East London, United Kingdom 15 July 2015 Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto 4.3. The Correct Use of Soap : Resisting subcultures? Chair: Soon Mahraganat music: underground youth cultures in Cairo José Sánchez García, Centre for Youth and Society Studies, University of Lleida, Spain Between the verb and the visual: the dialogism of hip hop culture Tatiana Aparecida Moreira, Federal University of São Carlos, Brazil 72 Parallel Sessions Conference

93 Resistance? Through rituals: politics and rock culture during the last military dictatorship in Argentina ( ) Julián Delgado, University of Buenos Aires, Argentina Alternative battle: Israeli and Palestinian hip-hop Yulia Gilichinskaya, SUNY Buffalo, United States of America 16 July 2015 No Room for You [203], Faculty of Arts and Humanities of the University of Porto 4.4. Wrong place, Right time : Autenthicty, counterculture and subcultural (re)emergence Chair: Soon A possible herstory Carla Genchi, KMH, Slavic Philology, Musical Critique and Composition, Sweden The cultural network in Lower Saxony - Modes of operation and influence of cooperation in the music sector Lutz Dollereder, Institute for Studies in Arts, Music, and Mediation, Germany I am not an emo, I am the core-kid : Subcultural identity and negotiation of authenticity in contemporary Czech emo subculture Martin Hermansky, Charles University in Prague, Faculty of Humanities, Czech Republic Hedvika Novotna, Charles University in Prague, Faculty of Humanities, Czech Republic Carnivalesque psychobilly performances: Creating an alternative culture of survival Kim Kattari, Texas A&M University, United States of America 16 July 2015 No Room for You [203], Faculty of Arts and Humanities of the University of Porto 4.5. Dreams Never End. Genealogy and history of youth cultures and subcultures Chair: Soon Problematizing the idea of subculture: a collective theoretical and pratical approach Fernando García Naharro, Complutense University of Madrid, Spain José Emilio Pérez Martínez, Complutense University of Madrid, Spain Medusa s on Sheffield, : Historicizing Chicago s premiere post-punk nightclub Christine Feldman-Barrett, Griffith University, Griffith Centre for Cultural Research, Australia Retaking the tragedy: creative practices and meanings of politics in the Bogotá hardcore scene Iñaki Zárate Cantor, Javeriana Pontifical University, Colombia Practices of resistance and contemporary countercultural youth identities in Istanbul Can Murtezaoğlu, Faculty of Architechture, Istanbul Technical University, Turkey 17 July 2015 Sala de Ensaio 1 [Rehearsal Room 1], Casa da Música Parallel Sessions Conference 73

94 Vera Marmelo Coordinator: Rui Telmo Gomes, Centre for Research and Studies in Sociology, University Institute of Lisbon, KISMIF Project, Portugal This theme addresses issues related to DIY logics and practices in music, taking as premise entrepreneurship and cooperation between different agents. With different cases from Australia, Portugal, Scotland and France, the first panel explores the ways in which creativity, culture and entrepreneurship intersect as a form of resistance or emancipation to different constraints imposed by contemporary society. The second panel examines the challenges that the construction of a creative career in areas such as music or illustration has underlying. This discussion extends to the third panel, in which are shared cases where the DIY and work in cooperation appear to be relevant options in the professionalization in music and other artistic areas. The fourth panel explores the multiple strategies developed by creative professionals to ensure the sustainability and feasibility of its projects, and their potential for social inclusion Creativity, entrepeneurship and cultural resistance in contemporaneity Chair: Soon Taking the bull by the horns: DIY and entrepreneurialism in Perth s indie pop/rock music industry and scene Christina Ballico, Indepedent Researcher, Australia 74 Parallel Sessions Conference

95 Rethinking: challenges and methodological dilemmas in research music Mário Cardoso, Polytechnic Institute of Bragança, Portugal Levi Silva, University of Trás-os-Montes e Alto Douro, Portugal 'Work all day, make your Magnum opus at Night' - contemporary structures of feeling and DIY Kieran Curran, University of Edinburgh, Scotland The illegibility of the creative act: how a shopping mall became a music hub, and how its exposure may be its worst enemy Heitor Alvelos, University of Porto, Portugal Anselmo Canha, University of Porto, Portugal Fátima São Simão, University of Porto, Portugal 15 July 2015 Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto 5.2. Carreers, jobs and arts: challenges and persistences Chair: Soon To Wear a collar with electric shock : The young workers of the new and the old Russian cultural institutions Margarita Kuleva, NRU Higher School of Economics, Russia The (pop)rock singer a self-taught or a skilled artist? Samuel Tomeček, Department of Musicology, Comenius University, Slovakia The DJ, demiurge of new and creative languages Javier Pérez Pinheiro, University of Sociology, UDC, Spain Fooling around with careers : identity and economy in underground music scenes Rui Telmo Gomes, Centre for Research and Studies in Sociology, University Institute of Lisbon, KISMIF Project, Portugal The celebration of DIY or the magnificent work of Esgar Acelerado Esgar Acelerado, Independent Artist, Mr. Esgar, KISMIF Project, Portugal 15 July 2015 Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto 5.3. Rebellious Jukebox : Dream narratives and challenges in current artistic work Chair: Soon The cyber-guitar system Jonathan Crossley, Wits University, South Africa Processes of teaching (-learning) how to play the classical guitar in the city of Porto Daniel Araújo, School of Music and Arts of Trofa, Portugal Art to advert / producer to by-product: the institutional formation of the industrialised musician Christopher Adams, University of Glasgow, Scotland 'DIY Scenes of Yorkshire : Organising post-industrialism in 2000s Leeds Parallel Sessions Conference 75

96 Dominic Deane, University of Manchester, United Kingdom Artistic work and collaborative contexts: Five case studies with cultural organizations Vera Borges, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal 15 July 2015 Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto 5.4. Revolution Ballroom : Social innovation, creativity, DIY and social inclusion Chair: Soon Multiple job and other strategies for professional musicians in Barcelona Marta Casals Balaguer, University of Barcelona, Center for Policy Studies on Culture and Society, Spain years of MMMNNNRRRG activity Marcos Farrajota, Comics Library of Lisbon/ BLX, Municipality of Lisbon, Chili Com Carne Association, MMMNNNRRRG label, KISMIF Project, Portugal Social and generational inclusion: The Social Crochet Program from Coimbra Marcia Regina Medeiros Veiga, University of Coimbra, Portugal On the Sale of community in crowdfunding: Questions of power, inclusion, and value David Gehring, Old Dominion University, United States of America D.E. Wittkower, Old Dominion University, United States of America The theatre in the places of social exclusion: preliminary analysis of the Pele association's activities Irene Serafino, Institute of Sociology, University of Porto, Portugal 16 July 2015 Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto 76 Parallel Sessions Conference

97 Rui Oliveira Coordinator: João Queirós, School of Education, Polytechnic Institute of Porto, Institute of Sociology, University of Porto, KISMIF Project, Portugal It is inevitable call for KISMIF Conference in 2015 all the heritage of knowledge and research that has characterized the underground music scenes in the field of cultural studies and sociology with respect to the study of youth subcultures and their links with the party, music, leisure and psychotropic consumption. Calling upon Hebdige (1979), subcultures can be seen metaphorically as noise, as representing a resistance and an appreciation of the underground, of the marginal. Such a perspective, as well as the one about the re-emergence of a potential political consciousness of the working class are present in theorizing held in the last twenty years about the underground cultures. In this sense, and in a rush rooted in post-subcultural studies since the late 90s, have been emerging works falling within the complexity and fluidity of new youth cultural practices, multiplying the liminalities and diasporas in the context of postcolonial studies. The Electronic Dance Music (EDM) quickly spread throughout the world, becoming one of the youth movements with greater expression in contemporary society. Global phenomenon that attracts different people, EDM is now a real industry, closely related to the tourism industries, leisure, music (in a broader sense) and fashion. The metal and its (sub)cultural manifestations also extended to the whole world, and here are presented the cases of headbangers in northeastern Brazil, the Turkish metal, the Québecois heavy metal and contemporary manifestations of Black metal - as well showing the fragmented glocalization of metal demonstrations nowadays. Multiple indie rock worlds are illustrated by studies in Brazil Parallel Sessions Conference 77

98 (S. Paulo, Teresina, Porto Alegre), Portugal (Porto, Lisbon, Braga, Leiria), in Switzerland, in Germany (Berlin) and Argentina (Buenos Aires ). The legacy and heritage is also now a key area of underground music scenes, and then we traveled through the Mexican goth scenes, the avant-garde French rock, the scene of industrial music or the Czech raves. The post-colonial studies have come to emphasize the migration and transit of people as key elements of the new cultural identities. Therefore here are presented very important case studies in this regard: the case of Brazilian musicians in Lisbon; the Strange comrades in Amsterdam; Santomean diaspora in Lisbon; the reappropriation of space of the public transport by punk of Lisbon and S. Paulo; the boundary work, whiteness and the reception of rock music in Rotterdam; the migration of musical styles in Texas and Chile'; the Tijuana DIY music scene, decadence at the Mexico-USA borderline and the role of music for diasporic identities in Germany Alive Tonight! Electronic dance music, post-colonial studies and borders Chair: Soon Subcultural studies, space and electronic dance music Bill Blackstock, York University, Toronto, Canada Dedicated followers of PaSSion ( ): the multiple realities of the clubber Zoe Armour, De Montfort University, Leicester, United Kingdom The psychedelic trance tribe: the digital experience Emília Simão, Portuguese Catholic University, Portugal Underground, Overrated: Gender Normativity in Dance Music and DJ cultures Tami Gadir, University of Oslo, Norway Breaking the electronic sprawl Hillegonda C Rietveld, London South Bank University, United Kingdom 15 July 2015 Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto 6.2. Power, loud and darkness: the persistence of metal Chair: Soon Identity and resistance constructs from Heavy Metal: The symbolic universe of mossoroenses headbangers in northeastern Brazil Lázaro Fabrício de França Souza, University of Rio Grande do Norte, Brazil Shemilla Rossana de Oliveira Paiva, University of Rio Grande do Norte, Brazil Guilherme Paiva de Carvalho Martins, University of Rio Grande do Norte, Brazil Turkish metal. Contesting Islamic concepts of morality Pierre Hecker, Centre for Near and Middle Eastern Studies, University of Marburg, Germany Tales of light, darkness and resurrection: local identities and global connections in Québecois heavy metal Laura Wiebe, Brock University, Canada Black metal: history, trace of character and archetype José Filipe P. M. Silva, Institute of Philosophy of the University of Porto, Portugal 78 Parallel Sessions Conference

