1 SUSANNE ELISE FRIEND DEGREES: M.A.C., Master's of Art Conservation (1986) Queen's University, Kingston, Ontario, Canada B.A., Renaissance Studies (cum laude & departmental honors) (1982) Vassar College, Poughkeepsie, NY, USA LANGUAGES: English (native); French & Italian (fluent); German & Spanish (spoken) CONTACT ADDRESS: ConservArt Associates, Inc Berryman Avenue Culver City, CA USA Telephone: (310) Fax: (310) Website: RELEVANT COURSES: Digital Photography for Conservators (2007) Colorado History Museum, Denver, Colorado Tear Repair of Paintings (2004) J. Paul Getty Museum, Los Angeles, California Workshop on New Methods in the Cleaning of Paintings (1989) Getty Conservation Institute, Los Angeles, California Mural Paintings Conservation (Assistant and participant) (1988) ICCROM, Rome, Italy Oxbow Book and Paper Intensive (1985) Saugatuck, Michigan, USA Istituto Centrale del Restauro - 6 month scholarship course, painting conservation, Rome, Italy (1983) INTERNSHIPS LOS ANGELES COUNTY MUSEUM OF ART, CA Oct/86 - Aug/87 NEA/Mellon Fellow in painting conservation under the supervision of Joseph Fronek, Senior Paintings Conservator. Treatments were carried out on many modern and contemporary paintings, with a special emphasis towards problems involved in opening the new wing for contemporary art. Assisted in installation and deinstallation of
2 temporary exhibitions, gallery inspections, and field consultation. NATIONAL GALLERY OF ART, Washington, D.C. Jun/86 - Sept/86 Queen's University summer intern in paintings conservation. Major treatment: cleaning of Max Beckmann's last triptych, The Argonauts. Other responsibilities included minor treatments and daily inspection of galleries. HUMANITIES RESEARCH CENTER, Austin, TX May/85 - Aug/85 Queen's University summer intern in paper conservation. Treatments included developing a streamlined method for treating a series of 2000 architectural drawings by Norman Bel Geddes, as well as other standard paper conservation treatments. BAVARIAN NATIONAL MUSEUM, Munich, Germany June/84 - Aug/84 Painting conservation intern. Worked on structural problems and restoration of panel paintings: treated 15th century Swabian panel painting. ISTITUTO CENTRALE DEL RESTAURO, Rome, Italy Jan/83 - Jun/83 Vassar College scholarship student in painting conservation. Attended regular academic sessions on Italian restoration techniques and carried out structural and cosmetic restoration on easel paintings during practical sessions. CONSERVATION WORK EXPERIENCE CONSERVART ASSOCIATES, INC present 4823 Berryman Avenue, Culver City, CA USA Vice President and co-owner. Easel and mural painting conservation as well as treatment of paintings on paper and non-conventional supports are performed. ConservArt offers museum environment consultation and chemical analysis in support of cultural conservation projects. ConservArt consults and works on many architectural conservation projects, often consulting for artists, architects and building conservation companies. ConservArt Associates, Inc. caters to a wide range of clients, from private individuals to public institutions and small museums. Major clients include: AAA Collection, Los Angeles, CA Branigan Cultural Center, Las Cruces, NM Christie s Los Angeles, CA City of Huntington Beach, CA City of Irvine, CA City of Las Vegas Arts Commission, NV City of Long Beach, CA City of San Diego, CA Fischer Art Gallery - University of Southern California, Los Angeles, CA Guggenheim Museum, Las Vegas, NV Long Beach Museum of Art, Long Beach, CA
