Drawing Painting Screen printing Mono-printing Clay work Photography KS1 & KS2 ART PACK

Similar documents
Art and Design Policy

Progression of Skills in Art and Design National Curriculum 2014 Age Related Expectations. Strand Year 1 Year 2 Year 3 Year 4 Year 5 Year 6

How To Learn Art

Terrace Road Primary School

Schools Online Project

Gedney Church End and Lutton St. Nicholas Federated Primary Schools. Policy for the Teaching of Art and Design

Contemporary Triptych Art Inspired by Gustav Klimt s Tree of Life

ST. MICHAEL S CE SCHOOL ART & DESIGN POLICY SUMMER 2015

UNDERSTANDING CULTURAL VOCABULARY KNOWLEDGE Children will learn to Children will learn that Children will learn to

Envision Visual Arts (EVA) Classes. Drawing and Design is the foundation course for all other Digital and Fine Art courses,

Title Everyday Inventions Year 9 Level. Classwork (Learning Objectives, possible teaching activities, learning outcomes and points to note)

Millfields Community School Learning Environment Policy

Inspired Stitch: A Creative Journey

PATTERN: A two-dimensional decorative visual repetition. A pattern has no movement and may or may not have rhythm.

Contents. Introduction 6. History and types of clay 8. Crafting tools and materials 12. Basic techniques 18. Caning 24. Millefiori canes 40

The National Curriculum for Art and Design Guidance: EYFS, Primary KS1-2

Level 1 Award, Certificate and Diploma in Creative Techniques [7111] Level 1 2D units

Shaping Space DRAWING GUIDELINES

Used to join the withies together. Don t use low tac tape, it s not strong enough! Tear or cut strips ready for use.

Learning Through Massimo Bartolini Studio Matters +1

Activities. Key to icons. Motte: earth mound with steep sides

KS3 Art & Design. Project 1: Still Life Introduction and Stimuli. 14 slides, 6 Flash activities

Supplement to the VISUAL ARTS 8 TO 10 IRP (1995) Required Program Model Content for Visual Arts 10:

Self-Portrait Painting

Prep Art Program. Term

The purpose of major case prints is to record all friction ridge detail

MONDAY. OIL PAINTING 9:00am-noon Sean Bodley

Explore Mixed Media. QCF Level: BTEC Level 1 Credit value: 4 Guided learning hours: 30. Unit aim. Unit introduction

Knowledge and Understanding of the World. Early Learning Goals. National Curriculum. (learning objectives) (level 1 descriptors)

Sketchbook:Revisited

Camelsdale Primary School. Art and Design Policy

coloring cloth with food coloring + glue gel resist 34 june/july 2014 QUILTING ARTS magazine

Bachelor of Design Major: Digital Design AUT Reference no.

How To Teach Art And Design At Clydewaterfront

Wallingford Public Schools - HIGH SCHOOL COURSE OUTLINE

Earth Art: Creating Patterns in Nature

Display Policy for Learning Environments

Surface Decoration. Design techniques used to put on the surface of the pottery. Slip Oxides Glaze Embossed Incised Wax on wet Altered from the wheel

Lesson Plans - Early Birds

ART & BOOKS by Shannon Christensen TEACHING KINDERGARTEN

Ages: 3 6 y. Theme: Day and night Day 1

Course Description Graphic Design Department

Graphic Design: BFA Portfolio Review

No. of Lessons: 15. Total Time: 9 Hours 20 minutes. Date: 7/1/13

A Teaching Pack provided by Commercial Clay Ltd. in assocation with

bbc.co.uk/history Key to icons

DIY CABINET REFACING INSTALLATION GUIDE

ART AND DESIGN. Syllabus for Primary Schools. Curriculum Department, Floriana

GRADE 3 CURRICULUM COMPANION - ACTIVITIES PANOPLY SCHOOL DAYS ~ STUDENT ART TENT

SECTION III Art Division

Intaglio Collagraph. Scrim and plaster Leaf skeleton Gloss varnish, torn card and carborundum

My Favourite Room: One-Point Perspective Drawing

How To Make Paper Beads

Standard 1: Learn and develop skills and meet technical demands unique to dance, music, theatre/drama and visual arts.

Youth/Teen Summer the BBAC Art Programs for All Ages!

