Affiliated Faculty with the Film Study Program, Texas A&M University.

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1 Manuela Marchesini Associate Professor of Italian and Film Studies Department of International Studies Texas A&M University 230 B Academic Building E 4215 TAMU College Station, TX ph: (979) fax: (979) EDUCATION 2000 Stanford University, Stanford, California. Ph.D. in Italian Literature. Dissertation: Literary Style as a Mode of Knowledge a Poetic Collaboration between Literature and Criticism in Italy: Gianfranco Contini, Roberto Longhi, and Carlo Emilio Gadda. Committee members: Prof. Robert P. Harrison (French and Italian, principal advisor), Prof. Jeffrey T. Schnapp (Comparative Literature), Prof. Hans-Ulrich Gumbrecht (French and Italian), and Prof. Paolo Berdini (Art) Università di Bologna, Bologna, Italy. Master s in Italian Letters, summa cum laude. Thesis: From Fielding to Sterne: Narrative Paths from Manzoni s Fermo and Lucia to The Betrothed. Under the direction of Prof. Ezio Raimondi. (5-year Laureate program combines equivalent of American baccalaureate and Master s degree.) PROFESSIONAL EXPERIENCE Fall 2010 Fall 2008 Spring 2005 Fall 2004 Associate Professor of Italian, Department of European and Classical Languages and Cultures since Fall 2012 Department of International Studies, Texas A&M University. Affiliated Faculty with the Film Study Program, Texas A&M University. Assistant Professor, Department of European and Classical Languages and Cultures, Texas A&M University. Fellow in the Humanities, Stanford University. Introduction to the Humanities Freshmen Course Sex, Its Cultures and Pleasures (3 Sections). Coordinator of 2 Faculty Members and 6 Fellows, Stanford University. Introduction to the Humanities Freshmen Course Sex, Its Cultures and Pleasures, Stanford University Lecturer, Department of Italian Studies, University of California, Berkeley.

2 1999 Translation Coordinator. Oversight and adaptation of software products for visually impaired people in several European languages. Translated software programs in Italian and French. Arkenstone Inc., Mountain View, California Tenured Instructor of Italian Literature and World History, Italian High School Level. Awarded on the basis of highly competitive state-administered examinations. Liceo Scientifico Sperimentale Morandi, Finale Emilia (Modena), Italy Joint Curator, Marino Moretti Archive. Archives of Twentieth Century Italian Writers. Marino Moretti Manuscript Fund, Cesenatico (Rimini), Italy Professional Translator. Trans. The Imaginary Library: an Essay on Literature and Society. By Alvin B. Kernan. Princeton: Princeton University Press, Publishing House Il Mulino, Bologna (Italy) Lecturer for the Literature Courses, Continuing Studies Program, Università di Bologna. Coordinator, Continuing Studies Program, Università di Bologna and Liaison between the University and the City of Bologna. RESEARCH FIELDS Italian Literature (Emphasis on Modern and Contemporary); Film Studies; Romance Philology and Textual Criticism; Literary Theory and Philosophy; Italian Art History; Italian Cinema and Theater; Anthropology; Italian Cultural Studies. PUBLICATIONS 1. Book Monographs. La galleria dell Ingegnere. Arti figurative e pratica dello specchio nella narrativa di Carlo Emilio Gadda. [The Gallery of the Engineer. Figurative Arts and Mirrors in Carlo Emilio Gadda s Narrative] Torino: Bollati Boringhieri, forthcoming in Print.. Scrittori in funzione d altro: Contini, Longhi, Gadda. [Writers of the Second- Order. Contini, Longhi, Gadda] Introduction by Cesare Segre. Modena: Mucchi, Print. Reprint of Chapter 4 in The Edinburgh Journal of Gadda Studies Archives. Ed. Federica G. Pedriali (Nov. 2007): <http://www.gadda.ed.ac.uk/pages/resources/archive/gadda_e/pdf/marchesinicegconti ni.pdf >. Capello, Francesco. Rev. of Scrittori in funzione d altro. Annali d Italianistica. Italian Bookshelf. 26 (2008): Print. Frontaloni, Elena. Rev. of Scrittori in funzione d altro. La Rassegna della Letteratura Italiana (2006): Print. Salvatore, Nigro. Rev. of Scrittori in funzione d altro. Il Sole 24 Ore. Sunday Cultural Supplement. October Print. 2

