Pacing Guide: Grade 9, Quarter 4. Dramatic Literature (3 selections) from The Shakespeare Stealer The Tragedy of Romeo and Juliet Pyramus and Thisbe *

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1 Pacing Guide: Grade 9, Quarter 4 Dramatic Literature (3 selections) from The Shakespeare Stealer The Tragedy of Romeo and Juliet Pyramus and Thisbe * Nonfiction (1 selection) The Shakespeare Theater: Romeo and Juliet Poetry (1 poem) Sonnet 116 (online: Writing Portfolio: Argumentation Prompt: What does Ford Maddox Brown or Diego Rivera suggest about the relationship of men and women to their work? After analyzing either Work or Man and Machine, write an essay that addresses the question. Support your position with evidence from the painting (visual text). L2 Be sure to acknowledge competing views. L3 Give examples from past or current events or issues to illustrate and clarify your position. *denotes reading selection utilized during intervention/enrichment

2 COLUMBUS CITY SCHOOLS ENGLISH GRADE 9 PACING GUIDE Unit/Topics The Big Question: Do our differences define us? 1. Reading Literature; Writing; Speaking and Listening; Language Elements of drama from dictionaries from roots, prefixes, suffixes through figurative language. Setting Characterization Diction Plot Climax Conflict Close reading Comedy Monologue Soliloquy Aside Informal writing Periods Week 1 Periods: 4 GRADING PERIOD 4 Common Core Textbook/Supplementa State Standards l Materials RL RL RL RL RL W W a W SL L L L L Textbook (hard copy or ebook) Literature: Language and Literacy The Big Question pp Introduction: Drama pp Model Selection: from The Shakespeare Stealer pp Unit 5 Resources pp Technology Interactive Digital Path Introducing the Big Question [Big Question Video (0:43), Introduction, Vocabulary Central] Introduction: Drama [Introduction, Meet the Author Video (2:49)] Learning About the Genre [Learning About Drama, Drama Video (3:49)] Model Selection (Model Selection: Drama, from Assessments/Assignments Reading The Big Question (nonfiction) from The Shakespeare Stealer (dramatic literature) Writing Students write an informal response to The Big Question ( Write What You Know and Explain What You Know ). Speaking and Listening Small group discussion Whole group discussion Language Vocabulary Central Vocabulary Music Games Worksheets Assessments Critical thinking questions Selection tests Open-book test Intervention/Enrichment In small groups, students write and

3 The Shakespeare Stealer) After You Read (Critical Thinking, Drama Review, Research the Author) perform what they imagine the next scene of The Shakespeare Stealer will be. Students may discuss and compare the different scenarios depicted in their plays. 2. Reading Literature; Writing; Speaking and Listening; Language from dictionaries through roots, prefixes, suffixes through figurative language Sonnet Inference Setting Characterization Poetry Theme Diction Irony Mood Tone Plot Conflict Close reading Drawing conclusions Dialogue Stage directions Summarization Sound devices Weeks 1-2 Periods: 5 RL RL RL RL RL RL W W a W SL L L L L L L Textbook (hard copy or ebook) Literature: Language and Literacy Introduction to The Tragedy of Romeo and Juliet pp ; Before You Read pp ; Meet William Shakespeare pp ; Making Connections pp The Tragedy of Romeo and Juliet Act I pp ; After You Read p. 831; Comparing Literary Works (sonnet and Shakespearean sonnet) p. 748; After You Read (question 3) p. 755 Unit 5 Resources pp Online Resource Shakespeare s Sonnet online.com/sonnets/116. html Reading The Tragedy of Romeo and Juliet, Act I (dramatic literature) Sonnet 116 (poetry) Writing Students complete a scene summary chart as they read. In small groups, students analyze the prologue for evidence of conflict and write a news broadcast about the conflict. Literary Analysis-The Sonnet: Show the students that Act I, scene v, lines forms a Shakespearean sonnet. Students complete a Sonnet Chart (see p. 755) for Sonnet 116 and the sonnet in Act I, scene v. Students will write a formal paragraph comparing the sonnets structurally and thematically. Speaking and Listening Small group discussion Whole group discussion Language Vocabulary Central Vocabulary Music Games Worksheet s

