A-145 LFO. 1. Introduction. doepfer System A - 100 LFO A-145

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doepfer System A - 100 FO A-145 1. Introduction A-145 FO Module A-145 (FO) is a low frequency oscillator, which produces cyclical control voltages in a very wide range of frequencies. Five waveforms are available: sawtooth, inverted sawtooth, triangle, sine and square wave. The FO can be used as a modulation source for any number of modules - for instance modulating the pulse width or frequency of a VCO, modulation of the cut-off frequency of a VCF, or amplitude modulation with a VCA. A three-way switch lets you select three frequency ranges, spanning from one cycle every several minutes at the lowest, to audio frequency at the highest. The FO signal can also be synchronised, via the reset input. 1

A-145 FO System A - 100 doepfer 2. Overview Controls and indicators ➊ A-145 FO 1 ED: frequency indicator for the sawtooth wave at output " 2 ED: frequency indicator for the sine and square waves at output and/or $ 3 : frequency control 4 :switch for selecting frequency range ➋ ➀ In / Outputs ➌ ➍ ➎ ➏ ➁ ➂ ➃! : output: inverted sawtooth " : output: sawtooth : output: sine wave $ : output: triangle % : output: square wave & : synchronisation input 2

doepfer System A - 100 FO A-145 3. Controls and indicators 1 ED... 2 ED EDs 1 and 2 show the frequency of the voltage output at sockets " to $. H If the FO frequency goes above about 15 Hz, our persistence of vision means that the EDs look permanently on. 3 This control adjusts the frequency of the FO, within the parameters of the frequency range set by switch 4. 4 Use switch 4 to select a suitable frequency range from the three available: (low):up to several minutes per cycle M (medium): normal FO range H (high): audio range 4. In / Outputs! This is the output for the inverted sawtooth. (Amplitude: ± 2.5 V). " This is the output for the ordinary sawtooth, whose frequency is displayed by ED 1. (Amplitude: ± 2.5 V). This is the output for the sine wave, whose frequency is displayed by ED 2. (Amplitude: ± 2.5 V.) $ This is the output for the triangle wave, whose frequency is displayed by ED 2. (Amplitude: ± 2.5 V.) % This is the output for the square wave (Amplitude: ± 2.5 V.) 3

A-145 FO System A - 100 doepfer & FO synchronisation is possible, by sending a trigger signal (eg. a gate) to the reset input. Every time a trigger voltage is sensed (for instance when a key is pressed), the FO s waveform resets, and starts from its zero point (see Fig. 2). Without synchronisation, the FO is free running, so that wherever the waveform is when the trigger arrives, that s where it starts from (see Fig. 1). Trigger Moment Trigger Moment P Particularly with lower frequency modulations, you can use the reset / synchronisation option to make sure that the FO starts from zero whenever a key is pressed (Keyboard Gate Reset FO). Time Time If you don t want this effect, then leave the Off On Off On reset input unconnected, for a random FO waveform response. Fig. 1: FO without Fig. 2: FO with Synchronisation Synchronisation 4

doepfer System A - 100 FO A-145 5. User examples An FO can be used for all sorts of different modulations: FO - VCA (A-130, A-131, A-132) Modulation of the gain produces Tremolo FO - VCF (A-120, A-121, A-122, A-123) Modulation of the cut-off frequency produces cyclical variation in tone colour - Wah-wah FO - VCO (PWM A-110, A-111) Pulse width modulation using the FO produces cyclical variation in tone colour (phasing type) FO - VCO (FM A-110, A-111) Pitch modulation using FO produces vibrato. FO - VCP (A-125) Phase shift modulation using FO produces cyclic phasings or phase vibrato Producing echo effects As well as modulation effects, FOs can also create time-based repeat effects. In Fig. 3 the FO is being used to produce an echo effect. The frequency and waveform of the FO determine the delay-time and character of the sound, and the ADSR parameters determine the envelope and feedback amount of the echoes. VCO GAT E ADSR VCA 1 VCA 2 The above effects occur with FO frequencies in the sub-audio range. Once the FO gets into the audio range, timbral changes always occur. Examples and further notes can be found in the manuals for the respective modules. FO Fig. 3: Producing an echo effect 5

A-145 FO System A - 100 doepfer 6. Patch-Sheet The following diagrams of the module can help you recall your own Patches. They re designed so that a complete 19 rack of modules will fit onto an A4 sheet of paper. A-145 FO A-145 FO A-145 FO Photocopy this page, and cut out the pictures of this and your other modules. You can then stick them onto another piece of paper, and create a diagram of your own system. Make multiple copies of your composite diagram, and use them for remembering good patches and set-ups. P Draw in patchleads with colored pens. Draw or write control settings in the little white circles. 6