Dr John production requirements Feb 2014 Questions? Contact PM/Mon engineer Briand Parenteau (617)

Transcription

1 Dr John production requirements Feb 2014 Questions? Contact PM/Mon engineer Briand Parenteau (617) The Dr. John show is a blues rock style music performance, and system design should be in accordance to this style of reinforcement. The show generally averages 85-90dbA but can reach peaks far in excess of that, thus a professional sound reinforcement system capable of even coverage throughout the venue, to include front fills, delays or other such zone coverage so that there is no deviation significant (+/-3db acceptable) of SPL or frequency response from closest seat to furthest, ensuring all audience receive the same quality and level of sound while not impeding on visuals. FOH SYSTEM Speakers/processing/amplification L Acoustics, D&B Audiotechnik, JBL Vertec/VRX, Meyer. Crown, QSC, Crest, D&B power amplifiers Lake Systems, XTA, BSS or DBX Driverack digital system processors including spare/backup with remote access. (laptop, ipad, tablet or other wireless mobile remote control.) SYSTEM PROCESSORS MUST BE LOCATED AT FOH MIX, UNLOCKED AND FULLY ACCESSABLE BY ARTIST ENGINEER. SUBS MUST BE ASSIGNABLE TO AUX/MATRIX SEND AS WELL AS ALL PA ZONES INCLUDING FRONT FILLS, OUTFILLS, BALCONY FILLS, ETC FOH CONSOLE/SNAKE **NO ANALOG CONSOLES ARE ACCEPTABLE** Please put FOH mix in a logical UNOBSTRUCTED position in the audience where the engineer can hear and clearly see the stage and PA system. 1-Avid Profile, SC48, Dshow, YAMAHA CL5 or M7CL-48 All substitutions must be approved by artist production manager CONSOLE MUST BE LATEST VERSION FIRMWARE and MUST HAVE A MINIMUM of 2 LITTELITES with Q5 QUARTZ BULBS, PLEASE NO LED LIGHTING. 1-Digital or analog snake system adequate for venue, minimum 48 inputs All necessary cabling for system connections 1-Professional quality XLR I/O CD record/playback deck 2 blank CD-R s preferably Sony, with jewel cases PER SHOW. 1-20A/110v/60Hz Edison quad at FOH mix position for artist use. 1-Small table or similar height road case to the right of mixer for FOH engineers use. 1-Dedicated FOH systems tech with extensive knowledge of ALL components and their operation.

2 MONITOR SYSTEM **NO ANALOG CONSOLES ARE ACCEPTABLE** Monitor mix postion MUST BE stage left, and within 75 cable run of mid center stage with 100% visibility of entire stage. 1-Avid Profile, SC48, Dshow, Yamaha CL5, or M7CL-48 All substitutions must be approved by artist production manager CONSOLE MUST BE LATEST VERSION FIRMWARE and MUST HAVE A MINIMUM of 2 LITTLEITES with Q5 QUARTZ BULBS, PLEASE NO LED LIGHTING x 2 biamped low profile floor monitors (L Acoustics, D&B, EAW, Meyer) with all amplifiers necessary to create (8) biamped mixes on stage in addition to (1) biamped cue mix **NO 15 monitors & NO passive monitors** All power amps, processing and cabling necessary for above system 1-20A/110v/60Hz Edison quad at monitor world for artist use. 1-Small table or similar height road case to the right of mixer for MON engineers use. 1-Dedicated monitor systems tech with extensive knowledge of ALL components and their operation. Mics, stands, cabling and power -Artist carries some mic s and DI s as indicated on input list. However artist does NOT carry any cabling, and all audio cabling is the sole responsibility of the sound company to supply and maintain **Please refer to input list for specific microphone and mic stand requirements** -Stage power locations are notated on accompanying stage plot -Yellow Jackets, mats, carpet or other safe and visually pleasing means of covering ALL exposed cable runs, especially those crossing artists path. POWER MUST BE 110v/60hz Edison ONLY COMMUNICATIONS Sound and Lighting communications MUST BE on SEPARATE CHANNELS 2 channel Clearcom base station with drops at the following locations: Channel A Channel B FOH Audio (Base Station) Show Lighting Control Monitor Beach ( off stage left) House lights Off Stage Right Spotlights (if applicable) House Stage Manager LIGHTING The show does NOT carry a lighting designer and does NOT have a lighting plot. A professional lighting system WITH QUALIFIED OPERATOR is required. This system should consist of a 3-4 color wash (red/blue/amber/nc) that covers the entire stage, and a minimum of 10 specials. Please refrain from using any color of green except for set lighting, do not focus green on any artists directly. Creative and artistic yet subtle so as to not distract the artist or distract from the music. Use of cyclorama, scrims, rear up lighting, gobos, intelligent lighting etc., is highly encouraged. Spotlights are not required but would be a welcome addition, with qualified operators. Whenever possible the system should be flown to avoid the trip hazards of ground support.