99 16 July 2015 No Room for You [203], Faculty of Arts and Humanities of the University of Porto 6.3. Shaping the past: heritage and memories in current music scenes Chair: Soon What is it about Mexican darkness? A glimpse on Mexico City s goth scene history, development and revamping José Hernández Riwes Cruz, Metropolitan Autonomous University, Azcapotzalco, Mexico Avant-garde rock, or the defiance of traditional musical domains Jacopo Costa, GREAM, University of Strasbourg, France One movement, different styles: the making of industrial music scene in France, 1980 s Christophe Broqua, EHESS, Sophiapol-Lasco, Université Paris Ouest Nanterre La Défense, France Czech rave: How to escape from moral panic? Ondřej Slačálek, Faculty of Philosophy and Arts, Charles University in Prague, Czech Republic The electro scene in Tunisia: revolution and the borders of the underground Stefano Barone, Griffith Centre for Cultural Research, Griffith University, Australia 16 July 2015 Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto 6.4. Driving You Insane. Aesthetic and styllistic fragmentation: the multiple worlds of indie rock Chair: Soon The independent production on the contemporary Brazilian musical scenario: new agents and new challenges Vanessa Vilas Boas Gatti, University of São Paulo, Brazil Contributions from the music scenes perspective for a draft of the indie/alt rock production context in Teresina Thiago Meneses Alves, Faculty of Arts and Humanities, University of Porto, Portugal It's Just That Song! Meanings, identities and differences in Portuguese indie rock Paula Guerra, Faculty of the Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Projet, Portugal We're from Switzerland, that's a chocolate island in Sweden : understanding the situations of Swiss bands with regard to the indie rock rhizome Loïc Riom, University of Geneva, Switzerland Inside a music scene Pedro Miguel Ferreira, Polytechnic Institute of Leiria, School of Education and Social Sciences, Preguiça Magazine, Portugal 16 July 2015 Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto Parallel Sessions Conference 79

100 6.5. Waiting Underground : Indie rock, global, local and glocal music scenes Chair: Soon Mapping sounds in Porto Alegre: initial notes on the independent authorial music scene Belisa Zoehler Giorgis, University Feevale, Brazil Writing on the Stars: interpretation and meanings of Portuguese alternative rock through its protagonists Paula Guerra, Faculty of the Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Projet, Portugal Discourses in the Berlin alternative musical field Myrtille Picaud, School for Advanced Studies in Social Sciences, France From the porteño basement. The constitution of the underground musical scene in Buenos Aires, Argentina, during the 80s Vanina Soledad Lopez, Universidad Nacional de Quilmes CONICET, Argentina 17 July 2015 Cibermúsica [Cybermusic], Casa da Música 6.6. Shakin' All Over! Mobilities, transnational identities, transglobal sounds Chair: Soon Brazilian musicians in Lisbon: art and migration Amanda Fernandes Guerreiro, Institute of Social Sciences of the Lisbon University, Brazil, Portugal Strange comrades: Punk rock, racism and the emergence of a multicultural dialogue Anita Raghunath, Vrije University, Amsterdam, Netherlands Cultural identities of Santomean diaspora: the choices of young musicians Magdalena Bialoborsk, ISCTE-IUL, University Institute of Lisbon, Portugal Transglobal cartography of the underground: the reappropriation of space of the public transport by punk of Lisbon and S. Paulo Paula Guerra, Faculty of the Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Débora Gomes dos Santos, Institute of Architecture and Urbanism, University of São Paulo, Brazil Tânia Moreira, Faculty of Arts and Humanities, University of Porto, KISMIF Project, Portugal 17 July 2015 Cibermúsica [Cybermusic], Casa da Música 6.7. Transmissions, migrations, diasporas, cultural identities and music scenes Chair: Soon 80 Parallel Sessions Conference

101 (De)constructing a white space: boundary work, whiteness and the reception of rock music in Rotterdam Pauwke Berkers, Erasmus University Rotterdam, Netherlands Julian Schaap, Erasmus University Rotterdam, Netherlands Muevele, Muevele y Alto : A critical comparison of the migration of musical styles in Texas and Chile Jeffrey A. Halley, University of Texas at San Antonio, United States of America Marisol Facuse Muñoz, University of Chile, Chile Tijuana DIY music scene, decadence at the Mexico-USA borderline Daniel Reveles Polanco, Universidad Autónoma de Baja California, Mexico Role of music for diasporic identities in Germany Laura Suna, Institute of Philosophy and Sociology, University of Latvia, Latvia 17 July 2015 Cibermúsica [Cybermusic], Casa da Música Parallel Sessions Conference 81

102 Vera Marmelo Coordinator: Paula Abreu, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal In this theme are explored the relationship between the sphere of creators and music promoters and the sphere of audiences and consumers, taking into account the mediation role played by key actors in this process. In the first panel are shared cases from Brazil, USA, Germany and Australia in order to discuss the importance of music festivals and other venues for live music, as well as the ubiquity of music these days. The second panel discusses the creative and dissemination strategies of the musicians, but also how the audiences receive and appropriate music. With researches developed in France, Iceland, Serbia and Morocco, the third panel explores the realm of music audiences', considering the audiences of specific bands or concepts such as fan Everybody Everywhere : Mediation, strategies and audiences Chair: Soon Street musicians: The strategies of mastering the social space of St. Petersburg Aleksandra Kozyr, Saint-Petersburg State University, Russian Federation Listening Noise Music in Paris: Focus on Venues and Concert Organizers Sarah Benhaïm, CRAL, Ecole des Hautes Etudes en Sciences Sociales, France DIY discourse as embodied practice: spatial tactics at American DIY shows David Verbuč, Charles University, Slovenia, Czech Republic 82 Parallel Sessions Conference

103 DIY music technology: underground scenes of experimental instrument building in New York and Berlin Lauren Flood, Columbia University, United States of America Deciphering the alternative : some contributions from the analysis of the audiences of a performing arts venue Pedro Costa, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal Margarida Perestrelo, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal Giles Teixeira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal 16 July 2015 Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto 7.2. Fandom, music lovers, audiences and popular music Chair: Soon Together and face to face: New Model Army and its audience Solveig Serre, CNRS, THALIM, France Luc Robène, University of Bordeaux, THALIM, France Becoming a girl-fan, being a girl-fan Rita Grácio, Centre for Social Studies, University of Coimbra, University of Exeter, United Kingdom For the love of it : amateurs and unconventionalists in Icelandic popular music Arnar Eggert Thoroddsen, University of Edinburgh, Scotland Tales from the Belgrade pit: performance, identity, communication and violence at underground concerts Danilo Trbojevic, Faculty of Philosophy, University of Belgrade, Serbia DIY in Morocco from the mid 90 s to nowadays Dominique Caubet, La NAD - INALCO, France 17 July 2015 Sala de Ensaio 1 [Rehearsal Room 1], Casa da Música 7.3. Born to be ALIVE! Festivals, live music venues, festivalization of culture and musicscapes Chair: Soon Musical territories: A cartography of indie festivals in Brazil Daniel Domingues, Fluminense Federal University, Brazil Luiza Bittencourt, Fluminense Federal University, Brazil Blue Austin: Conceptualizing the Blues Scene in the Live Music Capital of the World Josep Pedro, Complutense University of Madrid, Spain Cultural diversity as a contradictory practice at music festivals Lisa Gaupp, Leuphana University of Lueneburg, Institute of Sociology and Cultural, Germany Parallel Sessions Conference 83

104 You re not strangers if you like the same band : the social contribution of small-scale live music venues in Melbourne Samuel Whiting, RMIT University, Melbourne, Australia Investigating the (omni-)presence of music in social spaces through sound environments: control, mediations and noise pollution Raphael Nowak, Griffith University, Australia 17 July 2015 Sala de Ensaio 1 [Rehearsal Room 1], Casa da Música 84 Parallel Sessions Conference

105 Vera Marmelo Coordinator: Pedro Quintela, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal I always said punk was an attitude. It was never about having a Mohican haircut or wearing a ripped T-shirt. It was all about destruction and the creative potential within that. said Malcom McClaren. In recent years, there has been a growing interest in independent auto-released publications and in do-it-yourself (DIY) practices of production and distribution - and in particular, in fanzines, records, magazines. This is reflected in a renewed attention for DIY production methods; in an increased exposure and consumption of these objects; and in a growing interest of academia and of some cultural institutions for analyzing and preserve this type of production associated with a more underground culture, in an interesting approach to some of the consecration systems featuring the 'art worlds' most mainstream. In this issue, we propose an analysis of these processes, discussing its meaning and the challenges they pose to social scientists involved in the collection, preservation and analysis of this type of cultural production. It is empirically illustrate some of these reflections from the process of creation and promotion of objects and artifacts that move the underground scenes. In the case of musical scenes, for example, the process of affirmation of a new patrimonial discourse is now clearly linked to the important role played by a diverse set of consecration instances, including journals, its critics, its journalists, its audiences, which are fundamental to the retrospective consecration process of certain artists or bands, or music industry itself that in the last twenty years have sought intensively explore the retro market linked to nostalgia and preservation of Parallel Sessions Conference 85

106 the musical legacy of the past decades, with successive reissues of audiovisual content on different media (CD, DVD, etc.). If these are the main consecration instances of a patrimonial discourse around contemporary urban popular culture - which sometimes seems to be reduced to little more than mere nostalgia and retromania - it is also clear that today we stand before a polyphonic speech, involving a multiplicity of voices, some of which often challenge a certain mainstream view and interpretation, calling into question the 'canon' Countercultures, comics, and alternative press Chair: Soon Depicting music: how the comic book Scott Pilgrim sounds in other spaces Charity Slobod, University of Alberta, Canada Freak encounters in the Free Press: sharing spaces in 1960s Los Angeles Andre Mount, Crane School of Music (SUNY Potsdam), United States of America Nakedness, gender and print culture: bodies in the magazine La Luna de Madrid Fernando García Naharro, Complutense University of Madrid, Spain Brazilian Provocations : The Brazilian counterculture through the alternative press ( ) Patricia Marcondes de Barros, Catholic University of Santos, Brazil From Os chouriços são todos para assar to Maria dos canos serrados : suburban life speeches in Ricardo Adolfo s literature Sónia Passos, School of Music and Performing Arts, Polytechnic Institute of Porto, Portugal 16 July 2015 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 8.2. Fanzines, music magazines and underground music scenes Chair: Soon Underground utopias: strategies of mediation and resistance in the Brazilian punk zines network Yuri Bruscky, Federal University of Pernambuco, Brazil While the world was dying, did you wonder why? : Punk, Politics and British (fan)zines, Matthew Worley, University of Reading, Subcultures Network, United Kingdom Fast, Furious and Xerox: the fanzines production within the Portuguese punk scene and its evolution in terms of ideology and aesthetics ( ) Pedro Quintela, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Paula Guerra, Faculty of the Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Tânia Moreira, Faculty of Arts and Humanities, University of Porto, KISMIF Project, Portugal New Faces of Adoration: Elements of visual sociology through the album covers Paula Guerra, Faculty of the Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, 86 Parallel Sessions Conference

