CURRICULUM VITAE OF MICHELE LEIGH TORRE I. PROFESSIONAL AFFILIATION AND CONTACT INFORMATION

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1 CURRICULUM VITAE OF MICHELE LEIGH TORRE I. PROFESSIONAL AFFILIATION AND CONTACT INFORMATION A. Present University Department or Unit: Department of Cinema & Photography B. Office Address: College of Applied Sciences and Arts Mail Code Lincoln Drive, Room 1121L Southern Illinois University Carbondale, IL II. EDUCATION Ph.D., Critical Studies, School of Cinematic Arts, University of Southern California, M.A., Critical Studies, School of Cinema/TV, University of Southern California, B.A., Russian Language and Literature, University of Southern California, III. PROFESSIONAL EXPERIENCE Assistant Professor of Film Studies, Dept. of Cinema and Photography, Southern Illinois University Carbondale, 2010-Present. Visiting Assistant Professor of Film Studies, Dept. of Cinema and Photography, Southern Illinois University Carbondale, Lecturer, Dept. of Cinema and Photography, Southern Illinois University Carbondale, Summer Teaching Assistant, Critical Studies Dept., School of Cinematic Arts, University of Southern California, IV. RESEARCH AND CREATIVE ACTIVITY A. Interests and Specialties: Silent Cinema Female Industrial Practice Theories of New Media Textual Analysis

2 Eastern European Cinema Genre Studies Animation & Gaming Film Theory Independent Cinema & the Festival Market B. Current Projects: don't duplicate items listed under B, C, and D List C. Grants Applied for: National Endowment for the Humanities (NEH), Summer Stipend, 2010; selected as campus faculty nominee. D. Grants Received: 2012 University Women s Professional Association travel grant, $ Illinois Arts Council Grant for 34 th Big Muddy Film Festival, $ Faculty Seed Grant, Southern Illinois University, to conduct research for proposed book project: Alexander Khanzhonkov and His Queens of the Screen: An Exploration for Female Industrial Practice in Russia, , $8, Illinois Arts Council Grant for 33 rd Big Muddy Film Festival, $ , Fall, Dissertation Completion Fellowship, University of Southern California Harold Lloyd Scholarship, School of Cinema/TV, University of Southern California. 2000, Spring, Student Travel Grant awarded by the Center for Feminist Research, University of Southern California. E. Honors and Awards: Research Fellow, Russian East European and Eurasian Center, University of Illinois at Champagne-Urbana. Summer 2009, 2008, 2007, 2002, Future Professorate Program at the University of Southern California. F. Papers and Presentations at Professional Meetings: 2012 Myth Maker: Doctor Who and the Blurring of the Boundaries Between History, Myth and Mediation to be presented at the annual Film and History Conference in Milwaukee, MI, Sept , 2012.

3 Page 3 Transforming Comedic Performance for the New Media : Lina Bauer Does Film Comedy, presented at the bi-annual Domitor Conference in Brighton, England, June 18-22, Animating Archer, Sterling Archer: Bad Ass Spy or the Ultimate Mama s Boy?, presented at the Society for Cinema and Media Studies (SMCS) Annual Conference in Boston, Ma., March 21-24, Beautiful Corpse: The Dead Female Body in the Films of Evgenii Bauer presented at the Central Slavic Conference, St. Louis, Mo., November 11-13, Not Just the Wife of the Studio Head: Antonina Khanzhonkova, Writer, Editor and Decision-maker, presented at the Doing Women s Film History Conference, Sunderland, England, April 13-15, Antonina Khanzhonkova, the First Queen of the Russian Screens presented at the SMCS Annual Conference in New Orleans, La, March 11-14, "Khanzhonkov and the Development of a Studio Style" presented at the Association for Slavic, East European, and Eurasian Studies (ASEEES) annual conference in Los Angeles, CA November 18-21, Alexander Khanzhonkov and his Queens of the Screen presented at the Women and Silent Screen IV in Bologna, Italy, June 24-26, 2010 You wanna do it again and put on some interracial porn? : Archer and the Seamy Underbelly of Animation for Adults presented at the Popular Culture Association conference in St. Louis, Mo., March 31 April 3, A Reel Woman: Zoia Barantsevich Makes her Mark in the Movies presented at the SMCS Annual Conference in Los Angeles, March 17-21, "Women's Work?: Writing for the Cinema, " presented at the American Association for the Advancement of Slavic Studies (AAASS) annual conference in Boston, Ma. November 12-15, A Woman of all Trades: Zoia Barantsevich, a Pioneer in Early Russian Cinema presented at the Women and the Silent Screen V Conference in Stockholm, Sweden, June 11-13, Women on the Loose: Navigating Urban Landscapes in the Films of Evgenii Bauer presented at SMCS Annual Conference in Philadelphia, Pa, March 6-9, 2008.

