Wegerer_ Masterarbeitsthemen SS 2016. The Visual Construction of Gender in Advertising: The Case of American Apparel



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Wegerer_ Masterarbeitsthemen SS 2016 The Visual Construction of Gender in Advertising: The Case of American Apparel Similar to language, visual artefacts are more than mere transmitters of information. Scholars agree that images have become an elementary mode in the construction, maintenance and transformation of social reality (Meyer et al.2013). Despite the overwhelming dominance of visual imagery in contemporary society there is scant research examining the role of images in the construction of brand discourses. We are interested how visual images of fashion brands frame social categories such as gender. A particular interesting case for examining the visual mode of meaning construction is the case of the US fashion brand American Apparel. The American Apparel brand image is mainly built upon the use of controversial imagery. We are looking for a student who wants to analyse how the American Apparel brand presents gender and gender relations, and why this narrative is so appealing for the brand audience. Research questions that could be addressed are: - What gender reality is produced by the visual images of American Apparel? - What is the visual rhetoric of the American Apparel brand? - What are the visual and aesthetic codes employed by the American Apparel brand? - How do customers make sense of, process and organize American Apparels visual information into social categories? Following Meyer et al. (2013) we suggest two methodological options for approaching the case: a Strategic/Dialogical Approach and an Archaeological Approach. 1) Visual Analysis: Interpreting visual imagery of American Apparel using Semiology or Discourse Analysis 2) Qualitative Interviews asking the brand audience how they interpret American Apparel Adds using photo- elicitation. Bui, Yvonne N., How to Write a Master s Thesis (Sage Publications Ltd, 2009)

Holt, D.B., 2011. Why Do Brands Cause Trouble? A Dialectical Theory of Consumer Culture and Branding. Journal of consumer research, 29(1), pp.70 90. Holt, D.B. & Cameron, D., 2010. Cultural Strategy: Using innovative ideologies to built breakthrough brands, Oxford: Oxford University Press. Meyer, R.E. et al., 2013. The Visual Dimension in Organizing, Organization, and Organization Research: Core Ideas, Current Developments, and Promising Avenues. The Academy of Management Annals, 7(1), pp.489 555. Schroeder, J.E., 2011. Style and Strategy: Snapshot Aesthetics inbrand Culture. In C. McLean et al., eds. Imagining Organisations. London: Routledge. Schroeder, JE. 2012. Style and Strategy: Snapshot Aesthetics in Brand Culture. In Imaging Organizations, eds. C. McLean, P. Quatrone, F.R. Puyou, and N. Thrift. London: Routledge. Schroeder, Jonathan E. 2008. Visual Analysis of Images in Brand Culture. In Go Figure: New Directions in Advertising Rhetoric, ed. Armonk. New York: M.E. Sharpe, 277 96. Schroeder, Jonathan E, Karin Ekström, and Helene Brembeck. 2004. Visual Consumption in the Image Economy in : Elusive Consumption Visual Consumption in the Image Economy. : 229 44. Schroeder, Jonathan E. 2002. Visual Consumptin Visual Consumption. New York: Routledge.. 2009. The Cultural Codes of Branding. Marketing Theory 9(1): 123 26. Schroeder, Jonathan E., and Detlev Zwick. 2004. Mirrors of Masculinity: Representation and Identity in Advertising Images. Consumption Markets & Culture 7(1): 21 52. Skern, Tim, Writing Scientific English: A Workbook (Stuttgart: UTB, 2011), p. 191.

Vegetarians as anti- consumers: Examining justification strategies An increasing number of consumers voluntary constrain their food consumption to vegetables. This trend marks a significant shift in consumer culture from hedonistic food consumption to voluntary ascetics. This research project is interested in the ethics of vegetarians. It asks: How do vegetarians justify their anti- consumption practices? In terms of theory one approach would be to draw on Richard Rorty s notion of final vocabularies and to describe which linguistic resources are used by consumers to justify their behaviour. A second option would be to employ Foucault s ethics of care of the self as an active aesthetic practice in order to better understand the phenomenon. Bauman, Zygmunt. 2000. Ethics of Individuals. Canadian Journal of Sociology 25(1): 83 96. Bui, Yvonne N., How to Write a Master s Thesis (Sage Publications Ltd, 2009) Fougère, Martin, Nikodemus Solitander, and Suzanne Young. 2013. Exploring and Exposing Values in Management Education: Problematizing Final Vocabularies in Order to Enhance Moral Imagination. Journal of Business Ethics 120(2): 175 87. Giesler, Markus, and Ela Veresiu. 2014. Creating the Responsible Consumer: Moralistic Governance Regimes and Consumer Subjectivity. Journal of Consumer Research 41(3): 840 57. Jeanes, Emma L. 2013. The Construction and Controlling Effect of a Moral Brand. Scandinavian Journal of Management 29(2): 163 72. Wilk, Richard. 2004. Morals and Metaphors: The Meaning of Consumption. Elusive Consumption: 11 26. Rorty, Richard. Contingency, Irony and Solidarity.

Randall, Julian, and Iain Munro, Foucault`s Care of the Self: A Case from Mental Health Work, Organization Studies, 39 (2010), 1485 1504. Skern, Tim, Writing Scientific English: A Workbook (Stuttgart: UTB, 2011), p. 191. THE VW BUS A CULTURAL ICON? Since the late 60 s the VW Bus is popular among students and young families. This popularity can be observed in various outdoor sports and lifestyle communities such as campers, climbers, mountain bikers and surfers. This phenomenon can be approached from various theoretical perspectives. The VW bus legacy has of course many connections to brand communities but also draws on a long cultural tradition (e.g., Holt, 2010). The respective candidate could also try to approach this phenomenon from the psychoanalytical concepts of delegation and interpassive enjoyment, a concept that was recently transferred into brand research by Walz et al. (2014) and Böhm and Batta (2010). Method Qualitative (Interviews, Photo Elicitation Techniques) Bohm, S. & Batta, A., 2010. Just doing it: enjoying commodity fetishism with Lacan. Organization, 17(3), pp.345 361. Contu, a., Driver, M. & Jones, C., 2010. Editorial: Jacques Lacan with organization studies. Organization, 17(3), pp.307 315. Holt, D.B., 2006. Toward a sociology of branding. Journal of Consumer Culture, 6(3), pp.299 302. Holt, D.B., 2002. Why do brands cause trouble? A dialectical theory of consumer culture and branding. Journal of consumer research, 29(1), pp.70 90.

Holt, D.B. & Cameron, D., 2010. Cultural Strategy: Using innovative ideologies to built breakthrough brands, Oxford: Oxford University Press. Muniz, A.M. & O`Guinn, T.C., 2001. Brand Community. Journal of consumer research, 27(4), pp.412 432. Walz, M., Hingston, S. & Andéhn, M., 2014. The magic of ethical brands: Interpassivity and the thievish joy of delegated consumption. ephemera: theory & politics in, 14(1), pp.57 80. Zizek, S., 2009. First as Tragedy, then as Farce, Verso. Zizek, S., 2006. Lacan: Eine Einführung, Fischer. (Kapitel 2)