Jazz Chords/Scales Encyclopedia By Mark Feezell

Transcription

1 Jazz Cords/Scales Encyclopedia By Mark Feezell - Cord symbols are grouped by function itin te keys in a circle-of-4ts (descending 5ts) pattern. - Te key of C is listed in its entirety at te end of te encyclopedia. - Remember tat in jazz a key may be in effect for as fe as 2 cords (often V-I). - Scales are Listed from most common to least common coice (approximately) for eac cord symbol. - Primary cord tones=open noteeads. "Handle it care" dissonances=square noteeads. - IMPORTANT: Maj,3 = Major scale, mode 3 (start on note 3 of major; e.g. EFGABCDE) min,2 = Melodic minor ascending pitces, mode 2 (=start on note 2). - To make te encyclopedia less cluttered, some explanatory material appears only on pages 1 and 2. - Te encyclopedia is incomplete itout te index, available free in PDF format at drfeezell.com/jazz Cord symbol not listed? Remember: 9=2, 11=4, 13=6; #4=b5=#11, b9=b2, ==b13 7t cord=9t cord=11t cord=13t cord. C#=Db; D#=Eb; E=Fb; E#=F; F#=Gb; G#=Ab; A#=Bb; B=Cb; B#=C For slas cords, use te index at drfeezell.com/jazz Still can't find it? Look for te scale it te same root, triad type, 7t quality, and altered notes. Practicing tips: 1. Get some good resources like Te Jazz Teory Book by Mark Levine or Aebersold's Play-a-long books. 2. Focus on te basic scales first: Major, Mixolydian, Dorian, Locrian, and Diminised. 3. Take tis encylopedia to a copy sop and ave it bound. Tell tem you ant it to lay FLAT. 4. Play around te circle of fourts by coosing a scale from te tonic cords in a key, ten one from te predominant cords of te next key, ten one from te dominant cords of tat ne key, ten from te tonic cords of tat ne key, and so fort. Doing tis you can practice II-V-I or IV-V-I progressions troug all te keys by just going straigt troug te encylopedia. 5. See capters four and six of Levine's Jazz Teory Book for more scale practice guidelines. Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets.

2 Tonic Predominant INDEX to Te Jazz Cords/Scales Encyclopedia by Mark Feezell CHORD SYMBOLS: Find te cord symbol at te left, ten look for te pitc to find te page number. B# C# D# E E# F# G# A# B Function and Symbol Alternate symbols = = D = = = = G = A = = C Db Eb Fb F Gb Ab Bb Cb I [Capitalized pitc name], M, Maj, 7, 9, 11, 13, Maj7, Maj 9, Maj 11, Maj 13, Maj 6/9, Ma7, M7, etc. I (min) - -( 7), -9( 7), -11( 7), mi( 7), etc I II (in major mode) II (in minor mode) IV -7 Ø or Ø7 #4 -, m, min, -6, -9, -11, -13, -6/9, min7, mi7, etc. LOCRIAN or Bebop: all ave b9(=b2) -7(b5b9), -11b9b5, mi7b5b9, mi11b5b9 LOCRIAN #2: mi7(b5), mi9(b5), mi11(b5), -7(b5), -9(b5), -11(b5) #4, 7#4, 7b5, 9#4, 9b5, 6/9#4, 6/9#4, 13#4, Ma7#4, Ma7b5, Maj7#4, #11, etc. #4, 9(), 7(), +( 7), +( 9), Aug, Ma7(), Ma9() VI Dom7, Mm7 Dominant V 7 +7, 7+, +9, 9(), Aug, + 7(b5), 7(#11), 9(b5), 9(#11), 7#11 13(#11) 13(b5), 7#9, 13(#9), º7b9, - 7b9 6/9(#11), mi6/9(#11), mi13(#11), - 13(#11) alt, 7(b9b13), +7(b9), 7(#9b13), 7(b9,b5), 7(#9,b5), 7(#9b9), 7alt 7(#11#9), 13(b9b5), 7(#9), 7(#11#9), sus sus, sus4, sus9, 7sus4, sus2 Sub. for V m3 susb9 º or º7 7susb9, sus4b9, 7sus4b9, susb9, etc. dim, dim7, º7(#9), º( 7), dim( 7), -9( 7#11), mi9( 7#11),

