LEVEL I NOVELS. 103 words / page 6,050 words / book Listed in order from easier readability to harder



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LEVEL I NOVELS Averages: 58 pages / book 103 words / page 6,050 words / book Listed in order from easier readability to harder 1. Agentes secretos y el mural de Picasso Mira Canion 84 pages 4,700 total words 56 words/page Present tense, 100 word vocabulary, realistic fiction, Spain 2. Tumba Mira Canion 64 pages 3,500 total words 55 words/page Present tense, 100 word vocabulary, realistic fiction, Mexico 3. Rival Mira Canion 88 pages 5,400 total words 61 words/page Present tense, 100 word vocabulary, realistic historical fiction, Spain 4. Las aventuras de Isabela Karen Rowan 24 pages 2,200 total words 92 words/page Present tense, 200 word vocabulary, adolescent fiction, Guanajuato, Mexico 5. Berto y sus buenas ideas Magaly Rodríguez 22 pages 2,500 total words 114 words/page Present tense, 200 word vocabulary, fiction, Spain 6. Isabela captura un congo Karen Rowan 43 pages 3,500 total words 81 words/page Present tense, 350 word vocabulary, fiction, Costa Rica

7. Carl no quiere ir a México Karen Rowan 40 pages 5,000 total words 125 words/page Present tense, 350 word vocabulary, fiction, Mexico 8. Pobre Ana Blaine Ray 39 pages 6,000 total words 154 words/page Present tense, 300 word vocabulary, fiction, California/Tepic, Mexico 9. Piratas del Caribe y el mapa secreto Mira Canion & Carol Gaab 53 pages 6,800 total words 128 words/page Present tense; word vocabulary; historically-base adventure (fiction), Caribbean 10. El nuevo Houdini Carol Gaab 62 pages 5,600 total words 90 words/page Two versions in one book: Present on one side & Past on the flip side, 200 word vocabulary, plus 100 cognates; Humor (adolescent fiction); Compares U.S. culture to target culture. 11. La vampirata Mira Canion 71 pages 5,600 total words 79 words/page Past tense, 240 word vocabulary, fiction, Colombia 12. Los piratas del Caribe y el Triángulo de las Bermudas Carol Gaab 88 pages 9,900 total words 113 words/page Past tense, 280 word vocabulary, Historically-based Adventure/Science Fiction, Bermuda 13. Esperanza Carol Gaab 67 pages 6,500 total words 97 words/page 1st person, present tense, 200 word vocabulary, Non-fiction, Guatemala/USA 14. Noches misteriosas en Granada Kristy Placido 65 pages 8,200 total words 126 words/page Present tense, 280 word vocabulary, Culture-based Mystery (fiction), Spain

15. Patricia va a California Blaine Ray 45 pages 6,400 total words 142 words/page Present tense, 400 word vocabulary, fiction, Guatemala 16. Felipe Alou: Desde los valles a las montañas Carol Gaab 60 pages 5,900 total words 98 words/page Past tense, 150 word vocabulary, Biography, Dominican Republic 17. Casi se muere Blaine Ray 43 pages 5,800 total words 135 words/page Present tense, 400 word vocabulary, fiction, Chile 18. Robo en la noche Kristy Placido 74 pages 8,400 total words (each side) 114 words/page Present on one side & Past on the flip side, 400 word vocabulary, Culture-based fiction, Costa Rica 19. Pío Pista Michael Miller 48 pages 9,900 total words 206 words/page Present tense, word vocabulary, fiction, Puerto Rico 20. El viaje de su vida Lisa Ray Turner & Blaine Ray 44 pages 6,400 total words 145 words/page Present tense,? word vocabulary, Culture-based Mystery (fiction), Yucatan, Mexico 21. Pobre Ana bailó tango P. Verano, V. Moscoso, Blaine Ray 38 pages 9,100 total words 239 words/page Past tense, 600 word vocabulary, realistic fiction, Argentina

