Build It! A Portable Headphone Amplifier. By Mark Amundson



Similar documents
Without the pre amp, these microphones sound very good with tube equipment that provided a very high impedance load to the element.

Assembly Instructions: Shortwave Radio Kit

6.101 Final Project Report Class G Audio Amplifier

Single Transistor FM Transmitter Design

GLOLAB Two Wire Stepper Motor Positioner

Transistor Characteristics and Single Transistor Amplifier Sept. 8, 1997

Assembly and User Guide

phonostage RIP YOUR VINYL TO BITS, WITH A USB Design

Theory of Transistors and Other Semiconductor Devices

Kit Watt Audio Amplifier

Physics 623 Transistor Characteristics and Single Transistor Amplifier Sept. 13, 2006

Optical Sensor Interface for AFX Digital LED Timer/Counter by George Warner, Jan

LM 358 Op Amp. If you have small signals and need a more useful reading we could amplify it using the op amp, this is commonly used in sensors.

GenTech Practice Questions

Build A Video Switcher. Reprinted with permission from Electronics Now Magazine September 1997 issue

Routinely DIYers opt to make themselves a passive preamp - just an input selector and a volume control.

LM386 Low Voltage Audio Power Amplifier

SUPER SNOOPER BIG EAR

ECEN 1400, Introduction to Analog and Digital Electronics

THE MclNTOSH MC 2100 SOLID STATE STEREO POWER AMPLIFIER

MODEL 2202IQ (1991-MSRP $549.00)

CONSTRUCTING A VARIABLE POWER SUPPLY UNIT

Building the HVPS High Voltage Power Supply

GLOLAB Universal Telephone Hold

Objectives: Part 1: Build a simple power supply. CS99S Laboratory 1

Homebuilt HF Radios for Use Underground Paul R. Jorgenson KE7HR

Physics 3330 Experiment #2 Fall DC techniques, dividers, and bridges R 2 =(1-S)R P R 1 =SR P. R P =10kΩ 10-turn pot.

Glolab Talking Phone Dial Monitor

More Op-Amp Circuits; Temperature Sensing

VOLUME AND TONE CONTROL - PREAMPLIFIER K8084

QUASAR ELECTRONICS KIT No ELECTRONIC MOSQUITO REPELLER

Power Amplifiers. Introduction to Power Amplifiers. Amplifiers. Module 5

DET Practical Electronics (Intermediate 1)

TROUBLESHOOTING RECEIVERS

Electronics. Discrete assembly of an operational amplifier as a transistor circuit. LD Physics Leaflets P

Electronic Circuit Construction:

BJT Characteristics and Amplifiers

Joule Thief 3.0 Kit. June 2012, Rev Joule Thief 3.0

Diode Applications. by Kenneth A. Kuhn Sept. 1, This note illustrates some common applications of diodes.

Modifying the Yaesu FT-847 External MHz Reference Input

Dynaco ST-70 Quad-Cap Upgrade Assembly, Installation & Setup Manual

Transistor Amplifiers

The New Radio Receiver Building Handbook

6.101 Final Project Proposal Class G Audio Amplifier. Mark Spatz

TEMPLE AUDIO BANTAM - 2X15W INTEGRATED CLASS T AMPLIFIER SPECIFICATION 2.0

POWER SUPPLY MODEL XP-15. Instruction Manual ELENCO

A Versatile Audio Amplifier

I. R. D. T INSTITUTE OF RESEARCH DEVELOPMENT AND TRAINING

A CW QRP Transceiver for 20 m band. How it works I'll describe individually the three boards and the relative tuning devices.