Life Skills: Beginning knowledge Topic: South Africa Context: South African Symbols People Money Languages Symbols Provinces

Ages: 3 6 y. Ages: 3 6 y

Senior Phase Grade 7 Today Planning Pack ARTS AND CULTURE

Creative activities Concept: Elephants Ages: 3 6 y Main activity: Collage an elephant using torn egg boxes

Lesson Plan: Perfecting Our Identity Paintings Advance Art-High School

Guidance: Secondary KS 3-4

Divide the circumference into 6 using the arc method (see below left) then, by eye, mark again so that you have 12 marks on the circle.

Congratulations, your child has been accepted and successfully enrolled into The Canning Vale College Visual Art Extension Program for 2015.

Created by Elizabeth Rossi, Valley View Middle School Art Teacher

VC 104+ Rigid Grade / Rigid Grade Imagine VC 104 Rigid Grade Commercial Customised

THE JOYCE EICHHORN AMES SCHOOL OF ART FIND & PURSUE your passions

Portfolio & Interview Guide

Tools for Teachers t e a c h i n g c U r r i c u l u m f o r h o m e a n d t h e c l a s s r o o m

SHELVES.

Forensic detectives. magnifying glass Foot prints. brain training. Badge

Lesson One: Etching with Vinyl

Nebamun goes hunting

ANNE ARUNDEL COUNTY PUBLIC SCHOOLS GIFTED VISUAL ARTS ENRICHMENT PROGRAM General Information

polymer clay. by Jill Erickson

Worksheets for Teachers. The Lowry

Clay Animation A Interdisciplinary Lesson

SYLLABUS. Cambridge O Level For Centres in Mauritius Art and Design. Cambridge Secondary 2

SUPPLY LIST. Introduction to Oil Painting Instructor: Ron Hauser

Statement of Intent. Special thanks to Beauvais Lyons for serving as faculty advisor for the project and use of the printmaking department facilities.

WWHS Visual Arts Program Tips

Junior Veterinarians School-Age Summer Camp 2014 Monday s Lesson Plan: Marine Animals

Theme: Water animals Day 1

*Supply students with paper and art materials when necessary.

IMS LIBRARY MEDIA TYPE GUIDE

Architectural Perspective and

09 - PROFESSIONAL ARTS

Spring Term Year 1. Covering activity badges : Communicator Badge

Course: Art/Crafts. Introduction Content Skills Resources Standards

Why pinhole? Long exposure times. Timeless quality. Depth of field. Limitations lead to freedom

ADMISSIONS PACK 2016

Customer Service or visit us online at smithnoble.com. Wood Shutters. Step by Step Installation. Troubleshooting Tips

Keywords for the study of Junior Cert art

First ring Concept: Snails Ages: 3 6 y Language discussion and Beginning knowledge Subjects, study areas, skills, content and integration

Life Skills: Beginning knowledge Topic: Pets Context: Caring for your dog Feeding Grooming Kinds Description

Glam Seamless Education Manual

Entry Pathways Qualifications in Creative, Media and Performance Arts

THE VISUAL ARTS Head of Department: Dawn Clarke

SCHOOL PHOTOGRAPHY DESIGN & MARKETING HOTBOARDS

ART/VCDMA PORTFOLIO TIPS

Campbellsport School District Art and Design Performance Standards and Benchmarks

Transcription:

Drawing Painting Screen printing Mono-printing Clay work Photography KS1 & KS2 ART PACK

For over two hundred years many artists have drawn, painted and photographed the iconic Tide Mill. It is situated in a beautiful estuarine setting which is recognised as being an Area of Outstanding Natural Beauty. To draw, paint and photograph the mill building gives an opportunity for all ages and abilities to develop skills of perspective, scale, composition and the use of light and shade. This pack is a collection of creative activities which are additional to this age old opportunity. Ninety local school children, their teachers and local artists visited the mill for inspiration which led to clay and printmaking art projects. The Deben Decorative and Fine Arts Society part of the national arts charity NADFAS funded this six month arts project which confirmed that the mill is a valuable and inspiring creative resource. NATIONAL CURRICULUM ART & DESIGN TARGETS Key stage 1 Pupils should be taught: to use a range of materials creatively to design and make products to use drawing, painting and sculpture to develop and share their ideas, experiences and imagination to develop a wide range of art and design techniques in using colour, pattern, texture, line, shape, form and space about the work of a range of artists, craft makers and designers, describing the differences and similarities between different practices and disciplines, and making links to their own work. Key stage 2 Pupils should be taught to develop their techniques, including their control and their use of materials, with creativity, experimentation and an increasing awareness of different kinds of art, craft and design. Pupils should be taught: to create sketch books to record their observations and use them to review and revisit ideas to improve their mastery of art and design techniques, including drawing, painting and sculpture with a range of materials [for example, pencil, charcoal, paint, clay] about great artists, architects and designers in history.