LEVEL II NOVELS Averages: 67 pages / book 140 words / page 9,400 words / book Listed in order from easier readability to harder 22. Mi propio auto Lisa Ray Turner & Blaine Ray 58 pages 9,100 total words 157 words/page Past tense; Culturally-based fiction; El Salvador 23. Los Baker van a Perú Nathaniel Kirby Novice Mid 51 pages 7,000 total words 137 words/page Past and present tense; Fiction; Peru 24. Dónde está Eduardo? Lisa Ray Turner & Blaine Ray 52 pages 8,600 total words 165 words/page Past tense; Fiction; Costa Rica 25. El viaje perdido Lisa Ray Turner & Blaine Ray 60 pages 8,900 total words 148 words/page Past tense; Culture-based fiction; Puerto Rico/Travel/TL Beliefs 26. Viva el toro Lisa Ray Turner & Blaine Ray 60 pages 8,000 total words 133 words/page Past tense; Culture-based fiction; Spain/Bullfighting 27. Sueños de la isla JJ Hill, Marissa Smith, Roberta Price Novice-High 39 pages 7,000 total words 179 words/page Past tense; Culture-based sports fiction; Dominican Republic

28. La maldición de la cabeza reducida Nathaniel Kirby Novice-High 58 pages 7,200 total words 124 words/page Past tense; Fiction, Peru 29. Rebeldes de Tejas Mira Canion Novice-High 90 pages 10,700 total words 119 words/page Past tense; Historical fiction; Mexico & Texas 30. Problemas en paraíso Carol Gaab 72 pages 8,500 total words 118 words/page Past tense; 350 word vocabulary, 100 s of cognates; fiction, Mexico

LEVEL III NOVELS Listed in order from easier readability to harder 31. Los ojos de Carmen Verónica Moscoso 47 pages Fiction; Ecuador 32. Vida o muerte en el Cusco Lisa Ray Turner & Blaine Ray 61 pages Intermediate-Low Past tense; Fiction; Peru 33. Vida y muerte en la marasalvatruchas Anónimo Intermediate-Low 51 pages 7,600 words 149 words/page Biography 34. La corza blanca (Santillana Press vocabulary controlled edition) Gustavo Adolfo Bécquer 26 pages 3,400 words 130 words/page Past tense; Fantasy/folklore; Medieval Spain 35. La cruz del diablo (Santillana Press vocabulary controlled edition) Gustavo Adolfo Bécquer 32 pages 3,600 words 113 words/page Past tense; Fantasy/folklore; Medieval Spain 36. La hija del sastre Carrie Toth & Carol Gaab Intermediate-Low 12,400 words Fiction, Argentina 37. La guerra sucia Nathaniel Kirby 12,400 words Historical fiction, Argentina

LEVEL IV NOVELS Listed in order from easier readability to harder 38. Viajes Fantásticos Elías Miguel Muñoz Intermediate Mid 144 pages Historical fiction and fiction, Mexico & Puerto Rico (McGraw-Hill Storyteller s Series; Introduction by Stephen Krashen) 39. Ladrón de la mente Elías Miguel Muñoz Intermediate Mid 136 pages Fiction / Horror, Spain (McGraw-Hill Storyteller s Series; Introduction by Stephen Krashen) 40. Isla se luz Elías Miguel Muñoz Intermediate Mid 174 pages Historical fiction, Caribbean (McGraw-Hill Storyteller s Series; Introduction by Stephen Krashen) SpanishTranslations of Popular Literature 41. Escalofríos: Bienvenidos a la casa de la muerte R.L. Stine (Reading level 4 in English) 124 pages Past tense Adolescent horror fiction 42. Quién se ha llevado mi queso? Spencer Johnson, M.D. Written in all tenses Self-help book, fiction 43. El alquimista Paulo Coelho Intermediate Mid/High 197 pages

