Global Music Lesson Plans Songs of greeting Congo, New Zealand & UK For ages range 7-11.

Similar documents
Global Music Lesson Plans Lesson 3: Polyrhythmic Drumming Styles Japan and Brazil (Age range 11-14)

Handale Primary School Music Curriculum Year EYFS ( 4-5 year olds)

MUSIC. Syllabus for Primary Schools. Curriculum Department, Floriana Year 3 19

RESEARCH IN MUSIC EDUCATION AND SOUND ARTS (Completed in, and/or about New Zealand)

behind the scenes curriculum mapping: primary The following curriculum mapping is relevant for all 10 episodes of THE LION KING - Behind The Scenes

Music in schools: promoting good practice

Lesson Plans: Stage 3 - Module One

Choir 5. September 2014

Catch the Calypso Beat and Put it in Your Feet! A Smithsonian Folkways Lesson Designed by: Katie Wood Seattle Public Schools, Seattle WA

Choir 6. Content Skills Learning Targets Assessment Resources & Technology A: Rehearsal Skills

Active Listening Guide: Helping Your Students Engage With Music

Cathy Benedict, Ed.D Florida International University NAfME Nashville, 2013 Doing Away With Classroom Management: Teaching for Musical Transitions

Study Kit No 9. Aura Lee (Love Me Tender)

Knowledge and Understanding of the World. Early Learning Goals. National Curriculum. (learning objectives) (level 1 descriptors)

Objectives: Understand and participate in oral tradition and improvisation Discuss the culture of South Africa

General Music K-2 Primary Elementary Grades

Music Standards of Learning

Senior Phase Grade 7 Today Planning Pack ARTS AND CULTURE

National Standards for Music Education

Time allowed: 1 hour 30 minutes

Music (JUN ) General Certificate of Secondary Education June Listening to and Appraising Music. Time allowed 1 hour

1. interpret notational symbols for rhythm (26.A.1d) 2. recognize and respond to steady beat with movements, games and by chanting (25.A.

Music Music: Grade 4 Product Performance GLE 1: Develop and apply singing skills to perform and communicate through the arts

LINCOLN PUBLIC SCHOOLS Music Learning Expectations: Grade 4

Foundation Course. Study Kit No 1. Away In A Manger

HOWARD COUNTY PUBLIC SCHOOLS MUSIC TECHNOLOGY

Musical Literacy. Clarifying Objectives. Musical Response

MUSIC - SCHEMES OF WORK. For Children Aged 8 to 12

CMP Unit Plan Claire Burns

Aymara and Machu Picchu A Smithsonian Folkways Lesson Designed by: Im Kyung Lee University of Washington

Dear Educator,

Communicate through music

Brookburn Primary School. Policy for Music

The Soul of Korean Arirang Music from Korea in the Middle School Band Designed by: Vince Fejeran

Key Stage 3 Scheme of Work. Unit No. Title : Elements of Pop Music. Year : 8

GCSE Music Unit 3 (42703) Guidance

FAVORITE SONGS AND MUSIC ACTIVITIES FOR ELEMENTARY TEACHERS AND THEIR STUDENTS

Demonstrate technical proficiency on instrument or voice at a level appropriate for the corequisite

FINE ARTS EDUCATION GEORGIA PERFORMANCE STANDARDS Music Appreciation (Grades 6-12)

MATHEMATICS: REPEATING AND GROWING PATTERNS First Grade. Kelsey McMahan. Winter 2012 Creative Learning Experiences

A Guide for Using Big Books in the Classroom

ST. PATRICK'S CATHOLIC PRIMARY SCHOOL. Policy on Music

Unit Overview Template. Learning Targets

Langston Hughes: Dream Variations Page 1 of 6

18 Benefits of Playing a Musical Instrument

MUSIC DEPARTMENT ACADEMIC YEAR

Visual Arts, Music, Dance, and Theater Personal Curriculum

ADVANCED COMMUNICATION SERIES STORYTELLING. Assignment #1: THE FOLK TALE

FINE ARTS EDUCATION GEORGIA PERFORMANCE STANDARDS Music Technology (Grades 6-8)

Using songs with young language learners

Animals that move slowly, animals that move quickly

National Quali cations SPECIMEN ONLY

LISTENING REVOLUTION THE. 3rd 6th Grades

The use of binary codes to represent characters

Letters and Sounds, Phase 1, Aspect 2 General Sound Discrimination Instrumental Sounds Tuning into Sounds

MICKLEM PRIMARY SCHOOL MUSIC

2012 Music Standards GRADES K-1-2

a. Exercise uses drm match pitch exercise i. Wade in the Water (Underground Spiritual) 1. Call and response form

Classroom Musical Activities to Improve Rhythmic Perception of Children with Deafness

Music Standards FINAL. Approved on May 5, Copyright 2003 Texas State Board for Educator Certification

The Samba Experience

The Planets? Suite! The Cleveland Institute of Music Class Materials. Table of Contents

Circle or tick the answer that most represents how you generally behave.