3 SLASH NOTATION INDEX for Te Jazz Cords/Scales Encyclopedia by Mark Feezell Slas notation is confusing and is no longer te accepted standard for cord notation. Te tables belo ill elp you convert slas notation on older scores into full cord symbols. For cord symbols in tis format: Pitc / Pitc (e.g. F#/A, C/D, etc.), 1. Find te left or top pitc in te left column. 2. Find te bottom or rigt pitc in te bottom column to find te page number. Some options ave more tan one possibility and ence more tan one page number. In cases ere a cord is given, find tat cord in te main index table (above) to find te page number. B#=C 2,20 =D7 8 =C =C7sus ,17 C#=Db 2,3 6,12 =E 18 =C# =C#7sus D 21 12,13 16,22 =E7 4 =D =D7sus D#=Eb ,23 2,8 =F7 14 =Eb =Esus E=Fb ,9 12,18 =F#7 24 =E =E7sus 6 16 E#=F ,19 4,22 =G7 10 =F =F7sus 16 F#=Gb ,5 8,14 =A 20 =F# =F#7sus G =G7sus ,15 18,24 =A7 6 =G G#=Ab =Ab =Asus ,24 4,10 =B 16 A 2 =A =A7sus ,11 14,20 =B7 A#=Bb =C7 12 =Bb =Bsus ,21 6,24 B=Cb 10,16 =C#7 22 =B =B7sus ,7 B#=C C#=Db D D#=Eb E=Fb E#=F F#=Gb G G#=Ab A A#=Bb B=Cb GENERALLY: Assuming tat te interval is ALWAYS DOWNWARD, e.g. F# / A means F# ABOVE A = M6 don, ten Example Donard Root, ere symbol is interval (may be Full Cord Symbol Left pitc / Rigt pitc enarmonic) C/B = B Ø7 Ø7 Rigt pitc m2 C/B = Bsusb9 susb9 Rigt pitc C/Bb = Bb #4 M2 #4 Rigt pitc C/A = A-7 m3-7 Rigt pitc C/Ab = Ab #4 M3 #4 Rigt pitc C- 7/G = G7 but 7 if - 7 for top; P4 C/G = C 7 else just inversion of 7 Rigt pitc if 7 C/F# = F#7alt Aug 4/Dim 5 7alt Rigt pitc C/F = C7sus P5 7sus Left pitc C/E = C 7 m6 7 Left pitc C/Eb = Eb9 M6 7b9 Rigt pitc C/D = D7 m7 7 Rigt pitc C/Db = C7b9 or Dbº7 M7 7b9 or º7 Left if 7b9; Rigt if º7

4 C major tonic function cords C^ C^ C-^ 1-Ionian/Major=Maj,1 4-Major bebop=maj,1 / Harmonic major=maj,1 /; Uncommon 1-Minor-major=min,1 (function as local tonic cords) 2-Maj. pentatonic maj. triad (no 7t) C minor tonic function cords 3-Blues Use blues over any cord ere it sounds good, but don't overdo it. 5-augmented scale=maj / #2, No 4, #2 no 4 2-Bebop melodic minor OR Bebop minor no. 2=min,1 / =Key of F= Predominant function (II/IV/VI) cords (lead to dominant function cords) Lydian augmented=lydian / Lydian=Maj,4 or Maj,1 /#4 Bb^#4 or C/Bb Bb^ or Bb^#4 or D/Bb G-7 or Bb/G II in major 1-Dorian=Maj,2 2-Minor pentatonic 3-Bebop =Dorian dorian/bebop /b3 3 minor b3 3 GØ or GØ7 or Ab/G II in minor mode D- 1-Locrian/alf-diminised=Maj,7 2-Bebop =Locrian /b5 3-Half-diminised #2/Locrian #2 =Pyrgian /b5; use for b9 use for b9 b5 #2 (or 2) - use for 9 Useful b/c no Aeolian=Maj,6 "andle it care" note VI function; not played often. Often use dorian instead, or subsistute V/II Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 1

