Advanced Certification in Sound Engineering & Music Production
|
|
|
- Bethany Stephens
- 9 years ago
- Views:
Transcription
1 Advanced Certification in Sound Engineering & Music Production At TGC, Sound PRO is a program for all the music enthusiast having keen interest in Audio Engineering and Recording. Made with a 100% practical approach Sound pro is about practice on Recording, Sychronization, Mixing, Reproducing voice, Music and Sound Effects. Sound PRO deals with Audio for a wide range of applications i.e. music production, Film and A/V post production, live sound reinforcement, advertising and multimedia broadcast. At TGC, a course in Sound PRO will help you prepare a career as Musician, Music Production Artist and Sound Engineer. Faculty at TGC is young & talented Music producers with relevant hands on experience. Programme Outline: Sound Engineering Institute Normal Track Course Duration: 4 months Schedule: 2 Hour/3 days a week 1 / 5
2 Fast Track Course Duration: 3 months Schedule: 2 Hours/ 4 days a week (Weekend options also available) Introduction to AD / DA Converters / History of Recording TAPE / VINYL - Analog Gear PREs /EQs/ Compressors/ EFFECTS Unit. - Mixing Console. - Types of Microphones & Signal Path. Audio & Sonics - Audio Bandwidth. - What is Bit and Sample rate. - Various Audio Formats - Identifying various elements/ instruments in a song. - Frequency range of various instruments. EQ & Dynamics I (Cubase) - Eq and Compression (Dynamics Processing) Vol 1. - Types of Compressors & Limiters (Classic & Modern). - Limiting. - Passive EQ. - Saturation. 2 / 5
3 Eq & Dynamics II (Cubase) - Eq and Compression (Dynamics Processing) - Applying compression on various types of sounds/instruments/drums. - Mix Bus Compression. - Mastering EQ (Clinical). - De-essing & Multiband Compression. RECORDING (Cubase) - Eq and Compression (Dynamics Processing) Vol 2. - How to apply compression on various types of sounds/instruments/drums. - Mix Bus Compression. - Mastering EQ (Clinical). - De-essing & Multiband Compression. Vocal/Instrument Tuning & Harmonization - Eq and Compression (Dynamics Processing) MIXING (Cubase) - Litening to reference tracks (various styles) - Organizing the session and labelling + colouring. - Grouping Tracks and creating Buses. - Basic Balancing starting with drums finishing on vocals. - Using OZONE to tame a rough Mix. - Widening Tracks. 3 / 5
4 - Drum Replacement and Audio Quantization. - Beat Detective/ Audio Transposing. MIXING II (Cubase) - Using EQ to cut unwanted freq. - Compressing Vocals - Eq and De-essing Vocals. - Eq ing Drums. - Drum Compression. - Eq Drums. - Masking of sounds. - Exciter/ Declicker etc. - Gating Drums. MIXING III (Cubase) - Compression on guitars - Compression on synths and eq. - Using Effects Reverb / Delay / Chorus / Modulation to colour sounds. - Using Effects to colour Vocals and make them sit extreme vs. subtle applications. - Using Emulation Plugins of Classic Gear: Tape/Tubes etc. - Guitar FX Processing. - Fade Application. Mastering (Cubase) - Using Ozone: - Pre Eq - Compression (Single/ Mixbus / Multiband) - Spatialization of Entire MIX - Post EQ. - Saturation (TUBE / TAPE / EXCITER) - Limiting and Level Maximization - Interpreting Meters / Phase & Level. - Normalization. - Dithering and Noise Shaping. 4 / 5
