Technical Rider THE TIGER LILLIES PERFORM HAMLET Updated: November 2015

1 Technical Rider THE TIGER LILLIES PERFORM HAMLET Updated: November 2015 CONTACT Company REPUBLIQUE Street address Østerfælled Torv 37 Postal code / city DK-2100 Copenhagen Ø Country Denmark - Europe Phone +45 3323 3100 E-mail info@republique.dk Web www.republique.dk Coordinator & press/marketing Sanna Albjørk Sales, accommodation, travels. Publicity E-mail sanna@republique.dk texts, biographies, credits, photos and other Phone +45 3085 0996 materiel concerning public relations. Producer & CEO Hans Christian Gimbel Contracts, legal matters, payment. E-mail hans.christian.gimbel@republique.dk Phone +45 3085 0970 Technical director Morten Bisgaard Questions regarding Technical Rider, E-mail mbp@republique.dk production schedule and logistics Phone +45 2279 5551 The performance THE TIGER LILLIES PERFORM HAMLET is a musical theatre production with live music, stage flying and acting. It is a highly demanding technical performance which gives a unique experience for the audience. CONTENTS 1. Performance Info 2 2. Stage Requirements.. 2 3. Stage..... 3 4. Stage Flying... 4 5. Lighting.... 4 6. Sound / Live music. 5 7. Video...... 7 8. Board Operation Position.. 7 9. Stage Management / Props.. 8

2 10. Surtitles.. 8 11. Costumes / Make up 8 12. Production schedule....... 9 13. Cast and Crew.. 9 14. Security......... 11 15. Dressing Rooms... 11 16. Catering..... 12 17. Freight/ Parking/ load in dock. 12 18. Safety.. 13 19. Drawings. 13 20. Credits...13 This technical rider is divided into sections for the convenience of the Presenters Technical Director. Please make sure that the entire rider is read and understood before signing the contract. This rider is a part of the overall contract. Also please make sure that not only the Technical Director, but all managers for stage, sound, video, lights, logistics, dressing rooms, accommodation and catering will read this. PERFORMANCE INFO Duration: approx. 2 hours and 30 minutes including a 25 minute intermission. First act is approx. 60 min. / second act is approx. 65 min. The language of the performance is English. Plug types. All Republique s equipment is fitted with CEE plugs. Please have a number of adapters if the venue is fitted with other plug types. Please be aware of sightlines. See stage plot / ground plan, page 17. In event that the technical personal do not speak fluent English, a number of translators with knowledge of technical / theatre English will be required. The performance is designed to be performed in a wide variety of venues, from blackbox to proscenium theatres. The performance is meant to be performed indoors only, where total blackout is required. For outdoor venues please contact Republique s producer. STAGE REQUIRMENTS For venues with a proscenium, the opening must be min. 12 m wide and 7 m high Min. depth of stage: 12 m Min. width of stage: 15 m Min. distance between floor and fly bars/grid: 6,80 m Stage flying: We have tw o different types of stage flying, both with a minimum height to fly point of 8 m. System A fly rail: To be rigged to truss hung with a min. distance between floor and fly truss of 5-7 m. System B single fly point: Needs 2 fly points positioned with a min. distance between floor and fly points of 8 m See section about stage flying for more details. Black wooden floor that can be screwed into. Full black masking is required. Please note that the masking needs to be tight and neat.

3 The floor must be able to withstand a pressure of 410 kg/m² in an area of 6,8 m by 1,15 m (7,8 m²/3.200 kg.) If the floor can t withstand the weight of the wall, extra bracing/support of the floor will be required at the responsibility of the venue. See section about stage for more details. STAGE The show s performance area is 10 m. wide and 11 m. deep. And additional 3,0 m. space is required in the wings on each side for sidelights, props and other technical equipment. The set consists of the following elements: WALL The main set element is a large hydraulic wall (H: 5 m, W: 8 m, D: 3 m). The wall consists of an upright/vertical wall-piece that can move slightly back, and forward all the way down to the ground. The wallpiece (400 kg) is mounted on a ballast standing on the stage floor. The wall and ballast weighs approx. 3.200 kg. and has a footprint of approx. 7,8 m², whereupon the weight is distributed - which gives a max. load of 410 kg./m². The moving wall is operated by a hydraulic engine, which requires 400 V/32 A. The engine is placed in a in a soundproof box. The engine/box should be placed backstage stage left. For safety reasons the wall must only be operated by a company technician. CURTAINS/DRAPES Front curtain (adjustable height between 5 m and 7 m, W: 12 m) to be hung on a fly bar/truss or directly on grid. Rail with 12 vertical elastic ropes (adjustable height between 5 m and 7 m, W: 12 m) to be hung on backside on truss for fly system A. Silk drape/kabuki (adjustable height between 5 m and 7 m, W: 12 m) to be hung on a fly bar/truss or directly on grid. PVC/cyclorama (adjustable height between 5 m and 7 m, W: 10 m) to be hung on a fly bar/truss or directly on grid SNOW 2 snow machines are placed in downstage left and right approximately 5-6 m above the floor. The snow is small feathers/downs. The machines are operated from the light control board/foh. All set elements Full black masking of the stage area including 5 borders and 10 side legs, 5 on each side.