5 dominant function cords-key of F C7 C7 =Maj,5 or Maj,1 / Wole tone Major pentatonic 3-Bebop dominant=maj,1 / 7 7 C7#11 Lydian dominant C7b9 or C/Db or A/C C7alt or F#/C C7 or F-^7/C C7sus Csusb9 or Db/C Eº or Eº7 or or D#/E 1-Aebersold's "Spanis" or "Jeis" b2 Altered OR dim. ole tone=min,7 (en.) b9 #9 #11 Aebersold's "Hindu" scale b HW diminised OR HW octatonic; susb9 7b9 Alt b/c as all possible alterations =Maj,5 or Maj,1 / (no "andle it care" note) R.H. 1-Prygian=Maj,3 voicing susb9 7b9 Use for WH diminised (octatonic) Sub. for V7 Maj. 3rd belo (=C7) 2-Maj. pent., 2 2-Mode 2, minor Use for 6 Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 2

6 F major tonic function cords F^ 1-Ionian/Major=Maj,1 2-Maj. pentatonic 3-Blues 4-Major bebop 5-augmented scale #2 no 4 F^ F-^ Harmonic major; Uncommon 1-Minor-major F minor tonic function cords Predominant function (II/IV/VI) cords Lydian Eb^#4 or F/Eb 2-Bebop melodic minor OR Bebop minor no. 2 =Key of Bb= Eb^ or Eb^#4 or G/Eb Lydian augmented C-7 or Eb/C II in major 1-Dorian 2-Minor pentatonic 3-Bebop dorian OR Bebop minor b3 3 CØ or CØ7 or Db/C II in minor mode G- 1-Locrian or alf-diminised Aeolian 2-Bebop 3-Half-diminised #2/Locrian #2 b5 #2 (or 2) VI function; not played often. Often use dorian instead, or subsistute V/II Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 3

7 dominant function cords-key of Bb F7 F7 Wole tone 2-Major pentatonic 3-Bebop dominant 7 F7#11 Lydian dominant F7b9 or F/Gb or D/F F7alt or B/F F7 or Bb-^7/F 1-Aebersold's "Spanis" or "Jeis" b2 Altered/dim. ole tone b9 #9 #11 Aebersold's "Hindu" scale b13 2-HW diminised/hw octatonic F7sus 2-Maj. pent., 2 Fsusb9 or Gb/F 1-Prygian Use for voicing R.H. 2-Mode 2, minor Use for 6 Aº or Aº7 or or G#/A WH diminised (octatonic) sub for F7 Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 4

8 Bb major tonic function cords Bb^ 1-Ionian/Major=Maj,1 2-Maj. pentatonic 3-Blues Bb^ Bb-^ 4-Major bebop Harmonic major; Uncommon 1-Minor-major Bb minor tonic function cords 5-augmented scale #2 no 4 2-Bebop melodic minor OR Bebop minor no. 2 =Key of Eb= Predominant function (II/IV/VI) cords Lydian Ab^#4 or Bb/Ab Ab^ or Ab^#4 or C/Ab Lydian augmented F-7 or Ab/F II in major FØ or FØ7 or Gb/F II in minor mode 1-Dorian 1-Locrian or alf-diminised 2-Minor pentatonic 2-Bebop b5 3-Bebop dorian OR Bebop minor b3 3 3-Half-diminised #2/Locrian #2 #2 (or 2) C- Aeolian VI function; not played often. Often use dorian instead, or subsistute V/II Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 5

