Name. Theme. Gloss (degree) Favourite colour. Artistic idiom

Transcription

1 Name Theme Gloss (degree) Favourite colour Artistic idiom

2 Anne Tophøj New Danish Ceramics: Bente Skjøttgaard* Statistics >< Ceramics NDC Lone Skov Madsen Gitte Jungersen Flemming Tvede Hansen Michael Geertsen* Morten Løbner spersen* Steen Ipsen* Turi Heisselberg Pedersen * Represented at drud & køppe gallery, Copenhagen This catalogue was produced in connection with the exhibition Statistics >< Ceramics Freiraum, Museum für Kunst und Gewerbe, Hamburg, The catalogue and exhibition have been generously supported by: Danish Crafts, Augustinusfonden, Danmarks Nationalbanks Jubilæumsfond af 1968, L.F.Foghts Fond, The Danish Arts Foundation, llen og Knud Dalhoff Larsens Fond The Röhss Museum of Design and Decorative Arts, Gothenburg, We would also like to thank Frimodt Heineke Fonden and The National Workshops for Arts and Crafts ISBN Photos: Dorte Krogh Printed in Denmark, 2008 Graphic Printed by: design: Plæhn Rasmus Grafisk ckardt xhibition architects: Krydsrum dition: 1000 Translation: John Irons Flemming Tvede Hansen s Phd. project has been financed by: Guldagergaard, Skælskør - Danmarks Designskole, Copenhagen Danish Museum of Art and Design, Copenhagen - The Danish Centre for Design Research, Copenhagen Statistics: New Danish Ceramics Overview of grants Received by NDC s members 1990 new danish ceramics - scimarec hsinad wen newda nishce ramics newd anish ceramics newdan ishc eramics new dani shceramics newdanishce ra mics ne wish danceramics newics dancer amish newish dance ramics dance newramics ish newce danish ramics danew mics ceranish newmics dacera nish ceradan newish mics ceranew dan micsish micsnew to receiving danish a reply cera new dancera ishmics new ceranish damics new damics nishcera new cerada micsnish new nishda ramicsce nishnew dacer amics cenew nish daramics dan new ceramicsish dan ishnew ceramics danish cera newmics danish new micscera new da micsceranish new daranish cemics ranew danish cemics new ranish cedamics Number of days from sending the grant application An average Overview NDC er of prizes 55% brilliant 42 years old 100% lucky 88% innovative 55% hard-working Letter confirming the receipt of the application Non-acceptance Acceptance Average A N N T O P H Ø J B N T S K J Ø T T G A A R D m tall F L M M I N G T V D H A Non-acceptance S N takes on average 41.7 days. G I T T J U N G RAcceptance S N takes on average 76.3 days. L O N S K O V M A D 28% S of N applications for grants received a M I C H A L G R T S N positive reply. M O R T N L Ø B N R S P R S N S T N I PWaiting S Npays off! T U R I H I S S L B R G P D R S N Received by NDC s members 1990 NDC has exhibited as a group twice. The first time was at the Danish Museum 22% homosexual of Art & Design in Copenhagen in went to the hairdresser 2.33 years ago 55.5% blue-eyed 77.7% coffee-drinker 84% ceramist 77.7% non-smoker 92% self-centred Average amount (DKK) received per sent application in connection with NDC s 1st and 2nd exhibition 55% female 34% of funds applied to have pledged assistance % football player Result of all grant applications: Distribution of how many funds Distribution of number of funds NDC has applied to: applied to who have: shoe size kg N N N N N S Worth knowing N S N S T 77.78% live in a one-to-one relationship. Of these, 100% with a partner who has a related occupation N N S T R S T % have lived with the same partner for 16/17 years and have 2 children N R S T 66.67% prepare food 3 or less times a week N R S T A G I N R S T 66.67% spend 35 mins. or less cooking an evening meal A A D G I G H I L M N L M N O P R S T R S T 66.67% spend 30 mins. or less eating an evening meal Not supported A B D G H I J L M N O P R S T Ø 50% occasionally row with their partner about spending too much Supported time on ceramics 1st and 2nd exhibition A B D G H I J K L M N O P R S T U V Ø A B C D F G H I J K L M N O P R S T U V Ø Negative 11.11% give the family Both higher 1st and priority 2nd exhibition than their work Supported 1st exhibition A B C D F G H I J K L M N O P Q R S T U V W X Y Z Æ Ø Å Positive 100% have flirted One with of others exhibitions than their partner Supported 2nd exhibition

