Understanding Western Culture through Western Art
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1 Understanding Western Culture through Western Art Dr. Greg M. Thomas, The University of Hong Kong 21 May 2005 Art history, art criticism, and art appreciation: what are we doing? We examine how art represents ideas in a specific historical context a. Art interacts with its historical context; it reflects its environment, but it also comments on its environment. b. The context may be in the past (art history) or the present (art criticism). c. In any single context, different people may interpret a work of art in different ways; art has multiple meanings. d. Because we are usually not part of a work s original context, we create new meanings for works of art, based on our own historical context. e. Appreciating art includes understanding how art interacted with its original context and how it relates to our own context. f. Art appreciation requires both factual analysis and subjective interpretation. Methods for analyzing and interpreting art ex: Andy Warhol (United States), Marilyn Monroe Series, silkscreen, Analyzing a work (describing facts): a. How was the work made? (medium and technique) b. What does it show? (subject) c. How does it look? (style) 2. Interpreting a work (creating meanings): a. How is the work related to the society, politics, religion, or culture of its time? (historical context) b. For whom did the artist make it, and why? (patronage) c. Do we know what the artist said about his/her work? (intentions)
2 d. Do we know what viewers at the time said about it? (reception) e. What kind of ideology does the work convey? (interpretation) Western art, p. 2 of 4
3 Western art, p. 3 of 4 Ideologies of Western art 1. Art and power: how does a work reinforce or undermine political ideas or power relations? ex: Jacques-Louis David (France), Portrait of Napoleon at St. Bernard, oil painting, 1800 ex: Various artists (China), Accession Portrait of Emperor Qianlong, ink and watercolor scroll, 18th c. ex: Francisco de Goya (Spain), The Third of May 1808, oil painting, Art and religion: how does a work embody religious beliefs and values? ex: Jan and Hubert van Eyck (Belgium), Ghent Altarpiece, oil on panel, 1432 ex: Gianlorenzo Bernini (Italy), The Ecstasy of Saint Theresa, marble sculpture, Church of Santa Maria della Vittoria, Rome, Art and social identity: how does a work represent people s place in society? ex: Thomas Gainsborough (England), Mr. and Mrs. Robert Andrews, oil painting, 1749 ex: Gustave Courbet (France), The Stonebreakers, oil painting, 1849 ex: Jacob Lawrence (U.S.), Migration of the Negro, series of tempera paintings, : No. 10: They were very poor ex: Barbara Kruger (U.S.), Untitled (We Won t Play Nature to Your Culture), photograph and text, Art and self-expression: how does a work express individual experiences or ideas? ex: Albrecht Dürer (Germany), Self-Portrait, oil painting, 1500 ex: Francisco Goya (Spain), Untitled (Saturn Devouring One of his Children), wall painting, ex: Vincent van Gogh (Netherlands and France), Van Gogh s Bedroom, oil painting, 1888 ex: Jackson Pollock (United States), One, oil painting, 1950 Strategies and genres of Western art 1. Realism: the desire to make an image resemble what we see ex: Leonardo da Vinci (Italy), The Last Supper, tempera and oil painting, Church of Santa Maria delle Grazie, Milan,
4 Western art, p. 4 of 4 ex: Jan Vermeer (Netherlands), The Milkmaid, oil painting, c.1658 ex: Claude Monet (France), Impression, Sunrise, oil painting, 1872 ex: Claude Monet (France), Wheatstacks series, oil paintings, ex: Louis Daguerre (France), View of the Boulevard du Temple, Paris, daguerreotype photograph, c.1838
