Visual Arts Scope and Sequence



Similar documents
Davis Publications Communicating Through Graphic Design 2010 correlated to Oklahoma s Visual Art Standards High School with Media Arts

School District of the Chathams Curriculum Profile

ART A. PROGRAM RATIONALE AND PHILOSOPHY

VISUAL ARTS VOCABULARY

PROGRAM FOR LICENSING ASSESSMENTS FOR COLORADO EDUCATORS (PLACE ) OBJECTIVES FIELD 028: ART

Contextual Relevancy

Design Elements & Principles

artist credit: Melba Cooper

How To Learn Art

What makes it necessary to have rituals in the Art room?

Graphic Design: Introduction to Typography

PATTERN: A two-dimensional decorative visual repetition. A pattern has no movement and may or may not have rhythm.

How To Learn To Be A Creative Artist

Norman Public Schools VISUAL ART ASSESSMENT GUIDE FOR GRADE 7

Graphic Design. Background: The part of an artwork that appears to be farthest from the viewer, or in the distance of the scene.

Chapter 117. Texas Essential Knowledge and Skills for Fine Arts. Subchapter C. High School, Adopted 2013

2012 VISUAL ART STANDARDS GRADES K-1-2

appalachian state university bfa graphic design Candidacy Portfolio Review

ELEMENTS OF ART & PRINCIPLES OF DESIGN

TExES Art EC 12 (178) Test at a Glance

INTERIOR DESIGN. Total Credits: 70 Studio Credits: 46 Academic Credits: 24. SEMESTER I Credits: 18 Studio Credits: 12 Academic Credits: 6

Prepared by: Stanton Community Schools

Earth Art: Creating Patterns in Nature

Studio Art. Introduction and Course Outline

Shapes Forms Forms Form Space Space Space

PRESCHOOL ART EDUCATION PROGRAM

Campbellsport School District Art and Design Performance Standards and Benchmarks

Visual Arts. Madison Public Schools Madison, Connecticut

GRADE 5 VISUAL ARTS CURRICULUM GUIDE

Maryland State Department of Education VISUAL ARTS GLOSSARY

Art Programs. Art Associate in Arts Degree*

HIGH SCHOOL COURSE OUTLINE

K-12 Visual Arts Unpacked Content

Elementary Curriculum Map Visual Art First Grade

Art Programs. Art Associate in Arts Degree

Elements of Art Name Design Project!

CURRICULUM MAPPING

HACKETTSTOWN, NEW JERSEY. Computer Animation Grades CURRICULUM GUIDE FINAL DRAFT. July 2014

Study Sheet: Painting Principles

Envision Visual Arts (EVA) Classes. Drawing and Design is the foundation course for all other Digital and Fine Art courses,

How To Learn Art At A Junior High

Contemporary Triptych Art Inspired by Gustav Klimt s Tree of Life

ARTS & CRAFTS PRIMARY

ACALANES UNION HIGH SCHOOL DISTRICT Adopted: 3/2/05 Visual and Performing Arts Subject Area COURSE TITLE: Digital Design 1

ELEMENTS AND PRINCIPLES OF DESIGN

Why is it important to do use your hands and traditional tools to create simple designs before jumping on to the computer?

Standard 1: Learn and develop skills and meet technical demands unique to dance, music, theatre/drama and visual arts.

Mount Laurel Township Schools Visual & Performing Arts Curriculum Grades Pre-K-8. Adopted by the Mount Laurel Board of Education on August 25, 2009

Class: Commercial Art Grades 9-12 (Semester Course)

DRAFT Proposed Revisions Texas Essential Knowledge and Skills (TEKS) Fine Arts, High School Art

SCHEME OF SYLLABUS FOR GRAPHIC DESIGN CLASSES XI AND XII

1. exhibit knowledge of the fundamental elements, principles and terminology of art;

Keywords for the study of Junior Cert art

HIGH SCHOOL COURSE OUTLINE

The Language of Art ART ELEMENTS Color

The Flat Shape Everything around us is shaped

Researching the Great Masters and Their Works

COURSE TITLE: Elementary Art (Grades 1 5) PREREQUISITE:

DESIGN ELEMENTS OF DESIGN

Basic Shapes. Most paintings can be broken down into basic shapes. See how this famous painting by Cézanne can be broken down into basic shapes.

YOU TOOK STEP NOW TAKE STEP 2 AT MIU

CENTRAL TEXAS COLLEGE SYLLABUS FOR ARTS 1311 DESIGN I. Semester Hours Credit: 3 INSTRUCTOR: OFFICE HOURS:

MMSD 6-12 th Grade Level Visual Arts Standards

Cartooning and Animation MS. Middle School

Minnesota Academic Standards

WWHS Visual Arts Program Tips

Standard 1(Making): The student will explore and refine the application of media, techniques, and artistic processes.