3 What level of priority do you give to... (Group assessment) Working life Degree of DANISHNSS Concept Turi Anne Morten Lone Steen Flemming Michael Gitte Bente Decoration Colour Working up Form Texture Material Surface impression 5 out of 9 members have the spatial positioning/organisation/hanging as considerations from the outset What is the main reason for your continuing to do ceramics? Artistic idealism I believe it will make me rich and famous Boundless naivety I just can t stop myself On a scale of 1-10 (Where 10 means highest priority) A M L G F B T MG S Average How important a factor are ceramic skills/ technical professional knowledge for the coming into being and appearance of your works? To what extent is the spatial organisation/ mounting/hanging of your works part of their coming into being? (i.e. to what extent are such considerations there from the outset?) The majority of NDC s members consider their works as a medium for creating a narrative/ conveying a message, an ideology Research/inspiration (e.g.in the woods, on the Internet, the library, exhibitions, seminars, abroad, etc.) Developing ideas (when you draw sketches with your finger in the air, on the back of a railway ticket, sketch in clay - fired as well as unfired, etc.) Creating works (construction, throwing, casting, glazing, firing, etc. with the final result in view) Packaging and transportation of works to exhibitions/ customers (own works) Mounting of exhibition (own works) Production of PR material (catalogues, etc., own) Contact with customers (creating new or maintaining existing contacts, sending out invitations, visitors at workshop, private viewings, travel, etc.) Contact with galleries (creating new or maintaining existing contacts, on the Internet, travel, private viewings, etc.) Contact with producers (creating new or maintaining existing contacts, on the Internet, fairs, etc.) Contact with colleagues (creating new or maintaining existing contacts, coffee parties, private viewings, etc.) Accounts (invoicing, bookkeeping, VAT and annual accounts, etc.) Applications for grants and funding (applications for financing, myself and my business) Cleaning (daily and housecleaning) Breaks (pure relaxation, at the mercy of coffee) Instruction Lecturing Curatory and examining activities Running of gallery Work in other group contexts (other artist relations, joint exhibitions) Committee work (diverse councils and committees) Research (PhD) Other straight contract work Work to do with NDC To what extent do you see your works as a medium for creating a narrative/ conveying a message, an ideology? Degree of VSSL A) To what degree are your works VSSL based on your immediate relation to the concept VSSL? B) To what degree are your works DANISH based on your immediate relation to the concept DANISHNSS? To what extent do you make use of the archetypes of the field of ceramics, such as the jar, bowl, dish, vessel in your work as a ceramist? (directly as well as by reference) To what extent do you give priority to the aesthetic/ decorative expression of your works? Steen Gitte Bente Anne Turi Michael Morten Lone Flemming

4 Anne Tophøj Normal Distribution Occurrence of chance and variation in industrial ceramic production H: 2.5 cm, Ø: approx. 22 cm per unit Weight: Approx. 328 g per unit China clay, nepheline syenite, silicia oxide, molochite, deflocculant, petalite, whiting, zinc oxide, rutil Fired to: 940 C, 1260 C

5 Bente Skjøttgaard Timberline Nos. 0739, 0740 and 0738 H: 73 cm, W: 35 cm, D: 24 cm * Weight: 10 kg * * Stoneware 1183, petalite, china clay, zirconium silicate Fired to: 1000 C, 1280 C

6 Flemming Tvede Hansen Disruption H: 17 cm, W: 40 cm, D: 45 cm Weight: 2730 g China clay, nepheline syenite, silicia oxide Fired to: 1000 C, 1260 C

