Major Scale Construction. The musical alphabet is just like the English one except we only go up to G. There is no H so you have to go back to A.

Size: px
Start display at page:

Download "Major Scale Construction. The musical alphabet is just like the English one except we only go up to G. There is no H so you have to go back to A."

Transcription

1 Major Scale Construction The musical alphabet is just like the English one except we only go up to G. There is no H so you have to go back to A. A B C D E F G A B C D E F G etc. Scales are a series of notes that move stepwise like walking up a ladder so they must follow the musical alphabet in succession. Ex. A will always move stepwise to some kind of B then C then D etc The Major Scale is an 8 note scale and is one of the most commonly used scales in music. It is from this scale that we derive many intervals, triads, and minor scales among others. Therefore, it is very important to understand how they sound, are built, and learn to write one out starting on any note you are given. The C Major Scale The C Major Scale is the most fundamental of all the Major Scales as it can be played with only the white keys on the piano. In other words, the C major Scale contains no sharps or flats.

2 The Chromatic Scale The Chromatic Scale is a 12 note scale made up entirely out of half steps. Each key on the piano represents a note of the chromatic scale. These adjacent keys are all one half step apart. So from C to C# is a half step and E to F are also a half step apart. 2 half steps = 1 whole step. So from C to D is a whole step ( C to C# =1 half step, C# to D = 1 half step) and from E to F# is a whole step ( E to F= 1 half step, F to F# = 1 half step) The Major Scale contains a specific pattern of Whole Steps and Half steps in order to achieve its characteristic sound. This pattern is: WWH W WWH Let s look at this pattern in the C major Scale:

3 And here it is on the staff * Notice the Half steps occur between the 3&4 steps and the 7&8 steps or degrees. Tetrachords A tetra chord is a 4 note scale containing the pattern of W W H The Major Scale can also be thought of as two tetrachords joined by a whole step. The 15 Major Scales There are 15 Major Scales in music (counting the enharmonics). Without counting enharmonics there are only 12(one for each note of the chromatic scale or one for each key on the piano.) These 15 Major Scales are built on each note on the piano so some are sharp keys and some are flat keys. No sharps or flats: C Sharp Keys: G D A E B F# C# Flat Keys: F Bb Eb Ab *Db(C#) Gb(F#) Cb(B) *enharmonics for these shown inside the parenthesis. Building a Major Scale Using the WWH W WWH pattern you can build a Major Scale starting on any note or key on the piano. These scales will have the same characteristic sound as C major but will differ in range (higher or lower sounds) and some of the notes will have to be altered using sharps and flats. These alterations are to give you the correct sound and pattern. The specific alterations to each key are also called its Key Signature.

4 Let s build some Major scales and therefore also find out the key signature for those keys. We will do some together and then you will build some on your own. Important Note: REMEMBER!!!!!! Scales are stepwise like walking up a ladder so they must follow the musical alphabet in succession. Ex. A will always move step wise to some kind of B then C then D etc If I start a scale on E it must move to some kind of F then some kind of G then some kind of A and so on. Lets build a Major Scale starting on G or the G Major Scale! Our first note is also called the keynote and we must move up in a stepwise motion using our WWH W WWH pattern in order to get the right sound and at the same time we will discover the key signature for the key of G! Think it through!! Start on G. What is a whole step above G? = A a whole step above A? = B a half step above B?= C and so on. Follow the WWH W WWH pattern and you should end up on the same note you started with. If you did not go back and check your steps! G! (W) A! (W) B! (H) C! (W) D! (W) E! (W) F#! (H) G Let s see this on the keyboard: So the note we had to alter was F into F # in order to get the right sound and pattern. E to F would be a half step so we need F# and this also gives us our last half step F# to G.

5 This is also why the key signature of G major is one sharp F#. Now Lets build a Major Scale on one of the flat keys starting on F or the F Major Scale! Our first note is also called the keynote and we must move up in a stepwise motion using our WWH W WWH pattern in order to get the right sound and at the same time we will discover the key signature for the key of F! Think it through!! Start on F. What is a whole step above F? = G a whole step above G? = A a half step above A?= Bb and so on. (Notice we used Bb and not A#: this is because the scale must move up stepwise in the Alphabet so A must go to some kind of B in this case a Bb to get a half step. Follow the WWH W WWH pattern and you should end up on the same note you started. If you did not go back and check your notes! F! (W) G! (W) A! (H) Bb! (W) C! (W) D! (W) E! (H) F Lets see this on the keyboard: F * So the note we had to alter was Bb in order to get a half step after A. This was also

6 a Bb and not an A# because we have to move stepwise in the Alphabet and F is a flat key! Also. Notice we used F at the end instead of E#... This is because the scale must go stepwise in the Alphabet and there would be no sharps in a flat key. Plus, you have to end up on the same note you started on. This is also why the key signature of F major has one flat Bb. Now You Try!! 1. On Staff paper build a Major Scale in the following sharp keys and indicate where the whole steps and half steps occur and number each scale degree: D A E B F# C# 2. Build a Major Scale on the following flat keys and indicate where the whole steps and half steps occur and number each scale degree: Bb Eb Ab Db Gb Cb [Title] Your scale should look like this. This one is the Bb Major Scale! [Composer] & b b b!!! W W H W W W H &! Here is the keyboard to help you!

