ANGELINA LUCENTO. National Research University Higher School of Economics Tel:

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1 1 ANGELINA LUCENTO National Research University Higher School of Economics Tel: School of History Petrovka ul., Moscow Russian Federation arttheoryaftersocialism.tumblr.com Employment Research Fellow, International Center for the History and Sociology of World War II and Its Consequences, National Research University-Higher School of Economics, Moscow 2015-present Humanities Initiative Postdoctoral Fellow, Institute for Advanced Study, Central European University, Budapest Education Ph.D., Department of Art History, Northwestern University, 2014 Dissertation: Painting for the Collective: Art, Politics, and Communication in Russia, Committee: Christina Kiaer (chair), Hannah Feldman, Robert Bird, and Mary Dietz Visiting Graduate Scholar in Residence, Department of History, Moscow State University, & M.A., Department of Art History, Northwestern University, 2007 Certificate in Russian Area Studies, Moscow International University, A.B. Bryn Mawr College, magna cum laude, 2005 Publications Published, In Press, and Forthcoming The Conflicted Origins of Soviet Visual Media: Painting, Photography, and Communication in Russia, , Cahiers du Monde russe, 56/2-3, Avrilseptembre 2015

2 2 Surface Tension: Sam Gilliam, Modernist Painting, and the Critical Examination of Race in Post-War American Art, Critical Riot: On the Failures of Imagination in Contemporary Art Writing and Criticism, in press Book Review, Aksenov and the Environs, Studies in Russian and Soviet Cinema, Fall 2013: Живопись, материя, пространство: Давид Штеренберг и визуальная новация в молодой советской России [Painting, Matter, Space: David Shterenberg and Visual Innovation in Early Soviet Russia], in Пространство ВХУТЕМАС: Наследие. Традиции. Новации: материалы Всероссийской научной конференции (Moscow: State Stroganov Academy of Design and Applied Art, 2010): 134 Evolution and Homogenic Love in C.R. Ashbee s Guild of Handicraft, Design in the Age of Darwin, eds. Stephen Eisenman and Corinne Granhof (Evanston: Northwestern University Press, 2008): Published Translations Oleg V. Khlevniuk, Top Down vs. Bottom-up: Regarding the Potential of Contemporary Revisionism, trans. Aaron Hale-Dorrell and Angelina Lucento, Cahiers du Monde russe, forthcoming, winter 2016 Works in Progress New Media and the Culture of Endless War: Contemporary Visual Culture in Ukraine as Case Study, in preparation. Painting Socialist Internationalism: Hungarian Modernism and the Emergence of the New Soviet Man, special issue of East Central Europe, under review Touched Surfaces: The Politics and Aesthetics of Figuration in Soviet Culture, (working title), manuscript in preparation Anatolii Lunacharskii and the Aesthetics of Socialism: A Critical Reader, volume of translated texts and critical essays, co-edited with Alla Vronskaya (ETH, Zűrich), in preparation Fellowships and Awards New Europe College International Fellowship for Advanced Study, Bucharest, Romania (Declined) Fulbright-Hays Grant (Administered by Institute of International Education), Moscow State University, Moscow

3 Paris Program in Critical Theory Fellowship (Northwestern University), EHESS, Paris, Fall 2011 Fulbright Research Scholarship, Moscow State University, Moscow, Paris Program in Critical Theory Fellowship (Northwestern University), Paris and Moscow (Declined) Shanley Grant for Travel and Research Abroad, Northwestern University, Department of Art History Summer 2009 Graduate Research Grant, Northwestern University Shanley Grant for Travel and Research Abroad, Northwestern University, Department of Art History Summer 2008 Summer Research Grant for Fieldwork in Berlin, Moscow, and the Baltics, Buffet Center for International Studies, Northwestern University Summer 2008 Summer Language Grant for Study in Dresden, Germany, Northwestern University, Summer 2007 University Fellowship for Graduate Study, Northwestern University U.S. Department of State Scholarship for Post-graduate Study Abroad (Title VIIII), Moscow International University, Moscow George Kline Fellowship for Post-graduate Study Abroad, Bryn Mawr College Teaching As Instructor of Record Culture, Society, and War in Twentieth Century Europe (co-instructor of record, Seth Bernstein), National Research University-Higher School of Economics, Moscow Winter/Spring

