Suggestions and patter for the Debbie Hepplewhite method of teaching print handwriting



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Suggestions and patter for the Debbie Hepplewhite method of teaching print handwriting Introduction It is recommended that a simple print handwriting style is taught first to all young learners alongside early phonics teaching rather than a style which includes lead-in strokes for later joined handwriting. Establish from the outset that you are teaching the print style of handwriting and that, when they are older, the children will be taught to join the letters for joined handwriting. Say that it is important to be able to print books are published in print and print is essential for such things as labels where the greatest clarity is needed. Ask where we use labels. Talk about fonts that is, different styles of letter shapes - as young learners will encounter a wide range of fonts in storybooks, environmental print and on computers. See Flashcards of Alphabet Letter Shapes in Different Fonts with suggestions for use which is available via the Free Resources page at www.phonicsinternational.com. Display an Alphabet Poster with capital (upper case) letters and lower case letters shown on writing lines and point out that: 1. These are all the letter shapes for writing in the English language. 2. In English writing, the capital letter shapes are used only for special reasons - like the first letter of special names of people and places and for the first letter of the first word beginning a sentence. 3. Words are generally written in the lower case letters unless there is a special reason such as words meant to be said very loudly like WATCH OUT! (in addition to beginning special names and beginning sentences). 4. The capital letters are code for the same sounds as lower case letters. So, for example, A is code for the /a/ sound as in Ann; a is code for the /a/ sound as in apple. The letters A and a are both code for the /a/ sound. 5. When practising letter shape formation, link with the first sounds that the letters are code for rather than letter names in the first instance: for example, Aa /a/ (as in apple), Bb /b/ (as in bat), Cc /k/ (as in cat) and so on. See below the patter chart for more suggestions about teaching related to the alphabet, alphabetical order, letter names and sounds.

The sub-skills for handwriting 1) Directionality: Very young learners can have great fun being taught about the directionality of letter formation and suitable activities can be provided for whole classes and groups of children, for example: playing games outdoors based on letter formation such as using paintbrushes to form letter shapes with water on the playground, and using sticks in sandpits forming letter shapes with art materials such as paints, chalks, play-dough, felt pens, various commercial games designed for learning letter formation large scale air writing making the letter shapes in the air with gross motor movements whilst saying the sounds linked to the letters, or in response to being supplied the sounds linked to the letters by the teacher (avoid facing the children and forming letter shapes backwards it is better to face the same way as the children and to form the letter shapes with exactly the same movements that the children need to make) writing on mini-whiteboards with dry-wipe markers (use narrow markers for small hands if possible) an extension of the activities above where it is possible to include the writing line to learn the letters positions on the line not just the shape of the letters Note that these games and activities engage the youngest learners but they are not a substitute for paper-and-pencil activities to practise smaller-sized letter formation. 2) Tripod pencil hold or grip: Very young learners can be taught to hold the pencil correctly from the earliest stages with lots of modelling, encouragement and kind persistent patience! Motivate with a beanbag frog that can sit on the children s table when they are trying very hard to remember to hold their pencil correctly. Say, Put your froggy legs [thumb and forefinger] on the bottom of the painted part of the pencil [not on the cone-shaped end part] with the pencil across the frog s back [back of the hand], then put the log under the frog [middle finger supporting the pencil to complete the tripod grip]. See www.blackberrycottageconsultancy.co.uk for beanbag frogs. Note that it is better to use normal-sized pencils than fatter pencils, as small hands are able to grip the narrower pencils more effectively. 3) Posture and paper position: Teach learners to sit with good posture at correct-height desks facing forwards to the front of the class wherever possible; to hold the writing implement with the correct tripod grip, slanting the paper slightly [right for righthanders, left for left-handers] and securing it with the spare hand and to write from beneath the words not above! Reinforce these conditions constantly in a kindly way and from one year to the next. School surveys of writing habits reveal that there is a high percentage of pupils who sit badly and hold pencils poorly, hooking their wrists around and writing above words and not beneath.

The print style lower case letters _a b c d e f g h i j k l m n o p q r s t u v w x y z_ The print style capital or upper case letters _A B C D E F G H I J K L M N O P Q R S T U V W X Y Z_ Capital letters are exactly the same style whether writing in print or joined handwriting. When writing capital letters, always start in the air. The Alphabet posters See www.debbiehepplewhitehandwriting.com for a wide range of free alphabet and handwriting resources to download. See www.cursivewriting.org to purchase the software for Debbie Hepplewhite s print and joined handwriting fonts to create resources for school purposes.

