PHYSICAL EDUCATION SCORING GUIDE

Transcription

1 PHYSICAL EDUCATION SCORING GUIDE Elementary: K-2 PERFORM A. Locomotor Skills A. Locomotor Skills A. Locomotor Skills A. Locomotor Skills A. Locomotor Skills Demonstrates mature pattern* of all four locomotor skills (hop, gallop, slide, skip) with fluid motion. Demonstrates mature pattern* of all four locomotor skills (hop, gallop, slide, skip). Demonstrates mature pattern* of three locomotor skills (hop, gallop, slide, skip). Demonstrates mature pattern* of two locomotor skills (hop, gallop, slide, skip). Demonstrates mature pattern* of zero or one locomotor skill (hop, gallop, slide, skip). *Mature Pattern for Hop: Body erect with head facing forward Take off on one foot and land on the same foot while lifting knee of nonlanding leg Arms bent with upward motion *Mature Pattern for Hop: Body erect with head facing forward Take off on one foot and land on the same foot while lifting knee of nonlanding leg Arms bent with upward motion *Mature Pattern for Hop: Body erect with head facing forward Take off on one foot and land on the same foot while lifting knee of nonlanding leg Arms bent with upward motion *Mature Pattern for Hop: Body erect with head facing forward Take off on one foot and land on the same foot while lifting knee of nonlanding leg Arms bent with upward motion *Mature Pattern for Hop: Body erect with head facing forward Take off on one foot and land on the same foot while lifting knee of nonlanding leg Arms bent with upward motion *Mature Pattern for Gallop: Smooth, rhythmical forward action on the balls of the feet Demonstrates lead leg step-close action without crossover Hips (torso) facing forward *Mature Pattern for Gallop: Smooth, rhythmical forward action on the balls of the feet Demonstrates lead leg step-close action without crossover Hips (torso) facing forward *Mature Pattern for Gallop: Smooth, rhythmical forward action on the balls of the feet Demonstrates lead leg step-close action without crossover Hips (torso) facing forward *Mature Pattern for Gallop: Smooth, rhythmical forward action on the balls of the feet Demonstrates lead leg step-close action without crossover Hips (torso) facing forward *Mature Pattern for Gallop: Smooth, rhythmical forward action on the balls of the feet Demonstrates lead leg step-close action without crossover Hips (torso) facing forward *Mature Pattern for Slide: Smooth, rhythmical sideways action on the balls of the feet Demonstrates lead leg step-close action without crossover Hips (torso) facing forward while side faces direction of travel *Mature Pattern for Slide: Smooth, rhythmical sideways action on the balls of the feet Demonstrates lead leg step-close action without crossover Hips (torso) facing forward while side faces direction of travel *Mature Pattern for Slide: Smooth, rhythmical sideways action on the balls of the feet Demonstrates lead leg step-close action without crossover Hips (torso) facing forward while side faces direction of travel *Mature Pattern for Slide: Smooth, rhythmical sideways action on the balls of the feet Demonstrates lead leg step-close action without crossover Hips (torso) facing forward while side faces direction of travel *Mature Pattern for Slide: Smooth, rhythmical sideways action on the balls of the feet Demonstrates lead leg step-close action without crossover Hips (torso) facing forward while side faces direction of travel *Mature Pattern for Skip: Body erect with head facing forward Step taken followed by a short hop with a knee lift Alternating feet *Mature Pattern for Skip: Body erect with head facing forward Step taken followed by a short hop with a knee lift Alternating feet *Mature Pattern for Skip: Body erect with head facing forward Step taken followed by a short hop with a knee lift Alternating feet *Mature Pattern for Skip: Body erect with head facing forward Step taken followed by a short hop with a knee lift Alternating feet *Mature Pattern for Skip: Body erect with head facing forward Step taken followed by a short hop with a knee lift Alternating feet 1

2 Elementary: K-2 PERFORM B. Underhand Throw B. Underhand Throw B. Underhand Throw B. Underhand Throw B. Underhand Throw Consistently (4 of 4 attempts) throws underhand, demonstrating all five critical elements* of a mature pattern and with accuracy (all four attempts are directly to the target). Usually (3 of 4 attempts) throws underhand, demonstrating all five critical elements* of a mature Usually (3 of 4 attempts) throws underhand, demonstrating four of the five critical elements* of a mature Usually (3 of 4 attempts) throws underhand, demonstrating two or three of the five critical elements* of a mature Usually (3 of 4 attempts) throws underhand, demonstrating zero or one of the five critical elements* of a mature Face the target in preparation for the throwing action Arm back in preparation for action Step with opposition as throwing arm moves forward Release of ball between knee and waist level Follow through to target Face the target in preparation for the throwing action Arm back in preparation for action Step with opposition as throwing arm moves forward Release of ball between knee and waist level Follow through to target Face the target in preparation for the throwing action Arm back in preparation for action Step with opposition as throwing arm moves forward Release of ball between knee and waist level Follow through to target Face the target in preparation for the throwing action Arm back in preparation for action Step with opposition as throwing arm moves forward Release of ball between knee and waist level Follow through to target Face the target in preparation for the throwing action Arm back in preparation for action Step with opposition as throwing arm moves forward Release of ball between knee and waist level Follow through to target C. Underhand Catch C. Underhand Catch C. Underhand Catch C. Underhand Catch C. Underhand Catch Consistently (4 of 4 attempts) catches a hand-sized ball tossed by a skilled thrower with all five critical elements* of a mature Usually (3 of 4 attempts) catches a hand-sized ball tossed by a skilled thrower with all five critical elements* of a mature Usually (3 of 4 attempts) catches a hand-sized ball tossed by a skilled thrower with four of the five critical elements* of a mature Usually (3 of 4 attempts) catches a hand-sized ball tossed by a skilled thrower with two or three of the five critical elements* of a mature Usually (3 of 4 attempts) catches a hand-sized ball tossed by a skilled thrower with zero or one of the five critical elements* of a mature Extend arms/hands out to ball Tracks ball to hands Hands are positioned with palms up and pinkies side by side Catch with hands only Absorbs catch on contact Extend arms/hands out to ball Tracks ball to hands Hands are positioned with palms up and pinkies side by side Catch with hands only Absorbs catch on contact Extend arms/hands out to ball Tracks ball to hands Hands are positioned with palms up and pinkies side by side Catch with hands only Absorbs catch on contact Extend arms/hands out to ball Tracks ball to hands Hands are positioned with palms up and pinkies side by side Catch with hands only Absorbs catch on contact Extend arms/hands out to ball Tracks ball to hands Hands are positioned with palms up and pinkies side by side Catch with hands only Absorbs catch on contact 2

