MINHWA. Introduction to the Folk Painting of the People of Korea
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1 MINHWA Introduction to the Folk Painting of the People of Korea
2 Disclaimer (of sorts) I am not Korean I don t speak Korean I ve never been to Korea I am an artist Art is a universal language/communication I am interested in the art, its process and emotion
3 Korean Art Reveres the Past Utopia was in the past Imitate past, but do not simply copy Mind of the brush (p ilui) where the artist, through own hand reexperiences the world of the old masters to make it his own.
4 A Bit of Perspective China Korea Japan Folk Art Primitive (Minhwa) Realistic Modern
5 Timeline Shilla (57 B.C.-AD 935) Buddhist, temple art Paekje (372 until absorbed into Koguryo) Koguryo ( ) Oldest, most powerful kingdom Chosun ( )
6 Professional Artists and Dilettantes Professional painters were despised Paintings were not despised Office of Painting Office of Rites Government artists Recorded state events Ruling class loved to paint: amateur, literati, gentlemen, gentry schools Drove trends Free of convention and made own rules
7 Chosun ( ) Evolved through phases Genres or styles Minhwa Minhwa obscure until 20c Tiger exhibition 1969
8 Genres Religion Landscape People Minhwa
9 Forms Single panel on natural material Double panels Screens 6,8,10,12 Ten Panel Hunting
10 Common Symbols Landscape, nature: natural order and balance Tigers: power, protection Magpie: bringer of good news Peonies: symbol of wealth, honor and social position Lotus: Buddha s mercy and high government service Longevity symbols: long & healthy life; sun, clouds, mountains, water, cranes, mushrooms, fungus, deer, turtle, rock, etc. Dragons: protection from evil Tiger hides: power to soldier Fish and Crabs: love Hunting scenes: bravery Hundred Children: wish for many descendants Life cycle: scholarship oriented Bookcases and scholarship: scholarship Shamanistic Deities: rites, deities, duties
11 Why Minhwa? Stories and purpose Humorous Stylistic Optimistic Powerful colors Zen Tiger and Mocking Bird folk tale
12 Minhwa: Landscape Nature, derived from earlier Chinese People insignificant Autumn Mountain Mountain Spirits
13 Minhwa: Flowers & Birds Symbol of love between husband/wife Children Woman/child room
14 Minhwa:Peonies Symbol of wealth Longevity in love Seeds = Fruitful Marriage Panels Palace
15 Minhwa: Lotus Mercy Service of king or government, highest honor, top of professional ladder Success
16 Minhwa: Ten Symbols Longevity & health Happiness & success E.g. sun, clouds, mountains, water, cranes, mushrooms, fungus, etc.
17 Minhwa: Dragons Repels evil Bring rain, good crops Not fierce, but approachable Multiple animal elements
18 Minhwa: Hides Military Masculine Strength, power Respect for nature
19 Minhwa: Fish and Crabs Love Carp rising from water to become dragon Hard efforts will bring success eventually Confucian students preparing for national examination
20 Minhwa: Hunting Masculine Integration man with nature Valor, strength, honor Left: detail of hunting panel
21 Minhwa:Hundred Children Chinese origins Prosperous family Many healthy children/decendants Left: detail of larger painting
22 Minhwa: Scholarship Compare to still-life Books Masculine objects Found in the man s quarters
23 Process Stretch Prepare Paint Remove Re-stretch Mount
24 Painter at Work Dab technique Water based paint
25 Dab
26 Completed Panels Complete Final check Remove silk Framing process Panels or Screens
27 Yesterday and Today Korean art has followed an evolutionary path through time, just like western art. Today s Korean art is rooted in a traditional past in terms of technique, but is clearly of the present. While the traditional art was apolitical, lacked social impact and made no comment and employed two dimensional perspective, controlled brush strokes and bold, simple colors, today s Korean artists use a more monochromatic, three dimensional style and focus on social issues but they continue to use the techniques derived from a proud history.
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