3 Mann Theatres, Los Angeles, CA National Park Service Metropolitan Transit Authority Art Collection, Los Angeles, CA National Cowboy Hall of Fame, Oklahoma City, OK University of New Mexico at Las Cruces Art Gallery, Las Cruces, NM William Andrews Clark Memorial Library - University of California at Los Angeles Los Angeles County Museum of Art, Los Angeles, CA Contract conservator, Paintings Conservation, present Los Angeles County Museum of Art, Los Angeles, CA Ahmanson Fellow, Paintings Conservation, October 2011-January, 2012 CONSERVATION WORK EXPERIENCE - INTERNATIONAL RESIDENZ, Salzburg, Austria May/89 - Jun/89 Mural painting conservator for Heinz Leitner Conservation. Removal of thick layers of whitewash from frescos in the Archbishop Wolf Dietrich's residence, ca INDEPENDENT CONSULTANT, Rome, Italy Mar/89 - Jun/89 Microanalysis of paint and plaster samples for a major reconstruction of a 17th c. building behind Trajan's Forum, Salita del Grillo. Established original plaster composition and pigments for several facades of the building. CHIESA DEI GIROLAMINI, Naples, Italy Mar/89 Conservation worksite of Consorzio S.E.I s.n.c.: frescos, oil paintings, stucchi and faux marbres. Final cleaning and reintegration of the altarpiece (oil on canvas) and paintings on the side walls of the apse (attr. Guido Reni). GYPSOTHECA CANOVIANA, Possagno (TV), Italy Dec/88 - Jan/89 Conservation worksite directed by Francesca Persegati for the conservation and restoration of twenty plaster casts by Antonio Canova. Of particular interest was a lifesize model for the equestrian monument of Charles III of Bourbon in Piazza Plebiscito in Naples, painted with tempera to simulate bronze. ICCROM, Rome, Italy Oct/88 - Nov/88 Preparation of laboratory exercises for the Conservation of Mural Paintings Course funded by an Italian Government scholarship. ICCROM, Rome, Italy Sept/87 - Jun/88 a) Conservation work-sites: 17th c. frescos in S. Maria dell'anima, Rome; 14th c. frescos in Caetani castle in Sermoneta. Removal of grime, salt incrustations, consolidation, filling and inpainting. b) Research: collaboration on the ICCROM 1988 International Index of
4 Conservation Research. c) Preparation of a course on conservation of contemporary art. d) Computing: Training of Scientific Program staff in the use of word processing and spreadsheet programs. ICCROM, Rome, Italy Oct/82 - Jun/83 Researcher and graphic artist for a study conducted by Peter Rockwell and sponsored by ICCROM, the Superintendence of Archeology of Rome and the Istituto Centrale del Restauro. The stone carving techniques used on the column were researched and studied, and a scale drawing of one spiral of the column was made for didactic purposes (see publication acknowledgment). MONUMENTAL CONSERVATION PROJECTS INCLUDE: City of Hope, Duarte, CA Conservation treatment of two mural paintings by John Bernat on the House of Hope February May 2012 Two oil paintings on canvas depicting David and Moses on the exterior of the House of Hope had received differential sun exposure and weathering over the past 60 years. The paintings were consolidated, cleaned, filled, inpainted and varnished. New non-reflective, UV-absorbing Plexiglas protective coverings were designed and installed in front of the paintings. Citigroup Center, 444 S. Flower, Los Angeles, CA Deinstallation, reinstallation and cleaning of Frank Stella s Long Beach XXIII, 1982 August September 2010, January 2011 The 22 long sculptural painting on aluminum honeycomb shapes was deinstalled and stored prior to remodeling of the display area. The pieces were cleaned, consolidated and inpainted before reinstallation on the same site. Holy Family Church, Malibu, CA -- Installation and varnishing of the apse mural, Ascension of Christ November 2009; installation & January 2011; varnishing The 26 x 36 mural was painted in New York City and sent rolled to California. The artist had deliberately painted the mural larger than the target wall, which was not yet finished at the time of commissioning. The painting was trimmed to fit the wall and marouflaged directly to the wall, which had been prepared to receive it. A year later it was varnished. Journey to Aztlan, street mural by Einar and Jamex de la Torre, San Diego, CA December 8-19, 2008 The mural is on sub-grade concrete retaining walls along Harbor Drive and had chronic problems with salt efflorescence since its creation in ConservArt worked with the artists and the City of San Diego to conserve the murals as well as provide recommendations to change watering patterns, divert water flow and
