ALEX KUZNETSOV VISUAL ATTRACTIONS



Similar documents
Note concernant votre accord de souscription au service «Trusted Certificate Service» (TCS)

Personnalisez votre intérieur avec les revêtements imprimés ALYOS design

Future Entreprise. Jean-Dominique Meunier NEM Executive Director Nov. 23, 2009 FIA Stockholm

"Internationalization vs. Localization: The Translation of Videogame Advertising"

Proposition d intervention

L enseignement de la langue anglaise en Algérie; Evaluation de certains aspects de la réforme scolaire de 2003

International Diversification and Exchange Rates Risk. Summary

The Premium Review. 7 December 2006

Reena Spaulings. Galerie. Chantal Crousel

Level 3 French, 2015

Archived Content. Contenu archivé

AgroMarketDay. Research Application Summary pp: Abstract

Introduction au BIM. ESEB Seyssinet-Pariset Economie de la construction contact@eseb.fr

Archived Content. Contenu archivé

Archived Content. Contenu archivé

JEAN- FRANÇOIS LEPAGE

Archived Content. Contenu archivé

Archived Content. Contenu archivé

Post-Secondary Opportunities For Student-Athletes / Opportunités post-secondaire pour les étudiantathlètes

LOGIC.IMMO.COM COMMERCIAL DISPLAY DOUBLE BOX STAND

Il est repris ci-dessous sans aucune complétude - quelques éléments de cet article, dont il est fait des citations (texte entre guillemets).

Skills for Sustainability: Green Building accredited professionals networks in Europe

design guide nightlife flair

Sun Management Center Change Manager Release Notes

Measuring Policing Complexity: A Research Based Agenda

DHI a.s. Na Vrsich 51490/5, , Prague 10, Czech Republic ( t.metelka@dhi.cz, z.svitak@dhi.cz )

Einy Yearbook Volume V Spring 2014

for Pleasure/LRC English: vocabulary groups (animal sounds) Grammar practice Studio Grammaire page 116 exs 2 & 3

First-half 2012 Results. August 29 th, Jean-Paul AGON. Chairman and CEO

Archived Content. Contenu archivé

CORPORATE PROFILE. European leader of fully automated packshot creation solutions. Packshot creation. 360 Product Animation. 3D Product Animation

Archived Content. Contenu archivé

"Templating as a Strategy for Translating Official Documents from Spanish to English"

Press packet. Paintings Joan Mitchell August 23- October 31, 2009

CSS : petits compléments

Level 2 French, 2014

3rd Geography of Innovation Conference Session 3.2: Open innovation in third places: which models in China

Langages Orientés Objet Java

Survey on use of Taser International 21ft cartridges

Survey on Conference Services provided by the United Nations Office at Geneva

This document is a preview generated by EVS

Codiac Cyclones. Atlantic Canadian Short Track Championship. presents. Centre Arthur J. LeBlanc Centre 432 Ch. Melanson Road, Dieppe, NB


Web - Travaux Pratiques 1

ANGLAIS BEP TERTIAIRE TOUTES SECTIONS

I will explain to you in English why everything from now on will be in French

Fondation Rennes 1. Atelier de l innovation. Fondation Rennes 1. Fondation Rennes 1 MANAGEMENT AGILE. Fondation Rennes 1 ET INNOVATION

"Simultaneous Consecutive Interpreting: A New Technique Put to the Test"

Section des Unités de recherche. Evaluation report. Research unit : Troubles du comportement alimentaire de l adolescent. University Paris 11

TABLECLOTHS TEMPLATES

CAMÉRAS EMCCD POUR LA QUANTIFICATION DE FLUORESCENCE IN VIVO

KENNETH NOLAND MYSTERIES: FULL CIRCLE OCTOBER 5 DECEMBER 8, GRANT AVE, SANTA FE, NEW MEXICO

EPREUVE D EXPRESSION ORALE. SAVOIR et SAVOIR-FAIRE

Engineering Political Science

General Certificate of Education Advanced Level Examination June 2012

10 mistakes not to make in France!

