Curriculum vitae Andrea Kollnitz

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1 Curriculum vitae Andrea Kollnitz Present position Senior lecturer Centre for Fashion Studies, Department of Media Studies, Stockholm University Degree of Doctor 2008 Art History Department, Stockholm University Dissertation: Konstens nationella identitet. Om tysk och österrikisk modernism i svensk konstkritik Academic positions Junior lecturer, Centre for Fashion Studies, Department of Media Studies, Stockholm University parttime employment as lecturer, Art History Department, Södertörn University 2009 Project leader for establishment of internet platform at Art History Department, Stockholm University PhD student at Art History Department, Stockholm University Ongoing projects Editorial work with Cultural History of the Avant-Gardes in the Nordic Countries vol , Rodopi, Amsterdam/New York, forthcoming in 2016 (co-editors Benedikt Hjartarson, Per Stounbjerg, Tania Örum) Modernism och mode, Carlsson förlag 2014 (co-editor Louise Wallenberg) Research on The Art of Self-Fashioning, work with case-study on Leonor Fini. Research on Visual Fashion Discourse during the First World War. 1

2 List of Publications Forthcoming publications Modernism och mode, ed. Andrea Kollnitz, Louise Wallenberg, Carlsson bokförlag, To be published in Stockholm 2014 Se på mig. Mode som uttryck och strategi i Isaac Grünewalds and Sigrid Hjerténs måleri och själviscensättning. To be published in: Modernism och mode, ed. Andrea Kollnitz, Louise Wallenberg, Carlsson bokförlag, Stockholm A Cultural History of the Avant-Gardes in the Nordic Countries vol , Rodopi, Amsterdam/New York, forthcoming in 2016 (co-editors Benedikt Hjartarson, Per Stounbjerg, Tania Örum) Trying to Change the (Art) World. Otto G. Carlsund and the Stockholm exhibition in: A Cultural History of the Avant-Gardes in the Nordic Countries vol , Rodopi, Amsterdam/New York, forthcoming in 2016 (co-editors Benedikt Hjartarson, Per Stounbjerg, Tania Örum) Monographs Konstens nationella identitet. Om tysk och österrikisk modernism i svensk konstkritik , Drau förlag, Stockholm Dissertation Peer-reviewed original articles Museiidentitet och genus: Norrköpings Konstmuseum in: Representation och regionalitet. Genusstrukturer i fyra svenska konstmuseisamlingar, ed. Anna Tellgren, Jeff Werner, Statens kulturråd, Stockholm Promoting the Young. The Swedish Avant-garde and the Art Market In: A Cultural History of the Nordic Avant-Garde, vol. 1, ed. Rikard Schönström, Editions Rodopi B.V. Amsterdam- New York The Devil of Fashion: Women, Fashion and the Nation in Early-Twentieth-Century German and Swedish Cultural Magazines. In: Fashion in Popular Culture. Literature, Media and Contemporary Studies, ed. Joseph H. Hancock, II, Toni Johnson-Woods and Vicki Karaminas, Intellect Bristol, UK/Chicago, USA 2013 Receptionen av tysk och österrikisk modernism i Sverige (2009). In: Konsten och det nationella. Essäer om konsthistorien i Europa , ed. Martin Olin, Kungl. Vitterhets Historie och Antikvitets Akademien, Stockholm 2013 Rollspel. Mode som självframställning och experiment under Siri Derkerts 1910-tal in: Att alltid göra och tänka det olika. Siri Derkert i 1900-talet, ed. Mats Rohdin, Annika Öhrner, Kungliga biblioteket, Stockholm Simply Illustrations? On Interactivities between Words and Pictures in the Rhetoric of Art Reviews. VALÖR Konstvetenskapliga studier Articles in anthologies and museum catalogues Under påverkan. Om fransk och annan utländsk konst i 1910-talets svenska konstdiskurs In: 2

