Young Performers Certificates

Similar documents
Musical Theatre & Performance Arts

ENGLISH SPEECH AND DRAMA

Ashton Community Science College Edexcel GCSE Drama Student guide. Is this the right subject for me?

Making Reading Content Comprehensible for Intermediate Language Learners. Colin Dalton. University of Houston-Downtown, United States

behind the scenes curriculum mapping: primary The following curriculum mapping is relevant for all 10 episodes of THE LION KING - Behind The Scenes

INTRODUCTION CONTENTS

Trinity College London s new Certificate and Coat of Arms

North Carolina Essential Standards Kindergarten Theatre Arts. Communication. Analysis. Aesthetics

This page is intentionally left blank

Professional Performing Arts Diplomas: Level 6 Diploma in Professional Musical Theatre. Syllabus from September 2011

Guide to Film Analysis in the Classroom ACMI Education Resource

Chapter 13: Directing and Producing

STORYTELLING. Tips for teachers. WORKING DOCUMENT June MEQ-DFGJ in collaboration with RCCPALS and RREALS

Courses Taught in English. Teacher Training Degree Early Childhood Education

1 Year Foundation Course in Acting Prospectus

Reading Standards for Literature

A. What is a play? B. What are basic elements of a play script? C. What kind of character does your group wish to write about?

Parent Education Activities

Making sense of arts therapies. arts therapies

The Diploma in Dance Teaching and Learning

ENGLISH LANGUAGE ARTS

Letters and Sounds, Phase 1, Aspect 2 General Sound Discrimination Instrumental Sounds Tuning into Sounds

Grade Level: 2 nd Grade

CREATIVE WRITING AT INDIANA STATE UNIVERSITY 2015 INTRODUCTION APPENDIX

Arts High & Arts Middle School Programs

Reading Aloud with Children of All Ages

Report Card Comments

Cabrillo College Catalog

Genre Definitions. Albemarle County Public Schools, August 1996 Appendix F

ADMISSIONS PACK 2016

Burning Issues Conference

Arts High & Arts Middle School Programs

ARTS FOR LIFE! Scholarship Application

Unit: Fever, Fire and Fashion Term: Spring 1 Year: 5

The Creative Curriculum for Preschool: Objectives for Development & Learning

15 WAYS TO PUBLISH STUDENT WRITING DR. JILL M. OLTHOUSE

Chapter 117. Texas Essential Knowledge and Skills for Fine Arts. Subchapter D. Elementary, Adopted 2013

National Quali cations SPECIMEN ONLY

Spoken English for Work (SEW) exams Guide for Teachers (B1)

Literacy. Work Stations. Source: Diller, D.(2003) Literacy Work Stations, Making Centers Work

SCHOLARSHIPS & OTHER AWARDS EXTERNAL CANDIDATES

ESOL Skills for Life English language qualifications

Year 5 Poetry based on Unit 2 Classic/narrative poems

PROGRAM FOR LICENSING ASSESSMENTS FOR COLORADO EDUCATORS (PLACE ) OBJECTIVES FIELD 030: DRAMA

Common Core Progress English Language Arts. Grade 3

WSESU English Language & Literature Curriculum Framework

Learning Through The Arts Video Series. Drama Dance Music Visual Arts Media Arts

Contents. A Word About This Guide Why Is It Important for My Child to Read? How Will My Child Learn to Read?... 4

Create stories, songs, plays, and rhymes in play activities. Act out familiar stories, songs, rhymes, plays in play activities

You are going to listen to Jay talking about a special sign language for babies that her son Benen used when he was little.

KINDGERGARTEN. Listen to a story for a particular reason

C.W. POST CAMPUS EDS 750 Diagnosis and Treatment of Autism & Related Disorders Throughout the Life Cycle: Advanced Study (4055) Dr.