5 Acoustics & Project Development and Review - Using Ozone: - Pre Eq - Compression (Single/ Mixbus / Multiband) - Spatialization of Entire MIX - Post EQ. - Saturation (TUBE / TAPE / EXCITER) - Limiting and Level Maximization - Interpreting Meters / Phase & Level. - Normalization. - Dithering and Noise Shaping. Project Submission Know more about Audio Editing Name: Mobile: State: 5 / 5
MANCHESTER MIDI SCHOOL MUSIC PRODUCTION AND AUDIO ENGINEERING DIPLOMA COURSE INFORMATION PACK 15 MONTHS MIDISCHOOL.COM
DIPLOMA 15 MONTHS MIDISCHOOL.COM INTRODUCTION Course Name: Duration: Incorporates: Music Production and Audio Engineering Diploma 15 Months 5 modules JUMP STRAIGHT TO: About the course tutor What you will
Learn PRO Audio in your own home recording studio with... AUDIO MASTERCLASS
Learn PRO Audio in your own home recording studio with... AUDIO MASTERCLASS Raise your knowledge and skills from where you are now to FULLY PROFESSIONAL level. Our 12-module MUSIC PRODUCTION & SOUND ENGINEERING
Waves Trans-X. Software Audio Processor. User s Guide
Waves Trans-X Software Audio Processor User s Guide Waves Trans-X software guide page 1 of 8 Chapter 1 Introduction and Overview The Waves Trans-X transient processor is a special breed of dynamics processor
EUROPEAN COMPUTER DRIVING LICENCE. Multimedia Audio Editing. Syllabus
EUROPEAN COMPUTER DRIVING LICENCE Multimedia Audio Editing Syllabus Purpose This document details the syllabus for ECDL Multimedia Module 1 Audio Editing. The syllabus describes, through learning outcomes,
MANCHESTER MIDI SCHOOL MUSIC PRODUCTION - AUDIO ENGINEERING - MUSIC BUSINESS COURSE INFORMATION PACK 18 MONTHS MIDISCHOOL.COM
18 MONTHS MIDISCHOOL.COM INTRODUCTION Course Name: Duration: Incorporates: Music Production, Audio Engineering & Music Business Diploma 18 Months 8 modules JUMP STRAIGHT TO: About the course tutor What
UNIVERSITY OF CALICUT
UNIVERSITY OF CALICUT SCHOOL OF DISTANCE EDUCATION BMMC (2011 Admission) V SEMESTER CORE COURSE AUDIO RECORDING & EDITING QUESTION BANK 1. Sound measurement a) Decibel b) frequency c) Wave 2. Acoustics
Managing Widening Participation in Music and Music Production. Rob Toulson Anglia Ruskin University
Managing Widening Participation in Music and Music Production Rob Toulson Anglia Ruskin University Introduction Widening the participation of musicians and music production is an active ambition of many
Cubase Vs Logic Pro - Music Composition
, pp. 39-48 http://dx.doi.org/10.14257/ijseia.2016.10.3.04 Integrating the Computer Systems and Applied Music Education - Focus on Sequencing Program- Tae-Seon Cho Dept. of Applied Music, Chungwoon University
MUSC 1327 Audio Engineering I Syllabus Addendum McLennan Community College, Waco, TX
MUSC 1327 Audio Engineering I Syllabus Addendum McLennan Community College, Waco, TX Instructor Brian Konzelman Office PAC 124 Phone 299-8231 WHAT IS THIS COURSE? AUDIO ENGINEERING I is the first semester
The TRW Full Time Standard & Advanced Music Technology & Sound Engineering Courses (TRW Music Tech SE.)
The TRW Full Time Standard & Advanced Music Technology & Sound Engineering Courses (TRW Music Tech SE.) PROSPECTUS 2008 Standard course: page 3 Advanced Course: page 5 Fees: page 5 Start dates: page 5
City of Dublin Education & Training Board. Programme Module for. Music Technology. Leading to. Level 5 FETAC. Music Technology 5N1640
City of Dublin Education & Training Board Programme Module for Music Technology Leading to Level 5 FETAC Music Technology 5N1640 Music Technology 5N1640 1 Introduction This programme module may be delivered
Music Technology II. What are some additional applications understand midi sequencing. for music production software?