3 2. Articles in Journals and Book Contributions (All Refereed). Godard cuenta, y Serra también. El experimento en ética secular de El cant dels ocells. Trans. in Spanish. [Godard Counts, and Serra, too: El Cant dels Ocells Experiment in Secular Ethics] Efectos de imagen: qué fue y qué es el cine militante? Eds. Elixabete Ansa-Goicoechea and Oscar Ariel Cabezas. Santiago del Chile: ARCIS University Press. Forthcoming in Print.. La realtà non è realista: visione e ritorno al reale nell opera di Antonio Moresco. [Reality is not Realist: Vision and Return to the Referent in Antonio Moresco s Work] Negli archivi e per le strade: il ritorno al reale nella narrativa italiana di inizio millennio. Ed. Luca Somigli. Rome: Aracne Editrice, 2013: Print.. From Giorgio Agamben s Italian Category of Comedy to Profanation as the Political Task of Modernity: Ingravallo s Soaring Descent or Dante According to Carlo Emilio Gadda. Metamorphosing Dante: Appropriations, Manipulations and Rewritings in the Twentieth and Twenty-First Centuries. Eds. Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart. Vienna and Berlin: Turia und Kant, Print. Il segreto macchinismo dietro il quadrante dell orologio; For a New Visual Adaptation of Gadda s Pasticciaccio. The Edinburgh Journal of Gadda Studies 5 (November 2007): <http://www.gadda.ed.ac.uk/pages/journal/issue5/articles/marchesinipasticcio05.php>. Beyond Pasolini and Calvino: Exordium and Closure in Carlo Emilio Gadda s Impure Literature. Nuova rivista di letteratura italiana IX. 1 (2006): Print.. Finding the Cure: Dante in Gadda and Schaub. Nuovi argomenti 33 (2006): Print.. Between Collodi s Ringmaster and Manzoni s Capocomico: Antihumanism or the Circus of Life in Carmelo Bene s Pinocchio. Approaches to Teaching Collodi's Pinocchio and Its Adaptations. Ed. Michael Sherberg. New York: Language Association of America (MLA) Books, Print.. Literature as the Experience of Boundary Crossing: Gadda s Descent to Hell and the Solution to That Awful Mess of Via Merulana. Modern Language Notes (MLN) Italian Issue (January 2004): Print.. Signorina Rosina: Pizzuto e Beckett, ovvero la scrittura come pittogramma. [Miss Rosina: Pizzuto and Beckett, or Writing as a Pictography] Strumenti critici XVIII. 2 (2003): Print.. Lo stile come modo di conoscere: Gianfranco Contini fra Roberto Longhi e Carlo Emilio Gadda. [Literary Style as a Mode of Knowledge: Gianfranco Contini between Roberto Longhi and Carlo Emilio Gadda] Lettere italiane 2 (2001): Print. 3

4 . L'elica e il sistema: I miti del somaro di Carlo Emilio Gadda. [The System and the Propeller: Gadda s The Myths of the Ass] Italica (1997): Print.. Le ragioni di Alatiel (Decameron II.7). [Alatiel s Reasons (Decameron II.7)] Studi sul Boccaccio 22 (1995): Print. Included in the selected Bibliography. Suggested Articles in Italian. Decameron Web. Hypermedia Archive on Boccaccio s Decameron, Brown University).. Verità, comunicazione e retorica. Il primo Manzoni romanziere. [Truth, Communication, and Rhetoric: Manzoni s First Novel] Intersezioni (1993): Print. 3. Book Reviews. Rev. of The Montesi Scandal. The Death of Wilma Montesi and the Birth of the Paparazzi in Fellini s Rome, by Karen Pinkus. South Central Review (2007): Print.. Rev. of I Lombardi in Rivolta. Da Carlo Maria Maggi a Carlo Emilio Gadda. By Dante Isella. Intersezioni 2 (1985): Print. 4. Work in Progress. The Existence of Italy. Book Monograph.. In Italy the Dead Rule: on Bellocchio s The Wedding Director. Essay.. Guest Editor. Política Común (Peer-Reviewed Journal). Special Issue on Giacomo Marramao s The Passage West (Verso, 2012). Forthcoming in The Re-Enchantment of Literature. An Italian Case. Essay. Política Común (Peer-Reviewed Journal) Special Issue on Giacomo Marramao s Passage West. Essay. GRANTS, FELLOWSHIPS, AND AWARDS Nationally Elected Member, MLA Executive Committee 20 th Century Italian Literature Division, Modern Language Association (MLA). One position open to election each year, for a five yearlong appointment and 2014 Cap Funds Italian Government Grant for the Teaching of the Italian Language. About $ per year, to the Department. 2005/2006 Recipient Stipendiary Fellowship. Glasscock Center for Humanities Research, Texas A&M University. One semester course release Recipient International/Diversity Curriculum Grant Europe and Neighboring Cultures/Subcultures. One of 5 applicants. $1,000 each; $5,000 to the Department Recipient Whiting Fellowship, Whiting Foundation, New York. Endowed by Mrs. Giles Whiting for doctoral students whose work is of the highest distinction and promise. $ for one year to work on doctoral dissertation at Stanford University. 4