4 Technology Interactive Digital Path Before You Read [Get Connected Video (0:51), The Big Question, Meet the Author, Background Video (0:56), Vocabulary Central, Reading Skill, Literary Analysis] While You Read (Warm ups, The Tragedy of Romeo and Juliet, Act I, Critical Thinking) After You Read (Skill Questions) Assessments Critical thinking questions Selection tests Open-book test Intervention/Enrichment Students construct maps of Renaissance and modern Italy, specifically Verona. Students create a visual representation of Queen Mab from lines 53-94, Act I, scene iv, and write a formal paragraph explaining the connection between Shakespeare s intent in this scene and their representation. Students study the dialogue structure of the sonnet in Act I, scene v, lines , and compose a similar dialogue-sonnet between any two characters in the play, other than Romeo and Juliet. Students may present and discuss their sonnets in class. 3. Reading Literature; Writing; Speaking and Listening; Language from dictionaries through roots, prefixes, suffixes through puns through context clues Sonnet Blank verse Summarization Note-taking Rhymed couplets Inference Setting Weeks 2-3 Periods: 5 RL RL RL RL RL RL RL W W W a W SL L L L L L L Textbook (hard copy or ebook) Literature: Language and Literacy Before You Read pp The Tragedy of Romeo and Juliet, Act II pp ; After You Read p. 831 Unit 5 Resources pp Technology Interactive Digital Path Before You Read (Vocabulary Central, Reading Skill, Literary Analysis) Reading Romeo and Juliet, Act II (dramatic literature) Writing Students take notes on The Big Question (p. 832) as they read; at the conclusion of Act II, students write an informal paragraph discussing their answer. Students complete a passage summary chart to summarize important passages from Act II as they read. (Teacher may choose passages for students or may assign different passages from the act to different groups of students.) Students find and cite 2-4 lines of blank verse spoken by 2 different

5 Characterization Theme Genre as it relates to theme Diction Mood Tone Plot Point of view Close reading Compare/contrast rhetorical features Foreshadowing/flashback Informal writing While You Read (Warm ups, The Tragedy of Romeo and Juliet, Act II, Critical Thinking) After You Read (Skill Questions) characters, and in an informal paragraph, explain how the respective lines help convey the mood of the scene. Speaking and Listening Small group discussion Whole group discussion Language Vocabulary Central Vocabulary Music Games Worksheets Assessments Critical thinking questions Selection tests Open-book test Intervention/Enrichment Propose the following critical assessment to students before they read Act II: Juliet is more mature than Romeo and teaches him the meaning of true love. Keeping this in mind as they read, students take notes on the two characters. Students will write a formal response in which they compare the two characters and respond to the assessment. Invite students to discuss and explain their responses. 4. Reading Literature; Writing; Speaking and Listening; Language Dramatic speeches Soliloquy Monologue Aside Summarizing Weeks 3-4 Periods: 5 RL RL RL RL RL RL W Textbook (hard copy or ebook) Literature: Language and Literacy Before You Read pp The Tragedy of Romeo and Juliet, Act III pp. Reading The Tragedy of Romeo and Juliet, Act III (dramatic literature) Writing Students take notes on The Big Question (p. 860) as they read; at