We are pleased to present you with detailed instructions on processing your visa application with us. Within this information pack you will find:

A GREEN PARADISE AT THE GATES OF LISBON UN PARADIS VERT AUX PORTES DE LISBONNE

CERN EUROPEAN ORGANIZATION FOR NUCLEAR RESEARCH

Account Manager H/F - CDI - France

muriel leray 02/

Lesson 2. Une Promenade... (Disc 1, Track 3)

Liste d'adresses URL

Méthodes ensemblistes pour une localisation robuste de robots sous-marins

Operation Instructions PowerCool Series

GD1125 Introduction to Photography: Class Overview

ENABLING OBJECTIVE AND TEACHING POINTS. DRILL: TIME: One 30 minutes period. 6. METHOD/APPROACH: a. demonstration; and. b. performance.

Sun StorEdge A5000 Installation Guide

Report to Rapport au: Council Conseil 9 December 2015 / 9 décembre Submitted on October 26, 2015 Soumis le 26 octobre 2015

This document is a preview generated by EVS

REVOCABILITY. Contact: Lars MEINHARDT, Telephone:(32-2) ,

Solaris 10 Documentation README

ref. 6 Young 2G Accès d angle à 2 portes pivotantes / Corner entry enclosure, 2 hinged doors

FOR TEACHERS ONLY The University of the State of New York

Archived Content. Contenu archivé

P420. GORAN TRBULJAK GT: monogram, monograph, monochrome, monologue... from 23/01/2014 to 29/03/14 P420

[ dessins, collages, illustrations, etcetera ]

Reconstruction d un modèle géométrique à partir d un maillage 3D issu d un scanner surfacique

«Object-Oriented Multi-Methods in Cecil» Craig Chambers (Cours IFT6310, H08)

Enterprise Risk Management & Board members. GUBERNA Alumni Event June 19 th 2014 Prepared by Gaëtan LEFEVRE

Évariste Galois and Solvable Permutation Groups

PHILIPPE VAN SNICK ALLIES / THE ARCHIVE REVISITED

A Lean journey. Presented at the APEX symposium May 27, Jennifer Little Transport Canada. France Bergeron Alpen Path Solutions Inc.

Technical Service Bulletin

Transcription:

ALEX KUZNETSOV VISUAL ATTRACTIONS

ALEX KUZNETSOV VISUAL ATTRACTIONS @ Speerstra Gallery, Switzerland

Published in 2015 by Alex Kuznetsov & Speerstra Gallery. 2015 Alex Kuznetsov & Willem Speerstra. All right reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without prior permission in writing from the publisher. моим родителям Design & editing: Alex Kuznetsov. Photographs: Alex Kuznetsov, Anna Belyakova. Alex Kuznetsov represented in Switzerland by: Speerstra Gallery Chemin des Cerisiers 1, 1183 Bursins, Switzerland +41 (0) 21 824 20 10 www.speerstra.net Alex Kuznetsov represented in Russia by: MSK Eastside Gallery Perevedenovskiy per., 18, 105082 Moscow, Russia +7 499 763 35 90 www.mskeastside.com Artist s studio: Kutuzovskiy ave. 12/3, 121323 Moscow, Russia contact@alexkuznetsov.org www.alexkuznetsov.org Printed in Italy.

CONTENTS Artist Studio Canvas Reflections Paper Show 11 19 33 89 109 137

ARTIST

EXHIBITIONS / PROJECTS visual attractions, speerstra gallery, bursins, switzerland idroom project @ windsor hotel, geneva, switzerland private view @ 3.14 project, moscow, russia new wave uncut, msk eastside gallery, moscow, russia metalism, solo show, msk eastside gallery, moscow, russia art residency, distil ennui studio, london, uk urbanism group show, museum moscow, moscow, russia absolut heart, absolut artist collaboration, moscow russia sole soul, adidas, moscow, russia a major minority, 1amsf gallery, san francisco, usa abstract spray painting, montana gallery, barcelona, spain abstractism speerstra gallery, bursins, switzerland Alex Kuznetsov (b. 1978) - contemporary artist lives and works in Moscow, Russia. st.art 2013, art to be gallery, contemporary art fair, strasbourg, france street art / graffiti career 1998-2010 just write my name, paint methods, faces & laces, mural art 1 / the book, write for gold, national palace of art / belarus, winzavod contemporary art centre, tretyakovskaya gallery, 27 addicts / the book, meeting of styles intl., graffiti world: street art from five continents / the book, true stilo magazine / founder artist s paintings in private collections in switzerland, france, monaco, belgium, spain, germany, uk, usa, russia, belarus