Written in all tenses Historically/culturally/geographically/religiously/philosophically-based fiction Highly recommended. See this resource to help students understand this novel at: http://www.brycehedstrom.com/products 44. Hoyos Louis Sachar Intermediate Mid(Reading level 5 in English) All tenses, fiction 45. Harry Potter y la piedra filosofal J.K. Rowling Intermediate Mid (Reading level 5 in English) 254 pages All tenses, fiction 46. Harry Potter y la cámara de los secretos J.K. Rowling Intermediate High (Reading level 6 in English) 286 pages All tenses, fiction

RANKING THE NOVELS for EXTENSIVE READING The list above was compiled to help students pick reading materials for their Extensive Reading assignments. Students are required to read novels. ORDER The novels on the lists are ranked from easiest to hardest based on their comprehensibility to the average HS language Spanish student. Traditional readability scores can be based on length of book, sentence length, word length, rare words per thousand, etc. But those formulas may not apply as neatly to MS/HS students because: 1) They can already read English 2) Their expanded English vocabularies and cognitive ability can help them to recognize cognates 3) They already know something about the world 4) They have interests and prior knowledge about topics READING LEVEL The novels are organized from easiest to hardest reading level based upon feedback from students, teacher experience and information provided by authors. The reading level printed on the book by the publisher should be thought of as the Guided Reading Level (the level at which a student can read a novel with the help of a teacher) and not the Independent Reading Level (the level at which a student can read a novel on their own without the help of a teacher or extensive use of a dictionary). It is always trying to figure out how the ACTFL levels correspond to the expected levels of students in our classes. A simple system might be: ACTFL Novice Low = level 1, Novice Mid = Level 2, Novice High = Level 3, etc. This is not just a firm description, just a working definition that can be used to try and organize a reading program. The reading level does not always correspond to the comprehensibility of a novel because of the variables of linguistic ability, familiarity with a genre or author, and background knowledge. If students cannot understand what they are reading, they need to drop down the level or find a genre with which they are more comfortable. A big problem with high achieving students is that they often choose books that are too hard for them. WORD COUNT vs. PAGE COUNT The word count is important because there is so much variability between the number of words on a page from book to book. Even though all of these books would be considered text-rich books, or chapter books the words per page can vary between 50 and 200 due to many factors such as the size of the font, the amount of dialogue and the illustrations.

The total word count for each novel is based on the actual words in the story. It does not include glossing or vocabulary lists. The word count does not always correspond with the level of difficulty of a novel a long novel can still be at a lower reading level. DESCRIPTIONS Descriptions such as realistic fiction, fantasy, teen fiction, historical fiction, etc. We may need to make some of the definitions more concise so that they correspond to generally recognized categories and are helpful to students, teachers and administrators. USEFULNESS The usefulness triple play is comprehensibility, interest and cultural relevance. Too often we have settled for only comprehension. Most of the novels on these lists hit all three areas: they are understandable to students, have a story with some compelling points and have to do with the culture of the target language. READING REQUIREMENTS Since there is such a close correlation between the amount of free reading and achievement in a language, students in levels 2-AP are required to read a certain number of words in Spanish each semester. Beniko Mason describes how she required Japanese university students learning English to read 70 to 100 pages per week all together, about 1000 pages per semester: http://www.benikomason.net/articles/interview_by_ken_schmidt/index.html) Beniko Mason: Their reading speed in a second language is between 100 to 150 words per minute. The average native high school student reads about 200 words per minute in the native language, and the average college student reads 300 words per minute in the native language. In many elementary school reading programs, the goal is for each fourth and fifth grader to read 25 chapter books each school year to equal about one million words. This can be achieved with 15 minutes of reading per day. In a second language, students will not read as quickly. What is a reasonable goal for high school second language learners? More is better, but here is a reasonable schedule: Level 1: 10 minutes, twice a week times a week in class. Level 2: 15 minutes, three times a week in class. Level 3: 30 minutes, twice a week, plus 60 minutes a week outside of class. Level 4 & 5: 60 minutes once a week in class, 90 minutes outside of class.