107 KISMIF Projet, Portugal Pedro Quintela, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal The crisis continues: Music graphics of punk and post-punk in Portugal from 1978 onwards Ana Raposo, ESAD College of Art and Design Matosinhos, Punk Scholars Network, KISMIF Projet, Portugal 16 July 2015 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 8.3. Popular music heritage, nostalgia and retromania Chair: Soon Cassette culture and copyright critique Pascal Massinon, University of Michigan, Ann Arbor, United States of America The commodification of vinyl records in underground musical scenes : looking for economic and cultural alternatives Léa Roger, Free University of Brussels and School for Advanced Studies in the Social Sciences in Paris, France Back From the Grave : Popular Music Revivals and the Case of the Tokyo Garage Punk Scene José Vicente Neglia, University of Hong Kong, Hong Kong Moderne Muziek: How vinyl magazine reported the Dutch post-punk movement Richard Foster, Leiden University, Netherlands Photojournalism Is Not Dead José Carneiro, Faculty of Fine Arts, University of Porto, Portugal 17 July 2015 Sala de Ensaio 3 [Rehearsal Room 3], Casa da Música 8.4. Gatekeeping, online social media and youth cultures Chair: Soon A tale of two blogs: the expert and the amateur John Encarnacao, University of Western Sydney, Australia Hellbent for social media: Methodological approaches to social research in online spaces Tristan Kennedy, Flinders University of South Australia, Australia Arab youth and the Facebook revolution: the role of social media and youth culture in youth activism Natalia Waechter, University of Graz, Austria Online dimensions of Russian subcultural scene: padonki community Elena Bulatova, Saint-Petersburg State University of Economics, Russia Mediation and mediatization of popular music in the age of digital networks Tatiana Rodrigues Lima, Federal University of Recôncavo da Bahia, Brazil 17 July 2015 Sala de Ensaio 3 [Rehearsal Room 3], Casa da Música Parallel Sessions Conference 87

108 8.5. DIY, new music, new technologies and media Chair: Soon Taste and local scenes: virtual and/or geographical proximity Jānis Daugavietis, Central Statistical Bureau of Latvia, Latvian Academy of Culture, Latvia Radio Dio: Community Radio, Infrastructure and the Establishment of an Independent Music Scene in Saint-Etiénne, France Scott Henderson, Brock University, Canada Real estate office by day, recording studio at night : DIY music production in Metro Manila s independent scene Monika Schoop, Cologne University, Germany The philosophy of free radio/media movement in Japan in the post-media era Yoshitaka Mori, Tokyo University of the Arts, Japan Tomoko Shimizu, University of Tsukuba, Japan Pirate curators of the late 20th century and their impact on the recording industry's long tail Ian Townsend, University of Sheffield Management School, United Kingdom 17 July 2015 Sala de Ensaio 3 [Rehearsal Room 3], Casa da Música 88 Parallel Sessions Conference

109 Rui Oliveira July 2015 Faculty of Arts and Humanities of the University of Porto, Casa da Música, TM Rivoli, Palacete Viscondes Balsemão, Matéria Prima, Edifício Montepio and Plano B, Porto I came into the punk scene because punk stayed with you, it has taught you something. A lot of the other music of the time left you as it found you. Mick Jones (The Clash) Detailed Schedule 89

110 18h00-18h30 Official opening and Welcome Speeches There's a City in My Head Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Paulo Cunha e Silva, Councillor, Department of Culture, Porto Municipal Council, Portugal Foyer 3 rd Floor, TM Rivoli, Porto 18h30-19h00 OPENING EXHIBITION DIY DIY My Outspace Zines & Records Presentation: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Presentation: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Presentation: Paulo Cunha e Silva, Councillor, Department of Culture, Porto Municipal Council, Portugal July 2015 Foyer 3 rd Floor, TM Rivoli, Porto Curated by Esgar Acelerado and Marcos Farrajota 14h30-15h30 OPENING EXHIBITION Under-Ventures by Ondina Presentation: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Presentation: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Presentation: João Paulo Dias, Executive Director, Coordinator of Projects and Research Management Office, Centre of Social Studies, University of Coimbra, Portugal July 2015 Palacete Viscondes Balsemão, Porto Curated by Ondina Pires and Esgar Acelerado 90 Detailed Schedule

111 16h30-17h00 OPENING EXHIBITION Ain t Art, Bastards! Exhibition of Esgar Acelerado Presentation: Esgar Acelerado, Independent Artist, Mr. Esgar, KISMIF Project, Portugal Presentation: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal July 2015 Edifício Montepio, Porto Curated by Esgar Acelerado and Paula Guerra 17h00-17h30 OPENING EXHIBITION We Love 77 Presentation: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Presentation: João Paulo Dias, Executive Director, Coordinator of Projects and Research Management Office, Centre of Social Studies, University of Coimbra, Portugal Presentation: Paulo Cunha e Silva, Councillor, Department of Culture, Porto Municipal Council, Portugal Presentation: Víctor Torpedo, Musician, Visual Artist, DJ, Music Lover, Portugal July 2015 Edifício Montepio, Porto Curated by Esgar Acelerado and Víctor Torpedo 17h30-18h00 OPENING EXHIBITION DIY DIY My Outspace Zines & Records July 2015 Edifício Montepio, Porto Curated by Esgar Acelerado and Marcos Farrajota Detailed Schedule 91

112 Vera Marmelo From 08h30 Opening and Registration Faculty of Arts and Humanities of the University of Porto 09h00-09h30 Official opening and Welcome Speeches + OPENING EXHIBITION 10 Covers Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia António Jorge Pacheco, Artistic Director, Casa da Música, Portugal Ester Silva, Head of the Institute of Sociology, University of Porto, Portugal Fátima Marinho Saraiva, Vice-Rector for Cooperation and Culture, University of Porto, Portugal Fernanda Ribeiro, Dean of Faculty of Arts and Humanities, University of Porto, Portugal Guilherme Blanc, Department of Culture, Porto Municipal Council, Portugal Jeder Janotti Junior, Post-Graduate Program in Communication for the Communication Department of Federal University of Pernambuco, Audiovisual and Music Analysis Laboratory, Brazil João Paulo Dias, Executive Director, Coordinator of Projects and Research Management Office, Centre of Social Studies, University of Coimbra, Portugal Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Pedro Costa, Deputy Director, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal Teresa Sá Marques, Centre for the Study of Geography and Spatial Planning, Portugal Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 09h30-10h40 DISCUSSION LECTURES: Carles Feixa and Ross Haenfler DISCUSSION TOPIC: Between Heaven and Hell: youth cultures, subcultures, resistance and underground 09h30-09h50 United for the flow. On music, gangs and tribes Carles Feixa, Department of Geography and Sociology, University of Lleida, JOVIS, European Youth Studies, International Sociological Association, KISMIF Project, Spain 92 Detailed Schedule

113 09h50-10h10 Not Just Boys Fun? : Music Subcultures and the Changing Meanings of Manhood Ross Haenfler, University of Mississippi, United States of America Host: Guilherme Blanc, Department of Culture, Porto Municipal Council, Portugal 10h10-10h40 Open Discussion Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 10h40-11h00 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 11h00-12h30 Work Sessions 1./ 2. Working Group 1 Host: Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Projet, Portugal Commentator: Carles Feixa, Department of Geography and Sociology, University of Lleida, JOVIS, European Youth Studies, International Sociological Association, KISMIF Project, Spain Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 1.1. To be or not to be (underground). The transformations of Argentinian rock music scene during the last military dictatorship in Argentina ( ) Julián Delgado, University of Buenos Aires, Argentina 1.2. Tales from the Belgrade pit: performance, identity, communication and violence at underground concerts Danilo Trbojevic, Faculty of Philosophy, University of Belgrade, Serbia 1.3. Just can`t stand back: Raul Seixas and '80s rock Lucas Marcelo Tomaz de Souza, University of São Paulo, University of Porto, Brazil 1.4. From the party to the press. The scenification of the Buenos Aires underground porteño scene of the 80s, among the amateur journalism publications, during the 80s Vanina Soledad Lopez, Universidad Nacional de Quilmes CONICET, Argentina Working Group 2 Host: Rui Telmo Gomes, Centre for Research and Studies in Sociology, University Institute of Lisbon, KISMIF Project, Portugal Commentator: Ross Haenfler, University of Mississippi, United States of America No Room for You [203], Faculty of Arts and Humanities of the University of Porto Detailed Schedule 93

114 2.1. I hope I die before I get old, an Approach to British Cinema and Youth Subcultures José Emilio Pérez Martínez, Complutense University of Madrid, Spain 2.2. Peripheral subcultures Mara Persello, University of Potsdam, Germany 2.3. On the outskirts of the mainstream: a terminological journey into Montreal music underground Ariane Gruet-Pelchat, University Laval, Canada 12h30-13h30 Lunch RISE UP: A SCIENTIFIC INTERFACE Presentation of the book A trajetória Social de Raul Seixas, uma metamorfose ambulante no rock brasileiro [The social trajectory of Raul Seixas, a walking metamorphosis in the Brazilian rock] Lucas Marcelo Tomaz de Souza, University of São Paulo, University of Porto, Brazil July 2015 Room at The Top [Sala de Reuniões], Faculty of Arts and Humanities of the University of Porto Curated by Pedro Quintela 13h30 OPENING EXHIBITION All the Love in the World July 2015 Hall the Love of the Room [Entrada da Sala de Reuniões], Faculty of Arts and Humanities of the University of Porto Curated by Cobraprima 13h30 OPENING EXHIBITION Search & Destroy July 2015 Two People in a Room [207], Faculty of Arts and Humanities of the University of Porto Curated by Michael Spanu and Tânia Moreira 13h30 OPENING EXHIBITION DIY DIY My Outspace Zines & Records July 2015 DIY DIY my Darling [202], Faculty of Arts and Humanities of the University of Porto Curated by Esgar Acelerado and Marcos Farrajota 14h00-14h30 OPENING EXHIBITION On the Road to the American Underground 94 Detailed Schedule

115 + BOOK LAUNCH On the Road to the American Underground by Paula Guerra and João Leite + Port Wine Welcome Drink Presentation: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Presentation: Fernanda Ribeiro, Dean of Faculty of Arts and Humanities, University of Porto, Portugal Presentation: Guilherme Blanc, Department of Culture, Porto Municipal Council, Portugal Presentation: Isabel Pereira Leite, Library, Faculty of Arts and Humanities of the University of Porto, Portugal Presentation: João Leite, Library, Faculty of Arts and Humanities of the University of Porto, Portugal 13 July - 30 September 2015 Library, Faculty of Arts and Humanities of the University of Porto Curated by Ana Carolina Avillez, Isabel Leite, João Leite, Laura Gil, Marlene Borges, Paula Guerra and Tânia Moreira Vera Marmelo 14h30-15h00 BOOK LAUNCH Subcultures: The Basics, by Ross Haenfler + Performance Gambuzinos + Port Wine Welcome Drink Presentation: Ross Haenfler, University of Mississippi, United States of America Presentation: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Presentation: Scott Robertson, University of California, Los Angeles, United States of America Detailed Schedule 95

