Branch Programs Referral Directory. State Board of Directors Music Teachers Association of California Last updated: December 2012

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From this document you will learn the answers to the following questions:

  • Where is the Art of Left Hand located?

  • How many students did the teacher have?

  • Who are the names of the positions on the MTAC State Board?

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1 Branch Programs Referral Directory State Board of Directors Music Teachers Association of California Last updated: December 2012

2 Original Foreword Dear Branch Presidents and Program Chairs, On behalf of the MTAC State Board, I want to thank all of you who have recommended artist teachers for recitals and master classes, and who have recommended a wide variety of interesting lectures and other programs. The Presidents Breakfast of Convention 2005 sparked the idea for the Referral Directory. You asked us to compile a directory of programs, which could help branches infuse new ideas into their programs. You wanted a reference guide for successful programs all over the State and ways of contacting MTAC members or others who were presenting these programs. It is a wonderful thing to share talent, knowledge and experience with other colleagues, students and listeners. I hope for the Referral Directory to be just the beginning of shared member talent and new creative programs throughout the State. May the Referral Directory be most interesting and useful to you all. Respectfully, Alla Dobrish Director MTAC State Board ( ) ii

3 Branch Programs Referral Directory Lecture Presentations... 1 Master Class Teachers... 4 Performers and Composers... 5 Invitation/Confirmation Letter... 6 iii

4 Lecture Presentations N Northern CA; S Southern CA Speakers Location Lecture/Presentation Bogart, Rebecca rbogart@me.com Brendler, Charlene brendler@berkeley.edu Caridi, Jamie cell j.caridi@mac.com Earhart, Dr. Louise Louise.earhart@charter.net El Cerrito, CA Richmond, CA Altadena, CA (S) Long Beach, CA (S) How to Teach the Secrets of Efficient Practicing Are the hands INdependent or INTERdependent? Playing with Ease: an introduction to the basic ideas of the Taubman Approach to piano technique Making the Music Sing - A rethinking of legato using insights from the Taubman Approach Unraveling the Mysteries of Baroque Style: - Rhythmic Conventions and Ornamentation; - Tempo Clues: Meter and the Dance Idioms; - Decoding French and Italian Style The Big Shift in Style: The Musical Transition from Baroque to the Rococo through the music of JC Bach, CPE Bach, Scarlatti, Rameau, etc. Masterclasses on Baroque or Classical Era Music Lecture/Recitals on Harpsichord and Fortepiano (if instrument is provided) Lecture/Recitals on Women: Women Composers; Classical Favorites; Where are the Women; The Essence of Women in Sonata Form; Clara Schumann: Wife, Mother, Composer, Performer Three from the Rameau Circle--Rameau, Béthizy, and D Alembert: Their Agreements, Disagreements and Influences. Heinrich Schenker: His Contributions and Their Relationship to the Art of Musical Analysis The Five-Finger Pattern and Technique in General: A New Look at an Old Concept Elson, Margret cell margret.elson@gmail.com Galloway, Lee Lee@LeeGalloway.com Gardner, Jim maestrojim@astound.net How, Dr. Deborah H dhhow@musette.org Oakland, CA Optimum Performance: How to Practice for Mental, Physical and Technical Ease Dealing with Performance Anxiety Psychological and Music Approaches to Performing Issues San Diego (S) 100 Business Techniques for Music Teachers Making a LIVING as an Independent Music Teacher Considering a Career in Music? - Doing What Exactly? The Art of Running an Efficient Studio While Staying Balanced Transfer Students--Mania or Magical? Walnut Creek, How to Guide an Intermediate Student to the Next Level CA Santa Monica, CA (S) Integrating Social Media in the Private Music Studio The Well-Oiled Music Studio: Efficient, Scheduled, and Organized: A Look at Legal, Tax, and Accounting Issues Running a Successful Studio: Integrating Quicken in a Music Studio (IRS Schedule C Reporting) Building a Healthy Music Studio - Raising Students Who Love Music: A Call for Pedagogical Responsibility Building Healthy Self-Confidence - The Right Way to Compete: Preparing Students and Their Parents for Music Competitions without Tears Exploring 20th-Century Compositional Technique through Piano Literature (Elementary-Advanced) Piano Works of the Second Viennese School: Schoenberg, Berg, Webern 1