4 4 Realism after Socialism: Art, Politics, and Communication in the Soviet Sphere, Present (graduate seminar), Central European University Fall 2014 Thesis supervision Departmental supervisor, Darja Filippova, Blasphemy as a Tool for Institutional Critique: Exploring Lineages of Religious Aesthetics and Protest Culture in Political Performance Art through the Chronotope of Holy Foolery, Central European University, Department of History MA 2015 Departmental co-supervisor, Anna Nagyházi-Soóky, The Development of Art Criticism in Budapest from 1884 to 1901 through the Works of Zoltán Ambrus, Tamás Szana and Károly Lyka, Central European University, Department of History MA 2015 As Teaching Assistant Introduction to Modern Art, Northwestern University Winter 2014 Art of the Russian Revolution, Northwestern University Spring 2010 Contemporary Art and Its Engagements, Northwestern University Winter 2010 Introduction to Art History and the African Diaspora, Northwestern University Fall 2009 Introduction to Modernism, Northwestern University Spring 2009 Objects and Their Histories: A New Approach to Introductory Art History, Northwestern University Winter 2009 Introduction to Ancient Art, Northwestern University Fall 2008 Introduction to European Art, Northwestern University Spring 2008 Contemporary Art in/and/about the Middle East, Northwestern University Fall 2007

5 5 Invited Talks and Presentations Guest Lecturer, Short Course, Transnational Modernisms: Cultural Exchange between the USA and the USSR, , Department of Art History, Ural Federal University, Yekaterinburg, Russia April 2016 A Cultural Revolution from the East: The Influence of TatLef and the Kazan School on the Soviet Avant-Garde, In Empire s Long Shadow (interdisciplinary conference), University of Chicago February 2016 Invited panelist (in Russian without English interpretation), Актуальные проблемы изучения и интерпретации художественного наследия х годов [Actual problems in the study and interpretation of the artistic heritage of the 1920s and 1930s], Центр авангарда [Center of the Avant-Garde], Moscow 17 September 2015 Invited panel discussant, Revolutionary Anthropologies in Eastern Europe in the 1930s and Beyond, Pasts, Inc.: Center for Historical Studies, Budapest 8 May 2015 Art to the Masses! AKhR, the October Association, and the Invention of Soviet Media Theory, University of Szeged, Hungary 2 April 2015 Painting Our Way Out: American Art during the Great Depression of the 1930s, Moscow State University, Moscow, Russian Federation 3 March 2011 Painting Our Way Out: American Art during the Great Depression of the 1930s, Gorky Library, Perm, Russian Federation 27 February 2011 American Painting : From the WPA to Abstract Expressionism, Kolomna Teacher Training Institute, Kolomna, Russian Federation 21 December 2010 After Abstract Expressionism: American Art in the 1950s and 1960s, Small group seminar, Kolomna Teacher Training Institute, Kolomna, Russian Federation 21 December 2010

6 6 Conference Participation Panel Co-Convener (with Dr. Alla Vronskaya), Aesthetics and Art Theory in the Socialist Context, College Art Association, Washington, DC February 2016 Defining Socialist Industry: Anatolii Lunacharskii, Alexei Gastev, and the Question of Technical Aesthetics in Proletarian Culture, Association of Slavic, East European, and Eurasian Studies Convention, Philadelphia November 2015 Roundtable Discussant, Records, Facts, and Facsimiles: Photographic Truth in Russian Culture, Association of Slavic, East European, and Eurasian Studies Convention, Philadelphia November 2015 The Development of a New Perspective from Old Methods: Bela Uitz and the Role of Renaissance Aesthetics in Soviet Monumental Art, Actual Problems in the Theory and History of Art VI, Moscow State University, Moscow October 2015 New Media and the Culture of Endless War: Contemporary Visual Culture in Ukraine as Case Study, Past the Post : Theorizing the Post-Post Soviet via (New) Media and Popular Culture, University of Amsterdam, Netherlands June 2015 Evaluating Violence: How Evgenii Katsman Painted Felix Dzerzhinskii and Why it Matters to History, Teaching Visual Culture: Methodologies, Challenges, Perspectives, Central European University, Budapest February 2015 Painting with Photography, Painting Against Photography: The Conflicted Origins of Soviet Visual Media, Association of Slavic, East European, and Eurasian Studies Convention, San Antonio November 2014 Antiquity and the New Man: The Classical Figure in the Work of Evgenii Katsman, Actual Problems in Art Theory and History V, State Hermitage Museum, St. Petersburg October 2014 The Conflicted Origins of Soviet Visual Media: Painting, Photography, and Communication in Socialist Russia, Nordic Political Science Association, Gothenburg, Sweden August 2014