Making a Video Year Six

Creating Legal CDs & DVDs

SORAN BUSHI: Exploring Japanese Work Song (Hokkaido & Kitaki, Japan) A Smithsonian Folkways Lesson Summary:

Silver Burdett Making Music

Timing This assembly should take 15 to 20 minutes (longer with pupil participation).

Sample Entrance Test for CR (BA in Popular Music)

MULTIPLE INTELLIGENCES CHECKLIST

101 IELTS Speaking Part Two Topic cards about sports, hobbies and free time A- Z

Two Children s Songs from the Philippines A Smithsonian Folkways Lesson Summary: Suggested Grade Levels: Country Genre Instruments

Cambridge International Examinations Cambridge Secondary 1 Checkpoint

Our Food, Our World Lesson plan 2: Favourite foods (long version) (45mins)

Kristina Carssow Gateways Lesson Plan Lesson Plan #1 Manifest Destiny Lesson Plan

Lesson plan Primary. Why is handwashing. important?

MUSIC A. PROGRAM RATIONALE AND PHILOSOPHY

How to create bass lines

Pizzicato. Music Notation. Intuitive Music Composition. A Full Range of Music Software for the Musician. and

Chapter 117. Texas Essential Knowledge and Skills for Fine Arts. Subchapter D. Elementary, Adopted 2013

Learning Styles and Aptitudes

Oxfam Education. Act activity guide (primary & secondary) Outline. Resources. Learning Objectives. Curricular links. Keywords

DIGITAL MUSIC DAY 1 WHAT IS SOUND? ANALOG AND DIGITAL EARLY RECORDING WAX FOR YOUR EARS ROUND BUT FLAT WIRE AND TAPE PURE SOUND

Jubilee Primary School. Music Medium Term Plan. Year 4: Music

Music, Grade 11, University/College Preparation (AMU3M)

NATIONAL STANDARDS for MUSIC EDUCATION

Indiana Academic Standards for Music August, 2010

Put Your Song to the Tests

Arachne versus Athene Introduce Me and Drama Activities

Curriculum Mapping Electronic Music (L) Semester class (18 weeks)

Seven Kings High School Music Department. Scheme of Work. Year 9 - Spring Term 1. Indian Music.

Candidates should be able to: (i) describe the purpose of RAM in a computer system

Making more of music: Improving the quality of music teaching in secondary schools

GCSE Music Unit 4 (42704) Guidance

Appendix C. Sample Lesson Plans and Templates

Minnesota Academic Standards

K-12 Music Unpacked Content

Music. Madison Public Schools Madison, Connecticut

SAMPLE MIDAS PROFILE MULTIPLE INTELLIGENCES DEVELOPMENTAL ASSESSMENT SCALES MIDAS Version 2.0 Processed for Tara Student

My Family FREE SAMPLE. This unit focuses on sequencing. These extension

Transcription:

H Oxfam Education Oxfam Education www.oxfam.org.uk/education H www.oxfam.org.uk/education Global Music Lesson Plans Songs of greeting Congo, New Zealand & UK For ages range 7-11. Time required: One or two 50 minute lessons. Activity: Performing and comparing songs of greeting i.e. a Maori Haka, the Congolese song Si, Si, Si, and the English choral anthem: Welcome, vicegerent of the mighty king by Henry Purcell. Aims: To introduce what is meant by the term lyrics and how lyrics can reflect the purpose, time and place in which they were written. To explore how the melody reflects the lyrics of a song. To explore how musical structures are used in song. Pupils will learn: To understand rhythmic patterns and repeating rhythmic patterns. How to compose music using rhythmic ostinati based on a spoken phrase. How to chant rhythmically and maintain a part in a group of a greeting song. Web links you will need: A video of the New Zealand All Blacks rugby team performing a Haka. https://www.youtube.com/watch?v=6g3qbh_i2vu Recording of Welcome, Viceregent of the Mighty King by Henry Purcell (a welcome song for Charles II, 1680). http://www.youtube.com/watch?v=bzldybczely Further information about the history and performance of Haka (for extension activity). Other resources you will need: The Haka Uhi Tai Lyrics Sheet (provided below). Words, music and midi file of the Congolese greeting song Si Si Si (provided on the Si Si Si Worksheet below). http://www.youtube.com/watch?v=-sgyketxd9a Copyright Oxfam GB. You may reproduce this document for educational purposes only. Page 1