5 Doctoral Fellow Stanford Humanities Center, Stanford University Vincitrice di cattedra [High School Permanent Tenure] Italian Literature and World History, Italian Public High School Level. Awarded in highly competitive, state-administered, oral and written examinations. Bologna, Italy Co-recipient Fiorenzo Forti Award Best Master s Dissertation. Dipartimento di Italianistica, Università di Bologna, Italy. TALKS AND INVITED PRESENTATIONS. Godard's Histoire(s) du Cinéma and the Existence of Italy. Special Session. Jean-Luc Godard: History, Theory, Cinema. MLA Annual Convention. Chicago. 12 Jan Reading.. The Existence of Italy. Truth and Myth in Modern Italian Culture. Department of Modern Languages and Literatures. Santa Clara University, Santa Clara. Jan Reading.. Godard Counts, and Serra, too: El Cant dels Ocells Experiment in Secular Ethics. An International Symposium. Experimental Cinema, Spanish Experimental and Documentary Cinema Today. Department of Hispanic Studies, Texas A&M University. 8-9 Dec Reading.. Bellocchio s The Wedding Director, Godard s Histoire/s du cinéma, and the Ethical Responsibility of Recognition. Special Session. The Cinema of Marco Bellocchio. MLA Annual Convention. Los Angeles. Jan Reading.. La realtà non è realista: Moresco s Visionary Realism and the Return of the Real in Contemporary Italian Fiction. International Conference. In the Archives and on the Streets: the Return to the Real in the Italian Fiction of the New Millennium. University of Toronto, Toronto. 7-8 May Reading.. From Agamben s Italian Category of Comedy to Profanation as the Political Task of Modernity: Dante in Gadda s Pasticciaccio and Pasolini s Petrolio. International Conference. Metamorphosing Dante. Berlin Institute for Cultural Inquiry (ICI), Berlin Sept Reading.. Avere un mito e non poterlo raccontare: mitopoiesi, Wu Ming e la tradizione italiana. [Having a Myth and Being Unable to Tell It: Mythopoiesis, Wu Ming, and the Italian Tradition] Annual Conference of the Canadian Society for Italian Studies. Bridging Communities. University of Trieste, Trieste. 29 June-3 July [Written, not read due to an emergency].. Between Criticism and Commentary: Towards a New Filmic Rendition of Gadda s Pasticciaccio. International Conference. Narrative Synergies: Cinema and Literature in Contemporary Italy. University of Oxford, Oxford Jan Reading. 5