7

HOW SCALES, KEY SIGNATURES, & ARPEGGIOS WORK www.tubapeter.com

HOW SCALES, KEY SIGNATURES, & ARPEGGIOS WORK www.tubapeter.com 1 HOW SCALES, KEY SIGNATURES, & ARPEGGIOS WORK www.tubapeter.com WHAT IS A SCALE? A scale is all the pitches that you can play in a key signature without playing any accidentals. The key of Bb is Bb and

More information

PREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC. The Jazz Theory Entrance Test 2010 STUDY GUIDE

PREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC. The Jazz Theory Entrance Test 2010 STUDY GUIDE PREPARING TO STUDY JAZZ AT THE NEW ZEALAND SCHOOL OF MUSIC The Jazz Theory Entrance Test 2010 STUDY GUIDE The Jazz Theory Entrance Test Study Guide Every concept that you will study in jazz theory, either

More information

Lever Harp Tunings & Major Keys

Lever Harp Tunings & Major Keys Lever Harp Tunings & Major Keys As you probably are aware, the levers on your harp raise the pitch of a given string by one half-step. Unlike the pedal harp, where each string can be played as a flat,

More information

Keyboard Basics. By Starling Jones, Jr. http://www.starlingsounds.com& http://www.smoothchords.com

Keyboard Basics. By Starling Jones, Jr. http://www.starlingsounds.com& http://www.smoothchords.com Keyboard Basics By Starling Jones, Jr. In starting on the piano I recommend starting on weighted keys. I say this as your fingers will be adjusted to the stiffness of the keys. When you then progress to

More information

MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY

MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 HARMONY Introduction All songwriters will use harmony in some form or another. It is what makes up the harmonic footprint of a song. Chord sequences and melodies

More information

Chords and Voicings Made Simple By: Sungmin Shin January 2012

Chords and Voicings Made Simple By: Sungmin Shin January 2012 Chords and Voicings Made Simple By: Sungmin Shin January 2012 I. Intervals An interval is the space between two notes. intervals of a 2nd, 3rd, 6th, and 7th can be diminished, minor, major, or augmented

More information

Piano Requirements LEVEL 3 & BELOW

Piano Requirements LEVEL 3 & BELOW Piano Requirements LEVEL 3 & BELOW Technical Skills: Time limit: 5 minutes Play the following in the keys of F, C, G, D, A, E, B: 1. Five-note Major scales, ascending and descending, hands separate or

More information

How to Read Music Notation

How to Read Music Notation How to Read Music Notation The New School of American Music IN JUST 30 MINUTES! C D E F G A B C D E F G A B C D E F G A B C D E F G A B C D E F G A B C D E 1. MELODIES The first thing to learn about reading

More information

Larry's Guitar Chord Key Chart

Larry's Guitar Chord Key Chart C Larry's Guitar Chord Key Chart C# G# G D D# A A# E B C# # The middle triangle in any circle is the name of that key. Every circle is a key. This does not show the minors but they follow the same pattern.

More information

Page 1 of 36. Companion Workbook. 2005 leadworship.com

Page 1 of 36. Companion Workbook. 2005 leadworship.com Page 1 of 36 Companion Workbook Page 2 of 36 Glossary of Terms: Chord: A combination of 3 or more notes that blend harmoniously when sounded together. Chord Scale: All of the chord combinations that naturally

More information

Lesson 21: Substitution Chords Play Piano By Ear Audio Course. Materials For This Lesson

Lesson 21: Substitution Chords Play Piano By Ear Audio Course. Materials For This Lesson Hello, and welcome to Lesson 21. In Lesson 19 you learned Drink To Me Only With Thine Eyes, using just four chords. In this lesson we ll be using substitution chords to create a more professional sounding

More information

Fundamentals Keyboard Exam

Fundamentals Keyboard Exam Fundamentals Keyboard Exam General requirements: 1. Scales: be prepared to play: All major and minor scales (including melodic minor, natural minor, and harmonic minor) up to five sharps and flats, ith

More information

Adding a diatonic seventh to a diminished leading-tone triad in minor will result in the following sonority:

Adding a diatonic seventh to a diminished leading-tone triad in minor will result in the following sonority: Lesson PPP: Fully-Diminished Seventh Chords Introduction: In Lesson 6 we looked at the diminished leading-tone triad: vii o. There, we discussed why the tritone between the root and fifth of the chord

More information

Reharmonizations and Substitutions

Reharmonizations and Substitutions Reharmonizations and Substitutions 7 th chords and scale harmonization Reharmonizing: Substituting chromatic chords within the iii vi ii V I progression For the sake of variety, coloration and creativity,

