DVOŘÁK A NEW GENERATION OF EDITIONS. Bärenreiter

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1 B Ä R DVOŘÁK N R I T R U R T X A NW GNRATION OF DITIONS Bärenreiter T

2 ANTONÍN DVOŘÁK BÄRNRITR URTXT DITIONS Serenade in major O. 22 for string orchestra dited by Robin Tait BA score erformance material available on sale NW 2016 One of the mainstays of orchestra reertoire worldwide Dvořák's original concet resented for the first time 34 and 79 unknown bars in the 3rd and 5th movements resectively included as Vi-de assages (in both the score and arts) omitted by the comoser in the autograh score (see below) Numerous corrections in articulation and dynamic markings that the comoser himself noted into his own Bote & Bock (1879, first edition) coy of the work Detailed critical commentary (ng) by the editor Instructive reface (Cz/ng/Ger) by Kateřina Nová, Head of the Dvořák Museum in Prague, offering rofound insight into the work, its manuscrit history, and the mystery of Dvořák's revision of the work Based on the comoser's autograh as the main source, suorted in matters of detail by Dvořák's own arrangement for iano four hands Modern layout and large-format orchestral arts (25.5 x 32.5 cm) xamle from the 3rd movement Vi ol I Vi ol II Va Vc Cb 153 Vi molto es re ssivo molto es re ssivo dim. dim. mf [ mf ] dim. mf dim. 23

3 The current editions of Dvořák's works in the Bärenreiter Urtext series are full of new musical information that has never been ublished before. The exerienced editors of our Urtext ublications arise musicians of their numerous findings, offering welcome and authentic alternatives to the usual, well-known versions. Dumky O. 90 N W 2016 Trio for iano, violin and violoncello dited by Christoh Flamm BA 9567 score with arts New edition draws on the original Simrock rint while carefully confronting the various reissues with the autograh and taking note of Dvořák's sketches as well as his later four-hand iano arrangement Comrehensive reface (Ger/Cz/ng) by the editor reflecting both its artistic merits and the significance attributed to this iano trio by the comoser himself Detailed critical commentary (ng) by the editor noting all differences between the autograh and Simrock edition; also includes a table with the comositional develoment of both temo markings and the formal division of movements rit. Allegro quasi do 2 O 4R rit. *) Dvořák's magnum ous in the iano trio genre 33 f f 42 O R 2 O 4R Allegro qua rit. leg egg eg ggiero r ro * *) A: 42 O R **) **) A: Sulemented by the initial version of dumka No. 3 a one-hundred-bar fragment ublished for the first time in both score and arts $ /0 $ ition ck's ed Simro diting examle: F-shar or F-double shar? in bar 34 of the cello art of dumka No. 1 After assessing all the sources and circumstances, the editor decided to adot the solution in Simrock's edition while taking into account both Dvořák's autograh and the rint of the comoser's later four-hand iano arrangement of the work. The return to the tie and thus f is one of the audible changes that the Dvořák's autogra new edition brings comared h Nat ional Mu seum C to the customary version. zech Mu se / um of M usic 5 2

4 io movimento si doio mo Romance in F minor O. 11 Arrangement for violin and iano by the comoser dited by Jonáš Hájek BA 9571 score with art NW 2015 One of Dvořák's most delightful single-movement instrumental comositions, originally written with orchestra accomaniment First-ever ublication of a iano version based on the comoser's autograh iano arrangement Dvořák's own iano art differs from his orchestral one in several significant ways, it is also one bar shorter (see below) New edition serves as a iano reduction of the orchestral version with a more authentic aroach than other, common iano reductions Detailed reface by Dvořák exert David R. Beveridge (ng/cz/ger) and critical commentary (ng) by the editor Symhony No. 7 in D minor O. 79 dited by Jonathan Del Mar BA score BA critical commentary (ng) TP 617 study score NW 2016 erformance material available on sale First scholarly-critical edition with the original London version of the second movement in the aendix in the score, the erforming material, and in a newly ublished study score Insightful reface (ng/cz/ger) and critical commentary (ng) by the editor Study score with a new reface by Dvořák scholar Jan Smaczny (Cz/ng/Ger) Concerto in B minor for Violoncello and Orchestra O. 104 dited by Jonathan Del Mar BA 9045 score BA critical commentary (ng) BA iano reduction by the comoser TP 620 study score To aear in Setember 2016 erformance material available on sale BVK 1849 facsimile of the autograh score and autograh iano reduction Dvořák's final and definitive version of the solo cello art Hundreds of corrections in both the solo cello art and the orchestral arts With hitherto unknown details regarding the collaboration between Dvořák and Wihan Offers Feuermann's and Casals' alternatives to a assage in the first movement Study score with a new reface by Dvořák scholar Jan Smaczny (Cz/ng/Ger) Cyresses B 11 for tenor and iano Song cycle to words by Gustav Pfleger-Moravský (Cz) dited by Andreas Frese BA 9569 Urtext edition of the comlete cycle of 18 love songs based on the firstever scholarly-critical analysis of the sources With translation of the lyrics (ng/ger) In-deth reface by eminent Dvořák scholar David R. Beveridge (ng/cz/ Ger) and critical commentary (ng) by the editor Humoresque in G-flat major O. 101 No. 7 for iano dited by Petra Kvasničková and Markéta Štědronská BA 9503 Detailed reface (Cz/ng/Ger) and critical commentary (Cz/ng) by editors Sulemented by facsimile ages

