1. Technical Terms: a) Nada b) Sruti c) Swaras d) Swarasthanas e) Sathayi
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1 SCHOOL OF DISTANCE EDUCATIN ANDHRA UNIVERSITY 1 st YEAR DIPLOMA IN (MUSIC) SYLLABUS (BOS approved and modified syllabus to be implemented from the admitted Batch ) Theory Paper I : Technical aspects of South Indian Classical Music 1. Technical Terms: a) Nada b) Sruti c) Swaras d) Swarasthanas e) Sathayi 2. Tala System: Sapta Talas, 35 Talas, Tala Dasa Prans, Chapu Tala Varieties Desadi and Madhyadi Talas 3. Musical Forms and their Lakshnas: Gitam, Varnam, Kritis, Kirtana, Padam, Ragamalika, Jasti Swaram, Swarajati, Tillana and Javali. 4. Lakshanas and Sancharas of the following Ragas: A a) Todi, b) Mayamalavagoula, c) Bhairavi, d) Kambhoji, e) Sankarabharanam f) Kalyani, g) Kharaharapriya, h) Mohana, i) Madhyamavathi j) Bilahari B. a) Dhanyasi, b) Saveri e)vasanta d) HIndola e) Ananda Bhairavi f) Mukhari g) Kanada h) Khamas i) Begada j) Poorikalyani Paper II : Theoretical Aspects of South Indian Classical Music 1. Raaga and raga Lakshanam: a) Definition and Classification of ragas. b) Study of 13 Lakshanas c) ragalapana Padhathi 2. Musical Instruments and their classification 3. Special study of Tambura, Veena, Violin, Flute, Nagaswaram and Mridangam. 4. Characteristics of a composer. 5. Short biographical sketches of the following: a) Jayadeva b) Annamayya, c) Purandhara Dasa d) Narayana Tirtha e) Ramadasa f) Kshetrayya.
2 Practical (First year) Paper III (Practical I) Fundamentals of Classical Music 1. a. Saraliswaras 6 b. Janta swaras 8 c. Alankaras 7 2. Gitas - 7 (Two Pillari Gitas, Two Ghanaraga Gitas, one Dhruva and one Lakshana gitam) 3. One Swarapallavi and one Swarajati 4. Five Adi Tala Varnas. Paper IV (Practical II): Kritis and other compositions Kritis 2. One Tarangam 3. Two Divyanama Kirtanas 4. Two Annamacharya Sankeertanas 5. Alapana and Swarakalpana Sankarabharanam, Kalyani, Kambhoji, Kharaharapriya and Mohana. ***
3 SCHOOL OF DISTANCE EDUCATIN ANDHRA UNIVERSITY 2 nd YEAR DIPLOMA IN (MUSIC SYLLABUS (BOS approved and modified syllabus to be implemented from the admitted Batch ) Theory Paper I : Technical and theoretical aspects of South Indian Music 1. Knowledge of South Indian notation and notating a Kriti Srutis 3. Grama Murchana Jati System 4. Contemporary music 5. Raga Lakshanas : A. 1. Yadukula Kambhoji 2. Athana 3. Kedaragoula 4. Saranga 5. ritigoula 6. Darbar 7. Natakuranji 8. Sriranjani 9. Chakravakam 10. Pantuvarali B. 1. Asaveri 2. Goula 3. Sri 4. Harikambhoji 5. Devagandhari 6 Hamsadhvani 7. Kedara 8. Nata 9. Sahana 10. Surati Paper II : Scientific and theoretical aspects of South Indian Music 1. Acoustics: a. Vibration of strings b. Sympathetic vibration c. Upper partials d. Pitch e. Resonance 2. Scheme of 72 Melakathas 3. Folk Music 4. Musical Prosody and rules of musical compositions 5. Life Histories : a) Tyagaraja, b) Dikshitar, c) Syamasastry, d) Swati Tirunal, e) Patnam Subrahmanya Iyer, f) Muttayya Bhagavatar.
4 Practical - Paper-III: (Practical 1): Compositions and Manodharma Sangitam 1. Syama Sastry Swarajathi in Bhairavi 2. Two Ata Tala Varnams and one Jhampe Tala Varnam a. Kambhoji Ata Tala Varnam b. Kalyani Ata Tala Varnam c. Kedaragoula Jhampe Tala Varnam compositions as mentioned in paper 1 a a. Ritigoula Raga Ratna malikache b. Athala Narada Ganalola c. Saranga Mamava Raghurama d. Kedaragoula Venuganaloluni e. Natakuranji Paraakali Saraswati f. Pantuvarali Appa Ramabhkti g. Yadukula Kambhoji Hetcharikaga h. Darbar Aparadamula i. Sriranjani Brochevarevare j. Kedara Samayamide 4. Alapana and Swarakalpana of a. Sriranjani Brotche Varevaru b.saveri Enta Nerchina c.hindola Samaja varagamana d.saranga Mamava Raghurama e.ritigoula Raga Ratnamalika f.bilahari Paridanamu 5. One Kshetraya Padam Bowli Kodi kusi 6. Javali Kamaas Apudu Manasu
5 Paper IV : (Practical II): Advanced compositions and Manodharma Sangitam 1. Ghana raga Pancharatna Kritis of Tyagaraja (Arabhi and Sri) a. Aarabhi Sadinchene b. Sriragam Endaro Mahanubyhavulu compositions mentioned in theory paper 1 b a. Goula - Pranamamyham b. Sahana Rama ika nanu c. Devagandhari Koluvai yunnade d. Hamsadvani Vaathapi Ganapathim e. Naata Maha Ganapathim f. Chakravakam Sugunamule g. Asaveri Dasaradha Nandana h. Surati Ramachandra i. Hari Kambhoji Undedi Ramudu j. Sri Ragam Sri Varalakshmi 3. Alapana, Neraval and Swarakalpana of a. Sankarabharanam - Ee varaku Juechinadi Alap, Niraval & Swaram b. Todi Ama Naadu Vinnapamu - Alap, Niraval & Swaram c. Pantuvarali - Appa Ramabhakti - Alap, Niraval & Swaram d. Kambhoji Maa Janaki - Alap, Niraval & Swaram e. Kalayani Vaasudeva Yani - Alap, Niraval & Swaram f. Kharaharapriya Chitra Ratnamaya - Alap, Niraval & Swaram g. Purikalyani Gnanamosagaraaga - Alap, Niraval & Swaram 4. One Ragamalika Poorna Chandrabimba Shat Raga malika 5. Two Tillanas a. Poorna Chandrika b. Kamaas 6. One Adhyatma Ramayana Keertana Surati Cheri Vinave ***
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