Odyssey of the Mind Technology Fair. Simple Electronics

MRF175GU MRF175GV The RF MOSFET Line 200/150W, 500MHz, 28V

Power Supplies. 1.0 Power Supply Basics. Module

Unit/Standard Number. High School Graduation Years 2010, 2011 and 2012

Content Map For Career & Technology

Wideband Active Loop Antenna Amplifier with Passive Augmentation

400W MONO/STEREO AMPLIFIER

Bill of Materials: Line Follower: A Zippy Robot That Senses Where to Go PART NO

BSNL TTA Question Paper-Instruments and Measurement Specialization 2007

Users Guide for the Non-Inverted LM3886 Kit

Waveform Processing WP-20 Mini-Synth Sound Effects Synthesizer

Chapter 19 Operational Amplifiers

200W DISCRETE POWER AMPLIFIER K8060

Amplifier Teaching Aid

OWNER'S MANUAL HIGH PERFORMANCE AMPLIFIERS

Application Note: PCB Design By: Wei-Lung Ho

INTRODUCTION. We are living in an age of Information Technology. Electronics is at the very foundation of the

Operational Amplifier - IC 741

Operating Manual Ver.1.1

Oscillators. 2.0 RF Sine Wave Oscillators. Module. RF Oscillators

Capacitive Touch Sensor Project:

GENERAL POWER SYSTEM WIRING PRACTICES APPLIED TO TECNADYNE DC BRUSHLESS MOTORS

Electronics Technology

UPDATED DOCUMENTATION---MOuSeFET TRANSMITTERS

TRANSISTOR/DIODE TESTER

Build a Voltage and Current Peak Detector

X. Dealing with Signature Differences

11: AUDIO AMPLIFIER I. INTRODUCTION

Potentiometers. Resources and methods for learning about these subjects (list a few here, in preparation for your research):

Printed Circuit Boards. Bypassing, Decoupling, Power, Grounding Building Printed Circuit Boards CAD Tools

Bipolar transistor biasing circuits

Fundamentals of Signature Analysis

Bipolar Transistor Amplifiers

BUILD YOUR OWN RC SWITCH (Issue 3)

HP 8970B Option 020. Service Manual Supplement

************* OWNER'S MANUAL BAMF800/2 BAMF1250/2 BAMF1800/2 BAMF2200/2 BAMF2600/2 BAMF1200/4 BAMF1600/4 BAMF2000/1D BAMF4000/1D BAMF5500/1D

Application Note 142 August New Linear Regulators Solve Old Problems AN142-1

Experiment #5, Series and Parallel Circuits, Kirchhoff s Laws

Kit 27. 1W TDA7052 POWER AMPLIFIER

Cumbria Designs T-1. SSB/CW Filter kit (4.9152MHz) User Manual

P D Operating Junction Temperature T J 200 C Storage Temperature Range T stg 65 to +150 C

Experiment 2 Diode Applications: Rectifiers

Watt Audiophile Audio Amplifier

LM1084 5A Low Dropout Positive Regulators

The Pass Zen Amplifier: 10 Watts of Single-Stage Single-Ended Class A

step 1 Unpack the lunchbox And check whether you have got all the components~ If you have questions please contact us at: info@unitunlikely.

MAS.836 HOW TO BIAS AN OP-AMP

C220 PRELIMINARY TUBE PREAMPLIFIER SERVICE MANUAL. SERIAL NO. WS1001 And Above C220. Serial Number W S1001 And Above CONTENTS

Assembly Notes. Disclaimer:

Transcription:

Build It! A Portable Headphone Amplifier By Mark Amundson Ever wanted to monitor a line level signal? Or want to provide another headphone output to share the multi-track mix? Well, this Do-It-Yourself (DIY) project is for you. With the modern Musical Instrument (MI) grade of equipment, many situations arise where the need to individually monitor mixer channel inputs for adjustment of signal levels is not available. Also there are times when a portable signal sniffer is just the ticket to troubleshoot sound system interconnects. A Little Design Philosophy I chose this project to teach a little circuit design as well as arrive with a headphone amplifier. One could have grabbed a couple of LM386 Audio Amplifier Integrated Circuits (ICs), added a few passive parts, and completed the project. But I chose a discrete version instead. The rationale to avoid the purpose built ICs is thin but does have its merits. One is to break out the heat generating output transistors to avoid the thermal changes from affecting the other transistors. Another is to prove to our younger generation that before integrated circuits, simple good sounding audio amplifiers were possible in small sizes. This project also has the goal of using commonly available parts so that first time DIY project builders would feel comfortable finding the parts and use assembly techniques like perferated board or etch your own circuit board. The transistors are garden variety 2N2222 and 2N2907 types and either plastic or metal case types can be used. The diodes are 1N4001 rectifier and 1N4148 switching types that can be easily found. All the resistors are 5% carbon film, quarter watt values and the capacitors should 16 volt or higher voltage ratings. Circuit Description This portable headphone amplifier project consists of two audio amplifier circuits for stereo operation powered by a switched 9 volt alkaline battery. Each audio amplifier circuit contains a 100 kilo-ohm, audio taper potentiometer on a common shaft for volume control. A common stereo headphone jack (ring-tip-sleeve) is used along with four phone jacks (tipsleeve) for input signals. Stereo/mono switching is easily possible as well. Figure 1 shows the top level schematic. Each audio amplifier circuit consists of six transistors, three diodes, nine capacitors, and fourteen resistors. Figure 2 shows the circuit schematic. This circuit is best described in backwards fashion; from output towards the input. Transistors Q1 and Q4 form the push-pull output stage and are configured for rail to rail operation. This permits the output voltage swing to approach the battery supply voltage for best peak-to-peak capability. Diode D3 is placed in series with the battery s positive lead to prevent accidental reverse battery connections from destroying the circuit. Capacitor C2 is a 470 microfarad electrolytic device for decoupling the DC offset voltage from the push-pull output to the ground referenced headphone load.

Resistor R3 and Capacitor C1 form a high frequency load to keep the amplifier stable in the presence of inductive loading of the headphone voice coils. Resistors R15 and R16 are 4.7 ohm resistors that cover a couple functions. Their prime purpose is to provide some degeneration of drive signals on heavier headphone loads. Most professional studio headphones and personal Walkman stereo headphones have voice coil impedances of 30 ohms or higher. However, classic home stereo headphones have an impedance of 8 ohms or more. These lower impedances draw more current from the amplifier. The 4.7 ohm resistors drop more voltage and limit the output dissipation to about 350 milliwatts. These resistors also prevent accidental short circuits from destroying the output transistors. Transistors Q2 and Q3 plus resistors R1 and R2 form the driver stage of the audio amplifier circuit. By sharing the 4.7 ohm resistor s voltage drop on the driver transistor s emitters, the above mentioned drive degeneration occurs. Resistors R1 and R2 are not strictly necessary but are added to achieve better fidelity of sound by helping drain capacitive charges accumulated on the base-emitter junctions of the output transistors. Resistor R5 through R8, along with diodes D1 and D2, capacitors C3 and C8, and Transistor Q5 form the pre-driver stage of the audio amplifier circuit. One kilo-ohm resistors R6 and R7 with capacitor C6 tapped in between, form a collector load for transistor Q5 plus a poor man s or bootstrap constant current source for the driver stage biasing. By selecting C3 at 100 microfarads, the capacitor attempts to retain a constant voltage across R7 which forms the current source. The reason to desire a constant current source is that diodes D1 and D2 plus R5 will maintain a constant voltage drop for optimum driver transistor biasing. Resistor R8 keeps transistor Q5 s gain under control via emitter degenerative feedback. Capacitor C8 forms a miller capacitance to minimize circuit oscillation and keep the amplifier stable. The balance of the components in the audio amplifier circuit make up the amplifier s input stage. Resistors R4, R12, and R13 together with capacitors C5 and C9 provide stable bias voltage for input transistor Q6 to ensure that the whole amplifier circuit centers up about one-half of the supply voltage. Resistor R11 is sized at one kilo-ohm for almost a one volt (one milliampere) direct coupled bias for transistor Q5. Resistor R9 performs double duty as an emitter resistor and uses the 470 ohms in conjuction with the 22 ohms of resistor R10 as the gain setting part of the amplifier. Capacitors C4 and C7 set the low and high frequency response of the circuit respectively. Potentiometer R14 and capacitor C6 provide signal input to the base of transistor Q6 and provide decoupling for the incoming signal. Project Construction The portable headphone amplifier project construction can be done in many ways. As mentioned earlier, board type construction is the preferred method of circuit interconnection. Figures 3 and 4 show a prospective copper clad circuit board layout. Other proto-board types can also be used. If you try to layout your own board, use the schematic to help physically