5 set up a maintenance program. Santa Monica Public Library; Santa Monica, CA Conservation of Library murals by Stanton MacDonald Wright September 2004 February 2006 ConservArt was contracted to survey condition, supervise transportation, perform conservation treatments and install over 2000 square feet of murals on plywood that were painted by Stanton MacDonald Wright in for a specially designed room in the Santa Monica Public Library. In 1962 the building was destroyed and the murals remained in storage under the care of the Smithsonian American Art Museum until being shipped to Los Angeles for conservation in April The murals were conserved and installed for the opening of the new Santa Monica Public Library in January Forest Lawn Mortuary; Glendale, CA Conservation of the Crucifixion by Jan Styka May 2005 April 2006 Forest Lawn Mortuaries contracted ConservArt to perform a major conservation treatment on a 45 x 194 marouflaged oil on canvas mural by Polish artist Jan Styka from The mural was severely damaged after being transported from Poland to the United States for the 1904 World s Fair; subsequent mishandling added to its problems. The conservation included filling and inpainting thousands of losses. Union Station, East Portal; Los Angeles -- Richard Wyatt Mural Conservation September 2004 October 2004 ConservArt originally installed the mural in 1995, after which the artist had intended it to be varnished. This was never done, however, and after almost ten years the mural had suffered medium deterioration due to exposure and had become very dirty. The 22'2" x 78' mural was dusted, carefully washed, and then varnished by hand. Highly desaturated areas had to be treated more than once and some inpainting was done to equilibrate losses along the edges and damages from pigeon droppings. Florence Metro Station Installation of Ricardo Duffy Tile Murals Florence, CA August 10-13, 2004 ConservArt designed and installed eight double-sided 500lb. trapezoidal tile murals for the artist, who was commissioned by the Los Angeles County Metro Transit Authority to produce art for the station. The design incorporated a 2 wide stainless steel frame with pre-tapped holes to enable a lifting device to raise the pieces for placement at the 8 level on posts along the platform. Ozzy Osbourne Home Installation of 1910 theatrical backdrop of the Grand Canal in Venice, Italy Los Angeles, CA August 11-12, 2003 The owners desired to have an antique distemper (pigment and glue) theatrical
6 backdrop adhered to their bedroom wall. The original backdrop was over 14 high by 24 long and was severely damaged by poor handling over the years. The backdrop was treated at ConservArt studios to consolidate flaking paint. The bottom edge, which was badly frayed and water damage, was trimmed. The painting was rolled and taken to the home where it was marouflaged directly to the wall. Water stains and losses were retouched using pastels. Junipero Serra Office Building - John Valadez Mural Installation - Los Angeles, CA May 10, 2003 The 12' x 54'3", oil on cotton painting was executed in two pieces and had to be matched vertically on the wall during the marouflage installation. Torrance High School - Anna Katherine Skeele Mural Conservation - Torrance, CA July 10-October 4, 2002 The painting was executed as a WPA project for the school s library but was moved after an earthquake damaged the building. Conservation included addressing problems caused by the move as well as overall cleaning, stabilization and reintegration. The project was presented at the annual WAAC conference. Saint Anthony s Catholic Church - Isabel Pizcek Mural Conservation - San Gabriel, CA January 3-February 8, 2001 Two 35' x 13' murals in the apse of the church were cleaned and consolidated. The artist had painted them in tempera in 1960 and the paintings were extremely friable. A spray consolidation was done followed by repair and inpainting of numerous damages caused by abrasion. The 14 Stations of the Cross (tempera on marouflaged canvas) were also cleaned and restored. Wilson Hurley Mural Installation One OK Building, Tulsa, OK January 21, 2001 An 8' x 14' oil painting on canvas was marouflaged onto a custom aluminum honeycomb panel array of