STAS MIKHAYLOV - Technical rider (for PRIVAT PARTY). 1. PA SYSTEM. P.A. Professional quality, stereo multiway (4 - way) system with active crossovers, capable of delivering 110 db to every seat of the audience in a frequency range of 30Hz 18 khz. A at average level at the FOH Mix position, at full bandwidth audio and distortion-free evenly distributed through out the venue with front-fills and delays where needed with their own active crossovers. This front-, out-fills and delays should be from the same manufacturer as the P.A. system and will be rigged. The active crossovers will be placed at FOH position where possible. Must be proportional to Hall capacity, calculating a minimum of 20 W RMS x audience member for indoor venues and a minimum of 30 W RMS x audience member for outdoor venues. Minimum of 20 kw to 1000-seater hall and 60 kw to open-air show. IT S FOR PRIVAT PARTY ONLY (banquet rooms, small premises): Minimum of 6 kwt to any halls and 15kWt to open-air, for any number of people. PA. Accepted systems Meyer Sound (MILO, MICA), L-Acoustic (V-DOSC, KUDO, K-1), D&B, Turbosound, Adamson, Martin Audio, EAW, EV, JBL VRX, VerTec, NEXO Geo. Front-fill (2-4 ps.) (Always used) - system to cover the front rows of the audience. Accepted systems Meyer Sound (UPA-1P, UPJ, Melodie), L-Acoustic (ARCS), Nexo PS10, EV XLD Out-fill (4 ps.) - system to cover the outside rows of the audience. Accepted systems Meyer Sound (CQ 2), L-Acoustic (ARCS), Nexo PS15. Sub Accepted systems Meyer Sound (700 HP, 600 HP, M3Dsub), L-Acoustic 218sub, d&b B2, JBL VerTec Sub, NEXO Geo SUB. 2. F.O.H. FOH mixing desk: 40 mono Inputs + 4 stereo, 4 Matrix, min 16 aux busses (switch pre/post), 8 VCA groups, 8 audio groups, 8 mute groups. All input channels to feature 48V supply, inserts, tuneable highpass filter, 4 full band parametric EQ. Preferred: Yamaha PM5D-RH, M7CL; MIDAS Heritage 4000, 3000; Soundcraft Vi6, MH-4, MH-3; A&H ilive). Two (2) power supplies + UPS, talkback mic to stage, sufficient desk lights. The FOH Mix Console will be placed beetwen both sound systems (stereo) and in 2/3 of the venue, NEVER under balconies and always in the same level as the audience. If there is no area for the FOH Console, the Promoter will eliminate some seats oin order to have this console in a perfect position. EQ: four (4-6) channel 31ch graphic EQ (Klark Teknik DN 360, 370, XTA, DBX) (To use only for analogue consoles). Not to offer: BSS 960/930!!! Compressors: eight (8) channel compressor (Klark Teknik DN 504, DBX 166, 160A, BSS 402). Gates: six (6) channel gate (Drawmer 201, 404, Klark Teknik 514). Effect Hall 1 - Lexicon PCM 70, 81, 90; T.C. M3000, 2000, M-One (Always to use, and also for digital consoles). Effects Hall 2 & Hall 3 - T.C Mxxxx; Lexicon PCM xx; Yamaha SPX xxx. Effect Chorus - Yamaha SPX 990, 2000 (Always to use.) Except when it s used M7CL, PM5D.) Effect Delay - digital delay TC D-TWO (Only this model. Always to use.) Playback: CD-deck (CD/MD) SONY, TASCAM (inc. Auto-Pause or Auto-Ready). Cables: one (1) (2 meters) mic. XLR-XLR; one (1) long (30 meters) mic. XLR-XLR. Light: necessary wiring and rack lighting! Power: four (4) power outlet 230V / 16A / RCD 30mA. 3. MONITOR SYSTEMS Monitors: (ten) 8-10 wedges, Professional quality and bi-amped system 700-1200 Wt 15 +1,5 or 2x12 +1,5 : Martin Audio LE 700, Meyer Sound MJF 212, D&B, NEXO PS 15, JBL VRX915, EAW (Not to offer USM-1P; Turbosound in the lead-vox s lines of monitors). Side-fills: (L-Acoustics, Meyer Sound, Martin Audio, EAW, JBL) Professional quality and three-way system 3-5 kwt - per side 1 x SUB (2x18 ) + 3 ARCS (L-Acoustics) per side. In-ear monitors: five (5) systems, (Sennheiser ew300+iem G2, SHURE PCM 900+Е5), fresh ear foams.
