Mar Gómez Glez

Transcription

1 1 curriculum vitae (c.v.) Mar Gómez Glez Sanborn Ave. #319 Los Angeles, CA EDUCATION OPI Assessment Workshop-English/Mixed, American Council on the Teaching of Foreign Languages, December 2014 (Currently pursuing Full Certification as ACTFL OPI Tester) DOCTOR OF PHILOSOPHY with honors from New York University, May 2013 Department of Spanish and Portuguese Languages and Literatures Dissertation: My secret for myself. Teresa of Ávila s uses of secrecy. Academic supervisor: Georgina Dopico-Black ADVANCED CERTIFICATE IN CREATIVE WRITING IN SPANISH, New York University, May 2013 MASTER OF ARTS IN LITERARY THEORY AND COMPARATIVE LITERATURE from Universidad Carlos III de Madrid, July 2004 Thesis: The Discourse of the other: Analysis of immigration in Spain as reflected in Film and Theater ( ) Academic supervisor: Montserrat Iglesias. BA IN JOURNALISM from Universidad Carlos III de Madrid, July 2003 BA IN SOCIOLOGY with honors from Universidad Pontificia de Salamanca, July 1999 EMPLOYMENT HISTORY 1. Academic appointments Aug. 2014, Department of Spanish and Portuguese, Full Time Lecturer Aug May 2012 New York University, Department of Spanish and Portuguese Languages and Literatures. Adjunct Instructor

2 2 Spring 2010 Fall 2005; Spring 2006; Spring 2009 Aug May 2005 Aug May 2004 New York University, MFA in Creative Writing in Spanish, Teaching Assistant New York University in Madrid, MA Program, Adjunct Instructor Vassar College, Hispanic Studies Department, Foreign Language Fellow University Carlos III in Madrid, Vassar-Wesleyan Program in Madrid. Student Advisor 2. Other Summer 2006 Literature Specialist in La taberna del tiempo, Radio Program. Cadena SER. Spain. RESEARCH 1. Financed fellowships & Awards HUMANITIES INITIATIVE FELLOWSHIP, New York University DEAN S DISSERTATION FELLOWSHIP, New York University MACCRACKEN DOCTORAL FELLOWSHIP, New York University NATIONAL PROGRAM F.P.U. FELLOWSHIP, Ministry of Education and Culture of Spain Journalism Department of Universidad Carlos III de Madrid. Spanish Media Tendencies 2000 Journalism Department of Universidad Carlos III de Madrid. Josefina Carabias Chair Center for the Study of Migration and Racism (CEMIRA) Universidad Complutense de Madrid 1999 HONORIFIC Mention by the Ministry of Education of Spain

3 3 2. Conference Papers Del lector concreto, al lector abstracto en los prólogos de Cervantes, given at the 41 st International Symposium of Hispanic Literature. The Influence of Don Quixote in the Humanities, at California State University Dominguez Hills, April, The secret of me or how Teresa of Ávila writes her secrets given at the Humanities Initiative, NYU, March 12, 2013 Sylvia Molloy: Varia imaginación, 6 th International Conference on Transatlantic studies. Brown University, April 2012 Mi secreto para mí. The use of secrecy by Teresa of Ávila given at NYU Department of Spanish and Portuguese Colloquium, Sept. 10, 2011 El pie en el estribo. Los prólogos de Cervantes Colloquiuum of Hispanic & Lusophone Literatures. University of California-Berkeley, Apr 11, 2008 Imágenes de las mujeres inmigrantes en el cine y el teatro español, III International Conference of the Hispanist Association, University of Granada, April 2006 América: Un continente que exporta espiritualidad, VII Encuentro de Latinoamericanistas Españoles. Cáceres, Sept La dictadura de las audiencias en los medios de comunicación, I Congreso de Estudiantes de Sociología, Salamanca, Universidad de Salamanca, March 1998 PUBLICATIONS 1. Books of Fiction LA EDAD GANADA. Caballo de Troya. Penguin Random House, Barcelona: CAMBIO DE SENTIDO. Parentesis Editorial, Sevilla: ACEBEDARIO. Libresa S.A., Quito: Published Plays BAJO EL AGUA. Muestra de Teatro Contemporáneo. Valencia: 2013.