6 Paraphrasing from dictionaries from roots, prefixes, suffixes through analogical relationships (antonyms, synonyms) Characterization Inference Setting Causeeffect Foreshadowing Flashback Irony Imagery Theme Genre as it relates to theme Paradox Diction Mood Tone Plot Close reading Conflict Compare/contrast rhetorical features Symbolism W W a W SL L L L L L L After You Read p. 891 Unit 5 Resources pp Technology Interactive Digital Path Before You Read (Vocabulary Central, Reading Skill, Literary Analysis) While You Read (Warm ups, The Tragedy of Romeo and Juliet, Act III, Critical Thinking) After You Read (Skill Questions) the conclusion of Act III, students will write an informal paragraph discussing their answer. Before reading Act III, students preview the images presented in the text for Act III. Ask them to write an informal response discussing what they think can be predicted from the images. Students will confirm or revise their ideas as they read Act III. Literature in Context: Students read the Literature in Context box on p. 883 regarding the symbolism of birds (the lark) and answer the question in a journal entry or small groups. In an informal paragraph or journal entry, students will discuss the powerful role of a relatively minor character (such as Friar Lawrence) in the overall tragedy of the play. Speaking and Listening Small group discussion Whole group discussion Language Vocabulary Central Vocabulary Music Games Worksheets Assessments Critical thinking questions Selection tests Open-book test Intervention/Enrichment Students will compare and contrast the dueling scenes in Romeo and Juliet with action scenes in modern movies. Students may write their

7 5. Reading Literature; Writing; Speaking and Listening; Language Dramatic irony Dramatic speeches Soliloquy Monologue Aside Puns Summarizing from dictionaries through roots, prefixes, suffixes Characterization Inference Setting Imagery Theme Genre as it relates to theme Diction Irony Mood Tone Plot Close reading Compare/contrast rhetorical Weeks 4-5 Periods: 4 RL RL RL RL RL W W W a W SL SL L L L L L L Textbook (hard copy or ebook) Literature: Language and Literacy Before You Read pp The Tragedy of Romeo and Juliet, Act IV pp After You Read p. 891 Unit 5 Resources pp Technology Interactive Digital Path Before You Read (Vocabulary Central, Reading Skill, Literary Analysis) While You Read (Warm ups, The Tragedy of Romeo and Juliet, Act IV, Critical Thinking) responses in a formal paragraph and discuss in small groups. Students review a dramatic speech from Act III. (Teachers may assign specific speeches or allow students to choose their own.) In a formal two paragraph response, students summarize the main idea and tone expressed in the speech, and rewrite the speech in more contemporary language which remains true to both tone and purpose. For additional challenge, students may memorize all or an excerpt of the original speech and present their analysis of it to the class. Reading The Tragedy of Romeo and Juliet, Act IV (dramatic literature) Writing Students take notes on The Big Question (p. 892) as they read; at the conclusion of Act IV, have students write an informal paragraph discussing their answer. Students analyze which scenes in Act IV are emotionally charged and which ones add comic relief, and then decide why Shakespeare organized Act IV this way. Students may write their responses in informal paragraphs and discuss in small groups. In journal entries, students find and explain at least three potential flaws in the Friar s plan. Literature in Context: Read the Literature in Context box p. 907 regarding the symbolism of rosemary and then answer the question in a journal entry.

8 features Visual literacy Symbolism Drawing conclusions Conflict Point of view Foreshadowing/flashback Speaking and Listening Small group discussion Whole group discussion Language Vocabulary Central Vocabulary Music Games Worksheets Assessments Critical thinking questions Selection tests Open-book test Intervention/Enrichment Analyze Juliet s soliloquy from scene iii, lines for images of light and dark/ hot and cold that are related to themes of love and death. In whole groups, students discuss the usage of these symbols. Students watch the Juliet/potion scene from the 1996 film and analyze the following: Juliet s emotional response to the potion and how the setting reinforces her emotional response for the audience. Students consider the paradox of Juliet as both a strong heroine and fearful daughter. In a formal response, with specific support from the play, students will decide which description best fits Juliet. Students may discuss their responses in a whole group. 6. Reading Literature; Writing; Speaking and Listening; Language Drama: Tragedy and Motive Cause-effect Weeks 5-6 Periods: 4 RL RL RL RL Textbook (hard copy or ebook) Literature: Language and Literacy Before You Read pp. Reading The Tragedy of Romeo and Juliet, Act V (dramatic literature)