Useful Information Songs of greeting are a feature of almost every culture across the globe and are a musical tradition that is understood universally. This activity links three very different songs of greeting exploring how a global genre can lead to very different outcomes and styles depending upon the context for which they were composed. Songs of greeting can be joyful, dance-like, energetic, regal, grandiose, celebratory or frightening depending on the context for which they were composed. The Congolese song Si, Si, Si is a song of welcome between friends and exemplifies the first of these features. Welcome, vicegerent of the mighty king by the English composer Henry Purcell is a song of welcome for a King. The Maori Haka is a ritual chant with actions that is performed at a variety of first encounters e.g. a battle (or more recently a sporting event such as a rugby match) or the meeting and greeting of two tribes and is quite simply intended to frighten the visitors out of their wits! Lesson plan Starter Main Songs of greeting Congo, New Zealand & UK (Age range 7-11) Watch the video of the New Zealand All Blacks rugby team performing a Haka. Discuss with the class: What is the purpose of the chant? (Answer = a greeting chant). How do the team members use their voices and their bodies to convey meaning? Is there a strong beat? Which part of the world do they think this kind of chant originates from? (Answer = New Zealand and Polynesia). How would the pupils feel if they were in the opposing team watching it? Point out that the chant is a Haka, which is a ritual greeting song that is part of the Maori culture from New Zealand. It is usually chanted prior to a battle or as part of a greeting ceremony between tribes, the intention being to frighten and intimidate the enemy or newcomers. Performing a Haka Display or distribute copies of the Haka Uhi Tai Lyrics Sheet (below). Read through the words of the chant together rhythmically, avoiding being prescriptive about the way in which the words should be expressed. Next, divide the class into groups of six or eight and ask each group to work out how they want to chant the Haka. Remind them that the purpose of the Haka is to frighten visitors! Get each of the groups chant the Haka. Ask the other groups to appraise the effectiveness of the performances. For example, did they keep together? Could you hear the words? Was the performance frightening? Performing Si, si, si Listen to the Congolese greeting song Si Si Si (above). Ask pupils to find and tap the pulse of the song. Next, take a group of words such as: si-ne la-du bana. Clap the rhythm of the words and then transfer the rhythm on to drums. Perform it as an ostinato accompaniment to the song. Page 2

Plenary Discuss the mood of Si, si, si. How does the song compare with the Haka? How would this song make the visitor feel? Which do they think would be most appropriate to sing at a welcome ceremony? Why? Point out that songs of greeting are a particular song genre, and that they feature in many diverse cultures. However, the social context of the greeting influences the mood and the performance of the song. This is exemplified in the Haka and Si, si, si - two songs of similar purpose but very different character. Extension Find out more about the history and performance of Haka. The Haka feature on this web link includes an explanation of some of the movements as well as a video of a traditional Haka. This information could form the basis for pupils creating movements to the Haka that they performed as part of the lesson. To help pupils understand how the social context of each greeting song influences the mood and performance, brainstorm quickly with the pupils what they would think would be the musical features and characteristics of a song composed as a greeting for an English King. Listen to an extract from a recording of Welcome, Viceregent of the Mighty King by Henry Purcell (a welcome song for Charles II, 1680). How did it compare to their ideas, and to the Haka or Si, si, si? Page 3

Worksheet: Si Si Si Listen to the melody of Si Si Si (above) Page 4

Worksheet: The Haka Uhi Tai Lyrics Sheet This is a haka that was written specifically for 161 Battery in 1972 by Bombardier Tawhiwhi Brown who was a Vietnam veteran. (Leader) Tena Taka he ya! (Everyone) Uhi Tai una koha!!! E he mana kai Pap-a-kur-a!!! E tu tuki tu wai wai!!! Ki te poru to ma-hin-ga!!! Uhi Tai! Uhi Tai! Page 5