Bachelor of Arts, magna cum laude, English and Fine Arts, Vanderbilt University, May 2000

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1 Catherine Walsh Art Department, Station 6400 University of Montevallo Montevallo, AL Tel Education Ph.D., History of Art and Architecture, Boston University, May 2015 Advisor: Professor Jodi Cranston Dissertation: Renaissance Landscapes and the Figuration of Giambologna s Appennino: An Ecocritical Analysis Master of Arts, Art History, Boston University, May 2002 Bachelor of Arts, magna cum laude, English and Fine Arts, Vanderbilt University, May 2000 Teaching Experience University of Montevallo, Montevallo, AL Assistant Professor, Instructor (tenure-track), Visiting Scholar, Adjunct Instructor, Courses taught: Special Topics in Art History: Landscape History and/as Digital Art History, Spring 2016 Special Topics in Art History: Collections Management (ART 327), Spring 2014, Fall 2014 Special Topics in Art History: Garden Sculpture (ART 327), Spring 2013 Special Topics in Art History: Myths of the Artist (ART 327), Spring 2012 Directed Study (ART 408), Fall 2011, Spring 2012, Fall 2012, Fall 2014, Spring 2015, Fall 2015 History of Ancient Art (ART 301), Spring 2012, Spring 2014, Spring 2016 History of Medieval Art (ART 302), Fall 2012, Spring 2015 History of Renaissance Art (ART 402), Fall 2011, Spring 2013, Spring 2015 History of 17 th- and 18 th -century Art (ART 305), Fall 2011, Fall 2013, Fall 2015 History of Art I: Prehistoric to Medieval Art (ART 218), every semester History of Art II: Renaissance to Contemporary Art (ART 219), Spring 2010, Fall 2011 Art Awareness, (ART 100), Fall 2010 University of Alabama-Birmingham, Birmingham, AL Adjunct Instructor, 2010 Survey of Art History II (Renaissance Modern) (ARH 204), Fall 2010 The Art Experience (ARH 101), Fall 2010 Boston University, Boston, MA Instructor, Introduction to Art History II: Renaissance to Today (AH 112), Summer 2008; Summer 2007 Writing Fellow Myths of the Artist from Apelles to Picasso (WR 150), Writing and research seminar, Spring 2008

2 The Reinvention of Myth in the Visual Culture of the Italian Renaissance (WR100), Writing seminar, Fall 2007 Teaching Fellow, Introduction to Art History (AH 111, AH 112), , Boston College, Chestnut Hill, MA Instructor, Early Renaissance Art in Italy (FA 231), Fall 2007 Suffolk University, Boston, MA Adjunct Instructor Women, Art, and Society (HUM 321-A and HUM 321-B), Spring 2008 Art of the Italian Renaissance (HUM 307-A), Summer 2007 Art of the Baroque and Rococo (HUM 308), Summer 2006 Emmanuel College, Boston, MA Instructor, Survey of Western Art (ART 6201), Summer 2006 Auburn University, Auburn, AL Lecturer, Auburn University Academy of Lifelong Learners (AUALL) Italian Renaissance Masters, Fall 2005 The Art of Collecting: American Collectors of the 19 th and 20 th Centuries, Spring 2004 Museum Experience Research Intern, Rivals in Renaissance Venice: Titian, Tintoretto, Veronese, Art of Europe, Museum of Fine Arts, Boston (Boston, MA), August 2006 October 2007 Curator of Exhibitions and Registrar, The Jule Collins Smith Museum of Fine Art at Auburn University (Auburn, AL), December 2002 July 2005 Gallery Assistant, Boston University Art Gallery (Boston, MA), September 2001 May 2002 Curatorial Intern, Isabella Stewart Gardner Museum (Boston, MA), May 2001 August 2001 Gallery Intern, Sarratt Gallery at Vanderbilt University (Nashville, TN), August 1999 May 2000 Grants, Fellowships, and Honors Mellon Fellowship in the Digital Humanities, Villa I Tatti, The Harvard University Center for Italian Renaissance Studies, January June, 2017 Montevallo Information Literacy Innovator Award, 2016 (in recognition of outstanding contributions to the QEP) Research and Creative Projects Grant, University of Montevallo, (grant to support Mapping Sculpture) Participant, Beyond the Digitized Slide Library, Getty/UCLA Digital Art History Institute, July-August 2014