9 Soliloquy Monologue Aside Irony Puns Summarizing from dictionaries through roots and affixes through context through figurative language Characterization Tragic flaw Inference Setting Imagery Theme Genre as it relates to theme Diction Mood Tone Plot Close reading Drawing conclusions Foreshadowing/flashback RL W W W a W SL L L L L L L The Tragedy of Romeo and Juliet, Act V pp After You Read p. 931 Unit 5 Resources pp Technology Interactive Digital Path Before You Read (Vocabulary Central, Reading Skill, Literary Analysis) While You Read (Warm ups, The Tragedy of Romeo and Juliet, Act V, Critical Thinking) After You Read (Skill Questions, Grammar Tutorial, Grammar Practice, Writing, Listening and Speaking, Research and Technology) Writing Students take notes on The Big Question (p. 912) as they read; at the conclusion of Act V, have students write an informal paragraph discussing their answer. Students read the Literature in Context box p. 918 The Plague Searchers and answer the question in a journal entry. Students rewrite the last scene in regular prose English and supply a narrator to fill in the action and summarize gaps left by dialogue. Encourage students to share with the class. Speaking and Listening Small group discussion Whole group discussion Language Vocabulary Central Vocabulary Music Games Worksheets Assessments Critical thinking questions Selection tests Open-book test Intervention/Enrichment Students perform a scene from Romeo and Juliet. Students conduct a mock trial to investigate the causes of the tragedy in Romeo and Juliet. Write a film review of one of the versions of Romeo and Juliet. Students read Pyramus and Thisbe (pp ); using the Comparing Archetypal Themes

10 questions (1 and 2 on p. 959), students will compose notes as a pre-writing activity. Students may discuss their notes in a Socratic Seminar or a teacher led whole group discussion. Afterwards, students may use their notes to write an essay comparing Pyramus and Thisbe to The Tragedy of Romeo and Juliet. (See Writing to Compare Archetypal Themes on p. 959). 7. Reading for Information; Writing; Speaking and Listening; Language Portfolio Writing: Argumentation Analysis of textual evidence Theme or central idea of a text Analysis of the development of author s ideas or claims Authors point of view and u se of rhetoric Evaluation of specific claims in a text Writing arguments to support claims using valid and relevant evidence Development of claims and counterclaims Collaborative discussions Grammar and usage Spelling Punctuation Language in context Figurative language and word choice Accurate use of general academic and domain-specific words and phrases The writing process: prewriting, drafting, revising, Weeks 6-8 Periods: 12 RI RI RI RI RI W ab W b SL cd L b L ac L L a Textbook (hard copy or ebook) Literature: Language and Literacy I Hear America Singing p. 750 Daily p. 679 Writing and Grammar Chapter 7: Drafting 7.3 pp ; Revising pp ; Editing p. 96; Self-Assessment p. 97 Non-print text Toward Los Angeles, California (1937) by Dorothea Lange (photograph) Work by Ford Maddox Brown (painting) Man and Machine by Diego Rivera (painting) Speech Hope, Despair, and Memory by Elie Wiesel Additional print text Excerpt from The Communist Manifesto by Karl Marx and Writing Prompt: What does Ford Maddox Brown or Diego Rivera suggest about the relationship of men and women to their work? After analyzing either Work or Man and Machine, write an essay that addresses the question. Support your position with evidence from the painting (visual text). L2 Be sure to acknowledge competing views. L3 Give examples from past or current events or issues to illustrate and clarify your position. Quick write: Students state exactly what they see in the photograph Toward Los Angeles, California without attempting to interpret the image. Whole class, with teacher guidance, writes a claim statement that expresses a point of view about the photograph. Using I Hear America Singing and Daily, students list verbs related to work, images associated with work, and examples of figurative language. Draft of writing portfolio prompt Revisions of writing portfolio prompt Publishing of writing portfolio