9 dominant function cords-key of Eb B B Wole tone 2-Major pentatonic 3-Bebop dominant 7 B#11 Bb9 or Bb/Cb or G/Bb Balt or E/Bb B or Eb-^7/Bb Bsus Lydian dominant 1-Aebersold's "Spanis" or "Jeis" b2 Altered/dim. ole tone b9 #9 #11 b13 Aebersold's "Hindu" scale 2-HW diminised/hw octatonic 2-Maj. pent., 2 Bbsusb9 or Cb/Bb 1-Prygian Use for R.H. voicing 2-Mode 2, minor Use for 6 Dº or Dº7 or or C#/D WH diminised (octatonic) sub for B Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 6

10 Eb major tonic function cords Eb^ 1-Ionian/Major=Maj,1 2-Maj. pentatonic 3-Blues 4-Major bebop 5-augmented scale #2 no 4 Eb^ Eb-^ Harmonic major; Uncommon 1-Minor-major Eb minor tonic function cords 2-Bebop melodic minor OR Bebop minor no. 2 Predominant function (II/IV/VI) cords Lydian Db^#4 or Eb/Db Bb-7 or Db/Bb II in major 1-Dorian =Key of Ab= BbØ or BbØ7 or Cb/Bb II in minor mode F- 1-Locrian or alf-diminised Aeolian Db^ or Db^#4 or F/Db 2-Minor pentatonic Lydian augmented 2-Bebop b5 3-Bebop dorian OR Bebop minor b3 3 3-Half-diminised #2/Locrian #2 #2 (or 2) VI function; not played often. Often use dorian instead, or subsistute V/II Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 7

11 dominant function cords-key of Ab E E Wole tone 2-Major pentatonic 3-Bebop dominant 7 E#11 Lydian dominant Eb9 or Eb/Fb or C/Eb Ealt or A/Eb E or Ab-^7/Eb 1-Aebersold's "Spanis" or "Jeis" b2 Altered/dim. ole tone b9 #9 #11 Aebersold's "Hindu" scale b13 2-HW diminised/hw octatonic Esus 2-Maj. pent., 2 Ebsusb9 or Fb/Eb 1-Prygian Use for R.H. voicing 2-Mode 2, minor Use for 6 WH diminised (octatonic) Gº or Gº7 or or F#/G sub for E Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 8

12 Ab major tonic function cords Ab^ 1-Ionian/Major=Maj,1 2-Maj. pentatonic 3-Blues Ab^ Ab-^ 4-Major bebop Harmonic major; Uncommon 1-Minor-major Ab minor tonic function cords 5-augmented scale #2 no 4 2-Bebop melodic minor OR Bebop minor no. 2 =Key of Db= Predominant function (II/IV/VI) cords Lydian Gb^#4 or Ab/Gb Gb^ or Gb^#4 or Bb/Gb Lydian augmented Eb-7 or Gb/Eb II in major 1-Dorian 2-Minor pentatonic 1-Locrian or alf-diminised 2-Bebop 3-Bebop dorian OR Bebop minor b3 3 EbØ or EbØ7 or Fb/Eb II in minor mode Bb- Aeolian b5 VI function; not played often. Often use dorian instead, or subsistute V/II 3-Half-diminised #2/Locrian #2 #2 (or 2) Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 9

13 dominant function cords-key of Db A A Wole tone 2-Major pentatonic 3-Bebop dominant 7 A#11 Lydian dominant Ab9 or Ab/A or F/Ab Aalt or D/Ab A or Db-^7/Ab Asus 1-Aebersold's "Spanis" or "Jeis" b2 Altered/dim. ole tone b9 #9 #11 Aebersold's "Hindu" scale b13 2-HW diminised/hw octatonic 2-Maj. pent., 2 Absusb9 or A/G# 1-Prygian Use for R.H. voicing 2-Mode 2, minor Use for 6 Cº or WH diminised (octatonic) Cº7 or or B/C sub for A Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 10

