Contacts_ - (0033) 6 63 70 20 83

Similar documents
THE FOURTH INTERNATIONAL FORUM REMEMBERING THE PAST AND SAFEGUARDING THE FUTURE INTERNATIONAL HOLOCAUST REMEMBRANCE DAY 70TH ANNIVERSARY

Young Europeans Commemorating the Roma Genocide

Children Speak Classroom Lessons

CATALOGUE OF STUDY PROGRAMMES AND COURSES

Nazi Ideas about Race and Religion

AN ASSEMBLY FOR HOLOCAUST MEMORIAL DAY 2016

Inspiring Jewish Journeys. Lodz. Lublin (Majdanek) Journey. Tarnow. Poland. Square Synagogue. (Auschwitz-Birkenau) September 2016

"Auschwitz and the Holocaust in the context of teaching remembrance in Europe"

7. The Holocaust by Bullets

Armin T. Wegner. Intellectual, Doctor in Law, Photographer, Writer, Poet, Civil Rights Defender, and Eyewitness to the Armenian Genocide

HERITAGE SEMINARS to POLAND and PRAGUE July in Poland / August 1-2- Prague Option

Daniel s Story by Carol Matas

Introduction to the Holocaust, Analyzing Propaganda from the Exhibit

EXAMPLES DOUBLE TAXATION

CREATIVE VITALIT Y. Creative Vitality Index (CVI ) Report Metropolitan Nashville Arts Commission

NEXT 29_APRIL 11 Emmanuelle Bayart, Quai de la Cale, Dieppe, 2009, de la série Vers la mer, 2010

SCHEHERAZADE LESSON PLAN. Discovering the world of the Arabian Nights fairy tales through the music of Rimsky-Korsakov s Scheherazade

How To Understand The History Of Film In Lille

PABLO PICASSO PRE-READING QUESTIONS. 1. What kind of art do you like? 2. Do you have a favorite artist?

Drawing Strength: The Art of the Holocaust Part II

Audio and Visual Technology and Film. Visual Arts. Journalism and Broadcasting. Telecommunications

ISMIR 2015 Concert Wednesday, October 28, 18:00-21:00 Sala Unicaja de Conciertos María Cristina

Theology English Language Mathematics Science Social Studies Open (Choose one) (Choose one) (Choose one) (Choose one) (Choose one) (optional)

The School-assessed Task has three components. They relate to: Unit 3 Outcome 2 Unit 3 Outcome 3 Unit 4 Outcome 1.

NAZI CONCENTRATION CAMPS

Stanislas Bouchi-Lamontagne

Residencies 2009 Pépinières européennes pour jeunes artistes et MU, Eindhoven, Pays-Bas.

Modern European History courses, fall 2008 B226 Mafia and other Italian mysteries Carl Ipsen T, Th 2:30-3:45

TURN IN FORM ON MARCH 31 IN YOUR THEOLOGY CLASS DURING COURSE SELECTION

Life Dates: Country of Origin: Russia Musical Era: Romantic

From the concert hall to the library portal

Loan Nguyen Lausanne, Switzerland. 1977

FIAMP International Festival of Audiovisual and Multimedia about Patrimony. Registration file for competition

Monuments and Landmarks Classroom Activity

Resources for Music in Education

CORPORATE SPONSORSHIP

NAPCS Product List for NAICS : Music Publishers Sound Recording Studios

The 10 th Summa Cum Laude International Youth Music Festival Vienna 1 st to 6 th of July 2016

Quayola (0) Studio 20, East Oslo House 15 Prince Edward Road E95EU London

THE POLITICAL DR. SEUSS Lesson Plan

agf words are missing

Carnet de rêves Photographies by Jean-Christophe Godet

Lesson Plan #8 The Holocaust. Classroom description: Approximately 25 students of various genders and abilities

Peter Brötzmann We thought we could change the world

Education for the Arts

Valais Guitar Week August 2011 Guttet-Feschel. Alberto Mesirca & Duo NIHZ

` Beltsy Synagogue interior,

ACOUSTIC ROOTS MUSIC. Bio Disco Concerts Press Acoustically Ethno Combo Contact

INTRODUCTION TO THE HOLOCAUST

ADDENDUM to the Artist performance agreement for THE FESTIVAL BETWEEN

2016 CLIENT PRESS KIT DEPARTMENT 4. Established 2014

Lesson Plan: Citizenship

LanskySound.com. Contact us today and schedule your free consultation:

Jennifer Showalter Clarinetist, Concert Artist, and Studio Teacher

NIRVANA PROJECT AYSEDENIZ GOKCIN WITH IVAN SHOPOV

Ageing OECD Societies

CRI(2004)37 ECRI GENERAL POLICY RECOMMENDATION NO. 9 ON THE FIGHT AGAINST ANTISEMITISM ADOPTED ON 25 JUNE 2004

HUNGARIAN JEWISH WOMEN IN THE WALLDORF CAMP, AUGUST. Apart from the large, well-known concentration camps, hundreds of small labor

Deadly Medicine: Creating the Master Race

Methodological Considerations

STEUART BEDFORD STEUART BEDFORD

Collaboration Grant. How to APPLY. Contents. Introduction. Eligibility criteria who is eligible and what is eligible? What we don t fund

SCOTTISH MONUMENT IN FLANDERS

MY MOTHER TEOFILA REICH-RANICKI Andrew Ranicki Edinburgh German Circle, 28th February, 2012

Kristina Carssow Gateways Lesson Plan Lesson Plan #1 Manifest Destiny Lesson Plan

1/5 STUDENT EXCHANGE PROGRAMME INSTITUT D ETUDES POLITIQUES DE LILLE. Fact Sheet. University website.

Music Conservatory «G. Verdi» Como. Italy

Anti-Jewish Regulations:

This cartoon by Eric Godal ( ) appeared in Ken magazine on April 7, It was published just days after the Roosevelt administration

Published in prominent magazines, newspapers, books and websites worldwide. Documentary Seminars at PhotoExpo, San Francisco, CA, and New York, NY

STEPAN RUDENKO Pianist, President of CVM

The Approved List of Humanities and Social Science Courses For Engineering Degrees. Approved Humanities Courses

What I Want to Be When I Grow Up Grade Six

MUSIC COPYRIGHT GUIDE FOR SCHOOLS

The 2016 Centenary Festival

Music in the Mountains

Group 1 Group 2 Group 3 Group 4

Copyright 2001 by MENC: The National Assocation for Music Education

Media and Photography

The First World War. What digital educational resources are available online?

barcelona s FESTIVAL OF FESTIVALS

CELEBRATE. The Music Activities Center: Honoring the Sounds of Aggieland

INTERNATIONAL CHOIRS FESTIVAL SINGING ISO POLYPHONY IN ALBANIA 10 years at UNESCO

PHILIPPE VAN SNICK ALLIES / THE ARCHIVE REVISITED

The Approved List of Humanities and Social Science Courses For Engineering Degrees. Approved Humanities Courses

Focal firms and SMEs in Global Value Chains (GVC) A film in a cinema

Transcription:

Contacts_ garin.stephane@gmail.com - sgobart@gmail.com (0033) 6 63 70 20 83 BC06 - BRUIT CLAIR RECORDS/PARA_SITE - www.bruitclair.com Gruen 085 GRUENREKORDER - www.gruenrekorder.de

Gurs. Drancy. Gare de Bobigny. Auschwitz. Birkenau. Chelmo-Kulmhof. Majdaneck. Solibor. Treblinka. CD _ format Stéphane Garin _ phonography Sylvestre Gobart _ photography Bruit Clair/Para_site, Gruenrekorder _ production _Recent pictures and sound recordings realised on the grounds of confinement, deportation and extermination of the Second World War, in France and in Poland. The extermination perpetrated by Nazi Germany and its collaborationist countries against those undesirable populations (Jews, homosexuals, tziganes, mentally and physically handicapped people ) provoked a real cataclysm within our civilization because of its method, its singularity and its extent. What memory do we keep alive today of those events, at the time of multiple commemorations, memorials and other enclosed memories. Our artistic move aims to break off with the iconography which conditions our collective memory as much by the medium as by the contents of the pictures and the sound. What matters here is to attempt to recover and to reinvest that memory. The distance that separates us from the past tragedies increases the risk of a ritualization or a monumentalization of the memory, and that is the reason why we need, through art, to feed the visual memory of extermination. The deliberate choice not to work on any visual element that refers to the systematic iconography of the camps endeavours to create, with the sound, that restraint which is essential to reverence, as it is the signature of what happened. There was, on the spot, no direction of the events. The sound recordings include no mixing.

