ÆSTETISK INTERAKTION 6 MIE NØRGAARD, SAINT 2012

Transcription

1 ÆSTETISK INTERAKTION 6 MIE NØRGAARD, SAINT 2012

2 One 7me when I came to visit her, Arlene was prac7sing these things. She says to herself: No, that one s wrong. So I, the great scien7st, say, What do you mean, wrong? It s only a human conven9on. There is no law of Nature which says how they re supposed to look: you can draw them any way you want. I mean ar9s9cally, it s wrong. It s a ques9on of balance, of how it feels But one way is just as good as another, I protest. Here she says, and hands me the brush Make one yourself. So I made one, and I said, Wait a minute, Let me make another one it s too blobby (I couldn t say why it was wrong aoer all). How do you know how blobby it is supposed to be? she says. I learned what she meant. There s a par7cular way you have to stroke for it to look good. An aesthe7c thing has a certain set, a certain character, which I can t define. Because it couldn t be defined made me think there was nothing to it and it s a fascina7on I ve had for art ever since R. Feynman i R. Clay, Beau7ful Thing, 2009 At det er svært at ar+kulere betyder ikke, at det ikke er noget værd

3 Hvorfor beskæ8ige sig med æste+sk interak+on? Det design vi omgiver os med, former os og vores adfærd

4 Hvordan former design mennesker og adfærd? Alt design er ideologisk (a. Dunne) Designobjekter er en Material Thesis (Backlund et al)

5 ( ) go beyond optimization, use estrangement, design alternative functions A. Dunne, Hertzian Tales Hvordan kan designere arbejde med poe+sk design?

6 At eksperimentere med æste+ske kvaliteter I et forsøg på at blive bedre 7l at ar7kulere æste7sk interak7on har I lavet en serie sketches.

7 Eksempler på sketches James Campbells værker i serien Material Light eksperimenterer med forskellige grader af slør og skarphed, for eksempel pixelering og frosted overlay

8 Hvad betyder det at designe? At designe er mange 7ng, men det er al7d at komponere. Kunst Teknologi

9 Analy+sk vs pragma+sk æste+k Er skønheden iboende artefaktet eller har artefaktet et æste7sk poten7ale som forløses a`ængig af kontekst og brug?

10 Categories and articulations for aesthetic interaction (Petersen et al): body-mind (senses), socio-cultural (style) and instrumentality (clues of use) Attributes of interaction Gestalt (Lim et al): connectivity, continuity, directness, movement, orderliness, proximity, pace, resolution, speed, state, time-depth Aesthetic ideals (Lundgren): playfulness, coherency, efficiency, critisism, sensing, emotion Articulations (Löwgren): Piability, rhythm, dramaturgical structure, fluency 4 pleasures (Tiger.): socio-pleasure, ideo-pleasure, physio-pleasure and psycho-pleasure Critical Design (Dunne): Para-functional Design (in)human factors Post optimal object Product semantics Performance semiotics Pet, Alien, Defamiliarisation, Design as Text Ambiguity (Gavet et al): of information of context of relationship Serendipitor app: Serendipity Ar+kulering af æste+sk interak+on

11 Æste+ske kvaliteter bruges +l at ar+kulere a) de værdier og inten7oner, der er indlejret i et artefakt, b) den oplevelse designeren har i sinde med designet

12 Categories and articulations for aesthetic interaction (Petersen et al): body-mind (senses), socio-cultural (style) and instrumentality (clues of use) Attributes of interaction Gestalt (Lim et al): connectivity, continuity, directness, movement, orderliness, proximity, pace, resolution, speed, state, time-depth Aesthetic ideals (Lundgren): playfulness, coherency, efficiency, critisism, sensing, emotion Articulations (Löwgren): Piability, rhythm, dramaturgical structure, fluency 4 pleasures (Tiger.): socio-pleasure, ideo-pleasure, physio-pleasure and psycho-pleasure Critical Design (Dunne): Para-functional Design (in)human factors Post optimal object Product semantics Performance semiotics Pet, Alien, Defamiliarisation, Design as Text Ambiguity (Gavet et al): of information of context of relationship Serendipitor app: Serendipity Ar+kulering af æste+sk interak+on

13 Interac+on gestalt placerer sig mellem UX og artefakten men kan ikke beskrives med UX- ord eller med artefaktord Aeribueerne i Lim et al. reeer sig mod: Time Space Informa7on

14 Categories and articulations for aesthetic interaction (Petersen et al): body-mind (senses), socio-cultural (style) and instrumentality (clues of use) Attributes of interaction Gestalt (Lim et al): connectivity, continuity, directness, movement, orderliness, proximity, pace, resolution, speed, state, time-depth Aesthetic ideals (Lundgren): playfulness, coherency, efficiency, critisism, sensing, emotion Articulations (Löwgren): Piability, rhythm, dramaturgical structure, fluency 4 pleasures (Tiger.): socio-pleasure, ideo-pleasure, physio-pleasure and psycho-pleasure Critical Design (Dunne): Para-functional Design (in)human factors Post optimal object Product semantics Performance semiotics Pet, Alien, Defamiliarisation, Design as Text Ambiguity (Gavet et al): of information of context of relationship Serendipitor app: Serendipity Ar+kulering af æste+sk interak+on