three linked pieces (manufactured by ConservArt). The painting was mounted on a granite wall in the lobby of the building. Richard Wyatt Mural Installation - Long Beach: A New Dawn, A New Day, Lobby, Long Beach City Hall, Long Beach, CA September 24, 2000 The 11' x 21' acrylic on canvas mural was marouflaged directly to the wall in the lobby of the Long Beach City Hall. Constance Mallinson Mural Installation - Mosaic of Los Angeles - Wilshire Grand Hotel - Los Angeles, CA October 10, 1999 A custom aluminum honeycomb panel array composed of three 3' x 10' x 1/2" panels was assembled for a permanent installation of an oil on cotton mural in
7 the main lobby of the hotel. The painting was marouflaged in situ to the panels and hung on the wall behind the reception desk. Huntington Beach High School - Mural Installation and Restoration - Huntington Beach, CA April 17-24, 1999 A ceramic tile mural salvaged from the historic Sea Cliff Village Shopping Center was installed and restored on an exterior wall. The Rime of the Ancient Mariner is 11'6" x 6'. Terry Schoonhoven Mural Installation - Jewish Contributions to Medicine - Cedars-Sinai Hospital, Los Angeles, CA April 16-18, 1999 The interior oil on cotton mural (834 ft 2 ) was installed by continuously gluing and custom cutting the 7 component pieces. The marouflage is on the west wall of the Harvey Morse Conference Room. Sea Cliff Village / Huntington Beach Civic Center Art Project - Huntington Beach, CA September April 15, 1999 Deinstallation of 14 ceramic tile murals, 45 dioramas and over 90 metal sculptures comprising the seabird-themed open air shopping center. Many of the pieces were restored and reinstalled in various locations at the Huntington Beach Civic Center. Connie Jenkins Mural Installations; MWD Building - Los Angeles, CA November 17-18, 1998 Two landscape paintings (oil on cotton; 11'4-1/4" x 9'3-1/2" and 10'3-1/2" x 11'10") of the Feather River were installed by marouflage to interior walls in the lobby of the new Metropolitan Water District building. Long Beach Public Library; Mural Conservation & Relocation - Long Beach, CA October 23-30, 1998 The mural In painted on drywall and designed by Corita Kent ( ) was relocated within the library by moving the wall intact in order to avoid structural damages to the mural. The mural was remounted in such a fashion as to allow a much simpler and cost effective removal in the future. There was an associated surface cleaning and repair of minor damages that had accumulated over the years. Mt. Rushmore National Monument; Interpretive Center Objects Conservation - Keystone, SD April September 1998 As a subcontract to Universal Exhibits of El Monte, CA, ConservArt was contracted to perform all of the conservation and mounting of artifacts and art objects pertaining to the history and the carving of Mt. Rushmore. These include
8 letters, documents, original plaster maquettes, tools and many other original objects. The objects are scheduled for installation in the new facilities by September Terry Schoonhoven Mural Installation - Burbank Police & Fire Station, Burbank, CA September 1997 Newly painted and primed canvas (1700 ft 2 ) was installed by continuously gluing and custom cutting. The marouflage is in the 2 story lobby of the police and fire combined complex. Charles Kassler Mural Conservation - Fullerton Union High School, Fullerton CA April - September 1997 As a result of testing and research a cooperative project with the Fullerton Union High School District was undertaken to restore the largest WPA fresco ever painted. The mural Pastoral California was painted as a PWAP commission by Charles Kassler, Jr. on the west wall of the Plummer Auditorium in It was overpainted completely in The school board and the guidance office of the school followed our advice and included community volunteers as well as scheduling two concurrent summer classes (summer 1997) dedicated to providing the lower level labor in order to carry out the extensive overpaint removal. This is a unique cooperative project with ConservArt acting as consultants and providing teaching and training