4 Upright lift with 8 m working height. 2 ladders 4,5 m tall. Electrical power for: - 400 V for the hydraulic engine, 1x3x32A CEE - 230 V power on stage for tools and work light. If possible; access to the venues workshops and tools for the entire period the production is in the house. See the attached document A for stage plots. STAGE FLYING In the show there are five scenes with stage flying with actors on two separate systems. System A fly rail (dynamic load) For the fly rail we need a fixed fly bar or truss with a minimum breaking strength of 3.500 kg. This includes a safety factor of 10. (The safety factor and consequent min. breaking strength is based on Danish work safety regulations). With system A two people are flown at the same time. Once truss provided for system A is rigged and fly rail is mounted it must be completely fixed. System A is operated by the company s rigger in the wing opposite the fly rail stage left. System B the single fly point (dynamic load.) For system B, the venue must provide two fly points. One point for the actor positioned center stage 0,5 m in front of the wall, and one for the company s rigger positioned opposite in the wings stage right. The company s rigger controls the actors flying with his own weight counter weighted flying (see picture). The minimum breaking strength of both fly points must be 1.000 kg. This includes a safety factor of 10. (The safety factor and consequent min. breaking strength is based on Danish work safety regulations). All harnesses and rigging gear, including pulleys and robes Truss - to use as ladder for system B. 14 m F34 square truss for system A. Pipes (or extra truss) and aluminum clamps to fix truss for system B. LIGHTING The light for THE TIGER LILLIES PERFORM HAMLET is designed to hang from 7 fly bars and placed on 8 side light stands. All equipment should be pre-rigged with gels as shown on the

5 lighting plot before the arrival of the company s technical crew. Please send us plot of house light, dimmer plan and patch plan well in advance. Please note: Republique does not travel with any lighting equipment. 140 dimmer channels (2,4 kw) Control board grandma2 with latest software edition All light fixtures: - 1 x 2 kw profile 9-39 x 750W ETC S4 (or similar) profile 36-5 x 575 W ETC S4 (or similar) zoom profile 15/30-12 x 575 W ETC S4 (or similar) zoom profile 25/50-1 x 1,2 kw fresnell - 24 x 2 kw fresnell - 1 x PAR64 CP60-7 x PAR64 CP61-40 x PAR64 CP62-7 x pinspots - 14 x cyclorama/backdrops All cables 1 direct power lines for strobe 2 direct power lines for snow machines 1 x MDG hazer (CO²) capable of filling stage with even haze. Positioned backstage stage right Easy control of house lights from light control position NOTE: All profiles must have knives. All fresnells must have barn doors. All fixtures must have safety chains. Please provide spare fixtures of every type. Lens spread and wattage of all light fixtures are venue specific. See light plot adjusted to venue. The light plot does not include audience lighting for the audience. See the attached document B for generic light plot with gel types and channel numbers. SOUND / LIVE MUSIC The sound system (FOH / L + C + R + Surr. L + Surr. R) should be a fully professional system and custom designed for the venue. The system must be a full range wide dynamic and the background noise must at any time not exceed 25 db (A) in the listener area. The venue is to provide a L-C-R-Surr.L-Surr.R speaker system that covers the entire audience area at 98 db Leq 30 (A-weight) throughout 40-16.000 Hz, and sound coverage within +/- 2 db throughout the audience listening area (d&b, L acoustics, Meyer, or equivalent). The center cluster should be a line array of minimum 4 speakers, to prevent mid and low frequency feedback on stage. The company s Head of Sound must at all times approve the sound system of the venue. Enclosed you will find a general drawing of the monitor set-up required.