Track listing. CD #1 1-Gurs. Internment camp. February 25th 2007 2-Drancy. La cité de la Muette. January 27th 2007 3-Bobigny. Train Station for deportation. May 27th 2006 4-Auschwitz-Birkenau.Judenrampe. February 26th 2006 5-Majdaneck. Men s showers. Gas chamber. August 15th 2006 6-Auschwitz. The square of the orchestra. February 20th 2006 7-Auschwitz. Krematorium I. February 20th 2006 8-Krupp AG. Arms Factory. February 22th 2006 9-Auschwitz. Roll call. February 20th 2006 10-Auschwitz. Block 11. February 20th 2006 11-Oscwiecim-Krakow. Train. February 23tth 2006. CD #2 1-Majdaneck. Common graves. August 15th 2006 2-Birkenau. Krematorium V. February 22th 2006 3-Sobibor. The platform. August 17th 2006 4-Birkenau. Block 1 (SK). February 23th 2006 5-Sobibor. The village. August 16th 2006 6-Chelmno-Kulmhof. Jewish place of pilgrimage. August 10th 2006 7-Treblinka. The forest. August 12th 2006 8-Krakow. The main square. February 23th 2006 9-Radivyliv. Grade crossing. August 22th 2006

Résumés Stéphane Garin _ has collaborated with musicians and dancers such as _ Olivier Bernet (soundtrack for the film Persepolis by Marjane Satrapi), Black Sifichi, Pascal Comelade, Carl Craig, Julyen Hamilton, Pierre-Yves Macé, Thierry Madiot Moritz von Oswald (Basic Channel), Shua Group (New York), Wax Taylor _ has performed with symphonic orchestras (Brussels Philharmonic, Pau Pays de Béarn Orchestra, Orchestre philharmonique de Radio France, Opéra de Rouen, Les Siècles ) directed by Pierre Boulez, David Robertson, Léon Fleisher, François-Xavier Roth or Fayçal Karoui He is also a member of the ensemble Dedalus (http://dedalusensemble.blogspot.com/) directed by guitarist Didier Aschour. Since 2005, he has started a collaboration with visual artist Sylvestre Gobart: a phonogrpahic work about the memory of extermination during World War II in France, in Poland and in Ukraine. He has played live in La Cigale, La Grande Halle de la Villette, Grand Rex, La Cité de la musique (Paris), Confort moderne (Poitiers), at the Printemps de la Photo (Cahors), at the Festival Sons d Hiver, Les Instants chavirés (Montreuil), L Olympic (Nantes), Centrifugeuse (Pau), at the Sol Del Río Arte Contemporánea (Guatemala City) in Asia, Europe and USA. Sylvestre Gobart _ is a Belgium based visual artist working in the media of photography and video. He uses installation as a means of putting form to the concepts he develops in his pieces. Formally his research in photography is focused on the relation between the topic in which he is working and the material he uses, which gives resonance to the idea of the work. Conceptually, his works revolve around the mechanism of the transformation of identity. Currently he is developing a collaborative project composed of photography/video and sound with Stéphane Garin, a sound artist. This new work is about the relation that we keep with the memory of the Shoah and has been presented in Bayonne, France in march 2009. Recently he had also a close collaboration with Shua group in which he realized a multi-media project in Bayonne, France, Emily Harvey Foundation and Jersey City Musuem in USA. Sylvestre Gobart has shown his work in Spain, France, USA, Senegal, Guatemala and Argentina. He had had solo shows at Galeria sol Del Rio Guatemala, Bienale d Art contemporain de Dakar, Dakar, at ARTEBA in Buenos Aires, Argentina with the Gallery ARTE x ARTE in 2005.

Contacts_ garin.stephane@gmail.com - sgobart@gmail.com (0033) 6 63 70 20 83 BC06 - BRUIT CLAIR RECORDS/PARA_SITE - www.bruitclair.com Gruen 085 GRUENREKORDER - www.gruenrekorder.de