SYLLABUS B.A. PART I DRAWING AND PAINTING I st Paper- Theory Fundamentals of Visual Art & Indian folk Art.
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1 SYLLABUS B.A. PART I DRAWING AND PAINTING I st Paper- Theory Fundamentals of Visual Art & Indian folk Art. MM:-40 Unit-I A) Simple study : Definition and Meaning of Art Unit- II Unit- III B) Elements of Painting 1. Line 2. Form 3. Colour 4. Tone 5. Texture 6. Space Principles of Composition 1. Proportion 2. Rhythm 3. Dominance 4. Harmony 5. Unity 6. Balance Medium and Techniques A) Medium 1. Dry Medium Powder Colour Pastel Colour 2. Wet Medium Water 1
2 Oil Acrylic B) Techniques Unit- IV (Traditional, All Prima, Impasto, Mix Media Etc.) Pastel Colour Water Colour Tempera Colour Oil Colour Acrylic Colour Indian Folk Art 1. Origin 2. Definition 3. Types - Rangoli, Mandna, Alpna, Sanjhi, Apna, Leela, Gudwana, Ahpan Suggested Readings: 1. Roopankan: G.K. Agarwal 2. Chitrakala Ke Anga: C.L. Jha 3. Chitran Vidhan: Sharma and Kshetriya 4. Roopprada kala ke Mool Aadhar: Sharma & Agarwal 5. Kala Ki Parakh: K.K. Jaiswal 6. Kala ka Darshan: Ramchandra Shukla 2
3 7. Kala Vivechana: Kumar Vimal 3
4 B.A. PART -I DRAWING AND PAINTING IInd PAPER- PRACTICAL This Practical paper should be divided into two units. M.M.:30 Unit-I Creative Designing (Ornamental/ Geometrical/ folk/computer) with minimum one human figure is compulsory. 1. Size: 9" 9" Maximum 2. Duration of Time: 4 Hours 3. Medium : Water /poster colour 4. Submission of Sessional work: 5 Plates Rendering 25 Sketches in Sketch book Examination = 20 5 Plates and 25 Sketches for submission OR 1. Size: Quarter Imperial 2. Duration of Time: 6 Hours = = 10 Total = Medium : Oil/ Water/Acrylic/Pastel 4. Submission of Sessional work: 5 Plates Examination = Sketches in Sketch book 5 Plates and 25 Sketches for submission = = 10 Total = 30 4
5 Unit II Still Life Painting M.M Size : Quarter Imperial 2. Duration of Time: 6 Hours 3. Medium : Oil/Water/Acrylic/Pastel colour 4. Submission of Sessional work: 5 Plates 25 Sketches in Sketch book Examination = 20 5 Plates and 25 Sketches for = 5+5= 10 Total =30 submission Total Practical Marks =60 INSTRUCTIONS 1. Above mentioned second paper practical's in two units should be treated in two courses and two individual periods should be allotted for every batch. One batch should be constituted of maximum 30 students. 2. I st paper theory should be allotted another individual period. 3. Art material should be provided from the college for the demonstration for the class to the teacher. 4. Drawing Boards should be provided for each student from the college/institution. 5. The objects of still life should be purchased by the college for conducting Art classes. 5
6 Unit-I SYLLABUS B.A. PART -II DRAWING AND PAINTING I st Paper- Theory History of Indian Painting (Pre-historic Period to 18 th Century A.D.) Pre-historic art with reference to Indian Painting 1. Pre-historic Painting 2. Indus Valley 3. Jogimara MM:-40 Unit-II Cave Painting and Sculpture 1. Ajanta 2. Bagh 3. Sittanvasal 4. Badami 5. Elephanta 6. Ellora Unit-III Medieval Art 1. Pal School 2. Apbhransha/ Jain School Unit-IV Rajasthani Style 1. Mewar - Mewar 2. Marwar - Kishangarh 3 Haroti - Kota- Bundi 4. Dhundhar - Jaipur Mughal Style 1. Akbar 2. Jahanghir 3. Shahjahan 6
7 Pahari Style: 1. Basohali 2. Kangra 3. Garhwal Suggested Readings: 1. Bharat Ki Chitrakala: 2. Bhartiya Chtrakala ka Itihaas : 3. Bhartiya Chitrakala ka Itihasic Sandarbh: 4. Bhartiya Chitrakala ka Sankshipta Parichaya: 5. Kala Aur Kalam : 6. Bhartiya Chitrakala ka Itihaas : 7. Bhartiya Chitrakala ka Itihaas : 8. Indian Paintings : Raikrishna Das C.L. Jha Gopal Madhukar Chaturvedi Vachaspati Gairola G.K. Agarwal R.A. Agrawal Avinash Bahadur Verma Percy Brown 7