5. Stage. Stage sise min. 8m x 6m x 0,8m high. Black cabinet. Riser drum 3m x 3m x 0,5m high. Carpet drum 3m x 2m. Carpet on position second line of monitors 1m x 2m!!! (see stage plot) Power: 4 (four) positions on stage (+FOH) (2-4) power outlets 230V / 16A / RCD 30mA as indicated on stage plot. All electrical installations have to follow electrical codes of Western European standards. 6. Microphones, DI-box and stands. Shure: one (1) Shure Beta 91(preferable) or Shure beta 52 or Audix D 6 (Kick) Shure: three (3) Shure SM57/Beta57 (snare, electric guitar) Shure: five (5) Shure SM 81 (ride, overheads) Sennheiser: three (3) Sennheiser E-604 or SHURE Beta 98 (toms) Shure: three (3) Shure SM 58/Beta58 (back vocals), Shure: one (1) Shure SM 58 (or analog) with switch (talkback) Di-box: eight (8) di-boxes BSS 133/116, Klark Teknik DN 100 with instrument cables (2m). Split-Box: four (4) for auxes 13-16 on the stage UHF microphone: two (2) Shure R Series, Shure BETA 87 Capsule incl. new/fresh batteries (originally packaged), two active directional antennas. Mic. Stands: eighteen (18) microphone stands, black, sizes as indicated by input list. Mic. Stands: two (2) microphone stands for UHF microphones. Music Stand: three (3) Music stands with light. 7. Backline 7.1. Drums Drums: Yamaha Maple Сastom Absolute, Tama Starclassic, Peace Cahuna. Kick: one (1) - 22 bass drum Toms: two (2) - 10 and 12 rack toms on the stand Floor toms: two (2) -14 and 16 floor toms with legs Snares: two (2) - 14 5 ½ snare drums Drum heads: Toms and kick equipped with NEW drum heads (Remo pinstripe), Snares equipped with NEW drum heads (Remo empreor) Stands: six (6) boom cymbal stands; one (1) Snare stands Hi-Hat stand: one (1) Hi-Hat stand high machine Drum throne: one (1) Drum throne Pedal: two (2) Tama Iron Cobra double pedal or DW 9000 double pedal or Pearl eliminator. Cimbals: Zildjian K custom, A custom, Masterwork custom, Sabian AAX. Ride: one (1) 20 Ride Crush: three (3) 16 Crash, 18 Crash, 19 Crash. China: one (1) 18 China Hi-Hat: two (2) 14 Hi-Hat, 13 Hi-Hat. Splash: one (1) 10-12 Splash Cowbell: one (1) LP Cowbell (holders on kick) Tambourine: one (1) Tambourine - drum set version with holder Mixer: one (1) - Mackie 1202 or analogue MIXER (min 8 ch.) Drum shield: Before drums it is necessary to establish Drum shield from plexiglas. 7.2. Percussion (maybe is no need call to F.O.H. engineer) (Professional series: LP, Meinl, Toca, Sonor). Timbales: set of two (2) timbales - 12 +13 or 13 +14 with stand. Bongos: set of two (2) bongos (latin percussion) with bongos stand Congas: Conga-set of two-three (2-3) congas with stand. Cymbals: two (2) 16 +18 Crash and one (1) 10-12 Splash Ice Bell: one (1) 8-10 Bell