3 Elementary: K-2 PERFORM D. Kicking D. Kicking D. Kicking D. Kicking D. Kicking Usually (3 of 4 attempts) uses a Usually (3 of 4 attempts) uses a Usually (3 of 4 attempts) uses a continuous running approach and continuous running approach and continuous running approach and kicks a moving ball, demonstrating all kicks a moving ball, demonstrating kicks a moving ball, demonstrating five critical elements* of a mature four of five of the five critical two or three of the five critical elements* of a mature elements* of a mature Consistently (4 of 4 attempts) uses a continuous running approach and kicks a moving ball, demonstrating all five critical elements* of a mature Usually (3 of 4 attempts) uses a continuous running approach and kicks a moving ball, demonstrating zero or one of the five critical elements* of a mature Arms forward in preparation for kicking action Slight backward lean of trunk in preparation for and during kicking action Contact ball with top of foot (shoelaces) for kicking action Contact with ball is made directly behind (travel on ground) or below (travel in air) center of ball Follow through toward target; kicking leg extending forward (travel on ground) and upward (travel in air) Arms forward in preparation for kicking action Slight backward lean of trunk in preparation for and during kicking action Contact ball with top of foot (shoelaces) for kicking action Contact with ball is made directly behind (travel on ground) or below (travel in air) center of ball Follow through toward target; kicking leg extending forward (travel on ground) and upward (travel in air) Arms forward in preparation for kicking action Slight backward lean of trunk in preparation for and during kicking action Contact ball with top of foot (shoelaces) for kicking action Contact with ball is made directly behind (travel on ground) or below (travel in air) center of ball Follow through toward target; kicking leg extending forward (travel on ground) and upward (travel in air) Arms forward in preparation for kicking action Slight backward lean of trunk in preparation for and during kicking action Contact ball with top of foot (shoelaces) for kicking action Contact with ball is made directly behind (travel on ground) or below (travel in air) center of ball Follow through toward target; kicking leg extending forward (travel on ground) and upward (travel in air) Arms forward in preparation for kicking action Slight backward lean of trunk in preparation for and during kicking action Contact ball with top of foot (shoelaces) for kicking action Contact with ball is made directly behind (travel on ground) or below (travel in air) center of ball Follow through toward target; kicking leg extending forward (travel on ground) and upward (travel in air) E. Dribbling with Hands E. Dribbling with Hands E. Dribbling with Hands E. Dribbling with Hands E. Dribbling with Hands Dribbles while walking in general space with preferred hand, demonstrating four of the five critical elements*. Dribbles in self-space with preferred hand, demonstrating all five of the critical elements* of a mature Dribbles in self-space with preferred hand, demonstrating four of the five critical elements* of a mature Demonstrates in self-space with preferred hand, demonstrating two or three of the five critical elements* of a mature Dribbles in self-space with preferred hand, demonstrating zero or one of the five critical elements* of a mature *Critical Elements for walking and dribbling in general space: Contact with finger pads only Firm contact using wrist flexion. Hand contact slightly back on the ball. Height of bounce maintained at or near waist level. Eyes looking forward while only occasionally glancing at the ball. Opposite foot forward and knees slightly bent Contact with finger pads only Firm contact on top of ball using wrist flexion Height of bounce maintained at or near waist level. Eyes looking over not down at the ball. Opposite foot forward and knees slightly bent Contact with finger pads only Firm contact on top of ball using wrist flexion Height of bounce maintained at or near waist level. Eyes looking over not down at the ball. Opposite foot forward and knees slightly bent Contact with finger pads only Firm contact on top of ball using wrist flexion Height of bounce maintained at or near waist level. Eyes looking over not down at the ball. Opposite foot forward and knees slightly bent Contact with finger pads only Firm contact on top of ball using wrist flexion Height of bounce maintained at or near waist level. Eyes looking over not down at the ball. 3

4 Elementary: K-2 PERFORM F. Gymnastic Sequence F. Gymnastics Sequence F. Gymnastics Sequence F. Gymnastics Sequence F. Gymnastics Sequence Performs a balance sequence with three different balances. Each balance must have a different base of support. The sequence must have at least one level change. All three of the sequence criteria are met AND there is evidence of muscular tension in all three balances AND the sequence performed with a fluid motion. Performs a balance sequence with three different balances. Each balance must have a different base of support. The sequence must have at least one level change. All three of the sequence criteria are met AND the sequence is performed with fluid motion. Performs a balance sequence with three different balances. Each balance must have a different base of support. The sequence must have at least one level change. All three of the sequence criteria are met. Performs a balance sequence with three different balances. Each balance must have a different base of support. The sequence must have at least one level change. Two of the three sequence criteria* are met or stillness may be evident in only two balances. Performs a balance sequence with three different balances. Each balance must have a different base of support. The sequence must have at least one level change. Zero or one of the three sequence criteria* is met or stillness may be evident in only one balance. Balance stillness is demonstrated for at least 3 seconds. Smooth transitions between each balance. Sequence is memorized. Balance stillness is demonstrated for at least 3 seconds. Smooth transitions between each balance. Sequence is memorized. Balance stillness is demonstrated for at least 3 seconds. Smooth transitions between each balance. Sequence is memorized. Balance stillness is demonstrated for at least 3 seconds. Smooth transitions between each balance. Sequence is memorized. Balance stillness is demonstrated for at least 3 seconds. Smooth transitions between each balance. Sequence is memorized. G. Jump Rope Sequence G. Jump Rope Sequence G. Jump Rope Sequence G. Jump Rope Sequence G. Jump Rope Sequence Performs a self-turned, jump rope sequence with at least three jump rope skills and a basic jump. All four of the sequence criteria* are met AND there is a change in complexity for criterion three. Sequence is done in a fluid motion. Performs a self-turned, jump rope sequence with at least three jump rope skills and a basic jump. All four of the sequence criteria* are met. Performs a self-turned, jump rope sequence with at least three jump rope skills and a basic jump. Three of the four sequence criteria* are met. Performs a self-turned, jump rope sequence with at least three jump rope skills and a basic jump. Two of the four sequence criteria* are met OR only two skills are performed correctly. Performs a self-turned, jump rope sequence with at least three jump rope skills and a basic jump. Zero or one of the four sequence criteria* are met OR only one skill is performed correctly. * Criteria: Begins the sequence with 8 counts of a basic jump. Correctly performs additional skills for eight counts each. Performance flows from one skill to the next with no basic jump or rope swing as a transitional move. Sequence is memorized. * Criteria: Begins the sequence with 8 counts of a basic jump. Correctly performs additional skills for eight counts each. Uses a basic jump or side rope swing as a transition between jumps. Sequence is memorized. * Criteria: Begins the sequence with 8 counts of a basic jump. Correctly performs additional skills for eight counts each. Uses a basic jump or side rope swing as a transition between jumps. Sequence is memorized. * Criteria: Begins the sequence with 8 counts of a basic jump. Correctly performs additional skills for eight counts each. Uses a basic jump or side rope swing as a transition between jumps. Sequence is memorized. * Criteria: Begins the sequence with 8 counts of a basic jump. Correctly performs additional skills for eight counts each. Uses a basic jump or side rope swing as a transition between jumps. Sequence is memorized. 4