Art materials to bring Drawing pencils: 2b, 3b, 4b Sketch books Viewfinders Oil pastels Strips of thin cotton Clay Cameras Watercolour pencils Zig-zag books Take rubbings of textured wood, and metal mill features using oil pastels and cotton. Draw the sounds of the mill the wheel turning, the river birds or the boats in the marina.

Combine favourite shapes, lines and details made at the mill to develop into designs. VISUAL INFORMATION BACK IN THE CLASSROOM Make a story board of the machinery, shapes or movements on each mill floor.

Art materials and equipment Visual information from the mill Newsprint paper Pencils 2b, 3b Scissors Screens Squeegees Water based printing inks Drying rack Gum tape Cartridge paper SINGLE COLOUR SCREEN PRINTING 1. Use simple and bold shapes from photographs or drawings to trace or copy onto newsprint paper. 2. Carefully cut out shapes. 3. Lay your shapes on a clean cartridge paper. WILL YOUR SHAPES FIT INSIDE THE WIDTH & LENGTH OF YOUR SCREEN? 4. Lay your screen on the paper. 5. Put a small line of ink (about 1 tablespoonful) at one end of the screen. 6. Ask a friend to hold your screen steady. 7. Pull the ink through with the squeegee from top to bottom and back again. 8. Gently lift off the screen and the print will be underneath 9. Put it on a rack to dry.

1. Carefully cut out the white shapes the positive shapes without cutting up the background too much. 2. Lay the background sheet, the negative shapes sheet on top of a one colour screen print sheet with dry ink. 3. Lay the clean screen on top. 4. Put a small line of ink (about 1 tablespoonful) at one end of the screen. 5. Pull the ink through with the squeegee top to bottom and then bottom to top. TWO COLOUR SCREEN PRINTING Cleaning up and keeping clean ideas Have lots of old sheet to wipe up and clean screens. Mix washing up liquid with sugar to wash hands. Have a nail brush handy. Aprons are a must but old clothes are even better! Have just 1-2 active printing tables and cover the floor underneath these tables. Have other tables as cutting and preparation tables.

MONO-PRINTING 1. Use visual information to make a design on rough paper using stencils and found objects. 2. Put a thin line of ink (about 1 teaspoonful) on the inking tray. 3. Use the roller to spread this out evenly over inking tray. 4. Using rough design to refer to, lay objects and stencils on inking tray. 5. Lay a piece of cartridge paper on top. 6. Press down firmly or use clean roller to rub evenly. 7. Lift up paper gently and dry on rack. Art materials and equipment Rollers Inking trays Scissors Water based printing inks Cartridge paper Found objects (letter stencils, doilies etc.) Newsprint Visual information from the mill The shapes and lines of the mill make perfect designs for bold and eye catching mono-print designs!

CLAY WORK Art materials and equipment Visual information from the mill Rolling pins, rolling guides and aprons Old forks, clay tools and old pencils School buff clay 2 x 25kg bags per class of 30 or air drying clay if you do not have access to a kiln Glazes for school buff or poster paints mixed with PVA glue for air drying clay.

The mill is a perfect venue for schools to hold an exhibition. It costs nothing and we have four screens and tables to display work. We have hosted past exhibitions and held private views for families and teachers. If the exhibition is on during our open season the paying public can also enjoy the work and often leave very complimentary comments in our visitors book. With agreement from schools we can also promote the exhibition through our website and newsletter and local press. EXHIBITION It is very clear from these photos of an exhibition held in 2015 how much fun and pride there is in showing creative project work, also how much can be learned by sharing! Our warmest thanks to Deben DFAS, for their generous funding of the pilot art project and to two of their members, Christine Bull and Kathy Vaughan for their help with school visits, refreshments and for the setting up and the taking down of the exhibition. Also many thanks to Kyson, St Marys and Melton primary teachers, teaching assistants and pupils for their enthusiasm and creativity. Finally a big thank you to clay artist Helena Mecrow for her time and skills and to Tide Mill vice-chair Bob Spillett for his practical support. WE LOOK FORWARD TO WORKING WITH YOU ON YOUR TIDE MILL ART PROJECT! Please contact enquiries.woodbridgetidemill@gmail.com with queries or for an expression of interest.