Chimes: one (1) LP Concert Series Bar Chimes, Single Row, 36 Bars Table: one (1) percussion table (Latin percussion) Cymbal stands: three (3) boom cymbal stands Music Stand: one (1) Music stand with light Percussion takes place after band arrival, proceeding from the sizes of a stage. 7.3. Bass. Amplifier: one (1) - amplifier for bass guitar 800 1000 Watts (Ampeg, Gallien Krueger, SWR) Cabinets: (variant 1): one (1) - 8 X 10 Speaker Cabinet; (variant 2): one (1) - 1 x 15 Speaker Cabinet + one (1) - 4 X 10 Speaker Cabinet. Stand: one (1) - Ultimate Support bass guitar stand Cables: one (1) long (6m) instrument cable, one (1) short instrument cables for Di-box link. Power: two (2) power outlets 230V / 16A / RCD 30mA 7.4. Electric Guitar and Acoustic Guitar Combo: two (2) 50-100 Watts (preferable) Fender Hot Road Deluxe or DeVille, footswitch! One combo is used as a head; other is used as a cabinet offstage with long speaker cable (10m) Variation: one (1) - amplifier 100 Watts, Fender or Marshall (JCM 900, 2000 with footswitch!) and one (1) - 4 X 12 speaker cabinet (Marshall 1960) (long speaker cable, 10 meters) Stands: two (2) - guitar stands and one (1) Guitar Amp stand. Cables: two (2) long (6 meters) instrument cables, three (3) short instrument cables. Power: two (2) power outlets 230V / 16A / RCD 30mA 7.5. Keyboards. Instruments: one (1) Digital stage piano Roland RD-300 GX; 700 GX (only that s models); one (1) synthesizer Roland JUNO-DI (only this model) Stands: two (2) double keyboard stands, X-Type Mixer: one (1) small-size mixing console (min 10 mono-inputs chan. or 4 mono + 3 stereo) Master mix (stereo) sent to in-ear monitor (2-nd of 5) + powered wedge on stand (from aux) Power: four (4) power outlets 230V / 16A / RCD 30mA Cables: twelve (12) (2 meters) short instrument cables. 7.6. Leadvocal. Stand: one (1) high stand for acoustic guitar Cable: one (1) long (6 meters) instrument cable 8. Personnel Engineer: one (1) sound engineer for FOH assistant. Engineer: one (1) system engineer for PA system assistant. Technicians: two (2) sound technicians for stage. Technicians: two (2) technicians backline for stage. 9. Note All personnel is to be rested and available at all times to the technical crew of artist. All personnel is to follow the instructions of the technical crew of the artist. Mixing desk is only to be used for Stas Mikhaylov if not agreed upon otherwise. UHF microphones and In-Ear systems are of exclusive use to Stas Mikhaylov & Band. Sound Engineer comes on a platform for 7 hours prior to the beginning of a concert. Full readiness of equipment should be ready to arrival of sound producers for 7 hours prior to the beginning of a concert. The wide convenient ladder for an exit of the actor in a hall and an input on a scene of people with colors is necessary in the center before a scene. You can always find new technical rider of band on a page: www.33music.ru/rider.htm F.O.H. Engineer Latyshev Vladimir, phone: +7 (925) 507-73-07 (5077307@mail.ru) (He speaks only Russian Oops! :))))