More information

Ukulele Music Theory Part 2 Keys & Chord Families By Pete Farrugia BA (Hons), Dip Mus, Dip LCM

Ukulele Music Theory Part 2 Keys & Chord Families By Pete Farrugia BA (Hons), Dip Mus, Dip LCM This lesson assumes that you are using a ukulele tuned to the notes G, C, E and A. Ukulele Notes In lesson 1, we introduced the sequence of 12 notes, which repeats up and down the full range of musical

More information

Introduction to Chords For Jazz Band

Introduction to Chords For Jazz Band Introduction to Chords For Jazz Band First, let s start with a major scale and review the scale degrees. We refer to the distance between two notes as an interval, and an interval has two aspects: the

More information

How to create bass lines

How to create bass lines First rule: always memorize the melody of the song! Always. Always. Always. You should be able to sing and play it in the original key. If you really want to be totally extra, extra awesome, you will be

More information

How to Practice Scales

How to Practice Scales How to Practice Scales Step #1). Make a 5-Day Practice Plan In order to cycle through as many areas of scale practice as possible (and not get bored) it is important to have a plan. Your plan should cover

More information

MUSIC THEORY BASICS. Introduction

MUSIC THEORY BASICS. Introduction MUSIC THEORY BASICS Introduction o Welcome to the fascinating world of music theory in EZkeys and in real life. On the following pages you will be taking a guided tour through the basic principles applied

More information

Perfect Pitch Versus Relative Pitch Tutorial

Perfect Pitch Versus Relative Pitch Tutorial 1 Perfect Pitch Versus Relative Pitch Tutorial By Jay Graydon I offer this tutorial gratis for the San Luis Obispo County and LA County schools music departments. Please feel free to share with other schools

More information

How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012

How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012 How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 Revised 4 September 2012 There are different forms of jazz improvisation. For example, in free improvisation, the player is under

More information

MTRS Publishing 2004 Copying allowed only for use in subscribing institution www.mtrs.co.uk

MTRS Publishing 2004 Copying allowed only for use in subscribing institution www.mtrs.co.uk 20th Century Dance Music The Tango The Tango is a dance from Argentina. It developed in the city of Buenos Aires around the red light areas of the city, around the docks. For a time, it was discouraged

More information

Crash Course in Music Theory for Guitarists by Andy Drudy

Crash Course in Music Theory for Guitarists by Andy Drudy Crash Course in Music Theory for Guitarists by Andy rudy An in-depth knowledge of music theory is essential for any musician. Learning the ropes so-to-speak, will rapidly expand your insight into you own

More information

7th Chord Scales (Scales that work for the 7th chords)

7th Chord Scales (Scales that work for the 7th chords) 7th Chord Scales (Scales that work for the 7th chords) Ted Greene 1975, July 15 1) MIXOLYDIAN SCALE: This scale is a major scale with a b7th tone. Try making this alteration to your fingerings of the major

More information

Jazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook

Jazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook Jazz Guitar Chord Construction Thelonious Monk Institute of Jazz Online Jazz Handbook welcome to the guitar chapter of the Thelonious Monk Institute of Jazz s Online Jazz Handbook! A guitarist in a jazz

More information

UKULELE CHORD SHAPES. More Strumming, Less Memorizing BRAD BORDESSA

UKULELE CHORD SHAPES. More Strumming, Less Memorizing BRAD BORDESSA UKULELE CHORD SHAPES More Strumming, Less Memorizing BRAD BORDESSA TABLE OF CONTENTS GRATITUDES 2 9th 26 13th 26 INTRODUCTION 3 Altered 27 HOW TO USE THIS BOOK 4 Suspended 2 28 The Fingerboard 5 Suspended

More information

MMTA Written Theory Exam Requirements Level 3 and Below. b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B).

MMTA Written Theory Exam Requirements Level 3 and Below. b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B). MMTA Exam Requirements Level 3 and Below b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B). c. Staff and grand staff stem placement. d. Accidentals: e. Intervals: 2 nd

More information

2010 Marty Buttwinick (818) 242-7551 All Rights Reserved Not for Sale. Marty Buttwinick. Melody 1 -

2010 Marty Buttwinick (818) 242-7551 All Rights Reserved Not for Sale. Marty Buttwinick. Melody 1 - 2010 Marty uttwinick (818) 242-7551 All Rights Reserved Not for Sale Marty uttwinick Melody 1 - Melody 1 contains the fundamental definitions about the mechanics of melody. When you understand these concepts,

More information

Tonic- The main pitch in tonal music, and also the first (and last) letter of a major or minor scale.