6 . Finding the Cure: Dante in Gadda e Schaub, International Congress. Dire l indicibile. Poesia, letteratura ed arte nelle psicoterapie d avanguardia. [Speaking the Unspeakable. Poetry, Literature, and the Arts in Psychotherapy] Secondo Congresso Internazionale Interdisciplinare CISAT di Psicologia, Psicoterapia e Letteratura. CISAT Institute, Naples June Reading.. The Politics of an Impure Literature: Carlo Emilio Gadda in the New Millennium. Department of Italian Studies, University of California at Berkeley. Feb Reading. Also Department of Modern and Classical Languages and Cultures, Texas A&M University. Jan Reading. Also Department of Modern Languages, Hofstra University. Feb Reading.. Boundary Crossing in a Hellish Landscape: Rome and the Solution to That Awful Mess of Via Merulana. Session. Cine-Literary Landscapes: Questioning Visual and Rhetorical Representations of Space. MLA Annual Convention, San Diego. Dec Reading.. Pinocchio by Carmelo Bene. Introduction to Screening. Retrospective Carmelo Bene: Rascal Genius of the Theater. Italian Cultural Institute, San Francisco. 11 Apr Reading.. Between Collodi s Ringmaster and Manzoni s Capocomico: Antihumanism or the Circus of Life in Carmelo Bene s Pinocchio. Annual Convention American Association of Italian Studies (AAIS). University of Georgetown, Washington, DC Mar Reading.. Literature as a Boundary Crossing Experience: Gadda s Descent to Hell and the Solution to That Awful Mess of Via Merulana. Department of Italian Studies, University of California at Berkeley. Feb Reading. An early version was presented at the Department of Italian Studies, New York University. Feb Reading.. Signorina Rosina di Antonio Pizzuto: la scrittura come pittogramma [Miss Rosina by Antonio Pizzuto: Writing as a Pictography], Annual Convention American Association of Italian Studies (AAIS). University of Missouri, Columbia. Apr Reading.. "Un grano di follia. Style as a Mode of Knowledge in Contini, Longhi, and Gadda." Department of Italian Studies, New York University. March Reading.. The Legacy of Gianfranco Contini: Verbal Criticism between Ekphrasis and Performance. Session Status of Interpretation in Italy. MLA Annual Convention, Toronto, Dec Reading.. La risoluzione continiana della dialettica ancillarità/autonomia della critica: lo stile come modo di conoscere. [Contini s Solution to the Problem of the Dependency or Autonomy of Criticism: Literary Style as a Mode of Knowledge] XVI International Association of Italian Language and Literature Studies (AISLLI) Conference. Wrestling with Proteus. The Metamorphosis of the Text and Textuality of Criticism. University of California at Los Angeles. 6-9 Oct Reading. 6

7 . The Intercultural Fabric of Manzoni's Narrative: from Fielding to Sterne. International Conference. The New Europe at the Crossroads, The University College of Ripon & York, St. John York Campus, UK. 3-7 Aug Reading.. Gianfranco Contini between Ekphrasis and Performance. Stanford Humanities Center, Stanford University. Feb Reading. TEACHING FIELDS Italian Culture and Literature (12 th Century to Contemporary); Italian and European Cinema; Textual Criticism; Italian and European Art History; Adaptations across Media; Theory and Italian Philosophical Tradition. Italian Language across the Curriculum, Technology Integrated: from Elementary to Intermediate (through Film), to Italian Composition and Conversation. CLASSES TAUGHT AT A&M All Levels of the Language Sequence (in Italian); Upper Division Italian Culture, Literature, Cinema, and Drama (in English and Italian), on Campus and for Study Abroad (Santa Chiara, Italy). SERVICE Professional Service Outside of the University 2014 Organizer and Chair: Session Italian Difference. On Behalf of the MLA Division Executive Committee for 20 th Century Italian Literature. MLA Annual Convention. Chicago. Jan Organizer and Chair: Special Session Digital Humanities in the Italian Context. Selected in National Competition. MLA Annual Convention. Seattle. Jan Organizer and Chair: Session Realism in Italian Culture. On Behalf of the MLA Division Executive Committee for 20 th Century Italian Literature. MLA Annual Convention. Seattle. Jan Nationally Elected MLA Executive Committee Member 20 th Century Italian Literature Division, Modern Language Association (MLA). Five-member committee; one position open to election each year, for a five yearlong appointment Manuscript Reviewer: PMLA, Forum Italicum, California Italian Studies (US); Quaderni del 900 (Italy); Edinburgh Journal of Gadda Studies (UK) Organizer and Chair: Panel The Pinocchio Function in Literature and Beyond. Annual Convention American Association of Italian Studies (AAIS). University of Georgetown, Washington, DC Mar Professional Service Inside the University Application Cap Governmental Funds for Teaching Italian Language, 2013/14. 7