ARTS, INFORMATION AND COMMUNICATIONS CAREER LEARNING AREA

Year 1 reading expectations (New Curriculum) Year 1 writing expectations (New Curriculum)

Music Standards of Learning

Top Ten Tips for an Effective Fieldtrip! Effective Fieldtrip Guide. Introduction. Maximizing the impact of out-ofclassroom. learning: PREPARATION

Play helps children feel good about themselves

This image cannot currently be displayed. Course Catalog. Language Arts Glynlyon, Inc.

Advice for Class Teachers. Moderating pupils reading at P 4 NC Level 1

Set Your School Apart.

LANGUAGE! 4 th Edition, Levels A C, correlated to the South Carolina College and Career Readiness Standards, Grades 3 5

TWAS THE NIGHT BEFORE CHRISTMAS STUDY GUIDE

How To Teach Children To Read And Write

Unit 3: Acting Skills

Why is it important to do use your hands and traditional tools to create simple designs before jumping on to the computer?

Senior Phase Grade 7 Today Planning Pack ARTS AND CULTURE

Drama & Communication Syllabus Early Learning Steps Grades

Grade 3 Question Stem Bank: Common Core State Standards

Strand: Reading Literature Topics Standard I can statements Vocabulary Key Ideas and Details

Disney Performing Arts

Learner Guide. Cambridge IGCSE Literature (English) Cambridge Secondary 2

Infant-Toddler Alignment. Preschool Alignment. HighScope Educational Research Foundation

NUNAVUT. EDUCATION CAREERS Early Childhood Education PROGRAM REPORT. 171 Early Childhood Education DIPLOMA

MAKING AN APPLICATION TO GUILDHALL

CURRICULUM PACING GUIDE GRADE/SUBJECT: /English. 1st Nine Weeks 1

Excel Childcare Services Ltd

Curriculum Catalog

CREATIVE CURRICULUM - ACTIVE LEARNING - INCLUSION - RAISE ACHIEVEMENT - LITERACY SKILLS. Silent Film workshops

Infant-Toddler Alignment. Preschool Alignment. HighScope Educational Research Foundation

EXAMS Leaving Certificate English

Early Literacy Development in Preschool and Title I School District

Nighty Night! By Margaret Wild

Fostering Emotional Literacy in Young Children: Labeling Emotions

WJEC GCSE in DRAMA. For Teaching from 2012 For Award from Summary of Assessment 2. Introduction 3. Specification Content 5

THE SCHOOL BOARD OF BROWARD COUNTY, FLORIDA LESLIE M. BROWN CHIEF PORTFOLIO SERVICES OFFICER

OCPS Curriculum, Instruction, Assessment Alignment

CORRELATION FLORIDA DEPARTMENT OF EDUCATION INSTRUCTIONAL MATERIALS CORRELATION COURSE STANDARDS/BENCHMARKS

LAURELHURST ELEMENTARY ENRICHMENT CLASSES Guide Spring 2015

Integrated Skills in English (ISE) examinations

An Early Childhood Practitioner s Guide: Developmentally Appropriate Literacy Practices for Preschool-Age Children

urricular Guidance for re-school ducation

MT. DIABLO UNIFIED SCHOOL DISTRICT COURSE OF STUDY

Curriculum Development Institute Education Bureau 2010

Transcription:

Young Performers Certificates Designed to develop confidence, group interaction skills and a sense of achievement in children up to the age of seven. www.trinitycollege.co.uk/youngperformers

Why a Young Performers Certificate? Trinity College London Young Performers Certificates encourage young children to develop performance, musical and communication skills as they create and explore stories, songs, roles and situations through the imaginative and integrated use of movement, music, voice and artwork. To encourage participation and provide a sense of progression, the certificates are available at three levels Bronze, Silver and Gold. Who are they for? Groups of six to 12 children may enter for these awards, presenting their work to a Trinity College London examiner at their school or teaching centre. Preparing for this assessment is an extension of the dramatic play led by the speech and drama teacher over the course of the year. The group experience here means that every child in the class can participate and experience success. Fiona Walker, Principal Director, Chiltern House Pre-School, Singapore