6 For any questions concerning the sound please contact The company s Head of Sound, Janus Jensen - Janus.jensen@republique.dk 1 x imac mini running Qlab 1 x imac running Mainstage 1 x Dante audio ygdai-card for the console (see below). 1 x M-audio Midisport 3 x DPA d-fine directional with microdot 6 x DPA 4061 with microdot The following music instruments: - 1 x sousaphone, white, tune Bb. - 1 x accordion, black - 1 x acoustic nylon string guitar, with a good quality pick-up system. VENUE PROVIDES: The following music instruments: - 1 x upright piano, Yamaha B1 or similar. Tune: 440 Hz. Preferably black. It s important the piano has a maximum height of 120 cm, due to visibility of the musician. Sound System for the audience (PA left) + (C) + (PA right) and SUB. The subs must be on a separate send and be placed where they can give the best coverage in the entire audience area. 1 x LS9-32 (32 input and 16 output are in use). We use one of the optional slots for the Dante card. 5 x monitors for the band 3 x of size 12 LF drive 2 HF comp. drive 2 x of size 8 LF drive 2 HF comp. drive 4 x side fills on stage (Must be E12 d&b or similar). 2 x effect speakers backstage 12 LF drive + 2 HF comp. drive See the stage plot for placement. Note that some speakers on stage should be rigged from the ceiling. 14 channels wireless systems. Please see plot below. 12 x with adaptors for microdot (incl. 1 spare) 3 x with instrument ¼ angle jack (incl. 1 spare) Batteries to all wireless systems. We need new batteries for every rehearsal and show. Clean current 220V must be completely independent from the lighting system and all others systems with different earth or ground pin. 1 x 16A 220V mono at band position. 1 x full 16A 220V mono: at technical booth for FOH mixer and effects. All XLR cabling (see attached plans and patch list). Please use the stage plot as referral to where the microphones are placed on the stage. Microphones/DI: 1 x AKG D112 6 x DPA 4099 (see input/output plan below for which clips). 2 x Neumann KM184 1 x Dynamic w/ switch 2 x DI - box All necessary microphone stands: see input/output plan below.

An additional large stand with boom is needed All stands should be black Two 21 computer monitors with DVI input and necessary power and signal cables. Position of mixing at FOH for mixing in audience area (see FOH details for table size and specifications). Midi tieline form sound to light. See the attached document C for sound stage plot and input/output. VIDEO PROJECTOR THE TIGER LILLIES PEFORM HAMLET requires 1 video projector. The projector should preferably be placed on a straight angle to the stage at distance of minimum 15m to maximum 18m from wall position. It must have a clear eye of sight to the wall and to the floor of the stage. Video is operated from the sound position at FOH. Republiques Technical director will give a example on position on drawings that will be sent later for pre-check of the stage. 1 x Mac mini running QLab (same as sound computer). All video content We travel with a VGA setup, so pleas provide a connection of this type. The video output comes from the sound operator. It is the responsibility of the venue to provide both video projector and suitable lens. In addition the venue provides a DMX shutter for the video projector. The DMX-cable is to be connected to the lighting desk. Suitable projectors are: Panasonic PT-DZ8700/DZ110X or. Barco RLS-W12 Keep in mind the projectors with lesser light than these will not be accepted. All necessary cables Space at FOH for video operating equipment (see FOH details for table size and specifications) TEXT BOARD THE TIGER LILLIES PERFORM HAMLET requires a text board used as an autocue system for the lead singer. The text board should preferably be placed on a straight angle to the stage at a distance of maximum 20m from the stage and the text must be easy to read from stage. A text board as the one at the picture 1 x computer All necessary cables Fly points in the auditorium for it to hang. Weight is approx. 50 kg. 7