Tonic- The main pitch in tonal music, and also the first (and last) letter of a major or minor scale. Scale- A scale is a series of pitches in ascending order, such as D E F G A B C D. There are many kinds of scales, which differ in how many different pitch names they use, and in the pattern of steps they

More information

b 9 œ nœ j œ œ œ œ œ J œ j n œ Œ Œ & b b b b b c ÿ œ j œ œ œ Ó œ. & b b b b b œ bœ œ œ œ œ œbœ SANCTICITY

b 9 œ nœ j œ œ œ œ œ J œ j n œ Œ Œ & b b b b b c ÿ œ j œ œ œ Ó œ. & b b b b b œ bœ œ œ œ œ œbœ SANCTICITY SANCTICITY ohn Scofield guitar solo from the live CD im Hall & Friends, Live at Town Hall, Volumes 1 & 2 azz Heritage CD 522980L Sancticity, a tune by Coleman Hawkins, is based on the same harmonic progression

More information

LEFT HAND CHORD COMBINING ON THE ACCORDION

LEFT HAND CHORD COMBINING ON THE ACCORDION LEFT HAND CHORD COMBINING ON THE ACCORDION The standard Stradella bass system on the accordion only provides four chord types: Major, minor, 7-th and diminished. It's possible to play other chords by using

More information

Basic Music Theory. Reading Different Clefs

Basic Music Theory. Reading Different Clefs 1 Basic Music Theory Reading Different Clefs The most commonly used clefs are the treble and bass. The ability to read both of these clefs proficiently is essential for Leaving Cert. Music. Clef reading

More information

AP MUSIC THEORY SUMMER ASSIGNMENT

AP MUSIC THEORY SUMMER ASSIGNMENT AP MUSIC THEORY SUMMER ASSIGNMENT AP Music Theory Students and Parents, You are receiving this letter because you or your son/daughter is enrolled in AP Music Theory for this next school year. Please take

More information

Ü F F F F F F : F F ÜF H H H H H ÜH H H H HÜH. : H r H H HH H H. H H H H r Ü H CHORDS FROM SCALES

Ü F F F F F F : F F ÜF H H H H H ÜH H H H HÜH. : H r H H HH H H. H H H H r Ü H CHORDS FROM SCALES CHORDS ROM SCALES This tutorial is all about making chords out of scales. irst step is to catch a fish - not any old fish but a musical one. A bass, for instance. Not really. Read on. CHORDS ROM SCALES

More information

An Introduction to Chords

An Introduction to Chords 1 An Introduction to Chords by David Gilson A chord is the musical sound produced by playing a number of notes at the same time. The sound of the chord is different depending on the key you are playing

More information

GOSPELKEYS TM 202 MASTERING WORSHIP CHORDS TRANSCRIPTS SIDENOTES. www.hearandplay.com www.gospelkeys202.com. Minister Jermaine A.

GOSPELKEYS TM 202 MASTERING WORSHIP CHORDS TRANSCRIPTS SIDENOTES. www.hearandplay.com www.gospelkeys202.com. Minister Jermaine A. GOSPELKEYS TM 202 MASTERING WORSHIP CHORDS TRANSCRIPTS & SIDENOTES www.hearandplay.com www.gospelkeys202.com Minister Jermaine A. Griggs, Author 1 INTRODUCTION Hello my friend, and welcome to Gospel Keys

More information

Standard 1: Skills and Techniques 1

Standard 1: Skills and Techniques 1 1 Standard 1: Skills and Techniques 1 CB.1.1 Instrument Knowledge Skills CB.1.1.1 Instrument in good playing condition- including proper assembly, reed care, and cleaning. CB.1.2 Playing Posture Skills

More information

Playing Chromatic Music on Mountain Dulcimer in 1-3-5 Tuning

Playing Chromatic Music on Mountain Dulcimer in 1-3-5 Tuning Playing Chromatic Music on Mountain Dulcimer in 1-3-5 Tuning By Rob Brereton The sentence I dread hearing when I talk to mountain dulcimer players is, There ain t no notes on a dulcimer, you just play

More information

A MUSICAL APPROACH TO LEARNING THE BANJO NECK

A MUSICAL APPROACH TO LEARNING THE BANJO NECK A MUSICAL APPROACH TO LEARNING THE BANJO NECK Introduction One of the things that has become clear to me, after a number of years of playing banjo, is that if I have any hope of improvising creatively

More information

Lecture Notes on Pitch-Class Set Theory. Topic 4: Inversion. John Paul Ito

Lecture Notes on Pitch-Class Set Theory. Topic 4: Inversion. John Paul Ito Lecture Notes on Pitch-Class Set Theory Topic 4: Inversion John Paul Ito Inversion We have already seen in the notes on set classes that while in tonal theory, to invert a chord is to take the lowest note

More information

Tutorial 1J: Chords, Keys, and Progressions

Tutorial 1J: Chords, Keys, and Progressions Tutorial 1J: Chords, Keys, and Progressions Welcome! In this tutorial you ll learn how to: Other Level 1 Tutorials 1. Relate chords with keys 1A: Virtual Practice 2. Use basic blues progressions & blues

More information

Cuban Tres Guitar Chord & Scale Book

Cuban Tres Guitar Chord & Scale Book Cuban Tres Guitar Chord & Scale Book Written by: Rudy Furlan Copyright 2004 This E-book will explain how to tune your C Cuban Tres Guitar and show you how to finger chords and play scales. It is designed