7 Gitte Jungersen Place for Desires H: 11 cm, W: 37 cm, D: 31 cm Weight: 3120 g Stoneware 1183, stoneware KM 0.5/45%, glaze no. 1001, nepheline syenite, ball clay 3, silica oxide, sodium carbonate, china clay, whiting, lithium carbonate, tin oxide, pink stain 44/1, plastic ready-made Fired to: 950 C, 1270 C

8 Lone Skov Madsen * White Objects Nos H: 38 cm, W: 16 cm, D: 21 cm * Weight: 2.5 kg * Stoneware 1110, potash feldspar, dolomite, whiting, china clay Fired to: 1000 C, 1260 C

9 Michael Geertsen Untitled H: 42 cm, W: 35 cm, D: 11 cm Weight: 3 kg WBB Vingerling K112, earthenware glaze 1976 Fired to: 1000 C, 1040 C, 1040 C

10 Morten Løbner spersen #1432 H: 18.5 cm, W: 25 cm, D: 25 cm Weight: 3.33 kg T-material, nepheline syenite, soda feldspar, china clay, zinc oxide, talc, bentonite, petalite, potash feldspar, lithium carbonate, titanium oxide, silica oxide, calcium borate, colemanite, flint, chromic oxide, tin oxide Fired to: 950 C, 1260 C, 1260 C, 1000 C

11 Steen Ipsen Tied-Up 18 H: 105 cm, W: 62 cm, D: 62 cm Weight: 39 kg WBB Vingerling K 502, earthenware glaze no. 2013, 23 m. PVC lead Fired to: 1000 C, 1050 C

12 Turi Heisselberg Pedersen Balustrade Vases Series II H: 77 cm, W: 28 cm, D: 8 cm * * Weight: 8 kg * Stoneware KS-20, silica oxide, zink oxide, whiting, china clay, soda feldspar, dolomite, grey stain GS 247, blue stain CK Fired to: 950 C, 1267 C

13 Design schools in Denmark and native towns Lucrative work apart from own ceramic production What various jobs have NDC s members had during their professional careers? Native town 2, ,000 inhabitants Design school International museum/centre The average NDC er was born in 1964 What type of paid work has the average NDC er had apart from his/her own ceramic work since qualifying in % of the work-time of the average NDC er within the last year has been spent on some other form of paid work Glas- og Keramikskolen Bornholm 3 NDC ers qualified at Designskolen Kolding. 6 NDC ers qualified at Danmarks Designskole, Copenhagen Assistant Committee work xamining Lecturing Research, PhD Freelance design Running gallery Curatory activity Product developer Professor Instruction Semi-skilled work A B F G L MM S T x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x Paid work Own work How much time has the average NDC er roughly spent on various types of paid work within the last year Boards and committees Lectures Research, phd Running gallery Curatory activity Instruction Semi-skilled work Danmarks Designskole Designskolen Kolding Grimmerhus Museum of International Ceramic Art ducation, courses, stays, and supplementary education DKDS: Danmarks Designskole, Kbh DK: Designskolen Kolding KA: Kunstakademiets Arkitektskole AAU: Aarhus Universitet Pottemager skole (School of Ceramics) Guldagergaard International Ceramic Research Center Potter 4 years History of Art AAU School Jerusalem 1year School Faenza 1year Design school in Denmark 42 years total Average 4.6 years DKDS and DK Glasgow exchange The average ndc er has Completed his/her education in 1990, at the age of 26 Attended a design school in DK for 4.6 years Qualified abroad for 0.8 years Subsequently had 1 work stay abroad Been on 1 workshop stay at The National Workshops for Arts and Crafts School Paris 1year Master s degree 3 years Pratt inst. New York Multi-media course 1 year KA 3 guest stays DKDS PhD DKDS 3 years The National Workshops for Arts and Crafts 7 pers. 8 stays abroad Shigaraki Damascus Fuping South Africa Kinokonomori Germany 1 year Addresses and exhibitions in Copenhagen NDC s workshops and domiciles, exhibition venues and number of exhibitions Route domicile workshop Sights & attractions xhibitions > 5 xhibitions > 10 xhibitions > 20 xhibitions > 30 xhibitions > 40 NDC s members have exhibited 158 times in Copenhagen, 26 of which have been solo exhibitions NDC s members have taken part in 20% of all exhibitions at Galleri Nørby. The gallery closed in The NDC foundation Royal Scandinavia The Little Mermaid The Museum of Decorative Art Galleri Nørby Charlottenborg Udstillingssted for Ny Keramik Tivoli Of all the exhibitions by NDC s members in Denmark, 59% have been in Copenhagen All NDC ers live and work in Copenhagen NDC s members have taken part in 53% of all exhibitions at Udstillingssted for Ny Keramik. The exhibition venue closed in 2000