5 Elementary: K-2 RESPOND A. Identify Skills A. Identify Skills A. Identify Skills A. Identify Skills A. Identify Skills Correctly identifies all four locomotor Correctly identifies three locomotor Correctly identifies two locomotor skills (hop, gallop, slide, skip) when skills (hop, gallop, slide, skip) when skills (hop, gallop, slide, skip) when observing the of another observing the of another observing the of another person or recorded. person or recorded. person or recorded. Correctly identifies all four locomotor skills (hop, gallop, slide, skip) when observing the of another person or recorded AND explains how the skills are similar/different. Correctly identifies zero or one locomotor skills (hop, gallop, slide, skip) when observing the of another person or recorded. B. Critique B. Critique B. Critique B. Critique B. Critique Correctly identifies the error in Correctly identifies the error in Correctly identifies the error in, provides one statement AND provides one when shown a of correction, AND one statement of statement of correction when shown demonstration or recorded proper when shown a a demonstration or recorded. demonstration or recorded.. Correctly identifies the error in, provides two or more statements for correction, AND two or more statements of proper when shown a demonstration or recorded. Cannot correctly identify the error in when shown a demonstration or recorded. C. Peer Teaching C. Peer Teaching C. Peer Teaching C. Peer Teaching C. Peer Teaching Describes to a partner the correct way to perform a skill using all critical elements, content-specific vocabulary, and logical, sequential order. Describes to a partner the correct way to perform a skill using all of the critical elements. Partially describes to a partner the correct way to perform a skill, using at least two of the critical elements. Partially describes to a partner the correct way to perform a skill using at least one of the critical elements. Incorrectly describes to a partner the way to perform a skill, using none of the critical elements. 5

6 Elementary: K-2 CREATE A. Gymnastics Sequence A. Gymnastics Sequence A. Gymnastics Sequence A. Gymnastics Sequence A. Gymnastics Sequence Creates a balance sequence. Each balance must have a different base of support. The sequence must have at least one level change. The final product meets Creates a balance sequence. Each balance must have a different base of support. The sequence must have at least one level change. The final product meets Creates a balance sequence. Each balance must have a different base of support. The sequence must have at least one level change. The final product meets Creates a balance sequence. Each balance must have a different base of support. The sequence must have at least one level change. The final product meets Creates a balance sequence. Each balance must have a different base of support. The sequence must have at least one level change. The final product meets Sequence contains three balances. Each balance has a different base of support Sequence contains at least one level change Sequence is recorded in sequential order with clear illustrations of skills Sequence has a high degree of complexity Sequence contains three balances Each balance has a different base of support Sequence contains at least one level change Sequence is recorded in sequential order with clear illustrations of skills Sequence contains three balances Two balances may have the same base of support (Ex. Just changed hands on a balance on one hand and two feet) Sequence contains at least one level change Sequence is recorded on paper in sequential order but lacks clarity Sequence contains three balances Two balances may have the same base of support (Ex. Just changed hands on a balance on one hand and two feet) Sequence has no level change Sequence is recorded on paper but not in sequential order Sequence contains only two balances Sequence is recorded on paper, but with no clarity B. Jump Rope Sequence B. Jump Rope Sequence B. Jump Rope Sequence B. Jump Rope Sequence B. Jump Rope Sequence Creates a self-turned, jump rope sequence with at least three jump rope basic skills and a basic jump. The final product meets the criteria* below. Creates a self-turned, jump rope sequence with at least three jump rope basic skills and a basic jump. The final product meets the criteria* below. Creates a self-turned, jump rope sequence with at least three jump rope basic skills and a basic jump. The final product meets the criteria* below. Creates a self-turned, jump rope sequence with at least three jump rope basic skills and a basic jump. The final product meets the criteria* below. Creates a self-turned, jump rope sequence with at least three jump rope basic skills and a basic jump. The final product meets the criteria* below. Sequence begins with eight counts of a basic jump Sequence contains three additional skills for eight counts each. Sequence contains a degree of complexity that does not need transitional jumps Sequence is recorded in sequential order with clear illustrations of skills Sequence begins with eight counts of a basic jump Sequence contains three additional skills for eight counts each Sequence may include transitional basic jumps or side swings between the jumps Sequence is recorded in sequential order with clear illustrations of skills Sequence begins with eight counts of a basic jump. Sequence may contain only two additional skills for eight counts Sequence may include transitional basic jumps or side swings between the jumps Sequence is recorded on paper in sequential order but lacks clarity Sequence may leave out the beginning eight counts of a basic jump Sequence may contain only two additional skills for eight counts Sequence may not include transitional basic jumps or side swings between the jumps despite need Sequence is recorded but with little order Sequence may leave out the beginning eight counts of a basic jump Sequence may contain only two additional skills for eight counts Sequence may not include transitional basic jumps or side swings between the jumps despite need All of sequence is not recorded 6