More information

Expanding Your Harmonic Horizons

Expanding Your Harmonic Horizons 2016 American String Teachers National Conference Expanding Your Harmonic Horizons Harmony Clinic for Harpists Presented By Felice Pomeranz Publications used as resources from Felice's Library of Teaching

More information

Learning to play the piano

Learning to play the piano Learning to play the piano INTRODUCTION TO THE KEYBOARD... 2 STEPPING UP... 2 TREBLE SPACES... 7 BASS SPACES... 9 TIME SIGNATURE... 12 UP AND DOWN THE HILLS... 15 UP AND DOWN THE HILLS IN G MAJOR... 16

More information

How to Play Chords on your Mountain Dulcimer tuned DAd

How to Play Chords on your Mountain Dulcimer tuned DAd How to Play Chords on your Mountain Dulcimer tuned DAd (or Surviving in a Multi-Instrument Jam) by Missy Strothers If you are like me, sooner or later you ll get into a festival situation where you ll

More information

As Example 2 demonstrates, minor keys have their own pattern of major, minor, and diminished triads:

As Example 2 demonstrates, minor keys have their own pattern of major, minor, and diminished triads: Lesson QQQ Advanced Roman Numeral Usage Introduction: Roman numerals are a useful, shorthand way of naming and analyzing chords, and of showing their relationships to a tonic. Conventional Roman numerals

More information

HIGH SCHOOL MASTER MUSICIAN

HIGH SCHOOL MASTER MUSICIAN SCHOOL DISTRICT OF HILLSBOROUGH COUNTY HIGH SCHOOL MASTER MUSICIAN TH:22728 08/10/11 Philosophy The Master Musician program is designed to encourage talented music students to continue their progress beyond

More information

www.migu-music.com Michael Gundlach DOWNLOAD PDF FILE WALKING BASS for Piano An easy method for creating Walking Bass Lines on Piano

www.migu-music.com Michael Gundlach DOWNLOAD PDF FILE WALKING BASS for Piano An easy method for creating Walking Bass Lines on Piano www.migu-music.com Michael Gundlach DOWNLOAD PDF FILE WALKING BASS for Piano An easy method for creating Walking Bass Lines on Piano Table of Contents 3 Explanation of the Contents 5 Introduction to the

More information

The Tuning CD Using Drones to Improve Intonation By Tom Ball

The Tuning CD Using Drones to Improve Intonation By Tom Ball The Tuning CD Using Drones to Improve Intonation By Tom Ball A drone is a sustained tone on a fixed pitch. Practicing while a drone is sounding can help musicians improve intonation through pitch matching,

More information

evirtuoso-online Lessons

evirtuoso-online Lessons evirtuoso-online Lessons Chords Lesson 3 Chord Progressions www.evirtuoso.com Chord Progressions are very popular and a strong foundation for many instruments and songs. Any chords combined together in

More information

All natural (Primary) notes (A B C D E F G) are a whole step (2 frets) apart, except between E-F and B-C which are a half step (1 fret) apart.

All natural (Primary) notes (A B C D E F G) are a whole step (2 frets) apart, except between E-F and B-C which are a half step (1 fret) apart. The Capo All natural (Primary) notes (A B C D E F G) are a whole step (2 frets) apart, except between E-F and B-C which are a half step (1 fret) apart. A sharp (#) is one fret higher than a natural (Primary)

More information

Today, Iʼd like to introduce you to an analytical system that Iʼve designed for microtonal music called Fractional Set Theory.

Today, Iʼd like to introduce you to an analytical system that Iʼve designed for microtonal music called Fractional Set Theory. College Music Society Great Lakes Regional Conference Chicago, IL 2012 1 LECTURE NOTES (to be read in a conversational manner) Today, Iʼd like to introduce you to an analytical system that Iʼve designed

More information

2012 Saskatchewan Curriculum. Jazz Theory. To Accompany Instrumental Jazz 10, 20, 30

2012 Saskatchewan Curriculum. Jazz Theory. To Accompany Instrumental Jazz 10, 20, 30 2012 Saskatchewan Curriculum To Accompany Instrumental Jazz 10, 20, 0 ISBN 98-1-10-06-2 1. Arts education (Secondary school) - Saskatchewan - Curricula. 2. Competency-based education - Saskatchewan. Saskatchewan.