11 editing, publishing Friedrich Engel Technology Love is a Fallacy (video): see lesson plan for link. Ethos, Pathos, Logos (video): see lesson plan for link. CCS Curriculum Guide Website A complete lesson plan is available in the writing folder on the CCS Curriculum Guide Website. prompt Reading Close reading of Hope, Despair, and Memory Close reading of an excerpt from The Communist Manifesto Close reading of I Hear America Singing and Daily Speaking and Listening Whole class discussion on ethos, pathos, and logos where students categorize details they noted in their quick write Whole class discussion on rhetorical strategies within Hope, Despair, and Memory Whole class discussion based on an analysis of the poetry in terms of the relationship of men and women to work In groups of 4, each student reads his/her claim statement followed by his/her support argument. The other 3 students respond with rebuttal comments. As a class, discuss the importance of recognizing other opinions and how this relates to ethos. Language Punctuating adverb clauses Spelling Figurative language Word choice Intervention/Enrichment Use the following videos to reteach logos, ethos, and pathos: Love is a Fallacy and/or Judge June Assessment Use the online CCS writing

12 8. Reading Literature; Reading for Information; Writing; Speaking and Listening; Language Review for end-of-course examination Week 9 Periods: 5 Review the Common Core State Standards as needed to prepare the students for the final examination. Textbook (hard copy or ebook) Literature: Language and Literacy Writing and Grammar portfolio rubric for argumentative writing. Select reading, writing, speaking/listening, and language activities as necessary to prepare students for the final exam. 9. Reading Literature; Reading for Information; Writing; Speaking and Listening; Language Final exam Teacher work day Exam Week Periods: teacher work day Assess student understanding of the Common Core State Standards. Copy of final exam Writing utensils Teacher answer key Final assessment of student reading and writing skills * This pacing guide is based on 50 minute periods and should be adjusted to fit alternative schedules. **Common Core State Standards: RL = Reading Literature; RI = Reading Information; W = Writing; SL = Speaking and Listening; L = Language

13 Common Core State Standards Reading Literature Key Ideas and Details 1.Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. 2.Determine two or more themes or central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to produce a complex account; provide an objective summary of the text. 3. Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of a text, interact with other characters, and advance the plot or develop the theme. Craft and Structure 4. Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the cumulative impact of specific word choices on meaning and tone (e.g., how the language evokes a sense of time and place; how it sets a formal or informal tone). 5. Analyze how an author s choices concerning how to structure a text, order events within it (e.g., parallel plots), and manipulate time (e.g., pacing, flashbacks) create such effects as mystery, tension, or surprise. 6. Analyze a particular point of view or cultural experience reflected in a work of literature from outside the United States, drawing on a wide reading of world literature. Integration of Knowledge and Ideas 7. Analyze the representation of a subject or a key scene in two different artistic mediums, including what is emphasized or absent in each treatment (e.g., Auden s Musée des Beaux Arts and Breughel s Landscape with the Fall of Icarus). 8. (Not applicable to literature) 9. Analyze how an author draws on and transforms source material in a specific work (e.g., how Shakespeare treats a theme or topic from Ovid or the Bible or how a later author draws on a play by Shakespeare). Range of Reading and Level of Text Complexity 10. By the end of grade 9, read and comprehend literature, including stories, dramas, and poems, in the grades 9 10 text complexity band proficiently, with scaffolding as needed at the high end of the range. By the end of grade 10, read and comprehend literature, including stories, dramas, and poems, at the high end of the grades 9 10 text complexity band independently and proficiently.

14 Reading Informational Text Key Ideas and Details 1. Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. 2. Determine a central idea of a text and analyze its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text. 3. Analyze how the author unfolds an analysis or series of ideas or events, including the order in which the points are made, how they are introduced and developed, and the connections that are drawn between them. Craft and Structure 4. Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings; analyze the cumulative impact of specific word choices on meaning and tone (e.g., how the language of a court opinion differs from that of a newspaper). 5. Analyze in detail how an author s ideas or claims are developed and refined by particular sentences, paragraphs, or larger portions of a text (e.g., a section or chapter). 6. Determine an author s point of view or purpose in a text and analyze how an author uses rhetoric to advance that point of view or purpose. Integration of Knowledge and Ideas 7. Analyze various accounts of a subject told in different mediums (e.g., a person s life story in both print and multimedia), determining which details are emphasized in each account. 8. Delineate and evaluate the argument and specific claims in a text, assessing whether the reasoning is valid and the evidence is relevant and sufficient; identify false statements and fallacious reasoning. 9. Analyze seminal U.S. documents of historical and literary significance (e.g., Washington s Farewell Address, the Gettysburg Address, Roosevelt s Four Freedoms speech, King s Letter from Birmingham Jail ), including how they address related themes and concepts. Range of Reading and Level of Text Complexity 10. By the end of grade 9, read and comprehend literary nonfiction in the grades 9 10 text complexity band proficiently, with scaffolding as needed at the high end of the range. By the end of grade 10, read and comprehend literary nonfiction at the high end of the grades 9 10 text complexity band independently and proficiently.