116 Library, Faculty of Arts and Humanities of the University of Porto Curated by Paula Guerra and Tânia Moreira 15h00-15h10 DISCUSSION LECTURES: Andy Bennett and François Ribac DISCUSSION TOPIC: Never Gonna Give It Up: post-subcultures, transitions and metamorphoses 15h00-15h20 From subculture to post-subculture where to next? Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia 15h20-15h40 Is DIY a punk invention? François Ribac, Institut Denis Diderot, University of Dijon, Laboratoire Cimeos, France Host: Ross Haenfler, University of Mississippi, United States of America 15h40-16h10 Open Discussion Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 16h10-16h30 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 16h30-18h00 Work Sessions 3./ 4. Working Group 3 Host: Pedro Quintela, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Commentator: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 3.1. Notes on the concept of independence in the context of Brazilian rock in the XXI century Thiago Meneses Alves, Faculty of Arts and Humanities, University of Porto, Portugal, Brazil 3.2. The commodification of vinyl records in underground musical scenes: looking for economic and cultural alternatives Léa Roger, Free University of Brussels/ School for Advanced Studies in the Social Sciences in Paris, France 3.3. Developing a taste for electronic dance music: Personal narratives of 'entrance' in UK club culture from Zoe Armour, De Montfort University, Leicester, United Kingdom 3.4. We're from Switzerland, that's a chocolate island in Sweden : understanding the situations of Swiss bands with regard to the indie rock rhizome 96 Detailed Schedule

117 Loïc Riom, University of Geneva, Switzerland Working Group 4 Host: Heitor Alvelos, University of Porto, Portugal Commentator: François Ribac, Institute Denis Diderot, University of Dijon, Laboratory Cimeos, France No Room for You [203], Faculty of Arts and Humanities of the University of Porto 4.1. The mixed economy of favours : Theorising social relations in a post-crisis music scene Eileen Hogan, Institute for Popular Music, University of Liverpool, United Kingdom 4.2. The sociology of music and its founders: A diachronic review Gil Fesch, Institute of Sociology, University of Porto, Portugal 4.3. Implications of Rosi Braidotti s nomadic theory for research in complex experimental music scenes Maximilian Georg Spiegel, University of North Carolina at Chapel Hill, United States of America 4.4. Back to MPB: Exploring the controversies of the new Brazilian popular music (New MPB) Laís Barros Falcão de Almeida, Post-Graduate Program in Communication for the Communication Department of Federal University of Pernambuco (UFPE), Audiovisual and Music Analysis Laboratory (L.A.M.A), Brazil 18h30-19h00 BOOK LAUNCH De la Generación@ a la #Generacion, by Carles Feixa + Autograph Session + Port Wine Welcome Drink Presentation: Carles Feixa, Department of Geography and Sociology, University of Lleida, JOVIS, European Youth Studies, International Sociological Association, KISMIF Project, Spain Presentation: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Cibermúsica [Cybermusic], Casa da Música Curated by Paula Guerra and Tânia Moreira 19h00-19h30 BOOK LAUNCH Lost Histories of Youth Culture, by Christine Feldman-Barrett + Autograph Session + Port Wine Welcome Drink Presentation: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Detailed Schedule 97

118 Presentation: Carles Feixa, Department of Geography and Sociology, University of Lleida, JOVIS, European Youth Studies, International Sociological Association, KISMIF Project, Spain Presentation: Christine Feldman-Barrett, Griffith University, Griffith Centre for Cultural Research, Australia Presentation: Ross Haenfler, University of Mississippi, United States of America Cibermúsica [Cybermusic], Casa da Música Curated by Paula Guerra and Tânia Moreira 09h00-10h10 DISCUSSION LECTURES: Alastair Gordon and Mike Dines DISCUSSION TOPIC: A Different Kind of Tension: Punk, authenticity, underground legacy, and pedagogy 09h00-09h20 The Spectralities of 2015 UK DIY punk: the quest for the authentic punk artefact Alastair Gordon, Leicester De Montfort University, Punk Scholars Network, United Kingdom 09h20-09h40 Reading, writing and rebellion: Pedagogy, academia and the formation of the Punk Scholars Network Mike Dines, Institute of Contemporary Music Performance, Punk Scholars Network, United Kingdom Host: François Ribac, Institut Denis Diderot, University of Dijon, Laboratoire Cimeos, France 09h40-10h10 Open Discussion Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 10h10-10h30 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 10h30-12h00 Work Sessions 5./ 6. Working Group 5 Host: João Queirós, School of Education, Polytechnic Institute of Porto, Institute of Sociology, University of Porto, KISMIF Project, Portugal 98 Detailed Schedule

119 Commentator: Alastair Gordon, Leicester De Montfort University, Punk Scholars Network, United Kingdom Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 5.1. Preliminary research into online autonomous scenes Rodrigo Nicolau Almeida, University of Porto, Portugal 5.2. Alternative Music Scenes in Yugoslavia and former Yugoslavia Julijana Zhabeva-Papazova, Institute of Art Studies, Bulgarian Academy of Sciences, Bulgaria 5.2. The Boston basement show scene Vera Vidal, École des Hautes Etudes en Sciences Sociales, France Working Group 6 Host: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Commentator: Mike Dines, Institute of Contemporary Music Performance, Punk Scholars Network, United Kingdom No Room for You [203], Faculty of Arts and Humanities of the University of Porto 6.1. Punks politics: Educating each other to resist the system Kirsty Lohman, University of Warwick, United Kingdom 6.2. Ain't a Sleepy Little Town : Building and maintaining a punk rock community in Peterborough, Ontario Katie Victoria Green, Trent University, Canada 6.3. Sirenas al ataque! Punk women in Mexico City Tanja Wälty, Institute of Interdisciplinary Latin American Studies of Freie Universität Berlin, Germany 6.4. The separation of scene and state: the balkanization of the Belgrade punk scene in the wake of the wars in Yugoslavia Sonja Žakula, Institute of Ethnography, SASA, Serbia 12h00-13h00 Lunch RISE UP: A SCIENTIFIC INTERFACE Presentation of the demo-tape Situations Simon Le Roulley, CERReV, University of Caen Basse-Normandie, France Presentation of the video A Lynching Marcello Messina, Federal University of Acre, Brazil July 2015 Room at The Top [Sala de Reuniões], Faculty of Arts and Humanities of the University of Porto Curated by Pedro Quintela Detailed Schedule 99

120 Rui Oliveira 13h00-13h30 OPENING EXHIBITION Live Fast! Die Punk! + BOOK LAUNCH Live Fast! Die Punk! by Rui Oliveira Presentation: Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Projet, Portugal Presentation: Rui Oliveira, Global Imagens, Nfactos, Portugal Presentation: David Pontes, Deputy Editor in Chief, News Journal, Portugal July 2015 Teacher's Lounge, Faculty of Arts and Humanities of the University of Porto Curated by Rui Oliveira e Ana Oliveira 13h30-14h00 BOOK LAUNCH Rock me Like The Devil: a assinatura das cenas e das identidades metálicas [Rock me Like The Devil: the signature of the metal scenes and identities] by Jeder Janotti Jr. + Port Wine Welcome Drink Presentation: André Silva, President of the Student Association of Faculty of Arts and Humanities, University of Porto, Portugal Presentation: Jeder Janotti Junior, Post-Graduate Program in Communication for the Communication Department of Federal University of Pernambuco, Audiovisual and Music Analysis Laboratory, Brazil Presentation: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal 100 Detailed Schedule

121 Library, Faculty of Arts and Humanities of the University of Porto Curated by Paula Guerra and Tânia Moreira 14h00-15h10 DISCUSSION LECTURES: Jeder Janotti Junior and Pedro Costa DISCUSSION TOPIC: Everywhere and Nowhere: Sounds, places and spaces 14h00-14h20 Space, Place and Dissent and territorialities: small venues and becoming in Recife, Pernambuco-Brazil Jeder Janotti Junior, Post-Graduate Program in Communication for the Communication Department of Federal University of Pernambuco, Audiovisual and Music Analysis Laboratory, Brazil 14h20-14h40 From the Research on Urban Cultural Milieus to Artistic Urban Interventions and Back Again: A Methodological Perspective Pedro Costa, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal Host: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal 14h40-15h10 Open Discussion Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 15h10-16h40 Work Sessions 7./ 8. Working Group 7 Host: Gil Fesch, Institute of Sociology, University of Porto, Portugal Commentator: Jeder Janotti Junior, Post-Graduate Program in Communication for the Communication Department of Federal University of Pernambuco, Audiovisual and Music Analysis Laboratory, Brazil Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto 7.1. Leiria Calling in 90 s Pedro Miguel Ferreira, Polytechnic Institute of Leiria, School of Education and Social Sciences, Preguiça Magazine, Portugal 7.2. Radio Live Transmission: indie rock and the importance of radio in Portugal Catarina Ribeiro Figueiredo, Faculty of Arts and Humanities, University of Porto, Portugal 7.3. Nakedness, gender and print culture: bodies in the magazine La Luna de Madrid Fernando García Naharro, Complutense University of Madrid, Spain 7.4. The multiple and complex genealogy of noise music: an approach from Paris Sarah Benhaïm, CRAL, Ecole des Hautes Etudes en Sciences Sociales (EHESS), France Working Group 8 Detailed Schedule 101

122 Host: Paula Abreu, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Commentator: Pedro Costa, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal No Room for You [203], Faculty of Arts and Humanities of the University of Porto 8.1. The Underground is cool : The city centre of Porto as space of consumption, leisure and symbolic reference Célia Ferreira, University of Porto, Centre for the Study of Geography and Spatial Planning, Portugal 8.2. What is important is the space: transformations and hybridisations in Basque counterculture Ion Andoni del Amo, University of the Basque Country (UPV/EHU), Basque Country, Spain 8.3. Coimbra and the rock n roll: a relational space from the beginning of the 1990 s Pedro Almeida Martins, Faculty of Economics of University of Coimbra, Portugal 8.4. My zone is my music: an approach of integrating young people through music Vânia Pinheiro, Faculty of Arts and Humanities, University of Porto, Portugal 16h40-17h00 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 17h30-18h30 OPENING EXHIBITION Facadas na Noite [Stabs at Night] + BOOK LAUNCH Facadas na noite: retromania, nostalgia e efémero na música popular [Stabs at night: retromania, nostalgia and ephemeral in popular music] by Paula Guerra and Pedro Quintela + Release of Cassette + DJ Set Matéria Prima + Drinks Presentation: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Presentation: Jorge Pereira, Facadas na Noite, Portugal Presentation: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Presentation: Paulo Vinhas, Matéria Prima, Portugal Presentation: Pedro Quintela, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal July 2015 Matéria Prima, Porto curated by Paula Guerra, Paulo Vinhas and Pedro Quintela 102 Detailed Schedule

