Portfolio Submission Criteria Fall 2016

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1 Portfolio Submission Criteria Fall 2016 PLEASE NOTE: The School of Interior Design will only be accepting mailed-in portfolio submissions, however, you may be contacted for an interview. If you are contacted by our School for an interview, detailed information will be given to you at that time. There are 3 parts to the portfolio submissions, please ensure that you review the check list located on the last page of this document: 1. The portfolio of your work; 2. The written component; 3. The design test. Below is a description of each component. When prompted by the University, please send your portfolio submission package to: Mailing Address: Courier Address ONLY (Please note, this is not a mailing address): Ryerson University School of Interior Design Ryerson University School of Interior Design Portfolio Selection Committee Portfolio Selection Committee 350 Victoria Street 302 Church Street Toronto ON M5B 2K3 Toronto ON M5B 1Z5 1. Portfolio Content All applicants must submit or present a non-returnable portfolio of personally produced graphic or visual work. Submissions will not be returned to you. DO NOT INCLUDE ORIGINAL WORK inexpensively reproduced drawings, digital photographs, reductions, and good quality photocopies are acceptable and desired. Digital design work must be submitted as a hard copy: please do not send slides, CDs, or USB flash drives, these will not be reviewed. Please do not put your work into a portfolio case, binder or plastic sheets, please follow the format listed below. The purpose of the portfolio is to demonstrate visual talent and skills. Your ability to express yourself visually is an important part of the review process. You may include school assignments as well as work completed on your own. YOUR ABILITY TO DRAW WELL IS ESSENTIAL and should be demonstrated in a variety of forms. You MUST incorporate the following into your work: pencil, ink and colour media. Your portfolio will be judged on creativity, originality, 3D sensibility and demonstrated potential to complete the 4-year program. Organize your portfolio to include: A variety of work demonstrating your 2D and 3D potential (may be in a variety of media). Aim for quality rather than quantity in selecting work. There should be no more than 10 examples of personal work including the three mandatory items listed below. 1

2 The portfolio must include all of the following three items in black and white placed into a physical context. Drawings should not be from a photograph or image on the internet but from an existing condition/real life: 1. A freehand drawing of a staircase; 2. A freehand drawing of a collection of organic material (e.g., leaves, pods); 3. A freehand drawing of a chair. The following guidelines have been established to assist applicants in selecting additional samples of personal work for the portfolio: Include other examples of drawings, artwork, photography, or anything else that may demonstrate visual abilities and three-dimensional thinking. Graphic, architectural or industrial design work may also be included; Include work for course assignments (if any) as well as work completed independently; Avoid extensive submissions of mechanically drafted drawings or computer drawings; Label all work with your name, date, when work was executed, media used and original size. If the item was a course assignment, identify the course and summarize the assignment. This information should be conveyed in a statement of a maximum of twenty-five words. Your reproduced work should be on 8 ½ x 11 size paper, (there is no need to use photographic paper) stapled at the top left hand side. If a staple will not go through the pages you can use a clip. The Cover and Declaration Form page will be the first page (cover) of your portfolio submission. Ensure you complete the form with your name, your Ryerson Student Number (nine digits beginning with 500 ) and complete contact information and signed declaration. This cover sheet can be found at the end of this document. Do not forget to sign the declaration at the bottom of the sheet. You are also encouraged to include a recent passport sized photograph of yourself with your portfolio submission. 2. Written Component (2 PARTS): PART 1: In 700 words or less, please answer the following questions: How does Interior Design impact the everyday lives of individuals and communities? In addition to identifying common goals, please comment on the differences between designing for individuals versus larger numbers in communal space. PART 2: It is disturbing to think that, in the era of the high-tech image, our innate capacities of imagination may be becoming impoverished. Beauty is always the result of the non-aesthetic, often mundane concerns, such as a quest for precision, truthfulness, sincerity, or simplicity. Beauty that takes a lasting hold of our emotions arises from a full sense of life, with all its complexities and contradictions, not from mere visual imagery or sensory pleasure. True artistic beauty, unlike momentary seduction, projects a timeless and unattainable ideal. Buildings are not just visual compositions; they are magical, mediating structures that evoke and enhance images of life. Juhani Pallasmaa In 700 words or less, please respond to the Pallasmaa excerpt, describing an interior space (from your past or present) that has left an impression on you for reasons such as precision, truthfulness, sincerity, or simplicity. Please describe its essential qualities, and explain how your experience of this space has influenced your decision to pursue interior design. Please no not write about your own home, room etc. SUBMISSION REQUIREMENTS FOR PARTS 1 & 2: Please use 12 pt. font, single line spacing. 2