PROLOGUE Toujours emprunt d une énergie qu il puise dans ses racines graffiti, Alex Kuznetsov abandonne ici ses bombes de peintures pour une technique plus raffinée, moins vaporeuse. La peinture acrylique étalée délicatement au couteau, fusionnée dans un nuancier de couleurs très large, laisse deviner une évidente sensibilité de Kuznetsov pour une calligraphie réinterprétée. Instinctivement, c est vers une abstraction la plus résolue que l artiste s est désormais engagé : N essayez pas de trouver les images nous conseillet il. Au spectateur le plus averti, il propose ainsi de se plonger dans la matière, texturisée, empâtée, mais aussi dans la couleur, savamment élaborée, et de saisir dans cet ensemble toute une palette d émotions. La peinture d Alex Kuznetsov obsède par ce délicat dynamisme, par cette maîtrise absolue des reliefs et des profondeurs. Assurément, l artiste considère le procédé au même titre que le résultat, à la fois fondamental et signifiant. Détaché de toute référence à la réalité, le travail d Alex Kuznetsov offre une nouvelle dimension esthétique qui invite à la contemplation, la méditation. Avec Visual Attractions, Alex Kuznetsov s affirme dans une démarche de recherche permanente d un équilibre parfait reposant sur une savante équation entre la composition, les couleurs, la matière et bien sûr le mouvement, clé de voûte de son entière production. STATEMENT Alex Kuznetsov put s aside his spray paints for a more sophisticated and less vaporous technique. Acrylic paint is softly spread with tools, the works now becomes a wide chart of colours. It seems obvious thats Kuznetsov s sensibility for calligraphy which comes from his graffiti background and is visible in this new series. Instinctively, it is towards a more resolute abstraction that the artist is now engaged and tells us: «do not try to find any images» there are none and suggests us to look deeper into the texturised, thickened, colourful and skilfully mixed pallet of his feelings. Kuznetsov paintings are obsessed by delicate dynamism with a total control on the canvas reliefs and depths. Undoubtedly, the artist considers the process in the same way as the result, at the same time fundamental and significant. Without any reference to the reality, the work of Alex Kuznetsov offers a new aesthetic dimension which invites us into contemplation and meditation. With «Visual Attractions», Alex Kuznetsov asserts himself in an approach of permanent research for a perfect based on a scholar equation between the composition, the colours, the material and of course the movement, keystone of its whole production. Gallery Speerstra, September 2015 Gallery Speerstra, September 2015

STUDIO MOSCOW, 2012-2015

Artist s studio based close to the city centre at the former 19th century beer factory, half abandoned and in ruins for the last ten years. Two floors of a rye drying chamber, now used as a living and working space and just behind the wall to the oldest and most famous night clubs in Moscow. A mixture of luxury, seduction and destruction, noisy weekends and emptiness in all other days. Shadows and lights melted in colors. 22 studio

CANVASES

CHAOS THEORY, 2015 signed and dated on the reverse acrylic on canvas 120 by 100 cm; 47 ¼ by 39 3/8 in 34 canvas canvas 35

36 canvas canvas 37

38 canvas canvas 39

40 canvas canvas 41

SPACECRAFT, 2015 signed and dated on the reverse acrylic on canvas 120 by 100 cm; 47 ¼ by 39 3/8 in 42 canvas canvas 43

44 canvas canvas 45

46 canvas canvas 47

ANABOLISM, 2015 signed and dated on the reverse acrylic on canvas 100 by 80 cm; 39 3/8 by 31½ in 48 canvas canvas 49