Stas Mikhaylov - Input list F.O.H. Instruments Mic, Di-Box Stands Inserts 1 KICK SHURE BETA 91!!! SMALL Сompressor, Gate 2 SNARE (TOP) SHURE SM 57 TALL Сompressor, Gate 3 SNARE (BOTTOM) SHURE BETA 57 SMALL Gate 4 Hi-HAT SHURE SM 81 TALL 5 RACK TOM 1&2 Sennheiser E-604, SHURE beta 98 CLIPS Gate 6 FLOOR TOM 1 Sennheiser E-604, SHURE beta 98 CLIPS Gate 7 FLOOR TOM 2 Sennheiser E-604, SHURE beta 98 CLIPS Gate 8 RIDE SHURE SM 81 TALL 9 OH L SHURE SM 81 TALL 10 OH R SHURE SM 81 TALL 11 BASS DI-BOX Сompressor 12 El. GUITAR SHURE SM 57 TALL 13 Ac. GUITAR DI-BOX Сompressor 14 12-string GUITAR DI-BOX (In the scene centre) Compressor 15/16 KEY 1 L/R DI-BOX 17/18 KEY 2 L/R DI-BOX 19/20 KEY 3 L/R DI-BOX 21 BACK VOX 1 SHURE SM 58, BETA 58 22 BACK VOX 2 SHURE SM 58, BETA 58 23 BACK VOX 3 SHURE SM 58, BETA 58 24 Talkback 25-28 Reserved (on FOH) 29 R 1 (Lead Vox) Wireless mic SHURE Beta 87A TALL 30 R 2 (Spare mic) Wireless mic SHURE Beta 87A TALL 31 Return from Group 1 To use only for analogue consoles 32 Return from Group 2 To use only for analogue consoles Compressor 33 DELAY Tap -pedal!!! TC D-TWO Always to use! 34 Return from Group 3 To use only for analogue consoles Compressor 35 Percussion LOW SHURE SM 57 TALL 36 Percussion LOW SHURE SM 57 TALL 37 Percussion OH SHURE SM 81 (condenser) TALL 38 Percussion OH SHURE SM 81 (condenser) TALL 39/40 CD-deck L/R Prof. Auto-ready function 41 Return from AUX 2 Always to use! Compressor Stereo 1 HALL 1 TC M3000/ PCM xx - (Always to use.) Stereo 2 HALL 2 TC/ SPX xxx - (In digital consoles to use internal effects) Stereo 3 CHORUS SPX 990, SPX 2000 - (Always to use. Except when it s used M7CL, PM5D.) Stereo 4 HALL 3 TC Mxxxx/ Lexicon - (In digital consoles to use internal effects) OUTPUTS Aux 1 STAS (front) Aux 9 Back mix 1 / In-Ear 3 L Aux 13 Hall 1 (TC M3000) Aux 2 sent to ch. 41 Aux 10 Back mix 2 / In-Ear 3 R Aux 14 Hall 2 Aux 3 Side Fills Aux 11 Back mix 3 / In-Ear 4 L Aux 15 Chorus (SPX 990) Aux 4 Bass / wedge Aux 12 Back mix 4 / In-Ear 4 R Aux 16 Delay (TC D-TWO) Aux 5 Drums / wedge Aux 13 split to Key&Drum mixers /ch.1 Matrix 1&2 P.A. L&R Aux 6 Back Vocal / wedge Aux 14 split to Key&Drum mixers /ch.2 Matrix 3 - Subs Aux 7 Guit / In-Ear 1 Aux 15 split to Key&Drum mixers /ch.3 Matrix 4 Front-fills Aux 8 to Drum mixer only (ch.5) Aux 16 split to Key&Drum mixers /ch.4 Matrix 5&6 Out-fills L&R!!! Master (L+R) Key-mixer sent to In-Ear 2. AUX 13-16 split and sent to Key and Drum mixers.
Side F. Aux 3 1 1 1 1 1 1 29 30 Side F. Aux 3 FOH DESK SENDS AUX 13-16 AUX 13-16; 8 6 23 22 21 14 KEY KEY 2, 2, 33 15-20 Key 4 KEY MIXER Drum shield Powered wedge on stand 13 4 DRUMS 1-10 ch. 12 EL.G Head 11 BASS Combo DRUM MIXER 5 Send to In-Ear 2 (stereo) from key-mixer Add. Mic: Kick + Overhead EL.G Cabinet TO EL. GUITAR s CABINET (offstage) Aux 13-16, 8 (from FOH) 1 Monitor lines 3, 6, 13; Control wedges, Key s powered wedge 29 Microphone lines 1-38 (microphones, di-boxes) G 1 Combos: (Bass, Guitar); small-size mixing consoles (drums, keys) Power: 4 (four) positions on stage (3-4) power outlets 230V / 16A / RCD 30mA Riser for Drums = 3m x 3m x 0,6m (with carpet). Carpet on position monitors first mix 1m x 2m!!!