More information

Foundation Course. Study Kit No 1. Away In A Manger

Foundation Course. Study Kit No 1. Away In A Manger Foundation Course Study Kit No 1 Away In A Manger Reharmonization Study Kit No. 1 Away In A Manger Author: Rosablanca Suen Web: www.learnpianowithrosa.com Email: Rosa@LearnPianoWithRosa.com Cover Design:

More information

Beautiful Simple Guitar Chord Progressions

Beautiful Simple Guitar Chord Progressions Beautiful Simple Guitar Chord Progressions The purpose of beautiful simple guitar chord progressions is to present guitar mechanisms as simply as possible. Using mostly three finger chords beautiful guitar

More information

Swing & Jump Blues Guitar Matthieu Brandt

Swing & Jump Blues Guitar Matthieu Brandt Swing & Jump Blues Guitar Matthieu Brandt Goto www.swingblues.com for more on Swing and Jump Blues Guitar. 1997-2016 No part of this material (book/cd/website) may be reproduced in any way without prior

More information

Sample of Version 2.0 of Swing & Jump Blues Guitar

Sample of Version 2.0 of Swing & Jump Blues Guitar The Charlie Christian Approach Charlie Christian (1916 1942) was one of the first real swing guitar players that had a lasting influence on all other swing and jump guitar players after him. Even more

More information

DECIPHERING JAZZ CHORD SYMBOLS

DECIPHERING JAZZ CHORD SYMBOLS DECIPHERING JAZZ CHORD SYMBOLS Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html Jazz relies on a shorthand system of chord notation, which is not universal, not standard, and not terribly logical or

More information

MIDISAURUS MUSIC ~ Contents Guide ~ MIDISAURUS MUSIC MIDISAURUS MUSIC - Table of Contents Introduction High & Low in Music Fast & Slow in Music Sounds Around Us The Musical Keyboard Black & White Keys

More information

Mu2108 Set Theory: A Gentle Introduction Dr. Clark Ross

Mu2108 Set Theory: A Gentle Introduction Dr. Clark Ross Mu2108 Set Theory: A Gentle Introduction Dr. Clark Ross Consider (and play) the opening to Schoenberg s Three Piano Pieces, Op. 11, no. 1 (1909): If we wish to understand how it is organized, we could

More information

The Many Benefits of Discovering the Root Progressions in the Music of Classical and Contemporary Composers

The Many Benefits of Discovering the Root Progressions in the Music of Classical and Contemporary Composers The Many Benefits of Discovering the Root Progressions in the Music of Classical and Contemporary Composers Dr Margaret S. Brandman freelance composer and music educator This paper discusses the advantages

More information

PERPETUAL MOTION BEBOP EXERCISES

PERPETUAL MOTION BEBOP EXERCISES PERPETUAL MOTION BEBOP EXERCISES Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html Bebop is much more than just one particular style, it is pretty much the grammar of modern jazz, and bebop licks are

More information

The pianist has a few functions in a jazz combo. First, he comps for, and interacts with, other players as they solo.

The pianist has a few functions in a jazz combo. First, he comps for, and interacts with, other players as they solo. Piano Chord Voicings for jazz combo The pianist has a few functions in a jazz combo. First, he comps for, and interacts with, other players as they solo. Secondly, he acts as a soloist himself. Therefore,

More information

The Basic Jazz Guitar Chord Book

The Basic Jazz Guitar Chord Book The Basic Jazz Guitar Chord Book By Dirk Laukens / January 25, 2005 Hello and welcome to the basic jazz guitar chord book, brought to you by www.jazzguitar.be. How are guitar chords built? What makes a

More information

Developing a cohesive walking bass line 2005 Eric Elias

Developing a cohesive walking bass line 2005 Eric Elias Developing a cohesive walking bass line 00 Eric Elias Developing a walking bass lines is a subject that many of my students (guitarists and bassists alike) have been interested in. If you are a jazz player,

More information

At the piano; learning a natural hand position; the steady beat; pre-reading: two black keys Learning finger numbers, posture, and arm weight;

At the piano; learning a natural hand position; the steady beat; pre-reading: two black keys Learning finger numbers, posture, and arm weight; PREPARATORY 0 1 At the piano; learning a natural hand position; the steady beat; pre-reading: two black keys Learning finger numbers, posture, and arm weight; pre-reading: three black keys; double bar

More information

Pentatonic Guitar Magic How To Use The Simple Pentatonic Scale To Solo Over Chords from Blues to Rock tojazz.

Pentatonic Guitar Magic How To Use The Simple Pentatonic Scale To Solo Over Chords from Blues to Rock tojazz. Pentatonic Guitar Magic How To Use The Simple Pentatonic Scale To Solo Over Chords from Blues to Rock tojazz. This ebook may be freely distributed but not copied or altered in any way. WARNING: There is

More information

The Chord Book - for 3 string guitar

The Chord Book - for 3 string guitar The Chord Book - for 3 string guitar Prepared for: 3 string fretted cbg Prepared by: Patrick Curley Forward This short ebook will help you play chords on your 3 string guitar. I m tuned to G, if you re

More information

mtcmusic@sympatico.ca

mtcmusic@sympatico.ca Presented by Tom Ansuini mtcmusic@sympatico.ca Music Education for the 21 st Century Active Teaching through ICT A brief Introduction Please allow me to introduce myself. My name is Tom Ansuini and I am

More information

GEORGE GOODMAN S HARMONICA CHEAT SHEET By George Goodman. Copyright 2014 George Goodman GeorgeGoodman.com 2 nd Edition, License Notes