8 SYLLABUS B.A. PART -II DRAWING AND PAINTING IInd PAPER- PRACTICAL This Practical paper consists to be divided in two units. M.M.:30 Unit-I Copy from Old Masters (One figure composition) 1. Size: Quarter Imperial 2. Duration of time: 6 Hours 3. Medium : Water /Poster Colour 4. Submission of Sessional work: 5 Plates 25 Sketches in Sketch book Examination = 20 5 Plates and 25 Sketches for submission = 5+5 =10 Total = 30 Unit-II Cast Study Bust/Antique Sculpture / Life M.M Size : Quarter Imperial 2. Duration of time: 6 Hours 3. Medium : Pencil/Charcoal/Crayon 4. Submission of Sessional work: 5 Plates 25 Sketches in Sketch book Examination = 20 5 Plates and 25 Sketches for submission = 5+5 = 10 Total = 30 Total Practical Marks = 60 8
9 SYLLABUS B.A. PART -III DRAWING AND PAINTING I st Paper- Theory M.M.: 50 Philosophy of Art and Modern Indian Painting (18th Century AD up to Present Age) Unit-I Unit-II Unit-III Simple Study 1. Definition and Meaning of Art 2. Six Limbs of Indian paintings (Shadang) Philosophy of Art 1. Concept of beauty according to Indian Philosophers and Western Philosophers 2. Art and Symbolic 3. Art and Society 4. Art and Modernity Modern Art in Indian Painting (from 18th Century up to present age) 1. Company / Patna School: 2. Life and style of Raja Ravi Verma 3. Bengal School/Rennainssacen period Life and style Abanindranath Tagore, Asitkumar Haldar, Nandlal Bose, Kshitindranath Mazumdar 4. New Trends in Modern Indian paintings Life and Style of Jamini Roy, Ravindranath Tagore, Gagandranath Tagore, Amrita Shre Gill 9
10 Unit-IV Contemporary Indian Painting after Independence up to present age. Life and Style of Satish Gujral, M.F. Husain, K.S. Kulkarni, K.K. Habbar, N.S. Bendre, B. Prabha, Sailoz Mukharjee, B.C. Sanyal, Ram Kumar,G.R.Santosh. Suggested Readings: 1. Bharat Ki Raikrishna Chitrakala: 2. Bhartiya Das C.L. Jha Chtrakala ka Itihaas : 3. Bhartiya Gopal Madhukar Chitrakala ka Itihasic Sandarbh: 4. Bhartiya Chaturvedi Vachaspati Chitrakala ka Sankshipta Parichaya: Gairola 5. Abanindranath Jaya Tagore and the Art of His Times: Appaswamy. 6. Kala Aur G.K. Agarwal Kalam : R.A. Agrawal 7. Bhartiya Avinash Chitrakala ka Itihaas : Bahadur 8. Bhartiya Verma Chitrakala ka Itihaas : Percy Brown 9. Indian R.A. Agarwal Paintings : 10. Kala Vilas : 11. Saundrya Dr. Saroj Bodh aur Lalit Kalayen Bhargav 12. Bhartiya Dr.Prema Saundrya Shastra evm Lalit Kalayen Mishra 13. Kala Aur Dr.Poornima Saundrya Part-1 Tiwari 14. Company Dr.T.N.Mishra Shaily 10
11 B.A. PART -III DRAWING AND PAINTING IInd PAPER- PRACTICAL M.M.:50 Unit-I Pictorial composition (with minimum two human figures are compulsory) 1. Size: Quarter Imperial 2. Duration of Time: 6 Hours 3. Medium : Water/poster colour 4. Submission of Sessional work: 5 Plates, 25 Sketches in Sketch Book Examination = 30 5 Plates and 25 Sketches for submission = = 20 Total= 50 Unit-II Portrait Study (Coloured) M.M Size : Quarter Imperial 2. Duration of time: 6 Hours 3. Medium : Water/ oil 4. Submission of Sessional work: 5 Plates, 50 Sketches in Sketch Book Examination = 30 5 Plates and 50 Sketches for Submission = = 20 Total= 50 11
12 OR Full Life Study Sketching/ Landscape 1. Size : Half Imperial 2. Medium : Pencil/Charcoal/Ink/ water colour for Landscape 3. Submission of Sessional Work: 10 Plates 25 Sketches in Sketch book Examination = Plates and 25 Sketches for submission = = 20 Total = 50 Total Practical Marks = 100 INSTRUCTIONS 1. Drawing Boards should be provided to the students of B.A. Part I, II and III from the college. 2. Art materials such as colours, paper canvas should be provided from the college to the teachers for their demonstration of different art classes. 3. Still life objects, Cast of human body's parts, Cast Bust, Antiques sculpture should be purchased by the college for conducting the art classes of graduate level. 4. In B.A. Part I and B.A. II Second paper practical, consisting of Two different groups- the entry of marks should be consolidated. 12
13 5. In B.A. III, II Paper Practical-should be treated separately Practicals of B.A. I, B.A. II and B.A. III and its groups should be allotted period individually in the time table. 6. In each class B.A. Part I, II, III separate examiners should be appointed for practical examinations. 13
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