MATERIAL REQUIREMENTS AND DEADLINES. Updated SEPTEMBER 2015
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1 MATERIAL REQUIREMENTS AND DEADLINES Updated SEPTEMBER 2015
2
3 Logs open 6-weeks prior to Broadcast Deadline for material/schedule changes: * 7 business-days prior to broadcast.to ENSURE AN ERROR FREE BROADCAST * A great deals happens prior to 72-hour LOCKDOWN & Transmission!
4 MATERIAL ACCEPTAN CE TX HOURS HOURS HOURS
5 4:3 Aspect Ratio Channel s are subject to change / move below is correct as provided by our Channels at the time of release General Entertainment Documentary & News Kids SuperSport Select: Gotv 4:3
6 16:9 SD Aspect Ratio Channel s are subject to change / move below is correct as provided by our Channel s at the time of release General Entertainment Lifestyle Documentary & News Music Sport Kids Previously BBC Entertainment SuperSport Select: Gotv 4:3
7 HD Aspect Ratio Channel s are subject to change / move below is correct as provided by our Channel s at the time of release General Entertainment Sport Previously BBC Knowledge
8 Work-Flow Adstream Brendon Richie Media Move Neels Bester On-Air Play-Out: HD Copy Only (HD, 16:9 SD and 4:3 Channel s) HD Full Screen (title-safe preferable) On-Air Play-Out: 16:9 SD Copy (16:9 SD & 4:3 Channel s ) 16:9 SD Full Screen (title-safe preferable) Production House / Creative Agency: Material Digital Delivery HD 16:9 SD 4:3 OR 16:9 SD Down Rendered 4:3 Letterboxed 4:3 Letterboxed On-Air Play-Out: 4:3 Copy (4:3 Channel s Only) 4:3 Full Screen QC Audio levels, Audio & video quality, Encoding Play-Out
9 Material Specs, Delivery & Timelines No more tapes or different ad formats for different channels.send JUST ONE HD COPY Clients can elect to continue to send 4:3 material if they do not want the copy letterboxed on-air. NB: No more tape deliveries! All ads to be sent to the ad-server: MediaMove or Adstream - who shall handle the Quality Control of the video encoding, automatic loudness levels/format and handle the electronic delivery in the various formats required for broadcast. The relevant material will be scheduled for each type of channel play-out. MediaMove or Adstream will convert HD material for 16:9 SD and/or 4:3 play-out as follows: 16:9 SD down-rendered; and 4:3 letterboxed (black screen on top & bottom of the copy on-air) Iterations of the material can only be done off an HD or 16:9 SD copy: 4:3 material will not be accepted for HD or 16:9 SD channels 16:9 SD material will not be accepted for HD channels Material and flighting codes to be supplied at least 7-business days prior to broadcast lockdown is 72-hours before broadcast Same flighting CODE NUMBER to be used for same material in different formats differentiator is end letter T, F, H (4-letter codes required, i.e. MNET not MNT) 4:3: end with T 16:9 SD: end with F HD: end with H (Example: MNET/30/001/E/T, MNET/30/001/E/F, MNET/30/001/E/H) Additional costs will only apply in the event that the digital material delivery suppliers (Adstream and Media Move) are requested to adjust material that does not comply with the broadcast and sound quality standards, a detailed copy of those standards is available on request.
10 New Audio Regulation EBU Recommendation R128 ITU-R BS1770 The significant development of file base delivery through Media Move and Addstream, is in line with International trends and will greatly improve our viewer experience - giving them both the "bigger picture" as well as consistent loudness levels. How? We simply require a single file submission of your ad - in 16:9 HD picture format with an EBU R128 compliant audio mix. That's right: no more mid-way tape transfer fees, no different formats for different channels - just a single submission. The exciting news is that audio mixed to the full R128 specification (integrated loudness of -23LUFS over the duration of the programme, with an allowable maximum True Peak of -3dBFS) has been proven to provide a significant improvement in perceived quality through the dramatically increased dynamic range that now becomes available. The EBU R128 recommendation can be found on: ; and the EBU production guidelines for R128 material can be found here: Delivery specs for Multichoice can be found on the Supersport.com site link - bottom left. -23 LUFS: recommended -22LUFS: loudest -25 LUFS: a warning mail to client indicating a problem -28LUFS: rejected
11 Material Specifications 4:3 Channels 16:9 SD Channels HD Channels Aspect Ratio 4:3 Full screen (preferable) 16:9 SD Full Screen OR 16:9 Full screen (Previously: 4:3 FHA - title/action safe recommended) 1024 x 576 pixel aspect ration 4:3 title/action safe (recommended) 2:1 interlace component digital videotape system produced in accordance with ITU-R BT x 1080 active lines interlaced at 25 frames per second, 50 fields file delivery Delivery Digital File Delivery (Adstream or MediaMove) Digital File Delivery (Adstream or MediaMove) Digital File Delivery (Adstream or MediaMove) *Audio Stereo Stereo Stereo Labeling / Countdown Clock 4:3 full screen (preferable) / 4:3 letterbox (not advised) General: flighting code, audio, time-code in, production house, client, contact # 16:9 SD Full Screen / (previously 4:3 FHA) General: flighting code, audio, time-code in, production house, client, contact # HD General: flighting code, audio, time-code in, production house, client, contact # Flighting Code: MNET/030/001/E/T MNET/030/001/E/F MNET/030/001/E/H 4 Letter Code Same: MNET (example) Same: MNET (example) Same: MNET (example) Duration Same: 030 Same: 030 Same: Number Code Same: 001 Same: 001 Same: 001 Language Same: E or A etc. Same: E or A etc. Same: E or A etc. Television letter Different: T Different: F Different: H SuperSport HD: Separate files required for the different sponsorship elements (i.e. squeezebacks & stings)
12 For queries and any other information please contact your DStv Media Sales rep.
Red Bee Media. Technical file and tape delivery specification for Commercials. Applies to all channels transmitted by Red Bee Media
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