7 7 The Unsustainability of War: What Modern Art and Visual Culture Tell Us about the Relationship between Violence, Disability, and Identity, Society of Disability Studies, Minneapolis June 2014 The Conflicted Origins of Soviet Visual Media: Painting, Photography, and Communication in Socialist Russia, College Art Association, Chicago January 2014 Interrupting Heroic Realism: The role of the Society of Easel Painter's Historicalmaterialist Philosophy in the Evolution of Early Soviet Art, Association of Slavic, East European, and Eurasian Studies Convention, Boston November 2013 No More Passive Spectators! The Role of Realist Painting in the Development of Collective Politics, Socialist Realist Art: Production, Consumption, Aesthetics, Södertörn University/Stockholm Museum of Modern Art, Stockholm, Sweden October 2012 Not for the Passive Spectator: Soviet Realist Painting and Political Action in the 1920s and 1930s, Association of Slavic, East European, and Eurasian Studies Convention, Washington, D.C. November 2011 Painting, Matter, Space: David Shterenberg and Perceptual Innovation in Early Soviet Russia, Space of VKhUTEMAS: Heritage, Traditions, Innovation, Moscow Architectural Institute, Moscow, Russian Federation November 2010 From Anarchy to Schizoanalysis: The Philosophical Evolution of Ivan Puni s Revolutionary Painting, Connect, Continue, Create: Third International Deleuze Studies Conference, University of Amsterdam, Netherlands July 2010 Counter-criticality: Sam Gilliam and the Politics of Abstract Painting in the Post- Civil Rights Era, Black Graduate Association Graduate and Professional Student Research Conference, Northwestern University April 2010 Conference co-organizer (with Dr. Christina Kiaer), Avant-garde and Totalitarianism Re-visited: Soviet Visual Culture, 1920s-1940s, Northwestern University March 2010 Cool Sound, Cool Image: Jamel Shabazz and the Visualization of the Sonic Subject in Hip-Hop Culture, Midwest Art History Society, Chicago, IL

8 8 April 2008 Catherine Opie Goes Domestic, Thinking Gender, UCLA February 2008 Campus and Departmental Talks Evaluating Violence: Why the First Official Portrait of Felix Dzerzhinskii Matters to History, Central European University-Institute for Advanced Study Fellows Seminar, Budapest 11 March 2015 Toward a Cultural Revolution: Figuration and Communication under NEP, , Department of Art History, Northwestern University, Evanston, IL, USA 21 February 2013 Museum Experience Curatorial Assistant, Darwin and Design, Block Museum of Art, Evanston, IL 2008 Curatorial Intern, The Pushkin Museum of Fine Arts, Moscow, Russia Service to Profession Editorial Board Member, DRUŽBOSLOVNE RAZPRAVE (Slovenia) 2015-present Manuscript Reviewer, Cultural Policy Yearbook 2014-present Grant application evaluator and interviewer, Fulbright Russia 2011-Present Teaching Areas Twentieth and Twenty-First Century Russian Visual Culture and Cultural History New Media: History, Theory, and Practice History of Photography Modern European Art, 1863-Present Contemporary Art of Eastern Europe and Eurasia

9 9 Critical Theory and Aesthetics Art of the African Diaspora Language Proficiencies Russian (Speaking, Reading, Writing), Near-native German (Speaking and Reading), Good French (Speaking and Reading), Good Spanish (Speaking and Reading), Fair Professional Affiliations College Art Association (CAA) Association of Slavic, East European, and Eurasian Studies (ASEEES) Society for Disability Studies (SDS)