as well as conservation expertise. The School District was successful in obtaining a California Heritage Fund grant (only five granted) to match funds from private donors and the City of Fullerton Redevelopment Agency. Peace Theological Seminary West Adams Boulevard, Los Angeles, CA November May 16, 1997 As part of a larger project to restore the building, which was damaged in the 1994 Northridge earthquake, the lower floor and 2 nd floor rotunda of the historic (1913) Victorian interior - Mediterranean style villa was conserved. This included the cleaning, stabilization and repair of marouflaged ceiling paintings, the structural modification of non-original architectural elements, casting and replacement of missing compo decorative elements and an overall aesthetic compensation. Wilson Hurley Triptych Installations - National Cowboy Hall of Fame - Oklahoma City, OK This five year project provided technical advice, fabrication and installation services for 5 triptychs with center panels 16'x16' and wing panels of 10'x16'. Work included the custom design and fabrication of interlocking honeycomb aluminum panels which were used as the painting support. Other projects resulting from the association with the museum included preventive conservation and treatment of historic plaster sculptures by James and Laura Fraser. The largest, "End of the Trail", is an 18' horse and rider weighing over 4 tons which was moved to a new location in the museum, cleaned, consolidated and coated with a custom silicate paint.
9 Union Station, East Portal; Los Angeles -- Richard Wyatt Mural Installation April February 1996 A series of 42 interlocking honeycomb aluminum panels were fabricated for the artist who directly painted on the surface. The panels were then installed in an array to create a mural 22'2" x 78' in the East Portal of the new station. The unique mounting system was approved by Los Angeles City engineers. Magic Theaters -- Charles Freeman, aka Bökö, Mural Installation - Los Angeles, CA June 1995 The artist was commissioned to paint a 20.5' x 56' oil on canvas mural to be flush fit onto an irregular wall. ConservArt Associates consulted for the artist before he began the project to insure proper painting preparation and choice of materials. The painting was executed in two 10' sections; the top piece was marouflaged to the wall at the height of 20' off of a specially designed rotating tube attached to scaffolding. The lower section was installed to register perfectly with the upper piece. Sunkist Growers, Inc. -- WPA Mural Conservation - Sherman Oaks, CA August March 1995 Conservation of the four murals by Frank Bowers and Arthur Prunier, 1935, presently in the main boardroom. The murals had been exhibited externally for many years before being deinstalled from the old Los Angeles downtown headquarters and marouflaged onto plywood in the early 70's. Two of the panels have a polyurethane coating and are differentially discolored. All the paintings were damaged in the 1994 Northridge earthquake. Work includes a new mounting system, cleaning and reinstallation. 1 Bunker Hill - Hugo Ballin Mural Conservation - Los Angeles, CA June - July 1994 A large mural in the lobby of the historic Edison building by Hugo Ballin, "Apotheosis of Power", was cracked in half by the Northridge earthquake in January The painting is oil on canvas adhered to plaster which had been sheared from the wall and displaced outward by as much as 6". More than 20' of tears were repaired by lifting back the damaged plaster, excavating crumbled material and replacing the painting on a new bed of plaster. St. Steven's Serbian Orthodox Cathedral - Interior Conservation - Alhambra, CA February - May 1994 The church underwent a major exterior seismic intervention campaign. The work included defining the scope of intervention for the architectural firm in charge of the project, providing lighting consultations and cleaning and restoring all interior painted surfaces. These surfaces included 21 marouflaged paintings, a wooden icon screen, over 900 ft 2 of faux marbles and all vaults which were painted with figures.