14 Db major tonic function cords Db^ 1-Ionian/Major=Maj,1 2-Maj. pentatonic 3-Blues 4-Major bebop 5-augmented scale #2 no 4 Db^ Db-^ Harmonic major; Uncommon 1-Minor-major Db minor tonic function cords 2-Bebop melodic minor OR Bebop minor no. 2 =Key of F#= Predominant function (II/IV/VI) cords B^#4 or C#/B Lydian B^ or B^#4 or D#/B Lydian augmented 1-Dorian G#-7 or B/G# II in major G#Ø or G#Ø7 or A/G# II in minor mode 2-Minor pentatonic 1-Locrian or alf-diminised 2-Bebop 3-Bebop dorian OR Bebop minor b5 b3 3 3-Half-diminised #2/Locrian #2 #2 (or 2) D#- Aeolian VI function; not played often. Often use dorian instead, or subsistute V/II Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 11

15 dominant function cords-key of F# C#7 C#7 Wole tone 2-Major pentatonic 3-Bebop dominant 7 C#7#11 Lydian dominant C#7b9 or C#/D or A#/C# C#7alt or G/C# C#7 or F#-^7/C# 1-Aebersold's "Spanis" or "Jeis" b2 Altered/dim. ole tone b9 #9 #11 Aebersold's "Hindu" scale b13 2-HW diminised/hw octatonic C#7sus 2-Maj. pent., 2 C#susb9 or D/C# Fº or Fº7 or or E/F 1-Prygian Use for WH diminised (octatonic) R.H. voicing 2-Mode 2, minor Use for 6 sub for D Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 12

16 F# major tonic function cords 1-Ionian/Major=Maj,1 F#^ 2-Maj. pentatonic 3-Blues 4-Major bebop 5-augmented scale #2 no 4 Harmonic major; Uncommon F#^ 1-Minor-major F#-^ F# minor tonic function cords Predominant function (II/IV/VI) cords Lydian E^#4 or F#/E 2-Bebop melodic minor OR Bebop minor no. 2 =Key of B= E^ or E^#4 or G#/E Lydian augmented C#-7 or E/C# II in major 1-Dorian C#Ø or C#Ø7 or D/C# II in minor mode Aeolian G#- 2-Minor pentatonic 1-Locrian or alf-diminised 2-Bebop 3-Bebop dorian OR Bebop minor b5 b3 3 VI function; not played often. Often use dorian instead, or subsistute V/II 3-Half-diminised #2/Locrian #2 #2 (or 2) Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 13

17 dominant function cords-key of B F#7 F#7 Wole tone 2-Major pentatonic 3-Bebop dominant 7 F#7#11 Lydian dominant F#7b9 or F#/G or D#/F# F#7alt or B#/F# F#7 or B-^7/F# 1-Aebersold's "Spanis" or "Jeis" b2 Altered/dim. ole tone b9 #9 #11 Aebersold's "Hindu" scale b13 2-HW diminised/hw octatonic F#7sus 2-Maj. pent., 2 F#susb9 or G/F# 1-Prygian Use for R.H. voicing 2-Mode 2, minor Use for 6 A#º or A#º7 or or A/Bb WH diminised (octatonic) sub for F#7 Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 14

18 B major tonic function cords B^ 1-Ionian/Major=Maj,1 2-Maj. pentatonic 3-Blues 4-Major bebop 5-augmented scale #2 no 4 B^ B-^ Harmonic major; Uncommon 1-Minor-major B minor tonic function cords 2-Bebop melodic minor OR Bebop minor no. 2 =Key of E= Predominant function (II/IV/VI) cords Lydian A^#4 or B/A A^ or A^#4 or C#/A Lydian augmented F#-7 or A/F# II in major 1-Dorian F#Ø or F#Ø7 or G/F# II in minor mode 2-Minor pentatonic 1-Locrian or alf-diminised Aeolian C#- 2-Bebop b5 3-Bebop dorian OR Bebop minor b3 3 3-Half-diminised #2/Locrian #2 #2 (or 2) VI function; not played often. Often use dorian instead, or subsistute V/II Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 15