5 Speakers Location Lecture/Presentation Iturrioz, Antonio Kline, Donna S Kramer, Kary Lewis, Dr. Martha Beth Website: Mann, Dr. Sharon cell Ramos, James Guerneville, CA Tiburon, CA Carpinteria, CA (S) San Ramon, CA Berkeley, CA Redlands, CA (S) The Art of Left Hand: A Brief history of Left Hand Piano Music The Buddha of the Piano: Leopold Godowsky DVD on Leopold Godowsky Virtuoso: The Olga Samaroff Story, a documentary film produced and directed by the presenter For more info, go to J.S. Bach and Baroque Music Deciphering and Understanding Bach in Urtext (Henle) Historical Musical Anecdotes: Music Theory to Delight Your Students Follies and Foibles of Misunderstood and Poorly Taught Style and Pieces Music Lessons: Learning the Business from Inception through Incorporation Studio Business, general Studio Business, how to increase enrollment Piano Pedagogy Baroque Ornamentation (including the confusing Pralltrill) How to Create Your Own Method Series Chamber Music Topics for Teachers Arrangements through Transcriptions: A different look at the craft of piano performance from Franz Liszt to today Improvisation Why and How: Reasons to teach improvisation and tips on incorporating it into your regular teaching In the Footsteps of Great Composers: A demonstration of how any classically trained musician can learn to improvise Motivate Through Personality: Using psychological concepts of personality theory to get the most out of your students Music Resources Today: A constantly updated review of new concepts, technology, and information resources for the busy music teacher Teaching Through Selling: Incorporating Principles of Sales, Marketing, and Management Techniques to More Effectively Reach Students Teacher versus Clock: Getting the most out of your limited studio time Topics for Organizations Effectiveness versus Efficiency: Improving your organization s performance today Passion and Organization: An exploration of tools to energize your volunteer group Richman, Mark markrichmanpiano@aol.com Sherman Oaks, CA (S) Customized Workshops Composition Improvisation Organizational Performance Studio Business Methods The Teaching of Beethoven s Piano Sonatas 2

6 Speakers Location Lecture/Presentation Wellborn, William Woo, Dr. Betty San Francisco, CA Oakland, CA Lecture- The Big Jump: from intermediate to advanced repertoire Lecture- Beginning a Romance: introducing 19th century repertoire to your students Lecture- from Ecossaise to Für Elise: preparing your students for the works of Beethoven Lecture- Words of Wisdom: great thoughts by noted musicians Lecture- The Students of Leschetizky Lecture- Legendary Pianists and their Recordings Lecture- Legendary Pianists play Chopin: what the recordings reveal Lecture-recital: the 3 Petrarch Sonnets of Franz Liszt Master and Misanthrophe: The Intriguing Music of Charles- Valentin Alkan ( ) 20 th Century literature for students Techniques of Pedaling Rhythm Beyond Counting How to become a better sight reader and accompanist Bartók s works for students Theory Review for Teachers 3

7 Master Class Teachers N Northern CA; S Southern CA Teachers Location Instrument Bogart, Rebecca rebog@me.com Brendler, Charlene brendler@berkeley.edu Caridi, Jamie cell j.caridi@mac.com Earhart, Dr. Louise Louise.earhart@charter.net Richman, Mark markrichmanpiano@aol.com Wellborn, William pianoleg@aol.com El Cerrito, CA Solo Piano Piano Ensemble Chamber Music with Piano Richmond, CA Piano Harpsichord Altadena, CA (S) Piano: Focusing on Musicality Communicating through Music The Use of the Damper Pedal Long Beach, CA (S) Piano: Elementary and Intermediate Level Sherman Oaks, CA (S) Piano - Advanced Students San Francisco, CA Piano 4

8 Performers and Composers N Northern CA; S Southern CA Performer Location Instrument Caridi, Jamie cell j.caridi@mac.com Cheng, Patricia pianopower@sbcglobal.net Earhart, Dr. Louise Louise.earhart@charter.net Erftenbeck, Deborah & Geraldine Keeling deborah@twopiano1.com gerrykeeling@yahoo.com Richman, Mark markrichmanpiano@aol.com Van Horne, Robert rvh@robertvanhorne.com Wiens, Frank fwiens@comcast.net Altadena, CA (S) Sunnyvale, CA Long Beach, CA (S) San Dimas, CA (S) San Gabriel, CA (S) Sherman Oaks, CA (S) San Jose, CA Stockton, CA Recitals: Piano; Organ Piano Piano Solo and Ensemble; Chamber Music Piano Duet and Duo Piano Piano, Composition Piano 5

9 Date: Invitation/Confirmation Letter Dear, The Branch is pleased to confirm your Lecture Presentation Masterclass Music Program entitled: on / / at A.M. / P. M. (Month/Day/Year) The address of the performance site is:.. The traveling distance from your home to the performance site is approximately. The honorarium for this special program will be. A map and directions are/are not included. If you need any special equipment (screen, projector etc) or a second grand piano for duo performance or there is something you would like to discuss, please let us know. Special needs:. The contact person is:. Phone:, . We look forward to your time with us. Sincerely, 6

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