7 Elementary: K-2 CREATE C. Travel Sequence C. Travel Sequence C. Travel Sequence C. Travel Sequence C. Travel Sequence Creates a traveling sequence with at least four locomotor skills, three (levels, directions, pathways, force, time, etc.), beginning and ending shapes, and floor pattern/spatial awareness. The final product meets Creates a traveling sequence with at least four locomotor skills, three (levels, directions, pathways, force, time, etc.), beginning and ending shapes, and floor pattern/spatial awareness. The final product meets Creates a traveling sequence with at least four locomotor skills, three (levels, directions, pathways, force, time, etc.), beginning and ending shapes, and floor pattern/spatial awareness. The final product meets Creates a traveling sequence with at least four locomotor skills, three (levels, directions, pathways, force, time, etc.), beginning and ending shapes, and floor pattern/spatial awareness. The final product meets Creates a traveling sequence with at least four locomotor skills, three (levels, directions, pathways, force, time, etc.), beginning and ending shapes, and floor pattern/spatial awareness. The final product meets Sequence begins with a starting Sequence begins with a starting Sequence begins with a starting Sequence may not begin with a Sequence may not begin with a shape Sequence contains four different shape Sequence contains four different shape Sequence contains four different starting shape Sequence may contain only three different locomotor skills No obvious contrast in movement shape Sequence may contain only two different locomotor skills No obvious contrast in movement locomotor skills Three contrasts in movement concepts are planned (Ex. Skip forward at a high level and slide sideways at a medium level contrasts both direction and levels.) Sequence ends with a shape Sequence is recorded in sequential order with clear illustrations of floor pattern Sequence is organized allowing for easy transitions from one skill to the next (Ex. Hop to skip instead of skip to slide sideways.) locomotor skills Only two contrasts in movement concepts may be planned (Ex. Skip forward at a high level and slide sideways at a medium level contrasts both direction and levels.) Sequence ends with a shape Sequence is recorded in sequential order with clear illustrations of floor locomotor skills Only one contrast in movement concepts may be planned (Ex. Skip forward and slide sideways contrasts directions only.) Sequence may not clearly end with a shape Sequence is recorded on paper in sequential order but lacks clarity of floor pattern concepts is evident Sequence may not clearly end with a shape Sequence is recorded on paper in sequential order but does not demonstrate floor pattern concepts is evident Sequence may not end with a shape Sequence is recorded on paper but not in sequential order and does not demonstrate floor pattern 7

8 Elementary: K-2 CONNECT A. Written Instructions A. Written Instructions A. Written Instructions A. Written Instructions A. Written Instructions When given a task card or written instructions at a station, the student accurately follows all of the steps presented in the written instructions with no teacher redirection. When given a task card or written instructions at a station, the student accurately follows at least three of the steps presented in the written instructions. Limited teacher redirection was required. When given a task card or written instructions at a station, the student accurately follows at least two of the steps presented in the written instructions. Some teacher redirection was required. When given a task card or written instructions at a station, the student accurately follows at least one of the steps presented in the written instructions. Some teacher redirection was required. When given a task card or written instructions at a station, the student accurately follows none of the steps presented in the written instructions. Significant teacher redirection was required. B. Journal Entry B. Journal Entry B. Journal Entry B. Journal Entry B. Journal Entry Provides a written explanation of a Provides a written explanation of a Provides a written explanation of a skill, activity, movement sequence, or skill, activity, movement sequence, or skill, activity, movement sequence, or use of movement concepts applied to use of movement concepts applied to use of movement concepts applied to a skill that meets a skill that meets a skill that meets Provides a written explanation of a skill, activity, movement sequence, or use of movement concepts applied to a skill that meets Provides a written explanation of a skill, activity, movement sequence, or use of movement concepts applied to a skill that meets Content-specific vocabulary used appropriately and consistently throughout Explanation is thorough Clear connection is made to other skills or activities Content-specific vocabulary used appropriately and consistently throughout Explanation is thorough Vaguely connection is made to other skills or activities Content-specific vocabulary is usually used appropriately and may or may not be consistent Explanation lacks depth No connection is made to other skills or activities Content-specific vocabulary is rarely used Explanation lacks depth No connection is made to other skills or activities No content-specific vocabulary OR content-specific vocabulary used inappropriately Limited explanation No connection is made to other skills or activities C. Goal Setting C. Goal Setting C. Goal Setting C. Goal Setting C. Goal Setting Choose a skill on which to focus an Choose a skill on which to focus an Choose a skill on which to focus an improvement plan. Improvement plan improvement plan. Improvement plan improvement plan. Improvement plan should meet should meet should meet Choose a skill on which to focus an improvement plan. Improvement plan should meet Choose a skill on which to focus an improvement plan. Improvement plan should meet Sets realistic and ambitious goal Sets reasonable timeline for completion Has at least three ideas about how to meet goal Develops a way to track progress Sets realistic and ambitious goal Sets reasonable timeline for completion Has at least three ideas about how to meet goal Sets realistic goal Sets reasonable timeline for completion Has at least two ideas about how to meet goal Sets goal that may be somewhat unrealistic Sets reasonable timeline for completion Has at least one idea about how to meet goal Sets goal that is unrealistic or developmentally inappropriate Sets unrealistic timeline for completion Has no ideas about how to meet goal 8

9 PERFORM A. Overhand Throw A. Overhand Throw A. Overhand Throw A. Overhand Throw A. Overhand Throw Catches a self-tossed ball and moves into an overhand throw for distance (or force) demonstrating a mature overhand throwing All six of the mature pattern critical elements* are met. Catches a self-tossed ball and moves into an overhand throw for distance (or force) demonstrating a mature overhand throwing Five of the six mature pattern critical elements* are met. Catches a self-tossed ball and demonstrates an emerging stage of an overhand throw for distance (or force). Five of the six critical elements* of the emerging stage are met. Catches a self-tossed ball and demonstrates an emerging stage of an overhand throw for distance (or force). Three or four of the six critical elements* of the emerging stage are met. Catches a self-tossed ball and demonstrates an emerging stage of an overhand throw for distance (or force). Two or less of the six critical elements* are met. Successfully makes catch and positions body in preparation for throwing action (staggered stance with opposite foot facing direction of throw, weight on back foot and inside of back foot facing target). Hips begin rotation followed by shoulders, resulting in side to target. As shoulders rotate, throwing hand goes back and rotates with palm slightly away. As throwing hand goes back, elbow is aligned with hip and remains at shoulder height or slightly below. Elbow leads forward action. Follow through toward target and across body Successfully makes catch and positions body in preparation for throwing action (staggered stance with opposite foot facing direction of throw, weight on back foot and inside of back foot facing target). Hips begin rotation followed by shoulders, resulting in side to target. As shoulders rotate, throwing hand goes back and rotates with palm slightly away. As throwing hand goes back, elbow is aligned with hip and remains at shoulder height or slightly below. Elbow leads forward action. Follow through toward target and across body Hip and spine rotate as throwing action is executed Side to target in preparation for throw Arm back and extended with elbow at shoulder height or slightly below Step with opposition as throwing arm moves forward Elbow leads forward Follow through toward target and across body. Hip and spine rotate as throwing action is executed Side to target in preparation for throw Arm back and extended with elbow at shoulder height or slightly below Step with opposition as throwing arm moves forward Elbow leads forward Follow through toward target and across body. Hip and spine rotate as throwing action is executed Side to target in preparation for throw Arm back and extended with elbow at shoulder height or slightly below Step with opposition as throwing arm moves forward Elbow leads forward Follow through toward target and across body. 9

