SYNOPSIS N I C O L A C O S T A N T I N O LA ARTEFACTA
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2 SYNOPSIS Nicola Costantino is one of Latin America s most controversial and admired visual artists. With often macabre imagery rooted in a violence that pervades the history of Argentina, she is known for provocative works, such as lifelike casts of animals, soap constructed out of fat liposuctioned from her own body and clothes and accessories made of male nipple casts. Filmmaker Natalie Cristiani makes her directorial debut with this gorgeous cinematic tribute to Costantino, drawing audiences into her dark and mysterious work and the rigorous process of preparing to exhibit her latest work at the 55th International Art Exhibition of the Venice Biennale. As much as this film is a portrait of Costantino, it also uniquely pulls us into her art, making viewers into participants. Heather Haynes 1
3 PHOTOS 2
4 DIRECTOR S BIOGRAPHY NATALIE CRISTIANI Natalie Cristiani was born in Italy in She graduated from Centro Sperimentale Di Cinematografia in Rome as a Film Editor in She is currently dividing her time between Buenos Aires and Rome. From 2002 she worked as a film editor with various talented young directors: Giada Colagrande, Elisa Fuksas, Hernán Belon, Iván Gergolet and several more. All these movies were presented in international festivals such as: Venice Film Festival, Tokyo Film Festival, Tribeca Film Festival, Guadalajara Film Festival, Pusan Film Festival, between others. She is one of the Berlinale Talent s Nicola Costantino, The Artefacta is her first feature documentary. Filmography as an editor 2014 DANCING WITH MARIA by Ivan Gergolet Venice Film Festival THE ABRAMOVIC METHOD by Giada Colagrande Venice Film Festival Nina by Elsa Fuksas Tokio Film Festival Bob Wilson: The Life and Death of Marina Abramović by Giada Colagrande Venice Film Festival The Woman Dress by Giada Colagrande for PRADA campaign MIU MIU Venice Film Festival 2012, Venice Days 2012 Buenos Aires, Beirut, Buenos Aires by Hernan Belon Lebanese Film Festival El campo by Hernan Belon Venice Film Festival 2011, Settimana della Critica A Woman by Giada Colagrande Venice Film Festival Noi credevamo by Mario Martone (first assistant editor) Venice Film Festival Il solitario by Francesco Campanini NoirFilmFestival "Quell'estate" by Guendalina Zampagni Rome Film Festival "Gracas a deus" by Leonardo Casali Bellaria Film Festival "Go Go Tales" by Abel Ferrara (first assistant editor) Cannes Film Festival "Il pugile e la ballerina" by Francesco Suriano 2006 "Little Red Flowers" by Yuan Zhang (first assistant editor) Sundance Film Festival 2005 "Patrizia Cavalli, stanze e versi" by Roberto De Francesco Torino Film Festival "Petróleo México" a documentary by Roberto Paci Dalò Locarno Film Festival "Before it Had a Name" by Giada Colagrande, Venice Film Festival "Rimini Lampedusa Italia" by Marco Bertozzi Torino Film Festival "L'odore del sangue" by Mario Martone (first assistant editor) Cannes Film Festival 2003 "Le mani in faccia" by Daniele Basilio 2002 "RAX" a documentary by Roberto Paci Dalò Locarno Film Festival 2002 "Ten minutes older" by Bernardo Bertolucci (first assistant editor) 2001 "Camera obscura" by Roberto Paci Dalò Locarno Film Festival 2001 "The time has come" by Tommaso Cammarano Bellaria Film Festival 3
5 N I C O L A C O S T A N T I N O LA ARTEFACTA NICOLA COSTANTINO NICOLA COSTANTINO Nicola Costantino (1964) was born in Rosario, Argentina, where she studies Fine Arts with a specialization in Sculpture. Cochon sur canapé (1992), her first solo show, is considered a forerunner of contemporary Latin American art. In 1994 she is admitted into Antorchas Foundation s Barracas Workshop, coordinated by Suárez and Benedit and moves to Buenos Aires, where she settles down and starts working. In 1998 she represents Argentina in San Pablo biennial and then begins to take part in several exhibits in museums around the world, such as those of Liverpool (1999), Tel Aviv (2002) and Zurich (2011). In 2000, she performs a solo show at Deitch Projects (New York); her Corset of Human Furriery becomes part of the MOMA collection. In 2004 she presents Animal Motion Planet, a series of orthopedic machines for stillborn animals, and Savon de Corps, a work that causes great impact in mass media. Her reunion with Gabriel Valansi in 2006 leads her way into photography, where she has more than 30 works in which she always takes the leading role embodying different characters of photography and other art forms. Her interest in video performance drives her creation of self-referential work Trailer (2010), her first cinematographic-like production, as well as her embodying of a historical and emblematic female character like Eva Perón in Rapsodia Inconclusa [Unconcluded Rhapsody] (55th Venice Biennial, 2013). 4
6 CREDIT LIST WITH Nicola Costantino Aquiles Costantino Gabriel Valansi Maria Teresa Comissoli director script photography music sound desing editing art direction scenery postproduction production coordinator secretary of production executive production nationality language production year duration aspect ratio delivery format Natalie Cristiani Nicola Costantino Natalie Cristiani Pablo Padovani Ariel Iacovone Leandro Chiappe Roberto Paci Daló Marcos Zoppi Natalie Cristiani Nicola Costantino Luis Quinteros Blas Lamagni Silvia Badariotti Mercedes Dougall Francesca Chiappetta Argentina Spanish mins 16:9 DCP 2K NICOLA COSTANTINO: LA ARTEFACTA Facebook: NICOLACOSTANITNOLAARTEFACTA Aguirre B, 1414, CABA, BUENOS AIRES ARGENTINA 5
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