place your components. Back in my school day s, my instructor would teach us to paste a paper schematic to a wood board, pound small brass nails into the circuit node points, and solder wire or components across the nail heads for interconnections. The term Breadboarding came from this early form of project construction since a kitchen s breadboard was an ideal flat piece of wood for usage. Figure 5 shows an inside view of the author s internal construction. Project encasement can be done using a number of choices. Aluminum project boxes are my favorite by lending ruggedness in construction and providing an easy surface for drilling and painting. As with other projects, consider what conveniences your local hardware store offers for securing parts or dressing up your project. Adhesive backed foam weather stripping is one of my favorite items for securing batteries and circuit boards in project boxes; due to its insulating and light compression properties. In a rough and tumble world of gigs, rattles and loose hardware spell danger. Project wiring can be done using non-critical types of insulated conductors. My favorite is PVC insulated solid conductor colored wires of small gauges for the stiffness of bending and for a clean lead dress in the project box. Assorted colors of wire wrap (Kynar) wire are also handy for interconnects. Shielded conductors for the input signal routing can be avoided if you use a conductive project case for shielding instead. Circuit Performance The next step after project construction is the dreaded smoke test. Like the old, wise electrical technician said, Every component has smoke inside it. You pass the smoke test if you do not let the smoke out. If possible use a DC ammeter between each amplifier circuit and the battery. Each amplifier circuit should draw close 8 to 10 milliamperes of battery current with no signal input. The junction of the 4.7 ohm resistors (or board jumper) should have about a 4 to 5 volt reading to ground using a DC voltmeter. If trouble is present, trace through your circuit connections, using a copy of the schematic and a hi-lighter pen to verify the construction. Project Usage The portable headphone amplifier as shown contains four phone jacks in which they are paired (bridged) to permit tapping into lines for monitoring a signal path. If you desire to troubleshoot signals or just use mixer insert jacks, then only a single jack per stereo side will be needed. With the optional mono/stereo switch, a single line connection can be made. Figure 6 shows a typical application. ABOUT THE AUTHOR Mark Amundson s interest in music and electronics started in 1972 and 1974, respectively. He is an Analog and RF Development Engineer and has been building and modifying audio projects for years, since his first onetube radio kit. His favorite instruments are guitars, electric and acoustic, and keyboards. Mark plays regularly with a local band, and has spent over two decades as a musician and soundman.

Table 1 PARTS LIST REF. DES. PART BATTERY 9volt battery with battery clip and/or holder C1.1uf, 50volt or more ceramic capacitor C2, C9 470uf, 16volt or more electrolytic capacitors C3 100uf, 16volt or more electrolytic capacitor C4 220uf, 16volt or more electrolytic capacitor C5 10uf, 16volt or more electrolytic capacitor C6 1uf, 16volt or more electrolytic capacitor C7 100pf, 50volt or more ceramic capacitor C8 470pf, 50volt or more ceramic capacitor D1, D2 1N4148 or 1N914 Switching diodes J1 3 conductor open circuit phone jack J2, J3, J4 2 conductor open circuit phone jack J5 2 conductor closed circuit phone jack Q1, Q3, Q6 2N2907 or PN2907 PNP transistors Q2, Q4, Q5 2N2222 or PN2222 NPN transistors R1, R2, R5 100 ohm, ¼ watt resistors R3 10 ohm, ¼ watt resistor R4 47k ohm, ¼ watt resistor R6, R7, R11 1k ohm, ¼ watt resistors R8 47 ohm, ¼ watt resistor R9 470 ohm, ¼ watt resistor R10 22 ohm, ¼ watt resistor R12 10k ohm, ¼ watt resistor R13 5.6k ohm, ¼ watt resistor R14 dual 100k ohm, audio taper potentiometer S1 SPST switch MISC Case, Circuit board, Wire, Knob