4 4 NEW PLAYS FROM SPAIN: EIGHT WORKS BY SEVEN PLAYWRIGHTS. (Numbers) Martin E. Segal Theater Center. New York: CIFRAS. Instituto Nacional de las Artes Escénicas y la Música, Madrid: FUGA MUNDI. Fundación Valparaiso, Alcalá de Henares: Academic articles and chapters (peer reviewed) La liminalidad de los recuerdos: lectura crítica de Varia Imaginación, INTI Revista de Literatura Hispánica. Num : Providence College, Providence. El teatro imposible: Lectura crítica de "El público" de Federico García Lorca, La siega. Literatura, arte, cultura magazine. Num. 13: April El chiste y su relación con el contexto, Eclipse Revista Universitaria, Num. 6, Contribuitor to the book of Tomás Calvo Buezas: Inmigración y racismo. Así sienten los jóvenes del siglo XXI. Cauce Editorial. Madrid: El mundo de la pantalla, el mundo de la calle: Farmacia de Guardia. Sociedad y Utopía Magazine. Extraordinary number of 1999: pp Pontificia de Salamanca University. 4. Other articles La Virgen y el violin, de Carmen Boullosa, Letras Libres, Num. 118, October Jose Manuel Prieto, Revista Quimera, Num 288, May Festival Internacional de Teatro Clásico de Almagro, Tintero Magazine. Num. 47, September La desheredada como novela de la representación, Tintero Magazine. Num. 44, May Translations THE FORCE OF HABIT by Guillén de Castro ( ) (From Spanish to English. Group of Spanish Golden Age Theatre at the University of California Los Angeles), 2014.

5 5 NUESTRA VIDA EN SIGNOS by Richard Shiff (From English to Spanish) article for E- misférica magazine. Hemispheric Institute of Performance and Politics, HONORS AND AWARDS HOT DESK INTERNATIONAL PLAYWRIGHT, Center Stage, Baltimore DRAMATURGIAS ACTUALES FELLOWSHIP, National Institute of Performing Arts of Spain 2012 CALDERÓN DE LA BARCA European Theatre Award 2009 INTERNATIONAL RESIDENCY AT THE ROYAL COURT THEATRE, London 2008 ARTE JOVEN LATINA Award 2007 BECKETT International Theatre Award WRITER FELLOW at the Residencia de Estudiantes, Madrid TEACHING AND ADVISEMENT 1. Advisement Invited member of PhD Dissertation Committee,, Department of English, Creative Writing and Literature Program. Name of candidate: Alfred Brown IV. (Proposal defended on May 2015) 2. Courses taught Spring 2015 SPAN 320. Iberian and Latin American Cultures: Readings on Society ( SPAN 220. Spanish Language III (Fourth skill, third semester of Spanish Language at ) Sections and Fall 2014 SPAN 320. Iberian and Latin American Cultures: Readings on Society SPAN 220. Spanish Language III (Fourth skill, third semester of Spanish Language at ) Sections 62071, and 62113