5 Western art, p. 5 of 4 2. Beauty: idealism means making things look more perfect than in reality ex: Polykleitos (Greece), Spear Bearer, ancient Roman copy in marble of an original bronze sculpture of c.450 B.C. ex: Claude Lorrain (France), The Judgment of Paris, oil painting, c The body: the most important subject for realism, idealism, and narrative ex: Michelangelo (Italy), David, marble sculpture, 1504 ex: Titian (Italy), Venus of Urbino, oil painting, 1538 ex: J.A.D. Ingres (France), The Grand Odalisque, oil painting, 1814 ex: Edouard Manet (France), Olympia, oil painting, 1865 ex: Pablo Picasso (Spain and France), The Ladies of Avignon, oil painting, Narrative: images that refer to a religious, historical, or literary story ex: Michelangelo (Italy), Sistine Ceiling, fresco painting, the Vatican, Rome, ex: Jacques-Louis David (France), The Oath of the Horatii, oil painting, Portraiture: images of specific individuals ex: Leonardo da Vinci (Italy), Mona Lisa, oil painting, c Landscape: representing the harmony of people and nature ex: John Constable (England), The Hay Wain, oil painting, Abstraction: the fundamental break with realism ex: Pablo Picasso (Spain and France), Violin and Compote, oil painting and collage, 1913 ex: Piet Mondrian (Netherlands), Composition with Red, Yellow, and Blue, oil painting, 1922 ex: Mark Rothko (Russia and U.S.), Orange and Yellow, oil painting, Conceptual art, performance, and installation: re-defining art ex: Marcel Duchamp (France), Fountain, porcelain and metal sculpture, 1917 ex: Christo (Bulgaria and U.S.), Running Fence, Sonoma and Marin Counties, California, temporary installation, 1976
6 Western art, p. 6 of 4 Periods of Western art 1. Classical art (c.500 B.C.-c.400 A.D.): Greek and Roman political organization, technology, and humanism ex: Ictinus and Callicrates, The Parthenon, Athens, Greece, 5 th century B.C. ex: House of Vettii: the Ixion Room, wall painting, Pompeii, Italy, c A.D. 2. Medieval art (c.400-c.1400): the decline of classicism and rise of Christianity ex: Chartres Cathedral, Chartres, France, begun 12 th c. ex: Anonymous (Ireland), The Arrest of Christ, in the Book of Kells, manuscript illumination (tempera paint), c Renaissance and Baroque art (c.1400-c.1700): the integration of Christianity and classicism; the Protestant Reformation; the rise of kings and nations ex: Michelangelo & others (Italy), Saint Peter s Basilica, Rome, Italy, begun 1546 ex: Versailles Palace (Hall of Mirrors), Versailles, France, begun 17 th century ex: Sandro Botticelli (Italy), The Birth of Venus, tempera painting, c.1486 ex: Gianlorenzo Bernini (Italy), The Ecstasy of Saint Theresa, marble sculpture, Church of Santa Maria della Vittoria, Rome, ex: Jan Vermeer (Netherlands), The Milkmaid, oil painting, c Early modern art (c.1700-c.1900): the rise of public exhibitions, private art markets, romantic self-expression, and modern life ex: Percier and Fontaine, Rue de Rivoli, Paris, France, begun 1806 ex: François Boucher (France), Marquise de Pompadour, oil painting, 1756 ex: Jacques-Louis David (France), The Oath of the Horatii, oil painting, 1785 ex: J.M.W. Turner (England), Snowstorm, Steamboat Off a Harbour s Mouth, oil painting, 1842 ex: Claude Monet (France), Boulevard des Capucines, Paris, oil painting, Modern art (c.1900-c.2000): the revolution of abstraction, individualism and the notion of the avant-garde, the retreat of art from the public ex: Shreve, Lamb, and Harmon, Empire State Building, New York, U.S., 1931 ex: Wassily Kandinsky (Russia/Germany), Improvisations No. 30 (Cannons), oil painting, 1913 ex: Jackson Pollock (United States), One, oil painting, 1950 ex: Andy Warhol (United States), Marilyn Monroe Series, silkscreen,
7 Western art, p. 7 of 4 6. Contemporary art (the present): disintegrating the boundaries of the West
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