FLAMENCO. (Untitled)
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1 FLAMENCO (Untitled)
2 Olga Pericet s innovative trend approaches traditional flamenco. Through her dance and the musicians that accompany her, she takes the audience to a personal and intimate world. Her vision creates new places that are open to the viewer s imagination. WITHOUT LIMITS, WITH NO BOUNDARIES, UNTITLED...
3 There are two contrasting emotions in flamenco: joy and sorrow; these emotions are expressed in flamenco styles such as: Soleá and Alegrías, Taranto and Tangos, Bulerías, Fandangos and Malagueña.Their alternation and how they are used is one of the strengths of this creator. Through them she takes the audience on an emotional journey, turning these into music composition tools at the service of the choreography to take us to unknown destinations. In Flamenco untitled tradition is used to compose a new vision of flamenco, introducing uncommon instruments that renew and nurture the show. There is a pre-recorded composition by Pablo Martín Jhones and a music dialogue with different styles which create a new ambience, without losing the profound nature of this art. The original music was composed by Javier Patino, Paco Iglesias, Víctor el tomate, José Ángel Carmona and Antonia Jiménez, it is performed by guitarist Antonia Jiménez and the voices of Ismael de la Rosa and José Ángel Carmona. (How the show unfolds) Olga Pericet dances to silence, to the dry voice of the singer, to the guitar, to space, to the light.
4 CAST Artistic direction, choreographer and dancer: OLGA PERICET Direction collaboration: MARCO FLORES Y PACO VILLALTA Music direction: OLGA PERICET Y COMPAÑÍA Pre-recorded music composition: PABLO MARTÍN JHONES Singers: ISMAEL DE LA ROSA Y JOSÉ ÁNGEL CARMONA Guitar: ANTONIA JIMÉNEZ Lightning design: GLORIA MONTESINOS Sound design: KIKE SECO Costume design: YAIZA PINILLOS Y OLGA PERICET Graphic design: LOREDANA PELLECCHIA Photography: PACO VILLALTA Y ANA ITURBIDE Management and executive production: ANA CARRASCO Production: OLGA PERICET
5 Olga Pericet is one of the most avant-garde artists in flamenco. Important names such as Matilde Coral, Manolo Marín, Maica Moyano y José Granero among others, appear in her academic formation. She has been a guest artist in great dance companies such as: Rafaela Carrasco, Nuevo Ballet Español, Arrieritos, Miguel Ángel Berna, Teresa Nieto, Belén Maya and Ballet Nacional de España. She has shared the stage with great dance figures such as Ana Laguna, Lola Greco, Nacho Duato, Enrique Morente, Isabel Bayon, Joaquín Grilo, Merche Esmeralda, Carmen Cortes and virtuoso violinist Ara Malikian. In 2004 she puts her choreographic signature and performs in the shows Bolero, carta de amor y desamor, and one year later she creates along with Manuel Liñán, the show Cámara negra, that same year she forms an ensemble with Marco Flores and Daniel Doña Chanta la Mui, creating a show by the same name. Other works as a choreographer include: Complot, as part of Chanta la Mui, premiered in the dance festival La Otra Mirada del Flamenco; En sus 13 performed at XV Bienal de Flamenco de Sevilla, De cabeza (2009) as part of Teresa Nieto s company, Recital (2010) was Chanta la mui s third creation, Bailes alegres para personas tristes, created along with Belén Maya and premiered in Festival de Jerez (2010), ofor which she received the Artista Revelación award. Rosa Metal Ceniza (2011) was her first solo creation for which she received a nomination for best female dance performer MAX award of the Performing Arts. De una pieza (2012) was premiered for the opening of the 4th flamenco festival Biennale Holanda and at the Düsseldorf Festival, Germany. Pisadas performed at Festival de Jerez She has performed in different festivals, galas and important venues all over the world: Flamenco Festival Washington GW s Lisner Auditorium, Boston Emerson Majestic Theater, New York City Center, Miami Arsht Center, Londres Sadler s Wells, Australia Opera House, Maison de la Dance, Flamenco Bienal Challiot de Paris, Días de Flamenco en Tel Aviv, Flamenco viene del Sur, Festival Danssa Valencia, Festival de Jerez, Bienal de Sevilla, Festival del Mercats de la Flors, Festival de Madrid en Danza, Bienal de Holanda, Festival de Nimes, Festival Música y Danza de Granada, Gala del 20 Aniversario de la Unión de actores, Gala de la Danza Expo de Zaragoza 2008, Gala Flamenco Festival (2007) (2012). BIOGRAPHY Awards:.Irst choreography and music prize in the Flamenco and Spanish Dance Choreography Contest in Madrid (2004)..Villa de Madrid award for the best dance performer (2006)..Pilar López National Flamenco award..max award for choreographing along with the rest of the cast in. the show De Cabeza (2009). Artista Revelación award in Festival de Jeréz (2010).. Flamenco Hoy best flamenco dancer award granted by Specialized Critics (2012)..Best female dance performer nomination for the XV Performing Arts Max award (2012). Currently she tours with her three shows: Rosa Metal Ceniza, De Una Pieza and Pisadas, this last work was premiered in the Festival de Jeréz 2014.
6 REVIEWS A dancer who turns into a goddess when she goes out on stage. Art mysteries. El País 2014 There are people who are predestined to leave a trace Diario de Jerez 2014 Paying a tribute to Pilar López through what was the highlight of the evening, the wonderful caña, spectacular, performed by Olga Pericet and Marco Flores, in which they express feelings most complete longing. Manuel Martin Martin, El Mundo Febrero 2013 She has exquisite technique and broad artistic range, which undoubtedly makes her one of the most complete dancers of today. Cordoba flamenco 2013 An inhabitant of her own magic; she performed different pieces displaying versatility. She has received very prestigious awards, with a sober mise-en-scene and exceptional musicians. Juan Pinillas, Granada Hoy Junio 2012 Pericet is a small figure with stunning stage presence, ferocious energy locked-up in her sophisticated technique. Sanjoy Roy, The Guardian 2012 Pericet is undeniably charismatic and has an amazing technique The Washington Post, Paula Durbin 2012 Olga Pericet captures the New York audience with her renovated dance, her personality, her powerful technique, neatness, sophistication, many great aspects of a great dancer, and of course her inescapable contemporary spirit Julio Bravo, ABC 2012 Olga Pericet gave us a glimpse of the future contemporary dance, the one that has not arrived yet, seeing the future through the present. The chameleonic metamorphosis of this flamenco dancer is amazing. In every scene she is able to transform herself without losing her elegance Antonio Conde, La Voz Digital 2011 The bata de cola, reinterpreted in its expressive use, makes her grow again, but this time not to the air (although she flies with Caramés amazing portés), she flies towards the intriguing and melancholic depth that takes form in the soleá petenera. And while the light becomes extinct, the revelations become part of the past: Olga Pericet is a consummate artist. Silvia Calado Marzo, Flamenco-World 2011
7 CONTACT
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