OLGA TREVISAN - CAMILLA CROSTA

Transcription

1 OLGA TREVISAN - CAMILLA CROSTA

2 INTRODUCTION TO OUR COLLABORATION: We know each other since long time, we studied at the same artistic high school and since that period we are still friend. We worked together for few years and just recently our research started to take a shape. We tried different projects and different experiences and approaches and only in this last year our purpose started to focus on public art and social practice. It s only the beginning of more wider project that hopefully soon will take a real and more concrete form. Olga Trevisan [email protected] Date of birth: 01/11/1988 Education / Qualification: I.U.A.V Visual Art, Venice; BA Thesis Title: YouTube Play Final mark 110/110 cum laude /2011 VIU (Venice International University) Venice, Italy Art Project: : The gift Specific Project on thegift.olgatrevisan.com 2012: Artist in Residence. Trabzon, Turkey Exhibition: 08 March 2013: Permanent installation at Biblioteca Comunale of Treviso November 2012: Solo exhibition for International Day for the Elimination of Violence against Women. Treviso 19 October 2012: Collective exhibition in Girogustando, territorial initiative based on collaboration between Art and Culinary experience. Padova 1-11 July 2012: 5th International Painting Festival From Nature to Art, organized by Femin Art, Trabzon, Turkey 2011: Illustrator for Nocturne #1 project by Graziano Meneghin in Processing Project produced by EventArte Venezia Curators: Matteo Efrem Rossi, Project Coordinator: Tommaso Zanini 11/ /2011: Artefici Magazine Editor- Fondazione di Venezia, Venice 2009: Faccia a Faccia Group Exhibition in Cultural Centre Candiani, Venice 2008: Private collector: Hotel Montagu Place, London Work Experience: 5-11 April 2013 Workshop Ways of raising qualifications, Zakopane, Polonia From July 2012, artist collaborator with Noprofit association STUDIOO Onlus, Treviso June - August 2011 Public relation and press agent in The Mediterranean Approach exhibition by ART for the World, co-event at the Biennale of Art 2011, Venice Curators: Adelina Von Furstenberg, Thierry Ollat Other: From August 2011, Creator and Producer for Eltiburon, Personal Handmade Brand. Camilla Crosta [email protected] Date of birth: 03/06/1988 Education / Qualification: Ca Foscari University of Venice, Italy. Master Degree in Art History Thesis title: Le situazioni dell arte pubblica, l esempio di Situations a Bristol e nel contesto internazionale (The public art situations troughout ) Final mark: 110/110 cum laude : Ca Foscari University of Venice, Italy Bachelor Degree in Conservation of Cultural Heritage Thesis title: Un frammento di Nord in terra straniera, I paesi nordici alla Biennale di Venezia dagli anni 50 al 2009.( A nordic fragment in a foreign land, the nordic countries at Venice Biennale). Final mark: 110/110 cum laude / /2011 VIU (Venice International University) Venice, Italy 09-12/2009 University of Helsinki, Finland. Erasmus program 08/2008 Photography Course (Methoni, Greece) Work Experience: 12/ /2013: Fabryka Sztuki (Lodz, Poland) and Trans Europe Halles - Volunteer 09/ /2012: Situations (Bristol, UK)- Intern, Archiving and reporting Nowhereisland project, assisting the project coordinator and the Communication manager. 03/ /2012: SaonarAttiva, Saonara, Padova Contemporary Art History teacher for University of Third Age 23/06-2/07/2011: Schiume Festival, Marghera, Venice, Italy - Press office, Communication 05-06/2011: Osloo Floating Pavilion (FOS)- Volunteer 11/ /2011: Artefici Magazine Editor- Fondazione di Venezia, Venice 05/ /2010: Associazione E - Assistant Curator, Assisting the two curators Francesco Ragazzi and Francesco Urbano for the realization of the exhibition Perché i poeti, an exhibition of Serena Nono artworks. 20/05-24/05/2010: Festival dell Arte Contemporanea (Contemporary Art Festival) Faenza, Italy, Press Office 11/11-15/11/2009 Lens Politica Festival, Helsinki, Finland - Volunteer 06-08/2009 Venice Biennale, Grassi Palace, Punta delle Dogana, Querini Stampalia Fundation -Intern as Cultural Mediator

3 Gift plaque in situ, file.kmz, specific website thegift.olgatrevisan.com Venezia Paris Valencia Madrid The project currently performed in Venice, Paris, Valencia and Madrid is based on Essai sur le don by the sociologist Marcel Mauss and it investigates the dynamics activated with the exchange of a worthless object. Using the casualness of life itself, the intervention establishes a new social relation, maybe instantaneous, maybe enduring, through a moment of accidental pause. The encounter between people, the act of giving a personal object, makes us question what happens in the instant in which such exchange takes place. The object, seen as a receptacle of identity, is usually transferred by the giver to the receiver through measures of emotional or practical value; this convention is interrupted when the object is chosen because of its uselessness, and again, when the object is glued on the spot where the exchange has taken place. This action is based on a principle of spontaneity and immediacy, the unsolicited giving of the self to others, thus creating social relantionship. Consequently to this gesture, spatial coordinates will be calculated, and inserted into Google Earth; these traces of knowledge are contextualized in a proportionately opposed manner from their effective status of encountered object.

4 Dedica cm per piccole donne Assemblage, wood and nylon string The work wants assign a visual and physical value to ONU s percentage. Each centimetre is dedicated to the daily child marriage through centimetre nylon string rolled in 72 hours. The work wants replace a physical dimension to an unspecific number, during the three days of awareness campaign International Day for the Elimination of Violence against Women. The transparency of materials and the small unit of measure desire to remember to our consciousness the difference between invisible and nonexistent.

5 Self-paintings in collaboration with Marcello Milani truck imprint, greasy oil on canvas The general motivation is structured on a non-imposed approach to the aspect of creation and developing of an idea. We just suggest our lateral vision of simple ideas during the creation of our works from an initial rough impulse. Here we show some different directions in which we are developing our work. First we are presenting the truck imprinting, created by the greasy oil of the surface in the mechanism of rotation of the truck; we are interested in this serie because we had the possibility to limit our intervention to the essential energy that the work needs to be originated, looking for our unconditioned approach to an art piece. With Farfalla we started to investigate something new for us that has origin in a basic direct form and develops into a generative method. Then we choose this method to create other projects and other canvases, moving from a systematic employment of the idea as a trick; unbalancing this investigations we re trying to understand where or when our action has a partial control over the entire work redistributing our role in each work.

6 RUGGINE oxidized iron on canvas Taking care of something, looking the passing of time and the potentiality of changing. The canvas and the iron transforming into a wrinkle face where fate is life.

7 24 h book, photograph and paint on paper Project based on routinely action. The artist spends twenty-four hours wake up in an unknown place shooting and painting each hour. The interference with the intimacy of an old family is respected with a voyeuristic gaze.

8 ARTEFICI Magazine Illustrator Carla Daniela Pepa Artefici it s a magazine, born during a workshop promoted by Fondazione di Venezia, with the collaboration of VeneziaMusica e Dintorni, Giovani a Teatro and Leggere la Scrittura. It talk about performing arts, exploring the youth unrest of Venice with the objective to create a map of what is going on around the city.

9 100 m 2 Archive Collection of each objects found into one hundred meters square of space. The action creates the work itself. The consequently archive connect the memory of the performance into space and time. The routine of the same gestures wants to create a various diary of different place and memories Calle de lo zuccaro. Venezia Rio terrà ai saloni. Venezia Leinestrasse. Berlin