GEORGE GOODMAN S HARMONICA CHEAT SHEET By George Goodman. Copyright 2014 George Goodman GeorgeGoodman.com 2 nd Edition, License Notes GEORGE GOODMAN S HARMONICA CHEAT SHEET By George Goodman Copyright 2014 George Goodman GeorgeGoodman.com 2 nd Edition, License Notes Thank you for downloading this free ebook. Although this is a free book,

More information

Harmony Review Follow up: This harmony test has 36 questions. - - - - - Section I: Terms (8 questions)

Harmony Review Follow up: This harmony test has 36 questions. - - - - - Section I: Terms (8 questions) Harmony Review Follow up: This harmony test has 36 questions. Section I: Terms (8 questions) From what we covered last Wednesday, you should be fine on this if you know the terms on the first section of

More information

How To Determine Chords for Mountain Dulcimer Playing (How The Person Who Wrote the Chord Book Figured It Out)

How To Determine Chords for Mountain Dulcimer Playing (How The Person Who Wrote the Chord Book Figured It Out) How To Determine Chds f Mountain Dulcimer Playing (How The Person Who Wrote the Chd Book Figured It Out) by Roger Huffmaster Did you ever wonder how the person who wrote the mountain dulcimer chd chart

More information

Legacy Learning Systems 2510 Franklin Pike, Suite 200 Nashville, TN 37204

Legacy Learning Systems 2510 Franklin Pike, Suite 200 Nashville, TN 37204 Legacy Learning Systems 2510 Franklin Pike, Suite 200 Nashville, TN 37204 Gibson's Learn and Master Guitar. Copyright 2010 by Legacy Learning Systems, Inc. All rights reserved. No part of this product,

More information

SESSIONS PAGE SESSIONS PAGE

SESSIONS PAGE SESSIONS PAGE Table of Contents SESSIONS PAGE SESSIONS PAGE Session 1 First Things First 6 Finding the Notes on the Keyboard Session 2 Major Progress 8 Major Chords, Notes on the Treble Clef Session 3 Scaling the Ivories

More information

Banjo Basics For Standard G Tuning

Banjo Basics For Standard G Tuning Banjo Basics For Standard G uning by D.A. Jacobs his text is distributed free of charge o all Banjo Students D.A.Jacobs 2004 All Rights Reserved Why his ext? When I first decided to learn banjo I had one

More information

Chapter 2 How To Cheat A Barre Chord

Chapter 2 How To Cheat A Barre Chord Chapter 2 How To Cheat A Barre Chord Now that you ve learned a variety of chords in different positions, there are times that we want to eliminate some of the notes. I know, in the previous chapter I explained

More information

MUSIC. MU 100 Fundamentals of Music Theory (4) MU 101 Listen to the Music (4) MU 102 Music Appreciation (4) MU 109 Class Voice (2)

MUSIC. MU 100 Fundamentals of Music Theory (4) MU 101 Listen to the Music (4) MU 102 Music Appreciation (4) MU 109 Class Voice (2) MUSIC MU 100 Fundamentals of Music Theory (4) An introduction to notation, including a study of intervals, scales, modes, meters, basic triads and seventh chords. Intended for non-majors or students with

More information

Slash Chords: Triads with a Wrong Bass Note?

Slash Chords: Triads with a Wrong Bass Note? patrick schenkius Slash Chords: Triads with a Wrong Bass Note? In this article the phenomenon slash chord is being examined by categorizing almost all of them and the way these chords function inside the

More information

Romantic and impressionist harmony

Romantic and impressionist harmony Romantic and impressionist harmony Thanks to Ward Meijer amd Walther Pondman, students at the ArtEZ Conservatorium Netherlands, for their inspiration and critical remarks. In this short tet, I will provide

More information

Music Literacy for All

Music Literacy for All Music Literacy for All Developing Musically Literate Individuals in Performance-Based Ensembles J. Steven Moore, DMA Research Data How Many Public Performances Does the Average H.S. Band Present Annually?

More information

INTERVALS. An INTERVAL is the distance between two notes /pitches. Intervals are named by size and quality:

INTERVALS. An INTERVAL is the distance between two notes /pitches. Intervals are named by size and quality: Dr. Barbara Murphy University of Tennessee School of Music INTERVALS An INTERVAL is the distance between two notes /pitches. Intervals are named by size and quality: Interval Size: The size is an Arabic

More information

Piano Accordion vs. Chromatic Button Accordion

Piano Accordion vs. Chromatic Button Accordion Piano Accordion vs. Chromatic Button Accordion Which is best, piano accordion (PA), or five row chromatic button accordion (CBA)? This is a question which is often debated in newsgroups. The question should

More information

PENTATONICS BY CHORD TYPE

PENTATONICS BY CHORD TYPE PENTATONICS BY CHORD TYPE Extract from Pentatonic & Hexatonic Scales in Jazz, Jason Lyon 2007 www.opus28.co.uk/jazzarticles.html 1. WHAT TO PLAY ON A MINOR 7TH CHORD AS OF now, we ll be thinking primarily

More information

SYMBOLIC REPRESENTATION OF MUSICAL CHORDS: A PROPOSED SYNTAX FOR TEXT ANNOTATIONS

SYMBOLIC REPRESENTATION OF MUSICAL CHORDS: A PROPOSED SYNTAX FOR TEXT ANNOTATIONS SYMBOLIC REPRESENTATION OF MUSICAL CHORDS: A PROPOSED SYNTAX FOR TEXT ANNOTATIONS Christopher Harte, Mark Sandler and Samer Abdallah Centre for Digital Music Queen Mary, University of London Mile End Road,

More information

Basic Music Theory for Junior Cert.