3 Illuminate Grant, University of Montevallo, 2014 The Critical Language of Art: Looking at Delacroix (visit to Birmingham Museum of Art for about 50 Art Department students; focus on information literacy of visual art) Investigator(s): Catherine Walsh, Michael Willett, Misty Bennett Research and Creative Projects Grant, University of Montevallo, (grant to research the topic Landscapes in Renaissance Sculptures: The Image Made by Chance and the Engaged Beholder in Italian Gardens ) Research and Creative Projects Grant, University of Montevallo, (grant to research the topic Botany and Sculpture in Medici Gardens at the Hunt Institute for Botanical Documentation, Pittsburgh, PA) Graduate Research Abroad Fellowship (GRAF), Boston University Graduate School of Arts and Sciences, 2010 calendar year (fellowship for dissertation research in Florence, Italy) Traveling Scholar, Boston University Graduate School of Arts and Sciences, Fall 2010 Graduate Writing Fellowship, Boston University Writing Center, Teaching Fellowship, Boston University Art History, Department, , Graduate Assistant Fellowship and scholarship, Boston University Art History Department, Publications Manuscripts in preparation: Figuring the Landscape: Giant Sculptures and Artistic Competition in Sixteenth-Century Italy Ambivalent Appennino: The Damage of Nature at Pratolino Making Digital Art History: Teaching Art Cataloguing through University Collections Digital map and website in development: Mapping Sculpture Book project: The Nature of Renaissance Art: Ecologies of Substances and Subjects Conferences and Papers Co-Chair, Visualizing the Early Modern World in Digital Space and Time, Sixteenth-Century Society Conference, Bruges, Belgium, August 2016

4 Co-Chair, Monstrous Things, two sessions, Renaissance Society of America Conference, Boston, March 2016 (accepted) Chair, Mapping Diasporas, Digitorium, University of Alabama Conference on the Digital Humanities, March 2016 Environmental Disruptions in Renaissance Sculpture: Mapping Origins and Destinations of Marble, Stalactites, and other Materials, Sixteenth-Century Society Conference, Vancouver, Canada, October 2015 Panelist, What are the Digital Humanities? Digital Boston University, October 2015 Landscapes in the Figure: Generative Damage in Giambologna s Appennino, Renaissance Society of America Conference, Berlin, Germany, March 2015 Flowers, Fossils, and other Fragments as Marks of Time in Renaissance Sculptures, Sixteenth Century Society Conference, New Orleans, October 2014 Landscapes in Renaissance Sculptures: The Image Made by Chance and the Engaged Beholder in Italian Gardens, Faculty Research Symposium, University of Montevallo, March 2014 Chair, Taking Art Apart, Southeastern College Art Conference, Durham, NC, October 2012 Displacement and Figuration in Giambologna s Appennino, University of British Columbia Art History Graduate Symposium, Vancouver, Canada, March 2012 Chair, Landscape and Human Culture, Session II, Southeastern College Art Conference, Savannah, GA, November 2011 The Transformative Landscapes of Giambologna s Appennino, Southeastern College Art Conference, Savannah, GA, November 2011 The Renaissance Mountain Landscape and the Image Made by Chance on Giambologna s Appennino, UVA Graduate Student Symposium in Art History, March 2011 Giambologna s Appennino: Landscapes and (Dis)figuration, Graduate Association of French and Italian Studies (GAFIS) Symposium, University of Wisconsin-Madison, April 2010 Displaced Ecologies and the Pastoral in Giambologna s Appennino, Southeastern College Art Conference, Mobile, AL, October 2009 Member of abstract selection committee, Boston University Graduate Student Symposium on the History of Art, , Moderator, Damage, The 24 th Annual Boston University Graduate Student Symposium on the History of Art, March 28-29, 2008, Museum of Fine Arts, Boston Moderator, Heist, The 23 rd Annual Boston University Graduate Student Symposium on the History of Art, March 23-24, 2007, Museum of Fine Arts, Boston

5 Professional Service and Affiliations Coordinator: Visual Resource Collection, University of Montevallo; Martha Allen Lecture Series, Art Department, University of Montevallo Concert and Lecture Committee Grant, University of Montevallo, 2014 Lecture, "Beyond the 'Shingle Factory': The Armory Show in the Popular Press after 1913, Dr. Melissa Renn, Senior Curatorial Associate, Harvard Art Museums, April 2014 Concert and Lecture Committee Grant, University of Montevallo, 2013 Lecture and panel discussion, Photography and the Civil Rights Movement, Jessica Dallow, Ph.D., Jonathan Purvis, and Wilson Fallon, Ph.D., October 2013 Committee service at the University of Montevallo: University -- Faculty Senate; University Writing Committee; Institutional Effectiveness Committee; Faculty Salary Committee; ad hoc committee for studying faculty workload; ad hoc committee for developing thematic program for the Freshman Experience College of Fine Arts -- Art History Major development committee; Arts Administration Minor development committee Art Department -- Public Relations committee; Library liaison Search committees: for JCSMFA director position, October 2003 May 2004; for JCSMFA K-12 education curator position, June - October 2003 Reviewer: Proceedings of the National Conference on Undergraduate Research, 2013 Member: College Art Association; Society of Architectural Historians, Landscape History Chapter; Renaissance Society of America; Sixteenth-Century Society and Conference; Italian Art Society Community Service European Art Society, Birmingham Museum of Art, Alabama Invited lecture, High Renaissance Italian Painting: Leonardo and Michelangelo, Thompson High School, Alabaster, Alabama, 9 th grade world history classes, September 6, 2011 Languages Spanish, Italian, French (basic reading), German (basic reading)