10 PERFORM B. Overhead Volley B. Overhead Volley B. Overhead Volley B. Overhead Volley B. Overhead Volley Consistently (4 of 4 attempts) strikes/volleys with a two-hand overhead pattern, sending a ball in an upward arc over a net/rope and to a target person while demonstrating all five of the critical elements* of a mature pattern with fluid motion. All four attempts are sent directly to the target person. Usually (3 of 4 attempts) strikes/volleys with a two-hand overhead pattern, sending a ball in an upward arc over a net/rope and to a target while demonstrating all five of the critical elements* of a mature All four attempts are within one step of the target tosser. Usually (3 of 4 attempts) strikes/volleys with a two-hand overhead pattern, sending a ball in an upward arc over a net/rope and to a target while demonstrating four of the five critical elements* of a mature At least three of the four attempts are within one step of the target. Usually (3 of 4 attempts) strikes/volleys with a two-hand overhead pattern, sending a ball in an upward arc over a net/rope and to a target while demonstrating two or three of the five critical elements* of a mature Two of the four attempts are within one step of the target. Usually (3 of 4 attempts) strikes/volleys with a two-hand overhead pattern, sending a ball in an upward arc over a net/rope and to a target while demonstrating zero or one of the five critical elements* of a mature Zero or one of the four attempts is within one step of the target. Body aligned and positioned under the ball Knees and elbows bent in preparation for the volley Hands rounded; thumbs and pointer finger make triangle (without touching). Ball contacts only the finger pads; wrists stay firm Extend arms upward on contact, follow through up and toward target resulting in an upward arc pathway over the net/rope Body aligned and positioned under the ball Knees and elbows bent in preparation for the volley Hands rounded; thumbs and pointer finger make triangle (without touching). Ball contacts only the finger pads; wrists stay firm Extend arms upward on contact, follow through up and toward target resulting in an upward arc pathway over the net/rope Body aligned and positioned under the ball Knees and elbows bent in preparation for the volley Hands rounded; thumbs and pointer finger make triangle (without touching). Ball contacts only the finger pads; wrists stay firm Extend arms upward on contact, follow through up and toward target resulting in an upward arc pathway over the net/rope Body aligned and positioned under the ball Knees and elbows bent in preparation for the volley Hands rounded; thumbs and pointer finger make triangle (without touching). Ball contacts only the finger pads; wrists stay firm Extend arms upward on contact, follow through up and toward target resulting in an upward arc pathway over the net/rope Body aligned and positioned under the ball Knees and elbows bent in preparation for the volley Hands rounded; thumbs and pointer finger make triangle (without touching). Ball contacts only the finger pads; wrists stay firm Extend arms upward on contact, follow through up and toward target resulting in an upward arc pathway over the net/rope 10

11 PERFORM C. Forehand Striking C. Forehand Striking C. Forehand Striking C. Forehand Striking C. Forehand Striking Using a forehand stroke, consistently (4 of 4 attempts) strikes a ball with a racket or paddle, demonstrating all five of the critical elements* of a mature pattern with fluid motion, while maintaining a rally of four or more consecutive hits. Using a forehand stroke, usually (3 of 4 attempts) strikes a ball with a racket or paddle, demonstrating all five of the critical elements* of a mature pattern while maintaining a rally of four or more consecutive hits. Using a forehand stroke, usually (3 of 4 attempts) strikes a ball with a racket or paddle, demonstrating four of the five critical elements* of a mature pattern while maintaining a rally of three or more consecutive hits. Using a forehand stroke, usually (3 of 4 attempts) strikes a ball with a racket or paddle, demonstrating two or three of the five critical elements* of a mature pattern while maintaining a rally of two or more consecutive hits. Using a forehand stroke usually (3 of 4 attempts) strikes a ball with a racket or paddle, demonstrating zero or one of the five critical elements* of a mature pattern and/or is unable to rally for two consecutive hits. Racket back and side to target in preparation for striking Knees bent to contact ball at or just below waist level Maintains adequate swing distance between body and ball (elbow away from body) Steps into the swing or shifts weight onto opposite foot Swing low to high following through to shoulder height Racket back and side to target in preparation for striking Knees bent to contact ball at or just below waist level Maintains adequate swing distance between body and ball (elbow away from body) Steps into the swing or shifts weight onto opposite foot Swing low to high following through to shoulder height Racket back and side to target in preparation for striking Knees bent to contact ball at or just below waist level Maintains adequate swing distance between body and ball (elbow away from body) Steps into the swing or shifts weight onto opposite foot Swing low to high following through to shoulder height Racket back and side to target in preparation for striking Knees bent to contact ball at or just below waist level Maintains adequate swing distance between body and ball (elbow away from body) Steps into the swing or shifts weight onto opposite foot Swing low to high following through to shoulder height Racket back and side to target in preparation for striking Knees bent to contact ball at or just below waist level Maintains adequate swing distance between body and ball (elbow away from body) Steps into the swing or shifts weight onto opposite foot Swing low to high following through to shoulder height D. Invasion Game Task D. Invasion Game Task D. Invasion Game Task D. Invasion Game Task D. Invasion Game Task Consistently (4 of 4 attempts) performs in a 2 vs. 1 sending and receiving invasion game against a passive defensive player with all five critical elements* AND uses fake movements with intent. Usually (3 of 4 attempts) performs in a 2 vs. 1 sending and receiving invasion game against a passive defensive player with all five critical elements*. Usually (3 of 4 attempts) performs in a 2 vs. 1 sending and receiving invasion game against a passive defensive player with four of the five critical elements*. Usually (3 of 4 attempts) performs in a 2 vs. 1 sending and receiving invasion game against a passive defensive player with two or three of the five critical elements*. Usually (3 of 4 attempts) performs in a 2 vs. 1 sending and receiving invasion game against a passive defensive player with zero or one of the five critical elements*. *Critical Elements Sends a receivable pass Leads the receiver Moves to successfully create an open space for receiving the pass Maintains adequate spacing in relation to teammate Receives the pass and maintains control of the object and body. *Critical Elements Sends a receivable pass Leads the receiver Moves to successfully create an open space for receiving the pass Maintains adequate spacing in relation to teammate Receives the pass and maintains control of the object and body *Critical Elements Sends a receivable pass Leads the receiver Moves to successfully create an open space for receiving the pass Maintains adequate spacing in relation to teammate Receives the pass and maintains control of the object and body *Critical Elements Sends a receivable pass Leads the receiver Moves to successfully create an open space for receiving the pass Maintains adequate spacing in relation to teammate Receives the pass and maintains control of the object and body *Critical Elements Sends a receivable pass Leads the receiver Moves to successfully create an open space for receiving the pass Maintains adequate spacing in relation to teammate Receives the pass and maintains control of the object and body 11