BOARD OPERATION POSITION Lighting, video and sound board operation positions must be placed next to each other and in the middle of the auditorium/audience risers with a clear view of the entire stage area. Tables: - Sound board operation: 180cm x 60cm - Lighting board operation: 200cm x 60cm - Text board operation: 60cm x 60 cm 3 x comfortable chairs. Power: Sound: 3 x 16A 220V mono for sound mixer and computer Light: 2 x 10A 220V mono Text machine: 1 x 10A 220V mono STAGE MANAGEMENT / PROPS The company s Stage Manager runs the show from off stage left. All communication with and handling of front-of-house, box office and audience should be handled by the venue Stage Manager. The venue Stage Manager must be in radio contact with the company s stage manager from a half hour before the show until applause. All props. Control desk with for company Stage Manager 3 x prop tables 80 cm deep / 120 cm long. 2 mirrors, placed backstage stage left and right Video monitor system: - 1 x camera (camera must be with infrared, see in the dark function) - 2 x video monitors, which shows a total image of stage. Monitor 1 to be placed at company Stage Manager positon. Monitor 2 to be placed stage right in the wings on the ladder truss for the fly system B with extra cables, exact positioning will be done by the company head rigger. Wireless radios / wireless intercom system (7 units in total). - 1 for stage manager. - 1 for head rigger - 2 placed at the board-op position for lighting and sound board ops. - 1 to venue lighting technician. - 1 to venue stage manager. - 1 to venue sound manager - 1 to text machine operator SURTITLES The performance is in English and is not surtitled. All costs associated with translation, projection and extra technical staff shall be paid by the venue or presenter if this is required. This is to be arranged with the company s producer at least one month prior to the first performance. COSTUMES / MAKE-UP 8

9 THE TIGER LILLIES PERFORM HAMLET has costumes to a total of 8 performers. All costumes and make-up. Washing machine, dryer, drying closet, steam iron and ironing board. Some costumes can only be dry-cleaned. Access to a sewing machine. See the attached document D for washing Instructions. PRODUCTION SCHEDULE NOTE The production schedule is based on a technically well-equipped state-of-the-art venue with a professional English speaking crew. Day 1 During day: Company technical crew arrives. During day or evening: Company technical crew visits venue to inspect facilities and to mark floor for set and light positions (1,5-2 hrs.) During day, evening or overnight: pre-rig of light with company Head of Lights and Light Technician and venue Head of Lights and 3 Light Technicians (5-8 hrs). Day 2 Artist crew arrives 08:00 10:00 Load-out of truck 10:00 22:00 Stage and sound set-up, light focus/programing. Day 3 10:00 18:00 Set-up continued, sound check, rehearsals 19.00 23.30 Dress rehearsal + notes Day 4 10:00 17:30 Technical adjustments, rehearsals 18:30 20.00 Prepare for show 20:00 23:30 Show + notes Show days Show call for company technical crew and venue technical crew is 2 hours prior to show start. Show call for actors and musicians is 1 hour before show call. Day of Load-out A minimum of 5 hours of load out time is required with full crew. NOTE The set-up and dismantling time will depend on the conditions of the venue, the ability of the venue crew and of the load in/load out conditions.

A specific production schedule is to be discussed with company Technical Director prior to arrival. CAST AND CREW All local crew must be fluent in English. Preferably the crew should be the same people during getin, set-up, rehearsals, performances and get-out. COMPANY CREW During get-in, set-up, rehearsals, performances and get-out: 1 Technical Director/Head of Stage 1 Stage Manager 1 Stage Hand/Text Board Operator 1 Head of Lights and Light Board Operator 1 Light Technician 1 Head of Sound and Video 5 actors (3 men / 2 women) 3 musicians (3 men) 1 Stage Director 1 Tour Manager 1 Company Representative 16 people total VENUE CREW Day 1 During pre-visit Technical Director Head of Stage Stage Manager Head of Sound Head of lights During pre-rig of lights Head of lights 3 Light Technicians Day 2 During load-in Head of Stage 6 stage hands including 1 with fork lift license During set-up Technical Director Head of Stage Stage Manager Head of Sound Head of lights 4 Stage Hands including 1 in charge of rigging and operating fly bars 1 Light Technician 1 Sound Technician 1 Video Technician 1 wardrobe assistant 10

11 Day 3 Technical Director Head of Stage in charge of rigging and operating fly bars Stage Manager Head of Sound Head of lights 1 Light Technician 1 Sound Technician 1 wardrobe assistant Day 4 Technical Director Head of Stage in charge of rigging and operating fly bars Stage Manager Head of Sound Head of lights 1 Light Technician (not needed during show) 1 Sound Technician (not needed during show) 1 wardrobe assistant (not needed during show) Show days Technical Director Head of Stage in charge of rigging and operating fly bars Stage Manager Head of Sound Head of Lights Wardrobe assistant (pre-show) Day of load-out Technical Director Head of Stage in charge of rigging and operating fly bars Stage Manager Head of Sound Head of Lights 6 stage hands Wardrobe assistant A specific crew requirement schedule is to be discussed with company Technical Director prior to arrival. SECURITY Please provide security for Republique s technical equipment and dressing rooms whenever this may be required. DRESSING ROOMS All dressing rooms must be close to the stage, clean, heated and lockable. 4 dressing rooms are needed: 1 dressing room for 3 male musicians 1 dressing room for 2 female actors 1 dressing room for 3 male actresses