4 Page Organizer and Chair of a Workshop entitled, Developing a Teaching Philosophy: A Tool for Success on the Job Market for the SMCS Annual Conference in Chicago, March 8-11, Death Becomes Her: The fine line between obsession and necrophilia in the films of Evgenii Bauer. Presented at AAASS annual conference in Washington, D. C. November 16-19, Organizer and Chair of a Workshop entitled, Preparing for the Academic Job Search: Writing the Perfect Cover Letter for the SMCS Annual Conference in Vancouver, Canada March 3-6, Good, Bad, and Dangerous: Female Representations in the films of Evgenii Bauer, presented at the AAASS annual conference in Salt Lake City, Utah, November 3-6, Rising Stars and Fallen Women: The Beginnings of the Star System in Russian Cinema presented at the Society for Cinema and Media Studies (SMCS) Annual Conference in London, March 31 April 3, Lina Bauer: The Director s Wife Presented at the Women and the Silent Screen III Conference in Montreal, Canada, June 2-6, Lina Bauer: The Russian Funny Lady. Presented at the SCMS Annual Conference in Atlanta, March 4-7, Stars Made in Moscow Presented at the Annual American Association of Teachers of Slavic andeast European Languages (AATSEEL) Conference in San Diego, Dec , Romantic Comedy and Social Satire in the Era of Stagnation : Soviet Film in the 1970s. Presented at the SCMS Annual Conference in Minneapolis, March 6-9, Art or Entertainment? An Early Russian Attempt at Making Cinema Legitimate. Presented at the SCMS Annual Conference in Denver, May 23-26, Pegas and The Attempt to Legitimize Cinema-Going. Presented at the Annual AATSEEL conference in New Orleans, Dec , Decadent Sexuality and the Problem of Modernity in Evgenii Bauer s Films. Presented at the Annual AAASS conference in Washington, D.C., Nov , Daydreams: Visions of Masculinity in Evgenii Bauer s Films. Presented at the Annual British Association of Slavic and East European Studies (BASEES) conference in

5 Page 5 Fitzwilliam College, Cambridge University, April Positioning Women as Pre-Cinematic Spectators. Presented at the Annual AATSEEL conference in Washington, D.C., Dec , Turning Women into Spectators. Presented at the NorFA Research Seminar, Receptions: Film, TV, Digital Culture at Stockholm University on June 6, Sexing the City: Women in Pre-Revolutionary Russian Film. Presented at the SCMS Annual Conference on March 11, G. Other: V. PUBLICATIONS AND CREATIVE WORKS A. Books: Author, P. C., Jr., & White, E. B. (1988). Capitalize first word only of book title: And of subtitle, if any, no period if ed. or vol. follow (3rd ed. or Vol. #). City Published, ST: Name of Publisher. (APA page 201) B. Articles in Professional Journals: Animating Archer, Sterling Archer: Bad Ass Spy or the Ultimate Mama s Boy? Animation Studies (under review) For Queen and Country. An article on Shekhar Kapur s Elizabeth in American Cinematographer. Dec C. Creative Contributions: D. Chapters in Professional Books: Filtering Culture: Symbolism, Modernity and Gender Construction in Evgenii Bauer s Films. Screen Culture: History and Textuality. Ed. John Fullerton. Eastleigh, England: John Libbey Press, D. Popular and Creative Writing:

6 Page 6 E. Book Reviews: Alexander Shiryaev: Master of Movement Studies in Russian and Soviet Cinema, expected Spring A Culture of Light: Cinema and Technology in 1920s Germany The Moving Image, Spring Reframing British Cinema: Between Restraint and Passion The Moving Image, Fall F. Other VI. TEACHING EXPERIENCE A. Teaching Interests and Specialties: Introduction to Film History and Analysis Understanding Visual Media: Analysis and Theory Alternative Media in a Diverse Society Visual Literacy Independent Cinema: What it is and how it Works (Graduate & Undergraduate) Women and the Silent Screen (Graduate & Undergraduate) Understanding Animation: History, Theory, & Technology (Graduate & Undergraduate) Critical Research Methods (Graduate course) Historical Research Methods (Graduate course) B. Teaching and Training Grants: C. Teaching Awards and Honors: D. Current Graduate Faculty Status: Active Graduate Faculty E. Number of Master's and Ph.D. Committees on which you have served: MS: 1 MA: 1 MFA: 3

7 Page 7 Ph.D: 6 Topics include: Avatars in American Culture; Historical Significance of the Pirate Genre; Cold War Cinema; Science Fiction, Sound and Gender, Asian American Representation Contemporary Video; Alan Blumlein and the Evolution of Sound Technology F. Names of Students who have completed Master's Theses and Doctoral Dissertations under your Direction: G. Other: VII. UNIVERSITY EXPERIENCE A. Department Committees: Present Faculty Advisor to the registered student organization Film Alternatives, Southern Illinois University Carbondale Curriculum Committee, Dept. of Cinema and Photography, Southern Illinois University Carbondale B. College and University Committees and Councils: present Graduate Committee, College of Mass Communications and Media Arts, Southern Illinois University Carbondale Diversity Committee, College of Mass Communications and Media Arts, Southern Illinois University Carbondale C. Other: VIII. PROFESSIONAL SERVICE A. Membership in Professional Associations: 1996-present: Member of Society of Cinema and Media Studies 1998-present: Member of Domitor An International Association for Study of Early Cinema 1999-present: Member of American Association of Teachers of Slavic and East European Languages 1999-present: Member of the American Association for the Advancement of Slavic Studies 2001-present: Member of the America Association for Women in Slavic Studies 2008-present: Member of Women & Film History International

8 Page 8 B. Offices Held and Honors Awarded in Professional Associations: Co-Chair Women in Screen History, Society for Cinema and Media Studies Scholarly Interest Group Membership Coordinator for Women and Film History International Manager for the listserv and blog for Women and Film History International Graduate Student Representative for the Society of Cinema and Media Studies. C. Consultantships: D. Evaluation of Manuscripts for Journals and Book Publishers and of Grant Proposals for Agencies:. E. Papers and Presentations at Professional Meetings: F. Other IX. COMMUNITY SERVICE REV 8/03