3 BACKLINE Dr John does not travel with backline, and requires the backline listed below to be provided by purchaser at no cost to the artist. THIS BACKLINE IS EXCLUSIVE TO DR. JOHN, AND IT WILL NOT BE SHARED WITH ANY OTHER ARTISTS PRIOR TO DR JOHN S PERFORMANCE WITHOUT EXPRESSED APPROVAL OF ARTIST PRODUCTION MANAGER Piano/keys Dr. John 1-Yamaha C3, C5, C6 or C7 baby grand Piano with fully height adjustable bench. Dr John endorses Yamaha pianos. Substitutions are acceptable per production mgr approval, however **NO PIANOS LARGER THAN 7.5 Feet will be acceptable** Please have piano tuned prior to crew arrival and again prior to performance by a professional piano tuner. 2-Nord Electro 3 keyboards with power cables. **NO SUBSTITUTIONS** 1-Ultimate Support IQ2000 or IQ3000 single teir X type keyboard stand 2-3 1/4 unbalanced instrument cables Guitar (Dr. John) One of the following with a spare: 1st choice Fender Hot Rod Deluxe 2nd choice Fender Blues Deluxe 1-Fender Telecaster with new Ernie Ball.010 strings 1-wide adjustable strap 1-Amp stand (Ultimate Support or equivalent) /4 unbalanced instrument cables 1-guitar stand 1-Boss TU3 or equivalent muting pedal style tuner Organ- Ben Alleman/Bobby Floyd 1-Hammond B3 with bass pedals, bench and Leslie 122 with 25 cable from Hammond to Leslie 1-spare Leslie 122 **If show is powered by AC generator, Hammond B3 must have frequency stabilizer modification installed or there must be separate 110v 60Hz line voltage available** Guitar-Dave Yoke One of the following with a spare: 1 st choice Fender Super Reverb (original vintage amp pre 1975) 2 nd choice Fender Super Reverb 65 Reissue 3 rd choice Fender Hot Rod DeVille guitar stands 2-20ft 1/4 inch instrument cables Bass-Dwight Bailey One of the following plus 1 as spare: 1st choice Aguilar DB 751 bass amp head/aguilar DB (4X10 or 8X10) Bass cabinet 2nd choice Eden WT800 World Tour Bass Amp Head/Eden D410ST 1000 watt Bass cabinet 3rd choice Gallien Kruger (GK) 800 RB or 1001RB bass amp head/hartke 4.5 bass cabinet 2-20ft 1/4 unbalanced instrument cables 2-3 1/4 unbalanced instrument cables 2-guitar stands

4 Drums-Reggie Jackson 1st choice Pearl Masterworks 2nd choice Yamaha Recording Custom 3rd choice D.W. Collector s Series Drum Sizes: ALL HEADS TO BE NEW AND PRESTRETCHED!! 1-16x20 bass drum with tom mount. Evans Emad 2 clear batter and resonate side heads. **Resonant side to have hole large enough to fit a Shure Beta91 microphone inside** 1-14 x 14 Floor Tom WITH LEGS Evans EC2 Clear Top/Remo Clear Ambassador Bottom 1-10 x 12 Rack Tom Evans EC2 Clear Top/Remo Clear Ambassador Bottom 1-9 x 10 Rack Tom Evans EC2 Clear Top/Remo Clear Ambassador Bottom 1-8 x 8 Rack Tom Evans EC2 Clear Top/Remo Clear Ambassador Bottom 2-5 x 13 (maple or brass) Snare Drums Remo Coated Ambassador Top/Snare Side Ambassador Stands/hardware: All stands should be double braced. 2-Boom Cymbal Stands 2-Straight Cymbal Stands 2-Snare Stands 1-Hi-Hat Stand complete w/tension adjustability 1-double clamp and single tom holder (clamps 10x12 tom to cymbal stand) 1-double tom mount for bass drum 1-Spindle Style Throne 1-Bass Drum Pedals with adjustable tension 2-drum keys, extra felts, washers, wing nuts etc. 8 X8 black carpet 8 x8 x18 high riser with step Misc: 6-Manhassett music stands with Giardinelli Universal Klip-Light 3 -black or dark colored bar stools. They must be hard topped, no padding on the seats as they re used for both sitting on and stage drinks 1-sturdy chair placed off stage, stage right for Dr. John 1-professional backline technician from arrival of artists crew until load out exclusive of audio or lighting crew to set up and assist artist crew with the backline. This person should be complete with tools for repair of any backline equipment, and dress in show blacks during artists performance.

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8 To request Hospitality rider please contact: Ama Boah Ted Kurland Associates