Introduction to UCLA Extension syllabus (revised: Aug, 14) COURSE SYLLABUS

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1 Course #: MUSIC X 480 Course Title: Introduction to Logic Pro COURSE SYLLABUS Reg. # Units: 4.00 Credit Quarter/Yr: Winter 2015 Day/Time: Tot:10 meetings on Mondays (4 hours/week (No meeting 1/19, 2/16; 1 mtg. to be arranged) : 1:15pm to 5:15pm Dates: January 12 th to March 23 rd Location: Room B Westwood Center 1010 Westwood Blvd. Instructor: Maurizio OTTO De Togni Course Description This course introduces songwriters, composers, audio producers and sound engineers, to the primary features and basic user interface of Logic Pro X. Students learn the process of creating an actual song, from recording, editing with Flex Time/Pitch and arranging of MIDI sequences, to digital effects processing, mixing, automation, using Logic Pro s comprehensive array of software instruments, Apple Loops and DSP effects. This course covers the requirements necessary to successfully become an Apple Certified Pro, Level One in Logic Pro X. Objectives Veteran music producer/audio technologist (Apple Certified Trainer Logic Pro X Avid Certified Pro Tools Instructor), Maurizio OTTO De Togni ( uses step by step, project based instruction and straightforward explanations to teach everything from basic music creation to advanced production techniques. You will learn how to work and produce Music with Logic Pro X; Build a Song (Recording, editing, Arrange and Mix); Troubleshoot and Optimize. Required Media and Materials Apple Pro Training Series: Logic Pro X: Professional Music Production, by David Nahmani, Peachpit Press, (book and/or ebook) Buy Logic X: Personal Computer (Apple with Intel: 4GB ram (8GB recommended) OSX.8.4 or later 40GB of disk space available to install Logic X and media content + 8GB space available for class material):

2 A set of Headphones + (1 8 Headphone Adapter) (Optional) Microphone (any kind of dyn/condenser) with XLR cable or USB mic. (Optional) Audio Interface (Optional) MIDI/USB Musical Keyboard with USB Cable Note The Introduction to Logic class at UCLA extension will be teaching on a Logic X system on an imac computer. Prerequisite: Basic computer skills, and basic audio technology concepts. *: Certification (Optional) Certification (Optional) This course covers the requirements necessary to successfully become an Apple Certified Pro, Level One in Logic Pro X. By taking and passing the Apple Certified Pro exam, a user is given Apple Certified Pro status which allows them to distinguish themselves to colleagues employers and prospective clients as a skilled user of the chosen software application This certification gives individuals a competitive edge in today s ever changing job market. The exam is not available at UCLA. For more info: Grade Calculation (Grade mode: Web) Course grades will be based the on the completion of exams, assignments, and classroom participation as follows: Assignment/Exam #1 (quiz): 35 % Assignment/Exam #2 (project): 45 % Attendance/Punctuality (2% x meeting): 20 % Total % must equal % Letter/Grade % A+ (98-100) A (93-97) A- (90-92) B+ (88-89) B (83-87) B- (80-82) C+ (78-79) C (73-77) C- (70-72) D+ (68-69) D (63-67) D- (60-62) F (<59) A grade of C or better is considered a passing grade. Certificate students must take 400 level courses for a grade. Please note that ALL COURSE GRADES ARE FINAL. Student Behavior involving cheating, copying other s work, and plagiarism are not tolerated and will result in disciplinary action. Students are responsible for being familiar with the information on Student Conduct in the General Information Section of the UCLA Extension Catalog or on the website at