50 canvas canvas 51

54 canvas canvas 55

BEAUTY OF WINTER, 2015 signed and dated on the reverse acrylic on canvas 50 by 40 cm; 19 11/16 by 15 ¾ in INDIAN SUMMER, 2015 signed and dated on the reverse acrylic on canvas 50 by 40 cm; 19 11/16 by 15 ¾ in 56 canvas canvas 57

HEAT ISLAND, 2015 signed and dated on the reverse acrylic on canvas 50 by 40 cm; 19 11/16 by 15 ¾ in 58 canvas canvas 59

60 canvas canvas 61

RAINBOW OF HOPE, 2015 signed and dated on the reverse acrylic on canvas 80 by 60 cm; 31½ by 23 5/8 in 62 canvas canvas 63

NATURAL PHENOMENA, 2015 signed and dated on the reverse acrylic on canvas 80 by 60 cm; 31½ by 23 5/8 in 64 canvas canvas 65

66 canvas

INNOSCENT, 2015 signed and dated on the reverse acrylic on canvas 100 by 80 cm; 39 3/8 by 31½ in 68 canvas canvas 69

70 canvas canvas 71

FUNDAMENTAL, 2015 signed and dated on the reverse acrylic on canvas 140 by 100 cm; 55 1/8 by 39 3/8 in 72 canvas

74 canvas canvas 75

76 canvas canvas 77

78 canvas canvas 79

ICEBALL, 2015 signed and dated on the reverse acrylic on canvas 30 by 30 cm; 11 13/16 by 11 13/16 in GREEN, 2015 signed and dated on the reverse acrylic on canvas 30 by 30 cm; 11 13/16 by 11 13/16 in 80 canvas canvas 81

82 canvas canvas 83

STRIPED, 2015 signed and dated on the reverse acrylic on canvas 30 by 30 cm; 11 13/16 by 11 13/16 in ALL WE NEED IS, 2015 signed and dated on the reverse acrylic on canvas 30 by 30 cm; 11 13/16 by 11 13/16 in 84 canvas canvas 85

86 canvas canvas 87

REFLE CTIONS

BLADE RUNNER, 2015 signed and dated on front acrylic on reflective paper 65 by 50 cm; 25 19/32 by 19 11/16 in 90 reflections reflections 91

92 reflections reflections 93

SHINE, 2015 signed and dated on front acrylic on reflective paper 65 by 50 cm; 25 19/32 by 19 11/16 in 94 reflections reflections 95

96 reflections reflections 97

PINK COMET, 2015 signed and dated on front acrylic on reflective paper 65 by 50 cm; 25 19/32 by 19 11/16 in 98 reflections reflections 99

100 reflections reflections 101

GENERAL, 2015 signed and dated on front acrylic on reflective paper 65 by 50 cm; 25 19/32 by 19 11/16 in 102 reflections reflections 103

104 canvas canvas 105

106 canvas canvas 107

PAPER

110 paper paper 111

DIN 303/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in DIN 312/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in 112 paper paper 113

DIN 304/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in DIN 306/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in 114 paper paper 115

DIN 308/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in DIN 316/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in 116 paper paper 117

DIN 313/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in DIN 332/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in 118 paper paper 119

DIN 309/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in DIN 317/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in 120 paper paper 121

DIN 315/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in DIN 333/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in 122 paper paper 123

DIN 310/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in DIN 311/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in 124 paper paper 125

DIN 318/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in DIN 320/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in 126 paper paper 127

DIN 324/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in DIN 334/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in 128 paper paper 129

DIN 319/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in DIN 326/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in 130 paper paper 131

DIN 329/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in DIN 323/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in 132 paper paper 133

DIN 336/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in DIN 326/2015, signed and dated 2015 on front, named on the reverse acrylic on paper 29.7 by 21 cm; 11¾ by 8¼ in 134 paper paper 135

SHOW GALLERY SPEERSTRA, SWITZERLAND, SEPTEMBER 2015

138 canvas canvas 139

140 exposition exposition 141

142 exposition exposition 143

144 show show 145

146 canvas canvas 147

Alex Kuznetsov (b. 1978) - contemporary artist lives and works in Moscow, Russia.