What does it involve? Children present a short group performance which takes the form of some kind of enactment of one of the following: Story; nursery rhyme; poem; myth or fairy story; song; musical work. Children use a variety of performance, musical and communication skills such as: Speaking poetry or prose; dramatic expression; singing; playing musical instruments; expressive movement; mime; use of costume, props, masks; use of puppets. The children s teacher is present throughout and may lead or direct the performance. Bronze Certificate The Bronze Certificate allows young children to take their first steps in exploring performance, musical and communication skills in a familiar and supportive atmosphere. The work presented should emerge out of child-centred play or group activities and have a form and structure with which the children are familiar. It can be based on an original story devised by the group. While there is no need for a complex plot, there should be some basic narrative to focus and progress the piece. Bronze Certificate w Group-based presentation (6 12 children) w 5 8 minute performance w Integration of at least two skills (performance, musical or communication skills) w Teacher-led

Silver Certificate The Silver Certificate allows children to continue to develop their performance skills in a mutually supportive atmosphere, while allowing individuals to make their own contributions to the group presentation. As with the Bronze Certificate, group dynamic is important, but the emphasis shifts to encouraging individual as well as group responsibility. Children may now make their own individual, pair or small group contributions to the performance as a whole. This might be through movement, performing a role in the story, singing a song or playing a musical instrument. The performance will normally include a range of characters, moods and situations which encourage a variety of individual and group responses. The narrative structure should be clear and move towards an appropriate ending. Silver Certificate w Group-based presentation (6 12 children) with individual/pair/small group contributions w 8 12 minute performance w Integration of two or three skills (performance, musical or communication skills) w Teacher-supported Gold Certificate The highest level of the Young Performers Certificates, Gold Certificate, aims to sufficiently develop performance skills to provide children with a sound foundation for Initial level graded exams in speech and drama, acting, musical theatre or music. The work presented should be clearly structured, contain identifiable characters, and demonstrate contrasting moods and dynamics within an imagined storyline or situation. All group members should be given the opportunity to display some independence and confidence through individual, pair or small group contributions. Gold Certificate w Group-based presentation (6 12 children) with individual/pair/small group contributions w 10 15 minute performance w Integration of at least three skills (performance, musical or communication skills) w Teacher may discreetly direct the performance

Assessment process The group is allowed a couple of minutes to come into the room, settle and prepare for their performance. The examiner introduces themselves and creates a supportive atmosphere. The length of the assessment will vary according to the level at which candidates are entered, the group size and the nature of the prepared performance. After the assessment the examiner will talk informally to the children about how they went about preparing their work. During the conversation, group members will normally be presented with a sticker in recognition of their achievement. The group will then leave the room and the examiner will write a report recording the group s work and noting areas of outstanding achievement. This will be handed to the teacher on completion of the session. Each participant subsequently receives an individual certificate from Trinity College London. Examiner expectations While there are no formal assessment criteria for the Young Performers Certificates, at each level the examiner would normally expect to see the participants: w work co-operatively w use a range of basic performance skills to convey a sense of mood and/or narrative w respond appropriately to teacher direction and support w reflect at an appropriate level on their contributions to the presentation by answering some simple questions. The emphasis throughout is on each child s participation at an appropriate level and their enjoyment.

Please contact your local Trinity Exam Centre for details on how to enter for an assessment: It s always gratifying to see children starting to develop their performance skills in this way but it s more gratifying to see them doing so with a genuine sense of involvement and enjoyment. John Gardyne, Head of Drama and Performance, Trinity College London For details of prices and how to apply for Young Performers Certificates please visit www.trinitycollege.co.uk/youngperformers To find out more about the full range of Trinity assessments and exams in the Performing Arts and English Language visit www.trinitycollege.co.uk Trinity College London 89 Albert Embankment London SE1 7TP UK T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E drama@trinitycollege.co.uk Trinity College London is a charitable company registered in England. Company no: 02683033. Charity no: 1014792. Registered office: 4th floor, 89 Albert Embankment, London SE1 7TP. photos: Mike Goldwater, Kevin Ricks, Andy Howes, Milk Photographie