3 Policies regarding Academic Integrity and Services for Students with Disabilities UCLA Extension is committed to creating a fair and equitable learning experience for all students. As such, please ensure that the following language appears in your course syllabus regarding UCLA Extension policies on Academic Integrity and Services for Students with Disabilities: Academic Honesty Policy Academic dishonesty covers behavior in cheating, plagiarism, and fabrication of information. These behaviors are not tolerated. Students are encouraged to familiarize themselves with the UCLA Extension Student Conduct Code and the official statements regarding cheating and plagiarism at: Services for Students with Disabilities In accordance with Section 504 of the Rehabilitation Act of 1973 and the Americans with Disabilities Act of 1990, UCLA Extension provides appropriate accommodations and support services to qualified applicants and students with disabilities. These include, but are not limited to, auxiliary aids/services, such as note takers, audiotaping of courses, sign language interpreters, and assistive-listening devices for hearingimpaired individuals, extended time for and proctoring of exams, and registration assistance. Accommodations and types of support services vary and are specifically designed to meet the disability-related needs of each stude3nt based on current, verifiable medical documentation. Arrangements for auxiliary aids/services are available only through UCLA Extension Disabled Student Services at (310) (voice/tty) or by at [email protected]. Please request such arrangements with at least five working days advance notice. All assistance is handled in confidence. Accommodations must be pre-approved. Requests for retroactive accommodation will not be accepted. COURSE CONTENT: Exact order and pacing of topics is subject to change. Revised: April 2014) Note to students: While this syllabus is posted to give you an overview of the course, it is subject to

4 change. Should you have further questions, please contact the UCLA Extension Entertainment Studies program at (310) or via at Unit 1: Class introduction: Policy. Grade calculation. Computer lab rules. Required material and equipment. OVERVIEW: Launching Logic and Exploring the interface. Creating your own Template. PRE-PRODUCTION: MAKING MUSIC WITH LOGIC X, NOW: (Building an Arrangement using Apple loops, mixing & exporting the mix). Unit 2 PRODUCTION (AUDIO): RECORDING: Recording Audio Settings; Recording Audio on a Single Instrument and on Multiple Tracks; Recording Additional Takes; Recording in Cycle mode and Punching in and out. Additional settings Unit 3: EDITING (AUDIO): Comp-ing Takes Techniques, Using Fades and Cross-fades, Using the Flex tool to modify and manipulate an audio file, Quantize audio Regions, Using the Audio Track Editor for editing audio, Using the Audio File Editor to reverse a sound. Deleting Audio Files in the Bin, Importing Audio Files. Unit 4: PRODUCTION PART 1 (MIDI): PRODUCE A VIRTUAL DRUM TRACK: Create a Drummer Track and choose and drummer and drum kit, Edit the drummer performance, Buid an arrangment and edit the new performances, Make the drummer play behind or ahead the beat, Customize and create your own drum kit, Tune and dampen individual kit pieces. Unit 5: PRODUCTION PART 2 (MIDI): RECORDING MIDI & USING CONTROLLERS: Record MIDI performances, Quantize MIDI recordings, Merge new recordings, Recording in Take Folders, Step-by-Step MIDI recording, Create Track Stacks, Layering Instruments, Smart Controls, Using Logic Remote on ipad, MIDI effects. Unit 6: CREATING & EDITING (MIDI): Creating & Editing in the Piano Roll Editor, Creating & Editing in the Score Editor, Time & Scale Quantize individual notes, Editing MIDI Continuous Controller Events in the event list and drawing region automation using the MIDI Draw Area; Importing MIDI Files. Unit 7: ADVANCED EDITING: EDITING TIME & PITCH: Matching the Project Tempo to an Audio File s Tempo, Add/Insert Tempo Changes and Curves, Time Stretching and Tempo Matching with Flex Time Editing, Pitch Editing & Tuning vocals with Flex Pitch, Create Apple Loops, Apply Turntable sound-effects, Using Varispeed, Follow the groove feature. Unit 8:

5 ARRANGEMENT & EDITING: Loop regions and convert loops to individual regions, Repeat regions in the workspace, Pack regions into folders, Save alternative arrangements, Insert silence to create a new section, remove a section, Remove silence or background noise from a region Unit 9: MIXING: Preparing for Mixing, Using the Mixer, Using Plug-ins, Adjusting Levels, Choosing Pan Positions, Choosing EQ Settings, Using Delay and Reverberation, Using Dynamic Processing Plug-ins. Use folders and summing stacks. Using Bus sends and Aux channel strips, Using screensets, Tips and Tricks. Unit 10 (week 10): AUTOMATION: Track-based Automation, Writing and Editing Offline Automation, Recording Live Automation, and Using External Controllers, Export your MIX (bouncing techniques), External MIDI devices. KEYBOARD SHORTCUTS. Final Exam: Quiz + Project Notes: MAURIZIO OTTO DE TOGNI "Mentor to multiple Grammy-winning producers, and Hollywood's go-to professional for Avid Pro Tools and Apple Logic Pro advice and education, Otto teaches Logic & Pro Tools Certification classes at the AE program.

