CONFERENCE PROGRAMME HUSSDE/3 A ROOM WITH A VIEW: THEATRE IN TIME AND SPACE

Transcription

1 CONFERENCE PROGRAMME HUSSDE/3 A ROOM WITH A VIEW: THEATRE IN TIME AND SPACE ORGANISED BY THE INSTITUTE OF ENGLISH AND AMERICAN STUDIES OF PÁZMÁNY PÉTER CATHOLIC UNIVERSITY (PPKE) and THE HUNGARIAN SOCIETY FOR THE STUDY OF DRAMA IN ENGLISH May 26-28, 2006

2 26 th May, Friday Registration Ambrosianum Entrance OUP Book Sale Opening Ceremony Stephaneum, Pázmány Hall Launch of the HUSSDE 2 Proceedings Volume Coffee Break Ambrosianum, Room SESSIONS 1. Ambrosianum 1. IRISH DRAMA CHAIR: SOMLÓ ÁGNES ROOM 129 William Adamson - Language and the Politics of Society in Brian Friel s The Freedom of the City Kurdi Mária - Monological Plays in Northern Ireland: Overcoming Trauma and Loss in Jennifer Johnston s Theatre Kodó Krisztina - Instances of Time and Space in Irish Dramatical Culture 2. PERFORMANCE ROUNDTABLE -CHAIR: PAZONYI JUDIT ROOM 133 Berki Judit - Hamlet 2000 Pazonyi Judit - "but it does seem hard that you shouldn't have a view." Dilemmas of the now and then in performance reception A roundtable talk about the current problems of performance criticism.. ALL ARE WELCOME THEATRE PERFORMANCE Quaestura Conference Room SUE OTT ROWLANDS TONY KUSHNER: HOMEBODY Reception Ambrosianum Aula 27 th May, Saturday Registration Ambrosianum Entrance OUP Book Sale SESSIONS 2. Ambrosianum 1. RENAISSANCE - CHAIR: FÖLDVÁRY KINGA ROOM 129 Arday-Janka Judit - Room with a View The Specific View on the World through Rhetorical Devices Horkics Edina -Emblematic and Biblical Allusions in Richard III. Orosz Kata - I begin to doubt t equivocation The misunderstanding of the roles in Shakespeare s Macbeth Pikli Natália - Bower, Chamber, Bedroom. Ladies rooms with a view - in the Shakespearean diptych of love (Romeo and Juliet, A Midsummer Night s Dream) 2

3 2. AMERICAN DRAMA - CHAIR: KURDI MÁRIA ROOM 133 Zsizsmann Éva - Cities and imagined communities. J.K.Keefer's The Green Library Szamosmenti Marianne - Sam Shepard s Theatre in Time and Space Varró Gabriella - The Figure of the Salesman in American Drama Németh Lenke - Character Portrayal Techniques in Postmodern American Drama 3. REN. DRAMA IN THE TWENTIETH CENTURY - CHAIR: KATHLEEN DUBS ROOM 204 Tóta Péter Benedek - Give us this day - Intratextual and intertextual crumbs in interpreting Tom Stoppard s Rosencrantz and Guildenstern Are Dead Fábián Annamária - Re-moving King Lear Tabi Katalin - To Insert, or not to Insert, that is the Question - Two Hungarian Hamlets from the nineties Ócsai Éva - The impact of the Elizabethan plays upon the dramas by Sándor Weöres Lunch break PLENARY LECTURE Stephaneum Pázmány Hall GELLÉRT MARCELL ROOM FOR DOUBTS IN A NUTSHELL INFINITE SPACES VERSUS SPATIAL DEFINITION IN HAMLET BOOK PRESENTATION Stephaneum Pázmány Hall - AKADÉMIAI KIADÓ Coffee break Ambrosianum, Room SESSIONS 3. Ambrosianum 1. SHAKESPEARE IN HUNGARY - CHAIR: PIKLI NATÁLIA ROOM 204 Schandl Veronika - Stars with trains of fire - Victor Ioan Frunzá s Hamlet on the Western Railway Station of Budapest, Hungary Tóth Noémi - The Ugly Duckling of Shakespeare s History Plays? The Stage Reception of Henry V in Hungary Szele Bálint - New Paradigms in Hungarian Shakespeare Translation 2. SHAKESPEARE - CHAIR: TÓTA PÉTER BENEDEK ROOM 205 Fábricz Katalin - Love s Labour s Won? Szabó Máté The Postcard of Malvolio 3. DRAMA AS WORD AND MOVEMENT CHAIR: ALMÁSI ZSOLT ROOM 133 Andrew C. Rouse - "In Comes I": the fourth M. Medieval plays are learnt as the "3 Ms" - mystery, morality and miracle Horváth Ágnes - The Body in Time and Space: Dance in Shakespeare s Theatre Tanács Ágnes - The Spectacle of Body: From Kyd to Shakespeare 3

4 4. TRANSLATION ROUNDTABLE ROOM 129 DRAMA UPSIDE DOWN A roundtable talk about the various ways of translating drama (for the stage, for film, for the radio, etc.) Participants: Nádasdy Ádám, Pataricza Eszter, Somló Ágnes and everyone who ave experienced this drama turned upside down - ALL ARE WELCOME THEATRE PERFORMANCE Stephaneum, Aud. Max. MIKE MARIANO- DEAN HURLEY:THE MARLEY SHOW THE BROWN COW COMPANY, PILISCSABA Reception Ambrosianum Aula Hosted by the Hungarian Fulbright Commission 28 th May, Sunday SESSIONS 4 Ambrosianum 1. AMERICAN DRAMA - CHAIR: KODÓ KRISZTINA ROOM 129 Limpár Ildikó - A (Diorama) Room with Several Views: Tony Kushner s Angels in America Demény Tamás - Folklore and Resistance in Mule Bone, an African American Play 2. RENAISSANCE AND RESTORATION - CHAIR: BARCSÁK JÁNOS ROOM 204 Stróbl Erzsébet - The conventions of the cult of Queen Elizabeth I in George Peele s The Arraignment of Paris Kocic-Zámbó Larisa - A Devil Incapable of Lies Rednik Zsuzsanna - The White Devil as a Game Of Chess 3. ENGLISH DRAMA - CHAIR: HALÁCSY-SCHOLZ KATALIN ROOM 205 Földváry Kinga - Theatrical Space on Air Under Milk Wood Tóth Tibor - Beckett s Drama Duplex Coffee break Ambrosianum Performance Workshop Open air (or: Ambrosianum Aula) (a surprise!) Lunch (optional) 4

5 THE ORGANISERS WOULD LIKE TO THANK FOR THE GENEROUS FINANCIAL SUPPORT PÉTER PÁZMÁNY CATHOLIC UNIVERSITY HUSSE THE HUNGARIAN FULBRIGHT COMMISSION OXFORD UNIVERSITY PRESS AKADÉMIAI KIADÓ 5