8 2. Application Italian Government Grant Italian Lectureship (3 Year Renewable Fully Funded) Researched and Liaised with Teaching Institutions in Arezzo and Bologna Full Immersion Italian Summer Faculty-Lead Program. 4. Member Tenure and Promotion Committee. Daniel Humphrey, Assist. Prof. of Film Studies Application Cap Governmental Funds for Teaching Italian Language, 2012/ Researched and Liaised among Santa Chiara Study Center Administration, Local Instructor (Rossella Faralli), Local Liceo (Principal Angiolo Maccarini), Texas A&M Study Abroad Office, and the College of Liberal Arts Full Immersion Italian Summer Faculty-Lead Program, Santa Chiara Study Center (Summer 2014). 3. Writer Course Syllabus At the Altar of the Italian Renaissance for the Program above Application Italian Government Grant Italian Lectureship (3 Year Renewable Fully Funded) End of Year Report Cap Governmental Funds for Teaching Italian Language Received in Advisory Committee Member Glasscock Center for Humanities Research (until July 2011). 4. Member Third Year Review Committee. Daniel Humphrey, Assist. Prof. of Film Studies. 5. Member Ad-Hoc International Studies Curriculum Committee. 6. Member Third Year Review. Justin Lake, Assist. Prof. of Classics. 7. Writer Report on Service. Justin Lake, Assist. Prof. of Classics. Third Year Review. 8. Application Cap Governmental Funds for Teaching Italian Language, 2011/ Advisory Committee Member Glasscock Center for Humanities Research. 2. Judging Committee Kurrus Award and Scholarship (for Film Studies Students). 3. Class Visit and Written Report Fabiana Cecchini, Visiting Assistant Professor of Italian. 4. Application Cap Governmental Funds for Teaching Italian Language, 2010/ Application Italian Government Grant Italian Lectureship (3 Year Renewable Fully Funded) End of Year Report Cap Governmental Funds for Teaching Italian Language Received in Member, Search Committee Faculty Position in Italian. 2. Application Cap Governmental Funds for Teaching Italian Language, 2009/ Class Visit and Written Report Françoise Vionnet Bracher, Senior Lecturer of French. 4. End of Year Report Cap Governmental Funds for Teaching Italian Language Received in

9 Application Cap Governmental Funds for Teaching Italian Language, 2008/ Application, Italian Government Grant Italian Lectureship (3 Year Renewable Fully Funded) Member, Search Committee Faculty Position in Italian. 4. Class Visit and Written Report Sylvie Ragucci, Senior Lecturer of French. 5. Introduction, Conference Speaker Jeffrey T. Schnapp. Febr End of Year Report Cap Government Funds for Teaching Italian Language Received in Application Cap Government Funds for Teaching Italian Language, 2007/ Application Italian Government Grant Italian Lectureship (3 Year Renewable Fully Funded) Invited Guest Speaker Daniela Bini, Department of French and Italian, University of Texas at Austin. Mar Invited Guest Speaker Gianmario Anselmi, Dipartimento di Italianistica, Università di Bologna, Italy. Nov End of Year Report Cap Governmental Funds for Teaching Italian Language Received in Signed Letter of Cooperation between Department of European and Classical Languages and Cultures, Texas A&M University, and Dipartimento di Italianistica, Università di Bologna, Italy. June Writer Proposal for a Minor in Italian. Approved Nov Application Italian Government Grant Italian Lectureship (3 Year Renewable Fully Funded) Member European Program Committee. 4. Event Co-Organizer Italian Night for Italian Minors. Dec Writer Promotional Program Brochure and Event Flier. Italian Night for Italian Minors. Dec Writer Proposal for a Minor in Italian. Five Drafts. 2. Member European Program Committee. College Service 2010 Researcher and Writer Report on Future Development of a Major in Italian Studies in 3 documents: Resource Analysis for the Establishment of a Major in Italian Studies; Italian Studies Majors Comparison; Projections (May 2010) and 2007 Liaised Memorandum of Agreement (MOA) between the College of Liberal Arts, Texas A&M University, and the Facoltà di Lettere e Filosofia, Università di Bologna, Italy. University Service Member Faculty and Staff Koldus Achievement Award Selection Committee ( ). 2. Member Pd. D. Committee. Pasquale De Paola, Department of Architecture. March

10 2008 Language Coach Italian. Lend me a Tenor. Aggie Players Theater Group. Performance Studies/Theater Department, Texas A&M University. LANGUAGES Italian, English, French (Diplôme de L Alliance Française), Reading Spanish, Latin. 10

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