3 3. Design Test TIME ALOTTED: You should spend approximately 6 HOURS on this Design Test Please note that this time frame is simply a guide. You do not want to spend more than 6 hours on this test. THE DESIGN TEST: Design a temporary exhibition space for a single sculpture. This space should allow for a small group of people to view the sculpture from multiple angles. The maximum dimensions for this space should be no more than 12 metres (length) by 12 metres (width) by 12 metres (height). In bringing this space to life, you are asked to use no more than 3 materials for all of your finishes. This space may be imagined as a room within a larger building, or as a stand-alone structure, but should be comprised of two main parts: -Entry Threshold -Main Viewing Space THE DESIGN SUBMISSION: 1: PHYSICAL MODEL: Build a model (using 3 materials maximum) of this space, showing a figure inside the space to represent the human scale. The model should be at 1:25 scale (1/2 = 1 ). Please include 3 photographs (maximum) of this model in your submission. 2: PHOTOCOLLAGE: Using a medium of your choice, please create a single 3-dimensional illustration of the space. Please use colour and/or texture to represent your material selection and light qualities. 3: WRITTEN STATEMENT: Please complete a brief written statement (150 words) responding to the following: What are the qualities of the sculpture that influenced or inspired the design of the space? Submission Size: 8 ½ x 11 format. This document may have a maximum of 10 pages, and may include documentation of the work during the design process (sketches, photographs, notes, etc.). Pages should be stapled or clipped together. As the subject of your space, please choose one of the following works (images on the next page): -Rachel Whiteread Untitled (Stairs) Tate Modern (London) -Mona Hatoum Impenetrable Solomon R. Guggenheim Museum (New York) -Ruth Asawa Untitled De Young Museum of Art (San Francisco) 3

4 RACHEL WHITEREAD MONA HATOUM RUTH ASAWA EVALUATION CRITERIA WE WILL MARK YOU ON THE FOLLOWING: Communication Skills and 3D Form Development through: -Model-making 25% -Drawing/Collage 25% -Use of Colour/Material 25% -Written Statement & Design Process 25% TOTAL 100% For information on the works (materials, dimensions) please visit links to their permanent collection listing: untitled- stairs- t mona- hatoums- impenetrable/ asawa/untitled

5 Non-Academic Requirements Cover and Declaration Form Student Information Surname (as it appears on your Ryerson University application) First Name as it appears on your Ryerson University application) Ryerson Student Number (nine digits) Program Name Address Phone Number My signature below indicates that all aspects and submissions are true and accurate and have been prepared by me. No relevant information, academic or otherwise has been withheld; otherwise my admission to or registration at Ryerson University may be revoked. Signature Date 5

6 Fall 2016 Portfolio Submission Check List Be sure to include the following in your Portfolio Submission: 1. The Cover & Declaration Form don t forget to sign the bottom! 2. The Portfolio of your work 3. The Essay Component 4. The Design Test 5. The Non Academic Requirement Fee Form found as a separate link located on the Undergraduate Admissions website under the Interior Design program. Remember - don t send your submission in a portfolio case or binder nor in plastic sheets, keep it simple and staple or clip together all of the above documents with the Cover & Declaration Form as the first page of your submission. 6

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