123 19h00-19h45 PRE-RELEASE O Meu Espelho [My Mirror] by Paula Guerra + DJ Set Adolfo Luxúria Canibal + Port Wine Welcome Drink Presentation: Adolfo Luxúria Canibal, Musician (Mão Morta), Lawyer, Poet, Portugal Presentation: Dario Oliveira, Porto/Post/Doc, Portugal Presentation: Tó Trips, Musician (Dead Combo, Guitarras ao Alto, Timespine), Composer, Illustrator (Mackintoxico), Portugal Presentation: Zé Pedro, Musician (Xutos & Pontapés), DJ, Producer/presenter of radio shows, Portugal Café-Concerto, TM Rivoli, Porto Curated by Paula Guerra and Tânia Moreira 19h45-20h15 BOOK LAUNCH More Than Loud, edited by Paula Guerra Presentation: Paula Abreu, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Presentation: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Presentation: Rui Telmo Gomes, Centre for Research and Studies in Sociology, University Institute of Lisbon, KISMIF Project, Portugal Café-Concerto, TM Rivoli, Porto Curated by Paula Guerra and Tânia Moreira 21h30-23h00 SCREENING/ RELEASE of the documentary Bastardos. Trajetos do Punk Português ( ) [Bastards. Pathways of the Portuguese Punk ( )] Presentation: Adolfo Luxúria Canibal, Musician (Mão Morta), Lawyer, Poet, Portugal Presentation: Edgar Pêra, Director, Writer, Cinematographer, Producer, Actor Portugal Presentation: Eduardo Morais, Documentary filmmaker, Freelance video editor, DJ, Portugal Pequeno Auditório [Small Auditorium], TM Rivoli, Porto Curated by Paula Guerra and Tânia Moreira 23h30-00h30 GIG Tó Trips. Guitarra Makaka. Danças a um Deus Desconhecido [Monkey Guitar. Dancing to a God Unknown] Detailed Schedule 103

124 Sub-palco [Under Stage], TM Rivoli, Porto Curated by Pedro Miguel Ferreira and Rivoli TM From 08h00 Opening and Registration Faculty of Arts and Humanities of the University of Porto 09h15-10h30 PLENARY LECTURE: Andy Bennett and Dick Hebdige Working at perfect: Music sociology and the ever-changing landscape of DIY music scenes Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia After shock: the legacy of punk Dick Hebdige, Department of Art, Interdisciplinary Humanities Center, University of California, Santa Barbara, United States of America Host and Discussant: Vítor Belanciano, DJ, Anthropologist, Professor, Journalist and Music Critic at Público, Portugal Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 10h30-11h00 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 11h00-12h15 PLENARY LECTURE: Carles Feixa and Paula Guerra Indignant Soundscapes. Hybrid cultures and the 'new new' social movements Carles Feixa, Department of Geography and Sociology, University of Lleida, JOVIS, European Youth Studies, International Sociological Association, KISMIF Project, Spain All Tomorrow's Parties: pictures and relations in the (sub)cultural manifestations of Portuguese punk Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal 104 Detailed Schedule

125 Host and Discussant: Soon Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 12h15-13h30 Lunch RISE UP: A SCIENTIFIC INTERFACE Presentation of a documentary about musical influences on women punk bands in the 1970s Helen Reddington, University of East London, United Kingdom Presentation of the book The Praxis of Robin Fior Revisited Maria João Bom, Polytechnic Institute of Tomar, Portugal July 2015 Room at The Top [Sala de Reuniões], Faculty of Arts and Humanities of the University of Porto Curated by Pedro Quintela 13h30-15h15 Parallel Sessions 1.1./ 2.1./ 3.1./ 4.1./ Hybridism and glocalization in popular music Chair: Soon Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Christian hip hop and the multifaceted americanization of South African culture Ibrahim Abraham, University of Helsinki, Finland Revivalism, hibridism and transformism: From sociability to musical identity, Coimbra s rock music scene during the 90 s Pedro Almeida Martins, Faculty of Economics of University of Coimbra, Portugal Cosmopolitan ideologues and rastafarian performativity in the South African reggae music of Teba Shumba and The Champions Tuomas Järvenpää, University of Eastern, Finland The folk-underground music as culture revivalism: Mixing The Sundanese traditional musical instrument and underground music as the struggle for culture sovereignity Yusar Muljadji, Faculty of Social and Political Science, Universitas Padjadjaran, Indonesia Yugorock, turbofolk and Shakira: exploring the subtextualities of the urban nightscape(s) in post-socialist Sarajevo Jordi Nofre, New University of Lisbon, Catalonia, Portugal Jordi Martín-Díaz, University of Barcelona, Catalonia, Bosnia and Herzegovina 2.1. Always louder than anywhere else: punk in between the global and the local Chair: Soon No Room for You [203], Faculty of Arts and Humanities of the University of Porto Anarchy in the UK? Punk and the establishment Detailed Schedule 105

126 John Street, University of East Anglia, United Kingdom Punk communication and interaction between Yugoslavia and the West Jack Pitt, UEA, United Kingdom Atomic Attack and Nuclear Accidents: From Hiroshima to Fukushima. Transmissions of shared anti-nuclear aesthetics between European and Japanese punk culture from 1980 to present Alastair Gordon, Leicester De Montfort University, United Kingdom Shake it off your body! Overcoming distress through the sounds of reggae and punk Gonzalo Fernández Monte, Complutense University of Madrid, Spain The DIY punk scene: between the reproduction of social structures of domination and emancipation Simon Le Roulley, CERReV, University of Caen Basse-Normandie, France 3.1. Paranoid images, kaleidoscopes of sound Chair: Soon Room For One More [208], Faculty of Arts and Humanities of the University of Porto To tra-verse memories and explanations... cities scratched on images Elenise Cristina Pires de Andrade, State University of Feira de Santana, Bahia, Brazil Érica Speglich, State University of Feira de Santana, Brazil Pernambuco Building: spacialities of live music in the ExcentriCidades project through a constellation of concepts Jeder Janotti Junior, Post-Graduate Program in Communication for the Communication Department of Federal University of Pernambuco, Audiovisual and Music Analysis Laboratory, Brazil Laís Barros Falcão de Almeida, Post-Graduate Program in Communication for the Communication Department of Federal University of Pernambuco (UFPE), Audiovisual and Music Analysis Laboratory (L.A.M.A), Brazil The Ghost of the Machine : The bass saxophone and popular music remediations in the Montreal underground scenes François Mouillot, McGill University, Canada Space, place, and the local in Dublin s underground Jaime Jones, University College Dublin, Ireland Underground basements: the role of private spaces in the Boston DIY scene Vera Vidal, École des Hautes Etudes en Sciences Sociales, France 4.1. Between Heaven And Hell : Music, resistence, authority and social change Chair: Soon Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto Happy resistance: A radical inuit response to white authority Tom Artiss, University of Cambridge, United Kingdom Rituals of misrule within Bulgarian popular music Asya Draganova, Canterbury Christ Church University, United Kingdom Shane Blackman, Canterbury Christ Church University, United Kingdom Cattivi guagliuni: The identity politics of 99 Posse 106 Detailed Schedule

127 Marcello Messina, Federal University of Acre, Brazil DIY practices, English singing and white male empowerment in the French death metal scene Michael Spanu, University of Lorraine, France 5.1. Creativity, entrepeneurship and cultural resistance in contemporaneity Chair: Soon Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto Taking the bull by the horns: DIY and entrepreneurialism in Perth s indie pop/rock music industry and scene Christina Ballico, Indepedent Researcher, Australia Rethinking: challenges and methodological dilemmas in research music Mário Cardoso, Polytechnic Institute of Bragança, Portugal Levi Silva, University of Trás-os-Montes e Alto Douro, Portugal 'Work all day, make your Magnum opus at Night' - contemporary structures of feeling and DIY Kieran Curran, University of Edinburgh, Scotland The illegibility of the creative act: how a shopping mall became a music hub, and how its exposure may be its worst enemy Heitor Alvelos, University of Porto, Portugal Anselmo Canha, University of Porto, Portugal Fátima São Simão, University of Porto, Portugal Vera Marmelo 15h15-17h00 Parallel Sessions 1.2./ 2.2./ 3.2./ 4.2./ The troubled paths from underground to mainstream Chair: Soon Detailed Schedule 107

128 Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto On the outskirts of the mainstream: a terminological journey into Montreal music underground Ariane Gruet-Pelchat, University Laval, Canada When underground becomes (alter)mainstream: The commercial as transgression Ion Andoni del Amo, University of the Basque Country (UPV/EHU), Basque Country, Spain The mythology of the underground in the construction and performance of popular music history Mario Dunkel, TU Dortmund University, Germany From resistance to incorporation: Ideological appropriation of DIY music genres in United Kingdom and Czechoslovakia on the example of the media policy Martin Husak, Charles University in Prague, Czech Republic Underground without borders. Radical right-wing scene in Hungary and Szeklerland Ágnes Patakfalvi-Czirják, University of Pécs, Hungary Approaching music in sociological terms. Remix Ensemble and the ethnographic turn Gil Fesch, Institute of Sociology, University of Porto, Portugal 2.2. I Was a Teenage Werewolf! Punk, style, authenticity and commodification Chair: Soon No Room for You [203], Faculty of Arts and Humanities of the University of Porto Not Real Punx, but Kindred Creatures (Creature Simili) : the enactment of post-punk in Milan Simone Tosoni, Università Cattolica del Sacro Cuore, Italy Locked by the look. The different risks you take when you look like a punk in GDR and FRG ( ) Pierre Raboud, University of Lausanne, FNS (Swiss National Science Foundation), Switzerland, Max-Planck Institut für Bildungsforschung (Berlin), Germany Punk representations at advertising: impurity, stigma, deviance Cláudia Pereira, Pontifical University of Rio de Janeiro, Brazil You Can t Blow Up a Symbolic Relationship: spectacular and physical resistance of punk Donal Fullam, University College Dublin, Ireland Surrender unto me: punk rock, bhakti-rasa and the devotional aesthetic of krishnacore Mike Dines, Institute of Contemporary Music Performance, United Kingdom 3.2. Cultural cartographies of popular music scenes, cities and creative industries Chair: Soon Room For One More [208], Faculty of Arts and Humanities of the University of Porto Cross cultural cartographies and archaeologies of popular music scenes, cities and creative industries Michael Goddard, University of Salford, United Kingdom Fabricio Silveira, Unisinos, RS, Brazil Adriana Amaral, Unisinos, RS, Brazil Bedroom Culture: is the bedroom a space for freedom or the only free space? Débora Gomes dos Santos, Institute of Architecture and Urbanism, University of São Paulo, 108 Detailed Schedule

129 Brazil Digging the POA and MCR urban music scenes Michael Goddard, University of Salford, United Kingdom MCR2015. A communicational exploration at the margins of pop music Fabricio Silveira, Unisinos, RS, Brazil 4.2. High on Rebellion : Gender, diference, subversion and (sub)culture Chair: Soon Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto Contemporary art and construction gender equality Fellipe Eloy Teixeira Albuqueuerque, Federal University of São Paulo, Brazil So Cute or So Nasty? Contrasting Discourses of Masculinity and Femininity Surrounding B-girls (Female Breakdancers) Helen Simard, Université du Québec à Montréal, Canada Aesthetical strategies for queering punk: the zine J.D.s Atlanta Ina Beyer, Carl von Ossietzky University of Oldenburg, Germany Gender perspectives in the Hungarian music underground before and after the political transition of 1989 Enikő Bódis, ELTE University of Budapest, Hungary Katalin Soós, ELTE University of Budapest, Hungary Space to Play: sonic subversion by female punk bands in the 1970s Helen Reddington, University of East London, United Kingdom 5.2. Carreers, jobs and arts: challenges and persistences Chair: Soon Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto To Wear a collar with electric shock : the young workers of the new and the old Russian cultural institutions Margarita Kuleva, NRU Higher School of Economics, Russia The (pop)rock singer a self-taught or a skilled artist? Samuel Tomeček, Department of Musicology, Comenius University, Bratislava, Slovakia The DJ, demiurge of new and creative languages Javier Pérez Pinheiro, University of Sociology, UDC, Galicia, Spain Fooling around with careers : identity and economy in underground music scenes Rui Telmo Gomes, Centre for Research and Studies in Sociology, University Institute of Lisbon, KISMIF Project, Portugal The celebration of DIY or the magnificent work of Esgar Acelerado Esgar Acelerado, Independent Artist, Mr. Esgar, KISMIF Project, Portugal 17h00-17h30 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto Detailed Schedule 109

