Theater Research International 2008 33:1 Articles Literary Theatre after the Generals: A Personal Itinerary FEMI OSOFISAN pp 4-19 Mimesis and the Historical Imagination: (Re)Staging History in Cape Verde, West Africa CHRISTINA S. MCMAHON pp 20-39 From the Greek Stage to the Martinican Shores: A Caribbean Antigone STÉPHANIE BÉRARD pp 40-51 Akhir Yom (The Last Day): A Localized Arabic Adaptation of Shakespeare's Romeo and Juliet YVETTE K. KHOURY pp 52-69 Intercultural Theatre? A Streetcar Named Desire on the Turkish Stage PÜRNUR UÇAR ÖZBIRINCI pp 70-83 Reality and Fiction in Contemporary Theatre ERIKA FISCHER-LICHTE pp 84-96 Book Reviews Moscow Theatres for Young People: A Cultural History of Ideological Coercion and Artistic Innovation, 1917 2000. By Manon van de Water. New York and Basingstoke: Palgrave Macmillan, 2006. Jeanne Klein
pp 97-98 Transvestism and the Onnagata Traditions in Shakespeare and Kabuki. Edited by Minoru Fujita and Michael Shapiro. Kent: Global Oriental, 2006. Pp. vii + 213 + illus. 50 Hb. Adele Lee pp 98-99 Playing Spaces in Early Women's Drama. By Alison Findlay. Cambridge: Cambridge University Press, 2006. Margaret Rogerson pp 99-99 Historicising Beckett: Issues of Performance Beckett dans l'histoire: En jouant Beckett. Edited by Marius Buning, Matthijs Engelberts, Sjef Houppermans, Dirk van Hulle and Danièle de Ruyter. Amsterdam and New York: Rodopi, 2005. Notes Diverses Holo: Catalogues of Beckett's Reading Notes and Other Manuscripts at Trinity College Dublin, with Supporting Essays. Edited by Matthijs Engelberts and Everett Frost, with Jane Maxwell. Amsterdam and New York: Rodopi, 2006. Présence de Samuel Beckett Presence of Samuel Beckett: Colloque de Cerisy. Edited by Sjef Houppermans. Amsterdam and New York: Rodopi, 2006. Zone of Evaporation: Samuel Beckett's Disjunctions. By Paul Stewart. Amsterdam and New York: Rodopi, 2006. Beckett Remembering/Remembering Beckett: Uncollected Interviews with Samuel Beckett and Memories of Those
Who Knew Him. Edited by James Knowlson and Elizabeth Knowlson. London: Bloomsbury, 2006. John Fletcher pp 100-101 Making Theatre in Northern Ireland: Through and beyond the Troubles. By Tom Maguire. Exeter: University of Exeter Press, 2006. Women in Irish Drama: A Century of Authorship and Representation. Edited by Melissa Sihra. Basingstoke: Palgrave Macmillan, 2007. James Moran pp 101-103 Performative and Textual Imaging of Women on the Irish Stage, 1820 1920: M. A. Kelly to J. M. Synge and the Allgoods. By Nelson O'Ceallaigh Ritschel. Lewiston, NY: Edwin Mellen Press, 2006. Karen O'Brien pp 103-104 Women's Theatrical Writing in Victorian Britain. By Katherine Newey. Basingstoke: Palgrave Macmillan, 2005. Pp. ix + 269. 45 Hb. Jane Moody pp 104-105 Stages of Dismemberment: The Fragmented Body in Late Medieval and Early Modern Drama. By Margaret E. Owens. Newark, DE: University of Delaware Press, 2005. Marla Carlson pp 105-106 The Senses in Performance. Edited by Sally Banes and André Lepecki. New York: Routledge, 2007. Peta Tait pp 106-107
Not the Other Avant-Garde: The Transnational Foundations of Avant- Garde Performance. Edited by James M. Harding and John Rouse. Ann Arbor: University of Michigan Press, 2006. Günter Berghaus pp 107-108 A Performance Cosmology: Testimony from the Future, Evidence of the Past. Edited by Judie Christie, Richard Gough and Daniel Watt. Abdingdon and New York: Routledge, 2006. The Routledge Companion to Theatre and Performance. By Paul Allain and Jen Harvie. Abingdon and New York: Routledge, 2006. Theresa Smalec pp 108-109 Remaking American Theater: Charles Mee, Anne Bogart and the SITI Company. By Scott T. Cummings. Cambridge: Cambridge University Press, 2006. And Then, You Act: Making Art in an Unpredictable World. By Anne Bogart. New York: Routledge, 2007. Matt Saltzberg pp 110-111 It. By Joseph Roach. Ann Arbor: University of Michigan Press, 2007. Jill Dolan pp 111-111
Theater Research International 2008-33:2 Article On Faithfulness: The Difficulties Experienced by the Text/Performance Couple pp 117-126 PATRICE PAVIS Space is out of Joint: Experiencing Non- Euclidean Space in Theatre pp 127-144 JERZY LIMON Calls for Remembrance: At Work with Traditional Chants pp 145-160 CLÁUDIA TATINGE NASCIMENTO Adelaide Ristori's Tour of the East Mediterranean (1864 1865) and the Discourse on the Formation of Modern Greek Theatre pp 161-175 IOANNA PAPAGEORGIOU Flagellation of the Son of God and Divine Flagellation: Flagellator Ceremonies and Flagellation Scenes in the Medieval Passion Play pp 176-190 FRIEDEMANN KREUDER The Word Made Flesh: Staging Pornography in Eighteenth-Century Paris pp 191-203 LAURENCE SENELICK