15 Writing Text Types and Purposes 1. Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence. a. Introduce precise claim(s), distinguish the claim(s) from alternate or opposing claims, and create an organization that establishes clear relationships among claim(s), counterclaims, reasons, and evidence. b. Develop claim(s) and counterclaims fairly, supplying evidence for each while pointing out the strengths and limitations of both in a manner that anticipates the audience s knowledge level and concerns. c. Use words, phrases, and clauses to link the major sections of the text, create cohesion, and clarify the relationships between claim(s) and reasons, between reasons and evidence, and between claim(s) and counterclaims. d. Establish and maintain a formal style and objective tone while attending to the norms and conventions of the discipline in which they are writing. e. Provide a concluding statement or section that follows from and supports the argument presented. 2. Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content. a. Introduce a topic; organize complex ideas, concepts, and information to make important connections and distinctions; include formatting (e.g., headings), graphics (e.g., figures, tables), and multimedia when useful to aiding comprehension. b. Develop the topic with well-chosen, relevant, and sufficient facts, extended definitions, concrete details, quotations, or other information and examples appropriate to the audience s knowledge of the topic. c. Use appropriate and varied transitions to link the major sections of the text, create cohesion, and clarify the relationships among complex ideas and concepts. d. Use precise language and domain-specific vocabulary to manage the complexity of the topic. e. Establish and maintain a formal style and objective tone while attending to the norms and conventions of the discipline in which they are writing. f. Provide a concluding statement or section that follows from and supports the information or explanation presented (e.g., articulating implications or the significance of the topic). 3. Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and wellstructured event sequences. a. Engage and orient the reader by setting out a problem, situation, or observation, establishing one or multiple point(s) of view, and introducing a narrator and/or characters; create a smooth progression of experiences or events. b. Use narrative techniques, such as dialogue, pacing, description, reflection, and multiple plot lines, to develop experiences, events, and/or characters. c. Use a variety of techniques to sequence events so that they build on one another to create a coherent whole. d. Use precise words and phrases, telling details, and sensory language to convey a vivid picture of the experiences, events, setting, and/or characters. e. Provide a conclusion that follows from and reflects on what is experienced, observed, or resolved over the course of the narrative.

16 Production and Distribution of Writing 4. Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1 3 above.) 5. Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. (Editing for conventions should demonstrate command of Language standards 1 3 up to and including grades 9 10.) 6. Use technology, including the Internet, to produce, publish, and update individual or shared writing products, taking advantage of technology s capacity to link to other information and to display information flexibly and dynamically. Research to Build and Present Knowledge 7. Conduct short as well as more sustained research projects to answer a question (including a self-generated question) or solve a problem; narrow or broaden the inquiry when appropriate; synthesize multiple sources on the subject, demonstrating understanding of the subject under investigation. 8. Gather relevant information from multiple authoritative print and digital sources, using advanced searches effectively; assess the usefulness of each source in answering the research question; integrate information into the text selectively to maintain the flow of ideas, avoiding plagiarism and following a standard format for citation. 9. Draw evidence from literary or informational texts to support analysis, reflection, and research. a. Apply grades 9 10 Reading standards to literature (e.g., Analyze how an author draws on and transforms source material in a specific work [e.g., how Shakespeare treats a theme or topic from Ovid or the Bible or how a later author draws on a play by Shakespeare] ). b. Apply grades 9 10 Reading standards to literary nonfiction (e.g., Delineate and evaluate the argument and specific claims in a text, assessing whether the reasoning is valid and the evidence is relevant and sufficient; identify false statements and fallacious reasoning ). Range of Writing 10. Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences.