Music Technology II This class is open to all students in grades 9-12. This course is designed for students seeking knowledge and experience in music technology. Topics covered include: live sound recording
Delivering a Music Product
Unit 9: Delivering a Music Product Unit code: QCF Level 3: Credit value: 10 Guided learning hours: 60 Aim and purpose R/600/6964 BTEC National The aim of this unit is to enable learners to experience the
RECORDING AND CAPTURING SOUND
12 RECORDING AND CAPTURING SOUND 12.1 INTRODUCTION Recording and capturing sound is a complex process with a lot of considerations to be made prior to the recording itself. For example, there is the need
Music technology. Draft GCE A level and AS subject content
Music technology Draft GCE A level and AS subject content July 2015 Contents The content for music technology AS and A level 3 Introduction 3 Aims and objectives 3 Subject content 4 Recording and production
A Basic Mixing Method
A Basic Mixing Method Mixing is one of the most difficult things to get right in music production and one of the most important. Every producer and engineer will approach a mix differently and like many
GCSE Music Unit 3 (42703) Guidance
GCSE Music Unit 3 (42703) Guidance Performance This unit accounts for 40% of the final assessment for GCSE. Each student is required to perform two separate pieces of music, one demonstrating solo/it skills,
Sound Engineering and Music Technology
The Further Education and Training Awards Council (FETAC) was set up as a statutory body on 11 June 2001 by the Minister for Education and Science. Under the Qualifications (Education & Training) Act,
Audio Engineering Principles
Unit 2: Audio Engineering Principles Unit code: QCF Level 3: Credit value: 10 Guided learning hours: 60 Aim and purpose J/600/6881 BTEC National This unit aims to provide knowledge in both analogue and
Co-designed by TASCAM and
Page 1 of 6 FW-1884 Control Surface and Audio/MIDI Interface Up to 18 simultaneous inputs Comprehensive mixing, automation, editing and navigation tools for DAWs Eight 100mm motorized touchsensitive channel
MERCY COLLEGE Music Industry + Technology
MERCY COLLEGE Music Industry + Technology www.mercy.edu/cda The Music Industry + Technology program is housed in a dedicated multi-studio complex in Dobbs Ferry, New York, twenty-miles from midtown Manhattan.
SESSION ACOUSTIC DI USER S GUIDE
SESSION ACOUSTIC DI USER S GUIDE INTRODUCTION Inspired by the LR Baggs Handcrafted Video Sessions and our experience in some of Nashville s great studios, Session Acoustic DI brings our signature studio
Beginners Guide To Music Production
Beginners Guide To Music Production It s MusicTech s guide to everything you need to know about music production: from recording to mixing to mastering. Welcome to our Beginners Guide Are you new to music
Cheat Sheet for Local Church Audio Training Sound Essentials. Kick:
Cheat Sheet for Local Church Audio Training Sound Essentials Thank you for attending this session and supporting your church s ministry. I believe that, as a sound technician, you are a vital part of the
Audio Education Courses
Audio Education Courses arthousemedia Audio Education Course Home Recording 101: An introduction to Home Recording. Course Overview Our Home Recording 101 Audio Education Course aims to provide a practical,
SYLLABUS & COURSE OUTLINE - ADAM BIGELSEN Spring 2014 - DART 352. Analog/Digital Audio Production Sierra Nevada College
SYLLABUS & COURSE OUTLINE - ADAM BIGELSEN Spring 2014 - DART 352 Analog/Digital Audio Production Sierra Nevada College Course Code DART 352 Section 1 Course Title Analog/Digital Audio Production (3 credits)
MANCHESTER MIDI SCHOOL ELECTRONIC MUSIC PRODUCTION COURSE INFORMATION PACK 4 DAYS MIDISCHOOL.COM
4 DAYS MIDISCHOOL.COM INTRODUCTION Never has the electronic music scene been so diverse, exciting, and so easy to be a part of. The explosion in the amount of affordable, professional-level home studio
T1 ToneMatch Audio Engine
T1 ToneMatch Audio Engine Frequently Asked Questions Focus Categories The Technology Functionality Applications General The L1 Product Family Support The Technology What is the T1 ToneMatch audio engine?