19 dominant function cords-key of E B7 B7 Wole tone 2-Major pentatonic 3-Bebop dominant 7 B7#11 B7b9 or B/C or G#/B B7alt or F/B B7 or E-^7/B Lydian dominant 1-Aebersold's "Spanis" or "Jeis" b2 Altered/dim. ole tone b9 #9 #11 Aebersold's "Hindu" scale b13 2-HW diminised/hw octatonic B7sus 2-Maj. pent., 2 Bsusb9 or C/B 1-Prygian Use for R.H. voicing 2-Mode 2, minor Use for 6 D#º or D#º7 or or D/Eb WH diminised (octatonic) sub for B7 Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 16

20 E major tonic function cords E^ 1-Ionian/Major=Maj,1 2-Maj. pentatonic 3-Blues E^ E-^ 4-Major bebop Harmonic major; Uncommon 1-Minor-major E minor tonic function cords Predominant function (II/IV/VI) cords Lydian D^#4 or E/D 5-augmented scale #2 no 4 2-Bebop melodic minor OR Bebop minor no. 2 =Key of A= D^ or D^#4 or F#/D Lydian augmented B-7 or D/B II in major 1-Dorian 2-Minor pentatonic 3-Bebop dorian OR Bebop minor b3 3 BØ or BØ7 or C/B II in minor mode 1-Locrian or alf-diminised 2-Bebop b5 3-Half-diminised #2/Locrian #2 F#- Aeolian #2 (or 2) VI function; not played often. Often use dorian instead, or subsistute V/II Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 17

21 dominant function cords-key of A E7 E7 Wole tone 2-Major pentatonic 3-Bebop dominant 7 E7#11 Lydian dominant E7b9 or E/F or C#/E E7alt or Bb/E E7 or A-^7/E 1-Aebersold's "Spanis" or "Jeis" b2 Altered/dim. ole tone b9 #9 #11 Aebersold's "Hindu" scale b13 2-HW diminised/hw octatonic E7sus 2-Maj. pent., 2 Esusb9 or F/E 1-Prygian Use for R.H. voicing 2-Mode 2, minor Use for 6 G#º or G#º7 or or G/Ab WH diminised (octatonic) sub for E7 Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 18

22 A major tonic function cords A^ 1-Ionian/Major=Maj,1 2-Maj. pentatonic 3-Blues A^ A-^ 4-Major bebop Harmonic major; Uncommon 1-Minor-major A minor tonic function cords 5-augmented scale #2 no 4 2-Bebop melodic minor OR Bebop minor no. 2 =Key of D= Predominant function (II/IV/VI) cords Lydian G^#4 or A/G G^ or G^#4 or B/G Lydian augmented E-7 or G/E II in major 1-Dorian 2-Minor pentatonic 3-Bebop dorian OR Bebop minor b3 3 EØ or EØ7 or F/E II in minor mode 1-Locrian or alf-diminised 2-Bebop b5 3-Half-diminised #2/Locrian #2 #2 (or 2) B- Aeolian VI function; not played often. Often use dorian instead, or subsistute V/II Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 19

23 dominant function cords-key of D A7 A7 Wole tone 2-Major pentatonic 3-Bebop dominant 7 A7#11 Lydian dominant A7b9 or A/Bb or F#/A A7alt or Eb/A A7 or D-^7/A A7sus 1-Aebersold's "Spanis" or "Jeis" b2 Altered/dim. ole tone b9 #9 #11 Aebersold's "Hindu" scale b13 2-HW diminised/hw octatonic 2-Maj. pent., 2 Asusb9 or Bb/A 1-Prygian voicing R.H. 2-Mode 2, minor Use for Use for 6 C#º or C#º7 or or C/Db WH diminised (octatonic) sub for A7 Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 20

