Lez.7 La scoperta della realtà Alison & Peter Smithson e l Indipendent Group



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Lez.7 La scoperta della realtà Alison & Peter Smithson e l Indipendent Group

Alison & Peter Smithson

Il periodo eroico dell architettura moderna

La convinzione che l architettura sia scienza e che ciascuna parte dell edificio, all interno come all esterno, debba integrarsi in un unico e identico sistema di rapporti matematici, può essere definita l assioma principale degli architetti rinascimentali

Diagrammi di ville palladiane da R.Wittkover, Architectural Principles in the Age of Humanism, 1949

Palladio, Villa Emo, Fanzolo, 1558

Palladio, Villa Emo, Fanzolo, 1558

La convinzione che l architettura sia scienza e che ciascuna parte dell edificio, all interno come all esterno, debba integrarsi in un unico e identico sistema di rapporti matematici, può essere definita l assioma principale degli architetti rinascimentali

A&P Smithson, Fitzwilliam museum, Cambridge, 1948

A&P Smithson, Fitzwilliam museum, Cambridge, 1948

A&P Smithson, Scuola di Hunstanton, Norfolk (UK), 1949

A&P Smithson, Scuola di Hunstanton, Norfolk (UK), 1949

A&P Smithson, Scuola di Hunstanton, Norfolk (UK), 1949

A&P Smithson, Scuola di Hunstanton, Norfolk (UK), 1949

A&P Smithson, Scuola di Hunstanton, Norfolk (UK), 1949

A&P Smithson, Scuola di Hunstanton, Norfolk (UK), 1949

A&P Smithson, Scuola di Hunstanton, Norfolk (UK), 1949

A&P Smithson, Golden Lane Housing, Londra, 1952

A&P Smithson, Golden Lane Housing, Londra, 1952

A&P Smithson, Golden Lane Housing, Londra, 1952

A&P Smithson, Golden Lane Housing, Londra, 1952

A&P Smithson, Golden Lane Housing, Londra, 1952

As Found La poetica dell ordinario

Kurt Schwitters, Das Undbild, 1919

Eduardo Paolozzi I was a Rich Man's Plaything, 1947

Eduardo Paolozzi, Dr. Pepper, 1948

Nigel Henderson, Bethnal Green, Londra, 1948

Nigel Henderson, Bethnal Green, Londra, 1948

Nigel Henderson, Bethnal Green, Londra, 1948

Nigel Henderson, Bethnal Green, Londra, 1948

Nigel Henderson, Bethnal Green, Londra, 1948

This is tomorrow, Londra, 1956

Richard Hamilton, Just what is it that makes today's homes so different, so appealing?, 1956

A&P Smithson, Installazione Patio & Pavilion nella mostra This is tomorrow, Londra, 1956

A&P Smithson, Installazione Patio & Pavilion nella mostra This is tomorrow, Londra, 1956

Houses of the future

A&P Smithson, House of the future, 1955-56

A&P Smithson, House of the future, 1955-56

A&P Smithson, House of the future, 1955-56

A&P Smithson, House of the future, 1955-56

A&P Smithson, House of the future, 1955-56

A&P Smithson, House of the future, 1955-56

A&P Smithson, House of the future, 1955-56

A&P Smithson, House of the future, 1955-56

A&P Smithson, House of the future, 1955-56

A&P Smithson, Upper Lawn, Fonthill, 1959

A&P Smithson, Upper Lawn, Fonthill, 1959

A&P Smithson, Upper Lawn, Fonthill, 1959

A&P Smithson, Upper Lawn, Fonthill, 1959

A&P Smithson, Upper Lawn, Fonthill, 1959

A&P Smithson, As in DS, 1983

A&P Smithson, As in DS, 1983

A&P Smithson, As in DS, 1983

A&P Smithson, Upper Lawn, Fonthill, 1959

A&P Smithson, Upper Lawn, Fonthill, 1959

Architettura vs Città

1 CIAM, La Sarraz, 1928

A&P Smithson al CIAM di Aix-en-Provence, 1953

A&P Smithson, Griglia CIAM, Aix-en-Provence, 1953

A&P Smithson, Griglia CIAM, Aix-en-Provence, 1953

Michelangelo Antonioni, Blow-up, 1966

A&P Smithson, The Economist building, 1959-64

A&P Smithson, The Economist building, 1959-64

A&P Smithson, The Economist building, 1959-64

A&P Smithson, The Economist building, 1959-64

A&P Smithson, The Economist building

A&P Smithson, The Economist building, 1959-64

A&P Smithson, The Economist building, 1959-64

A&P Smithson, The Economist building, 1959-64

A&P Smithson, The Economist building, 1959-64

A&P Smithson, The Economist building, 1959-64

A&P Smithson, The Economist building, 1959-64

A&P Smithson, The Economist building, 1959-64

A&P Smithson, The Economist building, 1959-64

A&P Smithson, The Economist building, 1959-64

He s a real nowhere Man, Sitting in his Nowhere Land, Making all his nowhere plans for nobody. Doesn t have a point of view, Knows not where he s going to, Isn t he a bit like you and me?

A&P Smithson, Robin Hood Gardens, Londra 1966-70

A&P Smithson,Robin Hood Gardens, Londra 1966-70

A&P Smithson,Robin Hood Gardens, Londra 1966-70

A&P Smithson,Robin Hood Gardens, Londra 1966-70

A&P Smithson,Robin Hood Gardens, Londra 1966-70

Michelangelo Antonioni, Blow-up, 1966

Per approfondire: Lez.8 La scoperta della realtà. Alison & Peter Smithson e l Indipendent Group Alison & Peter Smithson, The charged void: Architecture, Monacelli 2002; Alison & Peter Smithson, The charged void: Urbanism, Monacelli 2005; Max Risselada, Dirk van den Heuvel (a cura di), Alison and Peter Smithson : From the House of the Future to a House of Today, 010 Publishers, 2004; Marco Vidotto, Alison + Peter Smithson. Works and Projects, Gustavo Gili 2009. Claude Lichtenstein, As found: the discovery of the ordinary. British Architecture and Art of the 1950s, Springer verlag, 2001.