10 San Gabriel Mission - Baptistery - San Gabriel, CA August 1993 The domed ceiling and walls of the historic baptistery were heavily damaged in the 1987 Whittier earthquake and had also suffered as a result of the seismic stabilization campaign. There was approximately 40% loss to the painted vault and the faux finish of the lower walls also was completely restored. City of Fullerton - Lundeberg Mural Conservation - Fullerton, CA November June 1992 Restoration of the Helen Lundeberg mural of the History of the Development of Southern California in the Fullerton Police station included removing up to five layers of house paint. The mural was done in oil in and was partially overpainted in the 60's and 70's. The nine month project included developing innovative mechanical techniques to lift away overpaint from the delicate surface. Southern California Gas Company June April 1992 Contract to Southern California Gas Company for design of a mounting system and installation of murals by Richard Wyatt and Judith Baca in their new headquarters in Los Angeles. The painting by Judy Baca, which measured 8' x 50', was a flush fit marouflage onto drywall. CONSERVATION TEACHING EXPERIENCE FULLERTON UNION HIGH SCHOOL Apr/97-Jul/97 Designed and co-instructed high-school students during the conservation treatment of Charles Kassler s fresco, Pastoral California. Students in the summer school courses also helped to clean and restore the fresco which had been hidden from view by obscuring overpaint for 58 years. The purpose of this was to generate interest and pride in the mural which would help mitigate graffiti and other damage. See AIC presentation, Arlington, VA 1998 CALIFORNIA STATE UNIVERSITY - FULLERTON Feb/91 - May/91 Designed and co-instructed the course "Museum Conservation", given as a crossreferenced graduate course required by the Exhibition Design Program. ICCROM, Rome Italy Feb/88 - Jun/88 Assistant, Mural Paintings Conservation Course, 1988 Sequential translation during course lectures from French or Italian into English; revision, translation and compilation of didactic material for the course.
11 PUBLICATIONS AND PRESENTATIONS Contributing editor to Western Association for Art Conservation newsletter Articles You May Have Missed, 2002-present Susanne Friend, A Brief History of Reverse Painting on Glass and the Treatment of an Unusual Shadow Box Painting, Presented at the Western Association for Art Conservation (WAAC) 2012 Annual Meeting, Palm Springs, CA October 22-25, 2012 Susanne Friend, The Not so Still Life of a 17 th Century Dutch Painting, Presented at the Western Association for Art Conservation (WAAC) 2011 Annual Meeting, Austin, TX, October 19-22, 2011 Susanne Friend and Duane Chartier. Stanton MacDonald Wright: Murals for the Santa Monica Public Library Presented at the Western Association for Art Conservation (WAAC) 2006 Annual Meeting, Tucson, AZ, October 20-22, 2006 Susanne Friend. Resurrection of a Crucifixion Conservation of Jan Styka s 45 x 194 (8,730 sq.ft.) monumental oil on canvas at Forest Lawn Memorial Cemetery, Glendale, CA. Presented at the Western Association for Art Conservation (WAAC) 2005 Annual Meeting, Cody, WY, August 27-29, 2005 Susanne Friend. Conservation of Relocated Immovable Works: Preservation at what Cost? Presented at the Western Association for Art Conservation (WAAC) 2002 Annual Meeting, Portland, OR, October 7-9, Susanne Friend and Duane Chartier. The Destruction of Two Architectures? Large Scale Contemporary Art Deinstallation and Reinstallation Presented at the Western Association for Art Conservation (WAAC) 1999 Annual Meeting, San Francisco, CA November 15-16, Susanne Friend. The Treatment of a Water Damaged Painting - Conserving Guy Rose s The Scattered Covey. Presented at the Western Association for Art Conservation (WAAC) 1998 Annual Meeting, Timberline, Oregon, October 5-7, Susanne Friend & Duane Chartier. Community Involvement and Education in the Conservation of a WPA fresco in Fullerton, California. Presented at The American Institute for Conservation (AIC) 1998 Annual Meeting, Arlington, VA, June 1 - June 6, Susanne Friend. The Recovery of Charles Kassler s Pastoral California -- Conservation and Reconstruction of a WPA Fresco. Presented at the Western Association for Art Conservation (WAAC) 1997 Annual Meeting, Phoenix, AZ, October 26-29, Susanne Friend. And I Still Can See Blue Velvet Through My Tears... Presented at