17 Speaking and Listening Comprehension and Collaboration 1. Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9 10 topics, texts, and issues, building on others ideas and expressing their own clearly and persuasively. a. Come to discussions prepared, having read and researched material under study; explicitly draw on that preparation by referring to evidence from texts and other research on the topic or issue to stimulate a thoughtful, well-reasoned exchange of ideas. b. Work with peers to set rules for collegial discussions and decision-making (e.g., informal consensus, taking votes on key issues, presentation of alternate views), clear goals and deadlines, and individual roles as needed. c. Propel conversations by posing and responding to questions that relate the current discussion to broader themes or larger ideas; actively incorporate others into the discussion; and clarify, verify, or challenge ideas and conclusions. d. Respond thoughtfully to diverse perspectives, summarize points of agreement and disagreement, and, when warranted, qualify or justify their own views and understanding and make new connections in light of the evidence and reasoning presented. 2. Integrate multiple sources of information presented in diverse media or formats (e.g., visually, quantitatively, orally) evaluating the credibility and accuracy of each source. 3. Evaluate a speaker s point of view, reasoning, and use of evidence and rhetoric, identifying any fallacious reasoning or exaggerated or distorted evidence. Presentation of Knowledge and Ideas 4. Present information, findings, and supporting evidence clearly, concisely, and logically such that listeners can follow the line of reasoning and the organization, development, substance, and style are appropriate to purpose, audience, and task. 5. Make strategic use of digital media (e.g., textual, graphical, audio, visual, and interactive elements) in presentations to enhance understanding of findings, reasoning, and evidence and to add interest. 6. Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate. (See grades 9-10 Language standards for specific expectations.)

18 Language Conventions of Standard English 1. Demonstrate command of the conventions of standard English grammar and usage when writing or speaking. a. Use parallel structure.* b. Use various types of phrases (noun, verb, adjectival, adverbial, participial, prepositional, absolute) and clauses (independent, dependent; noun, relative, adverbial) to convey specific meanings and add variety and interest to writing or presentations. 2. Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing. a. Use a semicolon (and perhaps a conjunctive adverb) to link two or more closely related independent clauses. b. Use a colon to introduce a list or quotation. c. Spell correctly. Knowledge of Language 3. Apply knowledge of language to understand how language functions in different contexts, to make effective choices for meaning or style, and to comprehend more fully when reading or listening. a. Write and edit work so that it conforms to the guidelines in a style manual (e.g., MLA Handbook, Turabian s Manual for Writers) appropriate for the discipline and writing type. Vocabulary Acquisition and Use 4. Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grades 9 10 reading and content, choosing flexibly from a range of strategies. a. Use context (e.g., the overall meaning of a sentence, paragraph, or text; a word s position or function in a sentence) as a clue to the meaning of a word or phrase. b. Identify and correctly use patterns of word changes that indicate different meanings or parts of speech (e.g., analyze, analysis, analytical; advocate, advocacy). c. Consult general and specialized reference materials (e.g., dictionaries, glossaries, thesauruses), both print and digital, to find the pronunciation of a word or determine or clarify its precise meaning, its part of speech, or its etymology. d. Verify the preliminary determination of the meaning of a word or phrase (e.g., by checking the inferred meaning in context or in a dictionary). 5. Demonstrate understanding of figurative language, word relationships, and nuances in word meanings. a. Interpret figures of speech (e.g., euphemism, oxymoron) in context and analyze their role in the text. b. Analyze nuances in the meaning of words with similar denotations. 6. Acquire and use accurately general academic and domain-specific words and phrases, sufficient for reading, writing, speaking, and listening at the college and career readiness level; demonstrate independence in gathering vocabulary knowledge when considering a word or phrase important to comprehension or expression.