130 17h30-19h15 Parallel Sessions 1.3./ 2.3./ 3.3./ 5.3./ Whatever Happened to Rock 'n' Roll?: popular music heritage and memories Chair: Soon Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Melbourne scenes and the creation of underground and mainstream popular music heritage Catherine Strong, RMIT University, Australia Memories of an underground scene at the southern Brazil: between descriptions and meanings about one subterraneous past Daniel Ribeiro Medeiros, Federal University of Pelotas, Brazil Isabel Porto Nogueira, Federal University of Rio Grande do Sul; Federal University of Pelotas, Brazil The cultural and political legacy of punk/post-punk Peter Webb, University of Cambridge, University of the West of England Bristol, England The rock contradictions Nadja Vladi, Federal University of Recôncavo da Bahia (UFRB), Brazil Writhing Underground Flowers : Conceptualizing perceived underground musics in times of change Maximilian Georg Spiegel, University of North Carolina at Chapel Hill, United States of America 2.3. Destroy all monsters! Punk rock pedagogy, subversion, resistance and community Chair: Soon No Room for You [203], Faculty of Arts and Humanities of the University of Porto Imperfect makes practice: Participation, punk and collectivity Allister Gall, Plymouth College of Art and Plymouth University, United Kingdom Punk rock pedagogy: Bullshit and the art of crap-detection Scott Robertson, University of California, Los Angeles, United States of America Here we are now, educate us : The pedagogical approach to teaching the history of punk Rylan Kafara, Edmonton Free School, Canada The role of media during the reception and development of punk music after the Spanish dictatorship David de la Fuente García, University of Oviedo, Spain Ever fallen in love (with someone you shouldn t have?): punk, politics and same-sex passion David Wilkinson, University of Reading, United Kingdom 3.3. Crossing borders of underground music scenes through arts and creativity Chair: Soon Room For One More [208], Faculty of Arts and Humanities of the University of Porto 110 Detailed Schedule

131 Performance art in Portugal in the 80s? A drift towards music? Cláudia Madeira, Faculty of Social Sciences and Humanities, New University of Lisbon, Portugal How underground music influenced the course of graphic design in Europe and USA Maria João Bom, Polytechnic Institute of Tomar, Portugal Individual art and repeatable beauty Mara Persello, University of Potsdam, Germany Experimentation in the performing arts Julianna Faludi, Corvinus University Budapest, Trento University, Italy Tangencias, a medium of art practice Pedro González Fernández, Royal College of Music, Stockholm, Sweden 5.3. Rebellious Jukebox: Dream narratives and challenges in current artistic work Chair: Soon Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto The cyber-guitar system Jonathan Crossley, Wits University, South Africa Processes of teaching(-learning) how to play the classical guitar in the city of Porto Daniel Araújo, School of Music and Arts of Trofa, Portugal Art to advert / producer to by-product: the institutional formation of the industrialised musician Christopher Adams, University of Glasgow, Scotland 'DIY Scenes of Yorkshire : Organising post-industrialism in 2000s Leeds Dominic Deane, University of Manchester, United Kingdom Artistic work and collaborative contexts: Five case studies with cultural organizations Vera Borges, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal 6.1. Alive Tonight! Electronic dance music, post-colonial studies and borders Chair: Soon Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto Subcultural studies, space and electronic dance music Bill Blackstock, York University, Toronto, Canada Dedicated followers of PaSSion ( ): the multiple realities of the clubber Zoe Armour, De Montfort University, Leicester, United Kingdom The psychedelic trance tribe: the digital experience Emília Simão, Portuguese Catholic University, Portugal Underground, Overrated: Gender Normativity in Dance Music and DJ cultures Tami Gadir, University of Oslo, Norway Breaking the electronic sprawl Hillegonda C Rietveld, London South Bank University, United Kingdom 19h30-20h15 BOOK LAUNCH One Chord Wonders: Power and Meaning in Punk Rock, by Dave Laing Detailed Schedule 111

132 + Autograph Session + Port Wine Welcome Drink Presentation: Dave Laing, University of Westminster, University of Liverpool, United Kingdom Presentation: Dick Hebdige, Department of Art, Interdisciplinary Humanities Center, University of California, Santa Barbara, United States of America Cibermúsica [Cybermusic], Casa da Música Curated by Paula Guerra and Tânia Moreira 20h15-21h00 TRIBUTE After 35 years of Subculture: The Meaning of Style, with interview to Dick Hebdige + BOOK LAUNCH The subcultures, after 35 years, by Paula Guerra and Pedro Quintela + Musical Moment + Port Wine Welcome Drink Presentation: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Presentation: Carles Feixa, Department of Geography and Sociology, University of Lleida, JOVIS, European Youth Studies, International Sociological Association, KISMIF Project, Spain Presentation: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Presentation: Pedro Quintela, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Café-Concerto, TM Rivoli, Porto Curated by Paula Guerra and Tânia Moreira 21h30-23h00 SCREENING of the documentary Teenage Presentation: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Presentation: Dario Oliveira, Porto/Post/Doc, Portugal Presentation: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Pequeno Auditório [Small Auditorium], TM Rivoli, Porto Curated by Porto/Post/Doc and KISMIF 112 Detailed Schedule

133 23h30-00h30 GIG Psicotronics and Tracy Vandal Sub-palco [Under Stage], TM Rivoli, Porto Curated by Pedro Miguel Ferreira and Rivoli TM 09h15-11h00 Parallel Sessions 2.4./ 3.4./ 5.4./ 6.2./ The punk scene in France ( ): Identities and specificities Chair: Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Social Research, KISMIF Project Coordinator, Portugal Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Punk sound and writing: a few reflections about sonorous and textual identities of the punk scene in France Luc Robene, CNRS, THALIM, France Solveig Serre, University of Bordeaux, THALIM, France Porosity between punk space and politico-associative field. The punk music as an auxiliary means of collective mobilizations Humeau Pierig, CURAPP CNRS UMR 7319, France French touch and fuck you style: Punk bodies and identities Philippe Liotard, Université Lyon 1, CRIS, France Geographic Information System and DIY zines: a tool for mapping underground music scenes Samuel Etienne, École Pratique des Hautes Etudes, CNRS UMR Prodig, France Dorothée James, École Pratique des Hautes Etudes, France Space of styles and space of positions inside the French independent punk scene Humeau Pierig, CURAPP CNRS UMR 7319, France 3.4. The city is mine! Cities, transformation, activism and intervention Chair: Soon Room For One More [208], Faculty of Arts and Humanities of the University of Porto Graffitti, street, delirium: arts defiances Elenise Cristina Pires de Andrade, State University of Feira de Santana (UEFS), Bahia, Brazil Milena Santos Rodrigues, State University of Feira de Santana (UEFS), Bahia, Brazil Edivan Carneiro de Almeida, State University of Feira de Santana (UEFS), Bahia, Brazil Parkour through music: daily routine and powerful imaginations Ines Braune, Center for Near and Middle Eastern Studies, Marburg University, Germany Transforming the city: Shaping urban public space through collective street art initiatives Detailed Schedule 113

134 Ágata Dourado Sequeira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal Art is resistance. Year Zero (2007) and The Slip (2008), the Nine Inch Nails conceptual dyptich Maxime Munier, University of Montréal, Canada 5.4. Revolution Ballroom : Social innovation, creativity, DIY and social inclusion Chair: Soon Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto Multiple job and other strategies for professional musicians in Barcelona Marta Casals Balaguer, University of Barcelona, Center for Policy Studies on Culture and Society, Spain years of MMMNNNRRRG activity Marcos Farrajota, Comics Library of Lisbon/ BLX, Municipality of Lisbon, Chili Com Carne Association, MMMNNNRRRG label, KISMIF Project, Portugal Social and generational inclusion: The Social Crochet Program from Coimbra Marcia Regina Medeiros Veiga, University of Coimbra, Portugal On the Sale of community in crowdfunding: Questions of power, inclusion, and value David Gehring, Old Dominion University, United States of America D.E. Wittkower, Old Dominion University, United States of America The theatre in the places of social exclusion: preliminary analysis of the Pele association's activities Irene Serafino, Institute of Sociology, University of Porto, Portugal, Italy 6.2. Power, loud and darkness: the persistence of metal Chair: Soon No Room for You [203], Faculty of Arts and Humanities of the University of Porto Identity and resistance constructs from Heavy Metal: The symbolic universe of mossoroenses headbangers in northeastern Brazil Lázaro Fabrício de França Souza, University of Rio Grande do Norte, Brazil Shemilla Rossana de Oliveira Paiva, University of Rio Grande do Norte, Brazil Guilherme Paiva de Carvalho Martins, University of Rio Grande do Norte, Brazil Turkish metal. Contesting Islamic concepts of morality Pierre Hecker, Centre for Near and Middle Eastern Studies, University of Marburg, Germany Tales of light, darkness and resurrection: local identities and global connections in Québecois heavy metal Laura Wiebe, Brock University, Canada Black metal: history, trace of character and archetype José Filipe P. M. Silva, Institute of Philosophy of the University of Porto, Portugal 7.1. Everybody Everywhere : Mediation, strategies and audiences Chair: Soon 114 Detailed Schedule

135 Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto Street musicians: The strategies of mastering the social space of St. Petersburg Aleksandra Kozyr, Saint-Petersburg State University, Russian Federation Listening Noise Music in Paris: Focus on Venues and Concert Organizers Sarah Benhaïm, CRAL, Ecole des Hautes Etudes en Sciences Sociales (EHESS), France DIY discourse as embodied practice: spatial tactics at American DIY shows David Verbuč, Charles University, Slovenia, Czech Republic DIY music technology: underground scenes of experimental instrument building in New York and Berlin Lauren Flood, Columbia University, United States of America Deciphering the alternative : some contributions from the analysis of the audiences of a performing arts venue Pedro Costa, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal Margarida Perestrelo, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal Giles Teixeira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, Portugal 11h00-11h30 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto Vera Marmelo 11h30-12h15 PLENARY LECTURE: Matthew Worley Shot By Both Sides: Punk, Politics and the End of Consensus Matthew Worley, University of Reading, Subcultures Network, United Kingdom Detailed Schedule 115