12 1 dressing room for 6 technicians All dressing rooms must be provided with: Table, chair, adequate lighting and mirror for make-up Clothes racks and hangers Toilet Showers and sinks with hot and cold water 20 clean towels (two for each acstore/actress/musician per performance/1 for each technicians per performance) Bottled mineral water (not gas) Company office: 1 lockable room for 2 persons, with high-speed internet connection for two computers (or a stable wireless internet) and printer access. CATERING Cold still mineral water (no gas) is to be provided on stage during set up, performance and get-out. The presenter should provide food and drinks for company cast and crew, during set up, rehearsals and get-out, lunch and dinner, if the venue has limited access to restaurant facilities. Consumables: Please provide following items. 1 x roll of white gaffer tape 2 x rolls of black gaffer tape 2 x rolls of black electrical tape 2 x ice packs (per performance) FREIGHT / PARKING / LOAD-IN DOCK The THE TIGER LILLIES PERFORM HAMLET set travels in one 17 m truck with a 13.6 m long trailer or one 40 shipping container. Some equipment and set pieces are packed on wagons, and in boxes or wheels. Most set pieces have to be carried in. Besides this we also travel with a flight case containing costumes. The flight case measures W.200 cm. H.155 cm. D.70 cm LOADING DOCK AND ACCESS TO STAGE The truck must park for load-in and load-out as close as to the venue as possible. Any differences in height (doorsteps or other) must be levelled with ramps or other in order to be able to roll in and out set-wagons and technical equipment. Access from the loading dock all the way on to the stage must be at least 2.6m high and 2m wide and we need to be able to turn corners with 6 m long elements. NOTE The largest set element is 4,9 m by 2,3 m (14 cm. thick). The longest piece is a 50 mm. pipe of 6 m. The heaviest elements are the ballast pieces weighing 800 kg. each, the largest ones with the dimensions of H: 0,58 m, W: 2,15 m, D: 1,15 m. the ballast elements are constructed to be lifted off of the truck/shipping container using a fork lift and to be moved onto the stage with a pallet jack. STORAGE SPACE

In order to unpack and prepare for the set-up we require 80 m² beyond the required stage area. Preferably this area of unpacking is in close proximity of the stage (backstage or in the wings). This area is also needed for the get-out. When performing an area of 30 m² are required for storage of empty flight-cases and set-wagons. 2 pallet jacks VENUE PROVIDES: 1 loading ramp/elevated loading ramp, the same height as the truck/container OR 1 forklift with long forks, including driver, for the entire load-in and load-out. NOTE If there s a gap between the loading ramp/elevated loading ramp and the container a forklift is needed to lift out the heavy elements. If needed venue must supply safe parking for 1 large truck, 17m, during the whole period of the production if the truck stays in the venue city. SAFETY Risk assessment Republique has completed a risk assessment of the performance. This is an extra document that accompanies this technical rider. Fire safety There is no fire, pyro or smoking in the performance, only theatrical haze. All material used in the performance have been fire proofed according to Danish law. Documentation can be supplied if required. DRAWINGS Scale must be specified in all drawings. AutoCAD 2007 or above/sketch up (.dwg or.dxf) is preferred VENUE PROVIDES: Plan drawing of stage and auditorium Grid plan, fly bar plan Section plan of stage and auditorium Light plot of venue Lists and specifications of all the venues technical equipment. Pictures and description of loading bay (heights/widths, entrance measurements etc.) 13 CREDITS The show is an original production by Republique, Copenhagen, Denmark. The full title must always be written THE TIGER LILLIES PERFORM HAMLET In all material about the show, including press material, program, etc. the credits must be as follows: THE TIGER LLILES PERFORM HAMLET Produced by Theatre Republique

14 Stage Director & Set Designer: Martin Tulinius Lyrics & Compositions: Martyn Jacques Concept: Martin Tulinius, Hans Christian Gimbel and Martyn Jacques Costume Designer: Astrid Lynge Ottosen Light Designer: Adalsteinn Stefansson Sound Designer: Janus Jensen Further credits of actors and technicians for the specific performances at your venue will be included in the press kit you get from us. They must be credited in all your material about the show as well. In the press kit we supply you with photos and graphics for poster that you are free to use. For further information please contact company Technical Director or Producer. Signed: For the presenter Name: For Republique Hans Christian Gimbel, Director