The Connacht Education and Training Alliance. Programme Module for. Sound Engineering and Production. leading to. Level 5 FETAC
(Consisting of: City of Galway VEC, County Galway VEC, County Leitrim VEC, County Mayo VEC, County Roscommon VEC and County Sligo VEC) Programme Module for Sound Engineering and Production leading to Level
Sweet Adelines Microphone and Sound System Guidelines
Page 1 Sweet Adelines Microphone and Sound System Guidelines This document establishes a common source of microphone and sound system guidelines for the members of the Sweet Adelines. These guidelines
Cubase LE 5. Installing Cubase LE 5. Trademarks. Quick Start Guide
Cubase LE 5 Quick Start Guide This chapter explains basic operations for using the unit with Cubase LE 5. This explanation is not intended to replace the user s manual for Cubase LE 5. Also, since Cubase
Understanding the DriveRack PA. The diagram below shows the DriveRack PA in the signal chain of a typical sound system.
Understanding the DriveRack PA The diagram below shows the DriveRack PA in the signal chain of a typical sound system. The diagram below shows all the pieces within a sound system that the DriveRack PA
music and sound production 2014/15
music and sound production 2014/15 always the right course Contents HND Music Business... 2 Music and Sound Production BA in Music Performance... 2 BTEC HND Music: Classical Performance and Musicianship...
KEYBOARD EXTENDED RANGE. Sixty Owner, s Manual P/N 049254
THE SOUND THAT CREATES LEGENDS KEYBOARD EXTENDED RANGE Sixty Owner, s Manual P/N 049254 INTRODUCTION Your new Fender KXR 60 Keyboard Amplifier is the result of Fender s ongoing dialog with many of today
Basics. Mbox 2. Version 7.0
Basics Mbox 2 Version 7.0 Copyright 2005 Digidesign, a division of Avid Technology, Inc. All rights reserved. This guide may not be duplicated in whole or in part without the express written consent of
The Cooper Union Audio Lab Jim Abbott
The Cooper Union Audio Lab Jim Abbott The Cooper Union 150 year-old premier institution of higher learning in downtown Manhattan Schools: Art, Architecture, Engineering, Humanities Perennially ranked top
DIGITAL MUSIC DAY 1 WHAT IS SOUND? ANALOG AND DIGITAL EARLY RECORDING WAX FOR YOUR EARS ROUND BUT FLAT WIRE AND TAPE PURE SOUND
DIGITAL MUSIC DAY 1 WHAT IS SOUND? 1. Making a sound playing a musical instrument, moves the surrounding the instrument. 2. Making a sound sends out air which hit your ears. 3. Waves of changing air pressure
Music Production Techniques
Unit 25: Music Production Techniques Unit code: QCF Level 3: Credit value: 10 Guided learning hours: 60 Aim and purpose M/600/6972 BTEC National The aim of this unit is to develop learners awareness of
PSR-S950 DIGITAL KEYBOARDS
The PSR-S950 arranger keyboard effectively blurs the line between digital and acoustic sound, and the result will alter your musical perceptions forever. We recorded pro musicians to achieve authentic
Listening Skills for Music Technologists
Unit 14: Listening Skills for Music Technologists Unit code: QCF Level 3: Credit value: 10 Guided learning hours: 60 Aim and purpose K/600/6985 BTEC National The aim of this unit is to enable learners
Strategies for Success Advising Guide:
MIDDLESEX COMMUNITY COLLEGE Strategies for Success Advising Guide: Music Major As a student at Middlesex, you can earn either the Associate in Arts Liberal Arts and Science: Fine and Performing Arts, Music
Bose L1 Model II Single B2 w/t1
Bose L1 Model II Single B2 w/t1 Bose_L1_Model_II_5159d15dc668e.jpg Rating: Not Rated Yet Price Variant price modifier: Base price with tax: Price with discount: $3,198.00 Salesprice with discount: 1 /
Dynamics Processing Terms and Tips
Dynamics Processing Terms and Tips Audio signals have very wide peak-to-average signal-level ratios, sometimes referred to as dynamic range, which is the difference between the loudest level and the softest
Cubase 7 Cubase Artist 7 Cubase Elements 7. Comparison Chart
Cubase 7 Cubase Artist 7 Cubase Elements 7 Comparison Chart Cubase 7 / Artist 7 / Elements 7 comparison Full feature Limited feature BASICS Cubase 7 Cubase Artist 7 Cubase Elements 7 Number of audio tracks
Audio Equipment Maintenance Audio Signal Processing The Context 1: Sound Technology Professional Development 1
Sound Technology The information contained in this document provides a summary of the content of each module. Please note this may be subject to change. Each student receives detailed Module Handbooks
How To Mix A Song
TABLE OF CONTENTS 1: INTRODUCTION... 5 INTENDED AUDIENCE FOR THIS GUIDE... 5 ABOUT THE 2014 EDITION... 5 ADDITIONAL RESOURCES... 6 ABOUT izotope... 6 2: WHAT IS MIXING?...7 3: THE FOUR ELEMENTS OF MIXING...