136 Host and Discussant: Álvaro Costa, Communicator RTP, Portugal Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 12h15-13h00 PLENARY LECTURE: Mary Fogarty Art as Agency Mary Fogarty, York University, Toronto, Canada Host and Discussant: Álvaro Costa, Communicator RTP, Portugal Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto 13h00-14h30 Lunch RISE UP: A SCIENTIFIC INTERFACE Presentation of the album Giraffe Solos John Encarnacao, University of Western Sydney, Australia Presentation of the album Maila, un món de contes através de la música Marta Casals Balaguer, University of Barcelona, Center for Policy Studies on Culture and Society, Spain Presentation of the publisher PC-Press Peter Webb, University of Cambridge, University of the West of England Bristol, England July 2015 Room at The Top [Sala de Reuniões], Faculty of Arts and Humanities of the University of Porto Curated by Pedro Quintela 14h30-16h15 Parallel Sessions 1.4./ 2.5./ 4.3./ 6.3./ You Can Put Your Arms Around a Memory: authenticity and identity in popular music Chair: Soon Room For One More [208], Faculty of Arts and Humanities of the University of Porto Counterculture in the Tropics: building a young audience in Brazil Lucas Marcelo Tomaz de Souza, University of São Paulo, University of Porto, Brazil Britpop s Common People: the representation of national identity in popular music Claudia Lueders, Royal Holloway, University of London, United Kingdom The separation of scene and state: the balkanization of the Belgrade punk scene in the wake of the wars in Yugoslavia Sonja Žakula, Institute of Ethnography, SASA, Serbia Authentic parochialism : Locating the uses of authenticity in a small city s music scene 116 Detailed Schedule

137 Eileen Hogan, Institute for Popular Music, University of Liverpool, United Kingdom The emergence of rock and pop. A sociological study on an efficacious practice ascending from underground music to everyday culture Franka Schäfer, Institute of Sociology, FernUniversität, Hagen, Germany Anna Daniel, Institute of Sociology, FernUniversität, Hagen, Germany Ramones and hardcore - when fast is bad J. Mark Percival, Queen Margaret University, Scotland 2.5. I Wanna Be Your Bastard! Punk rock in the midst of social changes in Portugal ( ) Chair: Solveig Serre, University of Bordeaux, THALIM, France Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto Portuguese punk scenes: a social profile of their founders and participants Paula Abreu, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Social Research, KISMIF Project Coordinator, Portugal Augusto Santos Silva, Faculty of Economics, Institute of Sociology, University of Porto, KISMIF Project, Portugal Tânia Moreira, Faculty of Arts and Humanities, University of Porto, KISMIF Project, Portugal Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Projet, Portugal Ain t only punk, they re inglorious bastards! Topological essay of the actors of the Portuguese punk ( ) Hélder Alves, Institute of Social Work of Porto, Portugal Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Social Research, KISMIF Project Coordinator, Portugal Tânia Moreira, Faculty of Arts and Humanities, University of Porto, KISMIF Project, Portugal Punk and the city: DIY cultures and radical uses of urban spaces in Porto, Portugal João Queirós, School of Education, Polytechnic Institute of Porto, Institute of Sociology, University of Porto, KISMIF Project, Portugal Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Social Research, KISMIF Project Coordinator, Portugal Social sciences, punx archives and memories: considerations concerning the KISMIF Archive Tânia Moreira, Faculty of Arts and Humanities, University of Porto, KISMIF Project, Portugal Paula Guerra, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Social Research, KISMIF Project Coordinator, Portugal Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Projet, Portugal Pedro Quintela, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Revolution rock: the influence of The Clash upon Portuguese Punk Bands/Musicians Maria João Ramos, Beja Polytechnic Higher Institute, Portugal 4.3. The Correct Use of Soap : Resisting subcultures? Chair: Soon Detailed Schedule 117

138 No Room for You [203], Faculty of Arts and Humanities of the University of Porto Mahraganat music: underground youth cultures in Cairo José Sánchez García, Centre for Youth and Society Studies (JOVIS), University of Lleida, Spain Between the verb and the visual: the dialogism of hip hop culture Tatiana Aparecida Moreira, Federal University of São Carlos, Brazil Resistance? Through rituals: politics and rock culture during the last military dictatorship in Argentina ( ) Julián Delgado, University of Buenos Aires, Argentina Alternative battle: Israeli and Palestinian hip-hop Yulia Gilichinskaya, SUNY Buffalo, Russia, Israeli, United States of America 6.3. Shaping the past: heritage and memories in current music scenes Chair: Soon Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto What is it about Mexican darkness? A glimpse on Mexico City s goth scene history, development and revamping José Hernández Riwes Cruz, Metropolitan Autonomous University, Azcapotzalco, Mexico Avant-garde rock, or the defiance of traditional musical domains Jacopo Costa, GREAM, University of Strasbourg, France One movement, different styles: the making of industrial music scene in France, 1980 s Christophe Broqua, EHESS, Sophiapol-Lasco, Université Paris Ouest Nanterre La Défense, France Czech rave: How to escape from moral panic? Ondřej Slačálek, Faculty of Philosophy and Arts, Charles University in Prague, Czech Republic The electro scene in Tunisia: revolution and the borders of the underground Stefano Barone, Griffith Centre for Cultural Research, Griffith University, Australia 8.1. Countercultures, comics, and alternative press Chair: Soon Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Depicting music: how the comic book Scott Pilgrim sounds in other spaces Charity Slobod, University of Alberta, Canada Freak encounters in the Free Press: sharing spaces in 1960s Los Angeles Andre Mount, Crane School of Music (SUNY Potsdam), United States of America Nakedness, gender and print culture: bodies in the magazine La Luna de Madrid Fernando García Naharro, Complutense University of Madrid, Spain Brazilian Provocations : The Brazilian counterculture through the alternative press ( ) Patricia Marcondes de Barros, Catholic University of Santos, Brazil From Os chouriços são todos para assar to Maria dos canos serrados : suburban life speeches in Ricardo Adolfo s literature Sónia Passos, School of Music and Performing Arts, Polytechnic Institute of Porto, Portugal 118 Detailed Schedule

139 16h15-16h45 Coffee-Break Gardens Faculty of Arts and Humanities of the University of Porto 16h45-18h30 Parallel Sessions 1.5./ 2.6./ 4.4./ 6.4./ Take Me Out! Underground, authenticity and local music scenes Chair: Soon Room For One More [208], Faculty of Arts and Humanities of the University of Porto More than 3 chords in a guitar: intersections between punk and electronic music Rui Pereira Jorge, Center for the Study of Sociology and Musical Aesthetics (CESEM), Portugal An analysis of the funk of ostentation: The hymn consumption Shemilla Rossana de Oliveira Paiva, University of Rio Grande do Norte, Brazil Lázaro Fabrício de França Souza, University of Rio Grande do Norte, Brazil XYZ music: Italo-pop as neutral ground Philippe Birgy, Université Toulouse II Jean Jaurès, France I am alone I will kill you. On the Gliwice alternative scene Piotr Zanko, University of Warsaw, Poland 2.6. Punk, transformation and hybridism Chair: Soon Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto Boots, braces and baseball bats: Right wing Skinheads in Czech Republic ( ) Jan Charvát, Charles University, Czech Republic Punk and new wave: Destruction or a doorway into Europe for the former Socialist countries Yvetta Kajanova, Faculty of Philosophy - Comenius University, Slovakia It Ain't a Sleepy Little Town : Building and maintaining a punk rock community in Peterborough, Ontario Katie Victoria Green, Trent University, Canada A case study of the formation of the punk movement in Rio de Janeiro between 1978 and 1984 and a comparative analysis with the São Paulo punk movement Dylan Fernando Oliveira da Silva, Federal Rural University of Rio de Janeiro, Brazil Mobility and connections: in and beyond the Dutch punk scene Kirsty Lohman, University of Warwick, United Kingdom 4.4. Wrong place, Right time : Autenthicty, counterculture and subcultural (re)emergence Chair: Soon No Room for You [203], Faculty of Arts and Humanities of the University of Porto A possible herstory Detailed Schedule 119

140 Carla Genchi, KMH, Slavic Philology, Musical Critique and Composition, Italy, Netherlands, Sweden The cultural network in Lower Saxony - Modes of operation and influence of cooperation in the music sector Lutz Dollereder, Institute for Studies in Arts, Music, and Mediation, Germany I am not an emo, I am the core-kid : Subcultural identity and negotiation of authenticity in contemporary Czech emo subculture Martin Hermansky, Charles University in Prague, Faculty of Humanities, Czech Republic Hedvika Novotna, Charles University in Prague, Faculty of Humanities, Czech Republic Carnivalesque psychobilly performances: Creating an alternative culture of survival Kim Kattari, Texas A&M University, United States of America 6.4. Driving You Insane. Aesthetic and styllistic fragmentation: the multiple worlds of indie rock Chair: Soon Just One More Room for You [210], Faculty of Arts and Humanities of the University of Porto The independent production on the contemporary Brazilian musical scenario: new agents and new challenges Vanessa Vilas Boas Gatti, University of São Paulo (USP), Brazil Contributions from the music scenes perspective for a draft of the indie/alt rock production context in Teresina Thiago Meneses Alves, Faculty of Arts and Humanities, University of Porto, Portugal, Brazil It's Just That Song! Meanings, identities and differences in Portuguese indie rock Paula Guerra, Faculty of the Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Projet, Portugal We're from Switzerland, that's a chocolate island in Sweden : understanding the situations of Swiss bands with regard to the indie rock rhizome Loïc Riom, University of Geneva, Switzerland Inside a music scene Pedro Miguel Ferreira, Polytechnic Institute of Leiria, School of Education and Social Sciences, Preguiça Magazine, Portugal 8.2. Fanzines, music magazines and underground music scenes Chair: Soon Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto Underground utopias: strategies of mediation and resistance in the Brazilian punk zines network Yuri Bruscky, Federal University of Pernambuco, Brazil While the world was dying, did you wonder why? : Punk, Politics and British (fan)zines, Matthew Worley, University of Reading, Subcultures Network, United Kingdom Fast, Furious and Xerox: the fanzines production within the Portuguese punk scene and its evolution in terms of ideology and aesthetics ( ) 120 Detailed Schedule

141 Pedro Quintela, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal Paula Guerra, Faculty of the Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Tânia Moreira, Faculty of Arts and Humanities, University of Porto, KISMIF Project, Portugal New Faces of Adoration: Elements of visual sociology through the album covers Paula Guerra, Faculty of the Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Projet, Portugal Pedro Quintela, Faculty of Economics, Centre for Social Studies, University of Coimbra, KISMIF Project, Portugal The crisis continues: Music graphics of punk and post-punk in Portugal from 1978 onwards Ana Raposo, ESAD College of Art and Design Matosinhos, Punk Scholars Network, KISMIF Projet, Portugal 19h00-20h00 BOOK LAUNCH The Festivalization of Culture, by Andy Bennett, Jodie Taylor and Ian Woodward + Port Wine Welcome Drink Presentation: Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia Presentation: Dave Laing, University of Westminster, University of Liverpool, United Kingdom Cibermúsica [Cybermusic], Casa da Música Curated by Paula Guerra and Tânia Moreira 20h30-00h00 KISMIF CONFERENCE DINNER The Cost of Loving + DJ Set O Amor É Um Gajo Estranho [Love Is A Strange Dude] Taylor's Port Cellars, Porto Curated by Paula Guerra, Tânia Moreira and Pedro Miguel Ferreira 09h30-11h15 Parallel Sessions 6.5./ 7.2./ Waiting Underground : Indie rock, global, local and glocal music scenes Detailed Schedule 121