12 PERFORM E. Dance Routine E. Dance Routine E. Dance Routine E. Dance Routine E. Dance Routine Performs a teacher or studentdesigned Performs a teacher or student- Performs a teacher or student- dance routine that combines designed dance routine that combines designed dance routine that combines at least four traveling skills, two nonlocomotor at least four traveling skills, two non- at least four traveling skills, two non- skills, four contrasts in locomotor skills, four contrasts in locomotor skills, four contrasts in movement concepts (levels, movement concepts (levels, movement concepts (levels, directions, pathways, time/tempo, directions, pathways, time/tempo, directions, pathways, time/tempo, force). All four critical elements* are force). Three of the four critical force). Two of the critical elements* met. elements* are met. are met. Performs a teacher or studentdesigned dance routine that combines at least four traveling skills, two nonlocomotor skills, four contrasts in movement concepts (levels, directions, pathways, time/tempo, force). All four critical elements* are met, AND he dance is performed with fluid motion. Performs the dance steps as choreographed. Is on beat with the music. Timing is accurate on transitions and changes of direction Has memorized the dance and is repeatable in sequence and actions Performs the dance steps as choreographed. Is on beat with the music. Timing is accurate on transitions and changes of direction Has memorized the dance and is repeatable in sequence and actions. Performs the dance steps as choreographed. Is on beat with the music. Timing is accurate on transitions and changes of direction Has memorized the dance and is repeatable in sequence and actions. Performs the dance steps as choreographed. Is on beat with the music. Timing is accurate on transitions and changes of direction Has memorized the dance and is repeatable in sequence and actions. Performs a teacher or studentdesigned dance routine that combines at least four traveling skills, two nonlocomotor skills, four contrasts in movement concepts (levels, directions, pathways, time/tempo, force). Zero or one of the four critical elements* is met. Performs the dance steps as choreographed. Is on beat with the music. Timing is accurate on transitions and changes of direction Has memorized the dance and is repeatable in sequence and actions. 12

13 PERFORM F. Gymnastics Routine F. Gymnastics Routine F. Gymnastics Routine F. Gymnastics Routine F. Gymnastics Routine Performs a teacher or student designed gymnastics routine (floor or apparatus) that has a clear beginning and ending shape, combines two locomotor skills, four different balances, and two weight transfers, with at least four contrasts in concepts (force, time, shapes, levels). All five critical elements* are met AND routine is performed with fluid motion. Performs a teacher or student designed gymnastics routine (floor or apparatus) that has a clear beginning and ending shape, combines two locomotor skills, four different balances, and two weight transfers, with at least four contrasts in concepts (force, time, shapes, levels). All five critical elements * are met. Performs a teacher or student designed gymnastics routine (floor or apparatus) that has a clear beginning and ending shape, combines two locomotor skills, four different balances, and two weight transfers, with at least four contrasts in concepts (force, time, shapes, levels). Four of the five critical elements * are met. Performs a teacher or student designed gymnastics routine (floor or apparatus) that has a clear beginning and ending shape, combines two locomotor skills, four different balances, and two weight transfers, with at least four contrasts in concepts (force, time, shapes, levels). Two or three of the five critical elements * are met. Performs a teacher or student designed gymnastics routine (floor or apparatus) that has a clear beginning and ending shape, combines two locomotor skills, four different balances, and two weight transfers, with at least four contrasts in concepts (force, time, shapes, levels). Zero or one of the five critical elements * is met. Has memorized the routine and is repeatable in sequence and action Balances include stillness, tight muscles and clear extensions of free body parts Weight transfer actions include proper form (extensions, curls, tight muscles, weight distribution) Demonstrates clear transitions A clear beginning and ending shape is evident. Has memorized the routine and is repeatable in sequence and action Balances include stillness, tight muscles and clear extensions of free body parts Weight transfer actions include proper form (extensions, curls, tight muscles, weight distribution) Demonstrates clear transitions A clear beginning and ending shape is evident. Has memorized the routine and is repeatable in sequence and action Balances include stillness, tight muscles and clear extensions of free body parts Weight transfer actions include proper form (extensions, curls, tight muscles, weight distribution) Demonstrates clear transitions A clear beginning and ending shape is evident. Has memorized the routine and is repeatable in sequence and action Balances include stillness, tight muscles and clear extensions of free body parts Weight transfer actions include proper form (extensions, curls, tight muscles, weight distribution) Demonstrates clear transitions A clear beginning and ending shape is evident. Has memorized the routine and is repeatable in sequence and action Balances include stillness, tight muscles and clear extensions of free body parts Weight transfer actions include proper form (extensions, curls, tight muscles, weight distribution) Demonstrates clear transitions A clear beginning and ending shape is evident. 13

14 PERFORM G. Cultural Dance G. Cultural Dance G. Cultural Dance G. Cultural Dance G. Cultural Dance Performs three cultural dances from Performs three cultural dances from Performs three cultural dances from Performs three cultural dances from at least two different countries that at least two different countries that at least two different countries that at least two different countries that show variations in rhythm, floor show variations in rhythm, floor show variations in rhythm, floor show variations in rhythm, floor pattern, formations, and differing pattern, formations, and differing pattern, formations, and differing pattern, formations, and differing dance steps/composition. All four dance steps/composition. Three of dance steps/composition. dance steps/composition. criteria* are met for two of the three the four criteria* are met for two of Two of the four criteria* are met for Zero or one of the criteria* is met for dances. the three dances. two of the three dances. two of the three dances. Performs three cultural dances from at least two different countries that show variations in rhythm, floor pattern, formations, and differing dance steps/composition. All four criteria* are met for all three dances. Performs the dance steps correctly. Is on beat with the music. Timing is accurate on transitions and changes of direction Has memorized the dances. Performs the dance steps correctly. Is on beat with the music. Timing is accurate on transitions and changes of direction Has memorized the dances. Performs the dance steps correctly. Is on beat with the music. Timing is accurate on transitions and changes of direction Has memorized the dances. Performs the dance steps correctly. Is on beat with the music. Timing is accurate on transitions and changes of direction Has memorized the dances. Performs the dance steps correctly. Is on beat with the music. Timing is accurate on transitions and changes of direction Has memorized the dances. 14