Studio and Live Sound Engineering
Studio and Live Sound Engineering Syllabus Instructors: Reid McCargar [email protected] 503-725-5661 Office hours: M,W 9-10 AM, M 1-4 PM Course information: Joel Eisenhower [email protected] 503-725-5661 Course
How To Use A Qsc Touchmix Mixer
Application Guide for Musicians & Bands DON T BE FOOLED BY THE SMALL PACKAGE. Inside each QSC TouchMix mixer is a versatile and powerful set of features and functions the equivalent of a large conventional
HOW TO MAKE A VOICE-OVER DEMO THAT SELLS
I N T E R A C T I V E V O I C E S The Leading Voice-Over Marketplace WHITE PAPER HOW TO MAKE A VOICE-OVER DEMO THAT SELLS The fundamentals of producing an effective voice-over demo. 1 3 0-1 0 0 c o l l
Where to Find the Highest Audio Engineer Salary. How Education and Training can affect the Audio Engineer Salary
Where to Find the Highest Audio Engineer Salary The audio engineer salary will vary and be mostly based on the level of experience of the engineer. Other factors will include level of education, number
SSL 4000 Collection. SSL E-Channel & G-Channel User Manual
SSL 4000 Collection SSL 4000 E-Channel SSL 4000 G-Channel 1 Table of Contents 1. INTRODUCTION... 3 2. PRODUCT OVERVIEW... 4 SSL E-Channel...4 SSL G-Channel...4 Dynamics Section...4 Equalizer Section...5
Sonic Studio Strix Series. User Guide
Sonic Studio Strix Series User Guide DE158 First Edition June 2015 Copyright 2015 ASUSTeK COMPUTER INC. All Rights Reserved. No part of this manual, including the products and software described in it,
How To Run A Board: The Audio Mixing Console First course, Fourth grading period, Week one
How To Run A Board: The Audio Mixing Console First course, Fourth grading period, Week one The mixing console at a radio station or production/recording studio can be an intimidating sight. Some have even
WAVES JJP STRINGS & KEYS User Guide
WAVES JJP STRINGS & KEYS TABLE OF CONTENTS CHAPTER 1 INTRODUCTION...3 1.1 WELCOME...3 1.2 PRODUCT OVERVIEW...3 1.3 COMPONENTS...4 1.4 A FEW WORDS FROM JJP...4 CHAPTER 2 QUICKSTART GUIDE...5 CHAPTER 3 CONTROLS,
GETTING STARTED WITH STUDIO ONE ARTIST
GETTING STARTED WITH STUDIO ONE ARTIST 2009, PreSonus Audio Electronics, Inc. All Rights Reserved. TABLE OF CONTENTS Studio One Artist Features...3 System Requirements...4 Installation and Authorization...5
Funktional Technologies. Model: Chocolate Box
Funktional Technologies Model: Chocolate Box November 2013 The Funktional Technologies Chocolate Box is a 2U analog & digital professional audio device. It incorporates two Cadac K type analog input modules.