5 Titles in rearation Serenade in D minor O. 44 for wind instruments, violoncello and double bass dited by Robin Tait BA score BA arts in slicover To aear in Setember 2016 The new Urtext edition of this masteriece of its genre is based jointly on the autograh and the first Simrock edition (1879). The editor revised the editorial decisions made in the 1879 rint, restoring some of Dvořák's original ideas and clarifying certain inconsistencies in articulation. The current edition contains a critical commentary (ng) by the editor and a new reface (ng/cz/ger) by eminent Dvořák scholar David R. Beveridge. Concerto in A minor for Violin and Orchestra O. 53 dited by Iacoo Cividini BA score BA iano reduction erformance material available on sale To aear in March 2017 Piano Quartet in D major O. 23 dited by Robin Tait BA 9574 score with arts To aear in June 2017 Autograh of the Serenade in D minor National Museum Czech Museum of Music Songs II dited by Veronika Vejvodová To aear in winter 2016/2017 BA BA Songs II for high voice and iano Songs II for low voice and iano Songs I dited by Veronika Vejvodová To aear in 2018/2019 BA BA Songs I for high voice and iano Songs I for low voice and iano Contents: Three Modern Greek Poems, Songs to Words by Gustav Pfleger-Moravský, Two Songs on Folk Poems, In Folk Tone, Four Songs, Love Songs, Lullaby, Song from The Smith of Lešetín Contents: Songs to Words by liška Krásnohorská, The Orhan, Rosemary, Four Songs to the words of Serbian folk oems, Songs from The Dvůr Králové Manuscrit, vening Songs, Two Songs for baritone Gysy Songs O. 55 Biblical Songs O. 99 BA for high voice BA for low voice dited by Veronika Vejvodová To aear in 2017 BA for high voice BA for low voice dited by va Velická To aear in 2018 In the next three years Bärenreiter Praha will ublish Urtext editions of Dvořák's comlete vocal works for solo voice and iano. Aart from the cycles of Cyresses (already ublished), Gysy Songs, and Biblical Songs, which will aear searately, all of Dvořák's other comositions for solo voice and iano will be issued in chronological order in two volumes as Songs I and Songs II. Some of the songs have as yet existed only in autograh form or in historical editions. Both volumes will have two versions for high and low voice. Besides an extensive reface (Cz/ng/Ger) and critical commentary (ng) by the editor, all our urtext song ublications cater to concert erformance demand by roviding lyrics in three languages (Cz/Ger/ng) with each vocal art. Songs II

6 DVOŘÁK'S CHAMBR AND PIANO MUSIC in high-standard rerints Our ublishing house's lasting care for quality sheet music of this most-erformed classic Czech comoser is also reflected in a new series of rerints of mostly chamber and iano music from the Antonín Dvořák Comlete dition (ADC), reared by the best Czech editors and Dvořák secialists of the day (Jarmil Burghauser, Antonín Čubr, Antonín Pokorný, Karel Šolc, František Bartoš, etc.). With their combination of modern rinting and Bärenreiter-brand quality, the ADC rerints reflect resent-day erformance ractice and come equied with new detailed refaces by musicologists of the new generation David R. Beveridge, Hans-Joachim Hinrichsen, Ivana Rentsch, va Velická, Hartmut Schick. Piano four hands BA 9565 From the Bohemian Forest O. 68 BA 9547, BA 9548 Slavonic Dances O. 46 and O. 72 Violin and Piano BA 9576 Romantic Pieces O. 75 Piano Trio / Quartet / Quintet BA 9578 BA 9564 BA 9538 BA 9537 BA 9573 Piano Trio in B-flat major O. 21 To aear in May 2016 Piano Trio in F minor O. 65 Piano Trio in G minor O. 26 Piano Quartet in -flat major O. 87 Piano Quintet in A major O. 81 String Trio / Quartet / Quintet / Sextet BA 9543 BA 9539, TP 539 BA 9540, TP 540 BA 9545, TP 535 BA 9542, TP 532 BA 9577, TP 577 BA 9566 Terzetto in C major O. 74 String Quartet No. 1 in A major O. 2 String Quartet No. 2 in B-flat major B 17 String Quartet No. 5 in F minor O. 9 String Quintet in -flat major O. 97 String Quintet in G major O. 77 (with double bass) String Sextet in A major O. 48 Practical vocal scores of Dvořák's master choral and oeratic works Arrangements of Dvořák's core masterieces Stabat Mater O. 58 Requiem O. 89 H 7920 vocal score by the comoser Performance material available on hire The Sectre's Bride O. 69 BA vocal score by Karel Šolc New reface by Daniela Philii Performance material available on hire for solo voices, choir and chamber orchestra Arranged by Joachim Linckelmann Based on the full score from the Comlete dition of the Works of Antonín Dvořák BA 9582 score In keeing with the vocal score H Performance material available on sale Rusalka O. 114 Slavonic Dances O. 46 BA vocal score by Karel Šolc New reface by Jarmila Gabrielová for violoncello and iano Arranged by Jiří Gemrot BA 9568 score with art Two dances in Dvořák's original arrangement, six dances in a new arrangement in Dvořák's style To aear in SPA 314_2 Your Music Dealer