6 Maurizio De Togni (better known as Otto) has been a music-maker and independent music producer since As consultant and "mentor", among his clients you'll find Paramount Pictures, James Valentine & Jesse Carmichael (Maroon 5), John Lennon Educational Tour Bus, as well as various popular and Grammy Award-winner artists/producers/engineers/studios. His background includes wide experience as a musician, composer, arranger, programmer/pro Tools operator, and audio technologist for Italian, American, and international artists in the classical, pop, rock and dance fields as well as international commercials (Heineken, Subaru, Campari ). For Macworld@ magazine and Macworld Online@, he wrote almost a hundred of articles on music data processing and audio-pro solutions (which includes the "ilife-pro" book). He worked as a foreign contributor on many prestigious events (NAMM show, AES, MAcWorld WWDC ). He is a member of: SIAE (Italian Society of Authors and Publishers) and NARAS/GRAMMY (National Academy of Recording Arts and Sciences). He lives in Beverly Hills with his lovable wife and adorable daughter. With 46 certifications that make him "the most certified man in the planet", Otto's Apple Logic Pro and Avid Pro Tools credentials include "Apple Logic Pro X Certified Pro" (since v.7), "Apple Distinguished Audio Professional" and "Avid Certified Pro Tools Expert" (since v.7) along with qualifications as an "Apple Logic Pro X Certified Trainer" and "Avid Certified Pro Tools Instructor". With almost 4000 students and hundreds of classes all over the world, he has taught/designed curriculums at the Academy of Entertainment Arts and Professions at Milan s "Teatro alla Scala", Soho Editors (AATC, London - UK), Espero (AATC, Milan - IT), University of California Los Angeles (UCLA Extension), Musicians Institute (Hollywood, CA), Digital Media Academy at Stanford Univeristy, "Grammy Museum" of Los Angeles, Shepherd University (Los Angeles, CA). He s the recipient of the 2012 Outstanding Instructors award at University of California Los Angeles in entertainment studies and performing arts. Testimonials: "I heard you are THE MAN when it comes to Logic and Pro Tools. I d love to get together to learn some of your Jedi secrets "..."At our first session...i immediately realized I was in the presence of a true master...my working skills took a quantum leap in those first couple of hours. His knowledge is so extensive. Now when I get home from Maroon 5 tours, my first call is to Otto to set up an appointment! James Valentine, Guitarist/Songwriter/Producer, Maroon 5 (3-Time Grammy Award winner, 18 million records sold) I m super stoked about booking some sessions with you Otto, to dive deeper into logic!!!! Who knows how much better the next Maroon 5 album will be because of Otto" Jesse Carmichael, founder, keys, Songwriter, Producer, Maroon 5 (3-Time Grammy Award winner, 18 million records sold). Constantly I am aided by Maurizio and his technical troubleshooting. He has been an invaluable asset to my productions... He is always my go to guy with every Pro Tools and Logic problem I come across" Rich Dickerson & Gigi Meroni, Music Composer (Warner Bros. TV show, What s New Scooby Doo), Emmy Award The 20 year experience in writing music for international awarded commercials and for awarded TV shows let Mr. De Togni be one of the best appreciated composer, arranger and director in the Italian Entertainment field One of the most skill-full audio expert and sound engineer I had a pleasure to meet and work with. Carlo Silotto, Composer, Orchestrator, Producer, Violinist, ( The Punisher with John Travolta, Golden Globe nominee (NO MAD, Best Score).