142 Chair: Soon Cibermúsica [Cybermusic], Casa da Música Mapping sounds in Porto Alegre: initial notes on the independent authorial music scene Belisa Zoehler Giorgis, University Feevale, Brazil Writing on the Stars: interpretation and meanings of Portuguese alternative rock through its protagonists Paula Guerra, Faculty of the Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Ana Oliveira, ISCTE - University Institute of Lisbon, DINAMIA'CET - University Institute of Lisbon, KISMIF Projet, Portugal Discourses in the Berlin alternative musical field Myrtille Picaud, School for Advanced Studies in Social Sciences, France From the porteño basement. The constitution of the underground musical scene in Buenos Aires, Argentina, during the 80s Vanina Soledad Lopez, Universidad Nacional de Quilmes CONICET, Argentina 7.2. Fandom, music lovers, audiences and popular music Chair: Soon Sala de Ensaio 1 [Rehearsal Room 1], Casa da Música Together and face to face: New Model Army and its audience Solveig Serre, CNRS, THALIM, France Luc Robène, University of Bordeaux, THALIM, France Becoming a girl-fan, being a girl-fan Rita Grácio, Centre for Social Studies, University of Coimbra, University of Exeter, United Kingdom For the love of it : amateurs and unconventionalists in Icelandic popular music Arnar Eggert Thoroddsen, University of Edinburgh, Scotland Tales from the Belgrade pit: performance, identity, communication and violence at underground concerts Danilo Trbojevic, Faculty of Philosophy, University of Belgrade, Serbia DIY in Morocco from the mid 90 s to nowadays Dominique Caubet, La NAD - INALCO, France 8.3. Popular music heritage, nostalgia and retromania Chair: Soon Sala de Ensaio 3 [Rehearsal Room 3], Casa da Música Cassette culture and copyright critique Pascal Massinon, University of Michigan, Ann Arbor, United States of America The commodification of vinyl records in underground musical scenes : looking for economic and cultural alternatives Léa Roger, Free University of Brussels/ School for Advanced Studies in the Social Sciences in Paris, France Back From the Grave : Popular Music Revivals and the Case of the Tokyo Garage Punk Scene José Vicente Neglia, University of Hong Kong, Hong Kong 122 Detailed Schedule

143 Moderne Muziek: How vinyl magazine reported the Dutch post-punk movement Richard Foster, Leiden University, Netherlands Photojournalism Is Not Dead José Carneiro, Faculty of Fine Arts, University of Porto, Portugal 11h15-11h45 Coffee-Break Foyer, Casa da Música Rui Oliveira 11h45-12h30 PLENARY LECTURE: Paul Hodkinson Harassment, Hate Crime and Subcultural Identities Paul Hodkinson, Department of Sociology, University of Surrey, United Kingdom Host and Discussant: David Pontes, Deputy Editor in Chief, News Journal, Portugal Sala 2 [Room 2], Casa da Música 12h30-13h15 PLENARY LECTURE: Dave Laing Punks Not Dead! Or is it? Dave Laing, University of Westminster, University of Liverpool, United Kingdom Host and Discussant: David Pontes, Deputy Editor in Chief, News Journal, Portugal Sala 2 [Room 2], Casa da Música Detailed Schedule 123

144 13h15-14h45 Lunch RISE UP: A SCIENTIFIC INTERFACE Presentation of the documentary Regressa Urgente (Return Urgent) João Sardinha, Open University s Centre for the Study of Migrations and Intercultural Relations (CEMRI), Lisbon, Portugal Presentation of the documentary Looking for Orland Dominique Caubet, La NAD - INALCO, France July 2015 Foyer, Casa da Música Curated by Pedro Quintela 14h45-16h30 Parallel Sessions 6.6./ 7.3./ Shakin' All Over! Mobilities, transnational identities, transglobal sounds Chair: Soon Cibermúsica [Cybermusic], Casa da Música Brazilian musicians in Lisbon: art and migration Amanda Fernandes Guerreiro, Institute of Social Sciences of the Lisbon University, Brazil, Portugal Strange comrades: Punk rock, racism and the emergence of a multicultural dialogue Anita Raghunath, Vrije University, Amsterdam, Netherlands Cultural identities of Santomean diaspora: the choices of young musicians Magdalena Bialoborsk, ISCTE-IUL, University Institute of Lisbon, Portugal Transglobal cartography of the underground: the reappropriation of space of the public transport by punk of Lisbon and S. Paulo Paula Guerra, Faculty of the Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Débora Gomes dos Santos, Institute of Architecture and Urbanism, University of São Paulo, Brazil Tânia Moreira, Faculty of Arts and Humanities, University of Porto, KISMIF Project, Portugal 7.3. Born to be ALIVE! Festivals, live music venues, festivalization of culture and musicscapes Chair: Soon Sala de Ensaio 1 [Rehearsal Room 1], Casa da Música Musical territories: A cartography of indie festivals in Brazil Daniel Domingues, Fluminense Federal University, Brazil Luiza Bittencourt, Fluminense Federal University, Brazil Blue Austin: Conceptualizing the Blues Scene in the Live Music Capital of the World Josep Pedro, Complutense University of Madrid, Spain Cultural diversity as a contradictory practice at music festivals Lisa Gaupp, Leuphana University of Lueneburg, Institute of Sociology and Cultural, Germany 124 Detailed Schedule

145 You re not strangers if you like the same band : the social contribution of small-scale live music venues in Melbourne Samuel Whiting, RMIT University, Melbourne, Australia Investigating the (omni-)presence of music in social spaces through sound environments: control, mediations and noise pollution Raphael Nowak, Griffith University, Australia 8.4. Gatekeeping, online social media and youth cultures Chair: Soon Sala de Ensaio 3 [Rehearsal Room 3], Casa da Música A tale of two blogs: the expert and the amateur John Encarnacao, University of Western Sydney, Australia Hellbent for social media: Methodological approaches to social research in online spaces Tristan Kennedy, Flinders University of South Australia, Australia Arab youth and the Facebook revolution: the role of social media and youth culture in youth activism Natalia Waechter, University of Graz, Austria Online dimensions of Russian subcultural scene: padonki community Elena Bulatova, Saint-Petersburg State University of Economics, Russia Mediation and mediatization of popular music in the age of digital networks Tatiana Rodrigues Lima, Federal University of Recôncavo da Bahia, Brazil 16h30-17h00 Coffee-Break Foyer, Casa da Música 17h00-18h45 Parallel Sessions 4.5./ 6.7./ Dreams Never End. Genealogy and history of youth cultures and subcultures Chair: Soon Sala de Ensaio 1 [Rehearsal Room 1], Casa da Música Problematizing the idea of subculture: a collective theoretical and pratical approach Fernando García Naharro, Complutense University of Madrid, Spain José Emilio Pérez Martínez, Complutense University of Madrid, Spain Medusa s on Sheffield, : Historicizing Chicago s premiere post-punk nightclub Christine Feldman-Barrett, Griffith University, Griffith Centre for Cultural Research, Australia Retaking the tragedy: creative practices and meanings of politics in the Bogotá hardcore scene Iñaki Zárate Cantor, Javeriana Pontifical University, Colombia Practices of resistance and contemporary countercultural youth identities in Istanbul Can Murtezaoğlu, Faculty of Architechture, Istanbul Technical University, Turkey Detailed Schedule 125

146 6.7. Transmissions, migrations, diasporas, cultural identities and music scenes Chair: Soon Cibermúsica [Cybermusic], Casa da Música (De)constructing a white space: boundary work, whiteness and the reception of rock music in Rotterdam Pauwke Berkers, Erasmus University Rotterdam, Netherlands Julian Schaap, Erasmus University Rotterdam, Netherlands Muevele, Muevele y Alto : A critical comparison of the migration of musical styles in Texas and Chile Jeffrey A. Halley, University of Texas at San Antonio, United States of America Marisol Facuse Muñoz, University of Chile, Chile Tijuana DIY music scene, decadence at the Mexico-USA borderline Daniel Reveles Polanco, Universidad Autónoma de Baja California, Tijuana, Baja California, Mexico Role of music for diasporic identities in Germany Laura Suna, Institute of Philosophy and Sociology, University of Latvia, Latvia 8.5. DIY, new music, new technologies and media Chair: Soon Sala de Ensaio 3 [Rehearsal Room 3], Casa da Música Taste and local scenes: virtual and/or geographical proximity Jānis Daugavietis, Central Statistical Bureau of Latvia, Latvian Academy of Culture, Latvia Radio Dio: Community Radio, Infrastructure and the Establishment of an Independent Music Scene in Saint-Etiénne, France Scott Henderson, Brock University, Canada Real estate office by day, recording studio at night : DIY music production in Metro Manila s independent scene Monika Schoop, Cologne University, Germany The philosophy of free radio/media movement in Japan in the post-media era Yoshitaka Mori, Tokyo University of the Arts, Japan Tomoko Shimizu, University of Tsukuba, Japan Pirate curators of the late 20th century and their impact on the recording industry's long tail Ian Townsend, University of Sheffield Management School, United Kingdom 18h45-19h20 FINAL DISCUSSION + Gig Performance No Punk, No Science, No Now, by Before Surgery Andy Bennett, KISMIF Convenor, School of Humanities, Griffith Centre for Cultural Research, Griffith University, KISMIF Project, Australia António Jorge Pacheco, Artistic Director, Casa da Música, Portugal Paulo Cunha e Silva, Councillor, Department of Culture, Porto Municipal Council, Portugal 126 Detailed Schedule

147 Sala 2 [Room 2], Casa da Música Curated by Anselmo Canha and Heitor Alvelos 19h30-20h30 DISCUSSION As palavras do punk [The words of punk], by Augusto Santos Silva and Paula Guerra + Port Wine Welcome Drink Discussant: Amílcar Correia, Journalist, Director of P3, Deputy Director of Público Discussant: Augusto Santos Silva, Faculty of Economics, Institute of Sociology, KISMIF Project, University of Porto, Portugal Discussant: Paula Guerra, KISMIF Convenor, Faculty of Arts and Humanities, Institute of Sociology, University of Porto, Griffith Centre for Cultural Research, KISMIF Project Coordinator, Portugal Discussant: Paulo Cunha e Silva, Councillor, Department of Culture, Porto Municipal Council, Portugal Cibermúsica [Cybermusic], Casa da Música Curated by Paula Guerra and Tânia Moreira 23h00-01h30 GIG d3ö + DJ Set 2 BADjs with Sérgio Cardoso Plano B Curated by Pedro Miguel Ferreira and Tânia Moreira Detailed Schedule 127