IT4404 - Fundamentals of Multimedia (Optional)
- Fundamentals of Multimedia (Optional) INTRODUCTION This is one of the three optional courses designed for Semester 4 of the Bachelor of Information Technology Degree program. This course provides the
Music Sound Engineering and Production (Intermediate 2)
Music Sound Engineering and Production (Intermediate 2) 7876 . September 2000 HIGHER STILL Music Sound Engineering and Production Intermediate 2 Support Materials Sound Engineering and Production Intermediate
The loudness war is fought with (and over) compression
The loudness war is fought with (and over) compression Susan E. Rogers, PhD Berklee College of Music Dept. of Music Production & Engineering 131st AES Convention New York, 2011 A summary of the loudness
Seven Kings High School Music Department. Scheme of Work. Year 9 - Spring Term 1. Indian Music.
Seven Kings High School Music Department. Scheme of Work. Year 9 - Spring Term 1. Indian Music. Content. Aurally recognise and appreciate characteristics of Indian Classical Music. Learning about Indian
Introduction and Comparison of Common Videoconferencing Audio Protocols I. Digital Audio Principles
Introduction and Comparison of Common Videoconferencing Audio Protocols I. Digital Audio Principles Sound is an energy wave with frequency and amplitude. Frequency maps the axis of time, and amplitude
DESIGN CRITERIA FOR ACOUSTIC ENHANCEMENT SYSTEMS Ben Kok, Wim Prinssen Systems for Improved Acoustic Performance Uden, The Netherlands
DESIGN CRITERIA FOR ACOUSTIC ENHANCEMENT SYSTEMS Ben Kok, Wim Prinssen Systems for Improved Acoustic Performance Uden, The Netherlands ABSTRACT Acoustic Enhancement Systems have evolved significantly -
Audio Analysis & Creating Reverberation Plug-ins In Digital Audio Engineering
, pp.201-208 http:// dx.doi.org/10.14257/ijmue.2013.8.6.20 Audio Analysis & Creating Reverberation Plug-ins In Digital Audio Engineering Yoemun Yun Dept. of Applied Music, Chungwoon University Daehakgil-25,
AFX USER GUIDE ACOUSTIC REVERB PEDAL
AFX USER GUIDE ACOUSTIC REVERB PEDAL Quick start clip batt off max warm bright short long decay time level tone studio room plate chamber stage canyon cathedral concert Power Install a 9V alkaline or lithium
Greenwich Public Schools Electronic Music Curriculum 9-12
Greenwich Public Schools Electronic Music Curriculum 9-12 Overview Electronic Music courses at the high school are elective music courses. The Electronic Music Units of Instruction include four strands
Manual Nero WaveEditor
Manual Nero WaveEditor Copyright and Trademark Information Copyright and Trademark Information This document, like the software described therein, is provided as a license and may only be used or reproduced
DIGITAL AUDIO BASICS
DIGITAL AUDIO BASICS 81 DIGITAL AUDIO BASICS 82 DIGITAL AUDIO BASICS 83 DIGITAL AUDIO BASICS 84 DIGITAL AUDIO BASICS 85 DIGITAL AUDIO BASICS 86 DIGITAL AUDIO BASICS 87 DIGITAL AUDIO BASICS 88 DIGITAL AUDIO
T1 ToneMatch TM AUDIO ENGINE. Owner s Guide
T1 ToneMatch TM AUDIO ENGINE Owner s Guide QUICK PATH TO MAKING MUSIC To get sound right away 1. Remove your new T1 ToneMatch TM audio engine from the carrying bag and remove its protective cover (page
Doppler Effect Plug-in in Music Production and Engineering
, pp.287-292 http://dx.doi.org/10.14257/ijmue.2014.9.8.26 Doppler Effect Plug-in in Music Production and Engineering Yoemun Yun Department of Applied Music, Chungwoon University San 29, Namjang-ri, Hongseong,
Acoustics for Musicians
Unit 1: Acoustics for Musicians Unit code: QCF Level 3: Credit value: 10 Guided learning hours: 60 Aim and purpose J/600/6878 BTEC National The aim of this unit is to establish knowledge of acoustic principles
TE KŌKĪ NEW ZEALAND SCHOOL OF MUSIC Gate 7, Kelburn Parade, Wellington 04-463 5369 [email protected] www.victoria.ac.nz/music
Bachelor of Music Whether we re listening to the historic notes of baroque instruments or the beats of contemporary electronica, music reaches out and connects us to our past, to other cultures and to
TI 313 (1.0 EN) d&b Remote network - Integration
TI 313 (1.0 EN) d&b Remote network - Integration 1. Introduction The d&b Remote network offers various options to configure, control and monitor a d&b sound reinforcement system. This can be done by either
Salisbury Township School District Planned Course of Study - Music Production Salisbury Inspire, Think, Learn, Grow Together!