6 6 Summer 2012 SPAN-UA 3. Intermediate Spanish I. (Fourth skill, third semester of Spanish Language at New York University) Spring 2012 Fall 2011 Spring 2011 Spring 2010 Spring 2009 Spring 2008 Fall 2007 Spring 2005 Fall 2004 Spring 2005 Fall 2004 SPAN-UA 20. Intensive Intermediate Spanish. (Fourth skill intensive Spanish Language, equivalent to third and fourth semesters, at New York University) SPAN-UA 20. Intensive Intermediate Spanish. (Fourth skill intensive Spanish Language, equivalent to third and fourth semesters, at New York University) SPAN-UA 3. Intermediate Spanish I. (Fourth skill, third semester of Spanish Language at New York University) FORMS AND TECHNIQUES OF NARRATIVE FICTION AND NON- FICTION IN SPANISH. (Teaching Assistant for Antonio Muñoz Molina at the MFA in Creative Writing in Spanish, New York University) IBERIAN AND LATIN AMERICAN LITERATURE WORKSHOP - 19 th to 21 st Centuries. (Teaching Assistant in charge of the Literature Workshop of the MA in Spanish of New York University in Madrid) SPAN UA 2. Spanish for Beginners II. (Fourth skill, second semester of Spanish Language at New York University) SPAN UA 1. Spanish for Beginners I. (Fourth skill, first semester of Spanish Language at New York University) IBERIAN AND LATIN AMERICAN LITERATURE WORKSHOP - 19 th to 21 st Centuries. (Teaching Assistant in charge of the Literature Workshop of the MA in Spanish of New York University in Madrid) IBERIAN AND LATIN AMERICAN LITERATURE WORKSHOP - 13 th to 18 th Centuries. (Teaching Assistant in charge of the Literature Workshop of the MA in Spanish of New York University in Madrid) CONVERSATIONAL SPANISH Intermediate and Advanced (Vassar College) CONVERSATIONAL SPANISH Intermediate and Advanced (Vassar College)

7 7 3. Workshops taught Sept READING AND WRITING: APPROACHING SHORT STORIES (San Francisco Public Library. During Viva! Latino/Hispanic Heritage Month Celebration) April 2011 INTRODUCTION TO WRITING SHORT STORIES (Segunda Semana del Libro at Universidad Carlos III de Madrid) 4. Guest Lectures in other courses Talk about La edad ganada, invited speaker for SPAN 439/539, MODERN SPANISH NARRATIVE (Prof. Daniel Herrera Cepero) at California State University, Long Beach, December 8, 2015 Talk about La edad ganada, invited speaker (on-line) for Spanish 265, INTRODUCTION TO LITERARY ANALYSIS (Prof. Patricia L. Lopez-Gay) at Bard College, April 8, 2015 Talk about Numbers, invited speaker for SPAN 305, SURVEY OF DRAMA (Prof. Ivette Gomez) at, April 8, 2015 Contemporary Spanish Theater, invited speaker (on-line) for Spanish 301, INTRODUCTION TO PENINSULAR SPANISH LITERATURE (Prof. Patricia L. Lopez-Gay) at Bard College, November 5, 2014 Writing short stories in Spanish, invited speaker for SPAN-UA 950, TOPICS IN PENINSULAR SPANISH LITERATURE AND CULTURE (Prof. Mariela Dreyfus) at New York University, April New Courses Developed for GESM 120, ECTASY, THE FORBIDDEN EMOTION, Seminar of Humanistic Inquiry, schedule for Spring INTRODUCTION TO CREATIVE WRITING IN SPANISH, already approved by the department. SERVICE TO THE INSTITUTION AND THE PROFESSION 1. Committees Current member of Website Committee, Spanish and Portuguese Department, University of Southern California.

8 8 Language Program Committee, Spanish and Portuguese Department, University of Southern California. (August 2014 May 2015) 2. Conference and Event Organizing Conference: When Humanities Falter: Frictions, Detours, and Translations. Humanities Initiative, New York University, May 8, 2013 Organizer and moderator of the round table: Young writers from Spain. The experience of the first book. Four writers came from Spain to talk with the students of the MFA in Creative Writing in Spanish at NYU on February 11, Organizer of the Festival Teatro Vivo for two years (2008 and 2009) the festival consisted in 5 stage readings of plays written in Spanish in New York City by local Latino companies at the KJC Center of New York University. Producer and director of the play La comedia sin título by Federico García Lorca, with the Spanish students of Vassar College (April 2005). This was the first time the college produced a play in a language different than English and the tradition persisted. 3. Professional membership Member of the Modern Language Association, since August 2014.