15 RESPOND A. Critique A. Critique A. Critique A. Critique A. Critique Provides a critique that addresses at Provides a critique that addresses at Provides a critique that addresses at least four criteria* when shown a least three criteria* when shown a least two criteria * when shown a demonstration or recorded demonstration or recorded demonstration or recorded of another person. of another person. of another person. Provides a critique that addresses all criteria * when shown a demonstration or recorded of another person. Provides a critique that addresses at least one criteria* when shown a demonstration or recorded of another person. Identifies the skills and strategies involved Highlights positive aspects of the Identifies errors in the Provides corrective feedback Identifies the skills and strategies involved Highlights positive aspects of the Identifies errors in the Provides corrective feedback Identifies the skills and strategies involved Highlights positive aspects of the Identifies errors in the Provides corrective feedback Identifies the skills and strategies involved Highlights positive aspects of the Identifies errors in the Provides corrective feedback Identifies the skills and strategies involved Highlights positive aspects of the Identifies errors in the Provides corrective feedback B. Self-Critique B. Self-Critique B. Self-Critique B. Self-Critique B. Self-Critique Provides a critique of own Provides a critique of own Provides a critique of own Provides a critique of own that addresses at least that addresses at least that addresses at least that addresses at least four criteria* when shown a three criteria* when shown a two criteria* when shown a one criteria* when shown a demonstration or recording. demonstration or recording. demonstration or recording. demonstration or recording. Provides a critique of own that addresses all criteria* when shown a recording. Identifies the skills and strategies involved Highlights positive aspects of the Identifies errors in the Provides corrective feedback Identifies the skills and strategies involved Highlights positive aspects of the Identifies errors in the Provides corrective feedback Identifies the skills and strategies involved Highlights positive aspects of the Identifies errors in the Provides corrective feedback Identifies the skills and strategies involved Highlights positive aspects of the Identifies errors in the Provides corrective feedback Identifies the skills and strategies involved Highlights positive aspects of the Identifies errors in the Provides corrective feedback 15

16 RESPOND C. Peer Teaching C. Peer Teaching C. Peer Teaching C. Peer Teaching C. Peer Teaching Teaches another student how to perform a skill and informs the student of the game or activity where the skill is used. Includes all of the Teaches another student how to perform a skill and informs the student of the game or activity where the skill is used. Includes four of the Teaches another student how to perform a skill and informs the student of the game or activity where the skill is used. Includes three of the Teaches another student how to perform a skill and informs the student of the game or activity where the skill is used. Includes two of the Teaches another student how to perform a skill and informs the student of the game or activity where the skill is used. Includes zero or one of Correctly explains the critical elements of the skill (Outlined in the Perform domain) Correctly demonstrates the skill Explains the skill within the context of the sport Responds to questions appropriately Correctly explains the critical elements of the skill (Outlined in the Perform domain) Correctly demonstrates the skill Explains the skill within the context of the sport Responds to questions appropriately Correctly explains the critical elements of the skill (Outlined in the Perform domain) Correctly demonstrates the skill Explains the skill within the context of the sport Responds to questions appropriately Correctly explains the critical elements of the skill (Outlined in the Perform domain) Correctly demonstrates the skill Explains the skill within the context of the sport Responds to questions appropriately Correctly explains the critical elements of the skill (Outlined in the Perform domain) Correctly demonstrates the skill Explains the skill within the context of the sport Responds to questions appropriately 16

17 CREATE A. Dance Routine A. Dance Routine A. Dance Routine A. Dance Routine A. Dance Routine Creates a dance routine that combines at least four traveling skills, two non-locomotor skills, four (levels, directions, pathways, time/tempo, or force), AND meets the Creates a dance routine that combines at least four traveling skills, two non-locomotor skills, four (levels, directions, pathways, time/tempo, or force), AND meets the Creates a dance routine that combines at least four traveling skills, two non-locomotor skills, four (levels, directions, pathways, time/tempo, or force), AND meets the Creates a dance routine that combines at least four traveling skills, two non-locomotor skills, four (levels, directions, pathways, time/tempo, or force), AND meets the Creates a dance routine that combines at least four traveling skills, two non-locomotor skills, four (levels, directions, pathways, time/tempo, or force), AND meets the Sequence contains four different traveling skills. Sequence includes two nonlocomotor skills Sequence contains four contrasts in movement concepts Sequence contains an obvious element of complexity and/or creativity Dance is recorded in sequential order with clear depiction of skills and concepts. Sequence contains four different traveling skills. Sequence includes two nonlocomotor skills Sequence contains four contrasts in movement concepts Dance is recorded in sequential order with clear depiction of skills and concepts. Sequence may contain only three different traveling skills. Sequence may include only one non-locomotor skill Sequence may contain only three Dance is recorded in sequential order but may lack clarity in the depiction of skills and concepts. Sequence may contain only two different traveling skills. Sequence may include no nonlocomotor skill Sequence may contain only one or two Sequence is recorded but may not be in sequential order. Sequence may contain only one traveling skill. Sequence may include no nonlocomotor skill Sequence has no contrasts in movement concepts All of sequence is not recorded. 17

18 CREATE B. Gymnastics Routine B. Gymnastics Routine B. Gymnastics Routine B. Gymnastics Routine B. Gymnastics Routine Creates a gymnastics routine (floor or apparatus) that has a clear beginning and ending, combines two locomotor skills, four different balances, and two weight transfers, with at least four contrasts in concepts (force, time, shapes, directions, levels, extensions), AND meets Creates a gymnastics routine (floor or apparatus) that has a clear beginning and ending, combines two locomotor skills, four different balances, and two weight transfers, with at least four contrasts in concepts (force, time, shapes, directions, levels, extensions), AND meets Creates a gymnastics routine (floor or apparatus) that has a clear beginning and ending, combines two locomotor skills, four different balances, and two weight transfers, with at least four contrasts in concepts (force, time, shapes, directions, levels, extensions), AND meets Creates a gymnastics routine (floor or apparatus) that has a clear beginning and ending, combines two locomotor skills, four different balances, and two weight transfers, with at least four contrasts in concepts (force, time, shapes, directions, levels, extensions), AND meets Creates a gymnastics routine (floor or apparatus) that has a clear beginning and ending, combines two locomotor skills, four different balances, and two weight transfers, with at least four contrasts in concepts (force, time, shapes, directions, levels, extensions), AND meets Routine has a clear beginning and ending. Routine includes at least two locomotor skills. Routine includes at least four balances with changes in bases of support combinations Routine includes at least two different transfers of weight Routine includes contrasts in four concepts Routine is recorded as designed and with clear illustrations of floor/apparatus travel 7) Routine has an element of complexity and/or creativity Routine has a clear beginning and ending. Routine includes at least two locomotor skills. Routine includes at least four balances with changes in bases of support combinations Routine includes at least two different transfers of weight Routine includes contrasts in three concepts Routine is recorded as designed and with clear illustrations of floor/apparatus travel Routine has a clear beginning and ending. Routine includes at least two locomotor skills. Routine may include at least four balances but does not have a change in bases of support combinations for all Routine may include only one transfers of weight or do two identical transfers. Routine may include contrasts in only two concepts Routine is recorded as designed but with limited floor/apparatus travel Routine may not have a clear beginning or ending. Routine includes at least two locomotor skills. Routine may include at least three balances or does not have a change in bases of support combinations for all Routine may include only one transfers of weight Routine may include contrasts in only one concept Routine is recorded but may not be as designed or does not depict a clear floor/apparatus travel Routine may not have a clear beginning and ending. Routine may include only one locomotor skill. Routine may include only two balances or does not have a change in bases of support combinations for any balances. Routine may include no transfers of weight Routine may include no contrasts in concepts All of routine is not recorded. 18