Topic/Unit: Music Production: Recording and Microphones Suggested Timeline: 1-2 weeks Big Ideas/Enduring Understandings: Students will listen to, analyze, and describe music that has been created using
Supersessions: Music Production techniques Berklee school of music. make music sound the best that it can... Cool tips and tricks: making music
SS3: Music Production Techniques January 28, 2011 1:00 PM - 3:00 PM Supersessions: Music Production techniques Berklee school of music make music sound the best that it can... Cool tips and tricks: making
UKU User Guide 1 / 14
UKU User Guide 1 / 14 Welcome to Acousticsamples Thank you for using the UKU library. We hope you enjoy playing the instrument and wish it supports your musical ideas or even better: inspire new ones.
Music 2736b Introduction To Desktop Music Production Lecturer - Daniel Rosen (Office: TC 334, email: [email protected])
Music 2736b Introduction To Desktop Music Production Lecturer - Daniel Rosen (Office: TC 334, email: [email protected]) Mondays 7 10pm, IMC Lab, North Campus Building 125 Course Overview: This course gives
TF5 / TF3 / TF1 DIGITAL MIXING CONSOLE
TF5 / TF3 / TF1 DIGITAL MIXING CONSOLE Reference Manual EN Table of contents Table of contents Overview... 4 Using this document... 4 The display... 4 Universal operations... 8 Library screen... 8 Keyboard
Introduction to Digital Audio
Introduction to Digital Audio Before the development of high-speed, low-cost digital computers and analog-to-digital conversion circuits, all recording and manipulation of sound was done using analog techniques.
The 5 Drivers of Mixing
By Rob Williams 2013 Rob Williams ProSoundFormula.com All Rights Reser ved Rob Williams 2 Contents Introduction 4 How this can help you to get better mixes 6 1. Balance 7 2. Fix 9 3. Enhance 11 4. Shape
City of Dublin Education & Training Board. Programme Module for. Audio Engineering. Leading to. Level 5 FETAC. Audio Engineering 5N1564
City of Dublin Education & Training Board Programme Module for Audio Engineering Leading to Level 5 FETAC May 202/June 202 Introduction This programme module may be delivered as a standalone module leading
HIGH QUALITY AUDIO RECORDING IN NOKIA LUMIA SMARTPHONES. 1 Nokia 2013 High quality audio recording in Nokia Lumia smartphones
HIGH QUALITY AUDIO RECORDING IN NOKIA LUMIA SMARTPHONES 1 Nokia 2013 High quality audio recording in Nokia Lumia smartphones HIGH QUALITY AUDIO RECORDING IN NOKIA LUMIA SMARTPHONES This white paper describes
Tutorial Use Ableton Live for a live set
Intellinoise Studio Intelligent Audio Conception www.intellinoise.com www.electrypnose.com Tutorial Use Ableton Live for a live set Material needed : - Ableton Live - Some finished tracks 1. Introduction
Mbox Basics Guide. Version 6.7 for LE Systems on Windows XP or Mac OS X. Digidesign
Mbox Basics Guide Version 6.7 for LE Systems on Windows XP or Mac OS X Digidesign 2001 Junipero Serra Boulevard Daly City, CA 94014-3886 USA tel: 650 731 6300 fax: 650 731 6399 Technical Support (USA)
UA 610-B Tube Preamp CHAPTER 51. Historical to Modern Tube Amplification from Universal Audio
CHAPTER 51 UA 610-B Tube Preamp Historical to Modern Tube Amplification from Universal Audio The Universal Audio 610 Modular Amplifier was designed by audio renaissance man and UA founder M.T. Bill Putnam,