FASHION DRAWING AND ILLUSTRATION GRADES 9-12 [LEVEL 2] EWING PUBLIC SCHOOLS 1331 Lower Ferry Road Ewing, NJ BOE Approval Date: 6/27/05

Chapter 117. Texas Essential Knowledge and Skills for Fine Arts. Subchapter E. Middle School, Adopted 2013

Greenwich Visual Arts Objectives Computer Graphics High School

LITCHFIELD PUBLIC SCHOOLS Core Curriculum Scope and Sequence {Interior Design}

EL DORADO UNION HIGH SCHOOL DISTRICT Educational Services. Course of Study Information Page

One and Two Perspective: Exterior & Interior Design

A-H 106 RENAISSANCE THROUGH MODERN ART. (3) Historical development of Western art and architecture from the fourteenth century through the present.

Hoover City Schools Secondary Curriculum Arts,

Composition and Layout Techniques

Hair Design. 5 Elements of Hair Design. 5 Principles of Hair Design. Facial Shapes. Hair designs for men

Lesson Plan. Fashion Design Fashion Illustration Arts, AV, Technology, and Communication

A-H 106 RENAISSANCE THROUGH MODERN ART. (3) Historical development of Western art and architecture from the fourteenth century through the present.

ART/VCDMA PORTFOLIO TIPS

Wallingford Public Schools - HIGH SCHOOL COURSE OUTLINE

ART IN EDUCATION THE CURRICULUM DOCUMENT COLCHESTER PUBLIC SCHOOLS ART PRE K - 12 LOOKING AT ART WITH A VISION

GRADE 3 CURRICULUM COMPANION - ACTIVITIES PANOPLY SCHOOL DAYS ~ STUDENT ART TENT

APPENDIX: Student Growth Scoring Guide

Photography (ART221, 222, 225, 226) Curriculum Guide

DIABLO VALLEY COLLEGE CATALOG

Linking Math With Art Through The Elements of Design

Self-Portrait Painting

Neshannock Township School District Curriculum Overview Computer Graphics Plan Course of Study

UNDERSTANDING CULTURAL VOCABULARY KNOWLEDGE Children will learn to Children will learn that Children will learn to

DRAWING, PAINTING, 2-D ART CURRICULUM GUIDE

Course Description Graphic Design Department

Visual Arts Standards of Learning

At the core of this relationship there are the three primary pigment colours RED, YELLOW and BLUE, which cannot be mixed from other colour elements.

George Pemba

Total Credits for Diploma of Interior Design and Decoration 63

TAMALPAIS UNION HIGH SCHOOL DISTRICT Larkspur, California. GRAPHIC DESIGN (Beginning)

Roselle Public Schools Visual & Performing Arts Curriculum Units of Study K-12. Unit Length: 2 weeks. New Jersey Core Curriculum Content Standards

The National Arts Education Standards: Curriculum Standards <

Transcription:

ART PRODUCTION Visual Arts Scope and Sequence LINE Recognize lines and line characteristics in the environment I R R R Identify and explore tools that make lines (pencils, crayons, markers, paint brushes) I R R R Recognize that closure of line creates geometric, organic, and free form shapes I R R R Recognize the portrayal of feelings and ideas in linear artworks I R R R Recognize that lines show direction I R R R Recognize the use of curved lines to indicate roundness I R R R Recognize the use of contour lines to define the outer edge and inner parts of a shape I R R Recognize the use of converging lines to create an illusion of depth on a 2- D surface I R R SHAPE Recognize every object has a basic shape and that shapes can be found within shapes I R R R Recognize that color, size, and texture influence shapes I R R R Recognize that basic 2-D shapes (circles, square, triangle, and rectangle) relate to 3-D forms (sphere, cube, I R R cone, and cylinder) Recognize geometric, organic, and free form shapes in natural and man-made environments I R R R Recognize that geometric shapes and forms influence architectural design I R R Form Recognize ways to describe objects and forms in terms of space I R R R Differentiate between sculpture in the round and relief sculpture I R R R Recognize ways to assemble, model, or carve forms I R R R Relate architectural structures to geometric forms I R R Texture Recognize a variety of textures in the natural and man-made environments I R R R Describe surfaces in terms of textural qualities (rough, smooth, soft, hard, etc.) I R R R Recognize that texture can be created by rubbing I R R R Recognize ways to create an illusion of texture in artworks I R Color Recognize basic colors and variations of these colors in the natural and man-made environments I R R R