Basic Music Theory for Junior Cert. 1 Reading Different Clefs Basic Music Theory for Junior Cert. The most commonly used clefs are the treble and bass. The ability to read both of these clefs proficiently is essential for Junior Cert. Music.

More information

Playing By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords...

Playing By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords... Playing By Ear Who Can Play By Ear?... 2 How To Play By Ear... 3 Happy Birthday To You (By Ear)... 4 Match Tones... 5 Add Chords... 6 Allcanplay TM Piano * MaxLearning.Net 2009 * Playing By Ear * 4/6/2009

More information

Theory and Ear Training Student Handbook 2015-2016

Theory and Ear Training Student Handbook 2015-2016 Theory and Ear Training Student Handbook 2015-2016 Contents Introduction... 4 Proficiency Tests... 5 Manhattan School of Music Mission Statement... 5 Recommended Textbooks... 5 Suggested Web Sites... 5

More information

Definitive Piano Improvisation Course

Definitive Piano Improvisation Course Definitive Piano Improvisation Course By Yoke Wong 2007 Harmony and Melody Studio Inc Contents Pages Introduction Pentatonic Scale Improvisation 1 Country Western Style Made Easy 4 Left Hand Harmonizing

More information

PIANOWEB.com ( 800 ) 327-4266

PIANOWEB.com ( 800 ) 327-4266 Mission Statement: Jazz Piano Lessons To Teach, in their home, on their own piano/keyboard, anywhere in the world, students how to play jazz piano, through a Non Traditional approach which emphasizes Musical

More information

MUSC1 Set work study notes Haydn Symphony No 104 in D major

MUSC1 Set work study notes Haydn Symphony No 104 in D major MUSC1 Set work study notes Haydn Symphony No 104 in D major These study notes are intended to help teachers and students prepare for the new set work. It is not an examination board definitive, nor exhaustive,

More information

Music Theory Worksheet. Music Theory 1

Music Theory Worksheet. Music Theory 1 Music Theory 1 Photocopiable Worksheets on Music Theory 1 INTRODUCTION TO THE STAVE & NOTATION The way we write music down has changed a great deal through the centuries but today we use a series of 5

More information

Music Theory for Cajun Accordionists

Music Theory for Cajun Accordionists 1 Music Theory for Cajun Accordionists Right off the bat, I need to make clear that I m no expert; far from it. I ve had to piece together what little I know about music theory from here and there, mostly

More information

The Four Blues and More

The Four Blues and More The Four Blues and More by Mark White-Whitmark Music Publishing A little knowledge is a dangerous thing. Particularly in the case of music theory where azz is concerned! Too many students become "experts"

More information

Guitar Reference. By: Frank Markovich

Guitar Reference. By: Frank Markovich Guitar Reference By: Frank Markovich Guitar Reference Introduction The purpose of this book is to give the student the reference materials for learning how to play the guitar. In this book you will find

More information

Lesson DDD: Figured Bass. Introduction:

Lesson DDD: Figured Bass. Introduction: Lesson DDD: Figured Bass Introduction: In this lesson you will learn about the various uses of figured bass. Figured bass comes from a Baroque compositional practice in which composers used a numerical

More information

Approaches to Arranging: Developing Harmony by Artemus

Approaches to Arranging: Developing Harmony by Artemus Approaches to Arranging: Developing Harmony by Artemus The starting point of any adventure in producing an arrangement would be to have a good idea on what you wish to achieve. What is the purpose of your

More information

Everyone cringes at the words "Music Theory", but this is mainly banjo related and very important to learning how to play.

Everyone cringes at the words Music Theory, but this is mainly banjo related and very important to learning how to play. BLUEGRASS MUSIC THEORY 101 By Sherry Chapman Texasbanjo The Banjo Hangout Introduction Everyone cringes at the words "Music Theory", but this is mainly banjo related and very important to learning how

More information

A BRIEF GUIDE TO PIANO FOURTH VOICINGS

A BRIEF GUIDE TO PIANO FOURTH VOICINGS A BRIEF GUIDE TO PIANO FOURTH VOICINGS INTRODUCTION This article is intended to give you a basic command of the most useful piano chords voiced in fourths (also known as quartal voicings ). This sound

More information

How To Play The Harmonica

How To Play The Harmonica How To Play The Harmonica CONTENTS 1. What kind of harmonica should I use? 2. How do I use the numbers over the words to the songs? 3. So what if I am not familiar with a song? 4. So how do I improve

More information