Spectral sensitivity of human eye

Transcription

1 Spectral sensitivity of human eye (nm) Violet Blue Green Yellow Orange Red

2 Human retina (Figure credit: University Miguel Hernandez, Spain) Rods Cones Svenska: Rods = Stavar Cones = Tappar Light

3 Spectral sensitivity of rods and cones Sensitivity B Cone Rod G Cone R Cone (nm)

4 The eye is not a spectrometer Yellow Yellow Hg spectral line, 577 nm Lemon Wavelength (nm) Wavelength (nm)

5 Additive color synthesis Red B-cone G-cone R-cone Green Blue Eye 230 V Dimmers Lamps Ground-glass screen By adjusting the lamp intensities, the output signals from the three types of cone can be controlled. These signals determine the color and brightness we experience.

6 Intensity on retina and color impression I I B G R G R White (nm) Yellow I I B R B G Magenta (blue-red) xxcyanxx (blue-green)

7 But things are not quite so ideal (For example inkjet printers) Yellow ink Cyan ink Wavelength (nm) Wavelength (nm) But it works anyway!

8 Complementary colors Yellow Magenta Cyan I I I G R B R B G (nm) I I I B B G B R (nm) Blue Green Red

9 Saturated and unsaturated colors I Example: G R (nm) = Saturated yellow (blue is missing) I B G R = Unsaturated yellow (nm) I B G R (nm) = Zero saturation (white)

10 Saturated and unsaturated, continued I B (nm) = = Saturated blue I B G R (nm) = = Unsaturated blue

11 TV/Computer screen mosaic

12 BUT!! Color film Inkjet printers Newspaper/Book printing do not work like this!

13 Subtractive color synthesis White light Y E L L O W M A G E N T A Color filters C Y A N Eye Time for experiments!! By adjusting the saturation of the three filters, we can create different color and brightness impressions. T Less saturated G R Yellow filter controls the amount of blue Filter transmission curves More saturated T B R Magenta filter controls the amount of green T B G Cyan filter controls the amount of red

14 Color measurement (Lab. 7) Red 200 photons/sec. Subjective judgement Green 50 photons/sec. Blue 50 photons/sec. 230 V Dimmers Lamps Unsaturated red color We need to quantify!

15 Photons/sec B G R (nm) (R, G, B) = (200, 50, 50) R + G + B = Brightness (uninteresting) Photons/sec. Normalize! r = 0.67 g = 0.17 b = 0.17 (r, g, b) depend only on the hue and saturation of the color, not the brightness.

16 The color triangle (r, g, b) = (0.67, 0.17, 0.17) represents a point in 3D space that is always located in the dashed plane (r+g+b = 1) b 1 Therefore it is sufficient to look at a projection in the rg-plane. g r g b 1 r Fine, but we need to take the human observer into account!

17 Enter: Normal observer Then it becomes tricky, see compendium for details

18 CIE color system Green Red

19 Equipment for measuring CIE color coordinates

20 Gamut in color screens

21 Analog color photography Still used by some professional photographers (mostly medium and large format) Large film archives exist The output medium for digital images is often photographic paper RGB lasers exposing photographic paper which is then chemically developed

22 Cross section of photographic film/paper Light ca. 5 m Blue-sensitive emulsion + Yellow color coupler Yellow filter ca. 5 m Green-sensitive emulsion + Magenta color coupler ca. 5 m Red-senstive emulsion + Cyan color coupler ca. 100 m Base (plastic or paper)

23 Exposure & development Exposure White Blue Yellow Development (Details on blackboard) In exposed areas complementary colors are formed Exposed Exposed Exposed Exposed Exposed Exposed

24 Viewing White light Yellow Absorbs blue Magenta Cyan Absorbs green Absorbs red What is the color of the transmitted light? Black White light exposure Yellow Blue light exposure Blue Yellow light exposure We get complementary colors a photographic negative

25 Color negative is imaged onto photographic paper. After paper development we get positive image Color positive Photo credit: Kodak

26 Inkjet printers Dot size approx mm Ink colors: Yellow Magenta Cyan Black + unsaturated colors (Details in compendium)

27 Color detection in electronic sensors RGB Bayer pattern Each pixel only detects one primary color. The other two primaries are obtained through interpolation

28 Alternative color detection #1 Camera with 3 CCD:s (mostly video cameras) 3 CCD matrices R G B g b r g+b r+g+b Light from subject Lens Dichroic beam-splitters

29 Alternative color detection #2

30 Effects of color interpolation Slanting black/white edge Without color interpolation With color interpolation

31 Light sources for photography 1) Warm bodies (blackbody radiators). 2) Gas discharge lamps 3) Other types (lasers, LEDs etc.)

32 Blackbody radiators Examples: Sun, light bulb a) Daylight (5500K) b) Photo lamp (3200K) c) Candle (1900K) d) Human body (300K) Spectral distributions for blackbody radiators

33 Color temperature, T c (White balance) If, for example, T c = 5500 K, the spectral distribution of the light source is (approximately) that of a blackbody radiator with T = 5500 K. Common color temperatures in photography are 5500 (daylight) and 3200 K (photo lamp). White balance is selected in the camera menu (digital phot.) or through choice of film and filters (analog phot.)

34 Incorrect color temperature setting means poor color rendition Camera white balance setting is correct. Camera white balance setting is too high. Camera white balance setting is too low. Color corrections can (to some extent) be made by computer processing Photo credit: Kodak

35 Gas discharge lamps Spectral distribution: Fluorescent lamp (lysrör): Results difficult to predict. Avoid if possible Wavelength (nm) Spectral distribution: Photographic flash: Daylight characteristics Wavelength (nm)