Unsettling Space: Contestations in Contemporary Australian Theatre. By Joanne Tompkins. Unstable Ground: Performance and the Politics of Place. Edited by Gay McAuley. Performance and Cosmopolitics: Cross- Cultural Transactions in Australian Theatre. By Helen Gilbert and Jacqueline Lo. pp 204-206 Rachel Fensham Staging Governance: Theatrical Imperialism in London, 1770 1800. By Daniel O'Quinn. pp 206-207 Lisa A. Freeman Strange Duets: Impresarios and Actresses in the American Theatre, 1865 1914. By Kim Marra. pp 207-208 Stacy Wolf Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction. By Tony Howard. pp 208-209 Lisa Jackson-Schebetta The Cambridge Companion to Shakespeare and Popular Culture. Edited by Robert Shaughnessy. Shakespeare and the American Popular Stage. By Frances Teague pp 209-210 Kelly V. Jones The Victorian Clown. By Jacky Bratton and Ann Featherstone. pp 211-211 Trish Reid The Stagecraft and Performance of Roman Comedy. By C. W. Marshall. pp 211-212 Costas Panayotakis
A History of Italian Theatre. Edited by Joseph Farrell and Paolo Puppa. Cambridge: Cambridge University Press, 2006. Pp. 418 + 29 illus. 65/$110 Hb. pp 212-213Bruno Ferraro Theater and Nation in Eighteenth- Century Germany. By Michael J. Sosulski pp 213-214 S. E. Wilmer Fedor Shaliapin: Mul'timedia Al'bom (Feodor Chaliapin: A Multimedia Album). By Mikhail Solomatin. pp 214-215 Dassia Posner Judson Dance Theatre: Performative Traces. By Ramsay Burt. pp 215-216 Cara Cargano Czech Theatre Design in the Twentieth Century: Metaphor and Irony Revisited. Edited by Joe Brandesky. pp 216-217 Christopher Baugh Contemporary Theatres in Europe: A Critical Companion. Edited by Joe Kelleher and Nicholas Ridout. pp 217-218 Lourdes Orozco Impossible Plays: Adventures with the Cottesloe Company. By Keith Dewhurst and Jack Shepherd. Taking Stock: The Theatre of Max Stafford Clark. By Philip Roberts and Max Stafford-Clark. pp 218-219 Nadine Holdsworth
Theater Research International 2008-33:3 Articles Introduction: Towards a Genetic Study of Performance Take 2 pp 223-233 JOSETTE FÉRAL Towards a Genetic Understanding of Non-contemporary Theatre: Traces, Objects, Methods pp 234-249 JEAN-MARIE THOMASSEAU Molière and the Circumstances of Late Seventeenth-Century Rehearsal Practice pp 250-262 JOHN GOLDER The Fragility of Beginnings: The First Genetic Stratum of Le Square by Marguerite Duras (1956) pp 263-275 MARIE-MADELEINE MERVANT- ROUX Not Magic but Work: Rehearsal and the Production of Meaning pp 276-288 GAY MCAULEY Written Documents of the Assistant Director: A Record of Remaking pp 289-306 SOPHIE PROUST The Revival of Plays: A Procedure Open to Question pp 307-317 CHRISTINE HAMON-SIRÉJOLS Performance and Politics in Tanzania: The Nation on Stage. By Laura Edmondson. pp 318-319 Christine Matzke
African Theatre and Performances. By Osita Okagbue. pp 319-320 Jane Plastow Early American Women Critics: Performance, Religion, Race. By Gay Gibson pp 320-321 Jill Dolan Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas. By Christopher B. Balme. pp 321-322 Helen Gilbert Power Plays: Australian Theatre and the Public Agenda. By Hilary Glow. pp 322-323 Jonathan Bollen City Stages: Theatre and Urban Space in a Global City. By Michael McKinnie. pp 323-324 Michael Peterson Silent Eloquence: Lucian and Pantomime Dancing. By Ismene Lada- Richards. Companion to Greek and Roman Theatre. Edited by Marianne McDonald and J. Michael Walton. pp 324-325 Margaret Coldiron Mask and Performance in Greek Tragedy: From Ancient Festival to Modern Experimentation. By David Wiles. pp 325-326 Angeliki Varakis The Art of Commedia: A Study in the Commedia dell'arte 1560 1620 with Special Reference to the Visual Records. By M. A. Katritzky. pp 326-327 Kenneth Richards Die Shakespeare-Illustrationen 1594 2000 [The Shakespeare Illustrations]. Edited by Hildegard Hammerschmidt- Hummel. pp 327-328 Michael Patterson
Female Performance Practice on the Fin-de-Siècle Popular Stages of London and Paris. By Catherine Hindson. pp 328-329 John Stokes Jewish Identities in German Popular Entertainment, 1890 1933. By Marline Otte. pp 329-330 Peter W. Marx Staging Black Feminisms: Identity, Politics, Performance. By Lynette Goddard. Staging New Britain: Aspects of Black and South Asian British Theatre Practice. Edited by Geoffrey V. Davis and Anne Fuchs. Alternatives within the Mainstream: British Black and Asian Theatres. Edited by Dimple Godiwala. pp 330-331 Susan Croft Dramaturgy and Performance. By Cathy Turner and Synne K. Behrndt. pp 331-332 Jacqueline Bolton Performance and Cognition: Theatre Studies and the Cognitive Turn. Edited by Bruce McConachie and F. Elizabeth Hart. pp 332-333 Kevin McFillen