Suggested patter for lower case letters Letters Patter _c a d s g o qu_ Go to u for u formation _f_ [There are no tram lines with this method.] This is a half-height letter which sits on the line. There are six more letters which start exactly the same way. We can call them the curly /k/ letters. [Say /k/ for young beginners rather than see ]: Start between the writing lines slightly lower than half-height: Go up and over the hill from right to left, and curl around (to sit on the line). to catch the hook, then go straight down, and flick. to catch the hook, then keep going straight up (to just below the top writing line) to make a tall letter, then go straight down (to the bottom writing line), and flick. and over the hill from right to left. Curl around like a snake (which sits on the writing line). to catch the hook, then go straight down through the writing line. Curl to make a tail below the writing line from right to left. and over the hill from right to left, and curl right around to form a circle (which sits on the writing line). to catch the hook, then go straight down through the writing line. Loop at the bottom (from left to right) to make a small smile (but notice that it curls the opposite way round to the tail of the /g/). This is a tall letter and it starts off in the same way as the curly /k/ letters but higher up: Go up and over the hill from right to left then go straight down through the writing line. Curl to make a tail below the writing line from right to left (like the /g/). _l t h_ Go straight down to the bottom writing line and flick. Go straight down to the bottom line and flick. Take your pencil off. Cross the stick from left to right just above the half-way point. Go straight down to the bottom line. Go back up (to half-height) to form a full bridge, then flick.

_b k r n m p i j u y v w x_ Go straight down to the bottom line. Go back up (to half-height) to form half a bridge then curve to meet the bottom of the stick. Go straight down to the bottom line. Go back up (to half-height) to form half a bridge then turn it into a bow shape like this... [it s really like half a bow demonstrate a full bow shape with two loops and two tails and then rub out the left-hand side of the bow]. lines: Go straight down to the line: Go back up to form half a bridge. lines: Go straight down to the line: Go back up to form a full bridge, then flick. lines: Go straight down to the line. Go back up to form a full bridge. Then form another full bridge, then flick. lines: Go straight down through the writing line. Go straight back up to form half a bridge which curves round to form a bowl which sits on the writing line. lines: Go straight down to the line, then flick. Then take your pencil off and put a little dot above the stick. lines: Go straight down through the writing line. Curl to make a tail below the writing line from right to left (like the /g/ and the /f/). Then take your pencil off and put a little dot above the stick. lines: Go straight down and curl to form a bowl sitting on the writing line. Go back up to half-height, then straight back down to the writing line and flick. lines: Go straight down and curl to form a bowl sitting on the writing line. Go back up to half-height, then straight back down straight through the writing line. Curl to make a tail below the writing line from right to left (like the /g/, the /f/ and the /j/). lines: Form a single zigzag which sits on the writing line. lines: Form a double zigzag which sits on the writing line. lines: Form a diagonal line similar to the first line of the /v/. Take your pencil-point off and start on the bottom writing line to form a diagonal line up to half height which crosses the first line.

_z e_ lines: Form a short straight line across from left to right. Form a diagonal line back down to the line. Then form another short straight line across from left to right (which is along the bottom writing line). This is a half-height letter. Start a little bit lower than half-way between the writing lines: Set off from left to right. Sweep right around and continue as if you are forming the curly /k/ letter sitting on the writing line. More about teaching linked to the alphabet Teach alphabetical order and letter names by singing an alphabet song. Letter names help us to remember alphabetical order which is great for organising words in dictionaries and names in registers and, later, we can learn to help one another with spelling difficult words by saying the letter names of the letters in the words in order from beginning to end. [Note that using letter names in order is a spelling convention to relay any spelling accurately - BUT the proficient speller s actual SKILL is identifying the sounds all-through-the-spoken-word (oral segmenting) and then allotting graphemes (letters and letter groups) for each sound.] Explain that letter names are not needed for learning to read and spell. We need to link the sounds of speech with the letters and letter groups when learning to read and spell new words. _When writing on narrowly spaced lines in some exercise_books, the ascenders of letters may be relatively taller, and the descenders may be relatively longer, compared with the letter formation in the _generous spacing of the software programme provided by Rob and Carol Cockerham at: www.cursivewriting.org This is the spacing between lines for the print software when you underscore the print to create the writing lines. It is recommended that all teachers and supporting adults who write on boards and mark work should use the school s handwriting style consistently. If the pupils are infants and writing in print the adults write in print. If the pupils are at the stage of writing in joined writing, the adults should write in the school s joined handwriting.