15 Aesthe+c quali+es of interac+ve products (Löwgren) Begreber: Pliability - Rhytm Dramaturgical structure - Fluency

16 Categories and articulations for aesthetic interaction (Petersen et al): body-mind (senses), socio-cultural (style) and instrumentality (clues of use) Attributes of interaction Gestalt (Lim et al): connectivity, continuity, directness, movement, orderliness, proximity, pace, resolution, speed, state, time-depth Aesthetic ideals (Lundgren): playfulness, coherency, efficiency, critisism, sensing, emotion Articulations (Löwgren): Piability, rhythm, dramaturgical structure, fluency 4 pleasures (Tiger.): socio-pleasure, ideo-pleasure, physio-pleasure and psycho-pleasure Critical Design (Dunne): Para-functional Design (in)human factors Post optimal object Product semantics Performance semiotics Pet, Alien, Defamiliarisation, Design as Text Ambiguity (Gavet et al): of information of context of relationship Serendipitor app: Serendipity Ar+kulering af æste+sk interak+on

17 Lundgrens 6 idealer coherency, emo7on, sensing, cri7sism, efficiency og playfulness

18 Categories and articulations for aesthetic interaction (Petersen et al): body-mind (senses), socio-cultural (style) and instrumentality (clues of use) Attributes of interaction Gestalt (Lim et al): connectivity, continuity, directness, movement, orderliness, proximity, pace, resolution, speed, state, time-depth Aesthetic ideals (Lundgren): playfulness, coherency, efficiency, critisism, sensing, emotion Articulations (Löwgren): Piability, rhythm, dramaturgical structure, fluency 4 pleasures (Tiger.): socio-pleasure, ideo-pleasure, physio-pleasure and psycho-pleasure Critical Design (Dunne): Para-functional Design (in)human factors Post optimal object Product semantics Performance semiotics Pet, Alien, Defamiliarisation, Design as Text Ambiguity (Gavet et al): of information of context of relationship Serendipitor app: Serendipity Ar+kulering af æste+sk interak+on

19 4 Pleasures Physio, Socio, Psycho og Ideo pleasure

20 Categories and articulations for aesthetic interaction (Petersen et al): body-mind (senses), socio-cultural (style) and instrumentality (clues of use) Attributes of interaction Gestalt (Lim et al): connectivity, continuity, directness, movement, orderliness, proximity, pace, resolution, speed, state, time-depth Aesthetic ideals (Lundgren): playfulness, coherency, efficiency, critisism, sensing, emotion Articulations (Löwgren): Piability, rhythm, dramaturgical structure, fluency 4 pleasures (Tiger.): socio-pleasure, ideo-pleasure, physio-pleasure and psycho-pleasure Critical Design (Dunne): Para-functional Design (in)human factors Post optimal object Product semantics Performance semiotics Pet, Alien, Defamiliarisation, Design as Text Ambiguity (Gavet et al): of information of context of relationship Serendipitor app: Serendipity Ar+kulering af æste+sk interak+on

21 Design research should expose a new role for the electronic object one that facilitates more poetic modes of habitation A. Dunne, Hertzian Tales Cri+cal design Pointe: Hvordan et kri7sk syn på design kan hjælpe udviklingen af nye æste7ske muligheder for elektroniske produkter

22 #1 The Electronic as Post-Optimal Object #2 (in)human factors #3 Para-Functionality The aesthetics of use Hvordan kan man ar+kulere kvaliteterne v CD?

23 Pet Alien Defamiliarisa+on Design as text

24 to analyze the way form could express implicit meanings (Dunne, Hertzian Tales) Product seman+cs - Performance semio+cs Hvordan læser vi mening ud af et produkt?

25 Categories and articulations for aesthetic interaction (Petersen et al): body-mind (senses), socio-cultural (style) and instrumentality (clues of use) Attributes of interaction Gestalt (Lim et al): connectivity, continuity, directness, movement, orderliness, proximity, pace, resolution, speed, state, time-depth Aesthetic ideals (Lundgren): playfulness, coherency, efficiency, critisism, sensing, emotion Articulations (Löwgren): Piability, rhythm, dramaturgical structure, fluency 4 pleasures (Tiger.): socio-pleasure, ideo-pleasure, physio-pleasure and psycho-pleasure Critical Design (Dunne): Para-functional Design (in)human factors Post optimal object Product semantics Performance semiotics Pet, Alien, Defamiliarisation, Design as Text Ambiguity (Gavet et al): of information of context of relationship Serendipitor app: Serendipity Ar+kulering af æste+sk interak+on

26 Ambiguity Informa7on context - rela7onships

27 Uds+llingen den Booke en plads? Prak7ske forhold og ønsker?

28 Kri+kgrupper Body & Mind kl 15 Pleasures kl 16