19 CREATE C. Game Strategy C. Game Strategy C. Game Strategy C. Game Strategy C. Game Strategy Design a sending and receiving Design a sending and receiving Design a sending and receiving strategy with at least three passes to strategy with at least three passes to strategy with at least three passes to move the ball the length of the move the ball the length of the move the ball the length of the field/gymnasium. Use the previously field/gymnasium. Use the previously field/gymnasium. Use the previously learned skills of sending and receiving, learned skills of sending and receiving, learned skills of sending and receiving, creating open space, and the concepts creating open space, and the concepts creating open space, and the concepts of pathways and levels, AND meets of pathways and levels, AND meets of pathways and levels, AND meets Design a sending and receiving strategy with at least three passes to move the ball the length of the field/gymnasium. Use the previously learned skills of sending and receiving, creating open space, and the concepts of pathways and levels, AND meets Design a sending and receiving strategy with at least three passes to move the ball the length of the field/gymnasium. Use the previously learned skills of sending and receiving, creating open space, and the concepts of pathways and levels, AND meets The strategy demonstrates at least three passes. The strategy demonstrates a clear plan for creating open space. The strategy demonstrates two contrasts in levels for receiving the pass (aerial strategy) The strategy demonstrates two contrasts in pathways for travel of the receiver. The strategy is recorded in sequential order and with clarity in pathways and levels. Strategy has an element of complexity and/or creativity. The strategy demonstrates at least three passes. The strategy demonstrates a clear plan for creating open space. The strategy demonstrates two contrasts in levels for receiving the pass (aerial strategy) The strategy demonstrates two contrasts in pathways for travel of the receiver. The strategy is recorded in sequential order and with clarity in pathways and levels. The strategy demonstrates three passes. The strategy demonstrates one contrast in levels for receiving the pass (aerial strategy) The strategy demonstrates one contrast in pathways for travel of the receiver. The strategy is recorded in sequential order but may lack clarity in describing pathway and level. Criteria* The strategy demonstrates two passes. The strategy demonstrates one contrast in levels for receiving the pass (aerial strategy) or one contrast in pathways for travel of the receiver. The strategy is recorded is recorded but may lack clarity. The strategy demonstrates one or two passes. The strategy includes no contrast in levels for receiving the pass (aerial strategy) or contrast in pathways for travel of the receiver. All of the strategy is not recorded. 19

20 CONNECT A. Goal Setting A. Goal Setting A. Goal Setting A. Goal Setting A. Goal Setting Choose a skill or fitness Choose a skill or fitness Choose a skill or fitness component on which to focus an component on which to focus an component on which to focus an improvement plan. Improvement plan improvement plan. Improvement plan improvement plan. Improvement plan should meet should meet should meet Choose a skill or fitness component on which to focus an improvement plan. Improvement plan should meet Choose a skill or fitness component on which to focus an improvement plan. Improvement plan should meet Specific and measurable goal (Ex. Improve pacer or mile run time by 10%; increase distance of overhand throw by 20 yards) Clear baseline identified Realistic and ambitious timeline for completion of goal Identification of at least two good strategies for improvement A list of two tasks or activities that will help student meet goal Tangible method of tracking progress Specific and measurable goal (Ex. Improve pacer or mile run time by 10%; increase distance of overhand throw by 20 yards) Clear baseline identified Realistic and ambitious timeline for completion of goal Identification of at least one good strategy for improvement A task or activity that will help student meet goal Tangible method of tracking progress Specific and measurable goal (Ex. Improve pacer or mile run time by 10%; increase distance of overhand throw by 20 yards) Clear baseline identified Realistic timeline for completion of goal Identification of at least one good strategy for improvement A task or activity that will help student meet goal Vague or unrealistic goal (Ex. Improve pacer or mile run time from 8 minutes to 4 minutes) Baseline identified Somewhat realistic timeline for completion of goal Vague goal (Ex. Get better at jumping) Vague or no baseline identified Unrealistic timeline for completion of goal B. Performance Analysis B. Performance Analysis B. Performance Analysis B. Performance Analysis B. Performance Analysis Calculates percentage of success on a skill test (Ex. Throwing, volleying, striking) and completes a journal entry with strategies for improvement. Journal entry meets Calculates percentage of success on a skill test (Ex. Throwing, volleying, striking) and completes a journal entry with strategies for improvement. Journal entry meets Calculates percentage of success on a skill test (Ex. Throwing, volleying, striking) and completes a journal entry with strategies for improvement. Journal entry meets Calculates percentage of success on a skill test (Ex. Throwing, volleying, striking) and completes a journal entry with strategies for improvement. Journal entry meets Calculates percentage of success on a skill test (Ex. Throwing, volleying, striking) and completes a journal entry with strategies for improvement. Journal entry meets Accurately and independently calculated percentage of success At least three appropriate strategies for improvement Content-specific vocabulary used appropriately and consistently to describe strategies for improvement Accurate and independently calculated percentage of success At least two appropriate strategies for improvement Content-specific vocabulary used appropriately and consistently to describe strategies for improvement Accurate calculation of percentage of success with peer assistance At least two appropriate strategies for improvement Content-specific vocabulary used appropriately and consistently to describe strategies for improvement Accurate calculation of percentage of success with peer assistance At least one appropriate strategy for improvement Content-specific vocabulary to describe strategies for improvement Accurate calculation of percentage of success with teacher assistance OR inaccurate calculation of percentage of success No appropriate strategy for improvement Limited content-specific vocabulary OR content-specific vocabulary used inappropriately 20