24 D major tonic function cords D^ 1-Ionian/Major=Maj,1 2-Maj. pentatonic 3-Blues 4-Major bebop 5-augmented scale #2 no 4 D^ D-^ Harmonic major; Uncommon 1-Minor-major D minor tonic function cords 2-Bebop melodic minor OR Bebop minor no. 2 =Key of G= Predominant function (II/IV/VI) cords Lydian C^#4 or D/C C^ or C^#4 or E/C Lydian augmented A-7 or C/A II in major AØ or AØ7 or Bb/A II in minor mode E- 1-Dorian 1-Locrian or alf-diminised Aeolian 2-Minor pentatonic b5 3-Bebop dorian OR Bebop minor 2-Bebop b3 3 3-Half-diminised #2/Locrian #2 #2 (or 2) VI function; not played often. Often use dorian instead, or subsistute V/II Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 21

25 dominant function cords-key of G D7 D7 Wole tone 2-Major pentatonic 3-Bebop dominant 7 D7#11 Lydian dominant D7b9 or D/Eb or B/D D7alt or Ab/D D7 or G-^7/D 1-Aebersold's "Spanis" or "Jeis" b2 Altered/dim. ole tone b9 #9 #11 Aebersold's "Hindu" scale b13 2-HW diminised/hw octatonic D7sus 2-Maj. pent., 2 Dsusb9 or Eb/D F#º or F#º7 or or E#/F# 1-Prygian Use for WH diminised (octatonic) R.H. voicing 2-Mode 2, minor Use for 6 sub for D7 Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 22

26 G major tonic function cords G^ 1-Ionian/Major=Maj,1 2-Maj. pentatonic 3-Blues G^ G-^ 4-Major bebop Harmonic major; Uncommon 1-Minor-major G minor tonic function cords 5-augmented scale #2 no 4 2-Bebop melodic minor OR Bebop minor no. 2 =Key of C= Predominant function (II/IV/VI) cords Lydian F^#4 or G/F F^ or F^#4 or A/F Lydian augmented D-7 or F/D II in major 1-Dorian 2-Minor pentatonic 3-Bebop dorian OR Bebop minor b3 3 DØ or DØ7 or Eb/D II in minor mode A- 1-Locrian or alf-diminised 2-Bebop Aeolian b5 VI function; not played often. Often use dorian instead, or subsistute V/II 3-Half-diminised #2/Locrian #2 #2 (or 2) Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 23

27 dominant function cords-key of C G7 2-Major pentatonic 3-Bebop dominant G7 Wole tone 7 G7#11 Lydian dominant G7b9 or G/Ab or E/G G7alt or Db/G G7 or C-^7/G 1-Aebersold's "Spanis" or "Jeis" b2 Altered/dim. ole tone b9 #9 #11 Aebersold's "Hindu" scale b13 2-HW diminised/hw octatonic G7sus 2-Maj. pent., 2 Gsusb9 or Ab/G 1-Prygian Use for voicing R.H. 2-Mode 2, minor Use for 6 Bº or Bº7 or or A#/B WH diminised (octatonic) sub for G7 Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 24

28 C major tonic function cords C^ 1-Ionian/Major=Maj,1 2-Maj. pentatonic 3-Blues 4-Major bebop 5-augmented scale #2 no 4 C^ C-^ Harmonic major; Uncommon 1-Minor-major C minor tonic function cords 2-Bebop melodic minor OR Bebop minor no. 2 Copyrigt 2005 by Mark Feezell. All Rigts Reserved. Visit.drfeezell.com for more scores and reference seets. 25