3 Inspiration Matisse!, ed. Karin Sidén, utställningskatalog Prins Eugens Waldemarsudde, Carlsson förlag, Mellan manlig kraft och kvinnlig känsla in: Agnes Cleve. Svensk modernist i världen, ed. Karolina Peterson et al. Utställningskatalog Mjellby Konstmuseum Halmstad, Inter-Acting Stories. Reflections on Fashion, Chess and Story-Telling. In: A Queen Within. Adorned Archetypes, Fashion & Chess, ed. Sofia Hedman et alt., exhibition catalogue, World Chess Hall of Fame, London 2013 Den representativa överklasskvinnan. In: Ett sekel av dräkt & mode ur den Hallwylska samlingen, ed. Gösta Sandell, Hallwylska museet, Stockholm 2011 Organisation of Conferences Cultural History of the Avant Garde in the Nordic Countries, Copenhagen, October 2013 Panel Chair at Conferences: 'Fashion, Vision and Visuality' 38th Annual AAH Conference & Bookfair The Open University, Milton Keynes March Fashion as Image Nordik Conference for Art History, Stockholm October Convenor at international PhD workshop: In a Reverse Fashion, Stockholm University 2014 Conference papers and presentations 2014 Is beauty useless? Fashion, gender and wartime-politics in Punch magazine 1915 presented at: Fashion in Fiction: Style Stories and Transglobal Narratives, City University of Hong Kong, 2014 and Fashion, Dress and Society in Europe during World War I, Institut Francais de la Mode, Paris, The Art of Self-Fashioning. Fashion as creative expression and performative provocation in the life and work of Leonor Fini presented at: Fashion Thinking Theory, History, Practice, University of Southern Denmark, 2014 Trying to Change the (Art) World. Otto G. Carlsund and the Stockholm Exhibition presented at EAM biannual conference Utopia, University of Helsinki,

4 2013 Hero or Scapegoat? Otto G. Carlsund and the Stockholm exhibition presented at: A Cultural History of the Avant-Garde, Copenhagen, 2013 and The European artistic avant-garde c : formations, networks and trans-national strategies, Södertörn University, Art History Department, 2013 The National Identity of Art. On German and Austrian Modernism in Swedish Art Criticism presented at: Arbeitstagung der deutschen Skandinavistik, Freiburg University, 2013 The Art of Self-Fashioning. Fashion as promotion and expression in the work and life of Swedish modernist artists. Presented at: Alternative modernisms, Cardiff University, Paris Revisited: The Construction of Paris as Fashion and Art Capital in Swedish Artists Biographies presented at: Fashioning the City. London Royal College of Art, 2012 and Workshop for Nordic Fashion Studies, Stockholm Unviersity, 2012 The French as the Other presented at: Kolonialism på svenska, Department of Art History, Uppsala University, 2012 Promoting the Young. Interactions of the Swedish artmarket presented at Network for European Avantgarde and Modernism studies, Material Meanings, University of Kent, 2012 The Art of Self-Fashioning. Fashion as promotion and expression in the work and life of Swedish modernist artists. Presented at Symposium Sweden-Japan, Tsukuba University, Japan, National Antagonisms. Performing wars in modernist art-criticism, presented at Annual Conference of the Association for Art Historians, University of Warwick, 2012 Paris Revisited: The Construction of Paris as Fashion and Art Capital in Swedish Artists Biographies , presented at International Colloquium, Transfers, appropriations et fonctions de l avant-garde dans l Europé Intermediaire et du Nord, Institut Finlandais de Paris

5 2010 International Influences Danger or Liberation? Presented at: Peripheries in the European intellectual space, Department of World cultures, Helsinki University, 2010 and Historizing the Avant- Garde, Nordic Network of Avant-Garde studies, Copnehagen University, Showing off. Fashion as Expressive and Strategic Feature in the Production and Promotion of the Swedish Modernist Artists Isaac Grünewald and Sigrid Hjertén, presented at Bi-annual conference of the European Network of Avant-Garde and Modernism Studies, High and Low, Poznan University, 2010 The Devil of Fashion: Women, Fashion and the Nation in Early Twentieth-Century German and Swedish Cultural Magazines, presented at: Fashion in Fiction The Dark Side, Drexel University, Antoinette Westphal College of Media Arts & Design, Philadelphia, 2010 The French as the Other. Presented at international workshop Articulations, Amsterdam School of Cultural Analysis, ASCA, Common places: On nationalistic rhetorical strategies in Swedish art criticism and art history writing presented at Annual Conference of the Association for Art Historians, Intersections, University of AAH, Manchester University, 2009 International Influences. Danger or Liberation? presented at ASEN (Association for Studies on Ethnicity and Nationalism) conference, Nationalism and Globalisation, London School of Economics, Receptionen av tysk och österrikisk modernism i Sverige presented at symposium Konst och nation, Kungliga Vitterhets Akademien, Stockholm Simply Illustrations? On Interactivities between Words and Pictures in the Rhetoric of Art Reviews presented at NORDIK (Nordic Association of Art Historians) conference Tradition and Visual Culture, Bergen University, Norway,