12 the Western Association for Art Conservation (WAAC) 1996 Annual Meeting, Las Vegas, NV, October 6-9, The topic of this presentation was the history and conservation treatment of paintings on velvet, and was given as a spoof in honor of the venue. Susanne Friend. Necessity and Innovation: Novel Treatment Strategies for Urethane Varnish Removal and Blind Cleavage. Presented at The American Institute for Conservation (AIC) 1996 Annual Meeting, Norfolk, VA, June 10 - June 16, Tatian, Suzanne. A Lifted Veil, The Center & Clark Newsletter, UCLA Center for 17th & 18th Century Studies William Andrews Clark Memorial Library, Spring Conservation treatment published on front page of newsletter with during treatment photograph of Francois D'Albert Durade's portrait of George Eliot. Susanne Friend. Tear Repair - Los Angeles Earthquake Style. Presented at the Western Association for Art Conservation (WAAC) 1994 Annual Meeting, Asilomar Conference Center, Pacific Grove, CA September 25-27, Susanne Friend. Conservation Treatment of an Unusually Large Hinterglasmalerei. Presented at the Western Association for Art Conservation (WAAC) 1993 Annual Meeting, Marconi Conference Center, Marshall, CA, October 2-5, Susanne Friend and Duane Chartier. How Much is Too Much? Conservation versus Restoration. Presented at The American Institute for Conservation (AIC) 1992 Annual Meeting, Denver, CO, May 31 - June 6, Susanne Friend and Duane Chartier. Mural Marouflage - A Rebirth?. Presented at the Western Association for Art Conservation (WAAC) 1992 Annual Meeting, Santa Fe, NM, September 27-29, Abstract published in Western Association for Art Conservation (WAAC) Newsletter, 15(1), January Friend, Susanne E. Reversal of a Wax-resin Impregnation: Treatment of Paul Gauguin's Still Life on a Garden Chair, poster presented at the 1987 Annual AIC Meeting in Vancouver, B.C. Friend, Susanne, E. The Effect of the Application Variables in Brushing Compared to Spraying on the Appearance of Certain Varnish Films, M.A.C. Thesis, Queen's University, Kingston, Ontario, Rockwell, Peter. Preliminary Study of the Carving Techniques on the Column of Trajan, ICCROM, Rome, Contributed drawings, photography and research on the historical representation of the reliefs.
13 PROFESSIONAL AFFILIATIONS American Institute for Conservation of Historic & Artistic Works (AIC); member since 1984 Western Association for Art Conservation (WAAC); member since 1990 WAAC board member , , WAAC Vice President WAAC President ; organized three-day annual meeting at The Getty Villa for over 160 participants. AWARDS Best in Los Angeles Art Restorers, p. 167 Los Angeles Magazine, August 2007 Queen's University Graduate Award ( ) - Art Conservation Vassar College Maguire Fellowship - for Studies in the Humanities in Western Europe ( ); paintings conservation, Istituto Centrale del Restauro, Rome and research on Trajan's Column for ICCROM, Rome, Italy References: available upon request
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Resume James Alkons College Education AB Degree Requirements in mathematics and physics at University of California, Berkeley, 1971. Minor in Art History and Environmental Design. AB Degree in Studio Art
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Paul Turounet Paul Turounet received his MFA in Photography from the Yale University School of Art in 1995. For the following ten years, he photographed in Mexico along the U.S. - Mexico border, for which
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ART IN NEW YORK: a resource guide Mid-Manhattan Library Art Collection (third floor) This list highlights resources in the visual art fields in New York City and New York State. Most of the book titles