Page 2 Recognize that primary colors can be mixed to yield secondary and intermediate colors I R R R Recognize ways to use color to create mood in artworks I R R R Recognize how light influence color I R R R Recognize that the use of white or black changes the value of color I R R R Recognize the importance of value in creating neutral and color composition I R R R Recognize how intensity affects the appearance of color I R R Recognize opaque, transparent, or translucent characteristics of color mediums I R R Recognize ways to use variations in color values and intensities to create an illusion of depth on a 2-D surface I R R Recognize the use of pure, mixed, or broken color to create artworks I R Recognize the use of split complementary/ triadic color schemes in art compositions I R Space Describe space in terms of inside/outside, near/far, in-front- of/in-back-of, over/under, and empty or full I R R R Recognize dominant and less dominant areas in 2-D space I R R R Recognize the use of design principles to arrange art elements in space I R R Recognize ways to develop foreground, middle ground, and background in 2-D compositions I R R Recognize positive/negative areas in art compositions I R R Recognize space as open, closed, limited, or unlimited I R R Recognize how design is used in creating man-made environments I R R Recognize the use of linear perspective to create an illusion of depth in 2-D space I R R Recognize the use of crosshatching to create an illusion of form in 2-D space I R R Recognize the use of elevation on the picture place to create an illusion of depth in 2-D space I R R Recognize the use of diminishing color intensities and value contrasts to create an illusion of depth in 2-D space I R (aerial perspective) Recognize the use of color perspective (warm/bright colors advance, cool/dull colors recede) to create an illusion of depth in 2-D space I R R

Page 3 HISTORICAL/CULTURAL Understand that creative thinking is necessary to produce original artwork Recognize that an artwork can be an original or a reproduction I R R R Differentiate between art and craft I R R Understand the use of various subject matter, themes, events, and symbols Recognize that art relates to festive functions, celebrations, holidays, and culturally significant occasions I R R R Recognize that personal surroundings and geographical factors influence subject matter of artworks. I R R R Recognize that art depicts the real and imaginary world I R R R Recognize that art reflects moods and feelings, political statements, social protest, and everyday events I R R Understand the existence of various styles of art Recognize that some works of art are associated by the same style or period I R R Recognize that contemporary art reflects modern culture I R R Recognize broken color technique as a characteristic of impressionism I R Recognize the importance of Asian art on other cultures and history I R Recognize major art styles of the 19 th 20 th centuries I R Understand the Cultural Origin of Selected Works of Art Recognize that folk or regional art reflects a particular people s art I R R Recognize how art and artists of the past have influenced artworks today I R R Recognize prehistoric artworks I R R R Recognize artworks and contributions of the Greek period I R Recognize artworks and contributions of the Medieval period I R Recognize artworks and contributions of the Roman period I R Recognize artworks and contributions of the Renaissance period I R Recognize artworks and contributions of African culture I R Understand that artist of the past have influenced contemporary artists Recognize influences of the past on contemporary art (art heritage) I R R

Page 4 Understand art as a visual language Recognize art as a means of visual communication I R R R Understand the existence of mood in artworks Recognize ways that artists create mood in artworks I R R Understand the role of the artist in context of historical periods Recognize that artists create designs in 2-D and 3-D spaces I R R R Recognize that artists design both creative and functional art forms I R R R Understand the evolution of media techniques, tools, processes, and subject matters in artworks Recognize artists tools, materials, and processes in a historical context I R R Understand that art forms reflect the skills development of a society Recognize that artworks reflect problem-solving skills and the levels of development I R R Understand the historical relevance among visual, performing, and literary arts Recognize the interrelationships of visual arts I R R Understand that museums and galleries house and preserve artworks Recognize that the role of museums and galleries is to house and preserve artworks I R R R Understand that artists are influenced by their environment Recognize the relationship of artworks to the environment I R R R Recognize the existence of art careers Recognize various art careers and specific skills associated with them I R R Understand that artists create from imagination, memory, and observation Recognize various ways that artists create artworks I R R R Understand the function of various art forms Recognize that some art forms are functional I R R R ART CRITICISM Understand that a good composition is the effective organization of forms, elements, and principles of design Recognize that the parts relate to the whole (unity) I R R R Recognize that overlapping art elements in 2-D space creates an illusion of in-front-of, in- back-of, depth, I R R R rhythm, and unity Recognize various ways artists create emphasis (main point of interest) in art compositions I R R R

Page 5 Recognize that balance can be symmetrical, asymmetrical, or radial I R R R Recognize how artists use variety and contrast in artworks I R R R Recognize that similarity of art elements creates harmony in art compositions I R R R Recognize various ways artists create visual rhythm in art compositions I R R R Recognize how artists use ordered/random pattern I R R R Understand the use of art vocabulary to critique or respond to art Recognize that art has a specific language to use in describing artworks I R R R Understand the value of works of art Recognize that some artworks have an excessive value I R R Understand that imagery may enhance, complete, supplement, convey, or clarify meaning Recognize how artists create artworks that convey meaning nonverbally I R R R Understand that some art is created to evoke particular response by choice to subject matter, themes, events, or symbols Recognize how artists choose particular themes, subject matter, or symbols in artworks I R R R AESTHETICS Understand that people respond to beauty in the natural and man-made environments Recognize that there are elements of the natural environment that people of all cultures regard as beautiful I R R R Recognize how artists create environments designs to enhance the natural environment I R R R Understand that aesthetic sensitivity can be developed by looking at, talking about, and comparing works of art Recognize ways to express and communicate personal values and feelings about works of art I R R Understand the relationship between art and daily life Recognize that art is an important part of everyday life I R R R Recognize the importance of respect for the contributions of others I R R R