14 xhibitions in Denmark Solo Group xhibitions in DK Represented in DK xhibition activity throughout the world From Anne Tophøj New Danish Ceramics: Statistics >< Ceramics NDC Lone Skov Madsen Gitte Jungersen Flemming Tvede Hansen Bente Skjøttgaard* Michael Geertsen* Morten Løbner spersen* Steen Ipsen* Turi Heisselberg Pedersen Distribution of group and solo exhibitions Solo NDC s members have exhibited a total of 276 times in Denmark, of these 158 times in Copenhagen * Represented at drud & køppe gallery, Copenhagen NDC s members have had a total of 118 exhibitions outside Copenhagen, 12 of which have been solo exhibitions Group Total exhibition activity from according to whether group or solo exhibition This catalogue was produced in connection with the exhibition Statistics >< Ceramics Freiraum, Museum für Kunst und Gewerbe, Hamburg, The catalogue and exhibition have been generously supported by: Danish Crafts, Augustinusfonden, Danmarks Nationalbanks Jubilæumsfond af 1968, L.F.Foghts Fond, The Danish Arts Foundation, llen og Knud Dalhoff Larsens Fond The Röhss Museum of Design and Decorative Arts, Gothenburg, We would also like to thank Frimodt Heineke Fonden and The National Workshops for Arts and Crafts ISBN Printed in Denmark, 2008 Graphic Printed by: design: Plæhn Rasmus Grafisk ckardt xhibition architects: Krydsrum dition: 1000 Flemming Tvede Hansen s Phd. project has been financed by: Guldagergaard, Skælskør - Danmarks Designskole, Copenhagen Statistics: New Danish Ceramics Danish Museum of Art and Design, Copenhagen - The Danish Centre for Design Research, Copenhagen Number of exhibitions per country *Represented at museums, in collections, etc. 276* 46* 40 29* 19* 15* 12* 11* 8* Distribution of representative sales 2004 was a good year No. of exhibitions Slovenia 3, Korea 2, Luxembourg 2, Poland 2, stonia 2, Croatia 2, Austria 2, Israel 1, Slovakia 1, Finland 1, Taiwan 1, Argentina 1, Italy 1 6* 5* 3 Overview of grants Received by NDC s members 1990 Number of days from sending the grant application to receiving a reply Letter confirming the receipt of the application Non-acceptance Acceptance Average Non-acceptance takes on average 41.7 days. Acceptance takes on average 76.3 days. 28% of applications for grants received a positive reply. Waiting pays off! Result of all grant applications: Overview of prizes Received by NDC s members 1990 NDC has exhibited as a group twice. The first time was at the Danish Museum of Art & Design in Copenhagen in % of funds applied to have pledged assistance Distribution of how many funds NDC has applied to: Average amount (DKK) received per sent application in connection with NDC s 1st and 2nd exhibition Distribution of number of funds applied to who have: Photos: Dorte Krogh Translation: John Irons urope: 87.0% USA: 9.5% Asia: 3.0% Others: 0.5% NDC ers have exhibited a total of 491 times, in 25 countries. Of these, 276 times in Denmark Museum Public collection Private collection Decoration Negative Positive Both 1st and 2nd exhibition One of the exhibitions Not supported Supported 1st and 2nd exhibition Supported 1st exhibition Supported 2nd exhibition

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